Bob Ross's

The Joy of Painting

S18E12 - Southwest Serenity

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Hey, certainly glad you

could join me today.

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Today.

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I thought we'd do just a fantastic

little painting, maybe something

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that has sort of a desert look to it.

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So I tell you what, let's

start out, having run all

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the colors across the screen.

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That you need to paint along with me.

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And as usual they'll come across

in the same order as I have them

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on my palette, starting with

the white and working around.

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But when you set your palette up, set

it up anyway, that's convenient to you.

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So tell you what, I've got my standard

old 18 by 24 inch canvas up here.

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We've covered it with a nice

even coat of the liquid white

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and it's all wet and ready to go.

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So let's just have some fun today.

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Let's start out today with a small,

small amount of the CAD yellow.

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This is cadmium yellow.

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Very small amount don't want much.

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All right.

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And we'll make just a

beautiful little sky up here.

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So let's take a little bit of this yellow.

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Just put a little right up in here.

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Just using little crisscross strokes,

just little, little exes, little exes.

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Like, so without cleaning the

brush, I'm going to go right into.

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A little bit of a yellow

ochre and the same thing.

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We just had a little yellow ochre here.

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Just to give it a little beautiful color.

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We'll just let this go wherever anything

that we don't want, but just covered up.

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So we don't worry about it.

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All we're doing here is just putting

in some beautiful little colors.

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Maybe a little more right over in here.

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Let's have some fun.

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Let me wash the old breasts.

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That's always the highlight

of this whole Piney there.

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Shake it off.

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Then

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just to beat the devil out of it.

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One of these days, I'm going

to show you my camera man.

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So you'll know what they look like

and you'll understand why it's.

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So it's so funny around here.

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We'd beat this brush.

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Tell you what, let's mix up

a little bit of color here.

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Let's take some alizarin,

Crimson, Liz in Crimson.

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We'll get a little bit of fallow blue.

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I don't want much blue.

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I want this to be to the

red side of lavender.

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We'll pick it up, turn it over now.

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Then it's very difficult

to tell what color that is.

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It's very difficult.

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So let's put some white in it.

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We'll add a little fight in there.

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Very nice.

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That's just what I'm looking for.

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There may be a little bit more Crimson.

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Just depends on how you

feel the day you painted.

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Sometimes a little more to the ready

side sometimes to the blue side.

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Now let's take some of this

and pull it out here into that.

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I'm going to add a little bright

red, like a firecracker out of it.

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Just let it go here.

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A little bit of bright red.

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Then we're going to take a little

debt and I'll add yellow ochre to it.

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So out of that one color now

we've got three different

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things that are happening here.

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We can vary back and forth.

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And have a whole multitude of

things that are happening right on

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the right on the old brush here.

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So let's get a, we use

a two inch brush today.

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What the heck?

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Make sure it's good and dry.

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And let's start this

first color of lavender.

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We'll just put a little

paint on the brush.

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There we are just a little, didn't

take much, Kim, let's go right up here.

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And maybe in our world there lives

right here, just a happy little cloud.

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And I'm just using the

corner of the brush.

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Just sort of twisting it up, making little

tiny circles there and just let this cloud

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sorta go wherever you think it should be.

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There we go.

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And all we're doing is

just applying color.

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At this point, we're going

to come back and blend in.

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Bring us all together there, but

I, to make a very effective little

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sky, one that's bright and shiny.

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It makes you happy to look at it.

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Maybe there's a little Dewar hangs down

right here, whatever, you know, shoot.

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Maybe he's got a little arm

out here, whatever you want.

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Just cloud I'm very free.

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They just sort of float

around and have fun all day.

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And you can make all kinds of

beautiful little shapes and designs.

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If you're like me, when I was a kid, I

used to sit around and look at clouds

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and pick out all kinds of shapes.

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And when you're painting them,

you can do the same thing.

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You can create the illusion

of just all kinds of beautiful

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little things that are happening.

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There we go.

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But tiny little circles,

tiny little circles.

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There you go.

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Now you see why I took up

painting rather than singing.

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Okay.

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Maybe even a little down here,

wherever, wherever it's a

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very free form of painting.

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Let's go over on the other side

here, put one right up in here.

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We don't want to have left out, but I'm

still just using the corner of the brush.

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That's all we're using here.

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Just the corner of the brush.

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Jamie, I'm going to go into some of

those other colors that we've made.

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And just to add a little bit of those

different colors here and there,

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just to change the flavor a little.

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Okay, man, that maybe in her world.

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Maybe there's a nice little cloud

that floats around her right out here.

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Wherever you think you should live.

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There you go.

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And all we're doing is just putting

in the basic shapes right now.

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We'll come back and blend this too.

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When you're doing this, if this

doesn't look too hot at this

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point, don't worry about it.

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Don't worry about it.

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Cause we're going to make it.

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We're going to make it all better.

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That's what my mother used

to tell me when I was sick.

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She'd say we'd make it all better.

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And she always did.

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Always did.

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And even today she still makes

it all better when I don't feel

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well, mothers are like, yes, yes.

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People in the world.

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They're okay.

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I already give us enough.

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Clouds play with a little

wash, your old brush again.

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I just want to get, even with a

camera people, they, they hassle me.

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We got them that time.

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Now then let's go right up

here with a clean, dry brush.

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And just believe in, and we're just going

to begin bringing all this together.

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Be sure your brush is

very clean and very dry.

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You can land right over the

top of it, just like it and

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watch out we'll come together.

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Say there anything that we were

worried about now, we don't have to

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worry about just blend them together.

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And if you want them

softer, just wind them up.

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The little tiny circles like

that, and it'll just blend

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it right into the base color.

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And it'll all come together.

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just to pull that paint,

because this is wet.

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You can move color.

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If this was a dry canvas, you'd have

a very difficult time making this

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work, but since it's nice and wet

has the liquid white on the canvas,

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you can create these illusions.

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I can move paint there.

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See those clouds that we

were sort of worried about.

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Now they're very striking clouds.

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There we go.

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I just blend this one out a

little in places other places

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I'm going to leave it quite firm.

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So there's all types of

things happening in there.

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There's action happening.

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It's not just a dead old

cloud laying up here.

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There we go.

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Very lightly.

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We'll just blend it all together.

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Matter of fantastic

way of making it a sky.

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This is real.

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I had it.

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Maybe we want to add really want

to add a little sparkle to it.

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Let's take a little titanium

white on the fan brush.

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Go right up here.

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Maybe.

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Maybe ran into here.

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We want to have some light right into

this beautiful little area right here.

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So all you have to do is take a

little fight, place it in there.

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Shoot, who knows?

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Maybe there's a little

showing from right up here.

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Let it plan ride on now.

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Excellent now with a clean, very

dry brush, we can go back in

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here and gently blend that out.

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That'll give us a beautiful

light spot in the sky.

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There

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for using is very firm.

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So you can do all this

blending and get away with it.

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If it was a soft paint, you

could be an agony city or

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there we go, but doesn't it make a

nice little bright spot in your sky.

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You could do that without any problem.

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Shoot.

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We were having so much

fun with a fan brush.

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Let's just keep on with it.

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There we go.

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Let's take the color that we made the

cloud over the first color we mixed this,

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basically just a lizard, Crimson, they,

a little blue, a little touch of white.

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Grab a little more white.

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I want to lighten that up a little more.

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I'm looking for a color.

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That's very close to the cloud color.

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Okay, let's go up here.

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You can sort of hold your

brush up here and check it.

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If it's not just right, then

you can change your mind.

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Let's go right in here, maybe

in our world, our lives.

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A little mountain back in here,

like it, but I want this to be

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almost the same color as the cloud.

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So it just hides back in and with this

fan brush, you can put all kinds of

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little points and stuff on your mountain.

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They're very subdued though.

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be very quiet with it.

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Okay.

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Now we'll take a two inch brush

and I'm going to grab this

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and just begin pulling it.

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And this is where you create the

basic shape of your mountain.

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Just with the brush

strokes, brush strokes.

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That's the name of our newsletter.

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Okay, just give it a four over here.

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We're going to sort of

pull it in this direction.

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See how those angles are changing though.

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And just by doing that, you can create

the illusion of a nice little mountain

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that lives with you back here, there,

and you can go back with a little of

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the darker color in here and there.

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Put in the indication of some

little things that are happening

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back in don't want too much in this

window because it's too far away.

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You put too much in here, you're

going to lose that wonderful

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illusion, the distance.

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It's a beef.

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Be careful base.

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If we want to create missed,

let me grab another brush.

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I have several going here.

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All we do is tap.

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Allow it to blend the liquid

wipes on the canvas automatically

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it'll create that illusion

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right now.

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There may be there's

several layers of these.

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So let's have another one here.

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Go back into that same color.

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And I'm going to add the least

little touch of the low blue

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to at least little touch.

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I don't want much, not much.

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Just a little.

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Okay.

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Let's go back up in here.

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Okay.

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Let's come right in here.

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Maybe right here.

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This time leaves are little there.

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You can see it, but see, just use

the corner of the fan brush and

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you'd be surprised at the amount

of detail you can get in there.

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Maybe this comes down.

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Comes right over here.

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I don't know wherever you want it to go.

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Just drop it in there.

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We have some of the beautiful

scenes that I saw when I was

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visiting my friends in Mexico.

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It is beautiful.

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There.

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Absolutely beautiful.

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If you've never been to

Mexico, you really should kill.

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Some of the most beautiful

mountains I think I've ever seen.

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And some of the nicest people I've ever

met, maybe we'll pull that one over

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a little so you can change your mind.

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We'll just let it disappear right on

over into here wherever you want it.

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In fact, her big brush.

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You want to grab this?

255

00:13:17,280 --> 00:13:19,640

Pull it, hold it firmly.

256

00:13:22,280 --> 00:13:24,349

Think about the angles that

you want in here, though.

257

00:13:26,060 --> 00:13:27,140

Just the brush strokes.

258

00:13:27,170 --> 00:13:32,150

All you need to create the illusion

of some beautiful district mountains.

259

00:13:42,050 --> 00:13:42,469

Maybe.

260

00:13:42,915 --> 00:13:44,564

In this one, it's a little closer to us.

261

00:13:44,985 --> 00:13:47,915

So maybe, maybe we want to put

a little more detailed in it.

262

00:13:48,245 --> 00:13:51,785

So I'll take a little bit of that same

color on the fan, Bryce, little tale

263

00:13:51,785 --> 00:13:53,435

of blue and whatever we had going here.

264

00:13:54,035 --> 00:13:54,125

Okay.

265

00:13:54,334 --> 00:13:54,635

Okay.

266

00:13:54,995 --> 00:13:59,675

Now then maybe hearing there,

there's just some, just some

267

00:13:59,675 --> 00:14:00,995

happy little things in here.

268

00:14:01,745 --> 00:14:05,225

So just put in some basic

indications and we'll come back

269

00:14:05,255 --> 00:14:06,305

and we'll blend them a little bit.

270

00:14:07,235 --> 00:14:10,145

Just think about all the little shapes

and the things that are happening.

271

00:14:12,465 --> 00:14:19,095

You can create all kinds of beautiful,

beautiful effects, as easy as that

272

00:14:28,275 --> 00:14:29,325

back to our big brush.

273

00:14:31,109 --> 00:14:35,130

And very likely, very likely.

274

00:14:35,130 --> 00:14:38,040

We'll just tapping the blend until

we get it just the way we want it.

275

00:14:39,089 --> 00:14:40,859

But try this and play with it.

276

00:14:40,890 --> 00:14:43,109

You'll be surprised what you can do.

277

00:14:46,740 --> 00:14:52,380

You'll be absolutely amazed at the

effects you can achieve and you can do it.

278

00:14:52,800 --> 00:14:58,320

You can do anything, anything that

you believe you can do, anything that

279

00:14:58,320 --> 00:15:00,840

you believe you can do, you can do.

280

00:15:01,680 --> 00:15:02,160

All right.

281

00:15:02,760 --> 00:15:05,670

Tell you what this is, how much

fun let's put one more range

282

00:15:05,670 --> 00:15:06,510

in there and then ask quit.

283

00:15:07,080 --> 00:15:08,070

I just enjoy doing this.

284

00:15:08,070 --> 00:15:09,810

It takes same color at a

little bit more of that.

285

00:15:09,810 --> 00:15:13,230

They low blue and let's

come right along in here.

286

00:15:13,320 --> 00:15:14,280

Maybe this one comes.

287

00:15:15,235 --> 00:15:15,765

Right here.

288

00:15:17,085 --> 00:15:19,155

So you got back when now it's

almost to the point where

289

00:15:19,155 --> 00:15:20,415

you can't hardly make it out.

290

00:15:20,535 --> 00:15:21,525

It's almost gone.

291

00:15:23,445 --> 00:15:30,345

Do not want much detail back here,

there, maybe bump there wherever you

292

00:15:30,345 --> 00:15:31,575

want to just sort of look at them.

293

00:15:32,835 --> 00:15:35,445

And if you live someplace that

has beautiful mountains like this.

294

00:15:36,360 --> 00:15:38,910

I can Mexico or the Southwest shoot.

295

00:15:38,910 --> 00:15:40,590

You can just look out your window.

296

00:15:40,920 --> 00:15:42,810

You have the advantage

over the rest of us.

297

00:15:43,530 --> 00:15:46,319

Look out your window and paint

some of these beautiful scenes.

298

00:15:48,260 --> 00:15:48,829

There we go.

299

00:15:49,699 --> 00:15:51,500

All we're doing here is just

applying a little bit of

300

00:15:51,500 --> 00:15:54,530

color, a little bit of color.

301

00:15:57,945 --> 00:16:07,485

Now once again with our old big brush,

grab it, pull down, pull down very firmly.

302

00:16:08,415 --> 00:16:10,545

You're moving this paint

right on the canvas.

303

00:16:17,745 --> 00:16:18,465

There we go.

304

00:16:18,705 --> 00:16:19,545

Little better there.

305

00:16:27,194 --> 00:16:32,194

Yeah, we can go back, take our fan

brush with some of the same color

306

00:16:32,825 --> 00:16:36,485

and let's begin adding in all kinds

of beautiful little details in here

307

00:16:41,675 --> 00:16:43,055

and just pick them out.

308

00:16:43,485 --> 00:16:47,505

Just pick them out and you can use a side

of the fan brush, or you can use it flat

309

00:16:47,535 --> 00:16:49,005

depending on the effect that you want.

310

00:16:49,695 --> 00:16:55,095

Just practice a little, you can, you can

create beautiful things with a fan brush.

311

00:16:55,095 --> 00:16:56,925

You can do entire

paintings with a fan brush.

312

00:16:56,955 --> 00:16:59,895

It's just so very versatile too.

313

00:17:01,075 --> 00:17:01,845

It works good too.

314

00:17:03,765 --> 00:17:04,065

There.

315

00:17:08,835 --> 00:17:12,045

Okay, maybe right over

here, just a little bit,

316

00:17:15,425 --> 00:17:24,254

right back to our large brush, very

gently and bring it all together.

317

00:17:26,620 --> 00:17:30,090

I say, this is one of the easiest

ways that I've ever seen of making

318

00:17:30,090 --> 00:17:32,460

this type a little mountain formation.

319

00:17:34,710 --> 00:17:37,740

Now you can continue to blend this

to all these little things that

320

00:17:37,740 --> 00:17:40,230

you've painted in here, go away,

and it just becomes solid again.

321

00:17:40,230 --> 00:17:43,860

So if you ever make a mistake

and you're unhappy with it, of

322

00:17:43,860 --> 00:17:45,000

course we don't make mistakes.

323

00:17:45,000 --> 00:17:46,590

We just have happy accidents.

324

00:17:47,040 --> 00:17:49,440

But should you have something

that you're unhappy with?

325

00:17:49,680 --> 00:17:51,840

You can just keep blending

it until it goes away.

326

00:17:52,320 --> 00:17:53,550

I can just go away and leave you.

327

00:18:00,590 --> 00:18:01,370

Okay.

328

00:18:02,060 --> 00:18:03,320

Very soft at the base.

329

00:18:03,350 --> 00:18:06,530

We want it to be very, very soft,

but look at the amount of distance we

330

00:18:06,530 --> 00:18:09,800

have here because we have all these

different planes, even up into the sky.

331

00:18:10,370 --> 00:18:13,970

There's a lot of different planes

and that creates that illusion

332

00:18:13,970 --> 00:18:15,230

of distance in your world.

333

00:18:17,015 --> 00:18:20,015

She's going back to cover up the whole

canvas here with just got in mountains.

334

00:18:20,015 --> 00:18:21,665

Let's do something down

toward the bottom here.

335

00:18:22,205 --> 00:18:24,505

Let's take, let's take,

let's take tell you.

336

00:18:24,545 --> 00:18:28,475

I don't want to mix up another color

on the most beautiful Browns that

337

00:18:28,475 --> 00:18:32,765

you can make is made from alizarin,

Crimson and SAP green and about

338

00:18:32,765 --> 00:18:39,485

equal parts, equal parts, but it

makes up beautiful, beautiful Brown.

339

00:18:41,105 --> 00:18:44,105

I use it a great deal

when I'm painting there.

340

00:18:44,970 --> 00:18:49,080

Okay, tell you what, let me clean

off the all knife and we just wiped

341

00:18:49,080 --> 00:18:50,850

the knife on him on paper towel.

342

00:18:51,750 --> 00:18:52,830

And we'll go right into that.

343

00:18:53,190 --> 00:18:58,410

We'll take a little bit of that color

there and let's go right up here.

344

00:18:58,920 --> 00:18:59,010

Okay.

345

00:18:59,060 --> 00:19:00,170

That's just painting this.

346

00:19:00,200 --> 00:19:05,750

We need some nice ground areas

and we'll just painted them, but

347

00:19:05,750 --> 00:19:06,950

didn't have a beautiful color.

348

00:19:08,160 --> 00:19:09,030

Beautiful color.

349

00:19:09,090 --> 00:19:11,820

And it's Elysium, Crimson and SAP green.

350

00:19:13,050 --> 00:19:14,190

You take a lizard of Crimson.

351

00:19:14,280 --> 00:19:15,510

Mix it with Sailo green.

352

00:19:16,170 --> 00:19:19,770

Then you get a beautiful black, very

transparent and beautiful black.

353

00:19:23,970 --> 00:19:24,480

Now maybe

354

00:19:27,570 --> 00:19:29,070

you'd want to go back and look at these.

355

00:19:29,770 --> 00:19:31,210

Beautiful mountains back in here.

356

00:19:32,470 --> 00:19:34,360

And to do that, you need

a way to get back here.

357

00:19:35,800 --> 00:19:37,870

You would have to have

a way to get back here.

358

00:19:39,040 --> 00:19:40,960

So let's take what he use your fan brush.

359

00:19:40,960 --> 00:19:44,320

I'm go right into a little bit of

the Vandyke Brown, just a little.

360

00:19:45,570 --> 00:19:52,220

Just a little and maybe, maybe, maybe,

maybe in our world, maybe there's a,

361

00:19:53,959 --> 00:19:55,389

maybe there's a road that goes back here.

362

00:19:55,419 --> 00:20:01,550

We'll put a road in and we'll work around

it there, but notice that it gets bigger

363

00:20:01,580 --> 00:20:02,990

toward different than it is back here.

364

00:20:02,990 --> 00:20:04,669

That's what makes it look

like it's going away.

365

00:20:06,415 --> 00:20:06,804

They're

366

00:20:13,074 --> 00:20:13,284

picky.

367

00:20:13,284 --> 00:20:14,185

This is a big road.

368

00:20:15,504 --> 00:20:17,034

All right, we'll take a big brush.

369

00:20:17,784 --> 00:20:19,455

Let's just blend it in now.

370

00:20:20,685 --> 00:20:22,425

But I'm using little rocking strokes.

371

00:20:22,695 --> 00:20:25,274

I want this to look like

an indentation, maybe the.

372

00:20:25,965 --> 00:20:27,435

Maybe there's been some Jeeps and stuff.

373

00:20:27,435 --> 00:20:32,925

It's went down here and

built a little road there.

374

00:20:35,675 --> 00:20:38,645

People had to come out and take a look

at all the beautiful scenery here.

375

00:20:39,995 --> 00:20:41,345

Just a little indentation.

376

00:20:43,855 --> 00:20:45,935

Just let it disappear

right on back into nothing.

377

00:20:45,935 --> 00:20:47,225

We don't know where it goes back here.

378

00:20:47,615 --> 00:20:50,615

Don't know that we really there.

379

00:20:54,824 --> 00:20:56,865

And that gives us the first

step of our little road.

380

00:20:58,125 --> 00:20:58,604

Okay.

381

00:20:59,745 --> 00:21:02,205

Thank they all use a,

you use a one inch brush.

382

00:21:03,225 --> 00:21:07,574

Let's go into a little bit of black,

a little black, little blank, maybe a

383

00:21:07,574 --> 00:21:09,735

little Brown, little lizard Crimson.

384

00:21:11,504 --> 00:21:15,524

There we are just tap a little

color in there and let's go up

385

00:21:15,524 --> 00:21:18,014

here and maybe there's some nice.

386

00:21:19,965 --> 00:21:23,085

Nice little trees and stuff here,

that girl, and I'm just taking

387

00:21:23,085 --> 00:21:25,695

the one inch brush and just

tapping in some very basic shape.

388

00:21:25,695 --> 00:21:27,885

Maybe we'll make the call, smoke trees.

389

00:21:27,915 --> 00:21:29,655

Maybe we'll make some of those back here.

390

00:21:30,725 --> 00:21:32,645

How are we doing right now

is putting in a little dark.

391

00:21:33,545 --> 00:21:37,145

So our light will show a little dark.

392

00:21:38,825 --> 00:21:41,795

You have to have a little

dark to make the light show.

393

00:21:43,405 --> 00:21:44,555

It's just like in life.

394

00:21:44,615 --> 00:21:46,295

You never had any sadness in your life.

395

00:21:46,844 --> 00:21:48,854

Then you wouldn't know the

happy times when they came.

396

00:21:50,294 --> 00:21:52,604

That's the reason God gives

us a little sad times.

397

00:21:53,774 --> 00:21:54,705

I had had way with no home.

398

00:21:54,705 --> 00:21:58,635

We got a good one there.

399

00:22:01,185 --> 00:22:01,695

All right.

400

00:22:01,784 --> 00:22:03,135

Maybe, maybe even down to here.

401

00:22:03,165 --> 00:22:03,584

I don't know.

402

00:22:05,145 --> 00:22:06,764

They're really not

committed at this point.

403

00:22:06,764 --> 00:22:09,615

We can put in just any other thing

that we want wherever we want.

404

00:22:10,965 --> 00:22:11,235

Okay.

405

00:22:11,415 --> 00:22:11,774

Let's go.

406

00:22:12,600 --> 00:22:13,260

Maybe right here.

407

00:22:14,250 --> 00:22:15,600

Maybe there's a nice tree right here.

408

00:22:15,629 --> 00:22:20,580

Big up a few little

things that live in here.

409

00:22:22,560 --> 00:22:25,290

When you're doing your painting, just

sort of make up little stories and put

410

00:22:25,290 --> 00:22:28,919

these things right in wherever you want,

wherever you think they should live.

411

00:22:32,010 --> 00:22:33,090

And that's where they should be.

412

00:22:34,860 --> 00:22:36,480

Maybe a few little things down here.

413

00:22:39,000 --> 00:22:39,540

There we go.

414

00:22:44,190 --> 00:22:46,230

All right, let's take

another one inch brush.

415

00:22:46,290 --> 00:22:47,310

I have several of them going.

416

00:22:47,879 --> 00:22:50,340

I'm gonna dip the brush into the

least little amount of the liquid

417

00:22:50,340 --> 00:22:51,530

white that's only to the end.

418

00:22:51,530 --> 00:22:55,410

The paint will pull out a little

titanium height, reach up here and

419

00:22:55,410 --> 00:22:56,850

we'll get a little bit of a blue.

420

00:22:57,810 --> 00:23:01,170

This is the little blue, little

liquid white titanium white.

421

00:23:01,200 --> 00:23:05,670

We just have the bristles straight

into that and let's go up here now.

422

00:23:05,670 --> 00:23:08,790

Then let's come up here and

just tap in some highlights.

423

00:23:10,170 --> 00:23:15,000

Just tap on me thinking about form

and shape and all those little things.

424

00:23:15,990 --> 00:23:17,100

There's one back here.

425

00:23:17,970 --> 00:23:20,040

We just let these disappear

right on back into nothing.

426

00:23:20,040 --> 00:23:21,270

So it looks like distance.

427

00:23:23,100 --> 00:23:23,790

There we go.

428

00:23:24,510 --> 00:23:25,140

Beautiful though.

429

00:23:27,660 --> 00:23:29,040

They're little trees living.

430

00:23:29,060 --> 00:23:30,060

We're back in here.

431

00:23:31,230 --> 00:23:36,990

There's another one wherever you

want wherever you want there.

432

00:23:38,145 --> 00:23:38,895

Here's a nice one.

433

00:23:40,155 --> 00:23:41,235

He's a nice one.

434

00:23:42,675 --> 00:23:44,475

Or she, maybe this is a sheet tree.

435

00:23:47,045 --> 00:23:48,155

Maybe it's two or three trees.

436

00:23:48,185 --> 00:23:49,565

Maybe it's a whole family of trees.

437

00:23:49,865 --> 00:23:53,315

It's up to you as you start

telling those stories though.

438

00:23:53,375 --> 00:23:54,515

Nasty a whole bunch of trees.

439

00:23:54,515 --> 00:23:54,875

Yes, sir.

440

00:23:56,735 --> 00:23:57,735

There's another one.

441

00:24:02,555 --> 00:24:02,735

There.

442

00:24:02,915 --> 00:24:04,985

You can just make all

the trees that you want.

443

00:24:04,985 --> 00:24:06,545

Let's go back on the other side over here.

444

00:24:07,890 --> 00:24:08,850

Maybe over in here.

445

00:24:09,990 --> 00:24:11,190

There's one that is right here.

446

00:24:14,970 --> 00:24:19,650

And another one there, just

wherever, but look at form and shape.

447

00:24:19,680 --> 00:24:25,860

Don't just hit it random

where ever there we go.

448

00:24:31,050 --> 00:24:34,050

And this is a very, very

nice, easy, simple way.

449

00:24:35,475 --> 00:24:38,294

Of creating these little smoke

trees or whatever you want to

450

00:24:38,294 --> 00:24:40,004

call them very effectively.

451

00:24:40,004 --> 00:24:42,135

We take a little lavender here

and there, maybe here and there.

452

00:24:42,135 --> 00:24:44,085

There's a little, Ooh, there's a nice one.

453

00:24:44,264 --> 00:24:45,254

A little lavender color.

454

00:24:46,544 --> 00:24:46,905

Okay.

455

00:24:48,315 --> 00:24:49,635

Now then we'll go back to our fan.

456

00:24:49,635 --> 00:24:52,305

Brush has a little bit

of white paint on it.

457

00:24:53,105 --> 00:24:55,155

Let's just begin bringing

all this together.

458

00:24:57,135 --> 00:24:57,675

Here we go.

459

00:24:57,794 --> 00:24:58,695

Clean up the bottom.

460

00:25:00,435 --> 00:25:03,675

This is a nice way of just smoothing

it out, bringing it together.

461

00:25:04,784 --> 00:25:11,105

Over in here, right down to the edge of

the road there, pull it right on down.

462

00:25:14,554 --> 00:25:19,955

Say then we'll pick up a little touch of

the dark pink put right into here, Mike.

463

00:25:19,955 --> 00:25:23,495

So just to show where the road

and everything comes together

464

00:25:24,935 --> 00:25:27,754

now let's have some fun shoot.

465

00:25:28,745 --> 00:25:30,774

Let's take a little black, little black.

466

00:25:31,530 --> 00:25:37,679

Maybe right in here, let's just

tap in a little deeper, like yet.

467

00:25:39,060 --> 00:25:40,320

And we'll give him a little friend

468

00:25:43,679 --> 00:25:45,540

maybe right over here.

469

00:25:45,540 --> 00:25:48,629

We'll have another, wherever you want

him just drop in some little things.

470

00:25:48,659 --> 00:25:50,040

I'm going to take a liner brush today.

471

00:25:51,570 --> 00:25:52,520

Learn your brush.

472

00:25:53,250 --> 00:25:59,040

Lot of paint there on, and I'm

going to go right into a little

473

00:25:59,040 --> 00:25:59,909

more of the paint thinner.

474

00:26:00,764 --> 00:26:09,425

Green little black, little touch of the

yellow and let's just do something like,

475

00:26:09,425 --> 00:26:16,595

yes, just like so, but after you have

trouble making your paint flow, as you've

476

00:26:16,595 --> 00:26:20,074

heard me say over and over, just add a

little bit more of the paint thinner.

477

00:26:21,304 --> 00:26:23,435

That's all you need, maybe a pier.

478

00:26:24,905 --> 00:26:29,824

We'll put some nice things like, so maybe

this is an old Yucca plan or something.

479

00:26:31,440 --> 00:26:33,780

But I'm just going back and

forth between the blacks and the

480

00:26:33,780 --> 00:26:34,740

green, a little bit of yellow.

481

00:26:37,670 --> 00:26:41,900

That's a nice whole arm

sticking out here on him there.

482

00:26:43,910 --> 00:26:45,140

And same thing here.

483

00:26:45,140 --> 00:26:46,790

We need some nice things going out here.

484

00:26:48,740 --> 00:26:52,070

There a few right down here.

485

00:26:53,660 --> 00:26:57,560

Say there in a couple on this

one over here, and we're about

486

00:26:57,560 --> 00:26:58,520

to have a finished painting.

487

00:26:59,815 --> 00:27:01,095

Don't want this left out.

488

00:27:05,025 --> 00:27:05,505

Okay.

489

00:27:08,225 --> 00:27:11,855

Tell you what, as I close out here,

let's just put a little tree right here.

490

00:27:11,855 --> 00:27:18,275

We need a little dead tree and we'll

call this one, finished with this there.

491

00:27:19,925 --> 00:27:20,645

We've enjoyed this.

492

00:27:20,645 --> 00:27:23,375

This will give you an idea of how to

make a very effective little desert

493

00:27:23,375 --> 00:27:25,025

scene from all of us happy painting.

494

00:27:25,415 --> 00:27:26,225

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E12 - Southwest Serenity

Bob Ross's

The Joy of Painting

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