Bob Ross's

The Joy of Painting

S26E06 - An Arctic Winter Day

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Hey, welcome back.

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Certainly glad you could join us today.

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I thought today we'd do

something that's really cold.

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So you better get out your

big coat and put it on.

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Let's start out and have run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I've got going.

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Have my standard old pre-stretch

double prime canvas up here.

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And I've just covered the

entire canvas with a very thin

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even coat of liquid white.

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So it's all wet and ready to go.

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So let's do it.

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Let's start out today with two

interruptions, we'll go into a

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small amount of the midnight black

little Prussian blue, and just mix

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them together on the brush here.

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Mostly black though.

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I just put the blue in there to flavor.

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Wait a little bit.

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All right.

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Let's just have some fun,

very little color here.

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I'm just going to go in here and

just barely graze the canvas and

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put it in a little background color.

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Just a little, just a little, I don't

want this to be too dark, cause I

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think I'll put some clouds in here.

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This is my background color, but

the clouds will be the same color.

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Only darker.

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There we go.

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Something about that gap.

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Just enough to flavor the canvas

a little before we get too dark,

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let's have some water in this way.

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You've painted with me before,

you know, I'm crazy about water,

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probably just crazy, but I'm

crazy about water, same color.

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And I go right down in here

and just pull from the outside.

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And he would lay in the little color

that eventually if everything goes right,

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we'll be water there about like that.

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And very lightly would this go

across the entire canvas, but that

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little light area stays in there.

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That's what we were looking for now.

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Then just have some fun, black and blue.

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Mostly black though.

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Once again, the blues in there

just to flavor it a little bit.

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All right.

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All right, let's go up in here now,

then let's have some big old clouds

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and we're just going to tap these in.

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I'm just going to use a

whole two integration.

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Just tap into some very

basic cloud shapes.

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Maybe it comes down, goes up.

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I don't know wherever you want it.

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Just tap them in there.

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A little more color on the brush, just

tap it in something about like that.

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And you make your own mind

up where you think you cloud

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should live because you all see.

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No, don't see nature

through different eyes.

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So I want you to paint what you see there.

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All right.

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Something about like him maybe,

maybe a little more over here

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today, tell you about.

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Can I show you a new brush today,

I'm going to, I'm going to introduce

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you to a little blender brush.

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This is a very soft little blender

brush, and we can just blend

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right over the top of all of that.

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Very, very soft brush.

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It's much, much softer than

the normal brushes we use.

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There and this one's fantastic because

it's thicker than most of them.

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And most important it has a round handle

and the round handle allows you to

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actually paint with it and spend the time.

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There we go.

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See how you can just blend right over

all those beautiful little things there.

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And then we'll just wipe

it on a paper towel.

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I want to come back with a knife,

take some pure titanium white, and I

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want a bright area right up in here.

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So I'm just going to

take that titanium white.

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And as my son, Steve says,

we're just going to smoosh it

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right into the canvas like that.

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Okay.

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Like the sun's maybe behind

that old dark cloud there.

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So we're just going to

smoosh it right in there.

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Just really precedent firmly there.

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And we'd go back to our

little bleeder brush.

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And this is where this

brush is so fantastic.

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You can just blend right

over that, that easy.

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And I'm going to tap the corner of

this brush into a little white, just

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a little bit of the titanium white.

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Say, we're actually going to

paint with this blender in places.

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And with that, then we can go up in

here and just spinning it around.

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We can make the indication of very soft

little fluffy clouds that live in there.

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There I feel to make it look like is

a few rays coming out through there.

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You can just pull it.

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Those might not show up very much,

but in your painting, you'll see them.

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You can make them as distinct as you want.

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And that gives us a pretty

good old winter sky.

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It looks sort of dreary and cold and who,

because I get a storm coming already.

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Does that say you better

get out your heavy coat?

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Let's take pressure and blue midnight

black, but some alizarin Crimson in it.

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Maybe a little van Dyke, good dark

color, predominantly blue though.

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Pull it out as flat as you can get it,

cut across, get a little roll of paint.

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Cause right on the edge of the knife

and our world, maybe if you just

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put us up big old mountain lives are

right up here, just decide where you

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think it should live and drop it.

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And the only thing that we're worried

about in this particular amount of.

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Is the top.

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We could care less.

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What's happening below it.

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Just a second ice edge

is all we're looking for.

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Take a two inch brush,

grab it and pull it.

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Cause we have liquid white on the canvas.

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We can move this color there.

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I see this.

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Let it go.

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Make a big old mountain.

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It just lives right in there.

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Like can come back with

our titanium white.

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Pull it out as flat as we can get

it cut across and we have a little

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roll of paint and we just go right

in here and wait, then let's put

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some nice highlights on this mountain

because snow covered mountain.

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I lived in Alaska for almost a

dozen years and we saw a lot of this

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kind of scenery, gorgeous place.

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Absolutely gorgeous.

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There we go.

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We'll take some white, a little pressure

and blue mix it together with that.

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We'll make a nice little shadow

color, just blue and white.

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Good cold color.

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Cut off our little roller paint again.

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And we go up here.

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Touch no pressure.

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Just let it flow.

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Grab that.

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We're going to push that little peak

back to go right through it and see how

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it pushed it right in the background.

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There no pressure though.

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I want to paint the brake lights yet

to have those little holes in it.

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That's what makes it so pretty.

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It makes it actually look like

something's happening in there.

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Little whiteness breakup, a straight

edge bothers me that it's so straight.

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There we'll come right in here.

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A little shadow under him.

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We got a little mountain garden right

there, cleaning dry two inch brush.

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I want to create a little mist tap.

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The base of it, flipped up

where it always following those

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angles that are in the mountain.

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There we go.

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Yeah.

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Davis have a little fun.

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Let's do two ranges of mountains.

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Just to show you how you can put

one mountain in front of another.

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Maybe over here, we have a huge

mountain wherever you want it.

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Big, strong, old mountain.

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Maybe there's a bump there,

something I can't see.

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You have to make these big

decisions in your world.

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Where does all these things live?

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You decide and then just

drop them in that's.

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What's so fantastic about

this style of painting.

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You get an idea in your mind and

it, before it escapes, you can

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just put it in, can drop it right

in back to our two inch brush.

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We grabbed it.

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And we pull, there we go.

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This does two things.

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First of all, maybe most important

it removes excess paint so that it's

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easier to put the next layer on.

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Secondly, it blends it downward

creates that soft Misty.

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Look at the base when you're painting.

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Now, that's what you're looking for.

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All right.

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Back to our titanium height.

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We'll put some highlights in here.

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There it is.

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See wherever you want them there.

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Maybe right in here.

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See there's one here.

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It comes once.

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Just let it go right on through.

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Just make big decisions.

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Drop it in.

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You have unlimited power here, KoSA.

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No, you can do anything that

you believe you can do anything

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that you believe you can do.

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There we go.

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Right up into here.

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Shoot, look at that pink, strong mountain

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there.

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Just wherever something about like Kevin,

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I love mountains.

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I think they're one of the most

fun things there is to paint.

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And of course, none of us are interested

in selling paintings, but if you

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are, it still seems to be thing it

sells better than anything else.

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It's just great, big old mountains.

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People love them.

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They fit in almost any decor.

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I don't think there's anybody

that doesn't like mountains, but

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maybe there, yes, there we are.

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Spring it right on down.

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You're in there and there, and here you

can go in, figure out where you want a

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little, little projection to be put a

little shadow behind it and automatically

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it'll stand right up in your world.

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Nice.

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Dry clean two inch brush can

begin lifting, working, tapping,

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always follow those angles though.

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I want to create the illusion of distance

here, missed the effect down at the base.

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They have it sometimes, sometimes,

sometimes we'll just take that old

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brush go right into some mountain

color, a little bit of white.

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Maybe a touch more white there,

this long little color in it.

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There let's go up in here.

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Maybe there's some little areas right

here that grow right up the side.

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Just tap them in wherever

you think they should be.

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And that we're going to lift

upward and make it look like little

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trees that are growing back here.

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Little trees that grew right

up the side of the mountain.

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I like that.

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That's a neat, very easy way

to put in an indication of a

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lot of little district trees.

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Yep.

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That's where you'd ski us right down

between those hopefully not into them,

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but beside him, I'm not a very good skier.

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I'd probably run right over there.

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That's the reason I took

up painting lots safer.

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They would just lift up.

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Or I, when we get to all color on

the brush, let's just come right

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in here, pull it straight down.

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Same color, same color,

just pull it straight down

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and then go across.

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We can have instant reflections.

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If you want to put a highlight, take a

little titanium white here and there.

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Don't overdo this though.

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You're wearing the effect just a little

here and there, or then go across

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just enough to wiggle it a little bit.

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See it makes it look like a light

shining in there, but don't overdo it.

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Don't overdo it.

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It gets feeling good.

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Sometimes you don't know when

to stop and think a little,

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the liquid white cut across it.

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Let's go right up in here.

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Just put in a little, little, tiny,

little tiny water is right there.

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This is just a light area between

the two darkest sort of separates.

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It also looks like little places

where snow's laying out in the water.

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There we go.

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Nice.

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There's a big old thing out in here.

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Up to you.

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All right.

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Let's have some fun time to get crazy.

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Let's mix up some crashing and

blue, some blind Crimson, a lot of

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color that dark should look black,

but it has a blue base to it.

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I'll even put a little

Brown to keep it there.

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Let me wipe off the old knife and we just

wiped the knife on some paper towels.

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It's grab a fan brush, loaded,

full of color, lots of color.

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And let's do a sec.

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Let's do us a little evergreen tree.

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Now I'm going to be going

over a lot of snow here.

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Someone dipped the brush into a little bit

of paint, thinner, just a small amount,

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because you know, our golden rule of

thin paint will stick to a thick paint.

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So it'll make it a little easier

when we go right over all of

252

00:14:23,850 --> 00:14:25,620

this, it'll stick a little easier.

253

00:14:26,310 --> 00:14:27,750

Here comes a nice tree,

254

00:14:30,950 --> 00:14:31,670

three Combs.

255

00:14:32,450 --> 00:14:32,540

Okay.

256

00:14:33,170 --> 00:14:35,210

Maybe a little of his

trunk showing right there.

257

00:14:36,015 --> 00:14:39,015

I like to do trees that have a

little, a little bit of trunk

258

00:14:39,015 --> 00:14:40,425

show, a little naked spot on it.

259

00:14:42,135 --> 00:14:45,975

Sometimes that's sort of neat looking in

the painting because trees grow that way.

260

00:14:46,875 --> 00:14:48,045

They're not all perfect.

261

00:14:48,045 --> 00:14:52,335

They're like us, or at least like me.

262

00:14:52,395 --> 00:14:53,475

I got a lot of flaws.

263

00:14:55,545 --> 00:14:56,745

Why do I have a lot of flaws?

264

00:14:56,775 --> 00:14:57,675

And I, ain't going to talk about them.

265

00:14:59,525 --> 00:15:00,185

There we go.

266

00:15:01,455 --> 00:15:04,925

Have another little tree

right there and maybe.

267

00:15:05,845 --> 00:15:07,725

Maybe it was the other one is heightened.

268

00:15:07,935 --> 00:15:08,945

Maybe he's behind back.

269

00:15:08,965 --> 00:15:09,375

I don't know.

270

00:15:11,295 --> 00:15:11,685

Maybe.

271

00:15:11,865 --> 00:15:12,045

Yep.

272

00:15:14,685 --> 00:15:17,865

In your world, you decide how

many or how few trees live there

273

00:15:18,255 --> 00:15:23,265

and just drop them in, just drop

them into where it'd be that easy.

274

00:15:24,645 --> 00:15:25,545

Let's give him a friend.

275

00:15:25,814 --> 00:15:27,105

He sat over here by himself.

276

00:15:27,105 --> 00:15:27,435

Shoot.

277

00:15:28,574 --> 00:15:29,324

He'll get lonely.

278

00:15:32,055 --> 00:15:37,005

No me, I think ever, but he

should have a friend right now.

279

00:15:37,455 --> 00:15:40,635

If this is water, maybe we will end up

reflecting these down into the water.

280

00:15:41,565 --> 00:15:48,135

So I'll just sorta do a real, real,

basic little shot here backwards just

281

00:15:48,135 --> 00:15:54,435

to put the indication of a little

something in the water due to stay there.

282

00:15:54,945 --> 00:15:57,165

We don't care if it's not perfect

because we're going to take a big

283

00:15:57,195 --> 00:16:02,865

brush and just sorta go right over it.

284

00:16:02,865 --> 00:16:04,335

Let me find a nice clean brush.

285

00:16:04,365 --> 00:16:06,915

Very lightly one here in some air.

286

00:16:07,425 --> 00:16:09,135

Just enough to disturb it a little bit.

287

00:16:10,590 --> 00:16:11,550

See that will trees.

288

00:16:11,850 --> 00:16:13,470

Now we got to give them

something to settle on right now.

289

00:16:13,470 --> 00:16:17,370

They're just sort of, sort of floating

around, out there in the water.

290

00:16:17,640 --> 00:16:18,990

So we had to put some land in there.

291

00:16:19,680 --> 00:16:22,110

I'll tell you what, while we get

the old tree breasts going, we

292

00:16:22,110 --> 00:16:23,250

don't want this side left out.

293

00:16:24,170 --> 00:16:25,370

Let's put a big tree over here.

294

00:16:27,410 --> 00:16:28,550

Just a big old tree.

295

00:16:29,750 --> 00:16:32,390

I like this kind of painting because

it'll give you a lot of practice,

296

00:16:33,320 --> 00:16:34,820

a lot of practice with a knife.

297

00:16:35,475 --> 00:16:39,905

And with a fan brush, but the old

knife, if you, if you'll spend some

298

00:16:39,905 --> 00:16:44,225

time learning to use that son of a

gun, you can paint entire paintings.

299

00:16:44,225 --> 00:16:49,145

Within some of the earlier shows, we did

paintings using nothing, but the knife

300

00:16:49,985 --> 00:16:51,515

it's a little hard to do in the timeframe.

301

00:16:51,515 --> 00:16:53,824

We have to try it.

302

00:16:54,694 --> 00:16:58,145

It's a little slower than using

brushes, but you can get some effects

303

00:16:58,204 --> 00:17:00,334

that you can not get using a brush.

304

00:17:00,395 --> 00:17:02,675

Absolutely cannot get it

on another tree there.

305

00:17:04,319 --> 00:17:05,329

There we go see

306

00:17:08,670 --> 00:17:09,270

there.

307

00:17:10,890 --> 00:17:13,829

And if you learned to make one tree

shoot, you can make a million trees.

308

00:17:16,280 --> 00:17:17,010

All it takes.

309

00:17:17,220 --> 00:17:19,530

Just get them right out of your brush.

310

00:17:21,839 --> 00:17:22,230

Take one.

311

00:17:22,230 --> 00:17:25,020

Let's take a little, got a

little blue and white here.

312

00:17:26,730 --> 00:17:28,500

Since this is such a

cold looking painting.

313

00:17:28,500 --> 00:17:28,830

I'm to.

314

00:17:29,745 --> 00:17:33,314

Just use that color to make the indication

of a few little trucks here and there.

315

00:17:37,205 --> 00:17:37,294

Okay.

316

00:17:37,445 --> 00:17:40,835

Normally we'd use Brown, but I

want this painting to stay cold.

317

00:17:41,615 --> 00:17:44,405

Real cold there.

318

00:17:45,965 --> 00:17:46,385

Yeah.

319

00:17:46,415 --> 00:17:50,075

Let's take another fan brush, dip it

into a little bit of the liquid white.

320

00:17:51,450 --> 00:17:52,860

Titanium white.

321

00:17:53,070 --> 00:17:56,310

I put it in the liquid white just to make

it a little bit thinner than a little

322

00:17:56,310 --> 00:18:02,910

bit of that little bit of depression,

blue one, a nice blue color darker.

323

00:18:03,570 --> 00:18:05,370

So you can make it any flavor you want.

324

00:18:05,520 --> 00:18:06,360

I want it darker.

325

00:18:06,390 --> 00:18:06,600

Okay.

326

00:18:06,660 --> 00:18:08,880

Let's go here now with this brush.

327

00:18:09,270 --> 00:18:12,090

We're going to come in here and

put the indication here and there.

328

00:18:12,120 --> 00:18:12,840

Not much though.

329

00:18:13,695 --> 00:18:16,784

Some gorgeous little highlights

that live right out on these trees.

330

00:18:17,175 --> 00:18:18,165

Not much, not much.

331

00:18:18,315 --> 00:18:18,975

Don't overdue.

332

00:18:19,635 --> 00:18:21,825

Keep this dark it's

contrast in this painting.

333

00:18:21,825 --> 00:18:25,845

That makes it pretty key from dark.

334

00:18:28,830 --> 00:18:31,649

All right on the other side over

here, we'll do a little bit here.

335

00:18:31,680 --> 00:18:35,610

I don't want this tree left out

and these trees will get mad.

336

00:18:35,610 --> 00:18:36,750

If you forget them, ignore them.

337

00:18:37,110 --> 00:18:39,330

I had one chase me all the

way across the studio here.

338

00:18:39,330 --> 00:18:39,659

One day

339

00:18:44,100 --> 00:18:46,560

there I'm a little weird.

340

00:18:46,649 --> 00:18:49,440

I will have to talk to trees

and animals and stuff like that.

341

00:18:51,300 --> 00:18:51,930

That's okay.

342

00:18:52,885 --> 00:18:53,625

Then it's okay.

343

00:18:54,405 --> 00:18:56,145

I have more fun than most people do too.

344

00:18:57,735 --> 00:18:58,575

All right.

345

00:18:59,295 --> 00:19:00,165

One inch brush here.

346

00:19:00,165 --> 00:19:01,635

Let's put it a little Bush here in there.

347

00:19:02,265 --> 00:19:04,695

Oh, some nice little snow covered bushes.

348

00:19:04,695 --> 00:19:05,685

So we'll just do this.

349

00:19:07,784 --> 00:19:09,885

All right, let's go over

here and put one in here too.

350

00:19:12,314 --> 00:19:13,274

They're okay.

351

00:19:13,274 --> 00:19:14,054

They're here towns.

352

00:19:15,675 --> 00:19:16,215

Where's it going?

353

00:19:17,054 --> 00:19:17,415

You do.

354

00:19:20,804 --> 00:19:22,185

You decide where they live?

355

00:19:24,554 --> 00:19:25,725

Let me wash your old brush out,

356

00:19:28,905 --> 00:19:32,325

shake it off, beat the devil out of it.

357

00:19:32,325 --> 00:19:32,985

And off we go.

358

00:19:34,495 --> 00:19:34,814

That's.

359

00:19:37,235 --> 00:19:38,625

Let's take a little bit of white.

360

00:19:39,495 --> 00:19:39,585

Okay.

361

00:19:39,675 --> 00:19:40,625

Right back in here.

362

00:19:41,525 --> 00:19:47,675

But the indication of little bit of snow,

one day here, just a little snow, kind

363

00:19:47,675 --> 00:19:49,145

of have something for all this to set on.

364

00:19:49,395 --> 00:19:52,535

Just sort of hanging out here in the Lake

right now, our stream river, whatever

365

00:19:52,535 --> 00:19:56,615

it is, dip the brush into liquid white.

366

00:19:56,885 --> 00:20:00,335

And then I'm going to pull it in one

direction through the titanium white,

367

00:20:00,335 --> 00:20:03,425

the liquid white is there only too thin.

368

00:20:04,245 --> 00:20:06,284

The titanium white, pull

it in one direction.

369

00:20:06,705 --> 00:20:08,264

They were going to carefully turn it over.

370

00:20:08,655 --> 00:20:08,834

Okay.

371

00:20:08,834 --> 00:20:12,675

Let's go up in here and with

that, then we're going to come in

372

00:20:12,675 --> 00:20:15,495

here and put some gorgeous little

highlights on these little Rascals.

373

00:20:15,495 --> 00:20:21,675

See you little snow covered bushes that

live out here because this is cold.

374

00:20:23,385 --> 00:20:24,104

There they are.

375

00:20:24,705 --> 00:20:28,665

Let's give them a little friend

and you put them wherever

376

00:20:28,665 --> 00:20:29,745

you think they should live.

377

00:20:31,305 --> 00:20:34,185

There we go, go on the other

side and put some over there too.

378

00:20:34,465 --> 00:20:35,385

Don't want them left out.

379

00:20:36,635 --> 00:20:40,655

There's one, but don't let the

brush slide when you're doing this.

380

00:20:40,655 --> 00:20:45,455

Just give it a little push, bend the

bristles with a tiny bit tiny bit.

381

00:20:45,935 --> 00:20:50,315

And if you start picking up that

base color excessively, you're

382

00:20:50,315 --> 00:20:52,925

always going to pick up a little,

but if you pick it up excessively,

383

00:20:53,465 --> 00:20:55,415

then your paint on your brush.

384

00:20:55,875 --> 00:20:56,655

It's too thick.

385

00:20:56,685 --> 00:21:00,135

Add a little touch, more

of the liquid white to it.

386

00:21:01,185 --> 00:21:02,804

There, it looks cold.

387

00:21:03,735 --> 00:21:07,245

I think the temperature here who we're

painting is drop 10 or 15 degrees

388

00:21:07,245 --> 00:21:14,054

just since we started this, I like to

paint paintings like, yes, gorgeous.

389

00:21:15,554 --> 00:21:16,094

All right.

390

00:21:16,395 --> 00:21:17,445

Now that you bought.

391

00:21:19,004 --> 00:21:22,754

That's a good, crazy that they maybe in

our world lives a little house out here.

392

00:21:22,754 --> 00:21:25,304

Cause I I'd like to live

in a place like this.

393

00:21:25,455 --> 00:21:31,034

So take your knife, scrape out a basic

shape that just removes excess paint.

394

00:21:31,064 --> 00:21:33,764

We'll take a little bit van Dyke, man,

a little dark Sienna mixed together.

395

00:21:34,604 --> 00:21:38,504

We'll put the back roof in

first back Eve like that.

396

00:21:39,435 --> 00:21:42,735

That's all there is to it

and we'll put the front end.

397

00:21:46,170 --> 00:21:48,149

And all we're doing here

is just blocking in color.

398

00:21:48,180 --> 00:21:49,170

It doesn't much matter.

399

00:21:49,320 --> 00:21:50,399

You could do this any old way.

400

00:21:50,399 --> 00:21:56,370

You wanted to just blocking in

color and we take some little

401

00:21:56,370 --> 00:21:59,520

white, blue, dark Sienna, a little

Vandyke Brown, mix them together.

402

00:21:59,520 --> 00:22:05,280

So they're marbled cut across

and very lightly, barely touch.

403

00:22:05,460 --> 00:22:06,960

Just like you putting

snow on the mountain.

404

00:22:08,160 --> 00:22:08,940

Barely touch.

405

00:22:09,210 --> 00:22:09,780

Just touch it.

406

00:22:11,055 --> 00:22:13,305

Pull, maybe a little more over here.

407

00:22:13,305 --> 00:22:14,025

So it shows up.

408

00:22:14,115 --> 00:22:15,225

Oh, that's nice.

409

00:22:16,275 --> 00:22:17,235

That's so nice.

410

00:22:18,765 --> 00:22:20,175

Take a little dark color.

411

00:22:21,855 --> 00:22:23,355

Just make it look like old boards.

412

00:22:24,075 --> 00:22:28,155

He little, the van Dyke got a little door.

413

00:22:29,865 --> 00:22:32,715

That'll touch it for light

color, sort of outlining.

414

00:22:33,075 --> 00:22:38,745

So we know where the door is at and

all we need is the other half the roof.

415

00:22:38,805 --> 00:22:39,795

So he doesn't freeze.

416

00:22:42,585 --> 00:22:44,805

So we'll take a little

bit of a titanium point.

417

00:22:46,935 --> 00:22:49,815

Just put it on right there like that.

418

00:22:50,565 --> 00:22:51,735

And we need a little over here.

419

00:22:52,515 --> 00:22:55,305

So it looks like the snow is

deep on, on the roof up here.

420

00:22:56,715 --> 00:22:57,225

Okay.

421

00:23:00,390 --> 00:23:04,580

We'll just take a little

touch of snow right down here,

422

00:23:05,300 --> 00:23:08,780

wherever right on the cross.

423

00:23:10,970 --> 00:23:14,630

See there, but pay attention to angles.

424

00:23:14,630 --> 00:23:18,500

You won't have to flow because

chances are, if there's water out

425

00:23:18,500 --> 00:23:20,240

here, it's in a recessed area.

426

00:23:21,080 --> 00:23:23,840

Normally water always is

in this recessed area.

427

00:23:25,160 --> 00:23:25,460

So.

428

00:23:27,540 --> 00:23:28,050

All right.

429

00:23:29,100 --> 00:23:29,760

We can come back.

430

00:23:29,790 --> 00:23:30,719

Let me find my brushing.

431

00:23:30,730 --> 00:23:33,800

We making the bushes with come back.

432

00:23:34,399 --> 00:23:36,290

The liquid white titanium white.

433

00:23:36,860 --> 00:23:36,949

Okay.

434

00:23:37,129 --> 00:23:39,230

And let's put some little

bushes all around here.

435

00:23:39,649 --> 00:23:40,010

The cattle.

436

00:23:40,219 --> 00:23:43,699

See, they've got to eat it right

around the front door there.

437

00:23:45,290 --> 00:23:45,949

All right.

438

00:23:46,040 --> 00:23:46,429

A little bit.

439

00:23:46,939 --> 00:23:47,929

Maybe this guy's like me.

440

00:23:47,929 --> 00:23:49,850

He didn't cut his yard

very good in the summer.

441

00:23:50,959 --> 00:23:53,719

And now the bushes are

growing it right up like that.

442

00:23:55,679 --> 00:24:00,360

We can even take a little touch,

a little touch of blue and white.

443

00:24:00,899 --> 00:24:03,720

Let's make an indication that maybe a

little path that comes right out here.

444

00:24:04,260 --> 00:24:09,780

So he's got a way to walk out, take

the knife, scraping a few little

445

00:24:09,780 --> 00:24:11,159

sticks and twigs here and there.

446

00:24:13,050 --> 00:24:18,270

Something like, so, but better the

liquid white put a water line into here.

447

00:24:20,370 --> 00:24:21,510

Something about like, yeah.

448

00:24:24,945 --> 00:24:26,175

I like these kinds of paintings.

449

00:24:26,175 --> 00:24:28,395

I say, they'll give you a lot

of practice with the old night

450

00:24:29,325 --> 00:24:30,165

and that's what you need.

451

00:24:31,455 --> 00:24:32,615

That's what you need.

452

00:24:32,625 --> 00:24:36,595

Few little sticks over here,

scrape right through the paint

453

00:24:36,675 --> 00:24:37,785

at the canvas show through.

454

00:24:39,075 --> 00:24:41,175

Alright, thank we got

to finish painting here.

455

00:24:42,105 --> 00:24:43,245

Hope you enjoy this one.

456

00:24:43,515 --> 00:24:44,265

Give it a try.

457

00:24:44,415 --> 00:24:46,965

Send me a photo of what

you do from all of us here.

458

00:24:47,025 --> 00:24:48,375

I'd like to wish you happy painting.

459

00:24:48,975 --> 00:24:49,605

He got blessed.

460

00:24:49,605 --> 00:24:50,025

My friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S26E06 - An Arctic Winter Day

Bob Ross's

The Joy of Painting

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