Bob Ross's

The Joy of Painting

S22E11 - Pastel Seascape

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today we do a

fantastic little seascape.

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So I tell you what, let's start out,

having run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Come on up here.

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Let me show you what

I've got done already.

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Got my standard old 18 to 24

inch canvas, but you use whatever

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site is convenient for you.

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And today I've cut a little oval out of

some contact paper and just stuck it on.

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And then we've covered the

whole area here with just a

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thin even coat of liquid white.

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So it's all wet and ready to go.

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So let's just have some fun.

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I thought we'd do a little seascape today.

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That's very warm and make you feel good.

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Just to look at it.

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Almost start with the least little touch

of the cadmium, yellow least little touch.

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Maybe reach over here and get a

little touch the Indian, yellow

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to just mix those together.

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Ooh, that's nice.

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Let's go up here.

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Now maybe we'll have a little

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So we'll just start and go around.

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Like, yes.

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There's not a great deal

of color on the canvas.

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Not much color.

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Just work around.

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I want to circle right here.

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But I don't want to just go like, yes.

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Cause it's very hard to blend that out.

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Little access paint is continually

mixing with the liquid weight right now.

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I'm not cleaning the brush.

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I want to add the least little touch

of yellow ochre and go right around it.

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Outside edge.

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The yellow ochre is sort of a gold color.

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Very, very, pretty color.

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Very pretty

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and just sort of allow

those to blend together.

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That's why still brush that's the

fun part of this whole technique.

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Can you shake off the excess and just

beat the devil out of all right, let's go

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into a little bit of the alizarin Crimson.

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Just a small amount, just a small amount

and just tap it right into the bristles.

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Let's go up in here,

maybe around these edges.

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We'll put a little bit Crimson

and I'm starting from the

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outside and working inward.

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So it'll make sure the liquid

white and progressively it'll

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get lighter as it works inward.

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There.

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I see these little feather edges that you

create by doing this, the middle exes.

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They blend together quite easy.

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If you've made very distinct lines, it

would be difficult to blend it together.

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I just have a little bit more of

the Crimson for the other side.

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No one is left out there.

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Okay.

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I thought maybe they would just do a

very, very simple little ocean scene.

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I live in Florida.

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Now we have a lot of.

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Beautiful little ocean areas around there.

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In fact, just the other day, my

friend Bob and I went fishing,

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I hooked my first sail fish.

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Never, never even seen one before.

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And you notice, I said I hooked him

because he got off long before I

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got him into the boat, but we did

before the day was over catch one.

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That was just absolutely gorgeous.

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This thing was probably

close to six feet long.

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Most beautiful fish I've ever seen.

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And you know, me, we, we brought

him in the boat just long enough to

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take his picture and wishing, well,

we've put him back in the water.

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He went on back to his family and he's

living happily now right off Fort Pierce.

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I don't, I don't keep any fish.

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I think you're to turn them back to

nature and go back and catch them again.

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Another day.

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Or somebody else catches.

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And that way everybody gets to enjoy

the fun of catching a fish there

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and just go completely across there.

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Now up here on the top, I'm going

to use the same old, dirty brush.

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Add the least little touch of the

little blue and the lizard Crimson.

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And you can just mix those own brush.

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Maybe a little more Crimson.

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There we go.

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What I want this to be to

the blue side is, is sort of

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a lavender to the blue side.

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Go back up here and very

gently, very gently.

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We'll just throw in a little color

right along the very top, sort

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of let it land down very easy.

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Now then I have several of each brush gun.

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I'm gonna take a clean, dry two inch brush

and just blend these two areas together.

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You don't want to be able to

tell where one color stops.

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The next color starts.

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Just let them learn together

that easy, that easy.

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And I think maybe today

we're going to have some fun.

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Let's take, do little finger painting,

take a little touch of the titanium white.

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And we just rub in the indication of

a little sun right there and with a

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clean brush and we gently blend that

and it'll give the indication of a

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little sun appear in the sky, but yet

it's not real bright or real distinct.

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It's just quiet little sun.

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It lives up.

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There has a good time.

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Let's go into a little yellow, the

lizard Crimson, mix them together, kind

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of make sort of a, a nice peachy color.

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Have you touched more the yellow cases,

CAD yellow and lizard lizard, Crimson.

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It's all it is.

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And let's go up in here.

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Very warm.

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It'll paint it the day.

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So we're going to use

very warm little colors.

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Of course.

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Let's take just a little of that on

the fan brush, tight little circles.

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Let it go right across the sun.

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There.

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Withdraw little cloud

appeared in this guy.

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Just let it float right on.

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Back into nothing here.

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There.

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Wherever.

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Okay.

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And we'll take a dry two inch brush and

gently, gently blend that the only reason

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I'm doing this is to remove excess paint.

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Only reason.

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Now that let's go back, I'll take a

little flight, but it'll touch you the

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little touch of the CAD yellow in it.

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Maybe a little yellow ochre also.

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Ooh, that's nice.

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It's almost twice, but it's just, it

just flavored with a little, little

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of the CAD yellow little yellow ochre.

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Just to give it a little flavor.

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Let's go back up in here.

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Now.

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I want to put some little

highlights on this cloud.

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So using just the corner of the brush,

I'm going to come right in here.

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Just barked with a few little things.

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Not too much.

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Just a little, just a

little, just a little now.

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Vector two inch brush, or you could

use a one inch brush for this.

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If you're more comfortable with it

there and fluff it just enough to

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put a little flavor up on the top,

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same old fan brush.

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And I'm going to go into a

little bright red and white

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something like so good now then.

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See if that stands out enough, you

sometime you have to sort of check to

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make sure it stands out just right.

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We'll come right down in here and

we'll put in another little cloud.

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just sorta lives right out in here.

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And same thing once again,

we'll take a light color.

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This is that same color.

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And we'll just highlight this

little cloud a little, just

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to give him a little flavor.

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Don't move too much here.

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Just a little.

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But it's fantastic how you can play

back and forth with these little

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colors and make this thing work

there back to our two inch brush.

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But notice that we're only doing

one cloud at a time, sometimes

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it starts working so good.

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You get greedy and you want to

do them all at once, but you

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need to work in layers that way.

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It works a lot better.

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The factory color here, we had

our original color, a little

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lizard, Crimson and yellow.

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Yellow ochre.

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I want to make another one of those little

peachy clouds that they have, right?

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Yep.

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Right there.

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There we go.

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Just wherever you think they should be.

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Exactly, exactly where they should

be, because this is your world here.

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And you can do anything in

this world that you want.

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Take off the excess blended in, and

it's just playing back and forth.

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You're back and forth there.

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We'll put a little highlight on that.

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Rascal don't need much though.

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Don't make that a tiny, tiny bit

and didn't fluff him a little.

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There we go.

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Maybe in our world, their

lives, another little pinkish

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cloud, same old, bright red.

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And I'm just doing layer

after layer of clouds here.

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I want to have a lot of

clouds, a lot of clouds.

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So here they count one

after the other there.

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Same thing again, again, a little

bit of light color just to flavored.

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Hm, this is going to be a

beautiful little pastel painting.

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I think it looks like it's

going in that direction.

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And they're so pretty.

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I beat the brush just to

knock any excess paint.

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That's on it.

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This is the same one I blended

with since the beginning.

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So I just beat it to knock

out the excess paint.

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I'm lazy and it's easier than going

through the whole blending procedure.

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All right.

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Now let's take, take a little bit of

they little blue and Lisbon Crimson,

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and just mix a little on the brush.

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Heck I just want a little tiny bit here,

a lavender color, but this time I'm

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going more to the red side and down in

here, let's put in little cloud shapes

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that just float around, down in here

for this lavender, using the corner of

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the brush, making little tiny circles.

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Tiny little circle.

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There you go.

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And just drop them in and let them go

a little bit more color on the brush.

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And we'll put some right over in here

now he's just getting darker and darker

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as we get away from the sun in this.

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Cause that's the light source.

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Everything gets darker as

we work away from that.

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Here we are.

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Okay.

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Shoot when we have that color,

maybe appear in the sky.

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There's some little floaters

that live up here too.

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Don't leave a top out.

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Almost got carried away there.

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So we put a couple of little

floaters up in there, maybe even.

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Yeah.

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Why not?

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We don't want the top left out here.

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We have this tiny little

floaters on both sides.

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Very lightly.

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There we go.

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Something about Mike's, you know, one of

the earlier shows while I'm doing this,

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because it's just doing the same thing.

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One of the earlier shows that

showed a little deer that I had the

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opportunity to meet, and we've got so

many calls about that little rascal.

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I want to show it to you again and

see if you like this little devil.

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He is one of the most precious little

creatures that you could ever imagine.

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And I had the opportunity to

spend about a half a day with him.

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And Diana Schaefer, the, the bird lady

here in Muncie was taking care of him.

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I didn't hate gorgeous little character.

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I tell you, you could fall in love

with these, and now I just don't have

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the heart to shoot Bambi anymore.

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Once you hold one of

these, you just, yeah.

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Deer hunting days are over, or at least

for me, it is, I get so attached to him.

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I just want to keep them as

pets moving right in the house.

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I've got enough creatures in the house.

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Now that's all I need is a deer

running around the living room.

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I'm just putting in some little

sky things here while you're

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watching that same, same procedure.

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I'm not doing anything different.

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And we had to, I had to

give them a little drink.

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And you notice how big that bottle was.

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It was, I think it was a Coke bottle.

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He was drinking out of.

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Sure.

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Hope you enjoy seeing him again.

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Okay.

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I've got a few little clouds here

and there, but see how that dark

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colored and I just highlighted it

with the same color, but it makes

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so many different planes in here.

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Distance is so great.

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Then we need a little, if that same

highlight colored, just basically bright

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red, a little white, that's all I'm using.

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And we'll just sort of highlight these

little things up here on top too.

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We don't want them left out.

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Nothing worse than a mad cloud there.

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And with a big brush,

just gently blend that.

251

00:13:49,970 --> 00:13:53,720

So you have to do, and that sort of

brings it all together and make some very

252

00:13:53,720 --> 00:13:57,260

effective clouds time to wash your brush.

253

00:13:57,260 --> 00:14:00,980

You too, as you know,

this is my favorite thing,

254

00:14:04,070 --> 00:14:07,300

because I get even with a crew

for picking on me here, maybe

255

00:14:07,310 --> 00:14:08,840

we'll do to really get them.

256

00:14:10,860 --> 00:14:14,910

And we've washed our brushes with

odor this paint thinner and just beat

257

00:14:14,910 --> 00:14:16,230

the devil out of them to dry them.

258

00:14:16,860 --> 00:14:18,600

It's important that these brushes are dry.

259

00:14:19,680 --> 00:14:19,830

Now.

260

00:14:19,860 --> 00:14:21,960

Maybe we'll have some water back here.

261

00:14:22,620 --> 00:14:25,890

Normally, if you've painted with

me before I do the bottom of these

262

00:14:26,760 --> 00:14:31,530

with liquid clear, and I do that

when I don't want to dilute color.

263

00:14:32,670 --> 00:14:33,120

Today.

264

00:14:33,360 --> 00:14:34,410

I want to dilute color.

265

00:14:34,410 --> 00:14:34,800

I want that.

266

00:14:35,220 --> 00:14:36,630

I want this to be much softer.

267

00:14:37,020 --> 00:14:41,220

So I have to do is decide where you

Horizon's going to be, take your brush

268

00:14:41,820 --> 00:14:44,310

and pull across, or you can do like

we do in some of the other ones, take

269

00:14:44,320 --> 00:14:46,950

masking tape and put across there.

270

00:14:46,950 --> 00:14:49,080

So you have a nice,

perfectly straight line.

271

00:14:51,375 --> 00:14:54,675

But what the heck it is, you can

just take the brush and do it

272

00:14:55,235 --> 00:14:57,995

either way, a little bit more color.

273

00:15:00,334 --> 00:15:01,084

There we go.

274

00:15:03,785 --> 00:15:06,275

And I thought it was the say,

I thought they would just do a

275

00:15:06,285 --> 00:15:08,285

Florida type seascape instead of.

276

00:15:08,680 --> 00:15:11,260

I like to do the ones from the

West coast where you have big rocks

277

00:15:11,260 --> 00:15:14,770

and cliffs and crashing waves,

but let's just do a little quiet.

278

00:15:14,770 --> 00:15:15,250

When did they?

279

00:15:15,310 --> 00:15:21,820

My friends in Florida got onto me cause I

haven't done any Florida seascapes there.

280

00:15:21,850 --> 00:15:27,370

So we'd take a little brush is going a

little Crimson right on the same brush.

281

00:15:28,600 --> 00:15:31,540

We'll add it right in here just to lizard

in Crimson, right on the same breath.

282

00:15:31,540 --> 00:15:34,330

So we have a lavender

to the ready side now.

283

00:15:35,580 --> 00:15:37,200

That's more of the Crimson.

284

00:15:38,670 --> 00:15:39,300

That's nice.

285

00:15:42,480 --> 00:15:43,800

That makes me very pleasant.

286

00:15:45,090 --> 00:15:46,380

I'm just sort of blended together.

287

00:15:50,350 --> 00:15:51,870

Have to make some big decisions.

288

00:15:54,090 --> 00:15:54,690

Let's figure out.

289

00:15:54,690 --> 00:15:58,320

First of all, we're a major way

it's going to be, if we're going

290

00:15:58,320 --> 00:15:59,880

to have a little, little crasher.

291

00:16:00,630 --> 00:16:01,290

Come right up in here.

292

00:16:01,290 --> 00:16:02,850

Let me show you how to get that.

293

00:16:02,850 --> 00:16:05,160

Just figure out basically

where it's going to be at.

294

00:16:05,160 --> 00:16:09,900

I take just a little white paint on fan

brush or the script liner brush and lay

295

00:16:09,900 --> 00:16:12,360

in a basic shape for the major wave.

296

00:16:13,350 --> 00:16:15,360

And other than that, we don't much care.

297

00:16:15,840 --> 00:16:18,449

Other than that, that's our main point.

298

00:16:18,840 --> 00:16:21,540

Just take white paint,

lay that little rascal in.

299

00:16:22,500 --> 00:16:25,709

Now your waves going to crash

over like cat eyed helps you put a

300

00:16:25,709 --> 00:16:26,939

little Dewar in there, like yeah.

301

00:16:28,349 --> 00:16:32,099

In the background back here, a

little white on the brush, we can

302

00:16:32,099 --> 00:16:34,770

just begin putting the indication

of all kinds of little things.

303

00:16:35,310 --> 00:16:38,609

You use a little rocking stroke

and I'm really exaggerating there,

304

00:16:39,900 --> 00:16:43,050

but so it gives the impression of

little waves that are happening.

305

00:16:44,670 --> 00:16:51,560

We back in there, they're at all

these little things just happen.

306

00:16:53,250 --> 00:16:54,620

Don't kill all your dark color.

307

00:16:54,739 --> 00:16:55,910

If you kill that dark color.

308

00:16:57,130 --> 00:16:59,250

Of course you don't have any dark left.

309

00:17:02,670 --> 00:17:03,210

There we are.

310

00:17:05,460 --> 00:17:07,170

We'll just let it go right on over there.

311

00:17:07,170 --> 00:17:11,370

And I here, I'm just going to blend

that paint back, just blend it back.

312

00:17:11,400 --> 00:17:14,130

But it's most important that you

save a dark area right there.

313

00:17:15,400 --> 00:17:16,230

Most important.

314

00:17:18,450 --> 00:17:23,940

That gives the trough in between little

waves since this is going to be yeah.

315

00:17:24,645 --> 00:17:25,815

Uh, Florida type seascape.

316

00:17:25,815 --> 00:17:27,645

We don't want a lot of

crashing waves here.

317

00:17:28,065 --> 00:17:32,055

Waves are pretty common in Florida, unless

you had one, a big hurricanes that come,

318

00:17:34,005 --> 00:17:35,625

then they, then they get a little while.

319

00:17:37,445 --> 00:17:38,135

All right,

320

00:17:41,405 --> 00:17:48,425

now this water is going to come here and

just sort of crash over, not a big crash,

321

00:17:48,425 --> 00:17:51,545

just a little crash, something like, so.

322

00:17:53,760 --> 00:17:54,360

There we go.

323

00:17:55,910 --> 00:17:57,200

Let me grab a Filbert brush.

324

00:17:57,440 --> 00:18:01,340

I like him for this, but a little titanium

white on that little Filbert brush.

325

00:18:02,150 --> 00:18:05,450

And let's begin making some little,

little things that are crashing up here.

326

00:18:07,820 --> 00:18:12,980

Got to make those little noises a

little, let's put a little lavender on,

327

00:18:13,880 --> 00:18:16,430

make a shadow for our little crasher.

328

00:18:17,300 --> 00:18:17,990

This is just.

329

00:18:18,750 --> 00:18:20,730

The little blue, little busier in Crimson.

330

00:18:22,770 --> 00:18:25,169

Maybe at least little touch

of black in there too.

331

00:18:26,250 --> 00:18:27,060

Yeah, there we go.

332

00:18:27,120 --> 00:18:27,720

I like that.

333

00:18:28,830 --> 00:18:35,220

I sort of let that camera in on,

around wash deal with brush at these

334

00:18:35,220 --> 00:18:38,760

brushes, we just dry on a paper

towel and sorta hard to beat them.

335

00:18:38,760 --> 00:18:45,659

It's not enough to get in there and

work with Vectra titanium white there.

336

00:18:45,870 --> 00:18:47,010

Now we can highlight that.

337

00:18:48,675 --> 00:18:54,135

Just give it a little upward,

push something like, so, yeah.

338

00:18:54,245 --> 00:18:56,645

And then very gently begin

blending that together.

339

00:18:56,645 --> 00:18:57,005

A little,

340

00:19:00,005 --> 00:19:04,355

let's take a little one inch brush and

fairly lightly go in here, just the

341

00:19:04,355 --> 00:19:07,835

corner and just blend that together.

342

00:19:08,165 --> 00:19:09,905

You can make it as soft as silk.

343

00:19:12,305 --> 00:19:16,265

There we are very light now.

344

00:19:17,939 --> 00:19:20,459

Let's take some white least little touch.

345

00:19:20,480 --> 00:19:24,250

So the CAD yellow mixed together,

just white, located yellow.

346

00:19:24,250 --> 00:19:26,179

I use a little fan brush,

but you could use anything.

347

00:19:26,179 --> 00:19:26,689

It doesn't matter.

348

00:19:28,159 --> 00:19:29,060

Like go right up in here.

349

00:19:29,209 --> 00:19:32,000

This is the eye of the

wave or the transparency,

350

00:19:32,510 --> 00:19:33,500

whatever you want to call it.

351

00:19:33,800 --> 00:19:37,459

That's just put in a little color right

in there and let it blend outward.

352

00:19:38,060 --> 00:19:41,990

So there's a little light hanging

through the water out of the blue.

353

00:19:42,330 --> 00:19:46,050

And the yellow here we'll mix together

and make it a very nice green color.

354

00:19:47,159 --> 00:19:51,149

Now with a nasper you could use a

one inch or two inch do this, just

355

00:19:51,780 --> 00:19:54,840

gently blend it, just blend it.

356

00:19:55,919 --> 00:19:58,169

Little tiny circles, put

it all comes together.

357

00:20:00,379 --> 00:20:01,010

They're

358

00:20:04,460 --> 00:20:05,450

a little high.

359

00:20:06,780 --> 00:20:08,399

Let's have some fun shoot.

360

00:20:08,699 --> 00:20:12,360

I'll take a little knife, a little

touch of the titanium white.

361

00:20:12,360 --> 00:20:18,419

And in my mind, we have a

little ripple right there.

362

00:20:19,379 --> 00:20:20,340

I put it on with a knife.

363

00:20:20,340 --> 00:20:21,689

I'm using a lot of pressure.

364

00:20:22,080 --> 00:20:26,159

A lot of pressure you can

put in a few little things.

365

00:20:26,159 --> 00:20:29,370

I guess there's a little

kid yellow in there.

366

00:20:29,379 --> 00:20:30,360

A little bright red too.

367

00:20:30,360 --> 00:20:34,709

Sometimes you just sort of let all those

little color system just to happen.

368

00:20:37,620 --> 00:20:39,000

And with a clean fan brush.

369

00:20:39,180 --> 00:20:39,900

Very lightly.

370

00:20:39,990 --> 00:20:42,360

You grab that and take it back.

371

00:20:42,810 --> 00:20:44,550

Try not to destroy that nice edge.

372

00:20:44,970 --> 00:20:48,300

Just take it back and

begin blending it together.

373

00:20:48,300 --> 00:20:52,210

This is where you make the

shape of the wave, the curl,

374

00:20:52,210 --> 00:20:53,160

whatever you want to call it.

375

00:20:54,660 --> 00:20:58,800

Now, sometimes it's fun right

underneath our light source here.

376

00:20:59,220 --> 00:21:03,780

Take pure white, pull

down, just pull it down.

377

00:21:07,035 --> 00:21:13,425

Very firmly and then go across like that.

378

00:21:14,295 --> 00:21:22,085

Now back to our little knife, redefine

that age, I sorta messed it up and let's

379

00:21:22,085 --> 00:21:28,475

have another little ripple libs right

about here they go right over that spot.

380

00:21:28,475 --> 00:21:30,875

That looks like a reflection

and it's gorgeous.

381

00:21:31,505 --> 00:21:33,335

Cause you'll be able to see

that right through there.

382

00:21:35,220 --> 00:21:37,650

People wonder how in the

world that you've done that.

383

00:21:37,650 --> 00:21:40,560

And it's so easy, really is easy.

384

00:21:44,900 --> 00:21:44,990

Okay.

385

00:21:45,410 --> 00:21:48,200

I need a clean fan brush

and I'm about to . Okay.

386

00:21:51,380 --> 00:21:56,480

And very gently blend that back, but

he needed a clean brush very lightly

387

00:21:56,750 --> 00:21:58,730

and do this as gently as you can.

388

00:21:58,730 --> 00:22:01,760

You don't want to destroy

these nice, shiny areas that

389

00:22:01,760 --> 00:22:02,840

you have in your water here.

390

00:22:04,004 --> 00:22:05,745

So be careful don't destroy those.

391

00:22:09,825 --> 00:22:10,485

Okay.

392

00:22:11,705 --> 00:22:14,285

We can take our little liner

brush a little bit of white

393

00:22:14,285 --> 00:22:17,225

on it in here and there.

394

00:22:17,585 --> 00:22:22,175

This is, you could begin bringing all

this together, all kinds of little lines

395

00:22:22,175 --> 00:22:26,945

and ripples and things going on, where

ever, but this is where you, you really

396

00:22:26,945 --> 00:22:31,175

begin forming and shaping your, your

way a little dark line underneath there.

397

00:22:31,175 --> 00:22:32,075

We'll separate that.

398

00:22:33,450 --> 00:22:38,160

A few little things that you can

see through the transparency there.

399

00:22:39,630 --> 00:22:43,050

And then home, when you're doing this,

put a lot of these little Rascals in here,

400

00:22:43,320 --> 00:22:45,120

they really make your painting special.

401

00:22:46,500 --> 00:22:47,220

There we go.

402

00:22:49,080 --> 00:22:52,290

Let's take, let's have a,

let's have a little Sam Boone.

403

00:22:52,290 --> 00:22:52,620

Did they?

404

00:22:52,680 --> 00:22:54,930

What the heck for them?

405

00:22:55,440 --> 00:22:56,790

I won't take black.

406

00:22:57,300 --> 00:23:02,520

Black black, black, a little bit of, let's

get a little bit of that van Dyke Brown,

407

00:23:02,760 --> 00:23:06,780

maybe a little dark Sienna and some white.

408

00:23:06,840 --> 00:23:11,760

I want brownish gray color, maybe

a little Crimson in there too.

409

00:23:12,060 --> 00:23:12,780

Well, that's better.

410

00:23:12,840 --> 00:23:15,120

That's much better almost.

411

00:23:15,120 --> 00:23:19,470

Uh, yeah, something like

our cat now that mr.

412

00:23:19,470 --> 00:23:21,630

Sane or a little sand dunes lit maybe.

413

00:23:23,625 --> 00:23:24,375

Yeah, there you go.

414

00:23:24,405 --> 00:23:26,105

We can just put in a basic shape here.

415

00:23:26,285 --> 00:23:29,225

Oh, we're looking for wherever.

416

00:23:31,055 --> 00:23:34,055

Maybe he's got a friend right

there and just paint over anything.

417

00:23:34,055 --> 00:23:34,295

It's there.

418

00:23:34,295 --> 00:23:35,045

Don't worry about it.

419

00:23:36,995 --> 00:23:38,195

You haven't wasted your time.

420

00:23:38,195 --> 00:23:42,335

If you learn to make these, maybe

that comes right on down there.

421

00:23:42,335 --> 00:23:43,865

So we can just see a

little bit of it through.

422

00:23:46,085 --> 00:23:46,805

There we go.

423

00:23:49,890 --> 00:23:52,680

Janice has put a little color in

there and that's the only sort

424

00:23:52,680 --> 00:23:53,880

of lighter color we'll show.

425

00:23:55,910 --> 00:23:56,300

Yeah.

426

00:23:56,870 --> 00:23:58,100

Take a little touch of white.

427

00:23:58,880 --> 00:24:02,120

It's got the least, little bit of

that bright red, at least a little bit

428

00:24:03,040 --> 00:24:08,240

without get our little roll of paint in

a very lightly, just barely grazing it.

429

00:24:08,660 --> 00:24:10,850

Figuring out where the little

tops are on your sand and

430

00:24:11,900 --> 00:24:15,140

wherever you want them there.

431

00:24:16,830 --> 00:24:20,160

Maybe they come right

on down through there.

432

00:24:20,250 --> 00:24:20,670

I don't know.

433

00:24:20,910 --> 00:24:23,700

Wherever, wherever.

434

00:24:24,300 --> 00:24:28,440

Maybe there's a little, yeah,

right in there somewhere,

435

00:24:32,280 --> 00:24:33,390

but barely touching.

436

00:24:33,390 --> 00:24:37,590

Just let the paint break, let it break.

437

00:24:42,465 --> 00:24:43,665

There here and there.

438

00:24:43,665 --> 00:24:47,445

I'm going to add a least little touch of

like a lavender shadow here and there.

439

00:24:48,765 --> 00:24:49,905

Just, just parked it up.

440

00:24:49,905 --> 00:24:50,175

So,

441

00:24:54,185 --> 00:24:55,385

and take a fan brush.

442

00:24:55,385 --> 00:24:57,665

We'll put a little SAP green on it.

443

00:24:59,045 --> 00:25:04,955

Sam green, a little bit of Brown,

and I want to go right in here and

444

00:25:04,955 --> 00:25:06,725

just pop in some little things.

445

00:25:06,725 --> 00:25:08,255

I'm going to add a little

paint thinner to that.

446

00:25:08,285 --> 00:25:09,275

I want a little thinner.

447

00:25:10,320 --> 00:25:11,010

Little thinner.

448

00:25:11,130 --> 00:25:11,550

Yeah.

449

00:25:12,750 --> 00:25:12,810

Yeah.

450

00:25:12,920 --> 00:25:14,780

Just pop in some little doers.

451

00:25:14,780 --> 00:25:17,330

Like this is going to end up

being some little weeds appear

452

00:25:18,530 --> 00:25:20,720

maybe in our world right here.

453

00:25:20,810 --> 00:25:24,920

We'll have one coming right

over wherever you want.

454

00:25:25,640 --> 00:25:26,270

Wherever.

455

00:25:26,390 --> 00:25:30,020

We'll put some right up in here

that I'm following right down.

456

00:25:32,960 --> 00:25:38,210

There's one, but this paints a little

bit thinner, but a little pink thinner.

457

00:25:39,855 --> 00:25:44,205

And then I can take a little paint

thinner, go into the dark Sienna and

458

00:25:44,205 --> 00:25:49,455

back through that greenish color, but

mostly dark Sienna must go up in here.

459

00:25:49,815 --> 00:25:54,945

This paint hair is thin so we can grab

it and start lifting upward and make

460

00:25:55,155 --> 00:25:59,295

just the indication of some little

coats and stuff that live out here.

461

00:26:01,175 --> 00:26:01,985

There we go.

462

00:26:03,815 --> 00:26:05,225

Something about my kid.

463

00:26:06,929 --> 00:26:12,110

Maybe a few over here on the other side,

and you can just take and put a little

464

00:26:12,110 --> 00:26:13,580

things on the end sometime they have.

465

00:26:14,000 --> 00:26:15,020

That's why they call them seals.

466

00:26:15,020 --> 00:26:17,899

It looks like a little

wheat growing out there.

467

00:26:18,740 --> 00:26:22,399

They're going to a little

bit of light color.

468

00:26:22,760 --> 00:26:25,760

This is white with a little

touch of yellow in it.

469

00:26:26,389 --> 00:26:29,389

And we put in a few little light

colored ones here and there.

470

00:26:29,800 --> 00:26:33,110

We don't want them all dark

and then they'll show up.

471

00:26:33,139 --> 00:26:33,830

Good against that.

472

00:26:36,645 --> 00:26:44,495

There something like so many of his

views you want, we can just take a

473

00:26:44,645 --> 00:26:49,715

fan, brush, a little white on it,

grab the bottom of that, pull it a

474

00:26:49,715 --> 00:26:52,265

little and bring all this together.

475

00:26:53,165 --> 00:26:54,185

It's a very nice way.

476

00:26:54,615 --> 00:26:58,325

Making a simple little seascape that

I think you'll really enjoy doing.

477

00:26:59,325 --> 00:27:00,105

All right with that.

478

00:27:00,105 --> 00:27:01,395

I think we're about to

have a finished picture.

479

00:27:01,395 --> 00:27:06,315

Let's take a contact paper

off now and see what they say.

480

00:27:06,945 --> 00:27:08,355

This is the moment of truth.

481

00:27:09,165 --> 00:27:11,415

And I think you would like

this one, try this one.

482

00:27:11,445 --> 00:27:13,755

Let us know how you like

it from all of us here.

483

00:27:13,815 --> 00:27:15,135

I'd like to wish you happy painting.

484

00:27:15,855 --> 00:27:16,935

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E11 - Pastel Seascape

Bob Ross's

The Joy of Painting

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