Bob Ross's

The Joy of Painting

S21E03 - Royal Majesty

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:29,670 --> 00:00:30,420

Welcome back.

00:00:30,420 --> 00:00:32,070

I'm certainly glad you

could join us today.

00:00:32,560 --> 00:00:34,980

Thought today we'd just do a

beautiful little mountain scene that

00:00:35,250 --> 00:00:36,920

maybe we're paying the mountains.

00:00:37,395 --> 00:00:39,375

And looking out over some

beautiful landscapes.

00:00:39,795 --> 00:00:41,985

So I tell you what, let's start

out and have him run all the

00:00:41,985 --> 00:00:44,775

colors across the screen that

you need to paint along with us.

00:00:44,775 --> 00:00:47,055

And while they're doing that, let me

show you what I've gotten done up here.

00:00:48,195 --> 00:00:50,055

I have a basic idea of what I want to do.

00:00:50,055 --> 00:00:54,465

So I've covered this area with black

Jesso and allowed that to dry completely.

00:00:54,855 --> 00:00:57,614

On top of the black Jesso,

I've put a very, very thick.

00:00:57,645 --> 00:01:01,785

Thin coat of liquid clear all

the way over the black part here.

00:01:02,325 --> 00:01:04,365

And then I've put this

transparent color today.

00:01:04,365 --> 00:01:08,955

I'm using pressure and blue and midnight

black, and I've just put a thin coat of

00:01:08,955 --> 00:01:10,995

that color over the entire black area.

00:01:11,385 --> 00:01:13,875

And this we've just, we've just

covered that with a little liquid

00:01:13,875 --> 00:01:14,925

white, like we normally do.

00:01:14,925 --> 00:01:15,525

So it's all.

00:01:15,720 --> 00:01:16,710

Wet and it's ready to go.

00:01:16,710 --> 00:01:18,720

So let's just have some fun today.

00:01:19,490 --> 00:01:22,850

I'm going to start out with a little

bit of midnight black and Prussian

00:01:22,850 --> 00:01:26,929

blue, same color we have in the

black area on the two inch brush.

00:01:27,470 --> 00:01:31,970

And let's just drop in her a quick little

sky up here and we'll just use a little

00:01:31,970 --> 00:01:39,530

crisscross strokes and just very quickly,

Janice Lee and happy little, little sky.

00:01:39,559 --> 00:01:42,949

Are you just making little exes there?

00:01:45,880 --> 00:01:51,890

All is so we'll bring that right on

down right on down to the black area

00:01:51,920 --> 00:01:55,700

nearly, but this mixing with the

liquid white and automatically it gets

00:01:55,700 --> 00:01:57,710

lighter and lighter in value as well.

00:01:58,280 --> 00:01:58,400

Right.

00:02:00,770 --> 00:02:01,430

I'm down here.

00:02:01,600 --> 00:02:06,440

Don't have it just, just

about disappear, right?

00:02:09,389 --> 00:02:09,660

Okay.

00:02:09,660 --> 00:02:11,400

Now, did we just blend that a little bit?

00:02:11,609 --> 00:02:13,640

I don't want to blend it too much

because I want to have little.

00:02:14,100 --> 00:02:15,420

Spots of color in there.

00:02:15,420 --> 00:02:17,040

So there's something happening in the sky.

00:02:17,070 --> 00:02:18,390

It's just not flattering dead.

00:02:21,600 --> 00:02:21,870

Okay.

00:02:21,870 --> 00:02:22,770

Now very lightly.

00:02:22,800 --> 00:02:23,820

We're just floor crossing.

00:02:24,060 --> 00:02:25,530

It's not a removes the brush strokes.

00:02:27,240 --> 00:02:27,720

Okay.

00:02:27,720 --> 00:02:28,920

Let me wash the old brush.

00:02:29,790 --> 00:02:32,910

And did you know, we wash our

brushes with odorless paint thinner.

00:02:34,410 --> 00:02:34,680

Cool.

00:02:37,350 --> 00:02:40,830

And just beat the Def a lotta let's

make some little clouds in our

00:02:40,830 --> 00:02:41,790

scattered, and I want to show you.

00:02:42,375 --> 00:02:44,925

I want to show you the simplest

way of making some little clouds.

00:02:44,925 --> 00:02:49,215

We'll take the fan brush with little

titanium, white on it, just load

00:02:49,215 --> 00:02:52,455

a little color into both sides of

the bristles, and we'll go up here.

00:02:52,695 --> 00:02:54,615

And this is where you take

out all your frustrations.

00:02:54,645 --> 00:02:59,265

Just hit the canvas and let that

brush spin and just move on there.

00:02:59,265 --> 00:03:01,515

Think about where you want

some little actions happening,

00:03:03,225 --> 00:03:04,605

but just keep it moving.

00:03:04,605 --> 00:03:05,715

Don't stay in one place.

00:03:05,715 --> 00:03:07,605

Or you just have big cotton balls up here.

00:03:08,595 --> 00:03:11,025

Just let it sort of

move and dance and play.

00:03:11,954 --> 00:03:16,184

Wherever, wherever, wherever, just

sort of think about where you want

00:03:16,184 --> 00:03:21,135

little cloud to float around in

the sky, but keep the brush moving

00:03:21,135 --> 00:03:24,845

and twisting all the time there.

00:03:26,045 --> 00:03:31,325

Now then with a brush it's very

clean and very dry and it's

00:03:31,325 --> 00:03:32,674

most important that it'd be dry.

00:03:33,450 --> 00:03:35,730

Very gently, very gently.

00:03:36,480 --> 00:03:37,679

Just tickle it a little bit.

00:03:39,149 --> 00:03:39,420

There.

00:03:39,470 --> 00:03:43,530

Just sort of blended together a little

and you can bloom this as much as

00:03:43,530 --> 00:03:46,380

you desire if you blended enough.

00:03:46,440 --> 00:03:48,810

In fact, it'll just become part

of the background and go away.

00:03:48,839 --> 00:03:49,320

Totally.

00:03:50,070 --> 00:03:54,780

So you have to make a decision, stand back

and take a look so you once in a while and

00:03:54,780 --> 00:03:58,680

decide if it's blended as much as you want

it, or you'd like to have a little more.

00:04:00,045 --> 00:04:01,665

Totally and completely up to you.

00:04:02,954 --> 00:04:06,734

There are very likely, we'll

just sort of blend that a little

00:04:10,245 --> 00:04:10,605

easy.

00:04:11,565 --> 00:04:13,755

We have a very nice little sky.

00:04:15,165 --> 00:04:15,704

Okay.

00:04:16,725 --> 00:04:17,024

Shoot.

00:04:17,024 --> 00:04:18,105

Let's get crazy today.

00:04:18,885 --> 00:04:19,725

Tell you what I'm going to do.

00:04:20,295 --> 00:04:21,464

Tell you what I'm going to take.

00:04:22,094 --> 00:04:26,295

Take some black, some I you,

a little, three little blue.

00:04:26,355 --> 00:04:27,135

What the heck?

00:04:27,915 --> 00:04:31,125

The lizard and Crimson because the two

of those together would make a less

00:04:31,185 --> 00:04:36,795

nice lavender type color and the black

almost sure that it stays dark, pull

00:04:36,795 --> 00:04:40,365

it out as flat as we can get it cut

across, get our little roll of paint as

00:04:40,365 --> 00:04:41,775

usual, right on the edge of the knife.

00:04:42,635 --> 00:04:43,595

I come right up in here.

00:04:44,075 --> 00:04:45,875

We have to make some big decisions today.

00:04:45,935 --> 00:04:49,195

Maybe, maybe we're going to have

a huge mountain that lives there.

00:04:49,235 --> 00:04:51,485

Now you can see it right up in here.

00:04:53,105 --> 00:04:54,095

A little more color.

00:04:55,125 --> 00:04:57,795

And you just sort of make a decision

or you think is old, Mountain's going

00:04:57,795 --> 00:05:02,835

to live in your world wherever this is.

00:05:02,895 --> 00:05:04,875

This is really going to be

some kind of mountain here.

00:05:06,495 --> 00:05:09,765

Now you had to be careful with mountains

and son of a guns will grow on you.

00:05:11,205 --> 00:05:14,145

Maybe, maybe there's another

little bump right there.

00:05:14,655 --> 00:05:15,435

Kevin's down.

00:05:16,065 --> 00:05:16,635

I don't know.

00:05:16,695 --> 00:05:21,165

Wherever there's one, just

sort of make a decision.

100

00:05:21,645 --> 00:05:23,115

Decide where you think it should be.

101

00:05:24,495 --> 00:05:27,345

And you could even take a little white

with a little touch of that same color.

102

00:05:28,065 --> 00:05:32,175

And maybe back in here, we can

have the indication of a little

103

00:05:32,175 --> 00:05:33,615

mountain that lives far away.

104

00:05:34,365 --> 00:05:35,565

And I put a little white but death.

105

00:05:36,345 --> 00:05:39,255

So it'll really look like it's

far, far back at a distance.

106

00:05:40,425 --> 00:05:42,255

Probably should have done

that before I did the big one.

107

00:05:42,255 --> 00:05:44,385

It would have been easier, but I didn't.

108

00:05:44,385 --> 00:05:45,225

So we live with it.

109

00:05:46,935 --> 00:05:47,625

Take her brush.

110

00:05:48,405 --> 00:05:49,725

Let's do the little mountain back here.

111

00:05:49,755 --> 00:05:50,565

Just pull that down.

112

00:05:52,725 --> 00:05:58,365

Like so little titanium white,

and I don't want much back here.

113

00:05:58,935 --> 00:06:02,535

Just the indication of a little

highlight on this mountain as far away,

114

00:06:04,125 --> 00:06:08,805

just a little something like so little

white, little touch of the fatal blue.

115

00:06:10,605 --> 00:06:12,135

Make us a nice little shadow.

116

00:06:12,135 --> 00:06:12,885

We color.

117

00:06:15,000 --> 00:06:17,700

Just put the indication of a

few little shadows in there.

118

00:06:19,020 --> 00:06:24,469

Once again, I don't want a lot in here

or we'll lose that illusion of distance

119

00:06:24,469 --> 00:06:25,729

for that particular little mountain.

120

00:06:25,729 --> 00:06:26,599

If it's far away.

121

00:06:28,489 --> 00:06:32,210

Now, this one here lives

right here in the foreground.

122

00:06:34,580 --> 00:06:37,880

There is a big strong mountain.

123

00:06:38,985 --> 00:06:39,705

I'm most grateful.

124

00:06:39,765 --> 00:06:41,205

All the excess paint here.

125

00:06:41,845 --> 00:06:44,325

Just really get there, scrape it.

126

00:06:45,705 --> 00:06:47,115

You're not going to hurt that canvas.

127

00:06:47,115 --> 00:06:49,905

It's tough with our two inch brush.

128

00:06:50,955 --> 00:06:53,445

Grab it, Finland bristles, make it.

129

00:06:54,015 --> 00:06:58,265

We're going to get strong with it, make

it, make them a band and you can pull

130

00:06:58,275 --> 00:07:00,345

it paint because the canvas is wet.

131

00:07:00,615 --> 00:07:02,115

You can move color on it.

132

00:07:03,285 --> 00:07:04,665

If this was a dry canvas.

133

00:07:05,175 --> 00:07:09,825

Hmm, you could be in agony city, right

about now trying to move color since

134

00:07:09,825 --> 00:07:13,784

it has the liquid white on it, you can

do this and it happens very easily.

135

00:07:16,115 --> 00:07:16,925

There we go.

136

00:07:18,784 --> 00:07:23,375

Now then back to our titanium white

and we pull it out as flat as we

137

00:07:23,375 --> 00:07:27,065

can get it, really get in there and

put some pressure on it, cut across

138

00:07:27,245 --> 00:07:28,534

and get our little rule of paint.

139

00:07:29,555 --> 00:07:32,015

And now we have to make big decisions.

140

00:07:33,555 --> 00:07:36,255

Where it has all these

little things live in here.

141

00:07:36,465 --> 00:07:39,905

There's a little peak maybe right there.

142

00:07:41,645 --> 00:07:44,375

No pressure, no pressure, no pressure.

143

00:07:45,275 --> 00:07:47,075

Just let that float across there.

144

00:07:47,914 --> 00:07:50,495

You have to decide which peaks

are in the foreground, which

145

00:07:50,495 --> 00:07:51,875

ones are in the background.

146

00:07:53,495 --> 00:07:54,935

You have unlimited power.

147

00:07:54,935 --> 00:07:55,715

You can do this.

148

00:07:58,924 --> 00:07:59,465

Okay.

149

00:08:00,455 --> 00:08:01,745

Maybe we up in here.

150

00:08:02,175 --> 00:08:04,125

Maybe there's a big old peak care.

151

00:08:07,625 --> 00:08:08,195

Mm he's.

152

00:08:08,195 --> 00:08:14,525

Looked like a Tetons, the grand

Tetons, beautiful range of mountains.

153

00:08:16,055 --> 00:08:20,885

Still trying to figure out

what Teton means there.

154

00:08:21,575 --> 00:08:21,665

Okay.

155

00:08:22,415 --> 00:08:23,435

Maybe right in there.

156

00:08:25,355 --> 00:08:26,375

See, let it go.

157

00:08:27,725 --> 00:08:29,375

Just let your imagination go.

158

00:08:31,020 --> 00:08:33,480

You can create all kinds

of beautiful effects.

159

00:08:36,320 --> 00:08:36,500

Yeah.

160

00:08:38,150 --> 00:08:40,909

Let's take, go back to her a little bit.

161

00:08:41,010 --> 00:08:46,730

The little blue and white

wipe, the old knife off.

162

00:08:47,450 --> 00:08:51,890

Cut us off a little bit of paint now,

then just come right along in here,

163

00:08:52,190 --> 00:08:55,880

touch and just let this fall right along.

164

00:08:56,060 --> 00:08:58,940

So there we go.

165

00:09:00,094 --> 00:09:03,944

Maybe Sue just sorta comes

right along in there.

166

00:09:03,944 --> 00:09:06,525

Just let your imagination take

you wherever you want to be here.

167

00:09:08,625 --> 00:09:13,094

Sometimes, sometimes you can

just take a knife and just let

168

00:09:13,094 --> 00:09:16,155

the paint break his way there

169

00:09:19,275 --> 00:09:25,064

a little bit, right up in that little

crevasse there, all these little

170

00:09:25,064 --> 00:09:26,954

places have to have shadows too.

171

00:09:29,160 --> 00:09:29,550

Shoot.

172

00:09:29,550 --> 00:09:30,209

Here's one.

173

00:09:30,270 --> 00:09:32,740

Maybe it comes right down here.

174

00:09:33,689 --> 00:09:34,829

Big crack in the mountain.

175

00:09:34,829 --> 00:09:35,130

There

176

00:09:40,199 --> 00:09:41,130

let's take the little knife.

177

00:09:41,160 --> 00:09:43,829

I like his little knife and

this get in here and just play.

178

00:09:43,860 --> 00:09:45,530

Maybe there's a little hippie.

179

00:09:45,530 --> 00:09:47,160

There's a little Valley right in there.

180

00:09:48,689 --> 00:09:54,240

Just a little place right in there where

all the little creatures go to hide.

181

00:09:56,880 --> 00:09:57,360

Like that.

182

00:10:01,050 --> 00:10:05,730

And then we can take and just

bring this right up there.

183

00:10:05,730 --> 00:10:11,850

It is wherever, wherever, once again,

you're only limited here by your

184

00:10:11,850 --> 00:10:21,260

imagination there and maybe a little,

little bit of shadow right in there.

185

00:10:22,785 --> 00:10:23,325

Wherever

186

00:10:27,555 --> 00:10:29,865

the clean, dry two inch pressure.

187

00:10:29,865 --> 00:10:31,785

I want to create some

mist at the base of this.

188

00:10:33,495 --> 00:10:37,185

Just tap, always following those

angles that you put in there and lift

189

00:10:37,185 --> 00:10:45,405

gently, gently upward, just lifted

upward, barely go in over here.

190

00:10:45,975 --> 00:10:46,665

Grab that.

191

00:10:47,445 --> 00:10:48,795

That is sort of blend outward.

192

00:10:48,825 --> 00:10:50,355

That's what it looks very soft.

193

00:10:50,925 --> 00:10:51,315

See there.

194

00:10:53,010 --> 00:10:54,990

Very gentle, peaceful.

195

00:10:57,329 --> 00:10:57,630

They're

196

00:11:01,230 --> 00:11:01,770

okay.

197

00:11:01,770 --> 00:11:03,990

Now, and sometimes it's fun.

198

00:11:04,709 --> 00:11:05,760

I tell you what, let's just do it.

199

00:11:05,760 --> 00:11:07,740

What the heck watch right here.

200

00:11:07,980 --> 00:11:09,329

Maybe right in here.

201

00:11:09,329 --> 00:11:14,640

There lives another

little peak right there.

202

00:11:15,000 --> 00:11:18,340

All you gotta do is take a little

white and drop that little rascal in.

203

00:11:18,410 --> 00:11:19,410

I don't know where it goes.

204

00:11:19,410 --> 00:11:19,800

Maybe.

205

00:11:20,835 --> 00:11:23,415

Wherever you want it,

where ever you want it?

206

00:11:25,305 --> 00:11:30,975

I know when I was young, I always wanted

this much power be able to move mountains.

207

00:11:33,825 --> 00:11:35,955

And on this canvas, I have it now.

208

00:11:36,795 --> 00:11:37,695

And you can too

209

00:11:40,825 --> 00:11:45,215

don't have any power anywhere else,

but, but here I can do anything.

210

00:11:45,215 --> 00:11:47,585

I want little, little

shadows right in here.

211

00:11:49,395 --> 00:11:50,265

Like, so

212

00:11:54,215 --> 00:11:56,285

wherever there's a little

peak, you have to have a little

213

00:11:56,285 --> 00:11:57,515

shadow to make it look right.

214

00:11:58,805 --> 00:12:01,415

We take our clean dry brush.

215

00:12:01,595 --> 00:12:07,715

And once again, we want to create that

illusion of mist and we'll do that just

216

00:12:07,715 --> 00:12:13,445

by tapping the base of it here and then

lifting upward, blends it all together

217

00:12:13,445 --> 00:12:15,005

and takes out the little tap marks.

218

00:12:17,085 --> 00:12:17,565

There,

219

00:12:23,885 --> 00:12:27,185

can we have, we just blend that to

any degree of softness that you want?

220

00:12:27,185 --> 00:12:32,225

You can even tap it a little down here, if

you're real careful and creaky, illusion

221

00:12:32,225 --> 00:12:36,155

of little clouds and myths that are

floating all down toward the base of this

222

00:12:38,615 --> 00:12:40,055

chest, using the top corner of the bar.

223

00:12:40,335 --> 00:12:40,395

Yeah.

224

00:12:47,550 --> 00:12:48,150

That's taken.

225

00:12:48,199 --> 00:12:48,589

Okay.

226

00:12:48,650 --> 00:12:49,730

We'll use that same color.

227

00:12:49,760 --> 00:12:50,150

What the heck?

228

00:12:50,150 --> 00:12:51,290

I'll put a little white with it.

229

00:12:52,550 --> 00:12:55,370

Same color, a little bit of white,

but maybe I'll add the least

230

00:12:55,370 --> 00:12:56,750

little touch of SAP green to it.

231

00:12:58,160 --> 00:13:00,380

We're getting close enough into

the foreground here that we can

232

00:13:00,380 --> 00:13:05,719

begin to sing some color, a little

bit of green, white fuel knife.

233

00:13:05,750 --> 00:13:07,040

Let me grab a fan brush here.

234

00:13:07,490 --> 00:13:07,939

There's one.

235

00:13:09,675 --> 00:13:12,255

Load it full of color,

maybe right in here.

236

00:13:13,005 --> 00:13:17,625

There's just a few little trees

that live right in there, right

237

00:13:17,625 --> 00:13:18,765

in there wherever you want.

238

00:13:19,845 --> 00:13:22,785

And as many as you want, just drop them in

239

00:13:25,845 --> 00:13:26,265

there.

240

00:13:28,785 --> 00:13:31,275

Just sort of tapping

down with a fan brush.

241

00:13:32,325 --> 00:13:35,445

There is one, maybe this one's a little

bigger and you can see a few limbs on it.

242

00:13:38,825 --> 00:13:41,405

Most of them, some are going to be too

far away, but maybe here and there, we

243

00:13:41,405 --> 00:13:44,465

can see the lambs on a few, just a few.

244

00:13:51,995 --> 00:13:54,635

Now the one that we can make out

a little detail on, maybe on this

245

00:13:54,635 --> 00:13:56,045

side, over here, there's even one.

246

00:13:57,795 --> 00:13:58,425

All right,

247

00:14:01,574 --> 00:14:05,735

take two inch brush and just

tap the base of it here.

248

00:14:05,765 --> 00:14:09,635

I want to create more mist at the

bottom of these and each layer.

249

00:14:09,635 --> 00:14:12,245

I like to have a little mist

at the bottom of the layer and

250

00:14:12,245 --> 00:14:13,505

that acts as your separator.

251

00:14:15,095 --> 00:14:19,535

And you can do that very simply by

just happy, just tapping a little.

252

00:14:22,560 --> 00:14:25,680

And each one of these layers create

another plane in your painting in the

253

00:14:25,680 --> 00:14:28,920

more planes that you have, the more

depth you'll see in your painting.

254

00:14:30,570 --> 00:14:33,480

And to me, that's what really makes

a painting spectacular is when you

255

00:14:33,480 --> 00:14:37,580

can see layer after layer, after

layer depth in it, let's mix up.

256

00:14:38,550 --> 00:14:44,030

That's mix up, take some black

oppression, blue little van Dyke

257

00:14:44,060 --> 00:14:47,600

Brown lizard, Crimson and SAP green.

258

00:14:48,050 --> 00:14:49,340

We've got just about everything.

259

00:14:49,340 --> 00:14:50,120

It's the dark here.

260

00:14:51,645 --> 00:14:53,204

Okay, let me wipe the old knife off

261

00:14:56,535 --> 00:15:02,925

and we'll use the old fan brush again,

loaded, full of color, full of color.

262

00:15:03,045 --> 00:15:07,844

Now then I think I want

some big rock formations, as

263

00:15:07,844 --> 00:15:09,194

we've mentioned earlier here.

264

00:15:09,944 --> 00:15:14,834

So back in here, maybe there's some middle

evergreens that have grown we up in here.

265

00:15:14,954 --> 00:15:19,694

Let's just start putting in some basic

little shapes that way back in there.

266

00:15:21,630 --> 00:15:25,260

Just a few there.

267

00:15:25,290 --> 00:15:26,190

We'll give them a little friend.

268

00:15:26,190 --> 00:15:26,790

We don't want him to set.

269

00:15:26,790 --> 00:15:28,170

And we up here by herself, I shoot.

270

00:15:28,170 --> 00:15:28,950

He gets scared.

271

00:15:31,320 --> 00:15:31,950

Maybe.

272

00:15:32,520 --> 00:15:34,890

Maybe there's some in here.

273

00:15:35,550 --> 00:15:41,000

Now, one thing that we did here, if you

remember, we did this black Jessel thing

274

00:15:41,000 --> 00:15:44,689

here, and I just sort of painted the

indication of a few little trees in there.

275

00:15:45,230 --> 00:15:48,319

Now the pain is transparent enough that

they will continue to show through.

276

00:15:48,319 --> 00:15:51,800

And it looked like a lot of trees

in the background that are shadows.

277

00:15:51,829 --> 00:15:53,270

So don't cover up each one of those.

278

00:15:53,270 --> 00:15:56,959

When you do yours, leave them in

there and people will think you worked

279

00:15:56,959 --> 00:16:01,160

like a devil to put them in and you

didn't do anything, but you should.

280

00:16:01,425 --> 00:16:02,265

That's our secret.

281

00:16:03,405 --> 00:16:04,454

That's our secret.

282

00:16:06,344 --> 00:16:06,885

There we go.

283

00:16:06,885 --> 00:16:10,545

Maybe this one's got a little,

little Yamaha, any little crook.

284

00:16:10,545 --> 00:16:10,785

Anyway.

285

00:16:12,344 --> 00:16:15,505

See, you can see this one back in here

that was done with the black Jesso and

286

00:16:15,505 --> 00:16:18,915

it, it almost looks like a little tree

that's laying back here in the mist.

287

00:16:20,925 --> 00:16:22,185

It's a sneaky way of doing them.

288

00:16:24,105 --> 00:16:24,555

Okay.

289

00:16:24,795 --> 00:16:27,375

Just here and there, wherever you

think he's little Rascals should live.

290

00:16:29,385 --> 00:16:29,715

Okay.

291

00:16:29,715 --> 00:16:34,965

Now then maybe down here,

we have a few more touch.

292

00:16:35,055 --> 00:16:37,185

He was a corner of the

brush, worked back and forth.

293

00:16:38,175 --> 00:16:39,675

Like I've mentioned in some other series.

294

00:16:39,675 --> 00:16:44,385

If you've paid with me before

the lady in class one time said

295

00:16:44,385 --> 00:16:47,205

these were Z trees like Zorro Z.

296

00:16:47,939 --> 00:16:48,420

Trees.

297

00:16:48,449 --> 00:16:50,939

So maybe that's a good analogy.

298

00:16:50,939 --> 00:16:54,209

Just sort of working back and

forth, making little disease.

299

00:16:55,770 --> 00:16:59,280

Sometimes when you're painting

over like this white back here,

300

00:16:59,280 --> 00:17:00,630

there's a lot of white paint here.

301

00:17:01,020 --> 00:17:03,660

Sometimes when you're painting over

that much pain in the background,

302

00:17:03,810 --> 00:17:05,460

your brush will begin picking it up.

303

00:17:06,180 --> 00:17:08,460

If that happens at the least.

304

00:17:08,609 --> 00:17:13,170

And I'll say that again, the least little

amount of paint, thinner to your paint,

305

00:17:13,230 --> 00:17:14,849

to your brush and go through the paint.

306

00:17:16,470 --> 00:17:19,080

And it'll make it a little

thinner and there's window

307

00:17:19,710 --> 00:17:21,120

thin paint, maybe right there.

308

00:17:21,540 --> 00:17:23,280

Then paint will stick to a thick paint.

309

00:17:26,100 --> 00:17:29,250

Just put as many or as few of these

little devils in the, as you want.

310

00:17:31,200 --> 00:17:34,050

Okay, let's take, we'll

take another fan brush here.

311

00:17:34,050 --> 00:17:38,550

We'll take a little, that same color

and then go into a little bit of

312

00:17:38,550 --> 00:17:40,350

CAD yellow, little yellow ochre.

313

00:17:41,070 --> 00:17:43,139

She would grab the land in

yellow to this mix them together

314

00:17:43,139 --> 00:17:44,580

on the brush when it darker.

315

00:17:44,610 --> 00:17:49,470

So we pick up a little more of that

mountain tree color a little bit more.

316

00:17:50,160 --> 00:17:50,730

Oh, that's good.

317

00:17:50,760 --> 00:17:51,210

That's good.

318

00:17:51,240 --> 00:17:53,940

Let's go up here and then

we can come right in here.

319

00:17:54,990 --> 00:17:58,380

Then let's begin putting in a few

highlights on these evergreens back here.

320

00:17:58,800 --> 00:17:59,550

Don't overdo.

321

00:17:59,940 --> 00:18:00,510

Don't overdo.

322

00:18:00,510 --> 00:18:02,040

It gets, it gets good.

323

00:18:02,490 --> 00:18:03,360

Feels good.

324

00:18:04,200 --> 00:18:10,380

Sometimes you forget to stop, then

it's all over because if you kill all

325

00:18:10,380 --> 00:18:15,210

this dark area in here, then your tree

is going to look flat and we want it

326

00:18:15,210 --> 00:18:17,160

to have shape and dimension and form.

327

00:18:18,389 --> 00:18:21,180

So don't overdue and I

know that's a tendency.

328

00:18:21,180 --> 00:18:22,590

I do it myself continually.

329

00:18:25,070 --> 00:18:28,100

They're leave them quite dark shoot.

330

00:18:28,100 --> 00:18:30,170

Maybe let's go up here on this big rock.

331

00:18:30,200 --> 00:18:32,600

We're going to have, maybe

there's even a little color.

332

00:18:32,600 --> 00:18:36,650

I don't want a lot of pier, but

a little that you can see here

333

00:18:36,650 --> 00:18:38,600

and there on these big stones.

334

00:18:38,629 --> 00:18:44,330

I don't want much appear in my mind, is

the stones a little bit further back?

335

00:18:44,540 --> 00:18:46,490

So I don't want a lot there.

336

00:18:47,235 --> 00:18:53,575

Now that that's thinking I'm gonna take

some Vandyke, Brown, little dark Sienna.

337

00:18:53,585 --> 00:18:55,004

We just do it on the fan brush here.

338

00:18:56,385 --> 00:18:59,985

And maybe we have our

stone lives right here.

339

00:19:01,274 --> 00:19:04,725

And all I'm doing is just

putting in some very basic little

340

00:19:04,725 --> 00:19:08,205

shapes, very basic little sheet.

341

00:19:08,235 --> 00:19:10,125

Maybe there's a big

projection right there.

342

00:19:10,605 --> 00:19:12,764

And we're just going to fill

that in with a lot of dark color.

343

00:19:14,175 --> 00:19:19,125

Shoot, maybe I'm all rocks

project out, down there.

344

00:19:19,615 --> 00:19:22,065

Got to make him little noises

to get them rocks just right.

345

00:19:24,375 --> 00:19:26,835

And we'll take the small

knife or the big one.

346

00:19:26,835 --> 00:19:33,615

Whichever one, you prefer a little dark

Sienna, a little white, a little blue.

347

00:19:33,615 --> 00:19:36,435

And part of it, see there's two or three

different colors going on here now.

348

00:19:37,110 --> 00:19:41,010

So they're just not all the

same, just in one pile though.

349

00:19:41,020 --> 00:19:45,480

You can have several things happening

and that way you can get a multitude of

350

00:19:45,480 --> 00:19:49,140

things on your knife in one loading thing,

just cut across and get a little roll.

351

00:19:50,010 --> 00:19:50,700

We'll go up here.

352

00:19:52,020 --> 00:19:56,760

And maybe, maybe there's a

little light plane right through

353

00:19:56,760 --> 00:19:58,110

there and sort of this scene.

354

00:19:58,200 --> 00:20:00,000

So you can sort of bend that over.

355

00:20:00,690 --> 00:20:02,790

So that rock just sorta hangs over there.

356

00:20:04,850 --> 00:20:05,610

There it comes.

357

00:20:05,880 --> 00:20:07,950

Maybe there's more all the way over.

358

00:20:09,360 --> 00:20:14,300

Barely, barely touching the canvas there.

359

00:20:15,590 --> 00:20:16,820

And then the shadow part of it.

360

00:20:16,820 --> 00:20:19,670

There's very little

color, very little color.

361

00:20:20,720 --> 00:20:22,940

Only out here where you

think light would strike.

362

00:20:24,290 --> 00:20:25,640

I want to keep it quite darker.

363

00:20:26,030 --> 00:20:27,860

So it does not lose its effectiveness.

364

00:20:29,600 --> 00:20:33,560

Just begin thinking about rocks and

stones and how they would set in here.

365

00:20:36,015 --> 00:20:40,425

You can actually just, just about

sculptor measure, as you're doing these

366

00:20:40,425 --> 00:20:43,395

things with a knife should look at here.

367

00:20:43,395 --> 00:20:45,945

Maybe this big whole rock comes down.

368

00:20:47,415 --> 00:20:48,015

There we go.

369

00:20:48,195 --> 00:20:50,025

It's like, once again, you got

to make those little noises,

370

00:20:54,545 --> 00:21:01,925

something like, so now then we'll take

a clean and very dry, large brush.

371

00:21:02,909 --> 00:21:08,429

And this is two hairs in some air,

just barely touch it and begin pulling

372

00:21:08,429 --> 00:21:17,330

it paint a little bit just to Tara,

barely, barely touching, but you

373

00:21:17,330 --> 00:21:18,889

have to follow those angles in there.

374

00:21:20,960 --> 00:21:22,399

Have to follow those angles.

375

00:21:22,399 --> 00:21:23,840

So I just didn't work out right.

376

00:21:25,290 --> 00:21:29,370

But this is one of the easiest,

nicest ways of making large, effective

377

00:21:29,580 --> 00:21:33,629

stones that people were really think

you work for long periods of time.

378

00:21:34,469 --> 00:21:38,699

And at home you can set an ad and

blend and add and blend until you

379

00:21:38,699 --> 00:21:40,350

get it exactly the way you want it.

380

00:21:41,520 --> 00:21:46,560

But with this large brush here, it's

just the most gentle touch that gentle,

381

00:21:47,669 --> 00:21:49,110

like a whisper floating over there.

382

00:21:50,415 --> 00:21:53,985

And when you tap that brush into

the least little touch of titanium,

383

00:21:53,985 --> 00:22:00,465

white leased little text, just the

corner, top corner, top corner.

384

00:22:00,555 --> 00:22:04,274

And we can create the illusion

of missed right there.

385

00:22:05,595 --> 00:22:07,514

These little bit of titanium white though.

386

00:22:08,264 --> 00:22:13,235

It's like making a little

cloud down at the bottom now.

387

00:22:15,870 --> 00:22:20,480

Let's go back, get some Bandak

Brown come right in here.

388

00:22:20,480 --> 00:22:23,419

Maybe there's another little

stone that was right there.

389

00:22:24,949 --> 00:22:25,699

Right there.

390

00:22:26,360 --> 00:22:27,439

It comes right along.

391

00:22:28,699 --> 00:22:29,570

Something like that.

392

00:22:32,490 --> 00:22:35,280

I can't come as her item

to me wherever we want.

393

00:22:36,949 --> 00:22:41,780

And here in there and it's going to be a

little, I will have this, just hang over.

394

00:22:43,649 --> 00:22:46,949

All we're doing is putting in Vandyke

Brown, a little dark Sienna here.

395

00:22:49,139 --> 00:22:52,199

We don't need much because we have

all this nice dark color down here.

396

00:22:53,820 --> 00:22:57,909

Can, we'll take a little bit of

her Brown and white, barely touch.

397

00:22:58,010 --> 00:22:59,060

Barely, barely touch.

398

00:23:00,260 --> 00:23:01,129

Just here, there.

399

00:23:02,929 --> 00:23:07,610

See that, that just, there we go.

400

00:23:08,480 --> 00:23:10,340

Barely grazing the canvas though.

401

00:23:11,775 --> 00:23:13,485

Barely barely crazy on the canvas.

402

00:23:15,345 --> 00:23:19,685

Now then let's go into a little

bit of the cat, yellow, Indian,

403

00:23:19,685 --> 00:23:21,635

yellow, yellow ochre here and there.

404

00:23:21,635 --> 00:23:26,555

The least little touch of bright red

and a load up an old two inch brush

405

00:23:26,555 --> 00:23:30,245

and begin thinking about little grassy

things that live all up in here.

406

00:23:31,925 --> 00:23:38,735

See them, let's see that they are just

all kinds of little doers and maybe.

407

00:23:39,825 --> 00:23:40,065

Hmm.

408

00:23:40,905 --> 00:23:43,514

I think let's have a little

path that lives right in there.

409

00:23:43,605 --> 00:23:46,365

And you can do that just by going

back and forth with a fan brush,

410

00:23:47,685 --> 00:23:49,995

a little place where you can step

out here and see what's going on.

411

00:23:51,935 --> 00:23:52,325

Okay.

412

00:23:53,045 --> 00:23:58,175

And right up in here, just some more

little bushes that live here and

413

00:23:58,175 --> 00:24:00,875

we're going to have some of them

that come right over the edge tune

414

00:24:00,875 --> 00:24:05,705

and just sort of fall little SAP

green added to that once in a while.

415

00:24:07,365 --> 00:24:12,675

Sam, all these little things in

here, and you can put as many or

416

00:24:12,675 --> 00:24:21,975

as few as you want there, that kind

of jazz, like, so where I've ever,

417

00:24:22,875 --> 00:24:24,375

and we have a huge ledge of fare.

418

00:24:24,375 --> 00:24:30,915

Now, shoot, I tell you what you know me,

you know me, I got a minute or two left.

419

00:24:30,915 --> 00:24:31,754

Here's let's get crazy.

420

00:24:31,754 --> 00:24:34,274

I'll take some of the liquid white.

421

00:24:36,330 --> 00:24:40,860

And go right through titanium point,

just to thin it down a little bit.

422

00:24:41,250 --> 00:24:43,469

In fact, he went, I'm going

to dip into the liquid clear.

423

00:24:43,530 --> 00:24:46,709

That'll make it shine when it's

dry, take a little liquid clear.

424

00:24:47,419 --> 00:24:52,520

Maybe in our world water comes,

boom, right over like that.

425

00:24:52,580 --> 00:24:53,000

Look it there.

426

00:24:53,149 --> 00:24:53,510

I see it.

427

00:24:54,199 --> 00:24:54,980

But it's important to me.

428

00:24:55,280 --> 00:24:59,000

Angle ring at the least little

touch that they low blue in there.

429

00:24:59,600 --> 00:25:01,969

Maybe the water changes

direction right here and goes.

430

00:25:05,340 --> 00:25:08,280

Got to make those little

noises just falls, right.

431

00:25:10,910 --> 00:25:13,490

That easy, that easy.

432

00:25:15,020 --> 00:25:17,900

Now then a little bit of the Bandag Brown.

433

00:25:18,440 --> 00:25:21,800

We have to have something

here to hold this one.

434

00:25:21,800 --> 00:25:24,890

And so we'll use a little Brown

and we'll put a little happy

435

00:25:24,890 --> 00:25:26,420

storm lives are right there.

436

00:25:28,250 --> 00:25:28,910

There we go.

437

00:25:31,875 --> 00:25:34,995

A little bit of our highlight

color, just let it touch and bow.

438

00:25:37,725 --> 00:25:38,475

There we are.

439

00:25:39,254 --> 00:25:43,245

She has to sort of form the stones

and give the indication that

440

00:25:43,245 --> 00:25:47,774

there's some nice stones living

down there with her clean brush.

441

00:25:47,985 --> 00:25:51,764

It's very dry, gently,

gently, crazy, just crazy.

442

00:25:54,510 --> 00:25:56,910

Maybe there's a happy little

Bush that lives right there.

443

00:25:57,450 --> 00:25:58,050

That easy though.

444

00:25:58,050 --> 00:25:58,890

You can drop it in.

445

00:26:00,300 --> 00:26:01,440

We'll take our fan brush.

446

00:26:02,070 --> 00:26:04,580

It's got the liquid clear on it.

447

00:26:04,750 --> 00:26:09,240

And the titanium white, same

as a one inch brush head.

448

00:26:09,690 --> 00:26:11,190

We'll put a little splash right there.

449

00:26:12,060 --> 00:26:13,320

Waterfall hits right there.

450

00:26:13,320 --> 00:26:20,220

And this sort sorta plays around all

kinds of little splashes happen out here.

451

00:26:25,965 --> 00:26:31,985

There they go though, wherever you

think they would fall in splash and hip.

452

00:26:35,285 --> 00:26:38,225

Adam, let's take a little

touch of the liquid.

453

00:26:38,885 --> 00:26:39,275

All right.

454

00:26:39,275 --> 00:26:45,245

I'm going to put a little touch of

dark CNA into that and with a liner

455

00:26:45,245 --> 00:26:48,725

brush, I want to show you a neat way of

making some trees while we have time.

456

00:26:49,295 --> 00:26:49,385

Okay.

457

00:26:49,740 --> 00:26:53,370

Little paint, thinner, little

Vandyke Brown load, the brush

458

00:26:53,400 --> 00:26:55,560

full of Brown first, both sides.

459

00:26:56,190 --> 00:27:00,390

Then we'll take and pull one side

right through a little bit of that

460

00:27:00,390 --> 00:27:02,250

highlight color, maybe in our world.

461

00:27:03,060 --> 00:27:07,790

There's an old dead tree that

lives her right there and give him

462

00:27:07,800 --> 00:27:09,470

another one that lives right there.

463

00:27:12,290 --> 00:27:18,290

And maybe a little baby when too, we don't

want him left out and we'll have just.

464

00:27:18,659 --> 00:27:24,409

Just a couple of old branches

hanging off of him here and there.

465

00:27:27,469 --> 00:27:29,419

I think with that, we don't

have a finished painting.

466

00:27:30,050 --> 00:27:30,439

Thank we'll.

467

00:27:30,439 --> 00:27:30,979

Call that one.

468

00:27:30,979 --> 00:27:31,219

Done.

469

00:27:31,610 --> 00:27:32,510

It's quite a challenge.

470

00:27:32,600 --> 00:27:33,290

Let me hear from you.

471

00:27:33,290 --> 00:27:35,689

If you do this one until

then happy painting.

472

00:27:36,405 --> 00:27:37,455

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E03 - Royal Majesty

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse