Bob Ross's

The Joy of Painting

S19E13 - Valley Of Tranquility

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Um,

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hi, welcome back.

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Certainly glad you could join

us today because this is the

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last show of the 19th series.

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So I'm glad you're with us

for this fantastic show.

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I thought today we'd just do a beautiful

little mountain scene and sort of see

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what happens and just enjoy ourselves.

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Let's start out and have run all

the colors across the screen that

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you need to paint along with us.

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And while they're doing that, let

me show you what I've already done.

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Got mole canvas up here on the easel.

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I've covered the entire thing with

a thin even coat of liquid white.

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So it's all wet and slick

and it's ready to go.

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So let's go.

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I thought I'd start off

with one inch brush day.

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What the heck, we'll take a

little bit of they low blue.

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Don't need a lot of

color, just a little bit.

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And that's cool right up in here.

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Let's just, let's just dance

in some, some little things.

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That'll turn out to be some nice clouds.

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Now, today, all that I'm interested

in is the white area, not the blue.

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That's going to be our cloud.

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There we are.

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Thank you.

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Earlier shows we made a cloud, like

it's just to show you a new way.

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There were different way.

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I don't know that it's

new, but it's different.

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And we heard here's maybe

another one right there.

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Yeah, right about now wherever,

wherever a little more of the

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color, let's go right in here.

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There is another happy little cloud.

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He lives right there and

clouds are very free.

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They just sort of float around

and have a good time all day.

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So that's the way we're

going to paint them.

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There was another.

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One inch brush.

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I have several of them.

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Go ahead.

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I want to blend this blue back.

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Just blend it back.

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I'm not touching this white edge yet.

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Just sort of take this brush

and blend it back a little bit.

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It'll mix with the liquid white

and automatically it'll get softer

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and softer, lighter and lighter.

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The more you that you blend it in.

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That's what we're looking

for a little bit in here.

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Jenna, sort of why I ended up blended.

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Let it play and you can blend this to

any degree of softness that you want.

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So just sort of look at it and

make a decision, make a decision,

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or you can leave it quite dark.

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It's up to you.

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There we are.

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Okay.

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We'll watch that old brush.

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That's the fun part.

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Little brush is not as

great as a big breath.

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Let's take some titanium,

white titanium white.

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I'll be right back here.

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I'm going to get a little touch of

the bright red, tiniest little touch.

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I just want a little

pinkish glow in there.

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All right.

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Got some color loaded on here and

let's go right up in here and we'll

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just take now we'll begin putting

in nice white edges to this cloud.

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Just drop them in.

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Just sort of let that breath dance

around just the corner of it there.

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This is a beautiful way of

making very fluffy clouds, very

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fluffy with some nice shadows.

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And here we go a little bit here.

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Just sort of let your

imagination go there.

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Maybe right over like that a

little bit up in here, wherever.

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Okay.

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Now we use that old big brush.

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I just want to blend

these two areas together.

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Now create very soft, big fluffy clouds.

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Just using the corner of the brush.

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And I use the big brush because

it seems to have more hair in,

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it does have more hair in it.

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So it just blends a little nicer.

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I can't lift it, fluff it a little.

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Very lightly, very lightly.

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Just go right over it.

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So a fantastic way of making beautiful,

beautiful, big fluffy clouds.

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Now then let's go down and do that

little bottom one down here is

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just sort of work in layers there.

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I usually try to do the cloud

is farthest away first and then

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work forward, forward, forward.

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A little bit in here and

just let it blend down.

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Maybe there's a little blue down in here.

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We'll just add a little in

so it can blend together.

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There we are back to our large brush

and very gently blend all this together.

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They're fluffing a little bit also.

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All right.

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And we have one Dynamite's guy sad, easy.

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That's an excellent way.

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Excellent way of making, making skies.

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When you're doing seascapes, for

example, where you want a huge,

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big fluffy clouds, it just sort of.

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So hanging out over the ocean, let's

take, I'm gonna take some black,

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black, a little pressure and blue.

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What the heck?

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Maybe some lizard Crimson.

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Just mix them together.

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A little band.

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Dyke Brown too.

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So we have black Prussian, blue Vandyke

Brown and Crimson cut off our little roll

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of paint, right on the edge of the knife.

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There it is.

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Now maybe, maybe back in here.

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Very little paint and push very hard.

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Maybe there's a little mountain.

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This lives far away, far away, really

push that color right into the fabric.

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Very, very colored.

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And we take the large brush and

we'll grab that and pull it blended.

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I want it to just float

around the sky up here.

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It's too far away to have

a lot of detail in it.

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Or you could leave it just like that.

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And it would do satisfactorily or maybe

take a little titanium white on the knife.

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And you could just put an indication

of a little bit of highlight.

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I don't want to overdue.

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Don't want to overdo.

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We're going to put another mountain

in front, but you could put a little

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highlight in there if you want it to

just, you want to show you how you could,

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if, if that was what you wanted to do.

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There we go.

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I take her two inch brush.

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And once again, I'm going to tap that

and just blend it a little, but see

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that gives the indication of a little

highlight without actually doing much.

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There we go.

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Now let's have a huge

mountain that lives here.

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Mountains are a lot of fun to do,

and it's one of the most fantastic

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things you can do in this technique

are a little roll of paint.

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Command had been here.

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And let's go right up in here.

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Shoot me and let us

start and just drop it.

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Yeah.

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Big mountain, big old mountain.

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He lives right there, right there.

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And off we go over here, maybe

there's a little bump there, pushing

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that paint right into the fabric.

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Get tough with it.

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And you just sort of look at your

mountain and decide where you think

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a little there should be a little

protrusion or a bump or Hill or whatever.

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It's that easy?

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Just drop it in,

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scrape it firmly though.

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You want to get all the excess

paint off here that you can.

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That allows the next layer of

paint to stick much easier.

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Otherwise it's sort of

a sort of difficult.

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You have a lot of paint on it to

get the next layer to stick on top.

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There we go.

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This just does two things.

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When we do this with a, with a two inch

brush, it removes excess paint and then

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blends the bottom right into nothing.

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And if you can see the entire

mountain, it should be more distinct

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at the top than it is at the bottom.

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Cause we have missed at the bottom

and now we have wonderful pollution

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at the bottom and all these things

break up and diffuse light and causes

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it to look Misty toward the base.

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see how that just sort of

floats right into nothing.

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That's what we're looking for while we

have this whole grad school and maybe

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we'll have a little water down here.

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You know, may, if you've paid with me

before I'm fanatic for water, love water.

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I think it's so beautiful.

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I'll take a little fallow,

blue, little small amount of

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the they little green in it.

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Just sort of mix them together.

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Don't want a lot of color.

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Maybe I'll even pull it

up black in there too.

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What the heck?

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Oh, that's nice.

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When the kid is going up here.

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We're going to have a little water.

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We'll have it right about here somewhere

in here anywhere we don't like it.

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We'll just paint over it

because we don't make mistakes.

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We have happy accidents.

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That's all.

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You learn very quickly to work

with anything that happens.

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Anything that happens when we're

teaching our instructors, a lot

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of times will intentionally make

mistakes and make them fix them.

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That's one of the things

that our instructors.

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We're all able to do very well.

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They can correct anything

that happens on your canvas.

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And that way, when people are taking

classes, they never have to worry

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about their painting going bad or

anything because we can fix anything.

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And then they teach the students

also how to correct theirs.

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All right.

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Let's wash your old brush.

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Let's wash the brush

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and just beat the devil

out of it off we go.

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All right, let's go in here and take

some titanium white, pull it out as

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flat as we can get it really flat.

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Go across, cut off a little roll of paint.

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It's right on the edge of the knife.

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Okay.

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Now then that little roll of paint.

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You can come right up here.

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Just barely touch.

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No pressure, just a whisper, just a

whisper floating through here and let

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the paint just go with the angles.

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No pressure, no pressure,

gentle, gentle, gentle, and easy.

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They're easy.

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You know, sometimes I get, I

get letters saying, what is it

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you're looking at off camera.

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They see me look off camera.

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I have a, a television set, a

monitor that sits right off.

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That you can't see, but I look into that

to make sure that the camera's getting

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the picture that I think people need.

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So they too can paint.

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It shows that way.

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I can show exactly how to load a brush

or how to, when they're little roll

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of paint for examples on the knife.

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Correct.

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So I'll watch that monitor at all

times to make sure that you see

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the things that are important to

make your painting successful.

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So that's all I'm looking at.

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Plus there's some Mino gal there

that gives time cues and tells

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me all the time I'm out of time.

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But other than that, that's

all we're looking at.

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There, there is absolutely no editing

or no video magic done on these shows.

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That's another question I

hear over and over again.

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People say you must edit those shows.

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There is no editing because

to me that I wouldn't be.

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Wouldn't be honest.

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If we edit anything, we will tell you.

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And I realized there are some shows where

editing is done and they don't tell you,

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but please don't confuse them with ours.

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We do not edit anything,

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little bit right in here, but

notice the angles angles are the

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most important thing going here.

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So keep your angles, look at, look

at how most of those angles are

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going in the same basic direction.

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That's what that's, what makes

your mountains work for you?

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Ankles are so important.

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Mountains are nothing more

than geometric shapes.

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That's all they are and think

about where the light would

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zinc through and hitting play.

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And it's all you have to remember.

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And most of your highlights will be

in the same angle and most of your

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shadows will be in the same basic angle.

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You can vary a little.

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But if you vary a great deal,

it's not going to look right.

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And people are going to look at

your mountain and say, I don't

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know what's wrong, but something's

wrong with that mountain.

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Okay.

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I'm mixed up a little touch it.

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They little blue, little black in

it, and some white and same way.

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I'm just loading the knife same way.

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And we'll put in some little shadow

colors here and we'll have most

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of these angles strokes going in

opposite or opposing direction.

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See you there.

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That's all there is to it and

had rascal will just come alive.

252

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It'll just come alive for you anywhere.

253

00:13:22,935 --> 00:13:27,915

You want a little protrusion, you just put

a shadow under C and automatically blink.

254

00:13:28,005 --> 00:13:29,055

It'll just jump right up there.

255

00:13:29,775 --> 00:13:34,395

Let's go up to the top of this mountain

here, begin up in here, but in all kinds

256

00:13:34,395 --> 00:13:38,855

of, I don't see how you can create all

those little protrusions that easy.

257

00:13:39,845 --> 00:13:39,935

Okay.

258

00:13:40,590 --> 00:13:43,770

Can do, but you can do anything.

259

00:13:44,250 --> 00:13:48,330

I know you can't do anything there.

260

00:13:48,330 --> 00:13:51,960

We are few little, few

little doers here and there.

261

00:13:53,090 --> 00:13:55,880

When you practice a little, you can

start sneaking in here with a small edge

262

00:13:55,880 --> 00:14:00,110

of the knife and just make all kinds

of little tiny things and crevasses and

263

00:14:00,110 --> 00:14:02,210

places, a little mountain goat lives.

264

00:14:02,510 --> 00:14:02,990

All of those.

265

00:14:05,910 --> 00:14:07,229

No it's mountains.

266

00:14:07,410 --> 00:14:10,140

My son, Steve teaches and

mountains must be his thing where

267

00:14:10,140 --> 00:14:11,489

he can do the best mountains.

268

00:14:12,209 --> 00:14:14,010

His mountains are better than

mine, but don't tell him.

269

00:14:14,010 --> 00:14:20,400

I said that son of a gun can faint

some mountains and he travels all

270

00:14:20,400 --> 00:14:24,469

over the country and teaches literally

thousands of people painting.

271

00:14:27,050 --> 00:14:27,589

There we are.

272

00:14:27,680 --> 00:14:29,030

I'm just going to blend that a little bit.

273

00:14:29,390 --> 00:14:30,199

Not much today.

274

00:14:31,590 --> 00:14:34,230

Not much because we're going to

put some little grassy areas, maybe

275

00:14:34,230 --> 00:14:35,370

going right up the side of it.

276

00:14:36,990 --> 00:14:37,590

All right.

277

00:14:38,360 --> 00:14:42,800

Let's just take, I'll use that

same old brush a little, we'll put

278

00:14:42,800 --> 00:14:45,890

a little caddy yellow, a little

grab, a little touch of the SAF.

279

00:14:45,900 --> 00:14:50,420

Green, not much just a little blue,

yellow ochre, Indian, yellow, some of

280

00:14:50,420 --> 00:14:54,020

the dark color we made the mountain

out of, but mixes on the brush.

281

00:14:54,020 --> 00:14:56,540

So you have a multitude of

things happening on the brush.

282

00:14:56,630 --> 00:14:57,260

Let's go up here.

283

00:14:58,135 --> 00:15:02,565

How then we can begin tapping in all

kinds of little, little grassy areas that

284

00:15:02,565 --> 00:15:04,245

travel right up the side of this mountain.

285

00:15:05,595 --> 00:15:06,015

There

286

00:15:09,165 --> 00:15:11,895

just pay attention to the angles.

287

00:15:13,995 --> 00:15:16,095

Angles are most, most important.

288

00:15:16,935 --> 00:15:18,135

These angles are wrong.

289

00:15:18,870 --> 00:15:23,440

Oh, they are shell and you won't

be happy with what you've done.

290

00:15:23,610 --> 00:15:25,050

And I want this to work for you.

291

00:15:26,490 --> 00:15:30,120

It's important to me that this works

for you and that you're happy with what

292

00:15:30,120 --> 00:15:39,990

you're doing there, but just little

colors here and there we'll come back

293

00:15:39,990 --> 00:15:43,290

in a minute and lift this, make it look

like little distant trees that live.

294

00:15:43,290 --> 00:15:44,970

We back at the base of this mountain.

295

00:15:46,680 --> 00:15:48,540

They're a little dark

color here and there.

296

00:15:48,839 --> 00:15:51,240

And that dark color would look more

like trees and the other desks.

297

00:15:51,240 --> 00:15:51,959

And we lifted up.

298

00:15:53,219 --> 00:15:57,390

I don't give too much of it just

sort of played back and forth

299

00:15:57,420 --> 00:16:02,670

between the various colors, but to

follow those angles, those angles.

300

00:16:04,050 --> 00:16:04,680

All right.

301

00:16:10,890 --> 00:16:15,420

Maybe right over like

that, something like that.

302

00:16:17,939 --> 00:16:19,709

Where the little dark

areas here and there.

303

00:16:21,300 --> 00:16:21,750

Yeah.

304

00:16:21,959 --> 00:16:24,089

We'll just grab a, grab a one inch brush.

305

00:16:24,900 --> 00:16:31,140

Whatever lifts up short little strokes,

just lift it up, just lift it up and

306

00:16:31,140 --> 00:16:32,490

that'll just bring it all together.

307

00:16:33,660 --> 00:16:36,689

Seeing those little dark areas on

there, they just pop right in there.

308

00:16:36,720 --> 00:16:39,180

Look like little trees that are they live.

309

00:16:39,180 --> 00:16:43,730

We over to base in this

mountain are way far away.

310

00:16:44,660 --> 00:16:50,270

Look at that hundreds and

hundreds of little trees there.

311

00:16:52,420 --> 00:16:53,160

Didn't have something

312

00:16:56,699 --> 00:16:59,100

and you can just create whole

valleys under your mountain.

313

00:16:59,100 --> 00:17:02,130

Like had whole valleys.

314

00:17:03,990 --> 00:17:06,149

You can go back and put little

rocks and stuff laying there.

315

00:17:06,149 --> 00:17:06,960

They just no into it.

316

00:17:06,960 --> 00:17:07,980

I don't want to get carried away here.

317

00:17:07,980 --> 00:17:12,899

I'll never get this painting finished,

but you could spend, spend all day just

318

00:17:12,899 --> 00:17:14,399

working on little things like, yes.

319

00:17:15,119 --> 00:17:16,920

And it's, that's the way you learn.

320

00:17:19,785 --> 00:17:23,075

Okay, now that we have to make some

big decisions what's down here.

321

00:17:24,275 --> 00:17:27,635

Let's have some trees out by trees.

322

00:17:28,085 --> 00:17:30,995

Let's take a, let's take some

blacks and pressure and blue and

323

00:17:30,995 --> 00:17:32,345

put some fatal green in there too.

324

00:17:32,345 --> 00:17:32,764

I like it.

325

00:17:32,795 --> 00:17:33,455

They will agree.

326

00:17:35,105 --> 00:17:36,455

Maybe a little Brown in Crimson.

327

00:17:36,825 --> 00:17:37,355

Doesn't matter.

328

00:17:37,355 --> 00:17:40,205

As long as it's good and dark

might as well, mix up a pile.

329

00:17:40,235 --> 00:17:41,315

Let me clean the knife.

330

00:17:43,025 --> 00:17:43,805

There we are.

331

00:17:45,930 --> 00:17:50,280

We use the fan brush load a lot of

color into the bristles, lots of

332

00:17:50,280 --> 00:17:54,570

color, both sides, full, full of color.

333

00:17:55,220 --> 00:17:59,600

And maybe if we have some little distant

trees that live back here, just take the

334

00:17:59,600 --> 00:18:02,660

brush and tap down, just tap it downward.

335

00:18:04,100 --> 00:18:07,310

Now, one of the things that happens a lot

of times, I get letters from people and

336

00:18:07,310 --> 00:18:09,710

they say, there's, it looks like a fence.

337

00:18:09,830 --> 00:18:13,430

Now, if you leave them too far

apart, see it will look like a fence.

338

00:18:14,440 --> 00:18:17,940

I can do is fill them up, fill them up.

339

00:18:20,730 --> 00:18:25,590

This is one of those cases where you need

a lot of them to make it look right there.

340

00:18:29,220 --> 00:18:31,950

Maybe we'll go over across

with them no matter.

341

00:18:34,050 --> 00:18:35,970

So you can do anything

that you want to do here.

342

00:18:41,475 --> 00:18:44,715

But isn't that a nice, easy way

of making the indication of a lot

343

00:18:44,715 --> 00:18:47,745

of little trees that live live way

back at the base of this mountain.

344

00:18:56,055 --> 00:18:58,905

And then if you want to make like

some little tree trunks, you can

345

00:18:58,905 --> 00:19:01,575

take a little light color when

you some white, it doesn't matter

346

00:19:01,965 --> 00:19:03,465

touch and just lift up bird.

347

00:19:04,785 --> 00:19:09,585

Just gently lift up a little bit of white

paint and it'll give the indication of

348

00:19:09,585 --> 00:19:11,625

some little tree trunks and some of those.

349

00:19:11,625 --> 00:19:14,505

And it also makes a little

Misty area at the base.

350

00:19:14,955 --> 00:19:18,915

And in the minute, you'll see why that

really, really works nice because I think

351

00:19:18,915 --> 00:19:21,425

I'll put some, maybe I'll just pop in.

352

00:19:21,435 --> 00:19:22,965

I got a fan brush full of color here.

353

00:19:22,965 --> 00:19:25,305

We'll just use hip hop is

popping some dark color here.

354

00:19:27,255 --> 00:19:28,695

You could do this with any little thing.

355

00:19:28,725 --> 00:19:29,395

Doesn't matter what?

356

00:19:29,395 --> 00:19:30,405

We'll have this brush going.

357

00:19:30,415 --> 00:19:31,305

I'll just use it

358

00:19:40,275 --> 00:19:40,515

there.

359

00:19:42,345 --> 00:19:42,825

Okay.

360

00:19:43,065 --> 00:19:46,035

We need some, put some, let's

put some highlights on there.

361

00:19:46,125 --> 00:19:46,845

Must have some fun.

362

00:19:46,845 --> 00:19:49,695

I'll take Abby right back.

363

00:19:49,725 --> 00:19:51,185

A little SAP, green, little caddy.

364

00:19:51,185 --> 00:19:53,055

Yellow, right back.

365

00:19:53,055 --> 00:19:54,015

You need a little more green.

366

00:19:54,135 --> 00:19:54,825

Oh, there it here.

367

00:19:56,535 --> 00:19:58,004

Tap that right into that color.

368

00:19:58,125 --> 00:20:00,135

Tap it from that little yellow ochre too.

369

00:20:00,275 --> 00:20:04,605

That's a pretty Indian yellow here

and there I'll hit the bright red

370

00:20:04,635 --> 00:20:07,365

occasionally just to dial it down.

371

00:20:09,254 --> 00:20:09,435

Yeah.

372

00:20:09,495 --> 00:20:10,695

Just gently tap.

373

00:20:11,715 --> 00:20:14,715

I want to put the indication maybe

of a little, little metal back

374

00:20:14,715 --> 00:20:18,675

here, or a little place where

there's some nice grassy areas.

375

00:20:19,860 --> 00:20:20,219

I know.

376

00:20:20,250 --> 00:20:21,570

I know, I know it just had an idea.

377

00:20:21,810 --> 00:20:22,169

Watch here.

378

00:20:22,229 --> 00:20:22,530

Watch it.

379

00:20:22,709 --> 00:20:23,580

Let me put this up here.

380

00:20:24,149 --> 00:20:27,270

Sometimes my mind gets ahead of my brush.

381

00:20:28,919 --> 00:20:29,550

There we go.

382

00:20:32,939 --> 00:20:34,949

Tell you what a seat right there.

383

00:20:34,979 --> 00:20:35,760

I'm going to be scrubbed.

384

00:20:36,030 --> 00:20:38,270

So Vandyke Brown with

the knife right there.

385

00:20:38,290 --> 00:20:39,840

I'll put some dark underneath.

386

00:20:41,429 --> 00:20:42,719

Let's do, let's do this.

387

00:20:45,450 --> 00:20:49,230

When you're, when you paint like

this, you find things, you just sort

388

00:20:49,230 --> 00:20:51,480

of look at them and they happen.

389

00:20:52,920 --> 00:20:55,440

You can just find all kinds of

happy little things in here.

390

00:20:58,260 --> 00:21:09,120

There may be maybe liquid white, little

titanium, white, least little touch it.

391

00:21:09,120 --> 00:21:11,700

They a blue in it, maybe right here.

392

00:21:12,420 --> 00:21:14,160

Maybe in our world, their lives.

393

00:21:15,240 --> 00:21:15,720

Yup.

394

00:21:16,520 --> 00:21:18,320

Just a happy little waterfall back here.

395

00:21:18,500 --> 00:21:19,190

Boom.

396

00:21:19,550 --> 00:21:20,840

It just drops right off there.

397

00:21:22,420 --> 00:21:26,960

If you want to push that waterfall back,

let's take some white little dark Santa, a

398

00:21:26,960 --> 00:21:28,850

little van Dyke Brown, all mixed together.

399

00:21:29,870 --> 00:21:37,040

I use a small knife and that's

just come up in here because, and

400

00:21:37,040 --> 00:21:40,070

making this look like maybe there's

a little, little cliff there.

401

00:21:41,850 --> 00:21:44,280

Oh, I had another look now, no

going, don't push that waterfall

402

00:21:44,280 --> 00:21:46,950

back, put a rock in front of it.

403

00:21:47,880 --> 00:21:51,840

Say just put a rock in front of it,

like it, and then pushes it back.

404

00:21:51,870 --> 00:21:53,310

We'll put a little color on it.

405

00:21:55,230 --> 00:21:56,160

Play little games.

406

00:21:56,160 --> 00:22:00,410

I can't, when you're doing these, she

has sort of let these colors bounce

407

00:22:00,410 --> 00:22:02,450

back and forth and hearing there.

408

00:22:02,540 --> 00:22:05,360

Yeah, let's see here.

409

00:22:05,450 --> 00:22:07,310

I'm going to find this a fan brush.

410

00:22:08,055 --> 00:22:11,415

Too many dirty brushes, put a

yellow couldn't load greener.

411

00:22:12,075 --> 00:22:14,115

Now this rocket we have here

in front of the waterfall, it

412

00:22:14,115 --> 00:22:15,495

needs some grass on top of it.

413

00:22:16,185 --> 00:22:18,165

So it looks so it looks normal.

414

00:22:18,965 --> 00:22:23,465

They're a little bit on the

other side or we got it going.

415

00:22:25,055 --> 00:22:25,505

Shoot.

416

00:22:27,545 --> 00:22:28,265

That's coming along.

417

00:22:28,265 --> 00:22:28,835

Pretty good.

418

00:22:30,420 --> 00:22:34,710

Let's take a little, that dark

color if come right down here.

419

00:22:36,270 --> 00:22:38,400

So you can just make all

kinds of little things.

420

00:22:39,420 --> 00:22:41,160

We need some reflections

under these things.

421

00:22:41,160 --> 00:22:42,660

We will pull a reflection under that.

422

00:22:42,930 --> 00:22:45,720

Go up here, grab a hold of that.

423

00:22:48,330 --> 00:22:49,560

Just pull it straight down though.

424

00:22:49,770 --> 00:22:55,590

And that'll create the illusion of

a reflection go across instantly.

425

00:22:55,620 --> 00:22:56,100

We have it.

426

00:22:57,435 --> 00:22:58,545

Yeah, backed her brush.

427

00:22:58,545 --> 00:22:59,535

It has the green on it.

428

00:23:02,115 --> 00:23:05,505

Just follow that angle from that angle.

429

00:23:07,235 --> 00:23:10,205

It's see illusion of all kinds of

little grass areas that grow right down.

430

00:23:12,095 --> 00:23:15,005

Now let's have some fun.

431

00:23:15,005 --> 00:23:19,355

Maybe there's a bigger evergreen

and he lives right there.

432

00:23:19,595 --> 00:23:19,945

Very is.

433

00:23:23,705 --> 00:23:25,805

He just lives up here and

watches that little waterfall.

434

00:23:26,985 --> 00:23:32,925

Maybe he's got a friend bins

right here beside him there.

435

00:23:33,375 --> 00:23:36,885

Two little evergreens, maybe on the

other side, let's go on the other side.

436

00:23:37,514 --> 00:23:39,645

Let's have a, what type of monster?

437

00:23:39,645 --> 00:23:40,245

Evergreen.

438

00:23:41,655 --> 00:23:43,245

This is daddy evergreen here.

439

00:23:48,480 --> 00:23:49,050

Fantastic.

440

00:23:51,540 --> 00:23:54,720

So evergreen says live in your

fan brush, shake them out.

441

00:23:56,730 --> 00:24:01,230

And is this program draws to

a close here in a few minutes?

442

00:24:01,230 --> 00:24:05,610

I hate to leave you, but I hope

you've enjoyed this series.

443

00:24:05,610 --> 00:24:06,630

I certainly have it.

444

00:24:07,020 --> 00:24:08,910

It's been a great deal of

fun to be with you again.

445

00:24:10,410 --> 00:24:12,390

And if you like it, and if you

want to see more of them, give

446

00:24:12,390 --> 00:24:15,030

you station to call, let them know

that you're interested in the show.

447

00:24:15,450 --> 00:24:18,720

That's the only way they know

that you want to see more of them.

448

00:24:19,050 --> 00:24:20,400

So don't be bashful.

449

00:24:20,400 --> 00:24:20,880

Give them a call.

450

00:24:20,880 --> 00:24:22,200

They'd like to hear from me anyway.

451

00:24:22,890 --> 00:24:23,970

Let's put a little splash down.

452

00:24:23,970 --> 00:24:24,930

The bottom is waterfall.

453

00:24:27,290 --> 00:24:29,850

A bit of water around, down here.

454

00:24:31,200 --> 00:24:32,129

Just started, cleans up.

455

00:24:32,129 --> 00:24:36,210

All those edges, brings

it all together there.

456

00:24:37,230 --> 00:24:40,379

And in the future, if there's things

that you would like to see us do on this

457

00:24:40,379 --> 00:24:42,600

show that we're not doing drop me a line.

458

00:24:42,930 --> 00:24:44,310

I'd love to hear from me anyway.

459

00:24:44,850 --> 00:24:45,150

So.

460

00:24:45,645 --> 00:24:49,754

Drop us a line, let us know what

you would like to hear or see,

461

00:24:51,794 --> 00:24:52,845

and we'll see if we can do them.

462

00:24:52,875 --> 00:24:55,875

If I can't do them, shoot, I'll go out and

find somebody who can bring them in here.

463

00:24:58,064 --> 00:25:00,375

There we are for grassy areas.

464

00:25:01,845 --> 00:25:04,665

I'll take the little dark CNN white.

465

00:25:06,225 --> 00:25:09,524

Let's put the indication here and

there just a little tree trunk.

466

00:25:09,975 --> 00:25:10,784

Don't want a great deal.

467

00:25:12,105 --> 00:25:17,055

Just a little, we'll take a

little green glue blue Gallo.

468

00:25:17,685 --> 00:25:18,585

Let's go right in here.

469

00:25:19,185 --> 00:25:21,825

Put a few highlights on

these evergreens off.

470

00:25:21,825 --> 00:25:25,445

We would go, okay.

471

00:25:26,495 --> 00:25:32,345

Over in here just a few weeks, I

don't want to kill all this dark.

472

00:25:32,465 --> 00:25:33,845

Dark is so beautiful.

473

00:25:34,595 --> 00:25:39,215

If you kill it off and you

just have a flat old tree.

474

00:25:41,090 --> 00:25:43,080

Okay, let's grab a one inch brush.

475

00:25:43,080 --> 00:25:46,590

I'm gonna dip it in some liquid

white, go through some yellow,

476

00:25:47,100 --> 00:25:48,959

a little bit of SAP green.

477

00:25:49,770 --> 00:25:52,350

Maybe I'll even grab a little

black here or make a dark green.

478

00:25:52,409 --> 00:25:53,189

Ooh, that's nice.

479

00:25:53,909 --> 00:25:55,229

Pull that brush in one direction.

480

00:25:55,229 --> 00:25:57,000

Load a lot of color at school up here.

481

00:25:58,095 --> 00:25:58,695

In our world.

482

00:25:58,695 --> 00:26:01,995

Maybe there's a little bullshit

lives right here under this big tree.

483

00:26:03,345 --> 00:26:03,975

There he is.

484

00:26:05,775 --> 00:26:08,505

There he is little yellow ochre

and Daniella here and there.

485

00:26:09,495 --> 00:26:10,305

That's a nice one.

486

00:26:11,625 --> 00:26:12,555

Nice little Bush.

487

00:26:13,575 --> 00:26:14,115

There we are.

488

00:26:15,165 --> 00:26:19,335

Maybe right here is another one had

work in layers doing one of the time

489

00:26:23,535 --> 00:26:25,185

we finished this one up once again.

490

00:26:25,215 --> 00:26:26,055

I'd like to thank you.

491

00:26:26,760 --> 00:26:28,200

For allowing us into your home.

492

00:26:28,650 --> 00:26:29,880

You're very special to me.

493

00:26:30,780 --> 00:26:33,270

I hope you enjoy watching

the shows half as much as we

494

00:26:33,270 --> 00:26:34,620

enjoy producing them for you.

495

00:26:35,490 --> 00:26:39,360

And once again, if there's things

you'd like to see or comments drop us a

496

00:26:39,360 --> 00:26:41,100

line I'd really love to hear from you.

497

00:26:41,850 --> 00:26:42,870

And we will answer you.

498

00:26:45,150 --> 00:26:47,070

I think we've put a few

little twigs here and there.

499

00:26:47,730 --> 00:26:50,250

Sticking those bushes.

500

00:26:50,560 --> 00:26:51,900

We about have a finished painting.

501

00:26:53,430 --> 00:26:57,690

So with that, um, till you could

buy it for this series, I look

502

00:26:57,690 --> 00:27:01,650

forward to seeing you again and

from all of us here at WIP, be happy

503

00:27:01,650 --> 00:27:04,020

painting, and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E13 - Valley Of Tranquility

Bob Ross's

The Joy of Painting

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