Wednesday, December 30, 2020

S26E11 - Storm´s A Comin

Bob Ross's

The Joy of Painting


S26E11 - Storm´s A Comin

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I I'm certainly glad to see you today.


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I thought maybe today we we'd just

do a fantastic little seascape, a


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little easy win that you can do.


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So let's start out and have him

run all the colors across the


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screen that you need to paint along

with us while they're doing that.


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Let me show you what I got up here today.


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I have my regular old 18 by 24 inch

double prime pre-stretch canvas.


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And I've taken a piece of

contact paper or any adhesive


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back paper and just cut an oval.


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Stuck it right on the canvas.


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Then I've covered the inside of

it with black Jesso, we allowed


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the black Jesso to dry completely.


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And then we came back and I put a

little piece of tape right here.


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So I'll have a straight

horizon from here up.


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I've covered it with liquid clear,

very thin coat and taken thalo blue and


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put here from here down liquid clear.


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They love blue and fallow green.


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I want it, I want the water to

have a little green cast to it.


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So I put a little a green in the bottom.


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Otherwise it's just the

little blue all over.


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We put the liquid clear on there though.


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Cause it makes that color

so much easier to put on.


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And it's almost like a glaze.


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I don't want too much.


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So let's have some fun.


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We'll start out with a little

teeny, two inch brush and a little


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bit of titanium white on it.


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I don't need much just a small amount.


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Something about like, yep.


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Okay.


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Now then we'll go up in here

and very gently again, making


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our little crisscross strokes.


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And this is a fantastic painting

to do for friends and relatives.


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And, and don't tell them, you put color

up here and they just see you take white


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paint and start doing this and all of

these gorgeous, gorgeous colors appear.


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And they'll think it's magic.


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There we go.


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Don't tell him any

different that's our secret.


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Shh.


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All right, there we go.


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Just, I just want a

little background color.


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I'm gonna come in here and put in

some big old clouds, but I'm looking


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for a little background color now.


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That's all.


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That's all there.


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We are.


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So just make a little cross criss strokes

like that, and very lightly go over it.


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Now you can make this as light as

you want it just by adding white.


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I don't want it to be too light though.


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Cause I'm going to put some clouds

that I want to show up, but if you


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wanted it lighter, just take a little

more of the white go right in there.


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Put it in.


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Okay.


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Now that I'm going to clean the

brush, cause I want it to be nice and


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fresh and put some more white on it.


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Shake it off and just

beat the devil out of it.


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Now that I'm going back into titanium,

whiten, just going to tap some into the


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bristles, it don't matter how you load it.


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Shoot any old way.


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You can get it on there.


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Let's go in here.


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And maybe our little clouds, maybe

they just live just taking the


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corner of the brush and making

little, little circular patterns.


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See just.


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Just take the top corner and

make little circular patterns.


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That's all we're looking for.


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They're a little more color on the

brush and hand and hand in our world.


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If you're right.


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There's another little cloud

lives right there, working layers.


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They'll do one cloud at a time.


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So you have, so you've got a darker edge

here than you do at the top of this one.


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That's what we're looking for.


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Let me grab our little blender brush.


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Very very soft hair, very soft,

just caresses the canvas, very


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gentle, very gentle to see there.


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Then you can blend right over that

lifted, fluff it, and you can take it to


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any degree of brightness that you want.


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And that's all we need

to make a little cloud.


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We'll blend this little one here.


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Just blended the bottom of it.


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And this blender brush has a round

handle, so it's easy to spin around and


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to make all these little things happen.


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They're very lightly, just

barely grazing the canvas.


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Okay.


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Now the more white, I want

another cloud in my world.


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I think if you're right here comes one.


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But we finished those that are

behind it first and then come along


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and put the ones here in the forum.


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There they are a little more color.


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Okay.


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Look at that.


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Okay.


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But you can make clouds with

just a big old two inch brush


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and a little blender brush.


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That's all it takes.


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Shoot.


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Or you can do it with a fan brush.


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It doesn't matter, whatever.


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There, okay.


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Back to my little blender.


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There we go.


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Yeah, just blend it a

little bit like that.


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Something like, so, okay then we'll

fluff it a little and off we go there.


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Okay.


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And does that say in your world, you

put as many layers of clouds as you


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want, or as few, it doesn't matter.


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It doesn't matter.


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Shoot me.


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We put one more right down

here to horizon there.


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The only thing that little piece of

tape does there, it'll make your horizon


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nice and straight, nice and straight.


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And that's very nice.


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Sometime.


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There we are.


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Okay, let me grab my little blender brush

and we'll just blend that ride together


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again, as I say this little blender brush,

as my father used to say it tenders a


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mother's love, very soft little brush.


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I asked them to make this bin for me

because other ones sort of little stiffer


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for working with ELLs, tough, hard paint.


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And this allows us to do some things

that we couldn't with the other one.


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Yeah, and very soon, and that's

going to have her flower book out


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and she's going to show you how

to make fantastic flowers with it.


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Yes, they're all right.


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And that easy.


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We got a pretty good looking little sky.


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Yeah.


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There.


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All right.


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Now let's carefully take off this little

piece of tape here and see, we have a


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very straight horizon it's that easy.


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And we can take a clean brush and just

push a little bit of that color right


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up to the horizon because there was no

color, no paint right under the tape.


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Now there is.


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There we go.


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Yeah, we have color all the way up there.


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I just wanted an excuse

to, to wash the brush.


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There we are.


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Okay.


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I have to make some big

decisions in our world.


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Let me grab a fan brush.


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Maybe back in here, let's take

some fellow blue alizarin Crimson,


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make a nice lavender color.


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There is both sides of the brush full

of color, a little more Crimson there.


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That's good.


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Let's go up in here.


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Maybe there's a big, big hole.


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When I call them Headlands

foot lands, Headlands.


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It comes out here like that.


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We go rocket projects out into the water.


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They're far away though.


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Not looking for a lot

of detail in this one.


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It's too far away, big rascal though.


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He lives back here.


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We back in the distance somewhere.


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All right.


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There he comes, as I say, now,

this is a very simple little


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seascape we're going to do today.


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Even if you haven't painted many this,

when you can do them and take a little


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red, a little bit of that yellow we had,

and just sort of mix them together, red


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and yellow, make a little orange, just

started to highlight that a little bit.


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I don't want a lot of detail

back here because of that detail.


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It'll absolutely destroy

our illusion of distance.


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Make it look like it's far away.


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So don't overdo this, put a

few little things in here and


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there and let it go at that.


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Let it go at that.


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There.


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See there.


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This is a little place that you

can come and walk down here and


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get right up against the ocean.


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Look at it and watch the dolphins play.


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I live in Florida and a lot of, I spend

a lot of time in Daytona beach and


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there's some of the most gorgeous little

dolphins there that play in the manatees.


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If you've never seen a Manatee,

they're one of the neatest little


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animals, not the little animals now

that I think about it, they're huge,


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but they're the most gentle creature.


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God's ever made, I think

gorgeous things there.


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Little white system sparkle that in here.


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Okay.


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And Caitlin wash that old brush

and maybe in our world, some water


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back here, we've got to make a big

decision that we'd have to decide.


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We have to decide where.


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If we're going to have a little

crash or wave in here where it's


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going to live a little white on

the Filbert, come right up in here.


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Now let's take, and let's

decide maybe our little crasher


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wave's way back in the back.


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And I like to just sorta take the brush

and put in a basic little shape here.


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So I know about where he's going to be,

and I can paint around him a little bit.


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So let's just say he's right there.


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That's just to give us a little, a little

idea of where he was going to live.


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Okay.


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Get your, get the old brush,

dry it off a little there.


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I'm just drying that brush on

a, I want a little paper towel.


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Okay.


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Back to our fan brush.


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Now, then back in here, there's going to

be some other waves that are just living.


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Just decide where you think they are.


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Put in some basic little shapes.


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We back in here just going to

touch and start, let me exaggerate.


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I'm making motions like

that, but I'm exaggerating.


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They're much smaller.


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So automatically it begins to give

the appearance of little waves.


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We back in the background there,

and we know this one here is


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going to come over like that.


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So we can go ahead and put some of

that in just to give us an idea.


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Michael's the noises thinking about water

crashing or comes to just let it fall


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over now then with a clean fan brush, I

want to grab some of that little color.


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This fan brush is clean.


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Cause I just want to

pull some of that back.


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We're going to come back

with a little liner brush and


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put in some little details.


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But this is just pulling some of

that color back on this black canvas.


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It's black Jessa was wonderful

for doing things like yesterday.


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Just absolutely wonderful.


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Look at that color.


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Just jumps out at you.


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It's exciting.


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And already you're beginning

to see the little choppiness


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of the, the water back here.


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Isn't neat.


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All right.


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Wash it.


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We'll brush off.


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Now they have to start

making some big decisions.


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I'm going to take some white, put a

little touch, little touch, little touch


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of the CAD, yellow in it, little tiny.


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So we got white and yellow and I'm

using a number three fan brush.


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You could use the Filbert or number

six, whatever it's up to you.


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And I'm just gonna.


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Roughly real strong scrubbing

some color right there.


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I want this to be the eye of the wave.


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Let it sort of twinkle off like that.


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Now you can do that several

times to make it brighter just


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to make it brighter like that.


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So yeah, back to my little

blender brush the one that's so


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soft and come right up in here.


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It was just the corner of it.


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And just begin blending that

blended blended blended.


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I mean, you could make this look

as soft as silk, so gorgeous.


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Just blend it.


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Notice the hair is hardly turning.


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It's the handle that you just going around

in circles with soft, soft, soft, right on


243

00:12:53,505 --> 00:12:58,505

out to nothing there, something like that.


244

00:12:59,104 --> 00:13:03,635

And then we just planted right on

out and that a beautiful color.


245

00:13:03,665 --> 00:13:05,495

It's just, they look green,

they little blue and they're


246

00:13:05,495 --> 00:13:06,515

in the middle white and yellow.


247

00:13:06,515 --> 00:13:07,415

You put on top of it.


248

00:13:09,315 --> 00:13:15,225

So now let's redefine this a little bit.


249

00:13:17,895 --> 00:13:19,485

I want that just to crash right over.


250

00:13:20,585 --> 00:13:23,555

We don't want it just perfectly straight,

this whole waves, having a hard time


251

00:13:23,555 --> 00:13:26,795

in his life, back to our Filbert.


252

00:13:26,935 --> 00:13:28,415

I'm gonna take a little bit of lavender.


253

00:13:28,685 --> 00:13:33,065

So that's just little lizard, Crimson,

little Tayloe blue mixed together.


254

00:13:34,814 --> 00:13:37,335

Put it on the Filbert

brush here about my kid.


255

00:13:38,295 --> 00:13:41,055

Let's go right up in here with that.


256

00:13:42,225 --> 00:13:46,875

Let's put some nice foamy things

that are happening that say it


257

00:13:46,875 --> 00:13:48,194

helps to make those little noises.


258

00:13:48,255 --> 00:13:49,305

Your friends will look at you.


259

00:13:49,305 --> 00:13:51,795

Like you're a little strange,

but that's all right.


260

00:13:52,215 --> 00:13:54,285

Painters are expected to

be a little different.


261

00:13:55,125 --> 00:13:56,085

So it's all right.


262

00:13:56,955 --> 00:13:58,095

It's all right.


263

00:13:58,715 --> 00:14:01,085

And those little noises,

they really helped me.


264

00:14:01,085 --> 00:14:04,444

I don't know if they help you,

but they helped me sorta in my


265

00:14:04,444 --> 00:14:05,944

mind, see these little things.


266

00:14:06,935 --> 00:14:07,235

Okay.


267

00:14:07,325 --> 00:14:11,465

Let me wipe the brush

and clean it up there.


268

00:14:12,575 --> 00:14:16,865

Now, going back into the titanium

white and right above that,


269

00:14:16,895 --> 00:14:17,915

I won't do the same thing.


270

00:14:19,095 --> 00:14:23,955

I want those nice sparkling little

edges right up on top of that foam.


271

00:14:25,095 --> 00:14:27,495

Here they come there.


272

00:14:28,935 --> 00:14:32,745

Give it a little push and there we go.


273

00:14:32,805 --> 00:14:36,015

You can do this too

with a fan brush today.


274

00:14:36,015 --> 00:14:40,695

I thought I'd do it with a filmer,

but it's up to you put in just


275

00:14:40,695 --> 00:14:42,015

some basic little splashes.


276

00:14:44,925 --> 00:14:49,455

I'm going to go back, get her little

soft blender brush, very gently.


277

00:14:49,605 --> 00:14:52,245

This is where this little brush

really works miracles because you can


278

00:14:52,245 --> 00:14:56,475

go right over this wet, thick paint

without it all blending together.


279

00:14:57,105 --> 00:15:00,645

And you can just soften that

just as delicate look at that.


280

00:15:01,005 --> 00:15:04,275

I could have Jesse using the corner

of this little blender though.


281

00:15:05,835 --> 00:15:06,615

So soft.


282

00:15:06,765 --> 00:15:07,695

So gentle.


283

00:15:09,255 --> 00:15:09,735

Look at there.


284

00:15:09,885 --> 00:15:10,095

Ooh.


285

00:15:11,145 --> 00:15:11,865

Get excited.


286

00:15:12,555 --> 00:15:13,064

It's pretty.


287

00:15:13,965 --> 00:15:17,085

All right, now then let's

find us a knife here.


288

00:15:17,824 --> 00:15:19,955

Maybe we'll have some stones

out here in our water.


289

00:15:21,275 --> 00:15:26,435

I think we need a stoner

to back up a little bit.


290

00:15:26,435 --> 00:15:30,185

Take a look, see, and decide where

the stone lives in your world.


291

00:15:30,845 --> 00:15:31,295

Right here.


292

00:15:31,925 --> 00:15:35,645

We have a nice stone disband Dyke Brown.


293

00:15:36,725 --> 00:15:37,564

I'm going to get crazy.


294

00:15:39,015 --> 00:15:41,564

Vandyke Brown is a little

dark sand in there too.


295

00:15:41,594 --> 00:15:42,885

Maybe there's another stone here.


296

00:15:45,074 --> 00:15:50,204

We would just have that Wade crashing

back here there, take a little bright red,


297

00:15:50,204 --> 00:15:52,214

little dark sand and mix them together.


298

00:15:54,734 --> 00:15:55,724

A little touch of white in it.


299

00:15:55,724 --> 00:15:59,895

Just to brighten it up

a little very gently.


300

00:16:01,185 --> 00:16:03,495

Just let the knife graze gently.


301

00:16:04,905 --> 00:16:06,824

Just put a few little

highlights on this stone.


302

00:16:06,824 --> 00:16:07,724

So it stands out here.


303

00:16:11,180 --> 00:16:13,589

Say, they're decide

where they live in here.


304

00:16:15,540 --> 00:16:15,839

There


305

00:16:19,790 --> 00:16:21,550

just very, I put a

little lavender in there.


306

00:16:21,620 --> 00:16:26,329

A very, some of the colors just let the

knife bounce in play, make it look like


307

00:16:26,329 --> 00:16:28,490

old, tough mean rocks that live out there.


308

00:16:30,650 --> 00:16:34,310

So I see now once again, seascapes,

sometime we'll give you a hard time,


309

00:16:34,849 --> 00:16:36,709

but this one is one that you can do.


310

00:16:37,680 --> 00:16:38,850

It's a nice little rascal.


311

00:16:38,939 --> 00:16:39,750

It's not too hard.


312

00:16:41,189 --> 00:16:46,350

And the black canvas, it makes it

so much better, so much easier.


313

00:16:47,730 --> 00:16:48,720

That'll fit right out here.


314

00:16:48,810 --> 00:16:50,250

And this one's going to be a colorful one.


315

00:16:50,250 --> 00:16:51,569

I want some color today.


316

00:16:51,689 --> 00:16:54,959

So wonderful day and

color makes you feel good.


317

00:16:56,430 --> 00:16:57,990

Just makes you feel good.


318

00:16:58,620 --> 00:17:02,310

Let me wash my little brush here.


319

00:17:03,285 --> 00:17:06,825

Small fan brush a little paint thinner.


320

00:17:07,235 --> 00:17:09,675

I'm gonna go right into

little titanium, white.


321

00:17:10,215 --> 00:17:12,075

We'll be right back and get

a little fellow blue in it.


322

00:17:13,355 --> 00:17:18,395

They're a little thing, a little

blue, and maybe in our world, I put


323

00:17:18,395 --> 00:17:20,735

a little paint thinner in there,

so it'd be just a little thinner.


324

00:17:21,755 --> 00:17:24,065

And now we can just flow

that right over the top.


325

00:17:24,065 --> 00:17:24,965

So it looks like water.


326

00:17:24,965 --> 00:17:26,285

It's just flow it all through there.


327

00:17:27,635 --> 00:17:27,995

There.


328

00:17:29,970 --> 00:17:32,400

A little bit, maybe this water

dripping all through here.


329

00:17:32,610 --> 00:17:35,610

Cause if this rock was out here with all

this going on, I'm telling you there would


330

00:17:35,610 --> 00:17:37,470

be water dripping off of it everywhere.


331

00:17:38,970 --> 00:17:42,150

See it, there comes, I kind of

was going right on out here.


332

00:17:43,740 --> 00:17:45,450

We need someone to solve

big rock over here.


333

00:17:45,450 --> 00:17:48,870

Two waves crashing on it,

splashing and carry, you know?


334

00:17:51,980 --> 00:17:52,730

Yeah.


335

00:17:53,150 --> 00:17:54,950

All kinds of things happen to it.


336

00:17:56,660 --> 00:17:58,550

Just let that flow right off there.


337

00:18:00,030 --> 00:18:04,219

Shoot, maybe in our world, maybe

there's even water coming from way up.


338

00:18:04,399 --> 00:18:09,320

I don't know if you have a lot of time,

try doing this with a liner brush.


339

00:18:09,379 --> 00:18:13,939

Cause you can put in a lot more

detail, a lot more detailed when


340

00:18:13,939 --> 00:18:18,620

you have a lot of time, at least

little touch of the white on a brush


341

00:18:18,620 --> 00:18:20,030

here and let's make a big decision.


342

00:18:20,030 --> 00:18:23,389

Maybe, maybe there's something

that lives right there.


343

00:18:23,570 --> 00:18:27,020

We'll just blend it back there.


344

00:18:27,655 --> 00:18:28,905

See right up in between.


345

00:18:28,905 --> 00:18:31,545

There, there we go.


346

00:18:32,855 --> 00:18:33,695

Isn't that color?


347

00:18:33,815 --> 00:18:38,765

Something else I love these black

canvas was because Connor just appears.


348

00:18:39,095 --> 00:18:39,545

Excuse me.


349

00:18:39,545 --> 00:18:41,315

I, I get excited about this.


350

00:18:41,315 --> 00:18:44,615

I'm sorry there.


351

00:18:44,735 --> 00:18:46,985

I see, just lend it back.


352

00:18:47,015 --> 00:18:48,935

And what you're trying

to save is a dark areas.


353

00:18:49,355 --> 00:18:52,355

You could really care

less about the rest of it.


354

00:18:52,355 --> 00:18:53,975

It's a dark area as you're trying to save.


355

00:18:55,409 --> 00:18:57,090

They become the goodies in between.


356

00:18:58,649 --> 00:19:00,210

Maybe there's another one right in here.


357

00:19:02,370 --> 00:19:04,290

Just all kinds of little

things are happening.


358

00:19:07,379 --> 00:19:11,129

Say there, keep these strokes

pretty, pretty flat though.


359

00:19:13,169 --> 00:19:16,260

And maybe I know we'll have a stone

right up in the front, so let's not


360

00:19:16,260 --> 00:19:20,550

worry about, let me find my liner

brush, put it into a little paint.


361

00:19:20,550 --> 00:19:20,850

Thinner.


362

00:19:22,665 --> 00:19:26,024

I go into a little bit of that light blue

and that's begin highlighting some of


363

00:19:26,024 --> 00:19:31,485

these little things, putting all kinds of

little doers in there, and these are the


364

00:19:31,485 --> 00:19:33,225

things that'll make your painting special.


365

00:19:34,485 --> 00:19:40,094

Spend a lot of time working with

these, all these little, little


366

00:19:40,094 --> 00:19:41,745

foam patterns that happen in here.


367

00:19:42,735 --> 00:19:48,104

Here's some times they come down, but they

begin creating form and shape in here.


368

00:19:49,935 --> 00:19:51,195

All those little things.


369

00:19:53,534 --> 00:19:54,075

Okay.


370

00:19:55,145 --> 00:19:59,465

Back in here, see, they

just clam right up.


371

00:20:01,024 --> 00:20:06,725

That's what shoes is shape a little

darker color, right on the brush, sort


372

00:20:06,725 --> 00:20:12,365

of outline that that'll make it stand

out and then bring some of them back.


373

00:20:15,095 --> 00:20:16,774

Little fish plays in there sometime.


374

00:20:20,955 --> 00:20:25,774

Yeah, I'm going to go right into yellow

and white mixture and let's begin.


375

00:20:25,804 --> 00:20:27,395

Let's brighten some of these back here.


376

00:20:29,825 --> 00:20:35,524

That's just began to brighten some of

those, make them shine in the sun there.


377

00:20:37,445 --> 00:20:37,534

Okay.


378

00:20:37,955 --> 00:20:41,105

See there, all of those little things,

they just play in there and have fun.


379

00:20:42,764 --> 00:20:47,175

And maybe light's coming right through

here and right there, it's another little,


380

00:20:47,725 --> 00:20:50,475

just think we're light would come and

put some little highlights in there.


381

00:20:51,465 --> 00:20:52,695

Makes your painting shine.


382

00:20:52,695 --> 00:20:53,835

Makes it exciting.


383

00:20:54,675 --> 00:20:55,495

People look at it.


384

00:20:55,495 --> 00:21:01,155

And not that we're interested in selling

paintings, but the color a lot of times


385

00:21:01,155 --> 00:21:03,705

sells a painting as well as content.


386

00:21:05,825 --> 00:21:06,425

There we go.


387

00:21:08,315 --> 00:21:10,055

Just let those little Rascals happen.


388

00:21:11,040 --> 00:21:12,600

We said we was going to

put a stone down here.


389

00:21:12,600 --> 00:21:16,080

Didn't we, I just keep messing

around, putting all these in.


390

00:21:17,310 --> 00:21:17,699

Okay.


391

00:21:17,790 --> 00:21:18,750

I'll put a stone down there.


392

00:21:20,189 --> 00:21:23,980

Take a little Vandyke Brown,

a little bit of black into it.


393

00:21:24,360 --> 00:21:29,070

We've got strong stone, maybe old stone

just lives right here on the edge.


394

00:21:30,570 --> 00:21:32,459

Supply can take a little bit of that.


395

00:21:32,459 --> 00:21:33,300

Highlight color.


396

00:21:34,919 --> 00:21:36,659

Just sort of bounce along here.


397

00:21:38,670 --> 00:21:39,570

Play a little bit,


398

00:21:42,780 --> 00:21:43,650

come back with her.


399

00:21:44,900 --> 00:21:47,990

They little blue drip,

a little water over it.


400

00:21:47,990 --> 00:21:49,010

And we got to have a little water.


401

00:21:49,010 --> 00:21:51,710

I mean, everything in here should be wet.


402

00:21:53,600 --> 00:21:59,090

Fair, and we can pull a little,

a little bit back in here.


403

00:22:00,080 --> 00:22:00,170

Okay.


404

00:22:01,514 --> 00:22:02,564

Back to my liner brush.


405

00:22:03,995 --> 00:22:05,495

I'm just sort of jumping

back and forth here.


406

00:22:05,495 --> 00:22:12,814

As I see things there, I go bring it

back and we'd have some little doers in


407

00:22:12,814 --> 00:22:16,955

here, like so all kinds of little things.


408

00:22:19,415 --> 00:22:22,745

So I say, when you're at home and you

have unlimited time, you can just get in


409

00:22:22,745 --> 00:22:24,725

here and put all these little Rascals in.


410

00:22:25,024 --> 00:22:26,075

They are so gorgeous.


411

00:22:29,010 --> 00:22:30,030

All right.


412

00:22:31,530 --> 00:22:36,920

Something, my Kevin, but seascapes can

be one of the most fun things to paint.


413

00:22:37,580 --> 00:22:41,240

The black canvas will give you a

whole new dimension and seascapes


414

00:22:42,080 --> 00:22:43,340

that normally you don't have.


415

00:22:45,170 --> 00:22:45,890

All right.


416

00:22:47,780 --> 00:22:53,180

You can take a little touch where we

just use a little black little blank.


417

00:22:53,300 --> 00:22:55,300

We can go up here and

maybe in our world is.


418

00:22:56,745 --> 00:22:58,125

Maybe like a little Elm bird.


419

00:22:58,365 --> 00:22:58,995

I call a BLM.


420

00:22:59,014 --> 00:23:04,695

Scott is like making Elms little seagull

that sweet back here to distance.


421

00:23:05,325 --> 00:23:08,805

Give him three Lama pop-in

and a little baby one.


422

00:23:10,695 --> 00:23:11,625

I'll take a little more of that.


423

00:23:11,865 --> 00:23:12,615

They love blue.


424

00:23:13,815 --> 00:23:18,225

I want to just put a few

little drippy downs on here.


425

00:23:19,514 --> 00:23:21,945

They little blue and titanium white.


426

00:23:23,265 --> 00:23:30,135

Just little drippy downs, where water's

going, that helps form your ups form.


427

00:23:30,135 --> 00:23:34,395

You rock there, but the paint

needs to be very thin because


428

00:23:34,395 --> 00:23:35,565

you have a lot of paint up here.


429

00:23:35,565 --> 00:23:37,065

So put a lot of paint thinner with it.


430

00:23:38,195 --> 00:23:42,365

A lot of paint thinner just

makes it flow right off here.


431

00:23:43,895 --> 00:23:44,795

Something I can.


432

00:23:45,545 --> 00:23:45,635

Okay.


433

00:23:46,205 --> 00:23:47,735

We need some over on the other side.


434

00:23:49,025 --> 00:23:49,865

I want him left out.


435

00:23:52,380 --> 00:23:59,990

About like wherever you think they should

be, but that's basically a nice way of


436

00:23:59,990 --> 00:24:01,790

doing a very effective little seascape.


437

00:24:02,300 --> 00:24:03,830

I think the moment of

truth is here, though.


438

00:24:03,830 --> 00:24:05,270

Let's bring the camera up and take that.


439

00:24:05,690 --> 00:24:07,640

Let's take the old contact paper off here.


440

00:24:08,570 --> 00:24:12,830

Take a look and see if we need

to peddle around with anything.


441

00:24:14,175 --> 00:24:14,685

Look at that.


442

00:24:15,945 --> 00:24:19,905

There are towns that didn't have a

nice way of doing a little seascape.


443

00:24:21,524 --> 00:24:21,945

Shoot.


444

00:24:21,945 --> 00:24:22,845

I'll tell you what let's do.


445

00:24:23,774 --> 00:24:26,565

Let's just load a little bit

of bright red on here was


446

00:24:26,565 --> 00:24:27,975

assigned this one, call it done.


447

00:24:29,715 --> 00:24:32,415

But when you're, when you're

painting seascapes, give us black.


448

00:24:32,415 --> 00:24:33,315

Just so a try.


449

00:24:33,645 --> 00:24:34,575

I think you're going to find it.


450

00:24:34,575 --> 00:24:37,485

One of the most exciting mediums

that you've ever ran into.


451

00:24:39,075 --> 00:24:42,405

It will paint half your painting

for you before you even get started.


452

00:24:43,554 --> 00:24:45,584

I think in one of the paintings

we showed you how you could use


453

00:24:45,584 --> 00:24:49,095

the GSO to do underpaintings and

then just come back and glaze.


454

00:24:49,245 --> 00:24:50,475

It works for this too.


455

00:24:50,834 --> 00:24:51,554

Give it a try.


456

00:24:51,915 --> 00:24:53,564

I'd love to hear from you.


457

00:24:53,685 --> 00:24:56,834

I'd love to see some photos of

your success from all of us here.


458

00:24:57,074 --> 00:25:00,314

I'd like to wish you happy

painting, and God bless my friend.


End .srt file.



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