Bob Ross's
The Joy of Painting
S26E11 - Storm´s A Comin
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I I'm certainly glad to see you today.
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I thought maybe today we we'd just
do a fantastic little seascape, a
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little easy win that you can do.
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So let's start out and have him
run all the colors across the
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screen that you need to paint along
with us while they're doing that.
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Let me show you what I got up here today.
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I have my regular old 18 by 24 inch
double prime pre-stretch canvas.
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And I've taken a piece of
contact paper or any adhesive
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back paper and just cut an oval.
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Stuck it right on the canvas.
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Then I've covered the inside of
it with black Jesso, we allowed
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the black Jesso to dry completely.
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And then we came back and I put a
little piece of tape right here.
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So I'll have a straight
horizon from here up.
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I've covered it with liquid clear,
very thin coat and taken thalo blue and
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put here from here down liquid clear.
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They love blue and fallow green.
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I want it, I want the water to
have a little green cast to it.
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So I put a little a green in the bottom.
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Otherwise it's just the
little blue all over.
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We put the liquid clear on there though.
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Cause it makes that color
so much easier to put on.
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And it's almost like a glaze.
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I don't want too much.
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So let's have some fun.
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We'll start out with a little
teeny, two inch brush and a little
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bit of titanium white on it.
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I don't need much just a small amount.
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Something about like, yep.
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Okay.
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Now then we'll go up in here
and very gently again, making
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our little crisscross strokes.
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And this is a fantastic painting
to do for friends and relatives.
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And, and don't tell them, you put color
up here and they just see you take white
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paint and start doing this and all of
these gorgeous, gorgeous colors appear.
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And they'll think it's magic.
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There we go.
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Don't tell him any
different that's our secret.
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Shh.
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All right, there we go.
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Just, I just want a
little background color.
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I'm gonna come in here and put in
some big old clouds, but I'm looking
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for a little background color now.
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That's all.
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That's all there.
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We are.
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So just make a little cross criss strokes
like that, and very lightly go over it.
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Now you can make this as light as
you want it just by adding white.
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I don't want it to be too light though.
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Cause I'm going to put some clouds
that I want to show up, but if you
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wanted it lighter, just take a little
more of the white go right in there.
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Put it in.
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Okay.
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Now that I'm going to clean the
brush, cause I want it to be nice and
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fresh and put some more white on it.
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Shake it off and just
beat the devil out of it.
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Now that I'm going back into titanium,
whiten, just going to tap some into the
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bristles, it don't matter how you load it.
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Shoot any old way.
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You can get it on there.
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Let's go in here.
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And maybe our little clouds, maybe
they just live just taking the
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corner of the brush and making
little, little circular patterns.
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See just.
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Just take the top corner and
make little circular patterns.
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That's all we're looking for.
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They're a little more color on the
brush and hand and hand in our world.
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If you're right.
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There's another little cloud
lives right there, working layers.
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They'll do one cloud at a time.
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So you have, so you've got a darker edge
here than you do at the top of this one.
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That's what we're looking for.
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Let me grab our little blender brush.
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Very very soft hair, very soft,
just caresses the canvas, very
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gentle, very gentle to see there.
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Then you can blend right over that
lifted, fluff it, and you can take it to
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any degree of brightness that you want.
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And that's all we need
to make a little cloud.
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We'll blend this little one here.
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Just blended the bottom of it.
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And this blender brush has a round
handle, so it's easy to spin around and
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to make all these little things happen.
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They're very lightly, just
barely grazing the canvas.
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Okay.
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Now the more white, I want
another cloud in my world.
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I think if you're right here comes one.
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But we finished those that are
behind it first and then come along
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and put the ones here in the forum.
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There they are a little more color.
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Okay.
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Look at that.
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Okay.
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But you can make clouds with
just a big old two inch brush
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and a little blender brush.
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That's all it takes.
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Shoot.
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Or you can do it with a fan brush.
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It doesn't matter, whatever.
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There, okay.
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Back to my little blender.
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There we go.
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Yeah, just blend it a
little bit like that.
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Something like, so, okay then we'll
fluff it a little and off we go there.
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Okay.
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And does that say in your world, you
put as many layers of clouds as you
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want, or as few, it doesn't matter.
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It doesn't matter.
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Shoot me.
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We put one more right down
here to horizon there.
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The only thing that little piece of
tape does there, it'll make your horizon
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nice and straight, nice and straight.
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And that's very nice.
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Sometime.
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There we are.
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Okay, let me grab my little blender brush
and we'll just blend that ride together
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again, as I say this little blender brush,
as my father used to say it tenders a
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mother's love, very soft little brush.
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I asked them to make this bin for me
because other ones sort of little stiffer
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for working with ELLs, tough, hard paint.
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And this allows us to do some things
that we couldn't with the other one.
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Yeah, and very soon, and that's
going to have her flower book out
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and she's going to show you how
to make fantastic flowers with it.
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Yes, they're all right.
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And that easy.
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We got a pretty good looking little sky.
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Yeah.
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There.
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All right.
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Now let's carefully take off this little
piece of tape here and see, we have a
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very straight horizon it's that easy.
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And we can take a clean brush and just
push a little bit of that color right
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up to the horizon because there was no
color, no paint right under the tape.
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Now there is.
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There we go.
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Yeah, we have color all the way up there.
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I just wanted an excuse
to, to wash the brush.
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There we are.
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Okay.
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I have to make some big
decisions in our world.
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Let me grab a fan brush.
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Maybe back in here, let's take
some fellow blue alizarin Crimson,
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make a nice lavender color.
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There is both sides of the brush full
of color, a little more Crimson there.
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That's good.
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Let's go up in here.
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Maybe there's a big, big hole.
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When I call them Headlands
foot lands, Headlands.
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It comes out here like that.
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We go rocket projects out into the water.
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They're far away though.
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Not looking for a lot
of detail in this one.
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It's too far away, big rascal though.
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He lives back here.
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We back in the distance somewhere.
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All right.
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There he comes, as I say, now,
this is a very simple little
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seascape we're going to do today.
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Even if you haven't painted many this,
when you can do them and take a little
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red, a little bit of that yellow we had,
and just sort of mix them together, red
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and yellow, make a little orange, just
started to highlight that a little bit.
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I don't want a lot of detail
back here because of that detail.
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It'll absolutely destroy
our illusion of distance.
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Make it look like it's far away.
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So don't overdo this, put a
few little things in here and
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there and let it go at that.
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Let it go at that.
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There.
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See there.
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This is a little place that you
can come and walk down here and
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get right up against the ocean.
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Look at it and watch the dolphins play.
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I live in Florida and a lot of, I spend
a lot of time in Daytona beach and
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there's some of the most gorgeous little
dolphins there that play in the manatees.
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If you've never seen a Manatee,
they're one of the neatest little
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animals, not the little animals now
that I think about it, they're huge,
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but they're the most gentle creature.
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God's ever made, I think
gorgeous things there.
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Little white system sparkle that in here.
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Okay.
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And Caitlin wash that old brush
and maybe in our world, some water
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back here, we've got to make a big
decision that we'd have to decide.
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We have to decide where.
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If we're going to have a little
crash or wave in here where it's
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going to live a little white on
the Filbert, come right up in here.
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Now let's take, and let's
decide maybe our little crasher
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wave's way back in the back.
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And I like to just sorta take the brush
and put in a basic little shape here.
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So I know about where he's going to be,
and I can paint around him a little bit.
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So let's just say he's right there.
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That's just to give us a little, a little
idea of where he was going to live.
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Okay.
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Get your, get the old brush,
dry it off a little there.
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I'm just drying that brush on
a, I want a little paper towel.
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Okay.
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Back to our fan brush.
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Now, then back in here, there's going to
be some other waves that are just living.
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Just decide where you think they are.
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Put in some basic little shapes.
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We back in here just going to
touch and start, let me exaggerate.
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I'm making motions like
that, but I'm exaggerating.
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They're much smaller.
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So automatically it begins to give
the appearance of little waves.
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We back in the background there,
and we know this one here is
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going to come over like that.
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So we can go ahead and put some of
that in just to give us an idea.
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Michael's the noises thinking about water
crashing or comes to just let it fall
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over now then with a clean fan brush, I
want to grab some of that little color.
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This fan brush is clean.
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Cause I just want to
pull some of that back.
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We're going to come back
with a little liner brush and
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put in some little details.
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But this is just pulling some of
that color back on this black canvas.
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It's black Jessa was wonderful
for doing things like yesterday.
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Just absolutely wonderful.
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Look at that color.
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Just jumps out at you.
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It's exciting.
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And already you're beginning
to see the little choppiness
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of the, the water back here.
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Isn't neat.
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All right.
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Wash it.
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We'll brush off.
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Now they have to start
making some big decisions.
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I'm going to take some white, put a
little touch, little touch, little touch
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of the CAD, yellow in it, little tiny.
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So we got white and yellow and I'm
using a number three fan brush.
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You could use the Filbert or number
six, whatever it's up to you.
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And I'm just gonna.
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Roughly real strong scrubbing
some color right there.
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I want this to be the eye of the wave.
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Let it sort of twinkle off like that.
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Now you can do that several
times to make it brighter just
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to make it brighter like that.
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So yeah, back to my little
blender brush the one that's so
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soft and come right up in here.
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It was just the corner of it.
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And just begin blending that
blended blended blended.
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I mean, you could make this look
as soft as silk, so gorgeous.
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Just blend it.
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Notice the hair is hardly turning.
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It's the handle that you just going around
in circles with soft, soft, soft, right on
243
00:12:53,505 --> 00:12:58,505
out to nothing there, something like that.
244
00:12:59,104 --> 00:13:03,635
And then we just planted right on
out and that a beautiful color.
245
00:13:03,665 --> 00:13:05,495
It's just, they look green,
they little blue and they're
246
00:13:05,495 --> 00:13:06,515
in the middle white and yellow.
247
00:13:06,515 --> 00:13:07,415
You put on top of it.
248
00:13:09,315 --> 00:13:15,225
So now let's redefine this a little bit.
249
00:13:17,895 --> 00:13:19,485
I want that just to crash right over.
250
00:13:20,585 --> 00:13:23,555
We don't want it just perfectly straight,
this whole waves, having a hard time
251
00:13:23,555 --> 00:13:26,795
in his life, back to our Filbert.
252
00:13:26,935 --> 00:13:28,415
I'm gonna take a little bit of lavender.
253
00:13:28,685 --> 00:13:33,065
So that's just little lizard, Crimson,
little Tayloe blue mixed together.
254
00:13:34,814 --> 00:13:37,335
Put it on the Filbert
brush here about my kid.
255
00:13:38,295 --> 00:13:41,055
Let's go right up in here with that.
256
00:13:42,225 --> 00:13:46,875
Let's put some nice foamy things
that are happening that say it
257
00:13:46,875 --> 00:13:48,194
helps to make those little noises.
258
00:13:48,255 --> 00:13:49,305
Your friends will look at you.
259
00:13:49,305 --> 00:13:51,795
Like you're a little strange,
but that's all right.
260
00:13:52,215 --> 00:13:54,285
Painters are expected to
be a little different.
261
00:13:55,125 --> 00:13:56,085
So it's all right.
262
00:13:56,955 --> 00:13:58,095
It's all right.
263
00:13:58,715 --> 00:14:01,085
And those little noises,
they really helped me.
264
00:14:01,085 --> 00:14:04,444
I don't know if they help you,
but they helped me sorta in my
265
00:14:04,444 --> 00:14:05,944
mind, see these little things.
266
00:14:06,935 --> 00:14:07,235
Okay.
267
00:14:07,325 --> 00:14:11,465
Let me wipe the brush
and clean it up there.
268
00:14:12,575 --> 00:14:16,865
Now, going back into the titanium
white and right above that,
269
00:14:16,895 --> 00:14:17,915
I won't do the same thing.
270
00:14:19,095 --> 00:14:23,955
I want those nice sparkling little
edges right up on top of that foam.
271
00:14:25,095 --> 00:14:27,495
Here they come there.
272
00:14:28,935 --> 00:14:32,745
Give it a little push and there we go.
273
00:14:32,805 --> 00:14:36,015
You can do this too
with a fan brush today.
274
00:14:36,015 --> 00:14:40,695
I thought I'd do it with a filmer,
but it's up to you put in just
275
00:14:40,695 --> 00:14:42,015
some basic little splashes.
276
00:14:44,925 --> 00:14:49,455
I'm going to go back, get her little
soft blender brush, very gently.
277
00:14:49,605 --> 00:14:52,245
This is where this little brush
really works miracles because you can
278
00:14:52,245 --> 00:14:56,475
go right over this wet, thick paint
without it all blending together.
279
00:14:57,105 --> 00:15:00,645
And you can just soften that
just as delicate look at that.
280
00:15:01,005 --> 00:15:04,275
I could have Jesse using the corner
of this little blender though.
281
00:15:05,835 --> 00:15:06,615
So soft.
282
00:15:06,765 --> 00:15:07,695
So gentle.
283
00:15:09,255 --> 00:15:09,735
Look at there.
284
00:15:09,885 --> 00:15:10,095
Ooh.
285
00:15:11,145 --> 00:15:11,865
Get excited.
286
00:15:12,555 --> 00:15:13,064
It's pretty.
287
00:15:13,965 --> 00:15:17,085
All right, now then let's
find us a knife here.
288
00:15:17,824 --> 00:15:19,955
Maybe we'll have some stones
out here in our water.
289
00:15:21,275 --> 00:15:26,435
I think we need a stoner
to back up a little bit.
290
00:15:26,435 --> 00:15:30,185
Take a look, see, and decide where
the stone lives in your world.
291
00:15:30,845 --> 00:15:31,295
Right here.
292
00:15:31,925 --> 00:15:35,645
We have a nice stone disband Dyke Brown.
293
00:15:36,725 --> 00:15:37,564
I'm going to get crazy.
294
00:15:39,015 --> 00:15:41,564
Vandyke Brown is a little
dark sand in there too.
295
00:15:41,594 --> 00:15:42,885
Maybe there's another stone here.
296
00:15:45,074 --> 00:15:50,204
We would just have that Wade crashing
back here there, take a little bright red,
297
00:15:50,204 --> 00:15:52,214
little dark sand and mix them together.
298
00:15:54,734 --> 00:15:55,724
A little touch of white in it.
299
00:15:55,724 --> 00:15:59,895
Just to brighten it up
a little very gently.
300
00:16:01,185 --> 00:16:03,495
Just let the knife graze gently.
301
00:16:04,905 --> 00:16:06,824
Just put a few little
highlights on this stone.
302
00:16:06,824 --> 00:16:07,724
So it stands out here.
303
00:16:11,180 --> 00:16:13,589
Say, they're decide
where they live in here.
304
00:16:15,540 --> 00:16:15,839
There
305
00:16:19,790 --> 00:16:21,550
just very, I put a
little lavender in there.
306
00:16:21,620 --> 00:16:26,329
A very, some of the colors just let the
knife bounce in play, make it look like
307
00:16:26,329 --> 00:16:28,490
old, tough mean rocks that live out there.
308
00:16:30,650 --> 00:16:34,310
So I see now once again, seascapes,
sometime we'll give you a hard time,
309
00:16:34,849 --> 00:16:36,709
but this one is one that you can do.
310
00:16:37,680 --> 00:16:38,850
It's a nice little rascal.
311
00:16:38,939 --> 00:16:39,750
It's not too hard.
312
00:16:41,189 --> 00:16:46,350
And the black canvas, it makes it
so much better, so much easier.
313
00:16:47,730 --> 00:16:48,720
That'll fit right out here.
314
00:16:48,810 --> 00:16:50,250
And this one's going to be a colorful one.
315
00:16:50,250 --> 00:16:51,569
I want some color today.
316
00:16:51,689 --> 00:16:54,959
So wonderful day and
color makes you feel good.
317
00:16:56,430 --> 00:16:57,990
Just makes you feel good.
318
00:16:58,620 --> 00:17:02,310
Let me wash my little brush here.
319
00:17:03,285 --> 00:17:06,825
Small fan brush a little paint thinner.
320
00:17:07,235 --> 00:17:09,675
I'm gonna go right into
little titanium, white.
321
00:17:10,215 --> 00:17:12,075
We'll be right back and get
a little fellow blue in it.
322
00:17:13,355 --> 00:17:18,395
They're a little thing, a little
blue, and maybe in our world, I put
323
00:17:18,395 --> 00:17:20,735
a little paint thinner in there,
so it'd be just a little thinner.
324
00:17:21,755 --> 00:17:24,065
And now we can just flow
that right over the top.
325
00:17:24,065 --> 00:17:24,965
So it looks like water.
326
00:17:24,965 --> 00:17:26,285
It's just flow it all through there.
327
00:17:27,635 --> 00:17:27,995
There.
328
00:17:29,970 --> 00:17:32,400
A little bit, maybe this water
dripping all through here.
329
00:17:32,610 --> 00:17:35,610
Cause if this rock was out here with all
this going on, I'm telling you there would
330
00:17:35,610 --> 00:17:37,470
be water dripping off of it everywhere.
331
00:17:38,970 --> 00:17:42,150
See it, there comes, I kind of
was going right on out here.
332
00:17:43,740 --> 00:17:45,450
We need someone to solve
big rock over here.
333
00:17:45,450 --> 00:17:48,870
Two waves crashing on it,
splashing and carry, you know?
334
00:17:51,980 --> 00:17:52,730
Yeah.
335
00:17:53,150 --> 00:17:54,950
All kinds of things happen to it.
336
00:17:56,660 --> 00:17:58,550
Just let that flow right off there.
337
00:18:00,030 --> 00:18:04,219
Shoot, maybe in our world, maybe
there's even water coming from way up.
338
00:18:04,399 --> 00:18:09,320
I don't know if you have a lot of time,
try doing this with a liner brush.
339
00:18:09,379 --> 00:18:13,939
Cause you can put in a lot more
detail, a lot more detailed when
340
00:18:13,939 --> 00:18:18,620
you have a lot of time, at least
little touch of the white on a brush
341
00:18:18,620 --> 00:18:20,030
here and let's make a big decision.
342
00:18:20,030 --> 00:18:23,389
Maybe, maybe there's something
that lives right there.
343
00:18:23,570 --> 00:18:27,020
We'll just blend it back there.
344
00:18:27,655 --> 00:18:28,905
See right up in between.
345
00:18:28,905 --> 00:18:31,545
There, there we go.
346
00:18:32,855 --> 00:18:33,695
Isn't that color?
347
00:18:33,815 --> 00:18:38,765
Something else I love these black
canvas was because Connor just appears.
348
00:18:39,095 --> 00:18:39,545
Excuse me.
349
00:18:39,545 --> 00:18:41,315
I, I get excited about this.
350
00:18:41,315 --> 00:18:44,615
I'm sorry there.
351
00:18:44,735 --> 00:18:46,985
I see, just lend it back.
352
00:18:47,015 --> 00:18:48,935
And what you're trying
to save is a dark areas.
353
00:18:49,355 --> 00:18:52,355
You could really care
less about the rest of it.
354
00:18:52,355 --> 00:18:53,975
It's a dark area as you're trying to save.
355
00:18:55,409 --> 00:18:57,090
They become the goodies in between.
356
00:18:58,649 --> 00:19:00,210
Maybe there's another one right in here.
357
00:19:02,370 --> 00:19:04,290
Just all kinds of little
things are happening.
358
00:19:07,379 --> 00:19:11,129
Say there, keep these strokes
pretty, pretty flat though.
359
00:19:13,169 --> 00:19:16,260
And maybe I know we'll have a stone
right up in the front, so let's not
360
00:19:16,260 --> 00:19:20,550
worry about, let me find my liner
brush, put it into a little paint.
361
00:19:20,550 --> 00:19:20,850
Thinner.
362
00:19:22,665 --> 00:19:26,024
I go into a little bit of that light blue
and that's begin highlighting some of
363
00:19:26,024 --> 00:19:31,485
these little things, putting all kinds of
little doers in there, and these are the
364
00:19:31,485 --> 00:19:33,225
things that'll make your painting special.
365
00:19:34,485 --> 00:19:40,094
Spend a lot of time working with
these, all these little, little
366
00:19:40,094 --> 00:19:41,745
foam patterns that happen in here.
367
00:19:42,735 --> 00:19:48,104
Here's some times they come down, but they
begin creating form and shape in here.
368
00:19:49,935 --> 00:19:51,195
All those little things.
369
00:19:53,534 --> 00:19:54,075
Okay.
370
00:19:55,145 --> 00:19:59,465
Back in here, see, they
just clam right up.
371
00:20:01,024 --> 00:20:06,725
That's what shoes is shape a little
darker color, right on the brush, sort
372
00:20:06,725 --> 00:20:12,365
of outline that that'll make it stand
out and then bring some of them back.
373
00:20:15,095 --> 00:20:16,774
Little fish plays in there sometime.
374
00:20:20,955 --> 00:20:25,774
Yeah, I'm going to go right into yellow
and white mixture and let's begin.
375
00:20:25,804 --> 00:20:27,395
Let's brighten some of these back here.
376
00:20:29,825 --> 00:20:35,524
That's just began to brighten some of
those, make them shine in the sun there.
377
00:20:37,445 --> 00:20:37,534
Okay.
378
00:20:37,955 --> 00:20:41,105
See there, all of those little things,
they just play in there and have fun.
379
00:20:42,764 --> 00:20:47,175
And maybe light's coming right through
here and right there, it's another little,
380
00:20:47,725 --> 00:20:50,475
just think we're light would come and
put some little highlights in there.
381
00:20:51,465 --> 00:20:52,695
Makes your painting shine.
382
00:20:52,695 --> 00:20:53,835
Makes it exciting.
383
00:20:54,675 --> 00:20:55,495
People look at it.
384
00:20:55,495 --> 00:21:01,155
And not that we're interested in selling
paintings, but the color a lot of times
385
00:21:01,155 --> 00:21:03,705
sells a painting as well as content.
386
00:21:05,825 --> 00:21:06,425
There we go.
387
00:21:08,315 --> 00:21:10,055
Just let those little Rascals happen.
388
00:21:11,040 --> 00:21:12,600
We said we was going to
put a stone down here.
389
00:21:12,600 --> 00:21:16,080
Didn't we, I just keep messing
around, putting all these in.
390
00:21:17,310 --> 00:21:17,699
Okay.
391
00:21:17,790 --> 00:21:18,750
I'll put a stone down there.
392
00:21:20,189 --> 00:21:23,980
Take a little Vandyke Brown,
a little bit of black into it.
393
00:21:24,360 --> 00:21:29,070
We've got strong stone, maybe old stone
just lives right here on the edge.
394
00:21:30,570 --> 00:21:32,459
Supply can take a little bit of that.
395
00:21:32,459 --> 00:21:33,300
Highlight color.
396
00:21:34,919 --> 00:21:36,659
Just sort of bounce along here.
397
00:21:38,670 --> 00:21:39,570
Play a little bit,
398
00:21:42,780 --> 00:21:43,650
come back with her.
399
00:21:44,900 --> 00:21:47,990
They little blue drip,
a little water over it.
400
00:21:47,990 --> 00:21:49,010
And we got to have a little water.
401
00:21:49,010 --> 00:21:51,710
I mean, everything in here should be wet.
402
00:21:53,600 --> 00:21:59,090
Fair, and we can pull a little,
a little bit back in here.
403
00:22:00,080 --> 00:22:00,170
Okay.
404
00:22:01,514 --> 00:22:02,564
Back to my liner brush.
405
00:22:03,995 --> 00:22:05,495
I'm just sort of jumping
back and forth here.
406
00:22:05,495 --> 00:22:12,814
As I see things there, I go bring it
back and we'd have some little doers in
407
00:22:12,814 --> 00:22:16,955
here, like so all kinds of little things.
408
00:22:19,415 --> 00:22:22,745
So I say, when you're at home and you
have unlimited time, you can just get in
409
00:22:22,745 --> 00:22:24,725
here and put all these little Rascals in.
410
00:22:25,024 --> 00:22:26,075
They are so gorgeous.
411
00:22:29,010 --> 00:22:30,030
All right.
412
00:22:31,530 --> 00:22:36,920
Something, my Kevin, but seascapes can
be one of the most fun things to paint.
413
00:22:37,580 --> 00:22:41,240
The black canvas will give you a
whole new dimension and seascapes
414
00:22:42,080 --> 00:22:43,340
that normally you don't have.
415
00:22:45,170 --> 00:22:45,890
All right.
416
00:22:47,780 --> 00:22:53,180
You can take a little touch where we
just use a little black little blank.
417
00:22:53,300 --> 00:22:55,300
We can go up here and
maybe in our world is.
418
00:22:56,745 --> 00:22:58,125
Maybe like a little Elm bird.
419
00:22:58,365 --> 00:22:58,995
I call a BLM.
420
00:22:59,014 --> 00:23:04,695
Scott is like making Elms little seagull
that sweet back here to distance.
421
00:23:05,325 --> 00:23:08,805
Give him three Lama pop-in
and a little baby one.
422
00:23:10,695 --> 00:23:11,625
I'll take a little more of that.
423
00:23:11,865 --> 00:23:12,615
They love blue.
424
00:23:13,815 --> 00:23:18,225
I want to just put a few
little drippy downs on here.
425
00:23:19,514 --> 00:23:21,945
They little blue and titanium white.
426
00:23:23,265 --> 00:23:30,135
Just little drippy downs, where water's
going, that helps form your ups form.
427
00:23:30,135 --> 00:23:34,395
You rock there, but the paint
needs to be very thin because
428
00:23:34,395 --> 00:23:35,565
you have a lot of paint up here.
429
00:23:35,565 --> 00:23:37,065
So put a lot of paint thinner with it.
430
00:23:38,195 --> 00:23:42,365
A lot of paint thinner just
makes it flow right off here.
431
00:23:43,895 --> 00:23:44,795
Something I can.
432
00:23:45,545 --> 00:23:45,635
Okay.
433
00:23:46,205 --> 00:23:47,735
We need some over on the other side.
434
00:23:49,025 --> 00:23:49,865
I want him left out.
435
00:23:52,380 --> 00:23:59,990
About like wherever you think they should
be, but that's basically a nice way of
436
00:23:59,990 --> 00:24:01,790
doing a very effective little seascape.
437
00:24:02,300 --> 00:24:03,830
I think the moment of
truth is here, though.
438
00:24:03,830 --> 00:24:05,270
Let's bring the camera up and take that.
439
00:24:05,690 --> 00:24:07,640
Let's take the old contact paper off here.
440
00:24:08,570 --> 00:24:12,830
Take a look and see if we need
to peddle around with anything.
441
00:24:14,175 --> 00:24:14,685
Look at that.
442
00:24:15,945 --> 00:24:19,905
There are towns that didn't have a
nice way of doing a little seascape.
443
00:24:21,524 --> 00:24:21,945
Shoot.
444
00:24:21,945 --> 00:24:22,845
I'll tell you what let's do.
445
00:24:23,774 --> 00:24:26,565
Let's just load a little bit
of bright red on here was
446
00:24:26,565 --> 00:24:27,975
assigned this one, call it done.
447
00:24:29,715 --> 00:24:32,415
But when you're, when you're
painting seascapes, give us black.
448
00:24:32,415 --> 00:24:33,315
Just so a try.
449
00:24:33,645 --> 00:24:34,575
I think you're going to find it.
450
00:24:34,575 --> 00:24:37,485
One of the most exciting mediums
that you've ever ran into.
451
00:24:39,075 --> 00:24:42,405
It will paint half your painting
for you before you even get started.
452
00:24:43,554 --> 00:24:45,584
I think in one of the paintings
we showed you how you could use
453
00:24:45,584 --> 00:24:49,095
the GSO to do underpaintings and
then just come back and glaze.
454
00:24:49,245 --> 00:24:50,475
It works for this too.
455
00:24:50,834 --> 00:24:51,554
Give it a try.
456
00:24:51,915 --> 00:24:53,564
I'd love to hear from you.
457
00:24:53,685 --> 00:24:56,834
I'd love to see some photos of
your success from all of us here.
458
00:24:57,074 --> 00:25:00,314
I'd like to wish you happy
painting, and God bless my friend.
End .srt file.
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