Bob Ross's

The Joy of Painting

S16E03 - Wintertime Discovery

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Hey, welcome back.

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I'm glad you could join me today.

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Today.

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I'm standing here with some of my little

friends that I'm going to show you here.

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This is four little Robbins and they're

just, they're just little babies.

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Only a few days old where

they, Oh, look at that.

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They are hungry too.

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Of course.

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Little Robbins are always

hungry and they live with me and

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they're just cute little devils.

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Hey, I got one here that he's

going to, he's not going to yell.

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Okay.

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I just thought I'd share those way today.

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These are just little babies.

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They're probably, Oh, maybe a week

old now and will raise those and turn

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them loose here in just a few months.

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Does that tell you what let's do?

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Let's have him run all the

colors across the screen that

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you need to paint along with me.

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And while they're doing that,

I'll set these little Rascals down

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and get my palette and we'll do a

fantastic little painting together.

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I've already covered the canvas with

a nice even coat of the liquid white.

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So it's all wet and slick

and it's ready to go.

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So let's just have some fun thought today.

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Maybe we just do a happy little winter

scene, such as super, super day.

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Let's just do a painting.

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That's got a lot of color in it is bright

and shiny and make you feel good inside.

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Go start out with the least

little touch of the Indian yellow.

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It's a very transparent, just tap

a little bit into the bristles.

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Okay.

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And we have to make a decision right

off today, have to decide basically

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where your horizon lion's going to be.

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Maybe our horizon will be right along

in here somewhere about in that area.

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So we just, just dropped a little

bit of yellow in there that easy.

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Okay.

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Now, without washing the

brush, I want to add.

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Least little touch at the CAD, yellow,

cadmium yellow, and we go right

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above this and it's an opaque color.

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So it'll stand out very nicely here.

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See, there's a difference.

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Once again, without cleaning the

brush touch of the yellow ochre,

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it's sort of a golden color.

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And we let it right in here.

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So I say, I want a beautiful little

winter scene that has some color in it.

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Sometime winter scenes can be so cold.

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They're almost a body they're

not fun to look at now.

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Then let's go.

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Let's go into a little touch of

the bright red, what the heck.

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And I think that would

look good right up here.

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We still haven't cleaned the brush.

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So just take the bright red

and allow it to mix radio.

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That's a pretty sky already.

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Now we're just blending them together

so you can tell where one color

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stops and the next color starts just

like, so now we'll wash the brush and

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just sort of clean it off down here.

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Get rid of some of that color.

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We'll wash our brush as

always with odorless thinner.

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Shake it off cover two or three

camera people who are in business.

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We have the weirdest camera people

in, in the industry because they

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all have these funny colored

freckles all over their face.

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I'm going to go right into a little

touch of the they low blue and our

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retread up here and get a little bit

of a midnight black, blue, and black or

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black and blue, whatever your preference.

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And then we'll go right up to

the top and let's just stay in

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Santa happy little sky here.

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Just making little crisscross

strokes, like, so it really come

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right on down red, on down red there.

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Okay.

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And where these two come

together, it'll turn sort of

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a lavender color, but it also.

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This red X is a barrier between

the yellow and the blue.

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So you don't end up with green.

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There we are.

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Okay.

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Now then we'll wash the old brush again.

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Just get it good and clean,

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shake it off, give it a good whack.

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And then we can just

blend this guy together.

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Like, so if you do this at home, I

recommend your kitchen brush beat or wreck

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because if you beat your brush against

a solid object, like I do, here you go.

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There.

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You're going to redecorate your

living room and your popularity is

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going to go down about 10 points.

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I mean, just that quick now

then let's take the knife.

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Let's go down here.

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I'll get a little touch of the

yellows, a little bit of the yellow

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ochre, like so little Acadia, Ella

mix, pull it out, flat, get a small

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roll of peanut here on the knife.

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Maybe down in here.

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There's just the indication of some

little clouds that are floating in here.

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All you have to do is just touch.

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It'll take what it wants.

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Just touch it

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with a nice dry.

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Two integration.

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Very gently.

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Just blend these out.

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If you really want to throw some

light in there, you can take tiny

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bit of titanium white and put it here

and let it sort of blend up upward.

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It'll really make that sparkle.

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It doesn't show much now, but when

we put different colors down in here

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at sun, we gonna jump out at you.

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Shoot.

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I tell you what all we

got this whole big brush.

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Go ahead.

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Let me show you.

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Let me show you.

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Let's have some fun.

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We'll go right into that titanium white.

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What the heck?

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What the heck?

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Okay, let's go up here.

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Maybe up here in this sky lives.

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Beautiful cloud.

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Just up here, floats around, has fun.

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Just using the corner of the brush,

making little circular patterns, just

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little tiny circles around and around.

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We just let it go right

over in here somewhere.

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We don't care.

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Wherever you want it to live there?

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Let me grab a clean brush.

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I have several of them go away.

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We just blend the base of this out.

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Like, so we're carefully

not touching the top yet.

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See the top of these individual

shapes we want to save and

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then we're going to fluff them.

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Just fluff them up.

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There, look at that.

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And then very lightly just

fled the entire sky that easy.

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Can you maybe, maybe we'll get crazy.

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They shoot.

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I'll just use a one inch brush.

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It doesn't matter.

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Let's take some dark Sienna, a little

led on there and a little bit of black

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with it and dark Sienna in black.

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Mostly dark Sienna.

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Let's go right along and here.

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And maybe there's some dark clouds,

same thing, little circular patterns.

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Just think about basic cloud shapes.

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Don't just throw the sand.

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They'll think about individual

shapes or you're doing there we go.

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Maybe it comes right down

in here wherever you want.

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A little more color on the brush.

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And, and Dan Dan right there, and you

can put clouds anywhere that you want

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them in your world, anywhere paintings,

very individual, anything that makes you

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happy, then it's right then it's right.

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There we go.

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Now, once again with the Lord, I'm

just going to sort of mix this up.

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The biggest thing this does

is removes the excess paint.

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And then we'll come back and we'll

highlight these little clouds,

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make them really stand out.

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It's just takes off the excess paint.

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So he doesn't become a bud mixer.

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And then you'd be thinking

you'd be mad at me.

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All right.

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Let's grab an old fan brush.

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I'm going to go into the

titanium white right.

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Tanium.

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Right.

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I'll be right back right back.

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I'll get a little touch

of a lizard Crimson.

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Just mix them on the brush.

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Shoot.

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That's fine.

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Nice pinkish color.

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Now that let's go right

in here and just highlight

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just some of these clouds here and there.

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Just where you think

light would strike there.

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Just make all kinds of beautiful

little things that easy, that easy.

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Just using the corner of the brush though.

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That's all we're using.

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And just once again, those

tight little circles and you can

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make the most beautiful, fluffy

little clouds you've ever seen.

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Maybe there he is.

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There he is.

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Is there, so did you, we just

had to find him, pull him out.

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They're little up here and wherever

you want them there with too much

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color, if you put too much and it's too

bright, then you'll lose that beautiful

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darkness that you've worked so hard

to get in these underneath clouds.

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Now with a large brush,

we'll just blend this again.

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We're doing a softening,

the bottom part though.

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We want to save those nice top edges.

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Soften the bottom.

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So it blends together.

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I beat the brush only to remove

the excess paint off of it.

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It's easier than going through

the whole cleaning procedure.

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Then we can fluff this up,

pull it, shape it, tease it.

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There we go.

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Very lightly.

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Just blend it all together.

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I'm going to take my larger

brush and add a little more of

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a pinkish color right in there.

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I wouldn't let him have

that pink right in there.

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That's pretty

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experiment with these guys.

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It's unbelievable what you can make.

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And of course, none of us are

interested in that happy buck, but

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if you should be out selling your

paintings, these kinds of paintings

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sell like hotcakes because of all these

beautiful colors in here, you'll find.

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If you're selling paintings that people

buy paintings as much for color as for

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content, a lot of time, people are, are

looking for, for a painting to match your

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room or to create a mood I'm using just

dark sand and a little bit of black here.

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Be right back, put a little white into it.

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Here we go.

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Just a nice dark Brown color.

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Tap a little into the bristles.

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Now we have to make another big decision.

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Maybe back here lives.

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A little Foothill and all

we're doing is just tapping.

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Just sort of decide where

he lives and just tap.

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Like, so see how easy that is.

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Maybe it comes on back up in here.

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They're just a beautiful

little Foothill back in there.

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Now we can grab that and very gently,

short, tiny little strokes, lift up

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word, and it'll look like little trees

that live far, far away, far away.

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Now tell you what let's create

some mist at the base of this.

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So take clean two inch brush tap firmly.

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You can probably hear how loud that is.

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We're really tapping, but just

the base, just the base of it.

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And that'll create that

illusion for the mist.

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And maybe back in here,

we want a little snow.

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We're going to have a winter scene.

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We need some snow.

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It's hard to have a winter scene without

some snow, unless you live in Florida.

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Okay.

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Decide where you snow's going to live.

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We can take the large brush and just

pull and it doesn't show up too much

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yet against that white canvas could,

it will, as we work on down here.

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See sometimes you can get a little

crazy, let's play a little game here.

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They kept same color.

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Maybe, maybe there's another little layer

of trees that are far off right in there.

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See you there.

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Give it a little upward lift that easily.

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We got another layer of trees

grabbed the bottom of it.

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And pull it out, allow some of that

color to mix writing white and it

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helps create that illusion of nest

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in here.

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These are just some of the

colors that were in the sky.

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I'm going to add right in here.

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Just wipe them on any away.

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Some of them will show through.

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And it'll look like it looked like

reflections coming from this beautiful

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sky on the hair and it just happens.

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You don't have to worry about it.

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It'll be there for you.

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I'm me tell you what shoot.

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Let's have some fun.

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We'll just keep using this

old to integration and you can

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do this with a round brush.

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It worked just as well.

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I got this one dirty,

so we'll just use it.

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Take just the corner of it.

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00:13:33,240 --> 00:13:37,530

Maybe back in here, we have some

beautiful little tree shapes.

254

00:13:39,090 --> 00:13:41,850

All we're looking for

is just basic shapes.

255

00:13:43,440 --> 00:13:47,430

These are just little trees

that are far away back here.

256

00:13:49,860 --> 00:13:53,820

Just tap them in easy.

257

00:13:53,820 --> 00:13:54,150

That is.

258

00:13:59,895 --> 00:14:00,255

Okay.

259

00:14:03,455 --> 00:14:10,775

Let's put, let's put a few,

little, few little trunks

260

00:14:10,775 --> 00:14:12,035

and limbs and stuff in there.

261

00:14:12,035 --> 00:14:16,625

I'm using just Vandyke Brown liner

brush a lot of paint thinner on it.

262

00:14:17,045 --> 00:14:17,795

Turn the brush.

263

00:14:18,095 --> 00:14:23,075

This is thin like ink,

and maybe we can just see.

264

00:14:24,615 --> 00:14:27,245

Some tree trunks here

and there, there they go.

265

00:14:30,755 --> 00:14:31,775

Just a little trunk.

266

00:14:31,805 --> 00:14:33,454

We don't know how many

trees are back here.

267

00:14:34,655 --> 00:14:35,735

However many you want

268

00:14:38,824 --> 00:14:39,275

there.

269

00:14:43,175 --> 00:14:45,245

See there and that easy.

270

00:14:45,245 --> 00:14:49,925

You have indication of all kinds of

little things happening, just wherever.

271

00:14:51,660 --> 00:14:52,680

Sometimes it's fun.

272

00:14:52,920 --> 00:14:54,690

Let me show you something,

show you something.

273

00:14:55,140 --> 00:14:59,010

I'm going to take some liquid

white, put it out on the pallet.

274

00:14:59,010 --> 00:15:00,120

Maybe we can come right down here.

275

00:15:01,290 --> 00:15:03,040

Then I'm going to mix some yellow.

276

00:15:03,140 --> 00:15:03,680

Grew with it.

277

00:15:06,860 --> 00:15:08,660

You have a very thin paint now.

278

00:15:08,750 --> 00:15:09,710

Very, very thin.

279

00:15:10,280 --> 00:15:12,500

Can we clean the knife off now?

280

00:15:12,500 --> 00:15:15,620

We'll take the liner brush,

dip it into paint thinner.

281

00:15:16,730 --> 00:15:18,140

I'm going to go into the van Dyke Brown.

282

00:15:19,080 --> 00:15:22,080

Load a lot of color, but it's very thin.

283

00:15:24,000 --> 00:15:24,210

284

00:15:24,210 --> 00:15:26,310

Now then come back, direct down here.

285

00:15:26,850 --> 00:15:28,140

Now with the liner brush full.

286

00:15:29,570 --> 00:15:30,890

See if we can get a close up right here.

287

00:15:30,890 --> 00:15:33,170

I show you the line of

brush is full of Brown.

288

00:15:33,860 --> 00:15:35,870

Now you go right through

this very thin color.

289

00:15:36,410 --> 00:15:39,350

Now see, it's got white on one

side and Brown on the other.

290

00:15:40,160 --> 00:15:42,530

Now then let's go up

here, maybe up in here.

291

00:15:42,530 --> 00:15:45,740

There's some big trees

there right in here.

292

00:15:48,405 --> 00:15:53,385

And you can do the highlight and

the shadow in one stroke, sneaky

293

00:15:53,385 --> 00:16:00,735

her K reloaded, Vandyke Brown, and

would go right through the liquid

294

00:16:00,735 --> 00:16:04,305

white with a yellow ochre in it.

295

00:16:06,435 --> 00:16:11,015

And you can make some of the

most beautiful tree, trunk Brown

296

00:16:13,385 --> 00:16:14,555

and wherever you want them.

297

00:16:17,310 --> 00:16:20,670

And as many as you want, maybe

there's some little things

298

00:16:20,690 --> 00:16:21,660

that just they're there.

299

00:16:24,050 --> 00:16:24,470

Okay.

300

00:16:28,340 --> 00:16:35,420

Maybe a little more of the paint,

thinner it right through, but some

301

00:16:35,420 --> 00:16:36,950

happy little limbs on his tree.

302

00:16:39,740 --> 00:16:40,460

That's sneaky.

303

00:16:40,460 --> 00:16:43,640

I mean, you can make both sides

of the tree in a single stroke.

304

00:16:45,870 --> 00:16:52,920

There we go and it makes some beautiful

trees and the stick in a twig and

305

00:16:52,920 --> 00:16:54,089

all those happy little things.

306

00:16:56,599 --> 00:16:59,300

And sometimes it's nice to put just

the indication here and there of

307

00:16:59,300 --> 00:17:00,469

a few things that are hanging on.

308

00:17:00,469 --> 00:17:03,140

So I'll just take a little of the

dark Sienna, the yellow ochre.

309

00:17:03,770 --> 00:17:06,710

I'm just going to tap the top

corner of the brush into it.

310

00:17:06,740 --> 00:17:10,250

Very, very little paint

and here and there.

311

00:17:12,105 --> 00:17:16,095

Just some little indications that

maybe there's something few little

312

00:17:16,095 --> 00:17:17,415

leaves still hanging on here.

313

00:17:18,285 --> 00:17:18,855

Not many.

314

00:17:19,485 --> 00:17:23,475

Just a few don't want to overdue.

315

00:17:23,535 --> 00:17:27,455

It's very easy to open there.

316

00:17:31,185 --> 00:17:32,675

Yeah, shoot.

317

00:17:32,675 --> 00:17:33,425

Let's have some fun.

318

00:17:33,995 --> 00:17:35,075

Let's have some fun.

319

00:17:35,105 --> 00:17:37,205

We'll take some black and some Brown.

320

00:17:38,055 --> 00:17:44,975

Some say little blue mix them together

might as well mix up a lot of paint here.

321

00:17:46,205 --> 00:17:47,375

A lot of old paint.

322

00:17:51,095 --> 00:17:51,545

Okay.

323

00:17:51,635 --> 00:17:53,405

Tell you what, let me wipe the knife off.

324

00:17:55,355 --> 00:17:56,825

Let's use a fan brush today.

325

00:17:57,005 --> 00:17:57,635

Let me find it.

326

00:17:58,235 --> 00:17:59,405

There's a good fan brush.

327

00:17:59,975 --> 00:18:01,565

We go right into that dark color.

328

00:18:03,305 --> 00:18:06,245

Let's get a lot of paint on

the brush, a lot of pain.

329

00:18:07,665 --> 00:18:11,415

Now then I have to make some big

decision maybe in our world, our

330

00:18:11,415 --> 00:18:16,155

lives a nice little evergreen

are right there, right there.

331

00:18:16,575 --> 00:18:21,915

She was just a corner of the brush,

work back and forth, back and forth.

332

00:18:22,395 --> 00:18:25,544

As you work down, the tree

apply more and more pressure.

333

00:18:26,504 --> 00:18:32,205

So it gets wider, thicker,

stronger toward the bottom there.

334

00:18:32,925 --> 00:18:33,405

Look at that.

335

00:18:35,295 --> 00:18:38,895

Look at that boy that really stands out

against that light background over there.

336

00:18:39,575 --> 00:18:39,995

Maybe.

337

00:18:40,805 --> 00:18:41,495

Yeah, right there.

338

00:18:42,245 --> 00:18:43,355

We'll give him a little friend.

339

00:18:44,075 --> 00:18:44,165

Okay.

340

00:18:44,495 --> 00:18:45,755

Everybody needs a friend.

341

00:18:47,405 --> 00:18:49,685

You know, if painting has

done nothing else, it has

342

00:18:50,375 --> 00:18:51,935

brought me so many new friends.

343

00:18:52,025 --> 00:18:52,865

It's unreal.

344

00:18:53,225 --> 00:18:58,205

I've met literally thousands of fantastic

people, all because of painting.

345

00:19:00,065 --> 00:19:00,725

There we are.

346

00:19:03,090 --> 00:19:05,250

Maybe over here let's

let's have a big tree.

347

00:19:05,550 --> 00:19:07,530

What's that strong center we're

going to, it goes up here.

348

00:19:07,530 --> 00:19:10,940

Is this where the, this is where

the Hawk sets the beginning, maybe

349

00:19:12,170 --> 00:19:13,220

depending on where you were at

350

00:19:16,260 --> 00:19:19,250

there, maybe the owl I showed

in the last program, maybe

351

00:19:19,250 --> 00:19:21,410

that's where he lives there.

352

00:19:21,530 --> 00:19:26,810

He sets up here, the surveys, the

whole countryside watches for a little

353

00:19:26,810 --> 00:19:28,640

mouse to go scampering across the snow.

354

00:19:31,784 --> 00:19:32,625

And he comes down on.

355

00:19:32,625 --> 00:19:34,185

Wings are soft as velvet.

356

00:19:34,635 --> 00:19:37,475

Never hear him zip.

357

00:19:40,595 --> 00:19:44,165

Now the watch here, let me take a

little white on the large brush.

358

00:19:44,645 --> 00:19:47,675

I want to create the illusion

of another plane right here.

359

00:19:48,125 --> 00:19:52,655

So take titanium white, grab a touch of

that blue, just to touch and pull it.

360

00:19:53,910 --> 00:19:55,800

Just pull it and then begin blending it.

361

00:19:56,930 --> 00:19:59,990

That's simply say there, you

can create a whole nother plane.

362

00:20:01,190 --> 00:20:02,660

You not one separate for this tree.

363

00:20:02,840 --> 00:20:04,160

Grab it, pull again.

364

00:20:05,630 --> 00:20:09,320

You can create as many different areas

as you want in your world that easy.

365

00:20:11,930 --> 00:20:15,230

See these colors that we put on those

nice pinks and oranges they're beginning

366

00:20:15,230 --> 00:20:17,240

to show through and they're beautiful.

367

00:20:19,500 --> 00:20:20,100

There we are.

368

00:20:24,090 --> 00:20:27,060

Oh, it looks like deep,

dark back around area.

369

00:20:27,060 --> 00:20:27,240

Now

370

00:20:34,770 --> 00:20:39,360

tell you what, we'll just take the

knife scrape right through here.

371

00:20:40,440 --> 00:20:43,620

Just make the indication of a little

trunk while we're doing the scraping

372

00:20:43,620 --> 00:20:44,850

right through the paint land.

373

00:20:44,850 --> 00:20:46,410

A little bit of the

canvas to show through.

374

00:20:47,490 --> 00:20:49,170

You can paint a trunk in if you want to.

375

00:20:51,300 --> 00:20:51,990

Oh, I'm doing it.

376

00:20:51,990 --> 00:20:52,890

Just scraping it out.

377

00:20:54,270 --> 00:20:54,750

All right.

378

00:20:54,780 --> 00:21:00,420

Grab another fan brush, take a little,

the liquid white little titanium,

379

00:21:00,420 --> 00:21:01,890

white little, they look blue.

380

00:21:02,220 --> 00:21:03,060

Mix them together.

381

00:21:04,650 --> 00:21:06,210

They're beautiful.

382

00:21:06,210 --> 00:21:07,890

Blue, yellow, blue is so pretty.

383

00:21:08,700 --> 00:21:11,940

A lot of paint on the brush

and let's go right up in here.

384

00:21:12,570 --> 00:21:14,370

Let's just put some

highlights on these trees.

385

00:21:17,060 --> 00:21:17,930

That is beautiful.

386

00:21:18,860 --> 00:21:20,060

So beautiful way.

387

00:21:20,060 --> 00:21:23,300

It stands out, brings that tree alive.

388

00:21:24,710 --> 00:21:25,850

Makes it jump out at you.

389

00:21:26,840 --> 00:21:26,930

Okay.

390

00:21:27,675 --> 00:21:29,235

And what makes us so attractive.

391

00:21:29,534 --> 00:21:30,675

This is a cool color.

392

00:21:30,675 --> 00:21:34,814

Blue is a very cool color and it's

against these warm colors back here.

393

00:21:38,415 --> 00:21:39,465

It's very nice to play.

394

00:21:39,465 --> 00:21:43,455

Cool against warm vice-versa there.

395

00:21:46,945 --> 00:21:47,625

Okay.

396

00:21:49,185 --> 00:21:49,695

Shoot.

397

00:21:50,610 --> 00:21:53,520

If I had a spotlight yet and have

to build me a little house out

398

00:21:53,520 --> 00:21:54,629

here, I have to live right out here.

399

00:21:55,110 --> 00:21:56,730

There's a lot of ways you

can make a little house.

400

00:21:56,730 --> 00:21:58,770

Let's let's do a little,

little thing right here.

401

00:21:59,220 --> 00:22:04,020

The easiest way is taking a knife

and scrape out a basic shape.

402

00:22:04,649 --> 00:22:07,350

Maybe we'll maybe we'll do a

fancy little Uber out here.

403

00:22:09,600 --> 00:22:10,649

We can scrape this out.

404

00:22:11,625 --> 00:22:14,685

Without being committed,

maybe it comes out.

405

00:22:14,774 --> 00:22:15,735

Maybe it goes on over here.

406

00:22:15,764 --> 00:22:16,304

What the heck?

407

00:22:17,504 --> 00:22:19,155

Maybe the carton or just got crazy.

408

00:22:19,615 --> 00:22:21,014

Has a long roof over here.

409

00:22:22,425 --> 00:22:23,145

There's a side.

410

00:22:25,004 --> 00:22:29,745

Here's the front or however,

maybe that's the front.

411

00:22:29,865 --> 00:22:35,264

It's up to you now then take

Vandyke Brown, little dark CNN.

412

00:22:35,264 --> 00:22:36,705

It just makes them together.

413

00:22:37,185 --> 00:22:37,965

Pull the paint out.

414

00:22:38,385 --> 00:22:39,105

Very flat.

415

00:22:40,215 --> 00:22:43,305

Small roller paint right out

on the edge of the blade.

416

00:22:43,665 --> 00:22:43,935

Okay.

417

00:22:44,625 --> 00:22:46,365

Now then let's go right in here.

418

00:22:48,705 --> 00:22:49,784

Gotta make those little noises.

419

00:22:51,225 --> 00:22:54,014

All we're doing here is

just blocking in color.

420

00:22:56,024 --> 00:22:56,625

There we go.

421

00:22:56,805 --> 00:23:03,585

Just block it in like, so

yeah, then let's take some red

422

00:23:03,585 --> 00:23:05,715

and some little yellow ochre.

423

00:23:05,774 --> 00:23:06,885

Grab some white.

424

00:23:07,879 --> 00:23:11,159

We want this to really stay marbled,

get our little roll of paint.

425

00:23:12,690 --> 00:23:12,930

Okay.

426

00:23:12,930 --> 00:23:14,310

Now then let's just go right along here.

427

00:23:14,310 --> 00:23:15,419

Just barely touch it.

428

00:23:15,419 --> 00:23:16,710

Just let it bounce across.

429

00:23:17,700 --> 00:23:20,520

Go make all kinds of beautiful

little things happen here.

430

00:23:22,320 --> 00:23:24,840

Just all kinds of things

right out here in this edge.

431

00:23:26,210 --> 00:23:27,320

A little brighter there.

432

00:23:27,560 --> 00:23:28,010

Look at that.

433

00:23:30,050 --> 00:23:35,750

Now on the other side, on the other side,

this will be a little darker, not as much.

434

00:23:35,780 --> 00:23:36,710

Light's going to hit here.

435

00:23:37,560 --> 00:23:45,149

But the same basic thing, just let it tap,

want this to look old and there we go.

436

00:23:46,649 --> 00:23:47,370

There we go.

437

00:23:50,370 --> 00:23:56,850

Maybe tell you what, let's put some

snow up here on the roof and we're

438

00:23:56,850 --> 00:23:58,350

just going to let this no bounce along.

439

00:23:58,350 --> 00:24:00,420

Like it's all snow up here.

440

00:24:01,920 --> 00:24:02,970

Sweats thick.

441

00:24:04,544 --> 00:24:05,175

Stick.

442

00:24:05,274 --> 00:24:07,215

I just gently pull right across that.

443

00:24:07,814 --> 00:24:12,254

And it looked like you can look

through it makes a very nice effects.

444

00:24:13,395 --> 00:24:14,294

Very thick though.

445

00:24:15,794 --> 00:24:17,774

Sometimes we paint very thin.

446

00:24:17,865 --> 00:24:19,094

Other times are very, very thick.

447

00:24:19,754 --> 00:24:20,774

Maybe the sole cabin.

448

00:24:21,074 --> 00:24:21,405

Yeah.

449

00:24:21,524 --> 00:24:22,814

Let's have a little shed right here.

450

00:24:23,264 --> 00:24:23,774

What the heck?

451

00:24:26,054 --> 00:24:27,824

A little bit of Brown June.

452

00:24:27,855 --> 00:24:31,905

Just like we did the other one,

some of her nice highlight colors.

453

00:24:32,264 --> 00:24:33,044

Tap those in.

454

00:24:35,745 --> 00:24:36,705

Darker over here,

455

00:24:40,545 --> 00:24:47,255

little white up here, just like, so, okay.

456

00:24:47,255 --> 00:24:50,645

Now we can come in here and we just

do our old cabin ectomy, and this

457

00:24:50,645 --> 00:24:51,905

is where you get your perspective.

458

00:24:51,905 --> 00:24:52,175

Right?

459

00:24:53,045 --> 00:24:54,245

Bring everything together.

460

00:24:54,515 --> 00:24:56,075

Get all that color off the canvas.

461

00:24:57,935 --> 00:24:58,205

Go on.

462

00:24:58,205 --> 00:24:59,105

Terrible big brush.

463

00:24:59,645 --> 00:25:01,475

Now, then just come right up in here.

464

00:25:04,649 --> 00:25:09,930

Yeah, we can lay all kinds of happy,

little snow things, and just like

465

00:25:13,889 --> 00:25:15,870

begin thinking about the lay of the land.

466

00:25:18,210 --> 00:25:22,260

There were going to add a

little, the little blue to that,

467

00:25:26,580 --> 00:25:29,100

and maybe we want to change the angle.

468

00:25:29,100 --> 00:25:29,639

Watch here.

469

00:25:29,670 --> 00:25:30,030

What's here.

470

00:25:30,419 --> 00:25:36,480

Maybe this comes down like that, just

by doing that, we can change this angle.

471

00:25:40,520 --> 00:25:42,030

Then take your fan brush.

472

00:25:42,629 --> 00:25:45,090

We'll take a little dark CN,

a little Vandyke Brown mixed

473

00:25:45,090 --> 00:25:47,370

together, and let's just.

474

00:25:48,900 --> 00:25:51,630

Pop in some little bushes and some

little weeds right along in here.

475

00:25:52,410 --> 00:25:55,200

Like, so push the brush upward.

476

00:25:55,500 --> 00:25:58,950

So it bends maybe over in here.

477

00:25:59,280 --> 00:26:02,490

There's a few in here

wherever you want them.

478

00:26:04,650 --> 00:26:05,340

There we go.

479

00:26:07,680 --> 00:26:10,290

And back to our fan

brush, it has white on it.

480

00:26:10,890 --> 00:26:14,700

Grab a little of that, pull it,

then just blend it together.

481

00:26:17,295 --> 00:26:18,075

Blend it together,

482

00:26:23,825 --> 00:26:26,855

maybe in our cabin over here, just

have a couple of little windows,

483

00:26:26,855 --> 00:26:28,775

just bloop, bloop, that easy.

484

00:26:30,305 --> 00:26:31,475

We got a happy little window.

485

00:26:32,945 --> 00:26:33,695

Let's get crazy.

486

00:26:34,860 --> 00:26:36,659

You know me, I like him old big tree.

487

00:26:36,669 --> 00:26:37,919

So let's take some of the Browns.

488

00:26:37,919 --> 00:26:39,419

I spend Dyke dark Sienna.

489

00:26:40,439 --> 00:26:44,370

Let's go right up here, maybe their

lives in our world, a big old tree

490

00:26:48,360 --> 00:26:49,139

right about there.

491

00:26:49,889 --> 00:26:54,929

And we gave him a little

friend take a little bit of.

492

00:26:55,320 --> 00:26:57,060

Mike Keller or right down the side.

493

00:26:57,330 --> 00:27:00,590

So one, side's got some

highlight, grab it a little poor.

494

00:27:02,900 --> 00:27:06,740

So take our liner brush, then paint on it.

495

00:27:08,420 --> 00:27:13,010

And we'll drop in some little sticks,

twigs, little arms on this tree.

496

00:27:14,870 --> 00:27:22,160

Just like saying all kinds of

little things in there that we've

497

00:27:22,160 --> 00:27:23,389

got have a finished painting.

498

00:27:24,975 --> 00:27:25,935

I'm finishing this up.

499

00:27:26,625 --> 00:27:28,965

I'd like to, to wish you happy painting.

500

00:27:30,064 --> 00:27:31,264

I hope you've enjoyed this one.

501

00:27:31,325 --> 00:27:35,475

It was certainly certainly help you.

502

00:27:36,365 --> 00:27:39,185

If you paint this one, you'll learn

how to use the equipment to play

503

00:27:39,185 --> 00:27:45,064

with color, to make your day better,

but a little sticking a twig here.

504

00:27:45,845 --> 00:27:47,435

I think we'll call this painting finished.

505

00:27:48,245 --> 00:27:51,814

So from all of us here,

happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S16E03 - Wintertime Discovery

Bob Ross's

The Joy of Painting

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