Bob Ross's

The Joy of Painting

S21E08 - By The Sea

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Hey, welcome back.

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Certainly glad you could join us today.

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Thought today we'd just do

a fantastic little seascape.

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I think you'll enjoy this one.

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So I tell you what, let's have him run all

the colors across the screen that you need

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to paint along while they're doing that.

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Let me show you what I've

got done up here today.

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I have my standard old pre-stretch canvas.

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The top is just plain enough.

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Covered it with a little bit

of liquid white, the bottom

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we've covered with black Jesso.

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Allowed that to dry completely.

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And then I've went back and I had to

make some major decisions already.

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I'm going to have a big

crashing wave in here.

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So where that wave is, I've put a little

bit of fellow green and fellow blue mixed

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together, but it's to the green side, the

top, and underneath here, I've covered

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with a little lavender made from alizarin,

Crimson and fallow blue, and the very

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bottom hair up a little Vandyke Brown,

all of these colors are transparent enough

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that against this black Jesso, they still.

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Look black.

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Oh, and one other thing I covered

the entire canvas with a thin

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even coat of liquid clear before

I put these transparent colors on.

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And that, that allows you to put

a very small amount of paint on

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there instead of having to put it

on so thick and, uh, works better.

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Okay.

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Let's have some fun today.

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Let's do something.

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Maybe that looks sort of like a

little sunset must start with a

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tiny bit of the Indian, yellow don't

need much on the two inch brush.

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Just a little, can you just go up in here?

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Maybe we'll have little sign up

here, this setting in the distance.

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So we'll just start off and just

drop a little yellow right in here.

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A little, little bit of this

Indian, yellow, something like,

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so without cleaning the brush.

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I won't go into a little yellow ochre,

just a small amount because it'll mix

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for the liquid weight and automatically

you'll get all of these beautiful tones

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and values here came maybe a little

bit of that yellow ochre up above

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little, up above middle down below.

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There we are.

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Right.

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And we're just using little, little Xs,

little crisscross strokes, something about

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like, so maybe just a touch, more of that.

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You let that sort of drift right

on up here into the sky where ever

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reach up here and grab the least

little touch of alizarin Crimson,

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still in the same old brush.

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And we'll just work a

little bit of that in.

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We'll sort of let it work down into

the yellow and it'll blend together and

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makes beautiful, beautiful colors there.

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Maybe a little touch, more of that.

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Okay, good.

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Good.

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I like it.

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After the very top, I'm going

to take a lizard Crimson.

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And a little bit of that.

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They love blue.

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They would just mix them on the

brush cause we don't need much

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and we'll come right up in here.

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Maybe we put a little more blue.

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I want that a little

more to the bluish side.

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So you sort of tested and if it's

not exactly what you want, change

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it because this is your world.

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And on this piece of canvas, you

can do anything that you want to do.

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We'll bring it right down

to the red and stuff.

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See that red X is a barrier

between the yellow and blue.

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And that way we don't end

up with a bright green sky.

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Sometimes those bright green skies

have a tendency to bother you.

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All right.

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That's the fun part.

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Where's the camera crew here.

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Doesn't think so now how to clean

dry brush and be sure it's dry.

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You're going to keep this dry as possible.

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I want to just blend all this

together, starting in the

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light area and working outward.

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Right?

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These are the kinds of colors

that just make you happy too.

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Really.

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Make your day better when you have all

these beautiful little colors and you

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blend this to you, can't tell her one

color starts and the next color stops.

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And when you're doing this at home,

sort of step back and take a look,

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see, because it's very difficult.

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If you're standing right up against it, to

tell if your colors are blended properly.

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So stand back, get the

whole glass of ice tea.

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And just relax for a

second and look at it.

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If it needs more blending, I can

go back and blend it a little more.

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Tell you what let's have some more fun.

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We get crazy.

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Damn, take a little to bright red,

very small amount that we don't need,

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but just tap a little into the brush.

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Just a very small amount.

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Let's go right in here.

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Let's put a nice warm glow

right here at the horizon.

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Something maybe got like

that, just little pink.

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A little pink tapping

would give the indication.

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Maybe there's a little cloud looking

thing there, whatever, whatever we are.

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And then blended.

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Now it'll look like a

little pink area, right?

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The horizon from her deck.

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Okay.

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Let's get crazy today.

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I'm going to make some lavender

using some fellow blue.

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And to lizard Crimson, proportionately

much, much more Crimson than

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blue, much more Crimson than blue.

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All right.

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Wipe off the knife.

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And that's very difficult to tell what

color that is because it's going to look

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black, put a little white out there and

mix it and you can see what it's going to

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value down to or what it's going to look

like when you put it up on the canvas.

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Great.

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Today, let's use the old fan brush.

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What the heck?

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We'll take the fan brush

and put just a small amount.

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Don't have color on it.

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Cause it's very dark.

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We don't need a lot of color, just

a little in the school, up in here.

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And then maybe in our world there

lifts some happy little clouds

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that just float around all day.

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Just take the corner of the brush and

begin creating basic cloud shapes, but

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don't just throw them in at random makeup.

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Make a basic shape when

you do this, there we are.

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Something like that.

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Maybe there's some little stringy ones

right down here at the horizon, little

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stringy clouds there, maybe over here,

there's one that comes drifting in.

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Give him a friend here, just however

many you want in your world, sort of

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look at it, make a big decision and

decide where you think they should be.

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Watch here.

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Watch your own, show you something.

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Take your finger.

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Look here, take a little white.

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Let's have a sun up here.

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Let's have a little son.

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I think it would really work

nice in this particular painting

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and just blend it a little bit.

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Alice let's have a little cloud

that lives right here, right there.

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Just a little floater.

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There he is.

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He floats right around the sun here.

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Really, he has the view of a lifetime

right here, because he can see everything.

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It's got the best light here.

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There.

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Maybe he's got her friend that

maybe it floats right around here.

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I think everything needs a

friend, even an old cloud to get

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her, to give him a friend too.

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Maybe this one.

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Comes right out.

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It comes right across the sun, but

make up little stories about these

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little clouds and characters and

whatever you have in your painting.

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There.

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Speaking a little characters

in this series several times.

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I've showed you my little squirrels.

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I want to show you another one.

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I'm just going to make a few

clouds here while you're looking

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at these little Rascals, but

I think you really enjoy them.

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There's something about.

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There's special people.

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Here's one.

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He was on set T when Dean and I

had, uh, some magazines out and

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he had to sneak up and look at

the magazines and there's a Fox.

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If you can see it on that Florida

wildlife, and it sort of shook him up.

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I think he recognized the picture of

that Fox and knew he was sort of a

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natural enemy, but he did his little

war dance and, and got out of there.

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But when squirrels get

excited, it's easy to tell.

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Because they are, their little

tails will just go crazy.

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I'm mean they will do a

dance and that's so cute.

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Give me something else.

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Two males and two females shoot.

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Who knows?

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Maybe pretty soon.

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We'll have some little squirrels.

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If they calmed down enough, there we are.

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Okay.

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And we're still putting in some

little clouds here while you're

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watching the little Rascals.

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Right.

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Should we just go on cloud crazy here?

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I tell you what let's really get crazy.

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Here's a big one that lives up here.

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Maybe there's an old pick

one up here, still just using

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the corner of the fan brush.

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Just let these old clouds float

around the sky cloud should look

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very free, but you do need to do a

basic cloud shape when you do this.

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In classes sometimes I see people

just banger a sheep up there

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and then they don't understand

why it didn't turn into a cloud.

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You do have to do a basic shape and

we'll just blend it a little bit.

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I want these clouds to remain quite dark

today, so we're not going to do a whole

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bunch more to them other than blend

them, soften the edges and leave them.

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They're all right.

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I live in Florida.

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Yeah, right outside of Orlando

where Mickey mouse's house is out

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and I'm not far from the ocean.

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I go down and study the ocean, or

that's the excuse I use actually

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I'm down there sort of playing and

enjoying a few rays, but act like I'm

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studying it and watch how water works.

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But if you have time to do that, or if

you're close enough to an ocean to do

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it, it's a super way of learning how to

make, make it all work and come together.

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If you don't, you can get books

or now they have video tapes that

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you can set the steady, you can

see exactly how that water works.

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And it's a lot of fun, a lot of fun.

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They're all right now I was going to do

today is just blend that a little bit.

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Just blend it.

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See there.

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That easy, had these little stringy ones,

all you had to do was just blend over the

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top of them and they work just fantastic.

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They just sorta dropped right in there.

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Right.

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And sometimes I'd like to play a little

bit with clouds and maybe have a little

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projection in one it's maybe this little

projections coming out a little more.

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So you can do that just back.

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Putting a little change of value in there.

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All right.

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Then we'll just blend that a little will

help give that illusion that, that sort

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of projecting out when it's all done

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ever do one, you don't like, can you

just blend it into the other clouds?

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Just go away there.

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I just speak the brush,

knocking the excess paint off.

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Okay, let's wash your soul brush,

wash your brushes with odorless

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dinner, shake them off and just

beat the devil out of, okay.

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I have a little piece of masking

tape Baroque across here too.

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So we have a nice straight

horizon line now, then.

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Right along there.

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I will take a little of my lavender

color because I didn't cover it naturally

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because there was masking the taste there.

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Just fill that in now we're in business.

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Okay.

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As I mentioned earlier, we had to make

a major decision in this particular

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painting when we first started.

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So we know where the waves going

to be in this one, because I wanted

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a little bit of green in there.

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So I'll take a little.

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Touch the titanium white would just use

a fan brush and come right up in here.

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Let's make our first decision.

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Let's say our wave lives right there

and over, and maybe it'll just sort

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of float on out like that King.

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That's really the only big major decision

that we have to make at this point.

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And we'll go back in here.

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Let's start right at the

horizon and I'm on exaggerate.

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I'm making little strokes like that.

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So it'll look like flu

things are happening.

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We back here now, the White's going

to pick up that nice lavender color.

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That's already on the canvas.

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All these little things will happen.

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As you get closer to you, leave

more of these darker areas.

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Don't kill them off.

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This begins to work and it gets to be fun.

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And you, you have a tendency

just to knock them all out.

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Don't kill them all.

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They're going to end up

being your good friends here.

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There we are.

248

00:14:11,100 --> 00:14:11,430

Okay.

249

00:14:11,580 --> 00:14:15,810

Wipe some of the pain off at brush

and we can begin better clean it.

250

00:14:18,720 --> 00:14:19,650

And we can begin.

251

00:14:19,950 --> 00:14:24,660

I want to blend some of this

back a little bit, blend it back.

252

00:14:24,660 --> 00:14:27,330

So it looks like there's little

troughs between them and these

253

00:14:27,330 --> 00:14:28,620

ones that are right up close here.

254

00:14:30,660 --> 00:14:31,110

There.

255

00:14:35,120 --> 00:14:35,270

Okay.

256

00:14:35,300 --> 00:14:38,810

We'll come back and drop some highlights

on those in a little bit, and that'll

257

00:14:38,810 --> 00:14:41,480

separate them, really make them nice.

258

00:14:50,070 --> 00:14:51,680

That gives us a background already.

259

00:14:58,100 --> 00:15:00,560

Ken, how maybe are we going

to turn right over like that?

260

00:15:02,189 --> 00:15:03,030

So let's go in here.

261

00:15:03,540 --> 00:15:05,460

We could use a Filbert for

that, and it doesn't matter.

262

00:15:05,520 --> 00:15:07,040

Gilbert fan, whatever.

263

00:15:08,100 --> 00:15:15,060

Lee's little touch to the CAD, yellow with

white, just titanium white, but at least

264

00:15:15,060 --> 00:15:16,380

a little bit of the CAD yellow in it.

265

00:15:16,890 --> 00:15:20,010

Just enough to give it a

tiny little yellow issue.

266

00:15:21,030 --> 00:15:21,960

And we can go up in here.

267

00:15:22,140 --> 00:15:25,830

If this is going to be the eye or the

transparency in our way, whatever you

268

00:15:25,830 --> 00:15:27,930

want to call it, make a big decision.

269

00:15:28,830 --> 00:15:34,320

And really get in there and scrub some

of that color in just scrubbing in there.

270

00:15:35,870 --> 00:15:38,570

And we'll sort of let it just

sort of work back a little bit

271

00:15:38,570 --> 00:15:39,620

as light plays through there.

272

00:15:40,310 --> 00:15:42,500

I see that's going to pick up

that fellow green and fellow

273

00:15:42,500 --> 00:15:47,450

blue that we put in and beautiful

things will happen automatically.

274

00:15:48,440 --> 00:15:52,400

I will take a two-inch

brush, be sure it's dry.

275

00:15:52,640 --> 00:15:53,480

It's most important.

276

00:15:54,440 --> 00:15:55,520

Take it and go right in here.

277

00:15:56,030 --> 00:15:57,170

And it's going to look like.

278

00:15:57,720 --> 00:15:58,830

The whole brush is moving.

279

00:15:59,370 --> 00:16:02,160

It's not, the hair stays

in one place there.

280

00:16:02,160 --> 00:16:04,590

You can see it because they are slow only.

281

00:16:04,590 --> 00:16:08,010

I'm going to do it quite rapidly,

but the brush is barely moving.

282

00:16:09,750 --> 00:16:15,600

You just wind it up, mix it up Sturt,

and you can make this as smooth as silk.

283

00:16:17,160 --> 00:16:19,290

Just absolutely smooth as silk.

284

00:16:20,910 --> 00:16:22,020

It's unbelievable.

285

00:16:22,920 --> 00:16:24,240

The effects that you can create.

286

00:16:25,770 --> 00:16:28,199

Using these tools that

are quite unorthodox.

287

00:16:30,300 --> 00:16:30,780

Look at that.

288

00:16:32,910 --> 00:16:37,250

See that globe beginning to appear there.

289

00:16:38,510 --> 00:16:39,380

And it's so easy.

290

00:16:40,969 --> 00:16:42,410

And you could do this

with a one inch brush.

291

00:16:42,410 --> 00:16:43,160

If you wanted to.

292

00:16:44,900 --> 00:16:49,370

Now we begin thinking about shape and

form, how little water is working in here.

293

00:16:52,400 --> 00:16:52,969

There we are.

294

00:16:56,630 --> 00:17:00,140

Already, we're beginning to have some of

the basic things in here that we need.

295

00:17:08,510 --> 00:17:11,960

Maybe you hope we have it old brush

going here's our sun is shining

296

00:17:11,960 --> 00:17:13,340

through here and down underneath here.

297

00:17:13,820 --> 00:17:16,310

We may be, we're going to

have some light reflecting.

298

00:17:16,310 --> 00:17:17,510

I take some of that same color.

299

00:17:18,135 --> 00:17:23,055

Cool underneath here and just pull

it straight down, straight down.

300

00:17:25,350 --> 00:17:33,570

Like, so I know you're saying Bobby really

messed it up this time and maybe right.

301

00:17:34,440 --> 00:17:37,230

We'll see, go across.

302

00:17:38,580 --> 00:17:44,760

I can create that illusion of wetness

and machine coming across water,

303

00:17:44,760 --> 00:17:46,410

the lights reflecting cross here.

304

00:17:50,275 --> 00:17:52,255

See already, you can see how wet it is.

305

00:17:52,975 --> 00:17:56,785

This is going to be we'll have some,

yeah, we'll have a beach chip here

306

00:18:00,025 --> 00:18:00,475

and already.

307

00:18:00,475 --> 00:18:01,915

We have wet sand laying up there.

308

00:18:03,265 --> 00:18:03,715

Okay.

309

00:18:03,715 --> 00:18:05,485

I have several old fan versus going here.

310

00:18:05,485 --> 00:18:06,415

Let me grab another one.

311

00:18:06,595 --> 00:18:11,485

I'll take a little white now, then

up in here, this is the fun part.

312

00:18:11,485 --> 00:18:12,775

We have to make a big decision.

313

00:18:13,405 --> 00:18:15,245

Maybe our way he was

coming here and going.

314

00:18:17,235 --> 00:18:24,635

Got to make those little noises,

grab it, pull it, pull it there.

315

00:18:27,965 --> 00:18:29,795

Just let that turn and crash.

316

00:18:32,045 --> 00:18:35,375

And if you pull this down too far,

let's see if I can, I'll just do it.

317

00:18:35,405 --> 00:18:39,035

Take a clean fan brush and you

can grab it this one's okay.

318

00:18:39,035 --> 00:18:42,365

But I just want to show you how, because

this happens, you can take a clean fan

319

00:18:42,365 --> 00:18:44,375

brush, grab it and pull it back up.

320

00:18:45,105 --> 00:18:49,814

You see that don't nothing see it or

not, but let's see how you get there.

321

00:18:49,875 --> 00:18:54,915

You can pull it right back up and you can

pull that darkness back into the light, or

322

00:18:54,915 --> 00:18:59,264

you can pull the light into the darkness

either way that you want to go to you.

323

00:19:00,645 --> 00:19:03,524

That's a good little thing to know,

because sometimes you get into

324

00:19:03,524 --> 00:19:07,004

little problems and where you pull

too much light and that'll save you.

325

00:19:08,115 --> 00:19:08,385

Okay.

326

00:19:08,385 --> 00:19:12,575

Let's take a little, wait a

little bit of that lavender color.

327

00:19:12,975 --> 00:19:13,995

A little bit of the blue.

328

00:19:13,995 --> 00:19:15,165

I want it to the blue side.

329

00:19:16,245 --> 00:19:17,175

It'll let green too.

330

00:19:17,325 --> 00:19:18,135

Oh, that's pretty.

331

00:19:18,345 --> 00:19:21,125

That's pretty, that's good up in here.

332

00:19:22,685 --> 00:19:29,135

And let's throw this in to create the

illusion of a nice shadow in her foam.

333

00:19:30,425 --> 00:19:32,615

Eric comes, it comes right on around.

334

00:19:33,425 --> 00:19:33,875

Shoot.

335

00:19:33,905 --> 00:19:35,615

Maybe it just crashes

over there a little bit.

336

00:19:35,645 --> 00:19:36,155

I don't know.

337

00:19:36,635 --> 00:19:36,965

I don't know.

338

00:19:38,040 --> 00:19:41,970

When you do your seascape, you figure out

where it crashes over and where the waves

339

00:19:41,970 --> 00:19:44,149

deteriorated to the point it's collapsing.

340

00:19:46,610 --> 00:19:47,000

Let's see.

341

00:19:47,000 --> 00:19:51,020

Well, we have lavender and

little fan brush satisfied.

342

00:19:51,950 --> 00:19:54,139

You told me I'd like to

get crazy with these.

343

00:19:55,790 --> 00:19:59,690

I like to get crazy lavender color.

344

00:20:00,050 --> 00:20:01,060

Maybe we back here.

345

00:20:01,180 --> 00:20:03,440

There's a little, little head lemons.

346

00:20:03,794 --> 00:20:07,064

Pokes his head, we up and here we can

just put that on with a fan brush.

347

00:20:15,095 --> 00:20:15,544

Okay.

348

00:20:16,084 --> 00:20:17,885

And we let it come right

down there a little way.

349

00:20:17,885 --> 00:20:21,665

So it's not just sitting right on the

horizon and setting a little bit down

350

00:20:22,985 --> 00:20:27,665

and maybe a little darker color while

we have it going, maybe right in here.

351

00:20:28,324 --> 00:20:30,514

There's a bigger one, a little closer.

352

00:20:30,635 --> 00:20:31,475

So it's darker.

353

00:20:32,385 --> 00:20:33,555

And there's more detail in it.

354

00:20:33,555 --> 00:20:36,015

Of course, shoot, who knows?

355

00:20:36,015 --> 00:20:40,965

Maybe it goes away on a flight and this

is still just that same lavender color.

356

00:20:41,505 --> 00:20:42,825

A little bit more to the blue side.

357

00:20:42,825 --> 00:20:43,095

Now,

358

00:20:46,385 --> 00:20:47,195

there we go.

359

00:20:49,535 --> 00:20:54,485

I, we can take a little bit of

white, but with a bright red

360

00:20:57,665 --> 00:20:59,465

Dan, we here just make some on the brush.

361

00:21:00,405 --> 00:21:02,715

So we have the lavender,

bright red, little white.

362

00:21:03,585 --> 00:21:08,835

I can go up in here and just by

tapping, just tapping with a fan brush.

363

00:21:09,625 --> 00:21:13,245

I don't want this to be two

distinct yet, as it gets closer,

364

00:21:13,245 --> 00:21:15,435

we're going to see more right here.

365

00:21:15,435 --> 00:21:19,275

I just want to make some basic little

shapes, make these little stones look

366

00:21:19,275 --> 00:21:22,395

like they're setting right out here,

but all you have to do is just tap

367

00:21:22,435 --> 00:21:25,785

the fan brush and form your stones.

368

00:21:25,965 --> 00:21:26,505

Form them.

369

00:21:26,505 --> 00:21:27,585

Don't vote this tap though.

370

00:21:28,455 --> 00:21:31,155

Think about all the little

cracks and stuff in that stone.

371

00:21:31,875 --> 00:21:37,275

And it was a clean brush, very gently,

very gently three hairs, and some air.

372

00:21:37,275 --> 00:21:42,435

You can grab that and make it

look just like a little rock, be

373

00:21:42,585 --> 00:21:44,205

careful with the attention to angle.

374

00:21:44,205 --> 00:21:47,025

So when you're lending that

wood, that big brush and barely

375

00:21:47,025 --> 00:21:49,425

touch it just whisper light.

376

00:21:51,075 --> 00:21:55,635

Now they want to take a little

white on the old fan brushing.

377

00:21:56,220 --> 00:21:58,020

Maybe there's a little foam.

378

00:21:59,110 --> 00:22:00,630

We could use the Philbrick for that too.

379

00:22:00,630 --> 00:22:01,740

It would work just as well.

380

00:22:02,640 --> 00:22:04,700

A foam splashing, right along in there.

381

00:22:09,020 --> 00:22:11,690

I like to make, this is the

fun part of making seascapes.

382

00:22:11,690 --> 00:22:17,840

Is this foam just work it right

around, like there it goes.

383

00:22:18,860 --> 00:22:21,260

Maybe, maybe comes right on around.

384

00:22:21,320 --> 00:22:22,400

I don't know, stuff.

385

00:22:22,400 --> 00:22:23,090

My kid.

386

00:22:24,435 --> 00:22:25,754

Maybe there's a little down there,

387

00:22:28,905 --> 00:22:31,685

but that'll give you an idea easily.

388

00:22:31,685 --> 00:22:34,594

That is pulled a little bit that

overseeing, see something collapsing

389

00:22:34,594 --> 00:22:35,584

in the background back here.

390

00:22:36,975 --> 00:22:37,925

See, there it goes.

391

00:22:41,014 --> 00:22:45,875

Now that one's crashing over,

also back to my fan brush, it

392

00:22:45,875 --> 00:22:47,284

has the lavender colors on it.

393

00:22:48,955 --> 00:22:51,945

Want to add some Vandyke Brown

and dark Sienna to that scene.

394

00:22:52,065 --> 00:22:52,935

Lavender color.

395

00:22:53,715 --> 00:22:55,125

Cause things are getting closer to us.

396

00:22:55,125 --> 00:23:01,785

Now, maybe in our world, we will

have a big stone lives right there.

397

00:23:04,035 --> 00:23:07,335

Bagel comes right down.

398

00:23:09,885 --> 00:23:10,845

We just fill that up.

399

00:23:11,535 --> 00:23:15,405

Oh, you got to do maybe part of what's

in front of that crashing waves.

400

00:23:18,495 --> 00:23:21,524

Now I have several fan brushes

going, so I don't have to spend

401

00:23:21,524 --> 00:23:22,725

all my time just washing them.

402

00:23:24,135 --> 00:23:27,645

We will take a little titanium,

white, a little dark Sienna.

403

00:23:28,294 --> 00:23:29,195

Just throw it in there.

404

00:23:30,665 --> 00:23:32,524

Maybe even a little bright red into it.

405

00:23:32,524 --> 00:23:33,064

Not much.

406

00:23:33,635 --> 00:23:39,905

Now then once again, by just tapping,

you can literally shape these stones.

407

00:23:41,135 --> 00:23:41,975

Just tap.

408

00:23:44,220 --> 00:23:46,500

Make all kinds of little things in there.

409

00:23:49,860 --> 00:23:57,840

See if there's another stone comes right

down, take a nice clean, dry brush.

410

00:23:57,960 --> 00:23:59,880

Very lightly, very lightly touch it,

411

00:24:03,000 --> 00:24:03,960

touch it in Paul.

412

00:24:04,740 --> 00:24:07,680

And if you want to pull a little

bit colored down, you can do

413

00:24:07,680 --> 00:24:12,030

that, but you can literally shape

and form these stones doing.

414

00:24:12,510 --> 00:24:13,830

Just like, yes, go stone.

415

00:24:13,830 --> 00:24:15,929

Sometimes it's sort of hard

to do when we first start.

416

00:24:19,850 --> 00:24:19,939

Okay.

417

00:24:20,090 --> 00:24:24,919

Fact, her brush that has a white on it and

we can crash a little more of this right

418

00:24:24,919 --> 00:24:27,860

up here on these, all these little doers.

419

00:24:28,520 --> 00:24:32,810

Let it go a little bit over

in here, wherever you want.

420

00:24:33,830 --> 00:24:34,370

Okay.

421

00:24:34,370 --> 00:24:38,060

Now we've got to start thinking about

how this water's going to work in here.

422

00:24:39,930 --> 00:24:42,000

All these little things going on a little

423

00:24:46,820 --> 00:24:48,230

but is it lays down over here?

424

00:24:48,230 --> 00:24:49,250

This one gets flatter.

425

00:24:51,200 --> 00:24:52,400

Just leaves down.

426

00:24:55,250 --> 00:24:57,920

Maybe sometimes there's another

little Dewar right in here.

427

00:25:05,420 --> 00:25:06,080

There we go.

428

00:25:08,850 --> 00:25:09,540

Let's have some fun.

429

00:25:10,379 --> 00:25:11,220

Let's have some fun.

430

00:25:11,220 --> 00:25:13,770

We'll take a little that lavender,

mix it with some titanium

431

00:25:13,770 --> 00:25:16,770

white and maybe right in here.

432

00:25:18,570 --> 00:25:22,950

See, highlight that and shoot.

433

00:25:22,950 --> 00:25:23,610

Let's put another one.

434

00:25:23,670 --> 00:25:24,240

We'll be brave.

435

00:25:24,240 --> 00:25:24,659

Here we go.

436

00:25:26,460 --> 00:25:31,110

But just lay us on pushing the

knife very firmly, very firmly.

437

00:25:31,470 --> 00:25:32,850

And if you want to get really crazy.

438

00:25:35,010 --> 00:25:38,310

Maybe there's another one I had a

little bit, they look blue to that.

439

00:25:38,310 --> 00:25:38,880

Not much.

440

00:25:40,050 --> 00:25:41,370

Oh yeah, that helps.

441

00:25:42,960 --> 00:25:43,290

It helps.

442

00:25:43,290 --> 00:25:47,040

Maybe there's another one

we have over here somewhere.

443

00:25:48,720 --> 00:25:49,440

There it goes.

444

00:25:50,180 --> 00:25:54,860

And all you're doing is laying on a

little layer of paint and we can take

445

00:25:54,860 --> 00:25:57,140

a clean fan brush and blend that back.

446

00:25:57,500 --> 00:25:58,550

Just blended back.

447

00:26:01,064 --> 00:26:05,625

Grab it, pull it back, let it work there.

448

00:26:10,675 --> 00:26:17,715

You can make all kinds of beautiful little

effects, just like so they're liner brush.

449

00:26:18,225 --> 00:26:21,554

You can take a little Bandag

Brown maybe right up here.

450

00:26:21,554 --> 00:26:24,945

There's an old tree, poor old tree.

451

00:26:25,155 --> 00:26:25,455

Maybe.

452

00:26:26,160 --> 00:26:31,080

Maybe there's just some arms hanging out

here just about had it times are rough.

453

00:26:31,260 --> 00:26:31,500

Yeah.

454

00:26:34,639 --> 00:26:35,180

And brush.

455

00:26:35,180 --> 00:26:37,340

I want to took a little

sad green, little yellow.

456

00:26:39,379 --> 00:26:41,780

Let's pop in a little grass

down here around his foot.

457

00:26:41,840 --> 00:26:43,460

We want a little, little grass in there.

458

00:26:44,750 --> 00:26:47,720

Then you can take your liner

brush at home and put in all

459

00:26:47,720 --> 00:26:50,030

kinds of little details here.

460

00:26:50,480 --> 00:26:52,670

See, there's a little

line right around there.

461

00:26:53,700 --> 00:26:58,920

But begin putting in all kinds of little

lions and foamy things, little yellow

462

00:26:58,920 --> 00:27:03,660

and white, and you go back in here and

begin highlighting all these little

463

00:27:03,660 --> 00:27:08,780

waves like that seat to church there.

464

00:27:10,310 --> 00:27:14,720

And with that, we about have a finished

seascape and the old clock on the wall

465

00:27:14,720 --> 00:27:16,760

tells me it's about time to call it a day.

466

00:27:18,105 --> 00:27:20,715

So I think we'll call

that one finished hope.

467

00:27:20,715 --> 00:27:23,895

You've enjoyed this little seascape

and from all of us here, I'd

468

00:27:23,895 --> 00:27:25,065

like to wish you happy painting.

469

00:27:25,815 --> 00:27:26,865

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E08 - By The Sea

Bob Ross's

The Joy of Painting

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