Bob Ross's

The Joy of Painting

S20E11 - Change of Seasons

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Hi, certainly glad to see you today.

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Today.

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I thought we'd just do a painting.

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It's maybe a little different

and I hope you really enjoy it.

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So let's start out having run all

the colors across the screen that

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you need to paint along with me and

they'll come across right about there.

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Okay.

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While they're doing that, let

me show you what I've got done.

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I've got my normal old pre

stretched canvas up here.

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And today I've covered the bottom of it

with liquid black and the top with liquid

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white and where they come together.

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I've just blended them together and

it's all wet and it's ready to go.

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So.

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Let's have some fun.

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Maybe let's just do something.

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That's make you happy today.

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Just a beautiful little painting.

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Maybe, maybe we start with little Indian,

yellow, and let's go right up in here.

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We're just start in here.

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Indian yellow is very, pretty big, bright

yellow, and it's also transparent there

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we'll take a little touch of yellow

ochre and they had a right here.

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And the ochre is sort of

this sort of gold color.

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We just let that blend right head on

out wherever this liquid black does

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some fantastic things, especially

when you want to show a scene that

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has a lot of nice warm mist in it.

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It really graze all the colors

down and works beautifully.

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There we go.

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Let's take, uh, we use bright red.

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What the heck do you want?

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Make a, we'll make a pretty

little painting today.

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That really just shines.

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There we are.

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So you just let them blend together.

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We haven't washed the brush yet.

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I haven't watched the brush that bill

maybe ran him off the canvas over here.

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We don't care there.

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A little more of the red

I'll put a little bit.

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Right.

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Okay.

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And just sort of blend that

together and I'm using the little

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crisscross strokes as usual.

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Let it go.

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Maybe tell you what, right on top.

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Let's use.

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We'll make a lavender here.

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We use a little lizard and

Crimson little touch it.

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They love lid on just

make seize on the bread.

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It really doesn't matter.

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Whatever.

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Just a little color.

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We don't leave a lot.

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Here we are.

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Okay.

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Now that just sort of, Ooh, that's nice.

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I like that.

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I like that.

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Test it a little bit

before we get too crazy.

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And if you don't like it, change

the color and you can take it to

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the blue side or the ready side,

whichever you want, whichever you want.

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Okay.

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A little bit more of

the color in your will.

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The left side.

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Also, we don't want him like that.

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He'll be sad.

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Okay.

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We just sort of fill up the rest

of the top of the canvas for that.

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And you want to blend this

until it's all together.

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You can't tell her one color stops.

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The next color starts turning apart.

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I'll just get another brush here.

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That's clean and dry.

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Have several of each brush go with.

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And when you're painting at home, you'll

also find that having at least two of each

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brush, the bigger brushes, especially will

save you a turban lindus amount of paint

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time and brush washing because he used

one brush for darks, one for lice, and

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it really will pay you dividends there.

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All right.

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Diane watch this one and we'll just use a

little pink, wash it, the devil out of it.

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We might as well wash your boat.

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What the heck?

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They're

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actually, I'd just like to get even with a

cameraman, cause he gives me a hard time.

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All right.

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Some black we'll use midnight black.

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Oh.

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And some lizard and Crimson.

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What the heck?

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Just black and Crimson.

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Did they maybe it's he would

just make a mountain out of that.

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Pull it out, flat, cut across

and get our little roll of paint.

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That's right on the edge of the knife.

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There it is.

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And we have to make a

big decision right off.

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Where does our mountain live in our world?

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I think it's going to live right there.

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Right there.

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There.

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Would just do, I would just put

a happy little mountain in there.

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Just, just a small and we

don't, we don't need a big

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complicated mountain in this one,

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but a little color on there and

take off all the excess paint.

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All we're looking for is a nice top page

at this point, and we could care less.

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What's happening down here

and we'll take a good.

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Dry two inch brush and

as usual, no, grab this.

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Let me pull it down.

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Just let it blend right into the cover.

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That's underneath too.

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It looks like it's floating.

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They're

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a little bit over in this direction.

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Fantastic.

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We've just let that little mountain

just float right up there in the Scouts.

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Right.

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And it's also an excellent way of sort of

laying out highlights and shadows in your

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mountain, just by using brush strokes.

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You can begin seeing all these

things in your mountain without

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actually doing anything.

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Now that I'm going to mix up, I'll tell

you what, let's take some samp green and

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alizarin Crimson, and about equal parts.

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I'm going to make a Nash Brown color.

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And mix this quite thoroughly.

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Usually we leave our color sort

of marble, but today I want to mix

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this till we have a nice, nice mix.

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Okay.

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Let me clean off the old knife.

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I've taken a little bit of white.

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We'll put a little that color

in it and see what we have.

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Ooh, that's a beautiful Brown.

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Isn't it.

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We'll cut off a little roll of paint.

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Go right up here and let's use that.

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To just put the indication of some

highlights back here on this mountain.

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There we are right there,

but not over mixing this.

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Now you'll get a variety

of colors and shades.

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There we go.

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Don't fight that.

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Let it happen.

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It'll make your mountain beautiful.

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No pressure.

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Absolutely.

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No pressure.

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Just allow that to float

right down the mountain.

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That easy, easy, just barely,

barely caressing the canvas.

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There we go.

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Maybe, maybe it's a little light

zinging, right through there, wherever

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in for shadow color, let's use some

white and we'll use a little tattoo

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that lavender color that we've made up

black and black and Alicia and creams.

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And I'll add a little touch of

the fellow blue to Bluetooth.

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There, but it's still

sort of a lavender color.

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Cut off our little roll of paint

once again, and then go up in here.

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We use that for some shadows.

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Just drop them in, just drop them in.

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But one right here.

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No pressure.

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Barely touch come right through.

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Push that little tip right there back.

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You have unlimited power here, unlimited

power can do anything here, there.

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Yeah.

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Then back to my highlight color and I

want to, but a little Dewar right there.

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I like to put these little projections

in my mountains, but when you're

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doing yours, you're doing any way

that you want very individual.

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Right there, but just by doing

that, you can make a whole

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nother plane in your mountain.

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Give it more dimension, make

it more intense resting.

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maybe like so little touch here and

there create the illusion of some

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little places up in the mountain now.

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Good clean dry brush, and we'll create

our mist at the base of the mountain,

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just by tapping, following the angles

and very gently, very gently lift upward.

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Following the angles.

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It's most important that

you follow those angles.

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See most important over here,

all the angles in your shadows.

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There.

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And we can take it same color.

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And every once in a while, I like to

just bring this out and let it go.

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Like Catherine makes it

a little more interesting

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and that gives us a

pretty nice little mouse.

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Here we go.

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All right.

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We'll just take that same old brush.

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I'm going to go into a little bit of

that Brown color that I've made out of

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the SAP green and the alizarin Crimson

is tap a little bit onto the two inch

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brush, right handed, maybe back here in

our world, some little trees living here.

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Just use a corner of the brush.

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All we're going to do is just put

in some very basic little shapes.

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Okay, let's start making some

decisions here about where your

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trees live and what they look like.

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Use the corner of the

brush, just the corner.

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See, and the harder you push, the

bigger it is, then you can begin

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putting in little tree shapes or

bushes or whatever you want to

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do.

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You have to make these big decisions.

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How many are they?

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Where do they live?

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What's your names?

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Are they friendly or unfriendly

or all these little things,

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they just sort of help.

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If you make up the stories in your mind,

then these things become personal to you.

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They become your friends.

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And it just sorta makes painting a little

easier and board and that it makes it fun.

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Painting should make you happy,

unhappy things in the world.

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Painting should be one of those

things right in your day there,

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something about like, so

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let's find her a little liner brush.

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Take a little paint thinner and go right

into that little lavender color that we

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made for the shadows on the mountain.

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It doesn't matter just the

light color and it'll work.

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Then like ink, bring that

brush to a sharp point.

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We can go up here and here and there

put in indication of a little stick

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and a twig need some trunks and these

trees would own fall over there.

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They are.

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I think we'd have that old question

about if a tree falls in the

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woods, nobody's there to hear it.

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Would there be any noise and we

don't want to confuse our minds.

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So we'll just, we'll just

put some trunks in here.

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So they don't fall.

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I have several of these old brushes

coding, so I'm just going to

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take another two inch brush here.

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Okay.

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Take a little of the SAP green,

a little yellow, mix it together.

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The yellow ochre, Indian,

yellow here, and they were going

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to pick up some bright red.

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It would just vary these

colors back and forth.

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That's looking pretty nice.

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A little rigid paint, just like so

push to get some color on both sides.

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Here we are.

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Push.

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That's what loads at brushed up

and you can come up in here and

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start making big decisions here.

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What color is each little tree?

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What's it look like?

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There we go.

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So yeah, just a touch to the bright

red didn't change the flavor.

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Totally completely.

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And use just the corner of the brush

and look at all the little bubbles.

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You can make that easy.

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Little Rascals live right

there in your brush.

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All you gotta do is just shake them

out, but think about form and shape.

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When you do this, don't just throw

them on at random, because then

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you're going to be upset with me.

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Then you're going to be upset and

we don't want, we don't want that.

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We want you to be happy.

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We want this to work for you.

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They're a little bit more the SAP green.

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Oh, that's nice.

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They're still very back and

forth between different colors,

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all the yellows, a little bit of

the bright red and sappy rain.

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Pretty little tree there.

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Maybe right here.

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There is another one,

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some little doers that lived

down here at the bottom.

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All kind of little bushes, got to have a

place for the little bunny rabbit to head.

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And by doing one at a time, putting them

in front of everyone that you have on

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they're already coming forward forward

at creates that illusion of distance.

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I've got to leave some dark areas

back here, though, for the shadows.

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Otherwise just won't look right.

256

00:14:25,065 --> 00:14:26,375

We'll put up if you write it in here.

257

00:14:28,595 --> 00:14:28,925

Okay.

258

00:14:30,035 --> 00:14:32,825

But look at all the layers in

there already, already, you can

259

00:14:32,825 --> 00:14:36,365

see deep in there and we can

take the knife scrape through.

260

00:14:37,590 --> 00:14:40,830

But a few sticks and twigs, just

little things I live in there.

261

00:14:42,980 --> 00:14:43,400

Yeah.

262

00:14:45,050 --> 00:14:47,780

Maybe we'll just use that same.

263

00:14:47,930 --> 00:14:50,240

Let's use a little Vandyke Brown,

dark Sienna mixed together.

264

00:14:52,730 --> 00:14:53,270

Come right here.

265

00:14:53,270 --> 00:14:56,960

Put some land in there and that'll

probably be hard to see against this

266

00:14:57,140 --> 00:14:59,810

liquid black, but just a second.

267

00:14:59,810 --> 00:15:01,520

I'll put a little highlight

on there and it'll jump right?

268

00:15:01,520 --> 00:15:01,580

Yeah.

269

00:15:01,580 --> 00:15:04,760

Belt right out.

270

00:15:06,780 --> 00:15:13,620

There can mix up a little

bit of Brown and white.

271

00:15:14,790 --> 00:15:17,130

Maybe you can put the least little

touch up the bright red in there.

272

00:15:17,220 --> 00:15:18,390

Very little amount of that.

273

00:15:19,410 --> 00:15:21,990

Just enough to change the taste.

274

00:15:21,990 --> 00:15:25,280

A little C barely touched.

275

00:15:25,280 --> 00:15:27,450

This is just like you were

putting snow on the mountain.

276

00:15:28,710 --> 00:15:33,330

Barely, barely touch, barely touch caress.

277

00:15:33,330 --> 00:15:33,540

It.

278

00:15:35,265 --> 00:15:40,295

Chapter one and we'll take our

fan brush and we just use some of

279

00:15:40,295 --> 00:15:43,715

those same colors, the yellows and

little touch, the red hair in there.

280

00:15:45,485 --> 00:15:47,735

I want to pop in a few little

grassy things that are living

281

00:15:47,735 --> 00:15:51,095

out here on the dirt and just

let them work their way down.

282

00:15:52,895 --> 00:15:55,955

That'll break up that straight

line in the edges, on the dirt

283

00:15:55,955 --> 00:15:56,915

and bring it all together.

284

00:15:58,895 --> 00:16:03,095

There also gives my little friends, a

place to hide and they come down here.

285

00:16:03,495 --> 00:16:06,975

Maybe we'll put it, we'll put some water

down here and they can come get a drink.

286

00:16:07,005 --> 00:16:12,525

And we've certainly showed a lot

of little critters in this series.

287

00:16:12,525 --> 00:16:12,705

Now.

288

00:16:13,095 --> 00:16:15,944

I hope you enjoy all the little

devils because they are so

289

00:16:15,944 --> 00:16:18,855

special to me, so special.

290

00:16:19,425 --> 00:16:20,295

And I like to share,

291

00:16:23,775 --> 00:16:27,525

I get a lot of letters from my young

friends all over the country, and

292

00:16:27,525 --> 00:16:31,125

they're watching those little Rascals

and they're learning about how.

293

00:16:32,099 --> 00:16:36,479

How fantastic they can be

and get those good things.

294

00:16:36,930 --> 00:16:40,310

If people just understand that

all these little creatures shoot,

295

00:16:40,310 --> 00:16:41,189

we got to take care of them.

296

00:16:42,540 --> 00:16:44,040

If we don't, nobody will.

297

00:16:45,329 --> 00:16:45,839

All right.

298

00:16:45,900 --> 00:16:51,870

Let's take, I'm using that same

Brown color, same old Brown color.

299

00:16:54,015 --> 00:16:56,115

I tell you what, let's just

have a big tree right here.

300

00:16:56,355 --> 00:17:00,375

You know, me and my big trees, very comms.

301

00:17:01,485 --> 00:17:04,185

All we're doing now is just

dropping in the basic shape.

302

00:17:05,204 --> 00:17:09,075

We're not looking for any

detail at this point whatsoever.

303

00:17:09,645 --> 00:17:11,505

Maybe it comes after.

304

00:17:11,545 --> 00:17:11,685

Go.

305

00:17:11,775 --> 00:17:13,035

We'll make that decision later.

306

00:17:14,775 --> 00:17:18,585

Take a little while I'm going right

back into that lavender color.

307

00:17:18,645 --> 00:17:20,895

It's almost a gray, it's more

of a gray than a lavender.

308

00:17:22,590 --> 00:17:27,240

Take the old liner brush with

some painting and put some

309

00:17:27,240 --> 00:17:28,620

wiggles and jiggles in there.

310

00:17:29,070 --> 00:17:31,080

Um, okay.

311

00:17:33,900 --> 00:17:39,230

But Oh, brushed twist and turn all

these little things just happen.

312

00:17:39,230 --> 00:17:39,290

Yeah.

313

00:17:40,430 --> 00:17:41,120

Don't fight him.

314

00:17:42,530 --> 00:17:44,780

I make you treat interesting

as having all these little,

315

00:17:45,710 --> 00:17:47,060

little wiggles in your trunk.

316

00:17:49,050 --> 00:17:49,530

All right.

317

00:17:50,730 --> 00:17:51,690

Go back to my brush here.

318

00:17:51,690 --> 00:17:54,270

That has the highlight colors on it.

319

00:17:54,510 --> 00:17:57,240

We'll take a little of the red

and yellows and mix them together.

320

00:17:58,590 --> 00:17:59,640

All right, let's go up here.

321

00:18:00,840 --> 00:18:04,080

Maybe this tree has some

beautiful colors on him too.

322

00:18:04,710 --> 00:18:06,750

I got to go a little bit

more into the reddish color.

323

00:18:07,530 --> 00:18:07,920

Oh yeah.

324

00:18:07,920 --> 00:18:08,670

That's nicer.

325

00:18:08,760 --> 00:18:09,330

I like it.

326

00:18:12,300 --> 00:18:15,660

Just find the flavor that, that

you like and drop it in there.

327

00:18:17,460 --> 00:18:17,820

Yeah.

328

00:18:22,360 --> 00:18:28,430

I mean here, give him some

little arms there, Sam, and it's

329

00:18:28,430 --> 00:18:29,660

just the corner of the brush.

330

00:18:29,690 --> 00:18:30,740

That's all we're using.

331

00:18:32,030 --> 00:18:33,500

We're using just the corner.

332

00:18:34,430 --> 00:18:35,090

Don't get greedy.

333

00:18:35,090 --> 00:18:38,090

You can get it all there.

334

00:18:40,889 --> 00:18:41,879

A little bit right in here.

335

00:18:43,080 --> 00:18:44,760

We just let it drift right into nothing.

336

00:18:46,889 --> 00:18:50,910

Let's try a little bit of a

yellow ochre on the brush too.

337

00:18:50,910 --> 00:18:51,930

Right there.

338

00:18:52,379 --> 00:18:55,980

See, we put a nice little

Bush lives there like that.

339

00:18:58,230 --> 00:18:58,740

Okay.

340

00:19:00,720 --> 00:19:02,430

And maybe T you hunt.

341

00:19:02,460 --> 00:19:04,110

Let me find a little

more of the SAP green.

342

00:19:04,230 --> 00:19:04,710

There it is.

343

00:19:05,610 --> 00:19:05,700

Okay.

344

00:19:06,240 --> 00:19:07,500

Back here as a little little girl.

345

00:19:07,560 --> 00:19:08,010

Oh yeah.

346

00:19:08,100 --> 00:19:08,640

There it is.

347

00:19:08,700 --> 00:19:09,570

You knew it was there.

348

00:19:09,900 --> 00:19:11,000

You knew it was there.

349

00:19:11,010 --> 00:19:15,960

Didn't you just drop

that right hand, right?

350

00:19:19,080 --> 00:19:19,470

Okay.

351

00:19:19,470 --> 00:19:22,350

Tell you what, maybe we'll

have a little water in there.

352

00:19:22,350 --> 00:19:24,360

We talked about the

possibility of a little water.

353

00:19:24,870 --> 00:19:26,640

Find a fan brush there.

354

00:19:26,700 --> 00:19:27,510

Like that one better.

355

00:19:29,010 --> 00:19:33,390

We'll take some white liquid

white, mix it with titanium white.

356

00:19:33,900 --> 00:19:34,500

Be right back.

357

00:19:34,500 --> 00:19:35,040

Don't go away.

358

00:19:35,445 --> 00:19:38,085

Don't go away, little, the little

blue mixed right in with it.

359

00:19:38,595 --> 00:19:41,745

I put the liquid white in there

only to thin this color a little

360

00:19:41,745 --> 00:19:46,425

bit because as you know, a thin

paint will stick to a thick paint.

361

00:19:47,175 --> 00:19:52,995

Now that maybe in our world right here,

maybe there's a happy little stream just

362

00:19:52,995 --> 00:19:56,415

floating along and it falls off splashes.

363

00:19:56,415 --> 00:19:58,605

A little just works its way on down here.

364

00:20:00,075 --> 00:20:03,315

This is just liquid white

little titanium white.

365

00:20:04,080 --> 00:20:06,870

The touch, if they little blue in

it, push here and there to give

366

00:20:06,870 --> 00:20:08,429

it a little ripple in the splash.

367

00:20:09,240 --> 00:20:12,959

Cause there's stones underneath the water

that you don't see, and it causes little,

368

00:20:14,340 --> 00:20:15,990

little doers to happen in the water.

369

00:20:17,820 --> 00:20:18,929

All these little things.

370

00:20:20,669 --> 00:20:21,320

Just think about it.

371

00:20:21,320 --> 00:20:23,219

A little stream bubbling

along here in play in

372

00:20:27,990 --> 00:20:29,429

all cans, a little tanks.

373

00:20:32,745 --> 00:20:33,315

There we go.

374

00:20:34,475 --> 00:20:35,325

Where does it go?

375

00:20:35,355 --> 00:20:35,955

Where does it go?

376

00:20:35,965 --> 00:20:37,515

Have to make some big decisions here?

377

00:20:38,805 --> 00:20:39,735

I don't know where it goes.

378

00:20:43,035 --> 00:20:44,625

We just let it run

right on off the canvas.

379

00:20:44,625 --> 00:20:45,825

And we'll worry about it later.

380

00:20:47,865 --> 00:20:49,035

Little ripples here and there.

381

00:20:52,425 --> 00:20:55,485

I didn't have a super easy,

nice way to make a stream.

382

00:20:55,485 --> 00:20:57,795

It looks pretty good that quick.

383

00:21:00,255 --> 00:21:00,735

Tell you what?

384

00:21:01,065 --> 00:21:03,465

We need something on this side,

hold that stream together.

385

00:21:03,465 --> 00:21:07,575

And we'll use some more of that same

old Brown color, and let's have a

386

00:21:07,575 --> 00:21:13,875

nice tree right there and all we're

doing, we're doing once again,

387

00:21:14,715 --> 00:21:16,395

just putting it up, placing shape.

388

00:21:16,485 --> 00:21:18,195

Maybe we'll have a nice

tree on this side too.

389

00:21:18,195 --> 00:21:19,185

We don't want it left out.

390

00:21:25,815 --> 00:21:30,165

And maybe there's some little

bushes that live right in here,

391

00:21:31,395 --> 00:21:36,255

wherever you put, put your wishes

wherever you think they should be.

392

00:21:37,785 --> 00:21:40,215

And we'll take our brush that

has the highlight color on it.

393

00:21:41,055 --> 00:21:41,895

Tap a little color.

394

00:21:43,155 --> 00:21:44,205

Let's cut right in here.

395

00:21:44,295 --> 00:21:44,715

Oh yeah.

396

00:21:45,045 --> 00:21:46,065

Oh yeah, there it calves.

397

00:21:46,875 --> 00:21:49,035

And we'll put some nice little

leaves and stuff on there.

398

00:21:49,905 --> 00:21:51,705

Change the flavor a little here and there.

399

00:21:53,475 --> 00:22:00,425

And off we go there so

you can create beautiful.

400

00:22:00,425 --> 00:22:00,845

Beautiful.

401

00:22:00,845 --> 00:22:01,205

Thanks.

402

00:22:01,205 --> 00:22:03,605

Just using a corner of a two inch brush.

403

00:22:04,935 --> 00:22:05,285

Really?

404

00:22:05,285 --> 00:22:05,945

Can't do that.

405

00:22:07,295 --> 00:22:11,045

I'm into a little, the

reddish color, but Oh yeah.

406

00:22:11,045 --> 00:22:11,735

Sparkler.

407

00:22:11,795 --> 00:22:15,125

There's a sparkler right

there, right there.

408

00:22:18,785 --> 00:22:20,585

Now that one will attract your eye to it.

409

00:22:21,750 --> 00:22:24,990

When you start using these bright red

ones, be careful not to put too many in

410

00:22:24,990 --> 00:22:26,879

because it'll make you agro sort of crazy.

411

00:22:28,010 --> 00:22:34,760

Maybe there's one there, wherever,

wherever I see where I want to go.

412

00:22:34,760 --> 00:22:37,340

Now, maybe let's do this.

413

00:22:38,420 --> 00:22:39,410

Let's just do this.

414

00:22:41,330 --> 00:22:42,710

Take a little bit Brown color.

415

00:22:42,920 --> 00:22:43,850

Just fill this sand.

416

00:22:45,649 --> 00:22:46,520

Come right on out.

417

00:22:47,629 --> 00:22:48,830

That'll hold her stream yet.

418

00:22:49,190 --> 00:22:50,090

So it doesn't get away.

419

00:22:51,030 --> 00:22:54,330

I'm sorry, again, sometime we'll get

away on you just run off and leave.

420

00:22:54,330 --> 00:22:56,850

You let's come right down here.

421

00:22:57,450 --> 00:22:59,400

Put some little grassy

things right on that street.

422

00:23:01,170 --> 00:23:03,840

There they are just tapping.

423

00:23:03,840 --> 00:23:11,010

The all we're doing is just tapping

there and maybe back in here.

424

00:23:11,520 --> 00:23:11,790

Yeah.

425

00:23:11,910 --> 00:23:13,790

You're right, right.

426

00:23:13,910 --> 00:23:14,150

Yes.

427

00:23:14,150 --> 00:23:17,210

More little bushes, all kinds of

little things that hide in there.

428

00:23:18,330 --> 00:23:18,920

They're there.

429

00:23:20,925 --> 00:23:23,505

Oh, man.

430

00:23:23,715 --> 00:23:24,495

Let's get crazy.

431

00:23:24,945 --> 00:23:25,245

Shoot.

432

00:23:25,275 --> 00:23:26,475

We got a minute left here.

433

00:23:27,705 --> 00:23:31,785

Take a little bit of the

liquid white of it out to that.

434

00:23:31,785 --> 00:23:37,665

I'm gonna add a little dark Sienna, a

little bit of a bright red, not much, but

435

00:23:37,665 --> 00:23:40,515

I have a very thin, very, very thin color.

436

00:23:40,515 --> 00:23:46,065

Now take our fan brush loaded, full

of dark Sienna and Vandyke Brown.

437

00:23:46,065 --> 00:23:46,875

Just mix them together.

438

00:23:46,875 --> 00:23:47,385

Like so.

439

00:23:48,870 --> 00:23:52,170

Like, so, and I'm going to go down here

and run one side through that light color.

440

00:23:53,160 --> 00:23:54,870

So now I have dark on

one side light on that.

441

00:23:54,900 --> 00:23:57,600

Maybe we have a big tree we do now.

442

00:23:57,780 --> 00:23:59,130

Hmm.

443

00:23:59,160 --> 00:23:59,910

Lives right there.

444

00:24:01,350 --> 00:24:07,500

And that way you can do both

sides at once to have another one.

445

00:24:08,400 --> 00:24:10,890

And you put as many or as few

in your world as you want.

446

00:24:10,920 --> 00:24:12,540

Maybe here's a, Oh my gosh.

447

00:24:12,570 --> 00:24:13,410

Here's a huge one.

448

00:24:13,410 --> 00:24:16,530

There, there is a huge one there.

449

00:24:18,330 --> 00:24:19,350

Dark and him up a little.

450

00:24:22,679 --> 00:24:23,370

All right.

451

00:24:24,290 --> 00:24:25,340

We're going to have a big tree.

452

00:24:25,340 --> 00:24:26,840

We might as well have a big three.

453

00:24:27,560 --> 00:24:28,370

Maybe we'll have another one.

454

00:24:30,230 --> 00:24:32,570

Sometimes you get started

with this and you can't stop.

455

00:24:32,570 --> 00:24:33,439

It gets to be fun.

456

00:24:36,409 --> 00:24:39,649

Take her liner, brush land her brush.

457

00:24:40,699 --> 00:24:41,419

Come in here.

458

00:24:42,080 --> 00:24:44,000

Maybe there's a few

lambs that hang out here.

459

00:24:44,389 --> 00:24:45,740

This is that same Brown color.

460

00:24:47,490 --> 00:24:53,190

Just let a whole helmet hang

off in here, wherever, wherever.

461

00:24:56,960 --> 00:25:02,629

And you just put as many or as few

as you want in here, many or as few,

462

00:25:03,409 --> 00:25:04,760

there are some back here on this one.

463

00:25:05,690 --> 00:25:06,800

Maybe they're behind that one.

464

00:25:09,200 --> 00:25:09,560

Yeah.

465

00:25:11,264 --> 00:25:11,655

Tell you what?

466

00:25:11,655 --> 00:25:13,125

Maybe we'll put a few leaves on there.

467

00:25:13,125 --> 00:25:16,004

So we don't have to be real careful

about where we put these limbs.

468

00:25:17,795 --> 00:25:18,575

All right.

469

00:25:23,014 --> 00:25:24,035

This whole big guy here.

470

00:25:24,035 --> 00:25:26,195

He had have a monster

hangs we out over here.

471

00:25:26,195 --> 00:25:26,645

I know.

472

00:25:26,705 --> 00:25:27,185

I know.

473

00:25:28,115 --> 00:25:34,205

No, he would, at least in my world,

he does get some arms sticking up.

474

00:25:40,504 --> 00:25:42,875

sometimes I'd like to show

a little reflected light on

475

00:25:42,875 --> 00:25:43,804

the back of these trucks.

476

00:25:43,804 --> 00:25:46,745

I'm going to take a, she was a little

touch of Prussian blue and I'm mix a

477

00:25:46,745 --> 00:25:49,655

little white, but he was pressing blue

because it's very dark and very strong.

478

00:25:50,284 --> 00:25:53,225

And I'm just going to tap the least

little touch of a little reflected

479

00:25:53,225 --> 00:25:57,905

light on the back of some of these

tree trunks down here, least little

480

00:25:57,905 --> 00:26:02,584

touch leaves, little touching would

take a little dark and just tap.

481

00:26:02,584 --> 00:26:03,824

And this is the way you can create.

482

00:26:04,199 --> 00:26:07,229

A feel of bark on your tree.

483

00:26:07,229 --> 00:26:11,239

I mean, when it dries, it

will feel like real bark here.

484

00:26:13,620 --> 00:26:14,629

Find the fan brush.

485

00:26:15,770 --> 00:26:17,629

We use number three, it's laying here.

486

00:26:18,530 --> 00:26:22,040

I'm going to use black, maybe a little

more of that pressure and blue in it.

487

00:26:22,879 --> 00:26:23,719

Let's come up in here.

488

00:26:24,165 --> 00:26:30,315

Yeah, just take that little brush

and tap in the indication of a few

489

00:26:30,315 --> 00:26:31,935

little branches that live up in here.

490

00:26:31,935 --> 00:26:35,475

This black touch oppression

booth three could use Brown.

491

00:26:35,475 --> 00:26:44,915

If you wanted to, it's up to you up

to you there right over my mountain.

492

00:26:45,605 --> 00:26:46,145

That's all right.

493

00:26:46,175 --> 00:26:47,165

We know it's back here.

494

00:26:48,905 --> 00:26:49,535

There we go.

495

00:26:51,870 --> 00:26:54,439

All right now, then just leave at Carl.

496

00:26:54,459 --> 00:26:55,469

They're going a little yellow.

497

00:26:55,469 --> 00:26:59,639

That'll instantly turn green

because it has blue in it and

498

00:26:59,639 --> 00:27:00,719

we tap in a few highlights.

499

00:27:02,240 --> 00:27:02,479

Okay.

500

00:27:03,500 --> 00:27:08,149

There we are just here and

there and with that shoot.

501

00:27:08,870 --> 00:27:08,959

Okay.

502

00:27:09,199 --> 00:27:10,820

I think we've got a

pretty nice old painting.

503

00:27:11,389 --> 00:27:12,649

Go and call that one finished.

504

00:27:13,010 --> 00:27:16,610

So from all of us here,

happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E11 - Change of Seasons

Bob Ross's

The Joy of Painting

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