Bob Ross's

The Joy of Painting

S23E11 - Frozen Beauty in Vignette

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Hi, welcome back.

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Certainly glad to see

you again, not today.

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We're just to a fantastic little

winter, same I'll show you one.

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That's very simple and easy to do,

but first let's start out and have

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him run all the colors across the

screen that you need to paint along

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with us while they're doing that.

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Let me tell you what

I've got done up here.

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Have my standard old pre-stretch double

prime canvas, and I've just applied a

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very thin even coat of liquid white.

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So it's totally wet and slick

and it's all ready to go.

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So let's just do a fantastic

little painting together.

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I thought today would just do something.

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That's got a lot of blues in it.

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So I'm going to start

with a little thalo blue.

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I'm going to reach right up here.

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Grab a little bit of the

midnight and black and maybe.

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Tiny tiny amount of payload green.

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Just to change the flavor a little

bit, not much green, not much green.

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I still want it to be blue, but

a little fellow green sometime.

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We'll just, it makes it pretty.

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Let's go right up here and let's start

in here using little crisscross strokes.

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Let's just begin putting in a happy

little sky and we're just using Chris

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cross strokes, little exes like that.

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And we allow the paint to blend with a

liquid white that's already on the canvas.

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If you were trying to do this

on a dry canvas, all you'd get

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with streaks, but because this

is wet, it blends continually.

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It's always blending.

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Very pretty makes your life easy.

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The hair.

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Isn't that a pretty color with

just that little tiny touch.

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If they look green it, but

once again, be very careful.

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All you need is the timeless, tiniest

little touch, tiniest little touch, and

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then just blended a little bit like, so.

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But I would like for it to be darker

on the edges than business center,

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that way it sort of leads your eye

into the center of this painting.

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I tell you what, let's do that again.

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What the heck?

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What the heck?

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We'll take some black, some, they

look blue, least little touch of that.

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They look green leaves.

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No touch.

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She asked enough to

flavored they're all right.

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And let's do the same thing down here.

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What the heck?

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I have so much fun.

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Let's just do the entire canvas that way.

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They're still making the little

crisscross strokes, little exes like that.

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All right.

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A little more of the color.

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We can sorta just bring it all together.

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That way.

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Maybe we'll do like a little vignette

today since I painted the whole canvas.

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That sounds like it'd be fun.

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I'll show you a very,

very simple little winter.

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You were saying that it's exciting.

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People will like it.

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Can you pull in like it?

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Yeah.

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Sometimes as I mentioned earlier,

you really like to have these edges.

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Quite dark.

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Some will take a little bit

of the pressure and blue.

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It's a much darker blue.

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And maybe we'll just put that

right in the edge here, just in the

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edges and put a little bit in all

four corners, all four quarters.

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There we go.

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Don't need a great deal.

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I just want a dark in these corners.

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We're going to do it Ben yet.

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I really want you to concentrate

on the center of the painting and

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a little bit over here in this

corner, we don't want to leave him.

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Don't want to leave him out.

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He'd be insulted and

get mad there right now.

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Let me wash the brush and

we'll just blend that out.

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And as you know, we wash our

brushes with odorless dinner.

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And we have a lot of fun to shake off

the excess and beat the devil out of it.

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All right.

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Dealt with a clean, dry

brush and be sure it's dry.

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Be sure it's dry.

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You don't want to, you don't want

to dilute this, color, this on

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the canvas or make it thinner.

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You want to keep it as thick as possible.

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Now, there we go.

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All I'm doing is just

blending this together, right?

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And down here at same thing.

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There we go.

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That's a pretty color already.

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I like that.

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And then we'll go all the way across

and this just removed brushstrokes

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and brings it all together.

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And I think we're in business.

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Okay.

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Tell you what maybe today let's use,

let's use the little, the little half

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size round brush, and I'm going to mix up.

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I'm going to mix up some black.

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Something, a little blue, a little

touch of the fellow green into it.

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Not much, not much.

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Once again, that green is eat up

your whole world in a heartbeat.

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Be very careful with it.

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Very careful, especially

in a winter scene.

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Okay.

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Let me wipe the old knife.

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Because in a winter scene, fatal

green is almost an Emerald green

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and you certainly don't want much

of that in your winter scene.

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I'm just going to take this

little round brush and just

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tap it right into that color.

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Just a little just happen.

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That's the way we loaded.

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Just tap, like, so, all

right, let's go here.

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Maybe back here in our world.

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Maybe we have some little trees that

live in here, so just decide where

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they live in your world and just begin

tapping in some very, very basic shape.

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I'm not looking for a lot of

details too far away, too far away.

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Get a little more paint, but I would

suggest you start in the center

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and we'll work in both directions

because I want it to get progressively

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lighter as we work outward.

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There we go.

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Just think about some little tiny shapes.

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These are trees and bushes that live far

back in the background and this, they

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work out lighter and lighter, not near

as strong, not as much pressure, more

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and more gentle, very soft, very gentle.

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And over in here.

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See there just fades right out.

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You can probably hear the difference

in the amount of pressure that we're

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hitting the canvas width there.

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We're really getting tough.

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I want this to be very dark there.

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Maybe there's another

big old tree that lives.

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Yep.

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You're right there.

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He is right in there wherever

you think there should be one.

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That's exactly.

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Or they should be.

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There we go.

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But now once again, over on this

side, I'm going to let it just sorta

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just sort of poop out over here.

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Just get weaker and weaker till

it runs right on out basically

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into nothing they're soft.

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That is, and that's exactly what

we're looking for now, then.

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Let's take our little script liner

brush and we'll use, maybe we'll

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use just a touch of Vandyke Brown.

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What the heck?

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We don't need much though, but then it

was paint thinner till it's literally

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it's like anchor farrier thin.

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You can see it running

right there on the pallet.

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That's what we're looking for.

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Very thin.

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Let's go in to compare now, here and

there and there in here, I'm just

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going to put the indication and I

don't want them to be very strong,

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just very quiet, little indications.

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Have a few little trunks and

sticks, twigs, little things that

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live back here in the trees there,

but I don't want a lot of stuff.

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Just a few, just a few.

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I don't want to overkill here.

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Can hardly see these same over

there and we'll bring here.

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They will put a little on there too.

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All right.

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But that's basically all we're

looking for and you could take.

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You could take that same

brush with that color on it.

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And we'll put a little white out there.

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So, and I'm just going to tap that brush

with that color on it, right into this.

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So all I'm doing is diluting

the tree color a little bit.

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I don't want it diluted much and

you can come back in here and

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there just put the indication of

a little tiny bit of highlight.

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I don't want much once again, once again,

I'm really trying to keep this very.

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Quiet, very soft back in here.

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Just a few little happy things

that you can make out, but that's

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about all we need and these little

dark spots don't kill them all.

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It makes deep, deep shadows back

here, there, maybe right in here.

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Just a little.

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So you can't hardly even see those,

but now when you do your painting,

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you'll be able to see them.

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Maybe let's go over to this tree.

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We don't want him left out.

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We'll give him just a tiny bit

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there.

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And that's really about all

that I want on this painting.

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And that makes us a

nice little background.

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It's very simple.

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And even if you've never painted before

you can do that, you can do that.

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I know you can do that.

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Let's take some titanium white shoot.

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Let's put some snow back here.

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Use the old two inch brush.

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Load some pain into it,

just slowed some pain.

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Now then major decision.

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You have to decide where your

snow is in this painting.

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And I think it's a right here,

make a decision and begin pulling,

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pulling, and just let it just

sort of disappear into nothing.

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If this is going to be like a little

vignette that we want the edges,

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just to sort of disappear back here.

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But allow it to pick up some of that

tree color end up looking like shadows.

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It is very pretty, and

it'll be a good friend.

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Don't don't fight it, let it

pick up some of that color.

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I intentionally try to get up in

there and let it pick up some of that.

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And we're just going to eat right

into nothing on either side like that.

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All we're looking for

right now, let's get crazy.

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That would be a wonderful

place to have a little house.

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So come out of parachute, easy

way to make a little house.

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All you have to do is figure out

basically where you want to take your

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knife and scrape out a general shape.

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All we're looking for here

is just a general shape.

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We're not committed at this point.

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We can change it.

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We can do anything that we want,

but the biggest thing this does

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is remove the excess paint.

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So it's easier to get

the next layer to stick.

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Shoot.

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Maybe we'll even put a little shit

out there and I'll scratch it out too.

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Now we can take a little Vandyke Brown,

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just a little van Dyke Brown,

pull it out, very flat, our little

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roll of paint as we always have.

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And let's go right up in here

and we'll make the back Eve of

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the house first, just like that.

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Now we're going to mix Vandyke Brown

and the dark Sienna together and zoop.

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They're good if you don't make those

little noises, so it won't work.

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There we go.

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And over here, we'll put just

a little bit right in there.

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I kept just a tiny little bit

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and let me clean off the whole knife.

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Maybe there's a little

snow appear on our roof.

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Just pull it like that.

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Just like yet you there.

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That's all there is to it.

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Here.

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We can put a little bit

over here on my other side.

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Just little roof.

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Now put a little bit of

dark right underneath here.

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If we're going to have a little, a

little shed out here, we need a little

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dark to show the division in there.

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One sec, I got a little

bit of Brown in that roof.

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That's the only thing

worse than yellow snow.

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All right.

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I just go right over the top of it.

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It will take it right out.

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Stay there.

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We don't make mistakes.

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We have happy accidents now, then if

we're going to have a little shit,

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certainly there'll be a little bit of

snow on hit through to back to our Brown.

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We can just fill that in.

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All we're doing right now is just

blocking in a little bit of color.

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All we're trying to do.

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Now, they're going to take a touch of

yellow ochre, a little dark Sienna.

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We just sorta mix them together.

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I can't, we don't want to

over mix them on cut across.

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And once again, our little roll of

paint and it might be better here.

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We use the small knife, just

touch and barely let it graves.

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It's all.

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In fact, let me grab the small knife.

249

00:13:25,745 --> 00:13:27,995

It'll sneak in these little

places so much better.

250

00:13:28,445 --> 00:13:28,835

Like it.

251

00:13:31,985 --> 00:13:36,575

Dark in that color, the same color, just

darker and put a little bit over there,

252

00:13:40,835 --> 00:13:42,155

back to our Vandyke Brown.

253

00:13:42,815 --> 00:13:46,055

And let's just make the indication of

some old boards in here just by touching

254

00:13:46,055 --> 00:13:50,465

a little bit of Brown that makes it

look very old and very weathered.

255

00:13:50,885 --> 00:13:55,685

You know, like me there and

we come back with our knife.

256

00:13:56,925 --> 00:14:02,475

Decide where everything is and we

just do what I call a cabin acne.

257

00:14:02,835 --> 00:14:05,985

And you can work out your

perspective, bring it all together.

258

00:14:06,075 --> 00:14:06,585

That easy.

259

00:14:07,155 --> 00:14:07,305

Yeah.

260

00:14:08,085 --> 00:14:08,314

Yeah.

261

00:14:10,445 --> 00:14:11,165

Back to our breast.

262

00:14:11,165 --> 00:14:12,605

It has the titanium white on it.

263

00:14:12,605 --> 00:14:15,635

This is two inch brush loaded with a

little bit of titanium white on it.

264

00:14:16,265 --> 00:14:20,495

And we can come back in here

now and just begin putting in

265

00:14:20,915 --> 00:14:22,115

some little things like that.

266

00:14:23,045 --> 00:14:24,725

Just cover up anything that we don't want.

267

00:14:26,055 --> 00:14:26,564

Shoot.

268

00:14:26,564 --> 00:14:27,105

You know what?

269

00:14:27,465 --> 00:14:28,694

I didn't put a door in there.

270

00:14:29,625 --> 00:14:31,125

We got that fellow trapped in there.

271

00:14:31,125 --> 00:14:32,505

So let's give him a door.

272

00:14:32,505 --> 00:14:35,865

He may want to get out and see

what's happening in his world.

273

00:14:36,375 --> 00:14:40,814

There, give him a door, take a little

light colored, sort of outline it.

274

00:14:40,814 --> 00:14:42,525

So it stands out there.

275

00:14:43,965 --> 00:14:44,805

Now he can get out.

276

00:14:45,225 --> 00:14:53,025

We had him locked in the house, had

him locked in there and a little

277

00:14:53,025 --> 00:14:54,704

bit more of the snow right there.

278

00:14:56,595 --> 00:14:57,074

Okay.

279

00:15:06,395 --> 00:15:10,175

I get a lot of letters that say I've

never put chimneys on my little cabin.

280

00:15:10,175 --> 00:15:11,435

So let's put a little chimney right there.

281

00:15:11,435 --> 00:15:14,314

You can just use a small age of

the knife and little Brown and

282

00:15:14,314 --> 00:15:15,395

giving him a little chimney.

283

00:15:15,485 --> 00:15:17,105

I don't want him to

freeze to death either.

284

00:15:17,105 --> 00:15:18,155

We locked him in there.

285

00:15:18,395 --> 00:15:22,175

At least we can do is

give him a chimney there.

286

00:15:22,655 --> 00:15:24,185

We'll take a little titanium white.

287

00:15:24,825 --> 00:15:27,405

And just touch it and let it slide.

288

00:15:27,525 --> 00:15:29,025

Just let it break right across there.

289

00:15:30,314 --> 00:15:31,995

Just let it slide and see there.

290

00:15:33,405 --> 00:15:34,035

Not much though.

291

00:15:34,185 --> 00:15:36,855

Just a little and let it break.

292

00:15:37,365 --> 00:15:38,655

But it's an important break.

293

00:15:38,655 --> 00:15:41,745

I just want it to look like little

things laying back in there.

294

00:15:44,405 --> 00:15:45,064

There we go.

295

00:15:48,725 --> 00:15:50,735

I'm just going to keep

bringing snow on out here.

296

00:15:52,290 --> 00:15:53,579

Something maybe like that.

297

00:15:54,870 --> 00:15:56,699

And maybe this fellow

built his little cabin.

298

00:15:59,130 --> 00:16:00,719

Maybe there was a little pond right there.

299

00:16:03,240 --> 00:16:07,920

Let's go back to our original color that

was black, the little blue and a touch

300

00:16:08,160 --> 00:16:10,709

of the little green, just to touch.

301

00:16:11,819 --> 00:16:15,660

If we're going to have maybe a little

pond decide where it's at, just

302

00:16:15,660 --> 00:16:17,459

touch the canvas and pull downward.

303

00:16:18,194 --> 00:16:21,105

Straight down, straight down

304

00:16:24,165 --> 00:16:24,464

there.

305

00:16:24,855 --> 00:16:25,694

That's all you have to do.

306

00:16:25,755 --> 00:16:30,074

You make a decision and you can have

a pond or a Lake, or you can even

307

00:16:30,074 --> 00:16:32,115

have a river anywhere you want it.

308

00:16:32,415 --> 00:16:33,285

Just like yes.

309

00:16:34,064 --> 00:16:38,714

On this piece of canvas, you have

total and absolute control, absolute

310

00:16:38,714 --> 00:16:41,625

power, scary to have as much power.

311

00:16:42,840 --> 00:16:48,870

They're not very likely we go

across, just go across something

312

00:16:48,870 --> 00:16:52,110

I can in here and there.

313

00:16:52,470 --> 00:16:53,310

And they're in here.

314

00:16:53,790 --> 00:16:57,300

Maybe there's a little, little

Bush sticking up just a little

315

00:16:57,300 --> 00:16:59,070

Bush and we'll use that same color.

316

00:16:59,970 --> 00:17:05,700

Think I'll use that same color throughout

the whole painting there and maybe,

317

00:17:06,210 --> 00:17:08,640

yeah, maybe a little Bush right there.

318

00:17:08,730 --> 00:17:11,340

There he is just sort of push him in.

319

00:17:12,000 --> 00:17:19,560

My cat and maybe it's got a little

friend right there where it'd be on.

320

00:17:21,980 --> 00:17:23,960

Maybe there's another one.

321

00:17:24,470 --> 00:17:27,890

You just put as many little weed patches

here and there as you want, drop them

322

00:17:27,890 --> 00:17:33,530

in, drop them in and you can take the

liner, brush a little paint thinner on it.

323

00:17:33,590 --> 00:17:34,850

Go into that same color.

324

00:17:35,640 --> 00:17:40,010

Maybe we'll pull out a little twig

and a stick here and there, wherever.

325

00:17:41,895 --> 00:17:42,765

A little bit here too.

326

00:17:42,795 --> 00:17:43,995

We don't want this one left out.

327

00:17:44,085 --> 00:17:51,185

It's just some little things that are

happening in there, there, and take

328

00:17:51,185 --> 00:17:56,375

another fan brush and we can grab right at

the base of that and just sort of blended

329

00:17:56,375 --> 00:17:59,135

in and get a little to color and pull it.

330

00:18:00,335 --> 00:18:02,615

And that way it'll,

it'll look like shadows.

331

00:18:02,615 --> 00:18:04,595

Once again, that are just

living right into there.

332

00:18:05,985 --> 00:18:07,065

There we go see you there.

333

00:18:07,675 --> 00:18:10,575

You can make it look like it's

setting up maybe on a little high

334

00:18:10,575 --> 00:18:19,955

spot, something like, so maybe in our

world, you just start seeing things.

335

00:18:19,985 --> 00:18:21,965

Maybe, maybe there's an old stick.

336

00:18:21,965 --> 00:18:22,655

It lives here.

337

00:18:22,715 --> 00:18:24,485

Take a little bit of Vandyke Brown.

338

00:18:26,075 --> 00:18:26,615

See Perry.

339

00:18:26,615 --> 00:18:26,885

Yes.

340

00:18:27,155 --> 00:18:29,555

Just old stick.

341

00:18:29,555 --> 00:18:30,365

It lives out there.

342

00:18:32,370 --> 00:18:37,469

And I'm going to take just titanium

white load a little bit on the knife.

343

00:18:37,919 --> 00:18:40,290

And once again, just let it

sort of bounce along there.

344

00:18:40,770 --> 00:18:43,889

I want this to sit on top

of the very smooth snow.

345

00:18:44,520 --> 00:18:47,159

It makes an extremely interesting effect.

346

00:18:47,639 --> 00:18:52,139

It's very nice when you do it that

way pay very close attention to angle.

347

00:18:52,139 --> 00:18:54,810

So there we go.

348

00:18:55,635 --> 00:18:58,635

It's most important to have

angles that look right.

349

00:18:58,665 --> 00:18:59,745

A little bit of the liquid white.

350

00:19:00,525 --> 00:19:02,775

And I'm going to mix that with

titanium white, just to make it

351

00:19:02,775 --> 00:19:06,495

a little thinner, just a little.

352

00:19:06,495 --> 00:19:11,085

And then all we have to do is just

touch, just touch and we'll make some

353

00:19:11,085 --> 00:19:12,465

little things around the edges here.

354

00:19:14,345 --> 00:19:22,985

There we go a little bit over in here

wherever you think they should be, where.

355

00:19:25,754 --> 00:19:29,685

Back to my little two inch brush paper.

356

00:19:29,685 --> 00:19:32,415

We're bringing a little, little

peninsula right in there.

357

00:19:32,415 --> 00:19:33,794

Put it in first with a brush.

358

00:19:34,695 --> 00:19:36,014

Maybe I'll just bring it right on down.

359

00:19:36,044 --> 00:19:39,435

This is going to be a little pot and just

start putting some borders on the hair.

360

00:19:39,435 --> 00:19:40,425

We don't want it to get away in.

361

00:19:40,890 --> 00:19:46,500

Turn into a big river, just a tiny

little pond, maybe in the summertime.

362

00:19:46,980 --> 00:19:49,350

This is where the whole fellow lives here.

363

00:19:49,350 --> 00:19:51,270

Maybe he has some ducks

and they play him here.

364

00:19:52,230 --> 00:19:57,540

Some kind of little creatures back

to a little, the titanium white.

365

00:19:57,570 --> 00:20:00,540

And then once again, just sort of let

it slide right over the top of that.

366

00:20:01,290 --> 00:20:08,940

Barely touching whisper, light, whisper

light, and the same thing here too.

367

00:20:11,025 --> 00:20:15,315

Gentle, very gentle, very, very gentle.

368

00:20:17,415 --> 00:20:19,755

We'll just let it sort of

blend back and disappear.

369

00:20:22,255 --> 00:20:23,385

Disappear back in here.

370

00:20:23,475 --> 00:20:27,345

We don't know where it goes there.

371

00:20:29,835 --> 00:20:30,405

All right.

372

00:20:31,275 --> 00:20:33,015

Let's have some fun over

here on the other side.

373

00:20:35,310 --> 00:20:39,860

I'm gonna take one of the little, little

half size oval brushes, round brush.

374

00:20:39,890 --> 00:20:40,220

I'm sorry.

375

00:20:40,220 --> 00:20:47,390

I said oval around brush around when,

and they're not really totally round.

376

00:20:48,200 --> 00:20:53,150

They're actually sort of oblong so

you can bring it to a chisel edge.

377

00:20:54,110 --> 00:20:55,220

See how sharp it is.

378

00:20:55,490 --> 00:20:57,570

You can bring it rascal

to a very sharp chisel.

379

00:20:57,710 --> 00:20:58,310

Let's go up here.

380

00:20:59,120 --> 00:20:59,510

Maybe.

381

00:21:00,495 --> 00:21:02,504

Yep for right there.

382

00:21:03,794 --> 00:21:10,274

Let's have just a little

evergreen tree there.

383

00:21:12,014 --> 00:21:12,735

Fantastic.

384

00:21:12,735 --> 00:21:17,264

You can take that little brush and you

can actually do entire paintings using

385

00:21:17,264 --> 00:21:21,105

nothing, but these little round brushes,

the big one or the little, either one,

386

00:21:22,365 --> 00:21:23,685

either one, it makes no difference.

387

00:21:24,555 --> 00:21:25,095

Neither one.

388

00:21:28,635 --> 00:21:32,834

Maybe there's maybe there's a

nice land mass lives right here.

389

00:21:34,004 --> 00:21:35,084

Just goes right on out.

390

00:21:36,314 --> 00:21:37,004

Something like that.

391

00:21:39,074 --> 00:21:39,465

I don't know.

392

00:21:40,425 --> 00:21:41,564

Wherever you think it should be.

393

00:21:44,804 --> 00:21:45,524

All right.

394

00:21:48,095 --> 00:21:48,425

Yeah.

395

00:21:48,905 --> 00:21:50,824

I'm just going to take that same

color and go through a little

396

00:21:50,824 --> 00:21:52,445

bit of white just to lighten it.

397

00:21:52,504 --> 00:21:56,074

Just like we did with the little trees

back in the back and here and there.

398

00:21:56,730 --> 00:21:58,670

Put the indication of a

few little highlights.

399

00:21:59,070 --> 00:22:02,220

I don't want many because I don't

want to lose this darkness here.

400

00:22:04,110 --> 00:22:06,990

Don't want to lose that very quickly.

401

00:22:06,990 --> 00:22:09,660

It'll go away and leave you there.

402

00:22:10,360 --> 00:22:12,150

Wash off the old brush.

403

00:22:13,920 --> 00:22:16,200

This one's not as much fun

to wash it the big window.

404

00:22:16,230 --> 00:22:20,670

Cause it doesn't splatter all over though.

405

00:22:20,670 --> 00:22:21,480

It does pretty good.

406

00:22:22,710 --> 00:22:23,610

It does pretty good.

407

00:22:25,034 --> 00:22:30,735

Yeah today, I'm going to take some of the

liquid clear and put out liquid clear.

408

00:22:31,875 --> 00:22:35,205

And to that, I'm going to

add just titanium white.

409

00:22:36,145 --> 00:22:38,084

I'm going to mix it till it's very thin.

410

00:22:39,705 --> 00:22:43,024

It's very, very thin paint there.

411

00:22:43,034 --> 00:22:43,534

All right.

412

00:22:43,534 --> 00:22:45,094

Let me wipe the old knife off here.

413

00:22:46,534 --> 00:22:47,195

Very thick

414

00:22:52,175 --> 00:22:53,195

and here and there.

415

00:22:55,635 --> 00:22:58,995

Gonna add just a little bit of that to

the bristles and that's come right in

416

00:22:58,995 --> 00:23:01,725

here and I'm sort of pushing it sidewards.

417

00:23:02,475 --> 00:23:05,895

I want to make the indication of all kinds

of little doers that are hanging out here.

418

00:23:06,855 --> 00:23:13,545

See them little, little snow covered

things, but give it a little push.

419

00:23:13,605 --> 00:23:14,925

So you get those little edges on.

420

00:23:14,935 --> 00:23:18,165

It looks like all kinds of little Bush.

421

00:23:18,225 --> 00:23:19,005

Ooh, I see something.

422

00:23:20,485 --> 00:23:21,375

I see something.

423

00:23:21,375 --> 00:23:22,455

Watch out, watch out, watch out.

424

00:23:23,850 --> 00:23:26,400

Let's take a little bit of titanium white.

425

00:23:27,390 --> 00:23:29,010

Bring it right out here too.

426

00:23:30,110 --> 00:23:39,440

I can't just titanium white, bring it

right on out a little bit of the dark

427

00:23:39,440 --> 00:23:47,210

color and maybe there's a little, little

area like it, then we'll bring that out.

428

00:23:52,665 --> 00:23:57,495

So there's a little Dewar

there backed her white.

429

00:23:58,575 --> 00:23:59,745

Maybe it comes right on around

430

00:24:03,195 --> 00:24:07,995

a few little things in here and

then just let them disappear.

431

00:24:10,005 --> 00:24:12,135

This is such a gentle touch practices.

432

00:24:12,135 --> 00:24:15,945

Touch a little bit because you just

barely, barely grazing the canvas.

433

00:24:17,250 --> 00:24:20,580

Just want to create the illusion of

a little, little Dewar right here.

434

00:24:20,640 --> 00:24:25,200

A little, little recess, Terry, I'm

gonna take some, some of that same blue

435

00:24:25,200 --> 00:24:27,000

color with a little Vandyke Brown in it.

436

00:24:28,290 --> 00:24:34,340

And maybe, you know, me, I think you were

to be a big old tree, right about there.

437

00:24:36,230 --> 00:24:45,470

Put a big wiggle in it, or just give him a

friend and everybody needs a friend there.

438

00:24:47,965 --> 00:24:55,715

Yeah, take her liner brush a little

bit of that same color and let's

439

00:24:55,715 --> 00:24:57,395

put the indication here in there.

440

00:24:57,815 --> 00:25:00,665

Lael Martu it's just

growing right out of there.

441

00:25:02,045 --> 00:25:04,565

Wherever, wherever.

442

00:25:06,665 --> 00:25:06,995

Yeah.

443

00:25:08,735 --> 00:25:11,285

On a few here I'm to put

some little snow covered.

444

00:25:12,975 --> 00:25:14,175

Leaves and stuff on here.

445

00:25:14,175 --> 00:25:15,735

So we don't have to do a whole bunch.

446

00:25:15,735 --> 00:25:19,935

I don't have to do a whole bunch,

just a few little indications.

447

00:25:22,845 --> 00:25:23,835

I'll have that going.

448

00:25:25,065 --> 00:25:27,585

Maybe there's an old that's right there.

449

00:25:27,585 --> 00:25:29,295

Whole sticking the screw right out.

450

00:25:29,295 --> 00:25:33,075

Now I need to be an old

tree, small tree in there.

451

00:25:33,255 --> 00:25:35,955

Just put all these little things in

that you want wherever you want them.

452

00:25:37,995 --> 00:25:44,895

Okay, let's go back to our little round

brush that has, has that white, almost dip

453

00:25:44,895 --> 00:25:46,605

it in a little bit of dark color first.

454

00:25:46,784 --> 00:25:50,024

And then we'll go right over here to

this very thin color we've made and

455

00:25:50,024 --> 00:25:52,185

just tip the tips of the bristle.

456

00:25:52,305 --> 00:25:58,095

Just the tips we can go up here and

just sort of tap down and do both the

457

00:25:58,095 --> 00:26:00,915

highlight and the shadow at one time.

458

00:26:02,065 --> 00:26:03,405

Want that to just drop right in there?

459

00:26:03,405 --> 00:26:03,855

And I can.

460

00:26:06,044 --> 00:26:06,675

There we go.

461

00:26:09,185 --> 00:26:10,655

We put all kinds of little things.

462

00:26:11,044 --> 00:26:15,095

This is a thin paint, like liquid wider.

463

00:26:15,095 --> 00:26:20,105

Maybe not, maybe just a little thicker

than liquid white, but they don't make

464

00:26:20,105 --> 00:26:25,925

nice highlights that easy on your trees

there because in the winter time you

465

00:26:25,925 --> 00:26:27,635

have all these cordless little things.

466

00:26:29,405 --> 00:26:32,254

All the Jack Frost just plays

on them and off they go.

467

00:26:34,010 --> 00:26:34,429

Fair.

468

00:26:39,510 --> 00:26:44,360

Like, so then down here at his foot, I'll

put in a few little bushes and twigs and

469

00:26:44,360 --> 00:26:50,240

sticks and shoot me about, have a finished

painting, something about like, so

470

00:26:55,550 --> 00:26:58,820

you can take a tiny bit of white

and just highlight this tree a

471

00:26:58,820 --> 00:27:00,620

little bit and we'll call this one.

472

00:27:00,620 --> 00:27:00,889

Done.

473

00:27:02,085 --> 00:27:04,095

The old clock on the wall

tells me it's time to go.

474

00:27:05,205 --> 00:27:06,524

So I hope you've enjoyed this one.

475

00:27:07,125 --> 00:27:10,845

And from all of us here, happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E11 - Frozen Beauty in Vignette

Bob Ross's

The Joy of Painting

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