Bob Ross's

The Joy of Painting

S26E13 - Evening at the Falls

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Hi, welcome back.

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Well, here we are.

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We're the last show of the 26 series.

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So let's have a lot of fun today.

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Tell you what, let's start out the day

and have him run all the colors across

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the screen that you need to paint

along with us while they're doing that.

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Let me show you what

I've got done up here.

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I have my regular old

pre-stretch double prime canvas.

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And today AF the entire campus with black

Jesso and allowed that to dry completely

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right to the Jesso was completely dry.

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Then I've covered it with liquid

clear, just a very thin coat of the

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clear and on top of that, we've just

applied a very, very thin coat, not to

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a whole lot of paint, a very thin coat

of midnight, black and Prussian blue.

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The entire canvas is

absolutely covered with it.

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And with that, we'll show you how

to do a fantastic little painting.

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Let's just start out today with

a small amount of the titanium

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white on the old two inch brush.

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Do just a very quick, simple little

sky up here, I think maybe today.

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Thanks.

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Maybe.

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Yeah.

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We'll do a, just a happy little waterfall.

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I like waterfalls.

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There we go.

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Sam, just going back and forth, making

sort of little crisscross strokes, but

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using the brush this way, something

may be like sad to say in this one.

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I want a very simple, quick little

sky, just something to throw in a

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little bright ground color, and then

we can get onto the serious business.

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Cause I wanna, I want to

play with a big waterfall.

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All right.

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Let's clean old brush.

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I just really like to clean

the brushes, you know?

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There, shake it up, just

beat the devil out of it.

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Now then clean, dry brush.

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All I'm going to do is just blend this.

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Just blend it about like that there,

because I'm going to put things we

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have to the top of this, and I'm

not looking for a lot of color.

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Maybe just a touch more right there.

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Not looking for a lot of colored

in this guy, something like that.

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And that should be enough for us.

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And we back in the background

here, I think we'll have some

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little trees that live way up

on the side of a Hill somewhere.

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So we'll take blue and black and Oh,

maybe a little more black than blue,

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but pretty close to equal proportions.

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Pretty close.

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You just sort of decided you

well, which way you want it.

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Now you'll probably have to

put a little white with it.

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If you want to really check the

color because it's impossible to

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tell if that's toward the blue

side or, or the opposite direction.

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Toward the black side and I'm just going

to tap down maybe in our world whom we

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back here, I'm gonna put the least little

touch of white on one side of the brush.

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See, now I want to start, well, want to

started getting the indication of just

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little trees that live way back in there.

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All right.

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A little bit of white, just

on one side of the brush.

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Just on one side, maybe I tell

you what these trees maybe just

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go right on off the canvas.

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I don't know.

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Don't know that it really matters.

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It's up to you completely

and totally up to you.

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What ever, there we go.

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How are we doing here?

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It's just tapping downward.

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It's really all we're doing.

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Okay.

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Something like that, these

black canvases are so fantastic.

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Absolutely love them.

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I could do a whole television series

with nothing black canvases because they

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are, I think my absolute favorite color

shows up on the black canvas so much

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better than it does on a white canvas.

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Tell you what let's take.

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We'll take our two inch brush and I want

to create the illusion of missed here.

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So I'm just going to begin

tapping this, just tap it.

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Go onto the least little touch of

titanium white or the least little touch,

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least, least little touch, tiny, tiny.

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And I'm just going to pop in

some little indications of some

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little, little floaty clouds, pier.

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This is so high up.

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Maybe there's some little clowns in here

takes very, very little color though.

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Very little color or something

about maybe like cat, there we go.

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Wherever you want.

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Now we can take our little blender brush,

very soft little blender brush, and I'm

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just going to soften these little clouds.

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Just gently, gently soften

them, something like that.

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There they go.

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Just let them float around up

here underneath these trees,

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just to have a good time.

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Now, the more you blend these, the

more it's going to pick up that blue

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and black color that's underneath

and the more they'll disappear.

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So you take them to any degree of

brightness that you want or softness.

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It's up to you now.

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Let's go back to our little brush.

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There we are.

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And let's have, yup.

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How about right here?

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Let's have a few trees

right over on this side.

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And we'll just let them come

right down right on down.

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Maybe they just go

right on down into here.

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I don't know.

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It doesn't much matter.

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You put them where you want them there.

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Something I can.

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All right, maybe right there.

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This is just some background foliage,

just so we have a place for, for

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our little river to come from.

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If we're going to have a little

waterfall, we need a water source.

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In other words, a place

for the water to come from.

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There we go.

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So we'll just do it like him.

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If you've never painted them to black

canvas, you really heard of try it.

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You'll be amazed at what you can do.

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Absolutely amazed going back from a

two inch brush and just soften this.

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I know that may be difficult to see

because it's all black, but believe me,

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when you do this, it'll work for you.

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Yeah, it'll work for you.

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There we go.

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Now then let's start coming forward

in her, in our little painting here.

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I'm just going to continue

to use this same old color.

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We're going to use it continually

throughout this painting load,

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the fan brush full of paint.

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A lot of paint.

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Let's go right up in here and

maybe say, I wonder this cloud

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here, cause it's a little lighter.

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And when we come back and we begin

putting some little trees in here.

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There's just enough contrast

that they'll show up just enough.

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So they'll show up maybe in our world,

their lives, a little tree right there.

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And, and, and, and, and

there's another one.

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There's another one you knew, you

knew you painted with me before.

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You know, I love to paint trees

and bushes and mountains and

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all these kinds of things.

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There we are.

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That's really where I'm the

happiest is in a landscape painting.

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They're all right.

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Maybe.

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Oh, what the heck?

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Let's make a forest out here.

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It's our world.

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We literally can put

anything in it that we want.

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Anything that we want.

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Okay.

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Maybe there's another one over here too.

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There.

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This paint.

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I'll give you a lot of practice

doing some gorgeous little trees.

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There we go.

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We have to start making some decisions

here, have to start deciding if

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we're going to have a little, it's

going to have a little river in here.

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We've got to start deciding

where it comes from.

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I'm gonna take some of that black,

blue, little white, something like that.

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Looking for bluish gray color,

cut off a little reel of paint.

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And it was right on the edge of the knife.

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There.

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Maybe in our world.

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I remember bank is right about here.

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God, I don't know.

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Let's see.

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It takes almost no paint here.

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Almost no color just to do

all these fantastic things, to

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get a little more paint there.

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And all I'm doing is just

rubbing with a knife.

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I'm just literally rubbing

color right on there and here.

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Never going to give it

a little upward push.

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Jess with blends with all

that it's already on there.

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I don't even know where that goes.

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Don't move it to cure right now.

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We can take a clean fan brush and

just grab a little that and pop it up.

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Make it look like, look, see, it looks

like little bushy things sneaky here.

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There they go.

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There they go.

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Just wherever you want them.

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Where ever you want them, you

want them, there's been that dark

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color, dark edge that I know you

can't see that, but it's there.

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And I know it's there.

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I need it.

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Cause I'm going to put some

water right along in here.

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We know it's there, there we go.

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Something about like it.

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Right now.

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Yeah, let's take some white.

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I want a lighter color add white.

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So there's white, blue and black,

but it's much lighter once again.

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Cut off that little roll of paint

and we'll go right up in here.

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Got to make a big decision.

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Where is our water coming from?

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There?

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It comes there.

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It comes maybe a little lighter.

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So it shows up better.

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Yeah, there.

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There it is.

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It just meanders down right along

through here and comes around.

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We don't know where it comes from

and maybe it gets out here and Oh,

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somebody pulled a cork right out.

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Somebody pulled it out right there.

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Right there, there, here we go.

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It's coming down again, almost

down and then it gets over

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here and she'll say there,

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and there's the base of

our waterfall right there.

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We just made a big decision.

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This is where our waterfall is

going to live in this painting.

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Sometimes it's fun just to paint

a whole waterfall with a knife.

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Shoot me.

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We'll just do that.

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Sometimes.

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It's fun to take a little less

white color in here and there just

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sort of highlight a little bit.

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So it shows up

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there.

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As I've mentioned before in this series,

you can do entire paintings using

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nothing, but the knife, this knife,

once you make friends with it, it does

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take a while to make friends with it.

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Just like anything else in life.

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Now see, we have a

little background color.

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Maybe let's take, let's

take pure titanium white.

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I want to get a little roll of

painter red on the edge of the knife.

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Just like before.

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But this is just pure white and

I'm going to come right in here

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and just, and let it break.

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Let that color break that break you.

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There.

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Let's go over.

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Don't overdo though.

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It's gets feeling good and you don't

know when to stop, but something about

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my kids, all we're looking for there.

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And then a neat way to

do a little watery fall.

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You can do a watery fall, just, just

using the old knife and we can take our

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two inch brush and very gently, gently,

or you can do it with the blender.

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Just pick it up, sort of blend that

together a little bit in there.

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Now we have water just

spilling right over the edge.

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And down here at the base of this,

certainly with all this much water

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falling, there'd be all kinds of

beautiful Misty areas that are

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just floating around, down here.

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Float ride on that, who knows all kinds

of things, wherever, wherever there.

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Go back to her little blender.

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Because it's so soft.

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We can just get in here and blend

that something about like them just

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blended, blended, blended, take a

little color right on the blender here.

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Get a little more there.

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We can just paint in all kinds of

little clouds and little fluffy

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things that are living in here.

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That neat something I can

wherever you want them.

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There we go,

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or that water is churning and

raising the devil down there.

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And I love waterfalls.

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I could paint waterfall after waterfall.

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I think they're so gorgeous.

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I lived in Alaska.

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I spent a great deal of time just watching

waterfalls and photographing them.

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Oh, they're gorgeous things.

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Maybe down here at the

base on their waterfall.

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Maybe their lives does now.

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00:13:50,189 --> 00:13:52,199

There's some great big

old stones down here.

253

00:13:53,010 --> 00:13:54,240

We'll just use that same color.

254

00:13:54,240 --> 00:13:55,199

Cause that's all we have.

255

00:13:57,360 --> 00:13:59,310

And maybe there's a little

hidden one back here.

256

00:13:59,370 --> 00:14:00,660

Just can barely see it.

257

00:14:01,260 --> 00:14:08,150

I don't know another one over here

wherever you think they should be mad.

258

00:14:08,150 --> 00:14:11,490

And we can take very gently, very chimney.

259

00:14:12,780 --> 00:14:15,630

Just bring some of that Mysterio

right on down, down there.

260

00:14:17,069 --> 00:14:18,150

Very soft though.

261

00:14:18,990 --> 00:14:21,000

And this is where you

really need that soft brush.

262

00:14:21,000 --> 00:14:25,079

If you're going to pull this Misty

all over the rocks, you really

263

00:14:25,079 --> 00:14:26,670

have to have a very soft brush.

264

00:14:27,300 --> 00:14:30,810

So it doesn't cut the paint there.

265

00:14:30,839 --> 00:14:33,870

We just let the back of that stone

just disappear right into the mist.

266

00:14:37,574 --> 00:14:38,084

All right.

267

00:14:39,105 --> 00:14:40,245

Make little watery sounds.

268

00:14:40,245 --> 00:14:45,135

When you're doing this, it helps let's

take dip the brush into a small amount

269

00:14:45,135 --> 00:14:47,355

of the liquid clear go into the titanium.

270

00:14:47,355 --> 00:14:47,594

White.

271

00:14:47,594 --> 00:14:51,855

The clear is in there only to thin the

paint a little bit and maybe sneaking

272

00:14:51,855 --> 00:14:59,834

right out of here comes a little watery

falls comes down, splashes the water

273

00:14:59,895 --> 00:15:01,485

beginning just to creep out of the mist.

274

00:15:01,485 --> 00:15:05,985

Here, there comes a little more paint.

275

00:15:07,335 --> 00:15:16,835

Just let it sneak ride out of there from,

we can take the knife, bunk little stone

276

00:15:16,835 --> 00:15:21,635

here in there too least little touch,

a highlight on some of these stones.

277

00:15:21,635 --> 00:15:23,405

Don't want much too dark out here.

278

00:15:24,275 --> 00:15:26,285

I want to see that beautiful contrast.

279

00:15:28,835 --> 00:15:31,385

And then Herrick water comes

maybe comes right over the top

280

00:15:32,975 --> 00:15:34,355

little splashy is going on.

281

00:15:36,645 --> 00:15:38,025

I don't even know where this is going.

282

00:15:39,945 --> 00:15:41,265

Doesn't much matter at this point.

283

00:15:43,065 --> 00:15:43,755

There we go.

284

00:15:44,475 --> 00:15:44,925

All right.

285

00:15:44,985 --> 00:15:46,305

I need to close up the waterfall.

286

00:15:46,305 --> 00:15:48,635

Somehow need something on the sides.

287

00:15:48,645 --> 00:15:49,385

Keep it contained.

288

00:15:49,415 --> 00:15:52,685

So it doesn't just run right

out of the painting maybe.

289

00:15:53,015 --> 00:15:53,225

Yep.

290

00:15:53,525 --> 00:15:54,275

How about right there?

291

00:15:55,415 --> 00:15:58,715

Let's have maybe there's a

nice tree lives right there.

292

00:16:00,725 --> 00:16:01,295

There he is.

293

00:16:02,970 --> 00:16:05,070

And, and, and there's another one.

294

00:16:06,420 --> 00:16:07,020

There we go.

295

00:16:09,600 --> 00:16:11,250

A little bit more color on the brush.

296

00:16:13,770 --> 00:16:14,760

Hoping see those.

297

00:16:14,820 --> 00:16:16,650

Maybe I'll add at least

little touch of white to it.

298

00:16:16,650 --> 00:16:17,190

There they go.

299

00:16:17,220 --> 00:16:18,930

Now you can see some

of those little shapes.

300

00:16:20,280 --> 00:16:21,600

Sometimes it gets so dark here.

301

00:16:21,600 --> 00:16:22,380

It's hard to see them.

302

00:16:23,190 --> 00:16:23,910

Maybe.

303

00:16:24,000 --> 00:16:24,180

Yeah.

304

00:16:24,270 --> 00:16:24,720

There's one.

305

00:16:26,760 --> 00:16:27,449

A little detail.

306

00:16:27,449 --> 00:16:30,620

So I'm just making just a little

pulley down trees, some of them, and

307

00:16:30,630 --> 00:16:34,680

putting some detail in just up to

you, whatever you think should be

308

00:16:34,680 --> 00:16:37,560

there, whatever you think should be.

309

00:16:37,560 --> 00:16:40,050

There comes a one point.

310

00:16:40,050 --> 00:16:40,990

This one has quite a view.

311

00:16:41,010 --> 00:16:44,370

Doesn't it just leaned right

over there on waterfall there.

312

00:16:46,709 --> 00:16:49,589

A lot of you gets plenty

of moisture in its life.

313

00:16:53,835 --> 00:16:59,505

Maybe all kinds of little things

living right down here, just wherever,

314

00:16:59,985 --> 00:17:01,545

wherever you think they should be.

315

00:17:03,465 --> 00:17:07,005

Now that I'm a pre the little

miss down at the base of this.

316

00:17:07,694 --> 00:17:12,704

So I'm just take a little bit lighter

color, little titanium, white tap

317

00:17:12,704 --> 00:17:14,685

into the nice soft Misty areas.

318

00:17:16,875 --> 00:17:18,645

Show you why I want that miss down there.

319

00:17:21,104 --> 00:17:22,395

In just a second.

320

00:17:23,145 --> 00:17:24,675

Now let's go over here.

321

00:17:24,675 --> 00:17:28,004

On the other side of that old painting, we

need something to contain the other side.

322

00:17:28,935 --> 00:17:31,245

Maybe there's a big old

stone lives right out here.

323

00:17:32,235 --> 00:17:36,354

It comes right down to, it

just comes right on, down,

324

00:17:36,385 --> 00:17:37,905

disappears right into that nest.

325

00:17:39,435 --> 00:17:40,725

We don't even know where it goes.

326

00:17:43,824 --> 00:17:44,715

Little light color.

327

00:17:46,065 --> 00:17:46,895

Put it right around there.

328

00:17:46,905 --> 00:17:48,075

So it has something on top.

329

00:17:49,815 --> 00:17:50,355

There we go.

330

00:17:50,835 --> 00:17:54,015

I'll grab just the least little touch

of it and pull it down just enough.

331

00:17:54,015 --> 00:17:58,815

So you can see it a little bit, or

we call our little blender brush.

332

00:17:59,745 --> 00:18:01,155

I want to blend this right together.

333

00:18:01,635 --> 00:18:05,445

So you can't tell where the missed

stops in the rocks come together.

334

00:18:05,625 --> 00:18:11,135

Just blended all together,

back to her little fan brush.

335

00:18:14,820 --> 00:18:15,990

We get a little white on it.

336

00:18:15,990 --> 00:18:17,610

So it shows up against it earlier.

337

00:18:18,600 --> 00:18:21,719

Just a few, little, few, little

things that live right in there,

338

00:18:24,830 --> 00:18:28,000

there something like

339

00:18:31,889 --> 00:18:33,990

maybe appear.

340

00:18:34,860 --> 00:18:37,020

Let's have a big tree.

341

00:18:37,320 --> 00:18:38,340

He lives right here,

342

00:18:41,399 --> 00:18:44,840

there bagel tree.

343

00:18:44,840 --> 00:18:47,000

I really hope you can see that

I'll put some highlights on it.

344

00:18:47,000 --> 00:18:47,629

We'll put a little green.

345

00:18:47,870 --> 00:18:51,740

Maybe that'll help canvases on TV.

346

00:18:51,740 --> 00:18:54,590

Sometimes don't show up as

well as some of the other ones.

347

00:18:55,910 --> 00:18:56,570

There we go.

348

00:18:58,455 --> 00:18:59,445

But they are gorgeous.

349

00:19:00,105 --> 00:19:01,035

What's neat about these.

350

00:19:01,035 --> 00:19:04,245

If you're doing these in public,

show them to people with a light

351

00:19:04,245 --> 00:19:07,725

on them and then show him the

same painting without the light.

352

00:19:07,875 --> 00:19:09,075

It's unbelievable.

353

00:19:09,105 --> 00:19:09,825

The difference.

354

00:19:10,725 --> 00:19:11,685

Unbelievable.

355

00:19:12,285 --> 00:19:12,855

There we go.

356

00:19:13,575 --> 00:19:15,705

But dedication of a few

little trunks here and there.

357

00:19:15,825 --> 00:19:16,425

Not much.

358

00:19:18,445 --> 00:19:18,715

Yeah.

359

00:19:20,265 --> 00:19:24,885

No, let's take a little bit of SAP green,

a little bit tiny, little bit of yellow.

360

00:19:24,885 --> 00:19:30,875

I want this to be very dark, very,

very dark, very dark lit, a little

361

00:19:30,885 --> 00:19:33,795

color on her kind of scope in here.

362

00:19:34,715 --> 00:19:35,645

Maybe we can see them.

363

00:19:36,005 --> 00:19:39,335

I don't want them to get too

bright till that, that bothers me.

364

00:19:39,335 --> 00:19:41,285

If it gets too bright, just enough.

365

00:19:42,095 --> 00:19:43,325

They'll stand out a little bit.

366

00:19:44,525 --> 00:19:45,065

Like, so.

367

00:19:46,395 --> 00:19:50,295

And as I say, this is the last show

in the 26th joy of painting series.

368

00:19:51,225 --> 00:19:57,015

My gosh, there's 300 and

cheeks, almost 340 shows.

369

00:19:57,015 --> 00:20:03,285

Now we'll put some over here to there

and that fantastic though, that that joy

370

00:20:03,315 --> 00:20:08,175

painting has produced that many shows

and made an old man's dream come true.

371

00:20:09,780 --> 00:20:10,830

You know, somebody asked me that day.

372

00:20:10,830 --> 00:20:13,710

They said, well, what should I do if I

hadn't got a chance to see all the shows,

373

00:20:14,190 --> 00:20:18,390

if you hadn't got to see them or call

your local station, just let them know.

374

00:20:18,810 --> 00:20:21,630

And if you want to, if you want to

show the continuum, give him a call,

375

00:20:21,630 --> 00:20:26,310

let him know that you like it because

they, they only know if you tell them.

376

00:20:27,780 --> 00:20:30,000

There we are putting a

little green down here, too.

377

00:20:30,000 --> 00:20:30,510

What the heck?

378

00:20:30,510 --> 00:20:31,169

Not much though.

379

00:20:31,290 --> 00:20:33,090

I really don't want much

of this green in here.

380

00:20:35,129 --> 00:20:36,629

Just enough to sort of flavor it.

381

00:20:37,949 --> 00:20:45,469

There is maybe, maybe, maybe

let's go back to the band brush.

382

00:20:46,399 --> 00:20:49,429

I'm going to put some things right

in the here, just a few more trees.

383

00:20:50,565 --> 00:20:51,555

Maybe a little lighter color.

384

00:20:51,585 --> 00:20:56,265

All we're doing here is just playing with

values back and forth, making it a little

385

00:20:56,265 --> 00:20:59,385

lighter, a little darker, back and forth.

386

00:20:59,595 --> 00:21:00,675

Put a little miss down here.

387

00:21:02,265 --> 00:21:07,605

I can't, they're just a little Misty area.

388

00:21:10,065 --> 00:21:13,545

Something about like soft little area.

389

00:21:15,765 --> 00:21:16,365

Okay.

390

00:21:19,409 --> 00:21:20,460

We can go back to our brush.

391

00:21:20,460 --> 00:21:24,929

It has the black and the blue on it, or

blue and black, whichever your favorite

392

00:21:24,929 --> 00:21:30,500

is we can go in here now that we've put

up some little trees that live back in

393

00:21:30,500 --> 00:21:37,100

here, there, there, there is one, we'll

put a little green on him too, just to get

394

00:21:37,100 --> 00:21:41,720

him to stand out a little better, but see

those little Misty areas that you put in.

395

00:21:41,780 --> 00:21:46,610

That's the only thing you have to separate

makes your painting look very, very dark.

396

00:21:47,835 --> 00:21:53,655

And very deep, those little mysterious,

they separate a separate there.

397

00:21:53,655 --> 00:21:55,304

Your very good friend take care of them.

398

00:22:00,935 --> 00:22:01,595

All right.

399

00:22:02,735 --> 00:22:04,145

Our brush, it has the green on it.

400

00:22:04,595 --> 00:22:09,095

We'll put the indication of a few

highlights on some of these trees, darker,

401

00:22:09,125 --> 00:22:10,685

darker, darker down toward the base.

402

00:22:10,925 --> 00:22:11,495

There's one.

403

00:22:13,235 --> 00:22:13,865

All right.

404

00:22:15,975 --> 00:22:16,335

Shoot.

405

00:22:16,335 --> 00:22:17,774

I tell you what I like to make trees.

406

00:22:18,705 --> 00:22:22,395

Let's make a couple over here in

this Misty area, in our world.

407

00:22:23,655 --> 00:22:24,825

You're going to be one right here.

408

00:22:25,514 --> 00:22:27,075

And once again, see this mist right here.

409

00:22:27,885 --> 00:22:30,044

Watch that's the only

thing that's separates.

410

00:22:30,615 --> 00:22:33,165

But with that in there, you can

put a dark tree right up against

411

00:22:33,165 --> 00:22:36,315

it and it separates for you there.

412

00:22:38,790 --> 00:22:42,240

And it makes your painting look

so deep, so deep, and you've

413

00:22:42,240 --> 00:22:43,890

done such a small amount to it.

414

00:22:45,180 --> 00:22:45,870

Shoot sometime.

415

00:22:45,870 --> 00:22:48,450

Maybe you can just take the fan brush

and make a little Bush lives right here.

416

00:22:48,610 --> 00:22:49,020

Okay.

417

00:22:51,030 --> 00:22:53,910

Something like that there.

418

00:22:55,560 --> 00:22:59,580

Now we have the old fan breast

that has the titanium white on it.

419

00:23:01,395 --> 00:23:02,985

Let's make some big decisions here.

420

00:23:04,415 --> 00:23:08,254

We have to sort of decide where I

go to be a river coming off here.

421

00:23:08,254 --> 00:23:09,814

We have to decide where it's going to go.

422

00:23:11,165 --> 00:23:12,965

Maybe it's going to go right on out.

423

00:23:13,385 --> 00:23:14,284

Something like that.

424

00:23:15,514 --> 00:23:19,145

That much matter wherever you

want it let's make the water

425

00:23:19,145 --> 00:23:21,334

shiny front to make it shiny.

426

00:23:21,544 --> 00:23:25,415

Just pull down a little bit with

a little touch of the white.

427

00:23:27,064 --> 00:23:29,104

It didn't go across that easy.

428

00:23:33,195 --> 00:23:35,895

It's one of the neatest things that

happens in this whole technique.

429

00:23:37,395 --> 00:23:38,205

There we go.

430

00:23:38,895 --> 00:23:40,455

All kinds of little things in there.

431

00:23:41,865 --> 00:23:47,075

Something I cat tell you what, let me

take the little Filbert brush here,

432

00:23:47,135 --> 00:23:52,565

dip in some paint thinner, kind of

make a thin paint, paint, thinner,

433

00:23:52,565 --> 00:23:54,125

and going right into blue and black.

434

00:23:55,055 --> 00:23:57,575

And I'm going to go over here and

pull one side through a light color.

435

00:23:58,470 --> 00:23:59,820

So it's lighter on one side.

436

00:24:00,420 --> 00:24:04,170

So you get it against there and dark

and the other, and maybe in our world

437

00:24:04,170 --> 00:24:08,040

here, maybe there's just gobs a little

stones that live right along in here.

438

00:24:09,540 --> 00:24:18,630

Like, so just wherever you want, all kinds

of happy little stones there over here.

439

00:24:19,620 --> 00:24:20,400

Here's a few more.

440

00:24:22,605 --> 00:24:24,045

And some of them are

out here in the water.

441

00:24:25,705 --> 00:24:26,835

Hope you try this painting.

442

00:24:26,865 --> 00:24:28,395

It's one of the neatest little paintings.

443

00:24:28,425 --> 00:24:30,975

It is so easy and it's a lot of fun.

444

00:24:31,275 --> 00:24:34,275

And when your friends and neighbors see

it, they won't believe you've done it.

445

00:24:34,935 --> 00:24:36,735

And that truly is the joy of painting.

446

00:24:37,365 --> 00:24:39,815

When you pay it can

make other people happy.

447

00:24:40,264 --> 00:24:43,385

Then you truly have experience

the joy that comes with painting.

448

00:24:43,985 --> 00:24:46,085

I want to thank you for

inviting me back into your home.

449

00:24:46,355 --> 00:24:50,014

For another series of painting

shows, the 27 series is already

450

00:24:50,014 --> 00:24:53,435

under production, and I look forward

to seeing you very, very soon.

451

00:24:54,215 --> 00:24:55,985

Thank you again from all of us here.

452

00:24:56,375 --> 00:24:58,955

Happy painting, and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S26E13 - Evening at the Falls

Bob Ross's

The Joy of Painting

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