Bob Ross's

The Joy of Painting

S21E06 - Mountain Rhapsody

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today we'd just

do a fun little painting.

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So let's start out and have him run

all the colors across the screen

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that you need to paint along with a

snail come across right about there.

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Okay.

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I've got my standard old pre-stretch

canvas up here and I've covered

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the entire thing with a little bit

of liquid white and it's all wet

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and slick and it's ready to go.

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So.

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Shoot.

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Let's just have a good time today.

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They just get a little crazy.

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Let's have fun with color.

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They call do a little winter type scene.

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Maybe we'll use some alizarin Crimson.

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And here we are go right down here and

take a little bit of the yellow ochre,

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just a lizard, Crimson and yellow

ochre, and just mix them on the brush.

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Just mix them on the brush.

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Let's go up in here.

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They were just, let's just

dance in little sky SSA, say

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it's such a fantastic day here.

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I thought we'd just do maybe just

a fun, little painting and we'll

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use our artists license today.

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And that comes with your

first tube of paint.

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And it says you can do anything on

this canvas that you want to do.

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And today.

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I just want to make a

happy little painting.

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Maybe they will make a little winter sand.

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We have some nice colors in winter there.

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Maybe something about like, do

we need to come down too far?

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Isn't that a beautiful little color

though, sort of a, sort of a peach color.

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Maybe if it's really very

pretty, very striking.

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It's a warm color.

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Cause people will like.

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And sometimes winter scenes can get so

cold that they're almost unpleasant.

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So this is a way of warming it up.

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I'll take a little more that Crimson, a

little more of the yellow ochre, little

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yellow ochre, and we'll be right back.

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Get a little bit of the dark Sienna.

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Just mix them together.

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Yellow ochre, dark Sienna, lizard Crimson.

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Let's go up here now maybe.

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Hmm.

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That's that's really good.

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Crazy.

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Let's just take the corner

of this big old brush and you

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could use a fan brush or that.

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Or the one inch brush, if you want to,

I'm just, I've got this one going in.

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It's dirty.

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So why not use it there?

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It would just put a happy little

cloud indication back here, somewhere,

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just a little more of the color.

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We just sort of let this thing

float around and have fun here.

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Shoot, maybe, maybe there's some

little stringy ones over here where

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ever you want just wherever, wherever.

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Hmm.

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Okay.

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Let me get another brush.

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I have, I have several of each brush going

here, so I don't have to spend all my time

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cleaning brushes as much as we enjoy that.

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Or I enjoyed the, the crew here

may not enjoy it as much as I do.

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If you could see the studio, you

would understand what I'm saying.

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I'm just blending the base of this out.

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Just the base of it, leaving

the top alone at this point.

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And these little stringy clouds,

all you have to do is just, just

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take the brush and go right over.

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But now if you don't have a thick

Fern paint, when you do that,

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you're an agony city guarantee

you instantly you're in agony.

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He said, I'll take a little more of that

and maybe bring that cloud up a little.

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So it sorta blends together.

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Back to our clean brush.

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We'll just bend the base of it out.

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Some, something like that,

Sanford and make that there

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just blamed the entire canvas.

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And you can make this as smooth as

you want it, or you can leave it

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where the clouds are more distinct.

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It's really up to you.

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It's really up to you.

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It can make it very smooth.

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Or leave little edges on it, or you can

blend it until it just all comes together.

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Cleaning is very, very

individual, very individual.

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So you just do whatever makes you happy.

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I say you get that artist.

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It, it basically says you can do anything

in this piece of canvas that you want

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to do, and you can do it with any color

that you want, any design that you want.

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You can make any kind of world that you

want right here on this piece of canvas.

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Sometimes I hit the can.

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It was cool.

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Kicking the bucket there, just wash

the old breath and we shake them off

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and in business again, let's build

us a big mountain today for that.

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I'll tell you what let's really get crazy.

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I'm might take some black, black

we'll use alizarin Crimson, and

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maybe, maybe a little the dark Sienna.

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What the heck?

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There that'll make us a nice color,

least little touch of blue in it.

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Not much.

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Very little blue, very little blue.

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Cut us off a little road, paint right

out there on the edge of the knife.

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Come right up in here.

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I want to do a huge mountain today.

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Let's begin pushing in

some nice shape here.

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Nice shapes.

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You have to be careful because when

you start making these mountains,

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you son of a guns will grow on you

and take over your whole world.

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It gets to be fun.

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And you don't, you

don't know when to stop.

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I can just absolutely eat up the

whole canvas for the mountain.

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All right.

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Maybe.

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I don't know.

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Maybe this just comes right over.

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I did say big mountain today,

so we really have a large one.

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We can spend a whole show just working

on this one mountain, headed home.

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When you have unlimited

time do exactly that.

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Spend a lot of time working on one

mountain or one area of your painting,

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especially when you're first learning.

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Because that's the way you learn.

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And as I've mentioned before, If you

make a mistake, don't get angry about it.

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Look at your mistake.

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I believe sincerely that you can

learn as much from mistakes, if not

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more than you do from successes.

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And it's not a failure.

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If you learn from it, it's not a failure.

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It's only a failure.

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If you don't learn anything

from it, then it's a failure.

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It's the same, I think in your

everyday life, anything that

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you try and you don't succeed.

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If you learn from it, it's not a failure.

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Now, if you make the same mistake again,

different story where we're just planning

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it out and then not allowing it to.

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Allowing it to blend with the

liquid white it's on the canvas,

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create an illusion of mr.

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At the base.

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That's all we're looking for.

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At this point.

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He did come out with a big mountain,

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good place.

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Just sort of clean off the brush there.

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We just cut her the

whole bottom down here.

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Maybe we'll have some snow down

here and this this'll end up being.

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Shadows in the snow, put a

matter, whatever you want.

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Okay.

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Now it's time to have fun.

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Let's take, let's take titanium white and

I'm gonna put a little Indian, yellow,

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and a little bit of yellow ochre in there.

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I mixed them together with white,

but I don't want to over mix them.

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I want to leave them sorta marbled.

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Sure.

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I'm going to get a letter from

an English teacher for that word.

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But see how marble D it is right in here.

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But what I'm saying is

don't, overmix the color.

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And then when you pick up that little

roll of paint right out here on the

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edge of the knife, all of those various

colors are right here on the knife.

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Now then say you can come right along in

here and touch and just let that slide

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right off the knife, but no pressure.

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Absolutely no pressure, none

whatsoever, none whatsoever.

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And maybe.

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Let's come right along here.

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Touch.

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Just let it go.

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Let it just slide right along there.

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But if you start applying a lot of

pressure, it's going to look like you're

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trying to ice a cake may look, may look

good to the taste, but it's not going to

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look like a mountain probably that you

wanted watch here, maybe right there.

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Just pull it down a little.

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Something like, so we'll

make a shadow color.

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We'll use white and black least,

least little touch of blue in it.

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It's a little dark with a little

more white with, Oh, that's nice.

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But sort of a blue gray

we'll use for shadow color.

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Take the small edge of the

knife and we'll come right here.

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Put a little shadow right up

here on that, that little peak.

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That little peak needs a little shadow

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and we can bring this one.

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Let's just bring it distinctly

right on through there.

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See, that'll push that one.

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We backs and left.

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We don't even know where it's at.

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I don't know that we even care

it's way back behind there.

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And you learned to push mountains

around, just push them around and take

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the least little touch of a light color.

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Don't much that a little

light Zane, back in here just

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enough to make it interesting.

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That'll touch you the shadow.

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We'll let that come right through

and make like a little recessed area,

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little hiding places for

the little creatures.

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A play these back and forth.

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Let them go.

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There we are.

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But it's unbelievable.

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The kind of mountains you can

make, just using the thing.

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It looks like a big old putty knife there.

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Yeah.

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If I don't work.

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Yeah.

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Work on your windows with a putty

knife, whatever the hair let's take.

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Back to our little shadow color and

we'll bring it right through here.

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I want a nice shadow

right through that area.

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Pay close attention to angles.

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Angles are really what makes

it makes mountains work.

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It's just those nice angles.

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Now this is this painting should just

about be a study of the mountains.

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Look at there and we

bring it right on down.

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No pressure.

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I can't say that enough times.

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Probably.

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That's still the number one thing

I read in the letters is I'm having

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trouble making this highlight or

snow or whatever you want to call it.

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Break on the mountains here.

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And 99 times out of a hundred,

it's one of two things either.

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The paint is too thin and is turning to

mud or you're applying too much pressure.

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One of the other go 99

times out of a hundred.

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There we go.

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Now we can just bring as long,

put all kinds of little things

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back to our shadow color.

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Can grab that again, putting in just

the indication of some beautiful

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little shadows back in here.

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There we are just let

it flow right on down.

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Something like, so, and maybe a little

bit back in here, just a little, see

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it, there we are a little tiny shadow.

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That one comes distinctly through Seattle.

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Push that one back.

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Okay.

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Maybe a little dark color here and there.

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She has to brighten it.

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Believe it or not that dark though will

make it jump out at you, but don't overdo.

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Don't overkill.

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It's like so many other

things, it gets feeling good.

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And you don't know when to stop.

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I have a trouble all the time there

get carried away and it's easy to get

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carried away when it starts working well.

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All right, now let's play some games.

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Let's have some fun.

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We'll take over to inspiration to

create the illusion of a little mist

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right here and at the base of this.

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And blend upward, just have tap and in

blended upward production that removes

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the tap marks, blends it all together.

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Makes it very soft and very good, nice

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little bit right in here.

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Now let's take same color, but because

we've missed that, then you can

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maybe another projection right off.

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This direction.

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There we go.

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Just let that go right around.

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Maybe there's a look at that.

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That's what we need.

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And you just begin seeing

these things in your mountain.

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There you're there.

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Just start, just start

working on it, let it go.

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See what happened.

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Mix up a little more shadow color here.

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That'll touch it.

253

00:13:58,965 --> 00:13:59,715

The blue in it.

254

00:14:00,375 --> 00:14:04,155

Just ran out there.

255

00:14:07,745 --> 00:14:08,045

Okay.

256

00:14:09,035 --> 00:14:11,584

Like both they will knife

we're back in business again.

257

00:14:15,685 --> 00:14:15,805

Yeah.

258

00:14:19,535 --> 00:14:23,885

That little of it just run

right out this way now.

259

00:14:24,630 --> 00:14:27,480

Back to my brush, clean dry brush.

260

00:14:28,080 --> 00:14:29,520

I just want to begin to happiness.

261

00:14:29,520 --> 00:14:37,040

I want to bring it all together, right

down here at the base there, it looks

262

00:14:37,040 --> 00:14:38,600

sort of like, it just spilled down there.

263

00:14:41,630 --> 00:14:42,800

God was making this mountain.

264

00:14:42,800 --> 00:14:46,430

Maybe it was a little leftover and it

just sort of, sort of dripped down here.

265

00:14:47,600 --> 00:14:47,870

There.

266

00:14:54,170 --> 00:14:56,120

just by changing the angle a little bit.

267

00:14:56,120 --> 00:15:01,160

You can give that feeling around this, to

your, to the base of this mountain and it

268

00:15:01,160 --> 00:15:05,300

makes another plane and pushes everything

else back further into the painting.

269

00:15:07,189 --> 00:15:10,250

There are working this a little.

270

00:15:10,250 --> 00:15:12,350

I want to Del it's a little

bit too bright there.

271

00:15:13,310 --> 00:15:15,770

Just a little bit of that with or dove it.

272

00:15:15,800 --> 00:15:15,860

Yeah.

273

00:15:18,140 --> 00:15:18,650

All right.

274

00:15:19,100 --> 00:15:19,310

Okay.

275

00:15:21,150 --> 00:15:26,580

Now a little bit more of the mist

just by tapping, following the

276

00:15:26,580 --> 00:15:30,720

angles, like the bottom of it.

277

00:15:30,720 --> 00:15:34,590

Very soft, very, very quiet, very smooth.

278

00:15:36,240 --> 00:15:36,780

All right.

279

00:15:40,290 --> 00:15:40,830

Okay.

280

00:15:42,330 --> 00:15:45,030

And that gives us one heck

of a range of mountains.

281

00:15:47,415 --> 00:15:47,775

Okay.

282

00:15:48,435 --> 00:15:51,135

Now, maybe back in here,

tell you what let's take.

283

00:15:51,285 --> 00:15:54,225

Let's take off the knife.

284

00:15:55,365 --> 00:15:59,025

I'm going to use, take a little bit of

white, a little white, a little white

285

00:15:59,025 --> 00:16:06,555

and go right into we'll take a little

Crimson, little Crimson, little blue one.

286

00:16:06,735 --> 00:16:09,944

We'll make a national lavender looking

color here to the blue side though.

287

00:16:11,505 --> 00:16:11,865

Okay.

288

00:16:11,895 --> 00:16:13,005

Let me wipe the knife again.

289

00:16:15,930 --> 00:16:18,450

Can we just keep using the two inch

brush and it really didn't matter.

290

00:16:18,450 --> 00:16:19,530

Whatever brush works for.

291

00:16:19,530 --> 00:16:21,720

You may be back in here.

292

00:16:23,280 --> 00:16:23,490

Yep.

293

00:16:24,030 --> 00:16:24,840

Right along in here.

294

00:16:24,900 --> 00:16:26,220

Let me just push in a little color.

295

00:16:26,250 --> 00:16:28,050

We'll come back and highlight

that a little later.

296

00:16:29,700 --> 00:16:30,270

There we go.

297

00:16:39,640 --> 00:16:41,620

I say that's just a good

place to come to the brush.

298

00:16:41,620 --> 00:16:46,960

And the worst thing could happen is it

ends up being shadows on X and we're

299

00:16:46,960 --> 00:16:48,400

going to be looking for those anyway.

300

00:16:48,700 --> 00:16:49,450

So it didn't matter.

301

00:16:51,010 --> 00:16:52,030

Take it same color.

302

00:16:52,090 --> 00:16:55,900

Let me pile it up in a pile

and find a fan brush here.

303

00:16:56,020 --> 00:17:00,220

There's one, just mix a

little light on the fan brush.

304

00:17:01,229 --> 00:17:02,339

Both sides are full though.

305

00:17:03,240 --> 00:17:08,730

And we go up in here and maybe in

our world, there lives a little tree.

306

00:17:09,020 --> 00:17:12,030

Let's do a little pushup tree where

you just push the bristles upward.

307

00:17:14,040 --> 00:17:14,700

That's pushing them off.

308

00:17:14,700 --> 00:17:14,849

Right.

309

00:17:19,700 --> 00:17:22,250

Can you maybe we'll give him a friend.

310

00:17:22,879 --> 00:17:28,010

Maybe we'll put the friend on this

side, push up or they're there.

311

00:17:29,889 --> 00:17:32,699

You can make evergreen trees

by pushing up, pushing down.

312

00:17:32,699 --> 00:17:33,959

Maybe we'll do some

different ones in this.

313

00:17:33,959 --> 00:17:34,409

I don't know.

314

00:17:34,590 --> 00:17:35,520

Let's see what happens here.

315

00:17:36,270 --> 00:17:37,830

I like to make them want that oval brush.

316

00:17:37,830 --> 00:17:40,110

Cause it makes such

interesting little shapes.

317

00:17:41,969 --> 00:17:43,469

Can you take another fan brush?

318

00:17:44,010 --> 00:17:48,810

I will take a little white, little

white, get a little of that.

319

00:17:51,149 --> 00:17:52,590

blue, little black to dull.

320

00:17:52,590 --> 00:17:56,010

It don't want it too bright, a little

black and that'll delate right down.

321

00:17:57,795 --> 00:17:58,155

There.

322

00:17:59,895 --> 00:18:00,515

Okay.

323

00:18:01,025 --> 00:18:05,255

And with that, we just tap the indication

of a few little highlights on these trees.

324

00:18:06,005 --> 00:18:12,335

Don't want a lot, just a little

little right here, wherever

325

00:18:12,335 --> 00:18:13,235

you think it should be.

326

00:18:14,015 --> 00:18:17,405

Maybe there's even a little

here and there in these bushes,

327

00:18:21,695 --> 00:18:23,795

just push up or to make

the bristles bend up.

328

00:18:25,875 --> 00:18:32,294

Sometimes you can just take the

whole liner brush, it'll paint

329

00:18:32,294 --> 00:18:35,524

thinner and maybe in our world.

330

00:18:36,034 --> 00:18:36,334

Yep.

331

00:18:37,355 --> 00:18:39,725

Maybe there's a no dead

tree that lives right there.

332

00:18:41,584 --> 00:18:43,655

There he is just very gently.

333

00:18:43,655 --> 00:18:46,745

You can pull out a few little

sticks and twigs that are

334

00:18:46,745 --> 00:18:50,524

still trying to hang on there.

335

00:18:51,365 --> 00:18:52,324

Pull things.

336

00:18:53,475 --> 00:18:58,935

They just had a hard life, but that

easy we can put in indication of a

337

00:18:58,935 --> 00:19:01,305

little tree that has passed away.

338

00:19:03,945 --> 00:19:04,785

Okay.

339

00:19:06,155 --> 00:19:10,055

Let's take a clean two inch

brush and let's begin deciding if

340

00:19:10,055 --> 00:19:12,935

we're going to have snow in here

where a snow is going to live.

341

00:19:13,145 --> 00:19:14,825

Snow's got to have a place to live too.

342

00:19:16,145 --> 00:19:17,615

So we'll come right in here.

343

00:19:20,775 --> 00:19:23,055

Yeah, we pick up any of that dark.

344

00:19:23,475 --> 00:19:24,135

It's wonderful.

345

00:19:24,925 --> 00:19:25,815

We really don't care.

346

00:19:31,535 --> 00:19:34,625

Play a little bit of that in, and this is

one of the easiest things to do in this

347

00:19:34,625 --> 00:19:39,215

method of painting is putting snow in, but

you need a little darker color underneath.

348

00:19:40,175 --> 00:19:40,955

So it shows,

349

00:19:47,855 --> 00:19:48,754

I tell you what let's do.

350

00:19:48,815 --> 00:19:49,595

Let's get crazy.

351

00:19:52,155 --> 00:19:52,875

Let's get crazy.

352

00:19:52,875 --> 00:19:54,435

Let me clean a spot off to work here.

353

00:19:56,415 --> 00:19:58,125

Clean off a spot to work.

354

00:19:58,635 --> 00:20:04,905

Let's take black alizarin Crimson,

and a little touch of blue.

355

00:20:04,965 --> 00:20:08,534

Not much, very little blue,

mostly black and Elysium Crimson.

356

00:20:10,665 --> 00:20:13,335

Very, very little of fellow.

357

00:20:13,915 --> 00:20:15,495

Don't want this to get to lavender on us.

358

00:20:15,975 --> 00:20:18,555

So have it.

359

00:20:20,850 --> 00:20:24,570

Let's use a fan brush and with

the fan brush, I'm just want

360

00:20:24,570 --> 00:20:26,430

to make a center for a tree.

361

00:20:28,530 --> 00:20:29,100

Get brave.

362

00:20:29,280 --> 00:20:34,110

This is your bravery test,

maybe another one right there.

363

00:20:34,200 --> 00:20:37,590

Smaller, too slow.

364

00:20:38,700 --> 00:20:38,939

Hmm.

365

00:20:39,689 --> 00:20:41,760

I want to use this oval

brush anyway, let's try it.

366

00:20:42,840 --> 00:20:46,560

And the oval brush is easy to identify

because it has a black candle.

367

00:20:46,560 --> 00:20:48,389

All the rest of our

brushes have white handles.

368

00:20:48,689 --> 00:20:49,800

That's easy to identify.

369

00:20:51,030 --> 00:20:52,439

All right, now we'll try it here.

370

00:20:52,439 --> 00:20:53,429

We take that over brush.

371

00:20:53,460 --> 00:20:55,770

Maybe this tree goes, we own up

some, we don't know where it goes.

372

00:20:56,790 --> 00:21:00,210

We'll make one of those old

evergreens is just hanging and down.

373

00:21:01,960 --> 00:21:05,070

They're there.

374

00:21:05,840 --> 00:21:07,610

That's all there is to it

with this brush though.

375

00:21:08,120 --> 00:21:09,860

It makes all those

beautiful little things.

376

00:21:10,760 --> 00:21:11,780

This would be, I got it.

377

00:21:11,810 --> 00:21:13,280

I got to show you one of my babies.

378

00:21:13,700 --> 00:21:16,700

I like to show you creatures

all the time and recently.

379

00:21:17,010 --> 00:21:22,139

I went out to see the bird lady

in Orlando who is close to me and

380

00:21:22,139 --> 00:21:26,730

young, who's a super, super lady and

she let me play with Danielle here.

381

00:21:26,790 --> 00:21:30,360

Daniel's a, he's a little fish

Crow, a little Florida fish CRO,

382

00:21:31,080 --> 00:21:34,139

and he's one of the most precious

little things you have ever seen.

383

00:21:35,730 --> 00:21:37,560

And Daniel and I spent.

384

00:21:38,055 --> 00:21:38,565

Well, I don't know.

385

00:21:38,565 --> 00:21:41,355

We probably spent several hours

together cause he's hungry,

386

00:21:41,355 --> 00:21:43,185

continually little rascal.

387

00:21:44,805 --> 00:21:47,475

He could, he could eat you out

of house and home in a minute.

388

00:21:47,505 --> 00:21:49,485

Look the size of the

mouth on that character.

389

00:21:51,375 --> 00:21:55,335

But he is absolutely precious there.

390

00:21:56,065 --> 00:21:58,225

And Anne has all kinds

of birds over there.

391

00:21:59,065 --> 00:22:02,034

She takes care of songbirds that

have been orphaned or injured.

392

00:22:03,625 --> 00:22:07,254

She lets she releases a couple

of thousand birds a year.

393

00:22:07,254 --> 00:22:11,875

If you can believe that she raises

these things and releases that many.

394

00:22:12,855 --> 00:22:14,185

Oh, I had a slip there.

395

00:22:18,060 --> 00:22:21,090

There, the only thing I was doing,

where he was watching Daniel, there

396

00:22:21,090 --> 00:22:25,650

was just putting in a few little

limbs on this, this old tree here.

397

00:22:26,760 --> 00:22:30,540

That's all there.

398

00:22:32,280 --> 00:22:34,260

Tell you what, just to

balance this up a little.

399

00:22:34,925 --> 00:22:36,195

Let's let's do one over here too.

400

00:22:36,465 --> 00:22:36,915

You know me?

401

00:22:36,915 --> 00:22:38,145

I like to move big trees.

402

00:22:39,495 --> 00:22:42,585

Maybe that's when it goes

sort of this, take a look back

403

00:22:42,585 --> 00:22:43,635

and see where it looks good.

404

00:22:45,375 --> 00:22:45,945

There he is.

405

00:22:46,515 --> 00:22:47,835

He just runs right off the top.

406

00:22:49,485 --> 00:22:50,535

Hangs out right here.

407

00:22:50,835 --> 00:22:52,365

Literally hangs out right here.

408

00:22:54,525 --> 00:22:55,245

There he goes.

409

00:22:58,215 --> 00:22:58,965

All right.

410

00:22:59,639 --> 00:23:04,620

And this will sort of bring the painting

altogether, but I liked these hanging

411

00:23:04,620 --> 00:23:06,480

downs that you see underneath these limbs.

412

00:23:07,830 --> 00:23:12,050

And in this series, I've, I've used

this first quite a bit because I

413

00:23:12,060 --> 00:23:13,409

just liked to make trees with it.

414

00:23:15,220 --> 00:23:18,090

In some data series we've showed you

how to use the two inch brush from the

415

00:23:18,090 --> 00:23:21,210

one inch brush and all of those there.

416

00:23:23,880 --> 00:23:24,120

Okay.

417

00:23:24,140 --> 00:23:27,120

Maybe it'll come right on

down somewhere about it there,

418

00:23:27,270 --> 00:23:28,410

wherever it doesn't matter.

419

00:23:28,410 --> 00:23:35,730

It's up to you up to you and

maybe got another oval brush here.

420

00:23:36,630 --> 00:23:37,440

Take a little bit of that.

421

00:23:38,250 --> 00:23:40,770

Blue and white, a little bit

of black in it to dull it.

422

00:23:41,490 --> 00:23:42,840

And this little tree back here.

423

00:23:43,740 --> 00:23:47,100

I just want to put a few

little indications of some cool

424

00:23:47,100 --> 00:23:49,200

highlights on that one by cool.

425

00:23:49,200 --> 00:23:53,760

I mean, blue is a very cool color

or your oranges and reds and yellows

426

00:23:53,760 --> 00:23:55,830

or, or warm colors, hot colors.

427

00:23:56,970 --> 00:24:00,030

So I'm want to put a little cool color

right there and I just sort of disappear.

428

00:24:01,170 --> 00:24:02,010

And this one here.

429

00:24:02,370 --> 00:24:09,290

So you went now, let me wash the

old brush brush, shake it off.

430

00:24:12,105 --> 00:24:13,005

You just beat the devil.

431

00:24:13,515 --> 00:24:14,895

That's the fun part of all of this.

432

00:24:15,375 --> 00:24:17,205

Now that that's come right in here.

433

00:24:17,955 --> 00:24:18,165

Oops.

434

00:24:18,165 --> 00:24:23,475

Better mix up a little color, take some

white little yellow ochre, a little

435

00:24:23,475 --> 00:24:26,415

lizard Crimson in it just to warm it up.

436

00:24:27,575 --> 00:24:28,205

That's nice.

437

00:24:29,225 --> 00:24:30,125

That is nice.

438

00:24:30,125 --> 00:24:30,725

That looks good enough.

439

00:24:33,155 --> 00:24:38,255

Now let's load this oval brush

with a little bit of this color.

440

00:24:39,795 --> 00:24:44,115

And let's go right up in here and maybe

this one is a little bit brighter.

441

00:24:45,255 --> 00:24:46,245

It hits in the foreground.

442

00:24:46,275 --> 00:24:47,475

Maybe it's a little brighter.

443

00:24:48,995 --> 00:24:49,655

There we are.

444

00:24:51,515 --> 00:24:54,065

And begin thinking about

shape and form of the tree.

445

00:24:55,745 --> 00:24:56,525

There we are.

446

00:24:56,525 --> 00:24:57,725

They're like a little

447

00:25:00,725 --> 00:25:00,935

Hmm.

448

00:25:01,055 --> 00:25:01,335

Isn't that?

449

00:25:01,335 --> 00:25:04,175

And he told the way that little

brush just drops some in.

450

00:25:05,925 --> 00:25:08,355

And the mountain tells us our

light's coming from the right.

451

00:25:10,275 --> 00:25:16,415

So we'll just then we'll dip the

brush into liquid clear liquid,

452

00:25:16,415 --> 00:25:18,575

clear to really thin the paint down.

453

00:25:19,085 --> 00:25:22,115

And also when it dries, there'll

be a little sheen to it.

454

00:25:22,425 --> 00:25:26,165

It'll shine and it looks

like highlights there.

455

00:25:26,255 --> 00:25:27,065

Tap a little of that.

456

00:25:27,275 --> 00:25:32,375

Let's go up here in here and

over here on the right there.

457

00:25:32,375 --> 00:25:34,205

And we'll put some that

nice, bright color.

458

00:25:35,220 --> 00:25:36,030

But don't overdo it.

459

00:25:36,060 --> 00:25:40,530

You can very quickly overdue kill all

your dark and this just, it just goes

460

00:25:40,530 --> 00:25:42,030

away and it loses all of its effect.

461

00:25:43,139 --> 00:25:44,370

So be careful with this.

462

00:25:45,510 --> 00:25:47,129

Be very careful don't over.

463

00:25:47,220 --> 00:25:50,879

Don't overkill, but have

more of the liquid clear.

464

00:25:51,840 --> 00:25:55,520

I like his clear that's another little

thing that I invented quite a while back.

465

00:25:55,520 --> 00:25:57,840

It has really went over

well in the art world.

466

00:25:58,139 --> 00:26:01,110

Quite a few, quite a few

artists are using that now.

467

00:26:02,310 --> 00:26:03,300

Disliked the black Jess.

468

00:26:03,300 --> 00:26:05,630

So I just thought it was

a natural thing to have.

469

00:26:05,640 --> 00:26:11,930

If you got liquid white and liquid black,

you need a little liquid clear there.

470

00:26:13,700 --> 00:26:15,650

So that's my contribution

to the art world.

471

00:26:18,590 --> 00:26:21,020

There we are a few little

things here and there.

472

00:26:24,480 --> 00:26:26,430

See how them Rascals

just hanging out there

473

00:26:29,680 --> 00:26:35,670

where ever, but it's one of the most

fantastic ways of making evergreen trees.

474

00:26:37,380 --> 00:26:40,320

And when you have unlimited time, you

can really sit and play with your son,

475

00:26:41,460 --> 00:26:45,690

tell you what I want to take this and

we'll grab it, give it a little pool.

476

00:26:48,600 --> 00:26:49,200

Like, so.

477

00:26:51,105 --> 00:26:52,935

Let's take, we take our little fan brush.

478

00:26:54,345 --> 00:26:55,265

It will clock on the wall.

479

00:26:55,285 --> 00:26:56,865

Tells me it's about time to go to dang.

480

00:26:56,865 --> 00:26:59,355

So we'll just pop in a few

little things like yes.

481

00:27:00,225 --> 00:27:01,065

And blend them back

482

00:27:04,185 --> 00:27:04,755

and shoot.

483

00:27:04,785 --> 00:27:07,995

We just about it makes a very

nice little winter scene.

484

00:27:08,565 --> 00:27:12,315

I hope you've enjoyed it, but you

can put several, these little layers

485

00:27:12,315 --> 00:27:14,355

in here and bring us all together.

486

00:27:15,885 --> 00:27:17,024

And I think you'll love this one.

487

00:27:17,175 --> 00:27:18,794

Give it a try, drop me a line.

488

00:27:18,825 --> 00:27:19,784

Let me know how you like it.

489

00:27:20,415 --> 00:27:21,975

Cause I think you'll

really enjoy this one.

490

00:27:23,375 --> 00:27:23,585

Okay.

491

00:27:24,425 --> 00:27:27,725

We're going to call that one finished and

from all of us here, I'd like to wish you

492

00:27:27,814 --> 00:27:30,215

happy painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E06 - Mountain Rhapsody

Bob Ross's

The Joy of Painting

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