Bob Ross's

The Joy of Painting

S24E11 - Portrait of Winte

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today, maybe we just do a

beautiful little winter scene, so let's

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start out and have them run all the colors

across the screen that you need to paint

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along with us while they're doing that.

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Let me tell you what

I've gotten done up here.

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I have my standard old 18 to 24 inch

pre stretched double prime canvas, but

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you use whatever size is convenient and

I've covered the entire canvas with just

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a very thin even coat of liquid white.

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So the canvas is wet.

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It allows us to blend color right up here.

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It's ready.

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So let's do it.

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Let's start today with the old

two inch brush, little tiny brush.

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We're right into a little

bit of a that they look blue.

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They look blue is a beautiful, beautiful

color blue, but it takes very little.

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So we just load a little color

into the bristles by tapping.

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See that's assures a nice

even distribution of color all

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the way through the bristles.

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Okay, let's go up here now, then let's

start up in here and just make little

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exes, little crisscross strokes.

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We go all the way across the top.

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The color is continually.

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Next thing with the liquid white

is on the canvas and that's

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why it blends beautifully.

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Like yes.

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Fair to drag canvas.

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As I like to say, you'd be an

agony city about now because it

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just doesn't blend like this.

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There that's the beauty

of the liquid white.

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It just allows us to blend color canvas.

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All right.

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Saying something like, so a

little more color on the old brush

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and we'll come right in here.

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Do something like, so that's all just

little, little cross strokes, crisscross

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strokes across Chris, whichever

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I like to make the edge of

paintings a little darker so that

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it intentionally we're bringing the

eye into the center of the canvas.

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So for that, I'm going

to add a little bit.

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Yeah, oppression, blue depression,

blue is much darker and much stronger,

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and that I'm going to apply just to

the corners, just to the corners.

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And we'll go over on this side,

put a little bit right there.

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They're not very good.

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Like we can just blame the entire sky.

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I left that blank intentionally

because I think I'll have a big cloud

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of flips right around there while

we have that color on the old brush.

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Say it a little more of a

little blue and same way.

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Just happy.

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Okay.

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And I want a little

water in this painting.

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Shoot, you know, me, I would paint

water and just about everything

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that I do, I love to paint water.

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And in this technique, it's

one of the easiest things.

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Imaginable.

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They're both from the outside audience.

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And I want to leave a little

area of light right in there.

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So just full from the outside

in and leave that there.

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So all you have to do, and then

very lightly just go across the

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entire canvas and that little

light area will remain in there.

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And if everything works just right,

it'll look like light shimmering

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across the water when we're all done.

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Now comes the fun parking it's

time to wash the old brush brush,

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check off the excess and just

beat the devil out of all right.

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We can just stay with that same old

brush and go run into a little bit of

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the, a little bit of the titanium white.

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I'm just going to bounce the corner

right into a little bit of white.

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There let's go up here now, then I

just want to make some little fluffy

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clouds and today I'm just going to do

that, but just tapping, just tapping.

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Okay.

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It's all you have to do.

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And this series, I've done a lot of

clouds, like yes, because they're

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the simplest easiest kind of clouds

that I've ever seen there in the

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past series, we've showed many,

many other ways of making clouds.

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So you find the one that

works the best for you.

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And that's the one that you want.

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I want to add the least little

touch of alizarin Crimson.

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I want to put a little, little pink fish

flavor down toward the base in this cloud.

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Not much just a little there, just

to give a bit of a hint of pink.

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A little sunshine is

dancing through there.

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There we go.

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And that very lightly, just

barely touching the canvas owner.

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Just barely blend that a little bit,

just to bring everything together.

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But those tap marks appear of

mixed, very soft little tops.

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Tia clouds.

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Now with a clean brush, I'm

just going to blend it a little.

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Not much, not much.

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You don't have to do a

lot of blending with this.

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Cause there's not a great

deal of paint on the canvas.

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Didn't have a nice, easy way of

making a big old, strong cloud.

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Let's give him a friend, you know, man, I

think everybody should have a friend, so

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we'll do the same thing and maybe, yep.

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Right there.

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We'll just tap in another happy little

cloud or big cloud in this case,

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maybe he lives right out through here.

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It's up to you up to you.

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Something like that there once

again, a little touch of the

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Crimson, just to flavor it a

little right down here at the base,

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I'll get my clean, dry two inch brush and

we can just blend it and fluff it there.

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Something as easy as that.

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And the more you blended, of course,

the more subdued it will become and

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you can literally blend it away.

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And that's the way you correct it.

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If you ever make a cloud that

you don't like, you just blend

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it away, paint you another one.

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We don't make mistakes.

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We just have happy accidents.

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And what I mean by that is it, after

a while you become so confident with

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the method that you don't worry.

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Anything that happens.

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You can use it in your

painting to your advantage.

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And that happens very, very quickly.

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Then today I'm going to make a

little mountain and pass series.

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We've made a lot of mountains, but I still

get requests every day for mountains.

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That seems to be the favorite thing there.

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We use a little black, little bit of

depression, blue and some of those

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red Crimson all mixed together.

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But it still looks blue.

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Pull it out as flat as

you can get it cut across.

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And we have our little roller paint

lives are right on the edge of the knife.

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And let's go right up here.

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Here.

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You have to make your

first major decision.

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Where does your mountain lift in our

world lives right there, right there.

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Now you have to make a lot of decisions.

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How many, how many little peaks and

bumps do you have on your mountain?

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And this is a very individual thing

you decide, you decide, and it

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could be a mountain that you've seen

before, or it could be a mountain that

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you've seen only in your imagination.

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It doesn't matter, but it's your mountain.

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That's the only thing that counts

that it's your mountain and it

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makes you happy when you've painted.

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Put another one right there.

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What the heck?

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This is a good day to have a

little, little exercise in painting

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mountains because here a lot of fun.

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And of course we're not interested in

that happy book, but if you're out,

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if you're out selling paintings, very

few things sell better than mountains.

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Everybody likes to have a nice mountain

painting hanging in their home.

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And guess what kind of having my home?

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I have house full of mountains.

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I love them.

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Love them, probably comes

from living in Alaska so long.

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There we go.

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Take the two inch brush and

just pull that pain out.

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Just pull it.

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I like that very gently.

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And you can.

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Just move the paint on

this wet canvas blended.

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And if you can see the entire

mountain, it's always more distinct

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at the top than it is at the bottom.

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And this is mixing with the

liquid and automatically

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that'll happen automatically.

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You don't even have to worry about it.

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Don't even have to think about it.

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Just blend it.

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See already.

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I see like an acid Valley right in there.

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When these things happen, treat them

as little gifts, little painting gifts.

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Use them.

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I'm going to just sound blending

up right now to bring a little

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bit liquid white up in here.

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I want to lighten this even more.

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So it looks just like a little Valley.

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There we go.

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Okay.

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Yeah.

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We don't have little winter scenes.

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Let's put some snow in there.

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We'll take titanium white, fully out as

flat as we can get it really mashed out,

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cut across, get our little rule of paint.

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Okay.

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Now then no pressure, no pressure.

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Take the point of the knife.

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Put it right at the point of the mountain.

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Just put it right up here at

the point and then let it flow.

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But no pressure.

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I can't say that enough times.

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Can't say that enough times mountains are

one of the most fantastic things to paint.

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Just love them.

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And it's so easy.

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Like, yes, there, my son, Steve,

if there's anything that he really

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excels at and painting probably

it's mountains everywhere.

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I traveled that he's been

people telling him his mountain.

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Sure.

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Put yours to shame.

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But don't tell him that he'll get

the big head and want to raise.

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He, he works for us and just

travels around and teaches we're

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actually, I guess he's self-employed

cause I don't pay very well there.

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Okay.

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Now then these back here, I want to make

him look like they're very far away.

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So I'm just going to grab the base of

them and gently blend a little bit.

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And that's about all

I'm going to do to them.

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I want them to be far away.

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Back here in that Valley there, since

we have a little Valley there, now

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I'm gonna take some white, a little

bit of titanium, some of the fatal of

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blue and mix it together like a spout.

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So there pull out very flat once

again, our little roll of paint.

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Normally every time I load the knife, I

load it with that little roll of paint.

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There and now just let that

sort of drip right down.

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There we go.

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And I want us to just gradually disappear

back into this little Valley here.

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Very quiet little thing, a

little bit right in here.

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Do we want him left

down something like, so.

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Maybe even a little touch there.

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That little chatter though,

crease the illusion of a peek

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or something protruding out.

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I want to create a mist right here.

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So I'm just taking the brush and

tapping, following those angles

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most important, then lift up down.

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Now, sometimes it's fun to play

little games, take a little more

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white and watch here to see you there.

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Now then we have another whole protrusion

right out through here, another peak

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at easy, but it needs a shadow needs,

its own little shadow or it won't play

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with you just go away and leave you

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all alone.

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Good.

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Clean, dry brush.

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We can tap that a little

bit there and right here.

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There we go.

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Now, sometimes it's fun

to play little games.

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Maybe you want to create even more

depth and distance in your painting.

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So let's take a little more of that

dark color, same old mountain color

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we're coming in right about here.

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Maybe, maybe we have another

little mountain that lives there.

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Maybe there's another peak.

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It doesn't matter whatever you want

wherever you think it should be, but

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you need that dark color in there.

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Just sort of show, just sort of standout.

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It's separates.

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Good friend.

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Take care of our two inch brush.

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Grab it once again.

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Just give it a little,

pull, something like that.

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There you go.

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And we're going to do

exactly the same thing.

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Again, just take our little, little roll

of paint right on here in the edge of

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the knife and put a little bit of snow

right on this mountain, little touch

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right there on that little peak, but this

painting will give you a lot of practice

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with a knife and making excellent.

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Beautiful.

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Malthus and don't be afraid of if one

didn't come out just right to evaluate

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it, the, scrape it off and do it again

because that's the way we learn is by

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doing things over and over, over and over.

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And it doesn't mean that you've done bad.

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It means you're normal.

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Cause I'll tell you there's

not anybody who's painted that.

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Hadn't scraped it off and

redone it many, many times.

248

00:14:01,770 --> 00:14:03,660

Not a fair, not if they're a good painter.

249

00:14:04,949 --> 00:14:07,140

You can bet they have

scraped and repainted.

250

00:14:08,189 --> 00:14:11,250

It's part of the price that

you pay to learn to paint.

251

00:14:11,670 --> 00:14:12,089

That's all.

252

00:14:13,110 --> 00:14:15,510

And even that is a

tremendous amount of fun.

253

00:14:17,400 --> 00:14:17,939

There we go.

254

00:14:19,140 --> 00:14:23,579

Something like, so sometimes

watch here, you play little games.

255

00:14:23,579 --> 00:14:25,410

Maybe we'll just bring all that together.

256

00:14:26,910 --> 00:14:28,920

See it all goes right together.

257

00:14:31,290 --> 00:14:33,510

But once again, let's put a

little shadow right in there.

258

00:14:34,170 --> 00:14:35,069

Something like that.

259

00:14:37,410 --> 00:14:37,890

There

260

00:14:42,319 --> 00:14:43,339

isn't that unbelievable.

261

00:14:43,339 --> 00:14:45,740

Within just a couple of minutes,

you can make a mountain like that.

262

00:14:46,160 --> 00:14:46,969

And you really can.

263

00:14:46,969 --> 00:14:50,780

Maybe the first time you try this,

it's going to take you more than a

264

00:14:50,780 --> 00:14:55,400

couple of minutes, but the more you

practice, the faster you'll become

265

00:14:55,490 --> 00:14:57,980

initially, don't worry about speed.

266

00:14:57,980 --> 00:14:59,240

Don't even think about speed.

267

00:15:00,045 --> 00:15:00,705

You want to learn?

268

00:15:01,485 --> 00:15:02,385

Don't worry about speed.

269

00:15:02,445 --> 00:15:06,885

It comes with just a little

practice and you won't even

270

00:15:06,885 --> 00:15:10,695

realize it's happening one day.

271

00:15:10,695 --> 00:15:11,505

You realize that word.

272

00:15:12,315 --> 00:15:15,405

Took you maybe four or five hours

to do a painting that you're

273

00:15:15,405 --> 00:15:20,175

doing at same painting in half the

time, and then it's half again.

274

00:15:20,175 --> 00:15:23,205

And then pretty soon, pretty

soon you could knock these little

275

00:15:23,205 --> 00:15:25,185

Rascals out, just like we do here.

276

00:15:25,605 --> 00:15:26,745

And there is no editing here.

277

00:15:26,775 --> 00:15:30,585

What you see is actually what

happens even the mistakes.

278

00:15:32,340 --> 00:15:33,060

There we go.

279

00:15:35,330 --> 00:15:38,630

I'm mixing up that same color

and adding a little white to it.

280

00:15:39,170 --> 00:15:42,500

Just to make a lighter bloom, puts a

little trees weed back in the distance.

281

00:15:43,520 --> 00:15:45,200

And for that, let's use

our little fan brush.

282

00:15:45,230 --> 00:15:49,130

We just load a little

color, something like that.

283

00:15:50,780 --> 00:15:52,250

I'm just going to tap downward.

284

00:15:52,250 --> 00:15:54,650

I just want to make the indication

of some little trees that live.

285

00:15:54,650 --> 00:15:58,640

We back at a distance far, far away.

286

00:15:59,240 --> 00:16:00,350

We're not looking for detail.

287

00:16:01,290 --> 00:16:02,760

Detail comes in the foreground.

288

00:16:06,839 --> 00:16:07,319

Okay.

289

00:16:09,839 --> 00:16:11,459

Back here just to indication.

290

00:16:11,469 --> 00:16:14,430

So once again, indications.

291

00:16:15,645 --> 00:16:19,155

Too much detail or we're in the

illusion of distance and your painting.

292

00:16:19,365 --> 00:16:21,945

So don't, don't try to put

every leaf on these little trees

293

00:16:21,945 --> 00:16:23,415

that are living Lebeck here.

294

00:16:24,075 --> 00:16:27,845

You don't see them in real there.

295

00:16:28,805 --> 00:16:31,385

Now let's take our old two inch brush.

296

00:16:31,475 --> 00:16:32,755

I want to grab the bottom of this.

297

00:16:32,805 --> 00:16:33,245

Watch here.

298

00:16:33,635 --> 00:16:36,305

Decide where land and water

meet full, straight down.

299

00:16:41,225 --> 00:16:41,885

Go across.

300

00:16:43,439 --> 00:16:48,870

And that quick, we have instant

reflections, instant reflections.

301

00:16:50,939 --> 00:16:52,260

I'll take a little bit of liquid white.

302

00:16:52,829 --> 00:16:53,160

I'll do that.

303

00:16:53,160 --> 00:16:54,600

Very flat cut across.

304

00:16:55,740 --> 00:16:55,890

I'm going.

305

00:16:55,900 --> 00:16:56,730

We'll go right up in here.

306

00:16:56,819 --> 00:17:00,660

And I'm just going to cut in a little

water line, using the knife straight on

307

00:17:01,050 --> 00:17:07,319

pushing very firmly, very firmly there.

308

00:17:08,940 --> 00:17:12,930

Something about like the waterline,

just really a sort of splits up

309

00:17:12,930 --> 00:17:17,240

these two dark covers and gives the

indication where the shoreline yes.

310

00:17:21,020 --> 00:17:28,129

Now saying, Oh, colorway is using them on

add a little bit more of the blue to it.

311

00:17:28,129 --> 00:17:30,860

Just in darkened it a

little, just to darken it up.

312

00:17:31,725 --> 00:17:32,865

Maybe even a little more black, too.

313

00:17:32,895 --> 00:17:33,375

What the heck?

314

00:17:33,975 --> 00:17:39,675

Have it all, something like that

can let me clean off the old knife.

315

00:17:40,905 --> 00:17:45,945

I just wiped the knife on a

paper towel or a little soft rag.

316

00:17:45,975 --> 00:17:52,274

What have you have got a load deal fan

brush back up and don't be shy here.

317

00:17:52,365 --> 00:17:58,125

Put a bunch of color in that brush to

get brave, brave, maybe in our world.

318

00:17:58,125 --> 00:17:58,695

There's a big.

319

00:17:59,925 --> 00:18:02,235

Foothill lives make a decision.

320

00:18:02,235 --> 00:18:04,055

Bobby, there we go right there.

321

00:18:04,835 --> 00:18:06,365

See, how are you going

to do is just decide.

322

00:18:07,375 --> 00:18:08,065

This is your world.

323

00:18:08,085 --> 00:18:10,835

You have total and complete

power over this world.

324

00:18:11,765 --> 00:18:16,475

Can do anything, anything that you

believe you can do all you have

325

00:18:16,475 --> 00:18:18,635

to do, visualize it in your mind.

326

00:18:19,385 --> 00:18:20,795

See it over and over.

327

00:18:25,169 --> 00:18:27,899

And what you can visualize

and believe in, leave it.

328

00:18:27,899 --> 00:18:28,939

You can do, you can do.

329

00:18:30,000 --> 00:18:35,370

I know you can, because I see pictures

every day from fantastic people all

330

00:18:35,370 --> 00:18:39,149

over the country and they are creating

some of the most beautiful paintings.

331

00:18:41,100 --> 00:18:43,560

And that, that truly

is the joy of painting.

332

00:18:43,770 --> 00:18:47,610

It really truly is put a little

detailed maybe on that one.

333

00:18:47,669 --> 00:18:50,129

Maybe he's the big boss tree right there.

334

00:18:54,270 --> 00:18:59,640

I'm just tapping firmly, put a little

color on the canvas, wherever trees grow

335

00:18:59,640 --> 00:19:01,590

in every size and shape description.

336

00:19:01,590 --> 00:19:05,160

Just like people slang people.

337

00:19:05,700 --> 00:19:06,420

They're different.

338

00:19:07,200 --> 00:19:11,220

Some are big, some are small, some

are tall, some are small, whatever.

339

00:19:12,840 --> 00:19:15,360

That's what makes them so fantastic.

340

00:19:16,380 --> 00:19:18,210

That's what makes people so fantastic.

341

00:19:18,940 --> 00:19:19,680

They were all alike.

342

00:19:19,680 --> 00:19:20,070

Would you be

343

00:19:28,320 --> 00:19:33,150

okay, just really filling that in.

344

00:19:33,150 --> 00:19:35,790

You can do this for the two inch brush,

if you want it to probably be a little

345

00:19:35,790 --> 00:19:40,680

easier and faster, but since I have this

going, what the heck doesn't matter.

346

00:19:42,045 --> 00:19:44,865

Now I'm going to lift gently upward,

but all those little splotches

347

00:19:44,865 --> 00:19:50,865

now become look like hundreds,

maybe thousands, little trees, or

348

00:19:50,865 --> 00:19:52,215

however many you want in your world.

349

00:19:52,605 --> 00:19:53,715

Do you make up your mind how many?

350

00:19:53,715 --> 00:19:55,335

It looks like part of it.

351

00:19:55,335 --> 00:19:59,745

I'm going to pull straight down,

create a reflection under there,

352

00:20:00,435 --> 00:20:06,165

like, so go across, but not as

traditional painter reflections used to.

353

00:20:06,660 --> 00:20:08,460

Absolutely drive me up the wall.

354

00:20:08,520 --> 00:20:11,730

She would, I can remember taking, painting

something and then turning the canvas

355

00:20:11,730 --> 00:20:17,780

upside down, trying to repaint it and

make it shimmer reflections probably

356

00:20:17,780 --> 00:20:22,100

are the easiest, simplest, quickest

thing that we do in this technique.

357

00:20:22,160 --> 00:20:23,180

A little liquid right here.

358

00:20:24,110 --> 00:20:28,190

Give you indication of a little

water nine or then underneath that

359

00:20:28,880 --> 00:20:30,890

pushing very firmly, very firmly.

360

00:20:31,880 --> 00:20:33,470

If you ever have one here, you don't like.

361

00:20:34,635 --> 00:20:36,705

Take your two inch brush, grab

it, pull it right into the

362

00:20:36,705 --> 00:20:38,805

reflections and it just goes away.

363

00:20:39,915 --> 00:20:43,665

Just goes away that easy and easy.

364

00:20:45,165 --> 00:20:47,505

Let's put some, let's put

some evergreens in here.

365

00:20:49,275 --> 00:20:51,975

Usually when you have this kind

of scenery, there's some beautiful

366

00:20:51,975 --> 00:20:53,415

little evergreens living around there.

367

00:20:54,345 --> 00:20:55,665

Clean me off a spot to work.

368

00:20:55,695 --> 00:20:57,045

I want them to be very dark.

369

00:20:57,195 --> 00:21:01,125

So we'll start with

black oppression, blue.

370

00:21:01,725 --> 00:21:05,445

Some Crimson with rotate a

little blue in there too.

371

00:21:05,445 --> 00:21:05,925

It doesn't matter.

372

00:21:06,225 --> 00:21:06,824

It, whoops.

373

00:21:06,824 --> 00:21:07,725

I really didn't matter.

374

00:21:09,855 --> 00:21:11,595

Oh, there we go.

375

00:21:11,625 --> 00:21:16,514

The will knife put on the pallet there

sometime I get in too big, a hurry.

376

00:21:17,985 --> 00:21:18,375

All right.

377

00:21:18,375 --> 00:21:19,514

Load the brush full of color.

378

00:21:19,514 --> 00:21:24,314

Again, a lot of paint, a lot of

paint on the screw right up in here

379

00:21:24,314 --> 00:21:27,314

and decide our tree is right there.

380

00:21:28,995 --> 00:21:30,555

That's all it takes to make a decision.

381

00:21:30,975 --> 00:21:31,665

Just have side.

382

00:21:33,575 --> 00:21:36,715

You use the corner of the brush

that you worked down the tree,

383

00:21:36,785 --> 00:21:40,085

push harder and harder forcing

the bristles to bend downward.

384

00:21:40,175 --> 00:21:43,775

Most importantly than down and

underneath the limbs, that'll

385

00:21:43,775 --> 00:21:45,005

make all the little hangie down.

386

00:21:45,005 --> 00:21:46,775

Things that live under evergreen.

387

00:21:48,005 --> 00:21:49,295

I don't know exactly what you call them.

388

00:21:49,655 --> 00:21:53,765

I've always called them me downs, but

I bet you know what I'm talking about.

389

00:21:53,825 --> 00:21:55,715

Maybe it's not a proper word, but.

390

00:21:56,669 --> 00:21:57,510

You understand?

391

00:21:58,590 --> 00:22:02,790

Maybe here's one that he's

got a little band, any just

392

00:22:06,930 --> 00:22:07,230

there.

393

00:22:09,240 --> 00:22:09,629

Okay.

394

00:22:09,700 --> 00:22:11,730

We'll give him a friend

that lives right there.

395

00:22:14,805 --> 00:22:17,265

There we are this back and forth.

396

00:22:18,495 --> 00:22:20,265

Makes a neat little

sound on the canvas too.

397

00:22:20,265 --> 00:22:20,775

I liked that.

398

00:22:21,225 --> 00:22:26,505

I liked the way it

sounds there we are now.

399

00:22:26,565 --> 00:22:31,365

It's really fantastic to me when we

finished this series, I think it would

400

00:22:31,365 --> 00:22:35,655

be 300 and 312 joy of painting shows.

401

00:22:37,814 --> 00:22:41,655

It's unreal, literally breaks

every record and television

402

00:22:41,655 --> 00:22:46,725

history for an art show, 312 shows.

403

00:22:47,445 --> 00:22:50,745

And I'm getting a lot of letters

now from people that say we

404

00:22:50,745 --> 00:22:52,094

haven't seen all the shows.

405

00:22:54,014 --> 00:22:57,254

So I think what I'm going to do, I've

been, I've been talking a little bit here.

406

00:22:57,254 --> 00:23:02,235

Maybe what I'm going to do is pick

out some shows that are my favorite.

407

00:23:03,225 --> 00:23:04,965

The paintings are my favorite paintings.

408

00:23:05,895 --> 00:23:07,875

And I think they're going to

put them together in a series.

409

00:23:08,085 --> 00:23:12,285

We're going to call the best

of the joy of painting and let

410

00:23:12,285 --> 00:23:13,755

you see what my favorites are.

411

00:23:14,775 --> 00:23:19,155

And this way people will have the

opportunity to see how the joy of painting

412

00:23:19,155 --> 00:23:23,685

has progressed from the very beginning,

because we will just intermix these shows.

413

00:23:24,945 --> 00:23:26,055

I think you're really enjoyed.

414

00:23:26,149 --> 00:23:30,230

But if you'd like to see it, let us

know, or even better yet, let the station

415

00:23:30,230 --> 00:23:34,100

where you're watching this now and we'll

make it available to them very soon.

416

00:23:35,030 --> 00:23:36,620

Let's call it the best

of the joy of painting.

417

00:23:36,649 --> 00:23:38,419

How's that think it would be fun.

418

00:23:39,439 --> 00:23:42,949

I'd like to see some of

the old shows myself there.

419

00:23:43,550 --> 00:23:48,350

I'll take a little white, a little

Crimson, little blue, little lavender

420

00:23:48,379 --> 00:23:53,300

color, but sort of pinkish there, but

the indication here and there just.

421

00:23:54,270 --> 00:23:57,930

A little tree trunk,

wherever you want them.

422

00:23:59,160 --> 00:24:00,060

There that's enough.

423

00:24:01,610 --> 00:24:04,790

We have to take a little liquid

wine, a little tag-team Hornet.

424

00:24:05,810 --> 00:24:07,160

I'll grab the least little touch of that.

425

00:24:07,160 --> 00:24:11,240

They look blue and put in there,

something like, so let's go up in here

426

00:24:12,560 --> 00:24:16,730

and let's just put the indication of

a little highlight, little snow, maybe

427

00:24:16,730 --> 00:24:17,990

laying out here on some of these.

428

00:24:18,525 --> 00:24:19,935

Yeah, darker, darker, darker.

429

00:24:20,655 --> 00:24:21,405

As you worked down,

430

00:24:24,485 --> 00:24:25,175

there we go

431

00:24:30,445 --> 00:24:37,235

over and over right on down from here.

432

00:24:42,060 --> 00:24:44,730

There we go just a few here and there.

433

00:24:44,790 --> 00:24:46,620

Be careful don't cover up all the dark.

434

00:24:46,649 --> 00:24:50,820

Cause evergreens normally are a little

darker than most tree, so you don't want

435

00:24:50,820 --> 00:24:52,500

to kill all that beautiful dark color.

436

00:24:53,520 --> 00:24:57,810

I want to take some quite a little

bit of the, they look blue on the one

437

00:24:57,810 --> 00:25:03,000

inch brush and maybe in our world,

our lives, some happy little bushes.

438

00:25:03,929 --> 00:25:07,379

So right now all I'm doing is putting in

a little base color for the little bushes.

439

00:25:09,510 --> 00:25:11,370

Where ever we think they should be maybe.

440

00:25:11,700 --> 00:25:11,940

Yeah.

441

00:25:12,030 --> 00:25:13,139

When I come right down that camp.

442

00:25:15,110 --> 00:25:15,740

All right.

443

00:25:17,720 --> 00:25:22,820

Get a clean one inch brush and dip

it into liquid white liquid white.

444

00:25:22,850 --> 00:25:25,190

Let me clean off a little

spot here to work with.

445

00:25:26,750 --> 00:25:27,320

There we go.

446

00:25:28,190 --> 00:25:28,850

Liquid white.

447

00:25:29,570 --> 00:25:29,659

Okay.

448

00:25:29,840 --> 00:25:32,030

Then I'm going to pull the

brush in one direction.

449

00:25:32,120 --> 00:25:35,240

One direction only right

through the titanium.

450

00:25:35,240 --> 00:25:35,480

White.

451

00:25:35,480 --> 00:25:37,070

I want to load a lot of color into that.

452

00:25:37,709 --> 00:25:39,629

A lot of pain into the bristles there.

453

00:25:40,830 --> 00:25:44,760

Now with that, we're going to come

back and just begin highlighting this.

454

00:25:45,389 --> 00:25:48,600

They could look like little snow

covered bushes living right up there.

455

00:25:50,129 --> 00:25:53,699

Just little Juul chatting in

the sun, do one Bush at a time,

456

00:25:55,139 --> 00:25:56,639

one little Bush at a time.

457

00:25:57,449 --> 00:25:57,780

Okay.

458

00:25:57,840 --> 00:26:00,320

Maybe there's one wherever you want them.

459

00:26:00,889 --> 00:26:01,699

There's another one.

460

00:26:03,860 --> 00:26:04,250

Okay.

461

00:26:05,159 --> 00:26:08,760

Here and there they're in here and you

don't have to, you don't have to make

462

00:26:08,760 --> 00:26:12,210

all of them white leave some of them the

dark blue, because they'll be in shadow.

463

00:26:13,409 --> 00:26:16,620

They'll be back in the shadows

where the little bunny rabbit hides.

464

00:26:18,290 --> 00:26:18,889

There we go.

465

00:26:20,030 --> 00:26:24,020

We can take it a little titanium height

now, and let's just quickly put the

466

00:26:24,020 --> 00:26:28,639

indication here of a little snow,

right at the base of these something.

467

00:26:28,639 --> 00:26:29,270

My cap.

468

00:26:31,095 --> 00:26:32,595

But pay attention to angles.

469

00:26:32,595 --> 00:26:35,245

When you do this, don't just

throw this on at random.

470

00:26:35,535 --> 00:26:36,165

And where's she at?

471

00:26:36,165 --> 00:26:37,245

Don't pull it straight down.

472

00:26:37,695 --> 00:26:46,295

If you do it look like huge

clips there, something like this.

473

00:26:46,565 --> 00:26:47,195

There we go.

474

00:26:48,335 --> 00:26:52,175

And we just fill that in wherever you

think the little snow area should be.

475

00:26:55,295 --> 00:26:56,705

This is a very cold winter.

476

00:26:56,705 --> 00:26:58,175

Seeing this all done in the blues.

477

00:26:59,970 --> 00:27:00,180

Yeah.

478

00:27:00,629 --> 00:27:01,920

Make you want to put your coat on.

479

00:27:03,129 --> 00:27:06,330

I think we about have a finished

painting, scratching, a few

480

00:27:06,330 --> 00:27:07,920

sticks and twigs call that one.

481

00:27:07,930 --> 00:27:08,160

Done.

482

00:27:09,390 --> 00:27:11,550

Hope you've enjoyed it

from all of us here.

483

00:27:11,910 --> 00:27:14,850

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E11 - Portrait of Winte

Bob Ross's

The Joy of Painting

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