Bob Ross's

The Joy of Painting

S22E09 - Haven in the Valley

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Hi, welcome back.

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We're certainly glad you,

you could join us today.

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And today I thought we'd just

do a fantastic little painting

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that I hope you'll enjoy.

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So I tell you what, let's start

out and have him run all the

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colors across the screen that

you need to paint along with us.

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And as usual they'll come across

in the same order as I have on the

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pallet, starting with the white and

working around and they'll put them.

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Right about there.

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All right, let's come on up here.

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Let me show you what I've

gotten done already today.

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I've taken a cut, a little oval

out of some contact paper or

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any kind of a heat bag paper,

and just stuck it on the canvas.

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Then we've covered the whole

inside here with just a very thin

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even coat of the liquid white.

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So it's all slick and

wet and it's ready to go.

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So let's just have a good

time tell you what today.

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Today's such a wonderful day.

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Let's just take and make

a happy little painting.

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We'll use a little bit of yellow ochre.

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We'll start with that.

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And let's go up in here and

let's just very quickly put in

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a very beautiful little sky.

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It's very easy.

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Nothing to it.

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Just make little crisscross

strokes, like, so.

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Something like that.

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I don't want a lot of color in this guy.

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I want this sky to sorta

be, Oh, nondescript.

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Just very, very quiet little sky.

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Maybe we will get a little bit crazy.

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You know, me?

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I like like a little bit of action.

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I'm gonna take a little

touch of a lizard Crimson.

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Very, very small amount.

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I can't say that enough.

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I just want to warm it up a

little right about in there.

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Just the smallest amount possible.

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There we go, Adam, let's go into,

hadn't even washed the brush yet.

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We'll go into midnight, black, just load

a little of that on it all to inspiration.

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Just tap the bristles right

into a little bit of the color.

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And let's go up in here

and maybe right in here.

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We'll just put a little, that black

color is that gets with the liquid

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white that's already on the canvas.

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We have a beautiful gray color

there, and maybe, maybe in our

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world, I'm making little circles,

just using the corner of the brush.

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Maybe there's some little floater clouds.

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That's great.

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It just sort of live right in here.

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Just little floaters.

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They just hang around here

and have a good time all day.

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Okay.

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I have several brushes growing.

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Let me grab another one.

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We take a clean brush now and I

just want to blend this right here.

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Just blend it and soften it.

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So it just sorta just sits there.

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Very gently.

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It doesn't scream magic.

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It just sits there.

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But now in your world, if you

would like to make that more

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distinct or brighter, please do.

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Because as you know, on this

piece of canvas, you can do

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anything that you want to do.

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And that's what you should do.

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It should make you happy.

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Painting should make you happy.

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All right.

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Well, you know me, I like water.

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So home, we got this old brush going.

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I'm gonna take a little

touch of the fail-over blue.

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And the least little touch of

the thalo green mixed into it.

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Not much.

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I, green is a very, very strong, just

a little, and maybe in our world,

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there'll be, Hey, we'll have it a

little water down here somewhere.

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I don't really know at this point then

again, by the time we get down here, we

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may change your mind, take the water out.

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We can, we can do that.

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We can do that.

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As I've mentioned before, when you

buy your first tube of paint, you

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get an artist license and it says

you can do anything that you'd

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want to do on this piece of canvas.

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All right.

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Let's wash the brush.

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That's the fun part of this.

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We wash our breasts and odorless

paint thinner and be sure it's

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odorless or you'll be very unpopular.

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Shake it.

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And then just.

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Beat the devil out of beat

the bristles against any firm

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object for home use though.

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I really recommend that you look

into a little brush beader racket.

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You can put in the

bottom of a garbage can.

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It will save your marriage.

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Listen, let's take a little black, maybe

a little Prussian blue, very strong blue.

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We'll just mix those together.

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Cut off at least a little roll of paint.

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Very small row where it lives

red on the edge of the knife.

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Now come right up in here and

let's decide maybe today let's

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really practice on a mountain.

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I get so many requests for mountains,

even though we do quite a few of them.

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People love mountains.

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It seems to be the most popular

thing that I get requests for.

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All right.

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Maybe there's a big

Valley right down in here.

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I don't know, whatever, whatever.

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Here we go.

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That we have a Valley here.

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We could have another

little bump in there.

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Anything that you like,

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something like that.

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Yeah.

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Let's take the old two inch

brush or grab that and pull it.

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It does two things removes excess paint.

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It starts creating that illusion of

mist down at the base of the mountain.

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Losing it from this test.

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What makes your mountain so beautiful?

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It just looks like it's floating

and all that and missed.

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There, the removal of the

excess paint will make the next

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step much, much easier for us.

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We're going to put some

highlights on that.

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There we are already, it looks Misty

down at the base and that's exactly,

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exactly what we're trying to do.

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And I'll wash the old rush again.

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If you hadn't figured out, I just

like to wash the brush and watch the

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camera crews reaction when they died.

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Right.

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Let's take some white.

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I don't put the least little

touch of Lee's little touches,

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some dark Sienna in there.

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I just want a hint got across a little

roll of paint and let's go up in here.

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No pressure, no pressure at all.

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And let's just begin forming our mountain.

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And this is where you make all the little

highlights, all the beautiful little

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things that happened in your mountain,

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and you can have this mountain go

anywhere that you want it to go anywhere.

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Just like, so that

little touch of dark CN.

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And there's just enough

though, to make it.

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Very nice.

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Be careful not to overdo.

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Don't overdo.

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Sometimes these things get

working nice and we get carried

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away and just cover everything.

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All right.

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Maybe, maybe there's.

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Just a little touch.

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Tell you what I'm going to do is

take some white, put a little, a

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little touch of say a little blue.

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What's too much.

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Don't want that much there.

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That's better.

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And a little bit of Bandag

Brown and just to bell it down,

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just to go that color down.

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So there we are now to take our

little roll of paint as usual.

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We'll go right in here.

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And just begin, but again,

it's a beautiful little

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shadow areas, just like, so

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I think about form and shape here.

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How do you want this thing to, to be fair

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maybe right in here.

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Yeah.

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We need a little something not much.

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So I want that to stay

pretty dark in there.

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That's a deep crevasse in there.

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Okay.

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Over in here, there, Erica,

maybe this one just wraps right

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around and comes right in there.

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I don't know.

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Say it makes that mountain look like

it's sort of standing up and we'll

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put a few little things over here.

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This is back with a light that has

a little bit of dark CNN in it.

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And we're just gonna to sort of

play these back and forth labor

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little hint up here.

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I don't want a lot back here.

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It's too far away.

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He put me in the back room.

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Yeah.

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And we'll come right along in here.

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Maybe.

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Shoot.

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I don't know if that comes right

on out there wherever you want it.

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So it's an excellent exercise

and painting mountains.

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It'll really make you feel

comfortable with mountains.

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If you'll devote a little time to

painting like this, because by the time

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you do this one, the mountains will

never give you any more problems there.

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Maybe, maybe we'll do a

little write in there too.

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What the heck?

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Not a lot in there.

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Go back to her wife.

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It's got a little Brown in it.

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Okay.

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Come right back in here.

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Now you may find a little knife works

much better for getting into some of

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these areas that are small, like this

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sort of an individual thing.

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There we go.

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She has to let those little things just

play and thinking about shape and form

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and how you want this to go now with

the clean, dry two inch brush, I'm going

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to blend a lot of this together just by

tapping, being very careful to follow the

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angles that we've put in this mountain.

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Even in here, I want to

take the break very lightly.

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Don't want to do destroy.

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I just want to blend it together.

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See how gentle that is.

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I think that's a half a hair and some air.

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If that gives you an idea of how

gentle, just barely grazed the

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top, you can soften all of that.

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That's why I wasn't too worried

about it when I put it on.

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Okay.

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And then over here, But isn't

that just absolutely fun.

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That's pretty mean looking old mountain.

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All right.

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Yeah, we have this little

mountain, maybe an Arab world.

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We have some great big

foothills that live back here.

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So let's take, we'll use some black,

Oh, a little touch of depression, blue.

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We'll reach up here and

get a little SAP green.

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Maybe be a little Brown

and Crimson in there.

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We'll just put everything in

there, then a little flight.

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Cause I want to value this down to where

it's color about like that and this sort

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of a, sort of a greenish gray color.

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Today, let's have some fun, but the

old oval brush, it's easy to tell

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because it's our, it's the only brush

we have that has a black handle.

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And I made that one, blacks would

be easy to identify, but as you can

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see, the end of it's sort of round

like a huge Filbert brush only.

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It's like one of our one

inch brushes now, then.

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I like his brush because it makes

beautiful little roundy Hill type

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things just by tapping down there.

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Just think about the shape, but you

won't put it in there, prop it in there.

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There's not a great deal of pain on here.

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It might look like there's a lot of pain,

but there's really not a lot of paint.

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Just enough.

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To stay in the canvas there and

that fantastic new, you can do it.

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Maybe this one goes all the way up here.

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I don't know wherever you want it.

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There.

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Sometime I get carried away and just

let these things cover a path to canvas.

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When you do yours, be

a little more careful.

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Sometimes there's these.

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Sometimes I let it get out

of hand cause it's fun.

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And even though I probably painted,

Oh, I don't, I don't even know how many

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paintings, 20, 30,000 paintings now.

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Maybe more, I still get a fantastic

charge out of just watching it

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happen, but it still amazes me.

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It's still fun.

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I don't think painting is one of

those things that you ever get

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tired of or ever it gets old to you.

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Yeah.

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And then I won't take my old two

inch brush and just pull some of that

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down and that'll give us a little

reflection already, something like that.

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And by making this hire.

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Then the sides, it gives the

impression that that Lake goes back.

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And I guess that's a Lake back here

makes it look like it goes back.

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It has distance then would go across

instant reflections that easy.

254

00:13:44,055 --> 00:13:44,655

All right.

255

00:13:45,425 --> 00:13:47,765

Several of these little oval brushes,

I'm going to grab another one and

256

00:13:47,765 --> 00:13:48,875

put a little liquid white on it.

257

00:13:49,085 --> 00:13:51,875

Go into some yellow, just CAD yellow.

258

00:13:53,205 --> 00:13:57,315

Reach up here, be right back and get the

least little touch of the thalo green.

259

00:13:58,305 --> 00:13:59,535

It's a very bright green.

260

00:13:59,535 --> 00:14:00,525

Be careful with it.

261

00:14:00,645 --> 00:14:04,305

Who would lead up your whole world

in a heartbeat, a little yellow ochre

262

00:14:04,305 --> 00:14:05,535

in there to dull it down a little.

263

00:14:06,285 --> 00:14:07,665

Now, just tap the brush.

264

00:14:09,435 --> 00:14:10,005

There you are.

265

00:14:10,635 --> 00:14:13,485

And we'll go up here and now we

have to start picking out little

266

00:14:13,485 --> 00:14:15,615

individual Hills back in here.

267

00:14:16,905 --> 00:14:19,575

Just go right in here with that

oval brush, it'll make them almost

268

00:14:19,575 --> 00:14:24,645

automatically and just tap gently,

gently tap on one to get darker,

269

00:14:24,645 --> 00:14:25,845

darker, darker, darker, darker.

270

00:14:26,535 --> 00:14:29,415

So do the tops while the brush

is fresh, while you have good

271

00:14:29,415 --> 00:14:34,275

clean color on there, do the tops

first and then work your way down.

272

00:14:35,685 --> 00:14:38,475

And that way automatically it'll

pick up the darker color underneath

273

00:14:39,285 --> 00:14:40,305

and get dollar and dollar.

274

00:14:40,335 --> 00:14:41,085

And that's what we want.

275

00:14:41,085 --> 00:14:43,455

We want to get darker, darker,

darker as it works down.

276

00:14:44,580 --> 00:14:44,940

Okay.

277

00:14:44,940 --> 00:14:47,790

Now maybe there's another one.

278

00:14:47,970 --> 00:14:48,780

That's right here.

279

00:14:49,650 --> 00:14:53,670

See, by changing the flavor or the

color a little bit, we can literally

280

00:14:54,930 --> 00:14:57,510

break them apart, make it look

like you're several layers here.

281

00:14:59,970 --> 00:15:00,510

There we go.

282

00:15:01,020 --> 00:15:02,820

And then just pick out

little individual things.

283

00:15:02,820 --> 00:15:03,810

Take it wherever you want it.

284

00:15:07,650 --> 00:15:09,180

And every time you want it to stand out.

285

00:15:09,945 --> 00:15:11,445

But a little lighter color in there.

286

00:15:11,445 --> 00:15:12,855

Maybe I can't.

287

00:15:13,365 --> 00:15:14,685

And then it jumps right out at you.

288

00:15:16,185 --> 00:15:16,335

Okay.

289

00:15:16,415 --> 00:15:18,455

Get darker, darker, darker

down toward the base.

290

00:15:18,455 --> 00:15:20,045

Again, it's most important.

291

00:15:21,175 --> 00:15:24,125

Doesn't get darker and you

can't put a lighter color

292

00:15:24,125 --> 00:15:25,235

against it and make it show up.

293

00:15:27,125 --> 00:15:29,105

See, watch I'll take a

little lighter color.

294

00:15:31,380 --> 00:15:32,040

And that easy.

295

00:15:32,310 --> 00:15:33,510

We can put another one in there.

296

00:15:35,430 --> 00:15:39,240

There can't be over

here on the other side.

297

00:15:39,390 --> 00:15:41,280

Let's do the same thing right in here.

298

00:15:42,120 --> 00:15:43,410

Don't want this side left out.

299

00:15:45,150 --> 00:15:47,640

He wants some little highlights

too, but back in here, I'm just

300

00:15:47,640 --> 00:15:48,810

going to fade into nothing.

301

00:15:51,540 --> 00:15:53,790

Think in my world, I might

put some trees over there.

302

00:15:54,240 --> 00:15:55,290

Gotta have some, somewhere.

303

00:15:55,350 --> 00:15:56,160

I like trees.

304

00:15:58,935 --> 00:16:02,715

They're okay.

305

00:16:05,355 --> 00:16:06,435

Kinds of little doers.

306

00:16:08,745 --> 00:16:12,105

Maybe this one comes on out

here somewhere, but look

307

00:16:12,105 --> 00:16:13,395

at all the layers in there.

308

00:16:14,205 --> 00:16:15,855

Just the tiny little foothills.

309

00:16:17,564 --> 00:16:18,194

All right.

310

00:16:22,020 --> 00:16:25,800

Tiny little bit of the liquid white,

right on the tips of the brush.

311

00:16:25,800 --> 00:16:29,610

There just want to highlight like, or some

light just really zinging right through.

312

00:16:30,420 --> 00:16:31,770

She knows hitting a few things.

313

00:16:33,209 --> 00:16:37,680

So I say it's just a tiny bit of

liquid white right out on the tips

314

00:16:37,680 --> 00:16:41,520

of the bristles, but don't overdue

or it'll lose its effectiveness.

315

00:16:42,780 --> 00:16:48,420

Just a few, just a few added, maybe.

316

00:16:49,320 --> 00:16:50,640

You know, let's get crazy.

317

00:16:50,910 --> 00:16:54,570

Let's take a little liquid white and

maybe right up in here in our world,

318

00:16:54,990 --> 00:16:57,900

there lives a tiny little waterfall.

319

00:16:58,860 --> 00:16:59,880

I love waterfall.

320

00:16:59,880 --> 00:17:04,290

So let's just put a little one back

in here, we back in the distance

321

00:17:04,290 --> 00:17:09,770

somewhere, and then we'll just let

that just sort of come out from there.

322

00:17:09,990 --> 00:17:12,300

Just take a liner brush and we

put a little paint thinner with

323

00:17:12,300 --> 00:17:13,530

it to thin it down a little more.

324

00:17:14,625 --> 00:17:16,095

So it'll slide over the top there.

325

00:17:16,155 --> 00:17:18,495

See if it doesn't slide to add a

little paint thinner, that's all you

326

00:17:18,495 --> 00:17:23,535

got to do and that easy and easy.

327

00:17:23,535 --> 00:17:28,065

We have a little waterfall that lives

back here just has a super time.

328

00:17:28,065 --> 00:17:28,815

I did that mountain.

329

00:17:28,965 --> 00:17:33,045

Maybe that's snow melting off the

mountain, flowing down here in our little

330

00:17:33,045 --> 00:17:36,735

Lake PON, whatever it is, body of water.

331

00:17:38,655 --> 00:17:39,255

There we go.

332

00:17:42,510 --> 00:17:43,080

All right.

333

00:17:43,139 --> 00:17:48,360

That's basically about all

we need, man water, right?

334

00:17:51,135 --> 00:17:54,275

Let's take the clean office

fought even with the pallet.

335

00:17:54,275 --> 00:17:57,695

This big are run out of room

sometime that's a messy painter.

336

00:17:58,085 --> 00:18:01,145

You know, I got a letter the other

day from a lady who wants to know if

337

00:18:01,145 --> 00:18:05,075

she had to put out this much paint

to paint my method of painting.

338

00:18:05,885 --> 00:18:07,955

And I wrote her back and told

her, no, you really don't.

339

00:18:07,985 --> 00:18:11,675

I have to put out this much paint

because I have a main director here.

340

00:18:11,675 --> 00:18:14,075

And if I run out of paint,

she has no sense of humor.

341

00:18:15,165 --> 00:18:16,545

She come over here and hurt my body.

342

00:18:16,545 --> 00:18:21,135

If I have to stop and put paint, but

at home you can always add more color.

343

00:18:22,395 --> 00:18:24,585

I put a lot of paint out here,

so I don't have to stop in the

344

00:18:24,585 --> 00:18:25,815

middle of a show and add paint.

345

00:18:25,815 --> 00:18:26,235

That's all.

346

00:18:26,475 --> 00:18:26,925

That's all.

347

00:18:26,925 --> 00:18:30,225

It's like people ask sometime

they say I bought a pallet and

348

00:18:30,225 --> 00:18:31,635

it's doesn't look like yours.

349

00:18:32,745 --> 00:18:35,745

The only reason is I take sandpaper,

not dull this, so it doesn't shine.

350

00:18:35,775 --> 00:18:41,415

Same as we, we paint the knives black,

we cover all the brush furrows with tape.

351

00:18:42,660 --> 00:18:43,890

But it's the same thing you have.

352

00:18:45,810 --> 00:18:46,080

Okay.

353

00:18:47,000 --> 00:18:50,300

Let's take our old fan brush, go

right into that good dark color.

354

00:18:51,590 --> 00:18:53,180

And let's build some nice trees.

355

00:18:53,930 --> 00:18:55,970

I like evergreen trees

and they're fun to make.

356

00:18:56,420 --> 00:18:58,820

And one lives right there in our world.

357

00:18:59,090 --> 00:19:00,350

And we take the corner of the brush.

358

00:19:01,160 --> 00:19:03,800

We're just going to working back

and forth and back and forth.

359

00:19:03,800 --> 00:19:07,370

And then he just worked his way

right on down to about there.

360

00:19:08,310 --> 00:19:09,240

And he needs a friend.

361

00:19:09,510 --> 00:19:10,590

So we'll give him another one.

362

00:19:12,090 --> 00:19:14,010

Maybe there's a whole

herd of trees back here.

363

00:19:15,320 --> 00:19:16,060

So what do you call it?

364

00:19:16,060 --> 00:19:18,440

A bunch of trees or maybe

it's a flock, a tree.

365

00:19:18,470 --> 00:19:18,770

I don't know.

366

00:19:19,100 --> 00:19:21,950

Trees anyway, stand up trees.

367

00:19:21,950 --> 00:19:22,730

That's what they call it.

368

00:19:25,310 --> 00:19:31,130

There are a few little ones that

just live in between there's one.

369

00:19:34,040 --> 00:19:34,640

Okay.

370

00:19:35,180 --> 00:19:35,720

Maybe.

371

00:19:36,240 --> 00:19:39,030

Shoot over in here was just

the indication of a few.

372

00:19:41,399 --> 00:19:44,610

And we'll pick out a few of those

and put some little branches on it.

373

00:19:46,260 --> 00:19:48,090

That'll make the rest of them

look like there's was just a lot

374

00:19:48,090 --> 00:19:49,560

of little trees behind back here.

375

00:19:50,939 --> 00:19:52,520

Give us one, a few little arms.

376

00:19:56,060 --> 00:19:59,330

Sometimes when you're doing little trees,

you can do little tricks like this, making

377

00:19:59,330 --> 00:20:02,540

a STEM, take the corner of the brush,

grab it and flick out a few little limbs.

378

00:20:03,570 --> 00:20:09,510

And then when you paint other things

over it, close to it, those show, and

379

00:20:09,510 --> 00:20:12,179

it looks like he was a very delicate

middle tree back in there too.

380

00:20:14,550 --> 00:20:20,969

And it makes your life

easier there better.

381

00:20:21,149 --> 00:20:22,500

I'll tell you what, let's get crazy.

382

00:20:22,740 --> 00:20:24,600

Let's have a big old tree

that lives right there.

383

00:20:25,889 --> 00:20:26,610

Big old tree.

384

00:20:27,075 --> 00:20:32,445

I like a big strong tree here and there

very comes right across our mountain.

385

00:20:33,195 --> 00:20:35,085

Oh, that's all right.

386

00:20:35,115 --> 00:20:38,735

We know he's back here and

you learned how to do it.

387

00:20:39,095 --> 00:20:42,514

So it's not wasted time there.

388

00:20:43,085 --> 00:20:45,575

I changed my mind so many times

when I'm doing a painting.

389

00:20:45,965 --> 00:20:47,705

I don't try to leave spaces open.

390

00:20:47,705 --> 00:20:48,335

I just paint.

391

00:20:48,810 --> 00:20:52,380

The background that I've painted

foreground and I'll make up

392

00:20:52,380 --> 00:20:54,300

my mind as I go that way.

393

00:20:54,450 --> 00:20:55,380

I'm not committed.

394

00:20:55,830 --> 00:20:58,230

And if I make a mistake, nobody knows me.

395

00:20:59,100 --> 00:21:04,020

We don't make mistakes, take a little

Brown and white little Brown and

396

00:21:04,020 --> 00:21:08,490

heightened and start seeing white, pull

it out and get our little roller paint.

397

00:21:08,520 --> 00:21:09,150

Let me do that again.

398

00:21:09,690 --> 00:21:10,470

A little roll of paint.

399

00:21:11,250 --> 00:21:11,970

Let's go up in here.

400

00:21:12,660 --> 00:21:12,750

Okay.

401

00:21:13,190 --> 00:21:16,160

In our world, we have some trunks

shining in some of our trees.

402

00:21:16,190 --> 00:21:16,850

Not all of them.

403

00:21:18,284 --> 00:21:20,534

But here and there, we see

the indication of a few little

404

00:21:20,534 --> 00:21:22,875

trunks sticks, twigs, whatever.

405

00:21:24,735 --> 00:21:28,544

Take another little fan brush

Augie got a number three fan brush.

406

00:21:28,975 --> 00:21:31,995

Doesn't matter, take some dark green.

407

00:21:32,205 --> 00:21:36,615

I made this just from the tree color

mixed with the yellow, make it black and

408

00:21:36,615 --> 00:21:38,235

yellow, SAP, green and yellow, whatever.

409

00:21:40,065 --> 00:21:44,415

And we'll come back up here and

let's just put the indication of

410

00:21:44,415 --> 00:21:45,915

some nice highlights on our tree.

411

00:21:48,365 --> 00:21:53,115

Some indications don't leave

some of them very dark.

412

00:21:53,135 --> 00:21:55,215

I don't want all of them with highlights.

413

00:21:56,685 --> 00:21:59,715

I want to keep that illusion

that there's trees far away too.

414

00:22:00,995 --> 00:22:01,685

There we go.

415

00:22:03,605 --> 00:22:04,895

I think that's about all we need.

416

00:22:05,880 --> 00:22:08,280

Now let's get crazy.

417

00:22:09,330 --> 00:22:14,190

Let's take use same old color

we were using for trees.

418

00:22:14,190 --> 00:22:15,870

Add a little Brown to it.

419

00:22:17,115 --> 00:22:19,485

Maybe right about here.

420

00:22:20,375 --> 00:22:20,825

Tell you what,

421

00:22:24,845 --> 00:22:27,095

maybe there's a nice land

area that comes here.

422

00:22:27,095 --> 00:22:27,365

It is.

423

00:22:28,535 --> 00:22:31,565

If you just hunt for him for, to

find it comes all the way down.

424

00:22:31,565 --> 00:22:34,385

Like yet there we are.

425

00:22:35,725 --> 00:22:40,325

And go right into some of the

yellows, yellow ochre, Indian, yellow

426

00:22:40,355 --> 00:22:42,235

touch, a bright red nine into Dell.

427

00:22:43,045 --> 00:22:46,165

And we can begin putting maybe some

little grassy areas back in here.

428

00:22:47,575 --> 00:22:48,265

They're there.

429

00:22:50,425 --> 00:22:51,595

Isn't that fantastic.

430

00:22:52,795 --> 00:22:53,575

And you can do it.

431

00:22:53,875 --> 00:22:55,135

You really can do this.

432

00:22:56,665 --> 00:23:00,895

Probably needs an old brush view

or paints, little imagination,

433

00:23:00,955 --> 00:23:02,365

devote a little time to practice.

434

00:23:03,750 --> 00:23:04,680

And you can do this.

435

00:23:05,220 --> 00:23:05,970

You really can.

436

00:23:07,320 --> 00:23:10,649

I think in one of the earlier

shows, we showed you just hundreds

437

00:23:10,649 --> 00:23:14,250

of photos of paintings of people

have done and send them to us.

438

00:23:14,760 --> 00:23:15,690

And you can do that too.

439

00:23:17,940 --> 00:23:19,260

No doubt in my mind.

440

00:23:19,470 --> 00:23:20,520

There's no doubt in my mind.

441

00:23:20,520 --> 00:23:22,080

There certainly shouldn't be any in yours.

442

00:23:23,909 --> 00:23:24,570

There we go.

443

00:23:25,950 --> 00:23:27,240

We got a second or two left here.

444

00:23:27,240 --> 00:23:28,139

Let's get crazy.

445

00:23:29,070 --> 00:23:32,310

I think maybe we have a little

house that lives right here.

446

00:23:33,510 --> 00:23:35,550

Use this little small

life and get in here.

447

00:23:35,730 --> 00:23:36,870

Just make his house very small.

448

00:23:36,920 --> 00:23:41,780

Well, does creep out a little

shape, scraping it out.

449

00:23:41,780 --> 00:23:43,250

That removes excess paint.

450

00:23:44,570 --> 00:23:48,129

It was Brown too is a sort of

a long house from this one.

451

00:23:49,610 --> 00:23:50,990

Just blocky down here.

452

00:23:53,655 --> 00:23:57,375

Well, whoever lives here

has a one spectacular view.

453

00:23:57,375 --> 00:23:57,705

Doesn't it.

454

00:23:57,764 --> 00:24:02,675

Let's take a little bright red, a

little dark Santa little touch of wipe.

455

00:24:03,574 --> 00:24:08,524

It makes sort of a nice pinky color and

just go kind of make a little noise.

456

00:24:08,524 --> 00:24:09,485

So it won't work

457

00:24:12,965 --> 00:24:13,294

diamond.

458

00:24:13,294 --> 00:24:15,814

I do demonstrations for PBS

stations across the country.

459

00:24:15,814 --> 00:24:19,084

I have some of my young friends come

and they'll make these little noises

460

00:24:19,804 --> 00:24:21,155

and they're better at it than I am.

461

00:24:22,020 --> 00:24:26,430

I have met so many super young people

and they're doing some of the most

462

00:24:26,430 --> 00:24:28,890

fantastic painting you've ever seen.

463

00:24:30,330 --> 00:24:30,980

I'm proud of.

464

00:24:30,990 --> 00:24:34,380

I'm proud of them.

465

00:24:36,000 --> 00:24:40,750

Take some white little dark

Sienna, little Vandyke Brown,

466

00:24:40,750 --> 00:24:42,840

and cut us off a little paint.

467

00:24:44,110 --> 00:24:48,090

Let's just go in here and put

a little front on this cabin.

468

00:24:49,560 --> 00:24:50,130

Like, so.

469

00:24:51,719 --> 00:24:52,199

There.

470

00:24:53,209 --> 00:24:54,300

I'm gonna leave this side over here.

471

00:24:54,300 --> 00:24:55,830

Very dark, just a little on it.

472

00:24:56,010 --> 00:24:57,840

Don't want it don't

want it to be too light.

473

00:24:58,860 --> 00:24:59,879

Don't want it too light.

474

00:25:02,159 --> 00:25:02,790

That's my mind.

475

00:25:02,790 --> 00:25:04,679

The light striking right across in there.

476

00:25:05,639 --> 00:25:11,929

So take a little touch Brown, like

a little door, got to have a little

477

00:25:11,929 --> 00:25:15,050

door for him to get in and out there.

478

00:25:16,709 --> 00:25:19,100

Yeah, we can go back to

her yellows and greens.

479

00:25:19,850 --> 00:25:19,939

Okay.

480

00:25:20,520 --> 00:25:23,460

And let's put a little grass around

it, around it, a little house

481

00:25:23,460 --> 00:25:27,180

here, weeds about to eat him up.

482

00:25:30,300 --> 00:25:36,780

Tell you what, maybe let's take a little

vendetta, Brown, little touch, your white,

483

00:25:37,080 --> 00:25:39,150

just mix it together on the old fan brush.

484

00:25:40,230 --> 00:25:40,830

Maybe there's a.

485

00:25:41,865 --> 00:25:44,145

Yeah, this little path lives right here.

486

00:25:44,955 --> 00:25:50,745

It goes right on back here in the distance

somewhere, and it just plays meanders or

487

00:25:50,745 --> 00:25:58,475

whatever you want to call it right down

like half right on off there, we are.

488

00:25:58,985 --> 00:26:02,105

Take another fan brush

and take a little white.

489

00:26:02,804 --> 00:26:06,584

Just very lightly grazed that

put a little bit of highlight

490

00:26:06,584 --> 00:26:11,084

on it there, and that sneaks.

491

00:26:11,405 --> 00:26:13,264

Now we got a little way

to get up to the cabin.

492

00:26:13,895 --> 00:26:15,725

Take what, bring the camera right up here.

493

00:26:15,915 --> 00:26:20,044

Let's take a real contact moment of truth.

494

00:26:20,044 --> 00:26:21,635

This is what we've all been waiting for.

495

00:26:21,635 --> 00:26:22,895

Hidden that fantastic though.

496

00:26:22,985 --> 00:26:26,885

I like that contact paper

and let's have some fun.

497

00:26:26,915 --> 00:26:28,084

We have a second left.

498

00:26:28,385 --> 00:26:30,544

I like to let things project

right out of the painting.

499

00:26:31,395 --> 00:26:35,595

When we do these little old

bulls to me, it's just so neat.

500

00:26:35,595 --> 00:26:39,075

And when you frame this, it's

unreal, what will happen?

501

00:26:39,525 --> 00:26:42,375

You'll love it, guaranteed.

502

00:26:44,235 --> 00:26:47,175

The bit of our highlight color

only because we need you to

503

00:26:47,175 --> 00:26:49,215

touch a tree trunk in there too.

504

00:26:49,215 --> 00:26:49,935

What the heck?

505

00:26:51,405 --> 00:26:53,445

We don't want that left down

a little highlight color.

506

00:26:53,475 --> 00:26:54,375

We'll drop that on.

507

00:26:56,834 --> 00:26:58,155

We about have a finished painting.

508

00:26:59,475 --> 00:27:00,375

Hope you liked this one.

509

00:27:00,735 --> 00:27:01,165

Thank you.

510

00:27:01,165 --> 00:27:03,544

We'll find it to be one of the most

enjoyable little paintings that

511

00:27:03,544 --> 00:27:05,324

you can do from all of us here.

512

00:27:05,324 --> 00:27:06,675

I'd like to wish you a happy painting.

513

00:27:07,395 --> 00:27:08,445

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E09 - Haven in the Valley

Bob Ross's

The Joy of Painting

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