Bob Ross's

The Joy of Painting

S26E05 - A Trace of Spring

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Hi, certainly glad you

could join us today.

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I thought today we'd just do a fun, little

painting and have a good time together.

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So let's start out and have him run

all the colors across the screen

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that you need to paint along with

us at home while they're doing that.

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Let me show you what I've got up here.

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I have my standard old pre stretched

double prime canvas, and I've just

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covered the entire canvas with a very,

very thin even coat of liquid white.

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So the canvas is all wet and

it's slick and it's ready to go.

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So let's just do it.

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Today, let's start out with this

little bitty two inch brush and go

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right into a little touch of the

fellow blue little fellow blue.

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We don't need much just a little.

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There we go.

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Let's go right up here.

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Let's just start up here in the

top and just make little crisscross

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strokes and we'll just work all the

way across the canvas, the colors

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continually mixing with the liquid white.

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So it gets lighter and lighter

or in value as you work down.

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And that's exactly what we're

looking for in a landscape.

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Something maybe, I don't know if that,

like that will leave a little area open.

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Maybe I'll put a cloud in there.

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What the heck, maybe we'll

put a little cloud in there.

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Something like, so that easy.

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We've got just a happy little sky lady.

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When you use this big old two

inch brush it, it really doesn't

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take too long to paint a canvas.

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And now the most fun part

of the whole procedure.

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And that's washing the brush.

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We have odorless paint

thinner, and you can.

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Scrub the brush, shake it off and

just cover everybody in the studio.

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All right.

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Now then we'll take our two inch

brush and I go right into a little

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bit of the titanium, white, just

load some into the bristles.

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Like, so maybe be right back, put the

least little touch of pink into it.

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A little bit of bright red.

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There we go.

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Let's go up in here.

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And we'll make a little floater cloud

today jealous, but my tapping, like, so

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I get a little more color on the brush.

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They're just a little floater and

all we're doing is just tapping,

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tapping a basic little shape.

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That's all we're looking for.

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Something about like that.

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Just let it float around there.

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Okay, now that don't look too good yet,

but we'll come back with another two inch

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brushes, clean and dry and very gently.

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Look at that.

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See there that easy you can create

gorgeous little clouds and you can

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pull them once again, the liquid

whites under there, the canvas is wet.

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You can move paint right

across the surface.

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And that's one of the nicest,

easiest ways I've ever seen of

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making some little clouds came.

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Now let's take today, take a

little bit of the lizard crims

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and would just mixes on the brush.

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It doesn't matter.

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A little lizard, Crimson

little, they look blue.

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I'm looking for, Oh, maybe

a little lavender color.

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I'll be right back.

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I'm going to reach down here.

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Get a little white in there too.

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Woo.

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Isn't that a pretty color?

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Just tap this clip here.

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Maybe in our world.

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There's some little trees far back

here in the distance and I'm just

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using the top corner of the brush

and where that wouldn't do it.

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Just indications.

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I don't want, I don't want a

lot of detail too far away.

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Too far away, just little distant trees

that live back here and have a good time.

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These are just happy, little

trees, fun, little things.

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All you're looking for is basic shape.

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Form, very loose.

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Something maybe about like Canon,

then we can wash the brush.

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I just want to excuse to wash

the brush there, shake it off.

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Back in business, clean dry brush.

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Now I'm just going to tap the base of

it to create the illusion of a mist.

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I want it to be very soft

down towards the bottom.

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Very, very soft.

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There we are.

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I just use the same old brush ticker.

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I will take a little SAP green,

a little bit of CAD named yellow,

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little yellow ochre mixed together.

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I'm looking for a nice, Oh,

that's what I'm looking for.

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Just a nice green there.

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Okay.

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Let's go up in here.

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Now then maybe there's another

layer of little bushes.

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Now, one of the little greener

add a little bit more SAP green.

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Yeah.

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Yeah.

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That's better.

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See if you're not happy with

something, change it because this

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piece of canvas is truly your

world and you can do anything here.

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Anything that your heart desires.

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There we go.

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Just indications of other little bushes

that live in here, something like that.

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And then with a clean brush, once again,

you can tap great that illusion of very

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soft, very gentle, quiet little police.

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I think we go back to that

brush it had green on this.

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All right.

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Go right into the dark Sienna, little

Bandag Brown, but mostly dark Sienna.

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Tap it again.

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Just tap right back up here.

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So I'm creating it.

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I'm creating different

Plains in the painting.

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Different layers.

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Just want to create a lot

of depth in the background.

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Something like that.

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There we go.

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Maybe it comes right on down.

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I don't know wherever you want it to go.

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Let's see already we have three

different layers of little things.

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Take a liner, brush a little bit

of paint thinner, and you can just

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here and there don't want a lot.

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It's too far away.

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Okay.

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But the indication of a few little sticks

and twigs that show, but not a lot.

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Don't overdue.

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It's too far away, too far

away, something like that.

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Something like that.

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They're very gentle.

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Okay.

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Now I've got to decide what

we're going to have down here.

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I think, I think down here,

let's put today some very,

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very dark water, very dark.

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I'm going to go into pure midnight, black

impression, blue as dark as I can get it.

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And I'm gonna go up in here and just dark

water oppression, blue, midnight black.

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You're going to go in there.

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Don't be afraid of it because

anything we don't like, we just

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cover it and paint over it.

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No big deal.

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Just one great thing about oils.

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Oils are the most forgiving medium.

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Yes.

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The most forgiving medium.

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When I was in college taking art,

I took classes in watercolor.

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For example, it's a gorgeous medium,

but college taught me two things.

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First of all, it wasn't my medium.

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Secondly, super, super respect

for those who can do it.

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I stuck with oils

because they are so easy.

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And as I say, they're very, very forgiving

and I need all the forgiveness I can get.

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All right, we'll go into van

Dyke Brown, a little dark sand.

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I'm just mixing them together.

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But mostly van Dyke in this case,

our little roll of paint, we go

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right up in here and maybe, yep.

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Maybe, maybe there's a

little bank lives right here.

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Just a little bank riverbank,

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stay there.

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Just drop in a basic shape.

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Oops.

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Drop the old knife.

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That's all right.

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Got another one right here.

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We just keep right on going.

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All right now, then find a brush here.

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Get one, just got a little bit of, a

little bit of Sam green, a little bit

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of the little touch of kid yellow.

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I'm getting more of that

SAP green, like that.

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Just loaded for just loaded

for this car right up here.

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And maybe up here, we'll put just

the indication of some little things

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that are growing right up in here.

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Little grassy areas,

little tiny grass areas.

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I'm going to add a little bit of paint,

thinner, little bit of paint thinner.

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Now that I want to make this look like

a little banks that are hanging over.

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So to do that, we just sort of

bring that around, just like, so

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they're looking a little more paint.

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There, but that creates the

lay of the land back here.

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All right.

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About my cat.

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Okay.

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Take a little flight, a

little bit of that Brown color

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there.

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We'll mix it up.

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So it's sorta marbly in here and there,

we can put the indication of a little

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stone or whatever it lives back in here.

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Yeah, crazy.

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Maybe there's a big bank.

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It lives right out here.

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I want to create a lot of

planes in this painting.

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Suppose sorta lean back, take a look,

take a deep breath and jump in there.

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Don't be afraid of it.

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No, the worst thing that can happen

when you're painting with oils is it.

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You have to scrape it off and painted

again, but that's not a big deal.

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As I said earlier, oils are

the most forgiving medium.

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And if you make a mistake,

you just take it off.

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You again, go on about

your business there.

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See, all we're doing here is just putting

in a lot of good dark color, good van

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Dyke Brown, dark Sienna, mixed together.

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In fact, you could have probably

done this painting using the black

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GSO and had all this area done in

black would worked just as well.

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Just however you want to do it.

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It's up to you.

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There we go, got a hair right there.

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We'll get it off.

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Very gently.

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Think about how you want this

embankment here to go though.

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There just, I'm going to put

some grass on it too, but I want

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it to look like it comes over.

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Maybe in some places that'll come

almost straight down and then

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pull out it's up to you, but very

little pressure on the knife.

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Just let it go.

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Okay, just let it sort of bounce.

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So it hits here and there and

there in here, maybe a little

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touch in the bright Ridge.

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I kept like that.

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Just enough to give it a little flavor.

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All right.

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You know what we need back

here on this big bank.

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Let's have a few trees.

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I like to paint evergreens.

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So let me clean off a spot.

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We'll take and blue midnight black.

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Oh, summit.

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They look green.

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I like halo green and evergreen

sometime Crimson a little Dyke makes

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a pretty good pile of color though.

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Cause we're going to lose

some brushes, quite deep.

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They're wiped the old knife off.

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Let's find a one inch brush.

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All right.

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Load the bristles full of color.

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Wiggling that wiggling pulls the

color down to the end of the bristles.

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Just pulls it down and sharpen it.

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All right, let's go up here.

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Okay.

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Now maybe in our world, their

lives, a little evergreen

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tree right there, right there.

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Let me load that thing back up again, too.

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Yeah.

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Just take it and give it a little

upward push working from side to side.

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I think there gums, just

push up, give it a push.

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All right.

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That's one of the easiest ways

there is making a nice little tree

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and we're not worried much right

now, except about basic shape.

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We're going to come back and only

worried about the top at that.

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We're going to come back.

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And put in all kinds of little highlights,

but right now, all we're worried about

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it's just the outside edges and stuff

that was show dark, rich color in there.

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That's fantastic.

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Maybe shoot, maybe

there's a big one up here.

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We don't even know where it goes

to find out where it goes with.

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We'd have to nail another

canvas on top of this one.

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There right there.

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Okay.

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Maybe he's got a little friend

right there wherever you want them.

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Okay.

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Let's have one more just

to fill it all up here.

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Let me load the brush back full of color.

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And we'll go right in the hair there.

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See there.

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Now we got a whole forest sitting back

here and in your world, do you put

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as many or as few trees as you want?

253

00:14:16,230 --> 00:14:18,990

It's up to you totally

and completely up to you.

254

00:14:20,940 --> 00:14:21,540

Okay.

255

00:14:22,650 --> 00:14:23,880

I'll just use that same old brush.

256

00:14:23,880 --> 00:14:26,280

I'm going to go right into little

ACAD, yellow, yellow ochre,

257

00:14:26,280 --> 00:14:28,530

Indian, yellow, making a green.

258

00:14:30,510 --> 00:14:31,140

Load Nebraska.

259

00:14:31,160 --> 00:14:31,800

Same way.

260

00:14:32,880 --> 00:14:33,719

Let's go back up here.

261

00:14:34,290 --> 00:14:37,589

Now we can come back in here and begin

putting a few highlights here and

262

00:14:37,589 --> 00:14:43,550

there, there just a few highlights.

263

00:14:44,839 --> 00:14:48,439

I'm going to add a little paint

center stick a little bit.

264

00:14:48,650 --> 00:14:49,130

Oh yeah.

265

00:14:49,160 --> 00:14:49,430

See.

266

00:14:49,520 --> 00:14:50,750

And it comes off a lot better.

267

00:14:52,490 --> 00:14:55,819

If you have trouble making the paint, come

off, then just had a little paint thinner.

268

00:14:56,600 --> 00:14:56,689

Okay.

269

00:14:57,435 --> 00:15:01,185

This one needs a little thinner leave.

270

00:15:01,185 --> 00:15:02,925

Some of these dark areas

don't kill them off.

271

00:15:04,215 --> 00:15:05,325

Darker, darker, darker.

272

00:15:07,275 --> 00:15:13,215

When this old big boy he goes right on,

off into nowhere, something about like

273

00:15:19,305 --> 00:15:21,495

darker, darker, darker

down here towards the base.

274

00:15:23,640 --> 00:15:26,460

This going back here, almost nothing.

275

00:15:27,210 --> 00:15:28,020

We want him to stay.

276

00:15:28,020 --> 00:15:29,310

We back in the background.

277

00:15:31,640 --> 00:15:32,300

There's one.

278

00:15:35,819 --> 00:15:36,360

There we go.

279

00:15:40,140 --> 00:15:44,250

All right, let's watch that old brush out.

280

00:15:46,650 --> 00:15:48,930

I still get the beat on these

little brushes very often.

281

00:15:49,140 --> 00:15:51,000

And they're just about as

much fun as the big one.

282

00:15:51,000 --> 00:15:55,860

It's not quite it doesn't do is

doesn't do as much to get the

283

00:15:55,860 --> 00:15:57,329

camera man as the other one to do.

284

00:15:58,515 --> 00:15:59,204

Okay.

285

00:16:00,074 --> 00:16:02,025

Now, maybe in here we

got some nice bushes.

286

00:16:02,084 --> 00:16:07,454

Some must mix up a color in for that, with

this pilot up here, we may use that later.

287

00:16:10,410 --> 00:16:16,079

Let's take Oh, are you some

thalo blue and Elysium, Crimson

288

00:16:16,680 --> 00:16:22,709

proportionately much, much more

Crimson, much more Crimson than blue.

289

00:16:23,069 --> 00:16:24,900

Maybe a little bit more Crimson there.

290

00:16:26,430 --> 00:16:27,120

All right.

291

00:16:27,390 --> 00:16:28,890

Then I want to add a little white to it.

292

00:16:29,849 --> 00:16:30,660

Oh, that's nice.

293

00:16:34,575 --> 00:16:39,105

I'll take the brush and dip it into

liquid white because you know, our rule

294

00:16:39,195 --> 00:16:41,865

a thin paint will stick to a thick paint.

295

00:16:41,865 --> 00:16:44,985

The liquid white is there only to thin

it, pull the brush in one direction,

296

00:16:45,855 --> 00:16:47,205

loaded, full of a scope in here.

297

00:16:48,105 --> 00:16:51,975

And maybe back in here, we have some

gorgeous little lavender bushes.

298

00:16:51,975 --> 00:16:53,175

Maybe I'll make them a little brighter.

299

00:16:53,175 --> 00:16:57,015

So they show up a little

better for TV there.

300

00:16:59,010 --> 00:16:59,370

Okay.

301

00:16:59,430 --> 00:16:59,940

There it is.

302

00:17:01,530 --> 00:17:02,130

Look at that though.

303

00:17:03,270 --> 00:17:06,720

I like his little levels there.

304

00:17:09,180 --> 00:17:11,100

Maybe a little what it is right there.

305

00:17:14,100 --> 00:17:14,520

Okay.

306

00:17:17,000 --> 00:17:18,590

Maybe, maybe in our world.

307

00:17:18,650 --> 00:17:18,860

Yep.

308

00:17:19,069 --> 00:17:20,450

Let's have another one right over in here.

309

00:17:21,290 --> 00:17:23,150

You just put them wherever

you think they should be.

310

00:17:23,360 --> 00:17:23,960

It's up to you.

311

00:17:24,170 --> 00:17:25,730

Totally, completely up to you.

312

00:17:27,540 --> 00:17:29,430

Put some little tips out here on it.

313

00:17:29,430 --> 00:17:31,800

I like to use the liquid white

to make little tips, so they

314

00:17:31,800 --> 00:17:34,620

shine darker, darker, darker.

315

00:17:36,149 --> 00:17:41,100

I'll go into a little bit of the love blue

and maybe got a little Bush right here.

316

00:17:41,100 --> 00:17:42,270

That's got a little blue in it.

317

00:17:43,169 --> 00:17:44,730

Just something to break up the flavor.

318

00:17:48,470 --> 00:17:48,590

Okay.

319

00:17:49,430 --> 00:17:52,970

Maybe take a little yellow ochre.

320

00:17:54,975 --> 00:17:57,945

And maybe we have right up

here, maybe right in here.

321

00:17:57,945 --> 00:17:58,665

There's yup.

322

00:17:59,175 --> 00:18:01,785

Just pretty little Bush lives

right there in a different color.

323

00:18:02,715 --> 00:18:04,755

Voice is turning into a very

colorful little painting.

324

00:18:04,755 --> 00:18:05,325

I like that.

325

00:18:07,935 --> 00:18:15,105

We use our little two inch brush and

let's have a little green on it and

326

00:18:15,115 --> 00:18:18,015

let's just put some little grassy areas

that come right down to some bank.

327

00:18:19,005 --> 00:18:20,045

See there, see there.

328

00:18:21,915 --> 00:18:24,885

Have them come out almost straight

and then come over, let it, let

329

00:18:24,885 --> 00:18:28,754

some of these things, just hang

over the side, get a little bit

330

00:18:28,754 --> 00:18:30,615

more of that SAP green on there.

331

00:18:32,955 --> 00:18:40,735

Just let them hang right over all kinds

of things going off in here about like,

332

00:18:42,945 --> 00:18:46,995

okay, I can scratch in a few little

sticks and twigs just using the knife.

333

00:18:49,500 --> 00:18:50,939

Lift them up, hold them down.

334

00:18:51,000 --> 00:18:51,629

It doesn't matter.

335

00:18:53,100 --> 00:18:56,040

Whatever makes you happy there.

336

00:18:58,379 --> 00:18:59,040

Okay.

337

00:18:59,610 --> 00:19:00,510

I got that old knife.

338

00:19:00,510 --> 00:19:03,360

Let's take, let's take some white.

339

00:19:03,360 --> 00:19:07,439

I'm going to put some fallow blue in

it just to make a nice, gorgeous blue.

340

00:19:07,469 --> 00:19:09,449

They love blue is such a beautiful color.

341

00:19:11,765 --> 00:19:16,655

There's something about like it tiny

little roll of paint, and maybe we

342

00:19:16,655 --> 00:19:19,835

got some little, little things that

are happening right along in here.

343

00:19:20,645 --> 00:19:22,115

Just barely graze it.

344

00:19:22,415 --> 00:19:23,555

Let it just slide.

345

00:19:24,545 --> 00:19:27,405

Just barely, barely touching.

346

00:19:27,485 --> 00:19:30,905

I wanted paint just to pull off

the knife and make it look like

347

00:19:30,905 --> 00:19:33,515

a little watery things that are

happening all down through there.

348

00:19:35,405 --> 00:19:36,065

There we go.

349

00:19:38,345 --> 00:19:39,095

All right.

350

00:19:42,810 --> 00:19:43,080

Shoot.

351

00:19:43,080 --> 00:19:44,880

We need something over here on the sides.

352

00:19:48,110 --> 00:19:49,000

Isn't that a neat way though?

353

00:19:49,020 --> 00:19:51,500

Just, just making some

nice little watery areas.

354

00:19:52,340 --> 00:19:54,620

Maybe over here, we

grabbed some more Brown.

355

00:19:56,240 --> 00:19:56,450

Yep.

356

00:19:56,930 --> 00:19:58,340

You're right over here.

357

00:19:58,910 --> 00:20:01,790

Maybe there's a peninsula or

a little point of land that

358

00:20:01,790 --> 00:20:05,090

comes right out like that.

359

00:20:06,920 --> 00:20:08,090

Just right out of that.

360

00:20:10,770 --> 00:20:13,740

And we'll take a little Brown and

white, just like we used here.

361

00:20:14,140 --> 00:20:15,670

Just let it travel right down.

362

00:20:17,250 --> 00:20:18,660

Sees a little bright red in there too.

363

00:20:20,550 --> 00:20:23,760

Just to make it look like

old dirt rocks stones.

364

00:20:23,760 --> 00:20:24,600

Whatever's out here.

365

00:20:24,630 --> 00:20:25,050

We don't care.

366

00:20:25,070 --> 00:20:25,280

Sure.

367

00:20:29,180 --> 00:20:33,170

Maybe there's a, maybe there's some

little grassy areas right out here.

368

00:20:33,530 --> 00:20:38,270

I don't know that your imagination

go take you wherever you want to go.

369

00:20:40,635 --> 00:20:44,195

There just a little happy

things live in there.

370

00:20:45,755 --> 00:20:46,415

Take a little touch.

371

00:20:46,415 --> 00:20:48,545

The liquid white, go into green.

372

00:20:48,545 --> 00:20:53,675

So yellow let's have a little Bush.

373

00:20:54,095 --> 00:20:54,725

Who's right there.

374

00:20:56,555 --> 00:20:59,285

Little tiny bullish, cute little devil.

375

00:21:07,004 --> 00:21:07,605

I like that.

376

00:21:08,145 --> 00:21:09,014

Tell you what let's do.

377

00:21:09,975 --> 00:21:12,105

Take a little more of that blue

and white, and let's just bring

378

00:21:12,105 --> 00:21:13,335

it right around the edges here.

379

00:21:14,325 --> 00:21:16,095

See there, let it come right around this.

380

00:21:16,485 --> 00:21:21,135

Water's just traveling

right on down there.

381

00:21:24,514 --> 00:21:27,905

It's a very, very easy way of

making some effective water.

382

00:21:28,805 --> 00:21:31,745

She used some green, some

brow, a little bit of blue.

383

00:21:33,045 --> 00:21:34,125

You want to have a Bush right here.

384

00:21:35,385 --> 00:21:37,875

So to do that, I need to

put some dark color in.

385

00:21:42,285 --> 00:21:43,395

Maybe it comes all the way on now.

386

00:21:44,805 --> 00:21:45,255

I don't know.

387

00:21:48,355 --> 00:21:52,425

We can go into a little bit

of SAP, green, little yellow.

388

00:21:53,985 --> 00:21:54,555

There we are.

389

00:21:56,295 --> 00:21:56,745

Okay.

390

00:21:58,605 --> 00:22:00,345

Put some highlights on this little rascal.

391

00:22:02,805 --> 00:22:06,485

There, you know, we travel all

over the country and we do shows

392

00:22:06,485 --> 00:22:10,235

for PBS stations and they're

called brush and brunch with Bob.

393

00:22:11,325 --> 00:22:14,835

Recently, I did want to, I think I

was in Knoxville, Tennessee, and I met

394

00:22:14,835 --> 00:22:16,515

one of the cutest young fellows there.

395

00:22:17,085 --> 00:22:20,825

And he came up on the stage

with me and he whispered it ear.

396

00:22:20,825 --> 00:22:22,205

He said, Bob, Bob.

397

00:22:22,205 --> 00:22:24,965

And I said, yeah, he said,

beat the devil out of it.

398

00:22:26,885 --> 00:22:28,775

He is probably that, Oh, I don't know.

399

00:22:28,805 --> 00:22:31,785

Seven, eight years old

chest nicest young fellow.

400

00:22:31,805 --> 00:22:37,355

I think his name was Owen,

but just super young guy.

401

00:22:38,405 --> 00:22:42,545

Enjoyed meeting him very much, but

if we get to your town doing one

402

00:22:42,545 --> 00:22:45,274

of these brushing and branches,

please come out and see us.

403

00:22:45,545 --> 00:22:47,105

I'd love to meet you and talk with you.

404

00:22:48,044 --> 00:22:51,165

And most importantly, it helps

support your public television

405

00:22:51,165 --> 00:22:53,375

station and they need your help.

406

00:22:55,774 --> 00:22:56,315

Okay.

407

00:22:56,615 --> 00:22:57,274

Tell you what let's do.

408

00:22:57,274 --> 00:22:58,055

Let's have some fun.

409

00:22:58,085 --> 00:23:01,264

Let's take some Brown, but

paint thinner with it and then

410

00:23:01,264 --> 00:23:03,305

we'll mix it up real thin.

411

00:23:03,425 --> 00:23:04,895

I'll make a nice, thin color.

412

00:23:05,465 --> 00:23:06,905

So that just Vandyke Brown.

413

00:23:08,405 --> 00:23:10,774

It will take how we'll

you some Brown and white.

414

00:23:10,774 --> 00:23:11,585

What we had up here.

415

00:23:13,140 --> 00:23:14,310

Put some paint thinner with it.

416

00:23:14,610 --> 00:23:16,020

So they're both quite thin.

417

00:23:17,340 --> 00:23:19,830

We have one dark in one,

quite a bit lighter.

418

00:23:21,330 --> 00:23:27,360

Take the little Filbert brush, go right

through the dark color load, both sides.

419

00:23:27,720 --> 00:23:29,850

Then I'll go through the

light on only one side.

420

00:23:31,050 --> 00:23:31,860

You want to go up here?

421

00:23:32,400 --> 00:23:35,850

We'll put the indication of just all

kinds of little stones and rocks.

422

00:23:35,880 --> 00:23:37,290

Maybe some live out here in the water.

423

00:23:38,520 --> 00:23:39,750

I don't know wherever you want them.

424

00:23:41,340 --> 00:23:41,970

Over in here.

425

00:23:42,180 --> 00:23:44,340

Maybe we got some big ones

that live out here in these.

426

00:23:45,750 --> 00:23:52,320

See you so nice way of, of making a lot of

stones very rapidly because you can make

427

00:23:52,320 --> 00:23:59,090

them in one stroke, drop them in there.

428

00:23:59,960 --> 00:24:01,940

Maybe, maybe there's a

whole patch of them here.

429

00:24:03,950 --> 00:24:04,550

There we go.

430

00:24:06,375 --> 00:24:09,975

However many you think there should be

shoot while we get that old brush going,

431

00:24:10,455 --> 00:24:11,835

just put some Vandyke Brown on it.

432

00:24:13,125 --> 00:24:14,025

Maybe up in here.

433

00:24:16,065 --> 00:24:16,665

Get brave.

434

00:24:17,595 --> 00:24:19,905

We'll put a nice little

tree, right, Liz right there.

435

00:24:21,485 --> 00:24:25,085

There he is grabbed my little liner brush.

436

00:24:25,085 --> 00:24:27,425

Put some arms only country

needs some arms too.

437

00:24:30,305 --> 00:24:30,875

There.

438

00:24:32,670 --> 00:24:37,830

Just give him a few little arms, just

happy little tree that lives up here.

439

00:24:38,490 --> 00:24:39,810

Overlooks this little stream.

440

00:24:39,810 --> 00:24:45,930

It just flows by maybe, maybe

he not doing some good and he

441

00:24:45,930 --> 00:24:47,070

didn't have any leaves on him.

442

00:24:48,330 --> 00:24:49,860

So we just let him look right there.

443

00:24:49,860 --> 00:24:51,030

He's sort of a naked tree.

444

00:24:52,370 --> 00:24:52,880

All right.

445

00:24:55,670 --> 00:24:56,660

Maybe I'll bring in here.

446

00:24:56,720 --> 00:24:57,830

Just a couple of little bits.

447

00:24:59,340 --> 00:25:01,170

They're just very quiet little trees.

448

00:25:02,180 --> 00:25:04,160

I think with that, we're about

to have a finished painting.

449

00:25:04,370 --> 00:25:05,510

Hope you've enjoyed this one.

450

00:25:05,510 --> 00:25:06,560

It's one that you can do.

451

00:25:07,430 --> 00:25:08,810

I'd like to hear how you do with it.

452

00:25:09,080 --> 00:25:11,810

So from all of us here, I'd

like to wish you happy painting

453

00:25:12,380 --> 00:25:13,520

and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S26E05 - A Trace of Spring

Bob Ross's

The Joy of Painting

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