Bob Ross's

The Joy of Painting

S19E01 - Snowfall Magic

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 19th joy of painting series.

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And is your first time with us.

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Let me extend a personal invitation

for you to drag out your old paint,

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brushing and spend a relaxing half

hour with us each week as we put some

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a nature's masterpieces on canvas here.

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And if you've been with us before that,

me, thank you for inviting me back

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for another city of painting shows.

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And I hope we continue to

produce shows that you enjoy.

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And that you learn from.

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So I tell you what let's get right to it.

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Let's start out today and having run

all the colors across the screen that

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you need to paint this little painting

with me while they're doing that.

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Let me tell you what I've

already got going up here.

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We have our standard old 18 by 24

inch canvas, but you use any size

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that you want and we've covered

it with a thin even coat of liquid

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white, just enough to make it wet.

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This is a wet on wet painting technique.

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So the first thing that we

normally do is make the canvas wet.

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So thought today, Yes,

such a fantastic day.

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Let's just do a beautiful little mood,

a little winter scene today, and I'll

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show you how simple it is to make a

painting with a little tiny brush that

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you can do at home on your first attempt.

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So let's make a very

colorful little scene.

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Then we'll take a little Indian, yellow,

we'll use a little two inch brush here

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and we just stab a little color onto it.

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Just a very small amount of

color maybe would just start out.

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And we just sort of dance a little

color in the sky here and there.

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Sometimes the winter scenes can be

so cold, they're almost displeasing.

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So I thought we'd do one today

that had a lot of, a lot of

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very nice little colors in it.

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Take a little Indian, yellow.

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Now mix a little K yellow with that too.

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You would just mix them

together on the brush.

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So we have both colors

on the two inch brush.

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Very little paint,

very, very little paint.

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We'll just take a little

dance, a little Latin there.

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The yellow ochre is sort of

a gold color, so it'll just

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change the flavor a little bit.

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All we're doing is just dancing a little

color here and there, here and there.

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And just sort of let your imagination

take you wherever you want to be and

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just enjoy now then maybe without

cleaning the brush, we'll go into.

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A very small amount of the lizard Crimson.

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Very, very small amount there.

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Now that may be here and there.

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Okay.

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We'll just add a little bit of the

alizarin Crimson, and this will just

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give it a little pinkish warm glow.

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It'll make you painting sparkle

a little more of the color and

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what you do doing your painting.

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You sorta look around and decide

where you want all these little colors

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to be, and the more you blend them

together, the more you'll get a little.

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Color is sorta like peach.

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It's a nice way of calling it.

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Just a peachy, color, the hair,

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and maybe just a little touch of newer.

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It was that.

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Say, just let your brush dance around

and play and have fun and enjoy.

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Enjoy there, take it down to about like,

so anything that we don't like in this

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painting technique, we just covered up.

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We don't do any tracing or drawing

or anything like that though.

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You can, if you would like some people

prefer to trace a scene onto the canvas

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and then paint on it and you can do that.

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The liquid white will allow you

to see your painting or your

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tracing through the liquid white.

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And you can do that if, if you would

like there, we are going to put just a

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touch, more that Crimson right there.

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I want just a little more of this

peach color that we have in here.

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Like, so.

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There, it just blended together.

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The more you blend this, the softer

it'll become until it just eventually

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just blends totally together.

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And when you're doing this type of

painting, just sorta sort of visualize

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a scene in your mind and, and let it go.

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You know, if, if you can see it

here, Then you can put it up here,

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but the first thing is that you

need to believe that you can do it.

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You need to see that vision in your mind.

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Let's have some fun today.

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We'll take a little bit of red.

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I'm going to go right up here into the

midnight black, a little bright red.

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Little midnight, black, very, very

small amount of color, though.

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Very small amount of color.

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And all I'm doing is just tapping

the corner of the brush into that

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very, very small amount of color.

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And I have not cleaned the brush.

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So it still has the yellows

and the Crimson on it.

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They have.

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Maybe we back in our world here.

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There's some little trees that

live far, far away, and I would

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just use this two inch brush.

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We've got it going.

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You could do this with your round brush

or you do it with a one inch brush.

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We have this one go on.

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So good.

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This use it.

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Now.

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I want these to be very light

because they're far, far away.

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They live way back in the mist.

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These are just beautiful

little tree shapes that.

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They're back there, but they're very far

away and we'll sort of vary the color.

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We'll add a little more black, a little

more red here and there, there, but think

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about the basic little tree shapes here.

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Don't just hit it random.

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Think about how you want your tree to look

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very gentle, very gentle, almost,

almost no color on the canvas.

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And that's what helps create that illusion

of distance and depth in your painting.

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This things get closer

to you in a landscape.

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They should get darker

and darker in color.

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There let's go up here to the

top corner, maybe up in here.

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There's maybe there's a big tree

that lives with me up here that

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you just barely can make out.

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It's very quiet.

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Little tree, very subdued fair.

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Okay, so you can color, but just

use the same old color, little bit

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bright red, a little bit of black,

just the corner of the brush, but

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a touch, more paint this time.

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And that way automatically it'll

become darker and it can come right

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up here because that's a darker,

it'll create that illusion that

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this Bush is in front of that Bush.

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And that's exactly what we're looking for.

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Let me get a little more color.

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There we are.

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But you can just build layer

after layer, after layer.

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Mm.

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Isn't that fantastic

thought you like that?

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We'll add a little bit of the dark

sand, a little Vandyke Brown into that.

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Now we're getting a little closer,

so maybe we're getting into some of

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these other colors there, but all

we're doing is just tapping with the

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top corner of the brush and putting

in some very basic little shapes, but

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each layer gets progressively darker.

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Aggressively darker, maybe over here.

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Yeah, you're right.

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You hear her right here lives

another happy little Bush.

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And in our world, everything is happy.

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Everything is peaceful and quiet, gentle.

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No violence.

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This is a, it's a very

nice place to be here.

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Cause I say, everything's happy here.

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If you want to see bad

things, watch the news.

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There we go.

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There's another little Bush, a

little more of the bright red

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and this one just to spark it up.

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So.

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By varying these colors back and

forth, it just makes you pay any more.

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Interesting, just more interesting.

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Now back into watch here.

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If we put a dark color right into that,

look there, see creates another layer.

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Just by changing the value of the color,

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you can put as many layers

in your painting as you want.

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Just sorta sorta let your imagination

go and take you wherever you want to be.

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Cause on this piece of canvas, you

have absolute and total control here.

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You can be anything that you want.

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You can create any illusion that you want

in this world, any illusion that you want.

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And if you ever, if you put something

up here and you want it to be

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softer, all you have to do is tap it.

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And it'll blend with the liquid

white that's on the canvas.

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And automatically, automatically it'll

become lighter and lighter in value.

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There's happy, happy

little push right there.

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Right there.

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Okay.

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Maybe a little more of the

Vandyke Brown and dark Sienna.

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Just mixed together.

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Just to change the flavor,

a little hair in there.

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Big hair laying there.

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Just take the cornea brush and pop it off.

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All right.

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We're not careful here.

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We're going to fill up this whole

canvas with bushes and that's all right.

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That's a super, super way

to learn super way to learn.

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Tell you what let's put a few

little sticks and twigs and some

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trunks and some of those trees and

we'll use a liner brush for that.

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Get a little paint, thinner,

little paint, thinner.

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And we'll go right into the same

color that we made the bushes out of.

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We'll start with just a little

black, a little bit over the, the

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red, but not much turn the brush.

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Brent brings it to a very sharp point.

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This is a script planner brush

number two, script liner brush.

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It has a very long bristles and it

comes to a very, very sharp point.

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And it holds a lot of paint, so

you can literally make it flow.

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And within the paint though, it's like

an ink, almost a water like consistency.

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And that way it'll flow right over

these thicker paints without mixing.

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And if it mixes, then you'll become a

mud mixer and you won't be happy with me.

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So if you have trouble making it flow,

all you need to do is add a little more

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of the paint thinner and you can just

begin putting it all kinds of little

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sticks and twigs and things that live

with you back here in some of these.

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Sort of let it flow and just sort of jerk.

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If you have a little nervous

Twitch, this is one time that it

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really will be beneficial to you.

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We'll help you out there.

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I have people write sometime and

they say that and shakes a little in.

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They're having a hard time too.

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This is, this is your thing right here.

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Enjoy it.

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Okay.

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Just wherever you think they should live.

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Just begin dropping in all kinds of

little deals, little twigs and sticks.

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And maybe even here and there

there's summit come right on up here.

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Maybe this old tree

lost all of its foliage.

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Yeah.

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This helps create that illusion of

depth and distance in your painting.

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There we go.

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Here's one, put a little one in here.

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Some people will find

it's easier to pull down.

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These others will find that it's easier

to go up, try both ways in whichever

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way seems to work the best for you.

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Then that's the right way.

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The only rule that we have here

is that it makes you happy and

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that you enjoy what you're doing.

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I want to add a little Vandyke Brown, too.

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Color.

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And as we get down here and these darker

things, we need some little branches

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that are a little darker, same color.

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It would a little Vandyke

Brown added to it there.

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Maybe.

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Sure.

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If I tell you what maybe

right here lives big one.

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There you go.

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Okay.

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But that's your bravery testify?

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He's a bigger one.

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He just stands up here and

watches everything it's happening.

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Enjoy his life there.

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Maybe he used to old puppetry

and these are all of his kids.

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Okay.

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Good.

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Few more, little, little

doers here and there.

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Okay.

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Always a lot of little

sticks and twigs and.

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Out in the woods.

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So you can just put as many or

as few as you want in your world.

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There one right there.

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And we said this was going

to be a winter scene.

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So we needed to begin to thinking

about some snow and it may be there

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wash the old brush and we wash our

brushes, but just odorless standard.

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And I just wipe them on a paper

towel, tell you what, I've got

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several of each brush going here.

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Okay.

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Let's take, let's take,

but it'll touch it.

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That bright red, a

little bit of the black.

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We just put a little under color.

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We're going to have snow here.

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Let's just put in something that'll

need to just end up being shadows.

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Basically put a little color into here.

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That'll it'll show through and it'll

make you make your painting a little

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more interesting once again, because you

have liquid white on here, this color

246

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blends with it and all these beautiful

things will just happen automatically.

247

00:13:22,035 --> 00:13:23,265

And we use a clean brush.

248

00:13:23,745 --> 00:13:26,775

It's a clean two inch brush and

we'll go right into titanium white.

249

00:13:27,705 --> 00:13:32,295

And we just load some color on both sides

of the bristles, a little bit of color.

250

00:13:32,625 --> 00:13:35,245

And if you want to put the indication,

maybe of a little sunshine would,

251

00:13:35,245 --> 00:13:38,205

we'll be right back leased, little

touch of the bright red in there.

252

00:13:38,535 --> 00:13:40,995

Base-level touch tiny, tiny little bit.

253

00:13:41,055 --> 00:13:43,965

It'll it'll set your whole

world on fire in a heartbeat.

254

00:13:44,985 --> 00:13:48,525

Very, very little color, but see,

there's quite a bit of paint on

255

00:13:48,525 --> 00:13:50,855

the bristles and you just pull it.

256

00:13:51,360 --> 00:13:53,820

And this is a very thick from dry paint.

257

00:13:54,660 --> 00:13:56,880

So you can see how hard I'm

pulling the bristles through there.

258

00:13:58,170 --> 00:13:58,920

Oh, G color.

259

00:13:59,340 --> 00:13:59,520

Okay.

260

00:13:59,520 --> 00:14:02,940

Let's go up to the canvas now

had to make some big decisions.

261

00:14:02,940 --> 00:14:06,720

Where'd you snow live in

this world, maybe right here.

262

00:14:06,780 --> 00:14:07,140

See it here.

263

00:14:08,220 --> 00:14:11,700

Just pull it and think about the

angles that you want in here.

264

00:14:12,990 --> 00:14:14,730

Think about shape and form.

265

00:14:16,455 --> 00:14:22,785

And where you want all these little things

to be like, they're gonna reach up here

266

00:14:22,785 --> 00:14:26,445

and get the least little touch of Taylor

blue Lee's least little touched, but a

267

00:14:26,445 --> 00:14:29,415

little, a little cool shadow on there.

268

00:14:29,415 --> 00:14:31,365

Blue is an extremely cool color.

269

00:14:32,340 --> 00:14:36,480

And this little shadow it'll

make you make you snow.

270

00:14:36,480 --> 00:14:43,200

Look just a little bit cooler a little

bit, but be very, very sparing with it.

271

00:14:44,010 --> 00:14:45,480

A little bit goes a long way.

272

00:14:47,730 --> 00:14:49,800

It doesn't take long to

cover up your whole world.

273

00:14:51,780 --> 00:14:55,680

Now, very gently you can take and pull

that and begin blending it together

274

00:14:56,370 --> 00:14:58,020

until it was just as smooth as silk.

275

00:14:59,130 --> 00:15:01,050

But always pulling the angle though.

276

00:15:01,319 --> 00:15:04,170

Think about the lay of the land, the

way the land is going to flow here.

277

00:15:04,560 --> 00:15:07,410

That's most, most important

when you're, when you're doing

278

00:15:07,410 --> 00:15:10,079

things like, yes, it creates that

shape that you're looking for.

279

00:15:14,540 --> 00:15:16,609

Maybe pure white.

280

00:15:17,030 --> 00:15:19,490

We can make a nice, distinct little thing.

281

00:15:19,490 --> 00:15:20,839

So you have that one stands out.

282

00:15:22,155 --> 00:15:25,785

So anytime you want to have one

go back to nice, pure color.

283

00:15:25,785 --> 00:15:28,035

If you want to show it like

a Hill or a bump in there.

284

00:15:29,464 --> 00:15:29,944

All right.

285

00:15:32,615 --> 00:15:36,015

Teva, let's have some fun shoot sometimes.

286

00:15:36,405 --> 00:15:36,785

It's nice.

287

00:15:36,785 --> 00:15:37,895

Just to get a little bit crazy.

288

00:15:38,074 --> 00:15:39,395

Maybe there's a little water right here.

289

00:15:39,425 --> 00:15:43,505

You know me, if you've painted with me

before, I'm an absolute fanatic for water.

290

00:15:43,594 --> 00:15:44,435

I love water.

291

00:15:45,930 --> 00:15:46,949

Absolutely love it.

292

00:15:46,949 --> 00:15:49,380

And it's one of the nicest things

that happens in this technique.

293

00:15:49,380 --> 00:15:50,310

Let's take a little bit of that.

294

00:15:50,340 --> 00:15:50,670

Right?

295

00:15:50,670 --> 00:15:53,430

Red, little touch of the black.

296

00:15:53,460 --> 00:15:54,840

We just mix them together on the brush.

297

00:15:54,840 --> 00:15:56,010

Be right back, right back.

298

00:15:56,010 --> 00:15:56,370

There we go.

299

00:15:56,370 --> 00:15:59,340

A little red, a little black,

but mix them on the brush.

300

00:15:59,340 --> 00:16:03,810

That way you have a multitude of things

happening on the right on the bristles.

301

00:16:03,810 --> 00:16:06,090

You don't have to worry about

trying to mix all these colors.

302

00:16:07,050 --> 00:16:08,939

See there's a whole bunch

of things happening.

303

00:16:09,270 --> 00:16:11,490

Let's go up here now, if

we want to have water.

304

00:16:12,295 --> 00:16:13,785

You need a reflection here.

305

00:16:14,204 --> 00:16:18,885

So all you have to do is take your

two inch brush or one inch, whatever

306

00:16:18,885 --> 00:16:22,334

you want to use, decide where your

snow ends and your water starts

307

00:16:22,485 --> 00:16:23,865

and begin pulling straight down.

308

00:16:25,395 --> 00:16:27,675

It's most important though,

that it comes straight down.

309

00:16:29,265 --> 00:16:31,094

See, they're straight.

310

00:16:31,094 --> 00:16:36,824

They're a little more the color,

a little red, a little black.

311

00:16:37,844 --> 00:16:38,084

Sorry.

312

00:16:38,985 --> 00:16:44,775

Just make that big decision

or it lives and drop it in.

313

00:16:47,324 --> 00:16:50,474

Could even add the least little

touch if they look blue in there.

314

00:16:50,625 --> 00:16:53,655

Just enough to cool it down

a little here and there.

315

00:16:54,105 --> 00:16:55,454

I don't want a lot of blue in there.

316

00:16:56,474 --> 00:16:58,214

I want it to reflect what's up above.

317

00:17:00,510 --> 00:17:04,050

Here and there, you could take

a little touch of the least

318

00:17:04,050 --> 00:17:05,819

little touch of the yellow ochre.

319

00:17:06,930 --> 00:17:09,389

Don't need to touch it blue though,

where you'll end up with green water.

320

00:17:11,339 --> 00:17:18,210

And usually that'll disturb you in a

winter fixture at him with a nice clean

321

00:17:18,210 --> 00:17:21,210

brush we take and come straight across.

322

00:17:22,590 --> 00:17:29,310

Had across cross create that illusion

of reflections instantly, instantly

323

00:17:29,370 --> 00:17:33,690

that easy, but it's important to go

straight across with these brush strokes.

324

00:17:34,620 --> 00:17:38,790

If you don't, it's going to look like your

water is tilted and we can take our brush.

325

00:17:38,790 --> 00:17:42,840

It has the white on it, and we can

redefine some of these edges here.

326

00:17:42,840 --> 00:17:46,410

If you want to make them a

little more distinct, say there.

327

00:17:49,215 --> 00:17:52,905

And you can pull little

peninsulas of land out or push

328

00:17:52,905 --> 00:17:54,915

them back, whatever you'd like.

329

00:17:55,515 --> 00:17:55,665

Yeah.

330

00:17:55,665 --> 00:18:00,435

Then take a little touch in the liquid

white, but just use the old knife.

331

00:18:00,465 --> 00:18:03,165

No, add a little, little bit

of the titanium white to it.

332

00:18:03,795 --> 00:18:06,855

One of our golden rules in this

style of painting, a thin paint

333

00:18:07,485 --> 00:18:08,745

will stick to a thick paint.

334

00:18:08,955 --> 00:18:10,815

So we're going to start out with

a pink hair is a little thinner

335

00:18:10,815 --> 00:18:12,105

than what we have on the canvas.

336

00:18:12,105 --> 00:18:13,065

Let me wipe the knife off.

337

00:18:13,115 --> 00:18:14,115

You can see up close here.

338

00:18:14,775 --> 00:18:15,485

I'm just going to take.

339

00:18:16,139 --> 00:18:19,800

And pull across and get a little tiny rule

of paint, right on the edge of the knife.

340

00:18:20,750 --> 00:18:23,189

Once again, this is liquid

white and titanium white.

341

00:18:23,490 --> 00:18:27,120

The liquid white is only to make

the titanium white, a little thinner

342

00:18:27,240 --> 00:18:28,230

that we can go right up here.

343

00:18:29,340 --> 00:18:32,970

And literally just cut in like a

little water land, a little bit of

344

00:18:32,970 --> 00:18:34,470

snow laying out here in the water.

345

00:18:36,090 --> 00:18:36,899

Push firmly.

346

00:18:37,815 --> 00:18:39,075

Really pushed firmly.

347

00:18:40,365 --> 00:18:43,004

This is where you take out all your

frustrations and hostilities and

348

00:18:43,004 --> 00:18:48,195

everything, but he cleans up the edge,

brings everything together and gives

349

00:18:48,195 --> 00:18:50,715

you that little water line out here.

350

00:18:54,795 --> 00:18:55,514

There we go.

351

00:18:58,754 --> 00:18:59,595

And you can do that.

352

00:19:00,495 --> 00:19:04,065

You can do that, even if

you've never painted before.

353

00:19:06,060 --> 00:19:09,720

Now I tell you what, maybe in

our world, maybe there's some

354

00:19:09,720 --> 00:19:14,129

large trees that live right here,

clean off a little spot to work.

355

00:19:15,540 --> 00:19:16,710

What takes some Vandyke Brown?

356

00:19:16,710 --> 00:19:18,060

Just pull it out as flat as we can get it.

357

00:19:18,540 --> 00:19:21,899

Go straight down with a knife and we'll

cut us off a little roll of paint.

358

00:19:21,930 --> 00:19:23,730

That's ride out on the edge of the blade.

359

00:19:24,149 --> 00:19:24,600

Let's go ahead.

360

00:19:24,600 --> 00:19:24,899

Up here.

361

00:19:25,590 --> 00:19:27,060

And then you have to make a big decision.

362

00:19:27,090 --> 00:19:28,980

Where does, where does the tree lift?

363

00:19:29,050 --> 00:19:33,000

Just sort of look, make a determination

where you want him in your world.

364

00:19:34,260 --> 00:19:34,800

I'll show you.

365

00:19:36,855 --> 00:19:37,605

Couple of ways here.

366

00:19:37,605 --> 00:19:43,875

You can make these, we can make them

using the knife, just using Vandyke Brown.

367

00:19:48,435 --> 00:19:49,485

Excuse my arm a second.

368

00:19:49,485 --> 00:19:51,045

And I'll come over here

and do the other side.

369

00:19:52,815 --> 00:19:57,135

And all you're doing is putting

an under color, a base color.

370

00:19:58,605 --> 00:20:02,475

All we're doing at this

point now, then maybe.

371

00:20:03,585 --> 00:20:04,395

Maybe you're in a hurry.

372

00:20:04,725 --> 00:20:06,855

So sometimes we do get in a hurry.

373

00:20:07,815 --> 00:20:09,075

You could do this same thing.

374

00:20:09,135 --> 00:20:11,294

Watch here, watch here.

375

00:20:11,315 --> 00:20:14,445

You take a fan brush, load

it full of the same car.

376

00:20:15,225 --> 00:20:17,865

And maybe you want another little

tree that lives right there,

377

00:20:18,554 --> 00:20:19,725

but this one's a little thicker.

378

00:20:20,475 --> 00:20:23,925

And when it dries it'll feel like

it like it has real bark on it.

379

00:20:24,885 --> 00:20:25,995

Maybe there's one right here.

380

00:20:26,534 --> 00:20:26,955

Watch here.

381

00:20:27,014 --> 00:20:28,435

Maybe this one here got stepped on.

382

00:20:28,455 --> 00:20:29,115

It was a little in this.

383

00:20:29,115 --> 00:20:31,725

Got a little Yamaha in it.

384

00:20:32,355 --> 00:20:35,505

Take a little crook, a crook.

385

00:20:37,845 --> 00:20:39,285

This is a crooked tree right here.

386

00:20:40,335 --> 00:20:43,185

And sometimes it's nice just to

put some little trees in there,

387

00:20:44,045 --> 00:20:44,975

put her a little different.

388

00:20:46,685 --> 00:20:49,835

Now, Dan, we'll take a little bit titanium

height, and once again, we'll pull it out

389

00:20:50,555 --> 00:20:53,555

as flat as we can get it and cut off our

little roll of paint and the screw right

390

00:20:53,555 --> 00:20:55,685

up here for lights coming from the left.

391

00:20:55,685 --> 00:21:01,205

Maybe in this way, let's touch and

just give it a little pull little pole.

392

00:21:01,980 --> 00:21:06,260

And we can instantly turn these

into some very nice little Birch

393

00:21:06,260 --> 00:21:11,149

trees, just some happy little

Birch trees that live out here.

394

00:21:13,610 --> 00:21:17,899

And this one here, soup

put him right here.

395

00:21:20,750 --> 00:21:24,770

I really, I think I prefer the ones

made with a knife because once again,

396

00:21:25,159 --> 00:21:28,520

when they dry, they're nice and thick,

they actually feel like a real tree.

397

00:21:30,030 --> 00:21:31,439

The other ones will be much smoother.

398

00:21:31,639 --> 00:21:33,360

This one here, this

Cathy will be in Denny.

399

00:21:35,580 --> 00:21:38,040

So it's sort of a, it's

a matter of choice.

400

00:21:38,850 --> 00:21:41,520

Decide what you want in

your world and drop it here.

401

00:21:41,550 --> 00:21:44,310

We're trying to show you how to do this.

402

00:21:45,360 --> 00:21:46,139

That's all we're going to do.

403

00:21:46,350 --> 00:21:51,240

What you do is up to you because

painting is as individual as people are.

404

00:21:53,100 --> 00:21:57,420

And I, I never tried to get you to

copy exactly what we're doing here.

405

00:21:57,810 --> 00:22:01,680

I'd really rather teach you a technique

and let you do whatever makes you happy.

406

00:22:02,520 --> 00:22:05,430

Take a little bit of the paint, thinner,

a little Vandyke Brown on the liner.

407

00:22:05,430 --> 00:22:07,440

Brush a bit of color.

408

00:22:08,400 --> 00:22:09,150

Let's go ahead up here.

409

00:22:09,900 --> 00:22:13,700

Maybe there's some limbs on

these old trees here they're

410

00:22:14,030 --> 00:22:17,389

saying, but their standard paint.

411

00:22:18,030 --> 00:22:18,960

It should just flow.

412

00:22:20,550 --> 00:22:25,290

And if it doesn't flow, add a little

more of the thinner and you have to make

413

00:22:25,290 --> 00:22:28,350

big decisions, which tree lives in the

front, which tree lives in the back.

414

00:22:30,180 --> 00:22:30,810

There we are.

415

00:22:33,000 --> 00:22:35,820

And just put as many or as few

limbs in your world as you want.

416

00:22:37,940 --> 00:22:38,600

There we go.

417

00:22:38,690 --> 00:22:42,080

Maybe there's some on up here

where whoever you want them.

418

00:22:44,340 --> 00:22:48,170

There while we're up

here, we'll do this one.

419

00:22:48,200 --> 00:22:53,930

We don't want to have left out

there and have some come up and

420

00:22:53,930 --> 00:22:56,690

across the trunk, don't have them

all just coming out the side.

421

00:22:56,690 --> 00:23:00,620

He'll give the impression that

big giant came along with a huge

422

00:23:00,620 --> 00:23:04,490

razor blade and cut them off in

his, no limbs going across that.

423

00:23:04,490 --> 00:23:05,900

They're all just on each side.

424

00:23:06,170 --> 00:23:09,710

So let them come across some

go behind and it looks natural.

425

00:23:11,835 --> 00:23:14,355

There study trees, make friends with them.

426

00:23:14,385 --> 00:23:15,135

It's nothing wrong.

427

00:23:15,135 --> 00:23:18,795

If you're a painter going out in

the yard and talking to a tree, you

428

00:23:18,795 --> 00:23:19,815

know, people are looking at you.

429

00:23:19,815 --> 00:23:24,285

Like you're a little strange, but painters

are expected to be a little different.

430

00:23:25,755 --> 00:23:27,525

So you do whatever makes you happy.

431

00:23:28,035 --> 00:23:31,455

And by talking to a tree or it's

just studying a tree, you don't

432

00:23:31,455 --> 00:23:32,985

actually have to go talk to a tree.

433

00:23:34,335 --> 00:23:36,675

It helps you understand

how the old tree grows.

434

00:23:36,705 --> 00:23:38,205

Maybe down here, there's

a little baby, one.

435

00:23:39,505 --> 00:23:39,885

Be there.

436

00:23:44,375 --> 00:23:47,075

I'll just use that same little brush

and go down here with a little,

437

00:23:47,075 --> 00:23:49,955

the white clean up his little foot.

438

00:23:50,345 --> 00:23:51,605

So it all comes together.

439

00:23:53,225 --> 00:23:53,975

There we are.

440

00:23:55,895 --> 00:23:59,705

And then maybe over here on the other

side, it's come right down here.

441

00:23:59,735 --> 00:24:03,455

Maybe let's have a little, a

little do where it lives right

442

00:24:03,455 --> 00:24:07,295

out here, but had a little bank.

443

00:24:08,220 --> 00:24:10,980

Then we need, uh, we need

that reflection underneath it.

444

00:24:12,420 --> 00:24:15,090

So you put it in and then bring tune.

445

00:24:15,960 --> 00:24:17,480

Maybe there's another layer right there.

446

00:24:19,670 --> 00:24:23,210

Bad, easy back to her knife.

447

00:24:23,240 --> 00:24:26,990

A little bit of that liquid white

has been added to the titanium

448

00:24:26,990 --> 00:24:29,180

honey, come right in there.

449

00:24:31,250 --> 00:24:32,450

That little tiny water.

450

00:24:32,450 --> 00:24:34,790

Now maybe there's a different

kind of tree on the other side.

451

00:24:35,310 --> 00:24:35,610

Shoot.

452

00:24:36,270 --> 00:24:38,280

We got a minute or so left

here and have some fun.

453

00:24:39,270 --> 00:24:40,949

Maybe this whole tree lives right here.

454

00:24:42,120 --> 00:24:43,320

We'll just use a liner brush.

455

00:24:43,620 --> 00:24:47,729

Just get wiggly last, get wiggled here.

456

00:24:48,149 --> 00:24:49,620

Maybe this whole tree lives right there.

457

00:24:50,250 --> 00:24:51,510

A lot of paint thinner though.

458

00:24:52,709 --> 00:24:55,800

Maybe he's got a big

alarm and there it is.

459

00:24:56,370 --> 00:25:00,479

It's right out there and you

make his tree as big or small

460

00:25:00,479 --> 00:25:03,389

as you want him just sorta.

461

00:25:04,185 --> 00:25:07,574

Look at your painting and decide

what you think would look good in it,

462

00:25:09,695 --> 00:25:11,435

whatever you think is there we are.

463

00:25:13,745 --> 00:25:14,135

Okay.

464

00:25:14,135 --> 00:25:19,145

Now that little lamb right here,

there, and you can put hundreds

465

00:25:19,145 --> 00:25:22,504

of little branches on your tree,

or you can just have a few it's

466

00:25:22,504 --> 00:25:25,564

really up to you, really up to you.

467

00:25:26,885 --> 00:25:27,784

They're aware.

468

00:25:29,385 --> 00:25:31,965

Always hard to believe this

is the 19th series and there's

469

00:25:31,965 --> 00:25:33,525

13 shows in each series.

470

00:25:35,445 --> 00:25:36,615

I have to get my calculator out.

471

00:25:36,615 --> 00:25:41,355

That's a bunch of shows and I certainly

thank you for inviting me back for

472

00:25:42,045 --> 00:25:46,125

another one of these there, or maybe

there's another little stickless

473

00:25:46,125 --> 00:25:47,115

right here, wherever you want them.

474

00:25:47,895 --> 00:25:50,205

And there's usually some little

weeds and stuff around here,

475

00:25:51,595 --> 00:25:54,345

Adam, you want to get crazy?

476

00:25:55,755 --> 00:25:56,295

Maybe?

477

00:25:57,240 --> 00:26:00,300

Maybe in our world, maybe

it's snowing a little bit.

478

00:26:01,080 --> 00:26:05,130

I'm going to take a little bit of the

liquid white little paint, thinner, lay

479

00:26:05,130 --> 00:26:06,690

the pallet down on the two hands here.

480

00:26:07,140 --> 00:26:10,620

I want this paint to be very,

very thin and we can take

481

00:26:10,620 --> 00:26:12,600

Liddy's a knife very lightly.

482

00:26:12,960 --> 00:26:15,780

You might practice this a couple

of times for you do it, but just

483

00:26:15,780 --> 00:26:17,400

take the brush and flick it.

484

00:26:18,780 --> 00:26:24,390

Just like, so just like so say

there, and you can create the

485

00:26:24,390 --> 00:26:25,860

indication that it's snowing.

486

00:26:26,520 --> 00:26:30,630

And it softens this whole

painting makes it very, very nice.

487

00:26:30,780 --> 00:26:35,790

And you can put as much or as little

snow in your world as you want that

488

00:26:35,790 --> 00:26:42,480

easy though, you can create that

illusion and then fantastic shoot.

489

00:26:43,140 --> 00:26:46,890

I think we're that we just about have

a finished painting, take a little

490

00:26:46,890 --> 00:26:51,210

bit of the red on the liner brush

and assign sign this little rascal.

491

00:26:52,410 --> 00:26:53,370

I hope you've enjoyed it.

492

00:26:54,195 --> 00:26:55,695

This is a very nice painting.

493

00:26:55,695 --> 00:26:58,185

If you've never painted before,

this is one that you can do,

494

00:26:58,274 --> 00:26:59,355

and I think you'll enjoy it.

495

00:27:00,284 --> 00:27:04,335

So I tell you what, from all of us

here, I'd like to wish you happy

496

00:27:04,335 --> 00:27:06,524

painting, and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E01 - Snowfall Magic

Bob Ross's

The Joy of Painting

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