Monday, December 28, 2020

S09E02 - Surf's Up

Bob Ross's

The Joy of Painting

S09E02 - Surf's Up

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Welcome back.

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I'm glad you could join me today.

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Today.

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I thought we'd do a happy little seascape.

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So let's go on up here and let me

tell you a little bit about what

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I've done already on the canvas.

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Now on the top of the canvas,

I've completely covered this part

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with liquid white and as you know,

liquid white, it makes the canvas

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wet and slick and we blend color.

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But down here, I've done

something different today.

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Down here, this is all coded.

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With liquid clear, and this is

just a clear, transparent, medium.

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It's just like liquid

white, except it's clear.

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And I want to put some water

down here and I don't want to,

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I don't want to lose my color.

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I want it to stay very

strong and very true.

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So this is liquid clear.

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Now then I'll tell you what, let's have

him run all the colors across the screen

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that you need to do this painting with me.

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And we'll go up here and get started

and tell you what let's have.

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Let's have some big fluffy clouds

that period of day, and a nice big

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churning wave and we'll just get crazy.

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So let's go, I'm going to go into

a touch of the midnight black,

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just to touch and reach over here.

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And I'll grab a tiny little

bit of a lizard Crimson.

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So I've got midnight black and the

dessert cramps and just tap the brush

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into it and let's figure out maybe.

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Maybe there's a big cloud

that lives right here.

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We're going to put the dark part in

first and then we'll come back and

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at the light stuff in just link.

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So maybe right along, right along here.

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And when you're doing these, you

sorta have to predetermine where

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your water lines going to be.

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Can't tell you what, we'll have another

cloud over somewhere in this area.

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All I'm doing is just applying a

little bit of dark color right now.

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Maybe something here wherever now,

then I'm going to go into, without

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cleaning the brush, some of the

titanium white, a little bit of, they

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love blue and I'll just reach on the

other side of the palette and take

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some bright red, just a tiny bit.

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I don't want to turn this to the lavender.

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Just a little touch.

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Okay.

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Let's go back up here.

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Now there in between here.

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Let me put in some happy little sky colors

and sort of leave an area around here

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where the white of your cloud will be.

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There we go.

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This is probably one of the easiest

ways to make a very striking sky

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with great big fluffy clouds.

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Okay.

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As a beautiful little things happening.

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Okay.

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Let me wash this brush and we wash

our brushes with odorless dinner.

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Shake off the excess

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and cover those studio.

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All right.

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That really is fun.

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You know, I've painted for so many years

and I still like just beat the brush.

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We have people who write and they

tell me they watch the shows.

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They don't paint, they just

stand around and beat the brush.

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They enjoy that so much.

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Okay.

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Pulling this breast through the

titanium white and I've put the least

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little touch of bright red into it.

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A lot of paint, lots of paint.

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There you go.

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Let's go up here now using

just the corner of the brush.

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Decide where your clouds live in.

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Tiny little circles, tiny little circles.

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See there, and just sort of

let it come into the dark.

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Don't want to kill all the dark.

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Don't want to kill it.

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Just sorta let it come together.

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Look at that big fluffy, strong clouds,

maybe a little bit bright in there.

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Okay.

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Tell you what, there we go.

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And you can make as big a

cloud as you wanted your world.

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Here we are right in there.

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Big fluffy.

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Cloud the wind's blowing sort of make

up little stories when you're painting.

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It really helps you get in the mood.

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Right.

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I would take just a clean, dry brush

and come right up here and watch with

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just the top corner of the brush.

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Very gently.

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You just sort of mix this up.

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Don't touch the top at all.

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At this point, it just mixing the

bottom of the cloud into the dark.

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Just the bottom.

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Just sort of bring it all together.

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Don't kill all you dark.

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Don't kill your dark darkest.

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What's gonna create the illusion

of big clouds, strong clouds.

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Look at that.

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Now they just beat the brush a

little bit that removes excess

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paint off the brush without going

through the whole cleaning procedure.

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Can you look right here?

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We're going to grab this and fluff it.

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Tease it, pull it up.

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Big streaks, barely touching the canvas.

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Just enough to grab the paint,

fluff it up, fluff it up.

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And then very gently we'll

just plan the entire sky.

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Not a super way to make a fence.

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Testic sky that easy.

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Okay.

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We're ready to start playing the

C I'll wash this brush, actually.

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I'd just like to wash

the brush, shake it off.

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There we go.

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All right.

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Tell you what?

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And I have tried to devise a seascape that

works very well and is not so complicated.

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So sometimes it helps.

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If you sorta put yourself

in a little sketch here.

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I'm going to take a little paint

thinner and I'm using a Filbert,

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uh, number six, Russell Filbert.

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We'll just take a little Crimson and

blue mic, just a little lavender color.

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I think you can see that quite well.

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Now you don't have to do

this if you don't want to.

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I just think it'll help if you're

just starting off with some nice

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seascapes, let's decide where

a big way he was going to be.

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We're going to have a big crashing wave.

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Maybe it lives right there.

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Boom crashes over and falls down.

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See that gives you sort of an idea.

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And then maybe back here, we'll

have some other happy little

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things happening wherever this

just sort of gives you a guideline.

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This is what's important, right in here.

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We're going to have a transparent

eye and maybe down in here, there'll

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be all kinds of little things.

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We'll worry about that later.

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Okay.

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Now, and we'll take a two inch brush.

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And I'm gonna go red and to some

Prussian blue Prussian blue, and

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a touch of a lizard Crimson, and

just sorta mix these on the brush.

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All right, let's go back up here.

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Now you have to make a big decision here.

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Where's your horizon right there.

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Maybe I'll add a little bit more

cramps and I want that a little more.

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That's better, a little more into

the lavender few back here and try to

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keep this horizon line quite straight.

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Really?

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It looks better.

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If your water line back here straight,

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there we go.

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You can just sort of fill all that in.

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Okay.

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Like, so now then I'm going to add to the

same old, dirty brush and same color, a

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little bit of yellow ochre, yellow ochre.

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That'll give us a little greenish cast.

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We just come right up to here,

sort of at all this blend together.

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Maybe we'll have a little

thing crashing back here.

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So I just leave that

open for the time being

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and see if we had liquid white under here.

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When we put this color on, it would

make it lighter in value by putting the

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liquid clear on it keeps us color true.

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Very dark, very dark.

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Yeah.

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This transparent.

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This is a very transparent color.

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Okay.

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I'm going to go right into a touch that.

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Midnight black, black.

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So a little bit more of the yellow

ochre, midnight black, yellow ochre.

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And then I write down here else.

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Remember this area.

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We want to save this area right in here.

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Drop that here.

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I've made a mess this time and

all we're doing right here,

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it's just blocking him color.

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We're not looking for a

whole bunch of shapes.

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It's just basically just

blocking in some color.

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Then we're going to touch a

little bit of the day log blue.

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I have not cleaned the brush.

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I have not cleaned it.

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They love blue right up in here.

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The yellow ochre.

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Cause I want this to have

a greenish cast to it.

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Just bring it to right about there.

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You know how we have that on here.

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Let's just pull a little bit of this over.

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We know there's going to be

a big crashing wave there.

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Okay.

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That's good enough to get us started

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down here.

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We'll worry about that later.

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Okay.

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And we have to make some

big decisions back in here.

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I want some little swells, so

this is a simple way of making it.

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I'm going to take titanium white.

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On the fan brush

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would go right up here, decide

where they're going to be.

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You have to make a big

decision, one lives right there.

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See, now you're not worried

about the top of this.

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You're worried about the

bottom as crazy as that sounds.

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You're worried about the bottom of it.

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That's all.

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There we go.

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And that easy.

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Okay now right along here.

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See, the only thing you're worried

about is this nice bottom edge.

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You could care less about the

top at this time, there will come

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a point in this painting where

we're worried about everything.

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Good.

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Right now, put a little bit

right out here to there.

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Okay.

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Now watch come right up in here.

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Watch here now, grab this and

begin just going like that.

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Very gently, very gently.

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See you started making

little strokes like that.

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Very gently.

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We'll put a little bit of white right in

there and then pull it up very gently.

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Now come right back here.

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Start this way.

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You begin to see what's happening.

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Isn't that exciting that

it can happen that easy.

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Look at that.

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Look at that.

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Now it starts making

sense, right back up here.

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I really tried to design the seascape.

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So even if this is your first seascape,

you'll have some super, super results.

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Thank you.

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Like thank you.

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Now, back in here, I've added

a little white to the brush.

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You just come in, just sparkle,

a few little things back in here,

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all the way up to the horizon.

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Like, so

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that's exciting.

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Okay.

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And I'm going to go back to my Filbert.

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We'll take a little bit of.

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Titanium white and the tiniest

little touch of cadmium yellow.

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And then we'll mix that up.

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So we have CAD yellow and titanium white.

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All right.

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Let me clean my knife off here.

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Now with our Filbert brush,

we just load it full of paint.

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Just run it right through there.

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I can just go up here

now, then right here.

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This is the part.

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That everybody likes in a seascape,

this nice, beautiful, transparent

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area where the light shining through.

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And this is exciting.

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This is exciting when you do this.

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Know of course I know none of us are

interested in that happy book, but if

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you're selling paintings, this is the

second that sales right here, right here.

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Okay.

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We'll just let a little bit run right

along in there wherever you want it

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to just sort of bring it together.

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Man clean dry two inch brush.

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Let's go right up in here and

very gently, very gently now

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begin thinking of the angles here.

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How's the water that's coming up and

see if it helps to make little noises

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begin creating the shape of this wave.

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If your brush gets dirty, don't take

this dirty color back into here.

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You want to save that?

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I want to save it.

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That's a good friend to take care of it.

258

00:13:58,980 --> 00:13:59,459

There we go.

259

00:14:00,150 --> 00:14:00,420

Let's see.

260

00:14:00,420 --> 00:14:00,810

Now we're ready.

261

00:14:00,810 --> 00:14:02,579

Let's begin to look

like a happy little way.

262

00:14:06,540 --> 00:14:07,020

Okay.

263

00:14:08,910 --> 00:14:11,760

Always think about the angles it's

like when you're painting mountains,

264

00:14:11,790 --> 00:14:14,040

angles are very, very important.

265

00:14:14,130 --> 00:14:17,459

We wash his brush, give him a shake.

266

00:14:20,505 --> 00:14:22,515

Can you just beat the devil out of it?

267

00:14:23,415 --> 00:14:23,865

Okay.

268

00:14:24,495 --> 00:14:25,845

Let me grab a fan brush here.

269

00:14:27,225 --> 00:14:31,185

We'll go red and to some

titanium white load, quite a

270

00:14:31,185 --> 00:14:32,325

bit of paint into your brush.

271

00:14:33,585 --> 00:14:35,535

Quite a bit of paint Kings.

272

00:14:35,535 --> 00:14:36,165

Go right up here.

273

00:14:37,095 --> 00:14:39,645

Now, then we want to show

this as crashing over.

274

00:14:39,645 --> 00:14:40,875

I'll tell you how to start here.

275

00:14:41,205 --> 00:14:45,165

Give it a little ch once again,

make those little noises great.

276

00:14:45,905 --> 00:14:47,705

It Paula.

277

00:14:49,515 --> 00:14:55,965

Water spilling over there, like a

dam say there, just crashes over.

278

00:14:56,115 --> 00:14:56,775

Boom.

279

00:14:58,265 --> 00:14:58,865

Okay.

280

00:14:59,675 --> 00:15:02,495

Now back to the crash.

281

00:15:05,165 --> 00:15:05,495

Yeah.

282

00:15:05,525 --> 00:15:07,865

I'm going to take a touch of Crimson.

283

00:15:09,485 --> 00:15:11,345

Makes a little bit of blue with it.

284

00:15:11,795 --> 00:15:13,565

Reach over here and grab some white.

285

00:15:15,285 --> 00:15:19,005

And we're making a lavender

color sort of bluish.

286

00:15:19,395 --> 00:15:23,055

Okay, let's go back up here now,

then the exciting part, where

287

00:15:23,055 --> 00:15:24,855

does this big foam crash here?

288

00:15:25,455 --> 00:15:28,485

Let's go right in here

and push that brush.

289

00:15:29,595 --> 00:15:33,705

Maybe this, all of us have a

big splash comes we up in here.

290

00:15:35,355 --> 00:15:36,315

We up in there.

291

00:15:39,390 --> 00:15:42,569

All we're doing here is

just throwing in the shadow.

292

00:15:42,600 --> 00:15:46,290

We're putting the shadow in first thing,

we'll come back and we'll highlight

293

00:15:46,290 --> 00:15:50,910

that need the shadow, the dark area.

294

00:15:50,910 --> 00:15:51,900

So the light will show.

295

00:15:52,590 --> 00:15:55,260

And it comes right on up here

and maybe it goes right on over.

296

00:16:01,770 --> 00:16:02,370

Push it in.

297

00:16:02,490 --> 00:16:03,090

There you go.

298

00:16:04,860 --> 00:16:05,400

Okay.

299

00:16:08,189 --> 00:16:11,880

Now then wash and dry my brush.

300

00:16:12,270 --> 00:16:13,829

Now these little Filbert brushes.

301

00:16:13,829 --> 00:16:15,360

I just dry those on a paper towel.

302

00:16:15,360 --> 00:16:15,870

They're easy.

303

00:16:16,280 --> 00:16:16,510

Okay.

304

00:16:16,980 --> 00:16:17,430

Okay.

305

00:16:18,060 --> 00:16:18,660

We'll take some.

306

00:16:19,035 --> 00:16:22,335

Titanium white and least

little touch of the CAD.

307

00:16:22,335 --> 00:16:25,875

Yellow should almost look white, but

have a little bit of yellow in it.

308

00:16:28,185 --> 00:16:28,395

Okay.

309

00:16:28,425 --> 00:16:30,825

Let's go back up here that

a lot of pain on this brush.

310

00:16:31,515 --> 00:16:31,905

Okay.

311

00:16:31,965 --> 00:16:35,565

Now sort of maybe we can come

right in here close sort of

312

00:16:35,595 --> 00:16:36,975

tilt that over a little bit.

313

00:16:37,185 --> 00:16:38,025

Does that make sense?

314

00:16:38,565 --> 00:16:43,695

And when you give it a little

push, see, so it leaves at

315

00:16:43,695 --> 00:16:46,035

night bright edge at parentage.

316

00:16:48,569 --> 00:16:50,069

Once again, make little sounds.

317

00:16:50,069 --> 00:16:54,060

It helps just push it.

318

00:16:54,900 --> 00:16:56,790

You want that bright out here on the edge.

319

00:16:59,219 --> 00:17:01,439

It's just flashing and carrying on there.

320

00:17:03,120 --> 00:17:05,760

It's just carrying on having a good time.

321

00:17:10,619 --> 00:17:14,899

And if you don't live close to the ocean,

you know, you can get books that have

322

00:17:14,899 --> 00:17:20,960

all kinds of beautiful seascape pictures

to give you ideas, all kinds of books.

323

00:17:22,069 --> 00:17:22,730

There we go.

324

00:17:24,079 --> 00:17:24,589

All right.

325

00:17:25,970 --> 00:17:26,839

Wash this brush.

326

00:17:29,689 --> 00:17:30,439

This brush is little.

327

00:17:30,439 --> 00:17:31,220

You can't beat it.

328

00:17:31,250 --> 00:17:35,179

It's no fun now with nice dry.

329

00:17:35,580 --> 00:17:36,300

Clean brush.

330

00:17:36,330 --> 00:17:40,710

I'm going right in here where these two

colors come together and just very gently,

331

00:17:41,700 --> 00:17:44,100

very gently sort of blend them together.

332

00:17:44,910 --> 00:17:46,110

Don't kill all the dark.

333

00:17:46,560 --> 00:17:47,940

You want the dark Indus.

334

00:17:49,590 --> 00:17:55,380

That's what gives you the

depth makes it pretty, okay.

335

00:17:57,930 --> 00:18:02,630

Now the clean, dry two inch brush, and I'm

just going to use the very top corner and.

336

00:18:03,794 --> 00:18:05,205

Just blend all this together.

337

00:18:05,325 --> 00:18:11,085

Very lightly, barely touching

two hairs in some air.

338

00:18:17,415 --> 00:18:21,105

And that gives us a big

churning splashing thing there.

339

00:18:22,425 --> 00:18:22,995

Okay.

340

00:18:23,385 --> 00:18:24,735

Grab the old fan brush here.

341

00:18:26,264 --> 00:18:27,915

I want to take some white.

342

00:18:29,790 --> 00:18:30,600

And a little bit of that.

343

00:18:31,110 --> 00:18:36,450

They load blue, at least little touch

of Crimson, the Crimson, just sorta.

344

00:18:37,034 --> 00:18:38,294

Tones it down a little bit.

345

00:18:38,294 --> 00:18:40,034

So it's not quite as bright.

346

00:18:41,024 --> 00:18:45,195

I don't want it to get real lavender,

like, but just want to tone it down.

347

00:18:45,495 --> 00:18:45,665

Okay.

348

00:18:45,735 --> 00:18:46,304

Let's come up here.

349

00:18:46,965 --> 00:18:49,335

Now we need to start working

with some, some little foam

350

00:18:49,335 --> 00:18:50,534

patterns that live in here.

351

00:18:52,395 --> 00:18:55,544

And this is where we begin

creating the shape of the wave.

352

00:18:56,324 --> 00:18:57,764

Now, this way he's coming up and going.

353

00:18:59,175 --> 00:19:01,635

So here, it's going to

be a lot, a lot more

354

00:19:05,355 --> 00:19:08,265

now, right in here, right in this

area, there's going to be a shadow

355

00:19:08,265 --> 00:19:09,945

created by this wave standing up.

356

00:19:10,065 --> 00:19:12,855

So we want to keep this color quite dark

357

00:19:17,775 --> 00:19:21,885

there at all these little

things just to happen.

358

00:19:24,880 --> 00:19:28,680

All kinds of pretty little things

going on in there, but it gets

359

00:19:28,680 --> 00:19:29,880

flatter as it goes out here.

360

00:19:29,880 --> 00:19:31,860

These lines begin laying down.

361

00:19:33,150 --> 00:19:33,780

They like me.

362

00:19:33,810 --> 00:19:37,580

They get lazy and they lay

down the job for does that way.

363

00:19:37,590 --> 00:19:38,880

It comes closer this way.

364

00:19:39,090 --> 00:19:39,960

It spills up.

365

00:19:41,520 --> 00:19:42,300

There we go.

366

00:19:44,520 --> 00:19:45,090

Okay.

367

00:19:47,400 --> 00:19:49,380

Can laying all kinds of

little things in here.

368

00:19:51,495 --> 00:19:54,885

And if you happen to put one in you,

think's a little bit bright, just take

369

00:19:54,885 --> 00:19:56,505

your large brush and very lightly.

370

00:19:57,225 --> 00:20:02,615

See you can bring it right

into the wave, that easy, easy.

371

00:20:04,925 --> 00:20:05,195

Yeah.

372

00:20:05,945 --> 00:20:09,605

As we get out from under this shadow

area in here, let's begin creating the

373

00:20:09,605 --> 00:20:11,735

illusion of some foam laying out here.

374

00:20:13,235 --> 00:20:14,135

This is a little brighter.

375

00:20:16,020 --> 00:20:17,010

A little bit brighter.

376

00:20:20,550 --> 00:20:22,500

We'll come back and put

some detail in there later.

377

00:20:22,830 --> 00:20:26,370

Right now we just want to put some

looks like little foamy areas,

378

00:20:26,370 --> 00:20:27,450

laying all that out through here.

379

00:20:29,190 --> 00:20:32,970

Tell you what I'm going to go right into

a little bit of that yellow and white.

380

00:20:32,970 --> 00:20:33,990

Let's make some sand.

381

00:20:34,050 --> 00:20:34,770

This is bright.

382

00:20:34,860 --> 00:20:39,419

So right below there,

we will take some white.

383

00:20:40,440 --> 00:20:42,240

A little bit of that,

cadmium yellow in it.

384

00:20:44,460 --> 00:20:48,210

And as we work away, we begin adding a

little, a little more of a dark color,

385

00:20:48,660 --> 00:20:51,480

just same old, dirty brush, and started

going into some of the darker color,

386

00:20:52,560 --> 00:20:54,270

darker and darker as it works out.

387

00:20:57,960 --> 00:21:02,129

By the time we get out here strips,

it's really getting dark out here.

388

00:21:05,920 --> 00:21:06,210

There.

389

00:21:08,129 --> 00:21:10,379

Okay, then over here a little bit in here.

390

00:21:12,080 --> 00:21:12,680

Where are your ever?

391

00:21:15,050 --> 00:21:15,230

Yeah.

392

00:21:15,230 --> 00:21:19,430

Then with a two inch brush, grab this

and pull it straight down, straight down,

393

00:21:20,440 --> 00:21:22,610

start with a light area and blend outward.

394

00:21:24,389 --> 00:21:26,000

You start with a dark area and go inward.

395

00:21:26,060 --> 00:21:27,980

It's gonna it'll lead up your light area.

396

00:21:31,190 --> 00:21:31,550

Okay.

397

00:21:31,639 --> 00:21:32,149

Over here.

398

00:21:32,240 --> 00:21:33,139

Same, same.

399

00:21:36,705 --> 00:21:44,834

Just like, so now very lightly, very

lightly go across very lightly and

400

00:21:44,834 --> 00:21:47,625

it'll give it the appearance of wetness.

401

00:21:48,135 --> 00:21:48,375

Hope.

402

00:21:48,375 --> 00:21:49,754

That's a proper word wetness.

403

00:21:50,324 --> 00:21:51,044

You know what I mean?

404

00:21:51,044 --> 00:21:53,774

Anyway, the sand is wet.

405

00:21:55,395 --> 00:22:00,254

All right, now then I'm going to

take my little script liner brush.

406

00:22:01,185 --> 00:22:02,534

I'm going to go right into some of this.

407

00:22:05,915 --> 00:22:10,565

This is titanium white with a least

little touch of CAD yellow into it.

408

00:22:11,315 --> 00:22:12,965

And I've added paint thinner to my brush.

409

00:22:12,965 --> 00:22:14,495

So it's very thin.

410

00:22:14,525 --> 00:22:15,425

It's almost like water.

411

00:22:15,425 --> 00:22:15,845

Let's go ahead.

412

00:22:15,845 --> 00:22:17,405

Up here now.

413

00:22:17,435 --> 00:22:21,785

Right along in here, I want to put

some bright right at the top of this.

414

00:22:22,805 --> 00:22:24,575

I want this to really stand out.

415

00:22:25,475 --> 00:22:26,885

So it corresponds right there.

416

00:22:27,605 --> 00:22:27,695

Okay.

417

00:22:30,005 --> 00:22:31,145

Now I'm doing the same thing.

418

00:22:32,490 --> 00:22:36,750

Except this is with blue

and white, as it goes away.

419

00:22:38,040 --> 00:22:41,310

I want it to get darker and darker

that we can begin just putting all

420

00:22:41,310 --> 00:22:44,450

kinds of little strokes in here, bike.

421

00:22:44,450 --> 00:22:48,950

So like, so I see all kinds

of happy, little things.

422

00:22:51,570 --> 00:22:52,940

Are we going to have some fun back here?

423

00:22:54,260 --> 00:22:55,010

Take a little.

424

00:22:56,265 --> 00:22:57,315

That lavender color.

425

00:22:57,495 --> 00:23:00,405

Let's let's put a little thing

breaking right up here first.

426

00:23:00,405 --> 00:23:04,635

We'll just like for the big wave,

we'll put in some shadow, wash your

427

00:23:04,635 --> 00:23:11,265

brush brush and go back and pick up

some of the white with a little touch

428

00:23:11,265 --> 00:23:19,155

of yellow in it now, right along

here, like a day, like your dad, see

429

00:23:19,285 --> 00:23:20,805

little splasher going on back here.

430

00:23:22,335 --> 00:23:22,545

Now.

431

00:23:22,605 --> 00:23:24,105

Wipe off the excess paint.

432

00:23:25,680 --> 00:23:29,900

Very likely, very likely

bring it together.

433

00:23:30,020 --> 00:23:32,030

It's a little Filbert brush

really doesn't matter.

434

00:23:32,280 --> 00:23:32,630

Thanks.

435

00:23:35,060 --> 00:23:35,570

There we go.

436

00:23:35,640 --> 00:23:39,200

See, we got a little, we got a little

thing breaking and play them back here.

437

00:23:41,630 --> 00:23:42,440

All righty.

438

00:23:42,570 --> 00:23:49,370

Then we can come back in here and just

put a few little details in and you can

439

00:23:49,370 --> 00:23:52,130

just add all kinds of happy little things.

440

00:23:53,205 --> 00:23:56,175

All kinds of little things

that happened in the water.

441

00:24:01,155 --> 00:24:05,985

And maybe back up in here, you

see things through the wave too.

442

00:24:05,985 --> 00:24:07,365

You don't just see them in the front.

443

00:24:10,305 --> 00:24:10,905

There we go.

444

00:24:11,325 --> 00:24:12,285

Little things like that.

445

00:24:13,365 --> 00:24:16,605

Just let them go down in here.

446

00:24:27,920 --> 00:24:31,730

yeah, I'll go right into some of

the darker color and we have to

447

00:24:32,350 --> 00:24:37,460

have to have a little line right

here, which shows us that this is

448

00:24:37,460 --> 00:24:38,990

sort of upstanding right there.

449

00:24:41,000 --> 00:24:44,870

Little tiny lines, all you

name, tell you what that's.

450

00:24:46,485 --> 00:24:49,784

That's put us a happy little stone in here

that the waves hitting and crashing on.

451

00:24:49,784 --> 00:24:55,935

I'll just go right into Vandyke Brown, add

a little touch of the dark Sienna to that.

452

00:24:56,145 --> 00:24:57,675

Ben Brown dark Sienna.

453

00:24:58,425 --> 00:24:58,725

Okay.

454

00:24:59,715 --> 00:25:03,975

Now then we have a crashing

wave here, so let's build it.

455

00:25:04,455 --> 00:25:06,764

This bill is a nice stone.

456

00:25:07,185 --> 00:25:08,504

That is crashing again.

457

00:25:11,915 --> 00:25:14,495

It's just hitting and

splashing and carrying on.

458

00:25:16,020 --> 00:25:17,340

Where ever

459

00:25:21,750 --> 00:25:22,230

stay there?

460

00:25:23,450 --> 00:25:24,110

Isn't that easy.

461

00:25:24,169 --> 00:25:26,690

We got a happy little

stone or a happy big stone.

462

00:25:26,690 --> 00:25:27,590

This is a big stone.

463

00:25:28,159 --> 00:25:29,899

Just really lay that color in there.

464

00:25:32,030 --> 00:25:36,830

Tell you I tell you what, maybe he's

got a friend that lives right here.

465

00:25:38,030 --> 00:25:39,290

Stone's get lonely too.

466

00:25:41,149 --> 00:25:42,500

Everybody needs a friend.

467

00:25:44,385 --> 00:25:45,645

Let's have another one right in here.

468

00:25:47,505 --> 00:25:49,005

This is a dark Sienna in the van.

469

00:25:49,005 --> 00:25:49,665

Dyke Brown.

470

00:25:52,265 --> 00:25:52,645

Okay.

471

00:25:52,695 --> 00:25:57,365

Then we'll take a little touch of yellow

ochre, a little bit of the dark Sienna,

472

00:25:57,365 --> 00:25:59,015

and we just sort of mix those together.

473

00:25:59,045 --> 00:26:00,035

Maybe we'll throw a little white.

474

00:26:00,485 --> 00:26:01,415

Ooh, that's nice.

475

00:26:02,375 --> 00:26:04,355

And I still get excited

when these colors happen.

476

00:26:04,415 --> 00:26:05,345

Cut off a little piece.

477

00:26:05,345 --> 00:26:09,365

So you got that little roll up right

now, then just come right along here.

478

00:26:09,425 --> 00:26:10,565

Just barely touch.

479

00:26:11,615 --> 00:26:12,215

Whisper light.

480

00:26:13,740 --> 00:26:14,820

Jealous twist for life.

481

00:26:15,180 --> 00:26:19,890

Put a few happy little highlights

out here to give a stone some shape.

482

00:26:21,960 --> 00:26:22,650

There we go.

483

00:26:23,570 --> 00:26:28,340

A few little things happening

right out here and over here.

484

00:26:28,370 --> 00:26:29,420

Don't want him left out.

485

00:26:30,020 --> 00:26:32,630

See how easy you can make

some beautiful little stones.

486

00:26:35,690 --> 00:26:35,810

Hm.

487

00:26:35,960 --> 00:26:36,410

Okay.

488

00:26:36,470 --> 00:26:40,130

And ride around here a little bit, a

little water just to clean that up.

489

00:26:41,790 --> 00:26:46,889

We'll take her fan brush and bring

this water right up to the rock.

490

00:26:49,110 --> 00:26:50,250

See how easy that is.

491

00:26:51,929 --> 00:26:57,000

And we just about got to finish

these cakes, then I think we'll

492

00:26:57,000 --> 00:26:58,230

call that painting finished.

493

00:26:58,560 --> 00:27:01,080

So from all of us here, I'd

like to wish you happy painting.

494

00:27:01,500 --> 00:27:02,070

God blessed.

End .srt file.

S09E01 - Winter Evergreens

Bob Ross's

The Joy of Painting

S09E01 - Winter Evergreens

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:29,625 --> 00:00:31,005

Hello, I'm Bob Ross.

00:00:31,245 --> 00:00:34,905

And I'd like to welcome you to this,

our ninth joy of painting series.

00:00:35,265 --> 00:00:36,525

This is your first time with us.

00:00:36,735 --> 00:00:39,825

I hope you drag up your paints and a big

easel, and he'd come and paint with us.

00:00:40,215 --> 00:00:41,265

If you've been with us before.

00:00:41,295 --> 00:00:41,955

Welcome back.

00:00:41,955 --> 00:00:43,965

I'm certainly, certainly

glad to see you again.

00:00:44,475 --> 00:00:47,985

So I tell you what, let's have him run all

the colors across the screen that you need

00:00:47,985 --> 00:00:51,225

to do this painting with me and they'll

come across in exactly the same orders.

00:00:51,225 --> 00:00:54,705

I have them on the pallet, starting with

a titanium white and working around.

00:00:55,350 --> 00:00:56,070

While they're doing that.

00:00:56,220 --> 00:00:57,450

Let's go on up here and get started.

00:00:57,450 --> 00:00:58,830

Let me tell you what's happened already.

00:00:59,715 --> 00:01:02,925

I have an 18 by 24 inch canvas

up here and we've already covered

00:01:02,925 --> 00:01:04,485

it with a nice thin even coated.

00:01:04,485 --> 00:01:08,565

The liquid white, the liquid white

makes the canvas wet, makes it slick.

00:01:08,565 --> 00:01:11,355

It allows us to actually blend color

right here on the canvas instead of

00:01:11,355 --> 00:01:13,085

working yourself to death palette.

00:01:13,715 --> 00:01:15,005

So let's get started.

00:01:15,165 --> 00:01:16,295

We'll do a happy little painting.

00:01:16,295 --> 00:01:16,985

I thought today.

00:01:17,525 --> 00:01:19,295

Tell you why let's do a

beautiful little winter scene

00:01:19,325 --> 00:01:20,675

has a lot of warm colors in it.

00:01:20,735 --> 00:01:21,125

Thank you.

00:01:21,305 --> 00:01:21,575

Thank you.

00:01:21,575 --> 00:01:22,235

I really like it.

00:01:23,195 --> 00:01:27,575

I'm going to take off today with a little

bit of yellow ochre, little yellow ochre.

00:01:28,095 --> 00:01:32,265

And into that, a touch of bright

red and all you need is just

00:01:32,265 --> 00:01:33,255

a small amount of the rest.

00:01:33,755 --> 00:01:35,705

Very, very strong.

00:01:36,095 --> 00:01:36,875

It's very strong.

00:01:37,985 --> 00:01:38,554

Okay.

00:01:38,615 --> 00:01:40,115

Let me clean my knife.

00:01:42,420 --> 00:01:44,540

Well, that's use, we'll

use a two inch brush.

00:01:44,580 --> 00:01:48,390

I'm going to go right into this

and just tap it for gently.

00:01:48,390 --> 00:01:48,870

Tap it.

00:01:48,870 --> 00:01:50,040

Just get a little color on here.

00:01:50,460 --> 00:01:51,450

Let's go right back up here.

00:01:52,020 --> 00:01:54,030

Maybe we'll have a happy

little sun in this painting.

00:01:54,030 --> 00:01:56,550

So decide basically where

you want the sun to be.

00:01:56,550 --> 00:01:57,870

And I'm going to have mine right up here.

00:01:58,350 --> 00:02:01,020

It will start off and we'll

just make some, some little

00:02:01,020 --> 00:02:03,660

crisscross strokes, like, so.

00:02:05,240 --> 00:02:08,000

Just sort of blend it

out too about like that

00:02:11,540 --> 00:02:19,070

little crisscross, like, so there

you go there, maybe I have just

00:02:19,070 --> 00:02:21,049

the smallest amount of bread.

00:02:21,049 --> 00:02:23,269

I want it to be a little bit

brighter out here on the edges.

00:02:23,900 --> 00:02:27,079

We want this to be a very

warm little winter scene.

00:02:27,079 --> 00:02:27,950

Happy little scene.

00:02:28,830 --> 00:02:30,120

Sometimes winter scenes.

00:02:30,960 --> 00:02:33,660

Oh, they could become so cold

and comfortable to look at.

00:02:33,660 --> 00:02:38,370

So we'll put a little warrants

in this one, just like that.

00:02:40,230 --> 00:02:40,710

Okay.

00:02:41,040 --> 00:02:44,070

Now I'm going to wash the brush

and we wash our brushes with

00:02:44,100 --> 00:02:47,880

odorless paint thinner, and I really

recommend you owner and a spinner.

00:02:48,300 --> 00:02:51,300

You're going to be working by

yourself, shake the brush off.

00:02:51,750 --> 00:02:55,950

And that's the fun part of this technique.

00:02:56,970 --> 00:02:59,700

All right, I'm gonna go right

into some they little blue.

00:03:00,060 --> 00:03:02,820

We'll just tap the O two

into brush right in there.

00:03:03,269 --> 00:03:06,420

Reach right over here and grab a

little bit of that midnight black.

00:03:06,780 --> 00:03:08,370

So we have black and blue.

00:03:08,880 --> 00:03:10,380

Just mix them together on the brush.

00:03:11,190 --> 00:03:12,179

Let's go right back up here.

00:03:12,945 --> 00:03:14,085

Now start from the outside.

00:03:14,085 --> 00:03:16,394

Cause I want it to be darker

out here than it is up close to

00:03:16,394 --> 00:03:17,325

where the sun is going to be.

00:03:17,954 --> 00:03:22,755

And we're still using little crisscross

strokes and just begin working

00:03:22,755 --> 00:03:26,745

that right up to the color there.

00:03:30,825 --> 00:03:32,325

That's a pretty little sky already.

00:03:32,630 --> 00:03:35,750

A little more color, just blue and black

00:03:39,980 --> 00:03:41,209

and bring it right on the round.

00:03:43,040 --> 00:03:49,310

So we have sort of a vignette now, while

we have that color in the brush, I'm

00:03:49,310 --> 00:03:52,969

going to have one has some snow down here

and in the snow, we want some shadows.

00:03:52,969 --> 00:03:54,260

So while we have this blue and black.

00:03:55,075 --> 00:03:56,484

I'm just going to come right across here.

00:03:58,405 --> 00:04:01,015

Just lay a little touch of color

00:04:05,035 --> 00:04:05,424

already.

00:04:05,424 --> 00:04:07,885

We have a painting ready for

the museum of modern art.

00:04:08,905 --> 00:04:09,505

There we are.

00:04:09,655 --> 00:04:10,464

We can stop there

00:04:14,725 --> 00:04:17,185

and we'll get a clean, dry to integration.

00:04:17,605 --> 00:04:20,005

And I have several of them here, so I

don't have to wash them all the time.

00:04:20,334 --> 00:04:22,135

And right here with these

two colors come together.

00:04:22,800 --> 00:04:23,820

I want to blend this.

00:04:24,360 --> 00:04:27,120

So it's very soft, very gentle.

00:04:28,770 --> 00:04:31,650

They're like be brave,

just get in here and do it.

00:04:34,170 --> 00:04:35,640

Just blend those edges right out.

00:04:36,510 --> 00:04:44,700

So you can't tell where one color stops

and the next one starts like, so, and

00:04:44,700 --> 00:04:48,180

then blend out or as your brush gets

dirty, then go into the darker colors.

00:04:49,050 --> 00:04:51,510

If you don't want to take a dirty

brush and go into your light colors.

00:04:52,200 --> 00:04:54,450

Oh, you'll be, you'll

be an instant mud mixer.

00:04:54,600 --> 00:04:55,560

Then you'll be mad at me.

00:04:56,790 --> 00:04:58,080

Painting should make you happy.

00:04:58,200 --> 00:04:59,640

We stress that over and over.

00:05:00,360 --> 00:05:01,620

It really should make you happy.

00:05:02,160 --> 00:05:03,270

Should make you feel good.

00:05:08,075 --> 00:05:13,115

I'll wash this brush, shake

off the excess thinner

00:05:17,075 --> 00:05:18,365

and just beat the devil out of it.

00:05:19,145 --> 00:05:19,535

Okay.

100

00:05:19,655 --> 00:05:22,475

We said it was going to be a

sun in here, so let's use a

101

00:05:22,475 --> 00:05:23,975

finger real finger paint today.

102

00:05:24,095 --> 00:05:27,755

I'm just going to tap the

old finger right on there.

103

00:05:27,784 --> 00:05:27,995

Okay.

104

00:05:27,995 --> 00:05:32,135

Let's go up here, decide where your

son's going to be and just very firmly.

105

00:05:33,195 --> 00:05:35,234

Very firmly rubbed bed right in there.

106

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Okay.

107

00:05:39,664 --> 00:05:42,455

And you can do this several

times to get any degree of

108

00:05:42,455 --> 00:05:46,025

lightness that you wasn't there.

109

00:05:46,534 --> 00:05:47,734

I sprayed little sun.

110

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Yeah.

111

00:05:50,164 --> 00:05:53,794

Then if you tried just blending that

chances are, it would smear on you.

112

00:05:54,065 --> 00:05:58,474

So take your knife and very

gently, just go, had to make a

113

00:05:58,485 --> 00:05:59,705

little noise or it doesn't work.

114

00:06:00,585 --> 00:06:04,455

Now you can blend that the

value remains in the canvas.

115

00:06:05,715 --> 00:06:06,344

There we go.

116

00:06:06,525 --> 00:06:07,755

I think we got a happy little son.

117

00:06:10,575 --> 00:06:13,174

Tell you what, maybe, maybe

there's a little cloud, just

118

00:06:13,174 --> 00:06:14,325

sort of floating across there.

119

00:06:15,164 --> 00:06:17,385

I'll take a little black and a

little blue on the fan verse.

120

00:06:17,395 --> 00:06:18,645

We'll use the old fan brush.

121

00:06:19,995 --> 00:06:21,405

You don't want much color on there?

122

00:06:21,465 --> 00:06:22,094

Just a little.

123

00:06:22,785 --> 00:06:23,955

Okay, let's go back up here.

124

00:06:24,705 --> 00:06:26,865

Now, maybe this little cloud,

he lives right up here.

125

00:06:27,865 --> 00:06:32,595

He just sort of just sort of floats around

and this guy comes right across the sun.

126

00:06:32,595 --> 00:06:35,725

There, there he comes here.

127

00:06:35,725 --> 00:06:36,105

He is.

128

00:06:36,105 --> 00:06:36,585

There he is.

129

00:06:37,605 --> 00:06:38,745

And this is your little cloud.

130

00:06:38,745 --> 00:06:40,695

So wherever you want him,

that's where he should be.

131

00:06:42,855 --> 00:06:45,285

Wherever clouds are.

132

00:06:45,285 --> 00:06:47,685

One of the freest things in nature,

they just sort of float around

133

00:06:47,685 --> 00:06:49,635

in the sky and have a good time.

134

00:06:52,065 --> 00:06:57,705

There we go with a clean dry

brush, and this is three hairs

135

00:06:57,765 --> 00:07:02,865

and some air very lightly, very

lightly just blend this together.

136

00:07:06,915 --> 00:07:07,965

Isn't that fantastic.

137

00:07:08,535 --> 00:07:09,165

And that easy.

138

00:07:09,225 --> 00:07:11,355

You have a very nice warm little sky.

139

00:07:12,585 --> 00:07:13,065

All right.

140

00:07:15,155 --> 00:07:17,445

You know, I lived in Alaska

for over a dozen years.

141

00:07:18,360 --> 00:07:19,800

And I'm sort of partial to mountain.

142

00:07:19,810 --> 00:07:22,020

So I, I think we'll put a

happy little mountain in here.

143

00:07:22,530 --> 00:07:24,990

Now, if where you live, maybe you

don't have mountains and you don't

144

00:07:24,990 --> 00:07:26,130

want a mountain in your painting.

145

00:07:26,640 --> 00:07:27,870

You can certainly leave it out.

146

00:07:27,900 --> 00:07:28,950

That's no problem at all.

147

00:07:30,540 --> 00:07:30,690

Okay.

148

00:07:30,700 --> 00:07:35,670

I'm taking some dark Sienna and a

little bit of the van Dyke Brown

149

00:07:35,670 --> 00:07:36,810

and just mixing them together.

150

00:07:37,290 --> 00:07:37,560

Kay.

151

00:07:37,560 --> 00:07:39,390

Now pull it out very flat.

152

00:07:40,110 --> 00:07:42,060

It's very flat and cut across it.

153

00:07:42,690 --> 00:07:44,490

So you have that little

roll of paint on the knife.

154

00:07:44,490 --> 00:07:45,720

It's most important.

155

00:07:46,275 --> 00:07:49,935

And this knife has a straight edge,

so it's very easy to load Kings.

156

00:07:49,935 --> 00:07:50,505

Go right up here.

157

00:07:51,044 --> 00:07:52,755

Now decide where you

want the mountain to be.

158

00:07:53,565 --> 00:07:57,974

Maybe we'll have a happy little

mountain that lives right there,

159

00:07:59,865 --> 00:08:01,155

and our mountains are happy.

160

00:08:01,185 --> 00:08:02,715

We have happy little mountains.

161

00:08:05,670 --> 00:08:06,360

There we go.

162

00:08:06,750 --> 00:08:09,660

And I'm really, really pushing

this color into the canvas.

163

00:08:10,200 --> 00:08:11,740

Try to push it right through the fabric.

164

00:08:11,760 --> 00:08:13,260

It get tough with it.

165

00:08:14,040 --> 00:08:15,120

Take a strong pill.

166

00:08:17,580 --> 00:08:20,400

This part of the mountain

goes on very firm.

167

00:08:21,225 --> 00:08:24,255

And all we're looking for is

this nice top edge up here.

168

00:08:24,465 --> 00:08:25,275

We could care less.

169

00:08:25,275 --> 00:08:26,325

What's happening in here.

170

00:08:26,925 --> 00:08:29,145

Oh, we're looking for is a nice edge.

171

00:08:31,425 --> 00:08:31,715

Okay.

172

00:08:31,805 --> 00:08:32,435

There we go.

173

00:08:33,065 --> 00:08:33,155

Okay.

174

00:08:33,455 --> 00:08:35,315

That gives us a basic shape to work with.

175

00:08:36,335 --> 00:08:41,465

And we'll just take a two engine

brush, grab this and pull it, pull it.

176

00:08:42,424 --> 00:08:47,915

See this canvas is wit has the liquid

white on it so you can move color.

177

00:08:49,385 --> 00:08:49,625

Hmm.

178

00:08:51,075 --> 00:08:54,465

And when you're painting mountains,

if you painted with me before, you've

179

00:08:54,465 --> 00:08:56,025

certainly heard me say this over and over.

180

00:08:56,385 --> 00:09:00,405

If you can see the entire mountains,

the top of the mountain is always more

181

00:09:00,405 --> 00:09:02,145

distinct than the bottom of the mountain.

182

00:09:02,145 --> 00:09:06,375

So by pulling it down and allowing

it to mix with the liquid way that

183

00:09:06,375 --> 00:09:11,175

happens automatically, and I'm a lazy

painter, I look for the easy way to do.

184

00:09:11,345 --> 00:09:11,705

Thanks.

185

00:09:12,725 --> 00:09:13,295

Okay.

186

00:09:13,355 --> 00:09:14,315

Let's have some fun now.

187

00:09:15,245 --> 00:09:18,155

Let's go up here and we'll take a

little bit of this blue and black.

188

00:09:19,380 --> 00:09:26,010

And to that, I'm going to add touch

of white, touch white, please.

189

00:09:26,010 --> 00:09:27,180

That'll be our shadow color.

190

00:09:27,689 --> 00:09:32,099

And then we'll just use, we'll

just use some titanium white here.

191

00:09:32,489 --> 00:09:36,119

We'll put a little bit of snow out on

the mountain, cut across and get that

192

00:09:36,119 --> 00:09:37,680

small roll of paint on the knife again.

193

00:09:37,709 --> 00:09:38,400

Very important.

194

00:09:38,489 --> 00:09:39,239

Let's go right up here.

195

00:09:40,380 --> 00:09:41,099

All right.

196

00:09:41,520 --> 00:09:46,290

Let's just have a little light

plane right through there at this.

197

00:09:47,445 --> 00:09:49,995

This is the most delicate

touch imaginable.

198

00:09:51,045 --> 00:09:52,995

Pretend you're a whisper

floating through here.

199

00:09:53,955 --> 00:10:01,605

Very gentle, very light caress,

the canvas it's so gentle.

200

00:10:01,635 --> 00:10:04,305

I get so many letters from painters

all over the country saying

201

00:10:04,755 --> 00:10:06,075

my snow doesn't want to break.

202

00:10:06,075 --> 00:10:08,175

And by break, I mean, it has

all those little holes in it.

203

00:10:08,835 --> 00:10:10,425

99 times out of a hundred.

204

00:10:10,965 --> 00:10:14,115

The problem is that you're

applying too much pressure.

205

00:10:14,550 --> 00:10:15,630

Oh, you're using a paint.

206

00:10:15,630 --> 00:10:22,130

It's too soft or combination of both the

paint we use here is extremely firm and

207

00:10:22,140 --> 00:10:25,000

there's no pressure, no pressure at all.

208

00:10:25,000 --> 00:10:28,530

But this, at this stage, when you're

putting the base coat of the mountain on

209

00:10:28,530 --> 00:10:33,960

you, you're really strong, really push

it in, but here you just let it caress.

210

00:10:35,100 --> 00:10:38,010

Yeah, a little bit of shadow

color just here and there.

211

00:10:39,690 --> 00:10:40,830

But notice the angles.

212

00:10:41,130 --> 00:10:43,950

This is going into opposing

or opposite angles.

213

00:10:44,950 --> 00:10:51,300

This is one of the simplest type, a little

mountains to make very easy and it works,

214

00:10:51,870 --> 00:10:57,420

works so well see here now maybe we want

to bring those together and you can do it.

215

00:10:58,620 --> 00:11:02,430

Can do it that easy and easy.

216

00:11:03,600 --> 00:11:05,880

Just make all kinds of

happy, little things.

217

00:11:06,870 --> 00:11:07,620

The ridges.

218

00:11:09,959 --> 00:11:12,900

And if you're a skier, you know,

you want to put all those little

219

00:11:12,900 --> 00:11:14,550

places in, so you can go and ski.

220

00:11:16,020 --> 00:11:16,500

Okay.

221

00:11:16,980 --> 00:11:18,329

That gives us a happy little mountain.

222

00:11:18,689 --> 00:11:20,880

Now we want to create some mist

at the bottom of this mountain.

223

00:11:20,880 --> 00:11:24,120

So with a clean, dry two inch

brush, I'm going to begin tapping,

224

00:11:24,720 --> 00:11:27,810

being very careful to follow the

angles that are in that mountain.

225

00:11:28,949 --> 00:11:31,110

Very careful over here,

we'll go in this direction.

226

00:11:32,895 --> 00:11:33,525

Then lift up.

227

00:11:33,525 --> 00:11:35,474

We're still following those angles.

228

00:11:35,655 --> 00:11:36,824

That's most important.

229

00:11:37,724 --> 00:11:40,094

You can destroy your mountain

here by changing the angles,

230

00:11:40,635 --> 00:11:41,474

but don't want to do that.

231

00:11:42,944 --> 00:11:44,385

Like a task that easy.

232

00:11:44,474 --> 00:11:45,615

We've got a happy little mountain.

233

00:11:47,295 --> 00:11:47,655

Okay.

234

00:11:48,480 --> 00:11:50,220

He will have a little

footy Hill back here.

235

00:11:50,520 --> 00:11:55,710

And for that, I'm going to take

some black, a little touch of blue,

236

00:11:57,870 --> 00:12:01,260

little touch of blue and some white.

237

00:12:01,440 --> 00:12:06,960

So we have black, blue and white,

maybe a little bit more of the white.

238

00:12:06,960 --> 00:12:09,840

I want to lighten that up a

little bit out, like, yep.

239

00:12:10,830 --> 00:12:11,280

Good.

240

00:12:11,820 --> 00:12:12,090

Okay.

241

00:12:12,480 --> 00:12:13,620

Let me clean the knife off.

242

00:12:14,670 --> 00:12:15,390

Hey, we'll grab her.

243

00:12:15,825 --> 00:12:16,755

Who grab a fan brush.

244

00:12:16,755 --> 00:12:21,165

We'll do it with a fan verse

today, loaded for just really

245

00:12:21,165 --> 00:12:22,275

load a lot of color in there.

246

00:12:22,695 --> 00:12:25,035

It's black boots, blue and titanium white.

247

00:12:25,125 --> 00:12:25,305

Okay.

248

00:12:25,315 --> 00:12:26,115

Let's go back up here.

249

00:12:27,015 --> 00:12:31,485

Decide where your little foothills live

here and just sort of touch and begin.

250

00:12:32,775 --> 00:12:34,665

Just painting in some happy little shapes.

251

00:12:36,645 --> 00:12:38,475

I have to sort of make big decisions.

252

00:12:38,685 --> 00:12:40,545

This is your world on

this piece of canvas.

253

00:12:42,210 --> 00:12:45,150

And then when you create your own

world, you have to make those decisions.

254

00:12:45,300 --> 00:12:46,920

Where does these little footie Hills live?

255

00:12:47,880 --> 00:12:48,810

They got bumps on them.

256

00:12:48,930 --> 00:12:50,940

They go up down, where are they?

257

00:12:52,830 --> 00:12:53,490

Where are they?

258

00:12:53,550 --> 00:12:56,790

Painting gives you tremendous

amounts of power on this canvas.

259

00:12:57,600 --> 00:13:00,030

And you have to use it, make decisions.

260

00:13:01,290 --> 00:13:01,620

Okay.

261

00:13:03,735 --> 00:13:05,385

I want to create some

missed the bottom of these.

262

00:13:05,385 --> 00:13:13,005

So with a clean, dry two

inch brush, tap, tap black.

263

00:13:13,005 --> 00:13:13,275

264

00:13:16,755 --> 00:13:20,865

that creates the illusion of mist

and then come back and lift upward,

265

00:13:21,255 --> 00:13:23,985

very short, little strokes, and

it'll make it look like little trees.

266

00:13:23,985 --> 00:13:27,225

We back in the distance are far away.

267

00:13:29,205 --> 00:13:31,575

No, I'm gonna take that same color.

268

00:13:32,725 --> 00:13:35,355

We're going to add a touch

of a lizard Crimson to it.

269

00:13:35,355 --> 00:13:36,585

Load the brush the same way.

270

00:13:37,215 --> 00:13:38,475

I'm just going to add a little Crimson.

271

00:13:38,685 --> 00:13:41,025

So it has a slight purple issue.

272

00:13:41,565 --> 00:13:43,665

Can you just go back up here, maybe?

273

00:13:44,085 --> 00:13:44,295

Yep.

274

00:13:45,165 --> 00:13:45,345

Yep.

275

00:13:45,375 --> 00:13:47,625

We're going to have another

little roller foothills there.

276

00:13:48,585 --> 00:13:50,925

And you can put these on with

a one inch brush or two inch

277

00:13:50,925 --> 00:13:53,535

brush, whatever, whatever.

278

00:13:53,805 --> 00:13:55,995

I'm just had a dirty fan brush.

279

00:13:55,995 --> 00:14:02,175

I thought I'd use it,

fold it down once again.

280

00:14:03,405 --> 00:14:04,935

I want to create that illusion of a mist.

281

00:14:04,995 --> 00:14:09,525

So the two-inch brush, all

we're doing is just tapping.

282

00:14:16,155 --> 00:14:16,814

Champ champ.

283

00:14:16,845 --> 00:14:21,465

We lifted that bird and then

sometimes you'd like to play some

284

00:14:21,465 --> 00:14:25,725

games and maybe I could look like as

a little light plant through here.

285

00:14:25,725 --> 00:14:30,944

So I'll take just a little white on the

brush and just barely touch right here.

286

00:14:31,275 --> 00:14:33,735

Just maybe there's a little

light playing through here.

287

00:14:35,625 --> 00:14:37,665

I can't just tell a

little bit don't overdo.

288

00:14:37,814 --> 00:14:38,505

Don't overdo.

289

00:14:39,165 --> 00:14:40,725

It's easy to overkill here.

290

00:14:42,915 --> 00:14:43,935

And then very lightly.

291

00:14:44,175 --> 00:14:46,665

We'll just tap all that crease soft.

292

00:14:48,525 --> 00:14:52,065

See if it makes it look like it's a

little bit, a happy little sunshine

293

00:14:52,065 --> 00:14:53,805

plan through there on this last.

294

00:14:53,805 --> 00:14:54,075

Cool.

295

00:14:55,365 --> 00:14:55,845

There we go.

296

00:14:56,895 --> 00:14:57,555

Okay.

297

00:14:58,515 --> 00:15:03,705

Now then, maybe back in here, there's

some snow, let's have some fun.

298

00:15:04,665 --> 00:15:06,225

We'll go into the titanium.

299

00:15:06,225 --> 00:15:09,525

White used the old fan brush.

300

00:15:10,455 --> 00:15:10,725

Touch.

301

00:15:10,725 --> 00:15:15,255

If they look blue into that titanium

white and fellow blue, they will

302

00:15:15,255 --> 00:15:20,025

blues a beautiful blue color,

bright blue right up in here.

303

00:15:20,745 --> 00:15:23,565

Now that here's where you begin

determining the lay of the land.

304

00:15:23,565 --> 00:15:26,355

If you've got little Hills and

valleys, this is where you do it.

305

00:15:26,925 --> 00:15:32,985

Kim let's go right in here and touch and

make a happy little Hill right there.

306

00:15:33,195 --> 00:15:34,945

That easy, easy.

307

00:15:37,005 --> 00:15:37,425

See there.

308

00:15:38,355 --> 00:15:39,345

We got a little Hill.

309

00:15:40,275 --> 00:15:42,795

And maybe there's another

Hill lives right here.

310

00:15:42,944 --> 00:15:44,564

I've just added a little more white

311

00:15:47,625 --> 00:15:51,795

and that easy, that easy, you can

create all kinds of little Hills

312

00:15:51,795 --> 00:15:56,685

and valleys pay particular attention

to the lay of the land though.

313

00:15:58,454 --> 00:15:58,995

Look at that.

314

00:15:59,055 --> 00:15:59,355

Just.

315

00:16:00,480 --> 00:16:01,620

Hill after Hill.

316

00:16:03,090 --> 00:16:05,010

And this is where I'd ski right down here.

317

00:16:06,690 --> 00:16:08,370

I leave this up here for the experts.

318

00:16:09,510 --> 00:16:10,490

I fall down a lot.

319

00:16:12,330 --> 00:16:12,480

Okay.

320

00:16:12,510 --> 00:16:13,320

Three left feet.

321

00:16:14,100 --> 00:16:14,670

There we go.

322

00:16:17,880 --> 00:16:18,300

All right.

323

00:16:18,300 --> 00:16:20,670

Now, will we need a, we need a tree.

324

00:16:21,270 --> 00:16:21,810

I'm gonna make a.

325

00:16:22,710 --> 00:16:24,480

Let's make a happy little evergreen here.

326

00:16:25,410 --> 00:16:29,819

I'm going to take some black,

some black, some Prussian blue

327

00:16:29,850 --> 00:16:32,120

Prussian blue is very strong.

328

00:16:32,150 --> 00:16:32,910

Be careful with it.

329

00:16:34,260 --> 00:16:38,160

So we have black pression and blue

and put some Vandyke Brown in there.

330

00:16:39,120 --> 00:16:41,340

Shoot, we'll even throw

some alizarin Crimson yet.

331

00:16:41,730 --> 00:16:45,689

You're just looking for

a very dark color there.

332

00:16:45,930 --> 00:16:46,200

Okay.

333

00:16:46,230 --> 00:16:47,130

Let me clean off from it.

334

00:16:47,220 --> 00:16:47,460

All right.

335

00:16:50,370 --> 00:16:55,470

No, I just use the old fan

brush loaded, full of color.

336

00:16:55,980 --> 00:16:57,870

A lot of color can just go right up here.

337

00:16:58,590 --> 00:16:59,940

Now you got to make some decisions.

338

00:17:00,030 --> 00:17:00,990

Where does the trees live?

339

00:17:00,990 --> 00:17:07,650

I think there's a tree there is now

right here and use just the corner of

340

00:17:07,650 --> 00:17:10,050

a fan brush, work it back and forth.

341

00:17:10,350 --> 00:17:13,890

I had a lady in class one time

and she called these Z trees.

342

00:17:14,910 --> 00:17:16,200

Maybe that's a good analogy.

343

00:17:16,200 --> 00:17:19,260

Just think of making Zs

while you just like Zorro.

344

00:17:21,980 --> 00:17:22,520

Look at that.

345

00:17:22,640 --> 00:17:24,440

It was trees live right in this brush.

346

00:17:25,280 --> 00:17:32,590

All you have to do is sort of scare them

out, shake them a little bit like, so like

347

00:17:32,590 --> 00:17:37,880

so back and forth and you put as many or

as few trees in your world as you want.

348

00:17:38,750 --> 00:17:40,670

Now, sometimes it's fun

to play some games here.

349

00:17:40,670 --> 00:17:41,960

I'm going to go to another fan brush.

350

00:17:42,375 --> 00:17:47,175

And back to that lavender color

ahead, back to the lavender color.

351

00:17:47,835 --> 00:17:48,195

Okay.

352

00:17:48,515 --> 00:17:49,415

Let's go right up in here.

353

00:17:49,835 --> 00:17:55,055

Maybe there's some trees that live far

away and as things get closer to you in

354

00:17:55,055 --> 00:17:56,915

the landscape, they get darker and value.

355

00:17:56,915 --> 00:18:00,455

So back here, if you want to make

the indication of trees that live, we

356

00:18:00,455 --> 00:18:07,295

back just use a lighter color or say,

maybe he's got a happy little friend.

357

00:18:08,805 --> 00:18:09,675

That's right there.

358

00:18:10,455 --> 00:18:13,485

So you put as many trees or as

few in your world as you want.

359

00:18:14,895 --> 00:18:19,145

It's up to you just want to show you

how to make a tree and you decide

360

00:18:19,145 --> 00:18:20,435

how many trees live in your world.

361

00:18:21,245 --> 00:18:21,485

Okay.

362

00:18:21,845 --> 00:18:23,285

Maybe let's do it over here too.

363

00:18:23,345 --> 00:18:24,545

I want some trees on this side.

364

00:18:25,895 --> 00:18:27,965

We have this lavender looking color going.

365

00:18:30,245 --> 00:18:35,825

Let me just drop in indication of

happy little tree there and there.

366

00:18:38,145 --> 00:18:38,895

There we go.

367

00:18:41,835 --> 00:18:45,135

All right, now we'll go back to our brush.

368

00:18:45,135 --> 00:18:50,355

It has a dark color and yup.

369

00:18:50,685 --> 00:18:50,955

Yup.

370

00:18:51,135 --> 00:18:51,375

Yup.

371

00:18:51,465 --> 00:18:57,014

I'm going to put a tree now, this old

tree, when he was just a little baby, we

372

00:18:57,025 --> 00:19:00,345

be a big deer came by or stepped on even.

373

00:19:01,485 --> 00:19:02,325

Hurt him a little bit.

374

00:19:03,885 --> 00:19:10,395

So he sort of backed, I think, I think

personally landscapes look better.

375

00:19:10,935 --> 00:19:14,565

If all the trees aren't perfectly

straight, it's terrible to think

376

00:19:14,565 --> 00:19:19,004

that every tree is just a future

telephone pole, put some shape in

377

00:19:19,004 --> 00:19:24,135

your trees, let them let them bend

and Oh, and just, just have fun.

378

00:19:26,340 --> 00:19:27,120

There we go.

379

00:19:27,510 --> 00:19:28,470

There we go.

380

00:19:35,880 --> 00:19:40,620

Now this could be done with two inch

brush or one inch brush works very nicely.

381

00:19:40,620 --> 00:19:41,040

Also.

382

00:19:41,610 --> 00:19:42,180

No problem.

383

00:19:44,400 --> 00:19:44,790

Okay.

384

00:19:46,980 --> 00:19:49,620

Maybe we'll put another happy

little tree right there.

385

00:19:50,330 --> 00:19:51,980

I like to do these evergreen trees.

386

00:19:52,860 --> 00:19:54,920

My home in Alaska, there

was a lot of evergreens.

387

00:19:54,920 --> 00:19:56,210

I had one in my front yard.

388

00:19:57,290 --> 00:19:59,570

Gosh, it must've been 60 to 70 feet tall.

389

00:20:00,830 --> 00:20:03,110

And the ptarmigan used to

set up their time against a

390

00:20:03,530 --> 00:20:04,880

beautiful bird in the wintertime.

391

00:20:04,880 --> 00:20:07,400

He turns white and he's so pretty.

392

00:20:09,110 --> 00:20:09,680

So pretty.

393

00:20:09,680 --> 00:20:11,150

I think he's in the grouse family.

394

00:20:12,735 --> 00:20:16,274

Beautiful bird Laska is the only

place I've ever seen him, but I'm sure

395

00:20:16,274 --> 00:20:20,685

there other places they're nothing.

396

00:20:20,685 --> 00:20:22,965

That's pretty could be just in one place.

397

00:20:26,324 --> 00:20:27,195

There we go.

398

00:20:28,605 --> 00:20:29,235

Dark color.

399

00:20:29,294 --> 00:20:30,824

We're looking for contrast here.

400

00:20:34,064 --> 00:20:35,175

Let's put one right here, too.

401

00:20:35,235 --> 00:20:35,925

What the heck?

402

00:20:40,785 --> 00:20:44,115

This will give you a lot of practice,

making some happy to labor greens

403

00:20:50,805 --> 00:20:52,605

and down in here, you could care less.

404

00:20:52,845 --> 00:20:54,315

You separate these, but highlights.

405

00:20:54,315 --> 00:20:55,725

We're going to come

back and highlight this.

406

00:20:56,805 --> 00:20:59,115

So right now, all we're

looking for is color.

407

00:20:59,295 --> 00:21:00,495

Just color on here.

408

00:21:02,835 --> 00:21:03,465

That's awesome.

409

00:21:06,135 --> 00:21:08,355

All right, man.

410

00:21:08,955 --> 00:21:11,115

We need some trunks in there

to hold up these little tree.

411

00:21:11,125 --> 00:21:14,865

So I use some of the dark

Sienna, a little bit of white.

412

00:21:16,695 --> 00:21:17,025

Okay.

413

00:21:17,085 --> 00:21:19,125

Cut us off a tiny little roller paint.

414

00:21:19,155 --> 00:21:22,545

Let's go back up here and we'll

come right up through here

415

00:21:23,955 --> 00:21:25,215

and just touch here and there.

416

00:21:25,980 --> 00:21:27,720

You're not going to see the entire trunk.

417

00:21:27,750 --> 00:21:28,830

You're just going to see parts.

418

00:21:28,880 --> 00:21:29,120

I love it.

419

00:21:29,120 --> 00:21:29,960

So don't worry about it.

420

00:21:30,140 --> 00:21:33,020

Don't worry about it, joy.

421

00:21:33,410 --> 00:21:33,650

Okay.

422

00:21:35,180 --> 00:21:37,640

And sometimes you can see the

indication of little trunks

423

00:21:37,880 --> 00:21:38,900

that are hid back in there.

424

00:21:43,010 --> 00:21:43,100

Okay.

425

00:21:44,000 --> 00:21:45,290

Let's go on the other side over here.

426

00:21:46,280 --> 00:21:48,200

We don't want these little

trees to be left out.

427

00:21:49,970 --> 00:21:51,140

They get upset if you don't.

428

00:21:51,440 --> 00:21:52,640

Don't give him a trunk too.

429

00:21:53,990 --> 00:21:54,080

Okay.

430

00:21:55,320 --> 00:21:56,550

Don't want his feelings hurt.

431

00:21:57,750 --> 00:21:58,979

These are happy little trees.

432

00:21:59,399 --> 00:22:02,520

They can take just the point of

the knife and scratch Gretchen

433

00:22:02,520 --> 00:22:03,659

a few little dead limbs.

434

00:22:03,840 --> 00:22:05,699

Evergreens always have dead limbs on him.

435

00:22:07,370 --> 00:22:07,969

Okay.

436

00:22:08,060 --> 00:22:10,909

I'm gonna go right into some liquid

white cause I'm looking for a paint

437

00:22:10,909 --> 00:22:17,270

us a little thinner titanium, white

and a little bit of a low blue.

438

00:22:19,219 --> 00:22:19,639

Okay.

439

00:22:20,659 --> 00:22:20,989

Now that.

440

00:22:21,705 --> 00:22:22,575

Let's put some highlight.

441

00:22:22,605 --> 00:22:23,685

Here's your light source.

442

00:22:24,015 --> 00:22:28,785

So over here, the left side of the tree is

going to be brighter than the right side.

443

00:22:29,745 --> 00:22:34,205

Just drop in highlights, like so

dark, dark, dark, as it goes down.

444

00:22:35,345 --> 00:22:39,785

Now this is a thinner paint, so it sticks

on top of here without any problem.

445

00:22:40,415 --> 00:22:45,425

If your paint won't stick, make

it a little bit thinner and then

446

00:22:45,425 --> 00:22:46,595

you'll find it works better.

447

00:22:48,975 --> 00:22:50,085

One of our golden rules.

448

00:22:50,085 --> 00:22:53,294

If this is your first time

with us, is that a thin paint

449

00:22:53,655 --> 00:22:54,794

will stick to a thick paint.

450

00:22:54,824 --> 00:22:59,955

So we start off with a thickest paint we

can find, and then each layer gets thinner

451

00:23:00,044 --> 00:23:01,425

and that's what makes all this work.

452

00:23:01,455 --> 00:23:02,564

There's no big secret to it.

453

00:23:04,445 --> 00:23:05,014

There we go.

454

00:23:06,995 --> 00:23:09,695

Just some indication of a few

little highlights here and there.

455

00:23:10,115 --> 00:23:11,165

The darker, darker dark.

456

00:23:13,574 --> 00:23:14,254

Here it is.

457

00:23:16,774 --> 00:23:17,074

And then.

458

00:23:17,639 --> 00:23:21,030

It gets down in here, more shadows,

darker and darker and darker.

459

00:23:24,389 --> 00:23:24,840

Okay.

460

00:23:30,149 --> 00:23:34,500

Madam right into some white,

a little bit of the blue.

461

00:23:36,600 --> 00:23:42,690

And let's start right in here and we'll

put another happy little Hill allowed

462

00:23:42,690 --> 00:23:44,040

to pick up some of this dark color.

463

00:23:44,070 --> 00:23:45,330

And that's the com shadows.

464

00:23:46,770 --> 00:23:48,090

Say they're that easy?

465

00:23:49,710 --> 00:23:51,510

Just creature shadows all at once.

466

00:23:53,340 --> 00:23:53,640

Okay.

467

00:23:53,640 --> 00:23:56,280

Now maybe there's some little grassy

things that go right in there.

468

00:23:56,280 --> 00:23:56,880

There they are.

469

00:23:57,480 --> 00:24:04,890

You can just push them

in like, so none of that.

470

00:24:05,010 --> 00:24:05,460

No.

471

00:24:05,460 --> 00:24:09,030

Then over here, let's go

right over on this side.

472

00:24:09,420 --> 00:24:10,230

Here's another little.

473

00:24:10,575 --> 00:24:11,055

Plane.

474

00:24:11,235 --> 00:24:14,535

So each one of these little Hills, you

may create a different plane in your

475

00:24:14,535 --> 00:24:19,305

painting and helps it really helps

create the illusion of depth distance.

476

00:24:20,655 --> 00:24:21,315

There we go.

477

00:24:22,785 --> 00:24:26,415

And once again that it pickups on

this dark color, you pull it down.

478

00:24:27,465 --> 00:24:30,375

Look at that, follow the lay of the land.

479

00:24:31,815 --> 00:24:33,855

That's very important at this time.

480

00:24:34,245 --> 00:24:34,995

Very important.

481

00:24:36,705 --> 00:24:37,005

Okay.

482

00:24:37,095 --> 00:24:38,895

I had a little touch of a liquid white.

483

00:24:40,860 --> 00:24:42,120

Thinner paint once again.

484

00:24:42,210 --> 00:24:46,470

See, I can pull that up and make all

kinds of happy little things happen here.

485

00:24:46,470 --> 00:24:47,429

I'm just pushing upward.

486

00:24:48,240 --> 00:24:49,439

Give it a little upward pole.

487

00:24:51,300 --> 00:24:53,159

Just make all kinds of pretty things.

488

00:24:58,439 --> 00:25:03,419

I like these little winter seats now

I'm just sort of working back and

489

00:25:03,419 --> 00:25:06,629

forth with the blues and the whites.

490

00:25:09,000 --> 00:25:13,710

Tell you, what if you pay with me

before, you know, I'm a water fanatic,

491

00:25:13,890 --> 00:25:15,510

so let's have some water in this.

492

00:25:16,020 --> 00:25:17,040

I like water.

493

00:25:17,580 --> 00:25:23,700

So I'm just going to tap the brush into

tiny bit of the fellow blue little black.

494

00:25:25,060 --> 00:25:25,350

Thanks.

495

00:25:25,350 --> 00:25:26,160

Go right back up here.

496

00:25:26,400 --> 00:25:28,560

Make a decision water lives right here.

497

00:25:28,770 --> 00:25:29,250

There it is.

498

00:25:29,520 --> 00:25:30,030

There it is.

499

00:25:30,630 --> 00:25:31,170

That easy.

500

00:25:32,520 --> 00:25:38,310

That easy, just pull it down straight

down is sure these lines come straight

501

00:25:38,310 --> 00:25:43,500

down and then very lightly go across

and that'll create the illusion of

502

00:25:43,500 --> 00:25:46,170

water that easy and they will take

it right off the end of the canvas.

503

00:25:46,170 --> 00:25:46,620

There you go.

504

00:25:48,000 --> 00:25:50,250

That's just a happy little

pond that lives out there.

505

00:25:51,990 --> 00:25:54,300

I'm going to take a little

bit of this dark color.

506

00:25:55,680 --> 00:25:57,120

Maybe there's a stone right here.

507

00:25:58,080 --> 00:26:04,440

So we'll put the stone on their

lives, a little stone right there.

508

00:26:05,940 --> 00:26:06,080

Right?

509

00:26:06,080 --> 00:26:09,360

He's got a little friend named Harold.

510

00:26:09,450 --> 00:26:10,110

This is Harold.

511

00:26:10,110 --> 00:26:15,690

The stone right here will reflect

a little bit of that down in here.

512

00:26:17,100 --> 00:26:22,620

Take our two inch brush, pull that

down, come across now, then her fan

513

00:26:22,620 --> 00:26:25,290

breast that has the, the white on it.

514

00:26:26,010 --> 00:26:28,320

And as I say, I have several of

each brush going here, so I don't

515

00:26:28,320 --> 00:26:29,760

have to wash them between each time.

516

00:26:31,080 --> 00:26:31,320

Yeah.

517

00:26:32,040 --> 00:26:35,909

Let's put a little bit of

snow right up on that rock.

518

00:26:36,060 --> 00:26:36,659

Is that easy?

519

00:26:46,760 --> 00:26:49,040

just a little bit there now.

520

00:26:49,129 --> 00:26:51,409

We'll take some liquid white

on the knife, pull it out.

521

00:26:51,409 --> 00:26:52,909

Very flat, cut across it.

522

00:26:53,860 --> 00:26:57,390

We just put a little water line,

little bit of snow laying right here.

523

00:26:59,370 --> 00:27:09,570

Just like, so there, and then a nice

little, little snow scene and it's easy.

524

00:27:09,600 --> 00:27:10,260

You can do it.

525

00:27:10,680 --> 00:27:12,480

They'll get a slow lane

right up through there.

526

00:27:13,920 --> 00:27:16,080

I think we have a painting

it's ready for a signature.

527

00:27:16,350 --> 00:27:18,990

I'm going to dip my brush right into

a little bit of the liquid clear.

528

00:27:20,010 --> 00:27:22,350

Bring it to a nice sharp

point West side it right here.

529

00:27:23,070 --> 00:27:24,479

I hope you've enjoyed this painting.

530

00:27:24,629 --> 00:27:25,530

It's a lot of fun.

531

00:27:26,550 --> 00:27:28,530

And I look forward to

seeing you again next time.

532

00:27:30,000 --> 00:27:32,820

So from all of us here, I'd

like to wish you happy painting.

533

00:27:33,389 --> 00:27:33,989

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Monday, December 28, 2020

S09E02 - Surf's Up

Bob Ross's

The Joy of Painting

S09E01 - Winter Evergreens

Bob Ross's

The Joy of Painting

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