Bob Ross's

The Joy of Painting

S23E08 - Valley Waterfall

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Hey, welcome back.

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Certainly glad you could join us

today because I thought that they

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would do something as a little

different, and I believe you're

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really going to enjoy this one.

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So let's start out and have run all the

colors across the screen that you need

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to paint along with Snell com right

about there while they are doing that.

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Let me show you what I've

got done up here today.

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I have my standard old pre stretched

canvas and I've taken a little bit

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of black Jesso and I've painted

the whole bottom black and up

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here, I've just put a few designs.

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So I know there's going to

be some trees up in here.

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And the sky.

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Other than that, I don't,

I don't really care today.

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And today we're going to cover

the part that's black here with a

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mixture of fellow blue and fallow

green mixed with liquid clear.

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Now the clear is just makes it very,

very thin and you can cover this

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easily and up here, we just have

liquid white, as we normally do.

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And you caught me sorta putting this on,

but one of the neat things about this that

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you're putting on this thin paint, this

is just the little blue and pale green.

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Just sort of let it go right

on up into the sky area here.

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And it's a super easy, nice way

of making a beautiful little sky.

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That quick.

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So we start up and already, we

have our sky just about done just

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by doing something like that.

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And we just let it blend right on down.

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And that's not all the sky we're going to

need for this particular little painting.

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I think I'm just going to have a very

plain sky in it and we work on some.

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We'll work on some pretty things in here.

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What the heck?

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They such a fantastic day here.

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I thought we'd just do a little painting.

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That really makes you feel good

when you, when you paint it.

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And when you look at it and if I know

your friends have come in view what

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you they're just really scrubbing.

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I don't, but it is quite thin.

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And you might just touch it and make

sure that everything where you touch

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it, you get a little bit of blue on

your finger, the blue-green color.

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And don't allow this to drive before

you start, you want this to stay wet.

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We only allow the black gesture to dry.

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This remains wet.

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Okay.

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Let me wash off the old brush here.

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And then if you painted with this

before, you know, that's the fun

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part of this whole technique, just

washing the brush, just washing the

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brush and covering those studio.

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When I leave here, they just bring in

a bulldozer and clean everything out.

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Okay.

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Tell you what today.

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Let's let's have some real fun.

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Let me clean off this damn paint.

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Get it out of our way.

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Cause we're going to

use a very thick paint.

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We'll just put it up here.

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I may use it.

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I may use it later.

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All right, now then let's take.

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Let's start with midnight black, just

plain old midnight black, pull it

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up, very flat, take the knife, cut

across and get a little roll of paint.

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They should live right

on the edge of the blade.

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Come right up in here.

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Maybe we'll have a big mountain

today and it lives right there.

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And let's just put the top

of the mountain in there.

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It is something about like, so.

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I'll take a little titanium white.

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I pull it out the same way.

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And I want to come back in here

and just put the indication

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of a little highlight on here.

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This titanium white and no pressure,

barely, barely touching it.

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Just let it graze that.

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And I'll mix up a little

bit of, Oh, we'll use them.

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Can we use a little,

little blue and white?

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What the heck?

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That's a nice color.

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This is going to be a very

bright little painting once

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again, our little roll of paint.

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Say when you do that, pull out flat and

just sort of cut across small roller paint

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and we'll come back in here and we'll put

a few little indication of some shadows.

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I don't want a lot in here.

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It's too far away, but just

enough to create that illusion.

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Well, we got a floating

mountain up there now.

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And we can take, I want to put

up a lot of snow right in here.

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So we'll take just titanium

white and come right across soup.

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Got to make those little noises.

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So just has come around to crows.

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Be brave, be brave right up here in

the sky, just dropped the sand and you

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can leave little these areas showing

through the pain break while some of

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those little areas to show through.

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Here.

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I've used a little, that shadow

color, the little blue and white.

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So it looked like a little shadow

right along that edge and back

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to my black and we begin putting

in something to hold this up.

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We'll put in there.

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I like that.

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And maybe, maybe right there.

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There we go, just put in all kinds

of little things that don't fade

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right down into nothing basically.

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And I take them out the stew.

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Yeah.

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Right.

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And here we'll have all kinds of

little things that just live there.

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Cause we have some black Jessa here.

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We know there's going to be a

tree, so I'm not too worried about

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putting a lot of stuff in there.

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We're just going to have some

little stones that live in there.

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Something, maybe I can like that.

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And over in here, at least little

touch and the titanium white.

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So we can separate all these little

stones and rocks and all these

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beautiful little things that are

happening appear in this mountain.

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Nope.

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Pressure.

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No pressure.

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Let it float.

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Just let, let it float.

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That'll touch it.

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That they little blue and white.

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Give us a little shadow indication.

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And I really don't want a lot.

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I want to keep this quite dark,

just a little here and there.

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Something like that.

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That's a rough looking mountain already.

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And then here, maybe

this comes right on down.

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We don't know wherever, wherever,

take a little bit of my shadow,

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color, the blue and white again, and

very gently, a little touch of it.

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She has coming down the side

of this mountain by Kevin

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it'll touch right up in there.

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Now that's take.

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A nice clean and very dry

be sure it's very dry.

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Two inch brush.

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I want to create the illusion of

missed right down at the base of this.

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I can't see what just happened.

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Be sure to follow the

angles of those ankles.

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And then very lightly, very

lightly lifted up, lifted up.

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Right?

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I want a little Misty area down

here at the base, and this is

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the way we create that illusion.

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That's the way they're a

little bit over in here.

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Not too much here because

we're going to have trees here.

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We don't really care.

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Then make much difference over in

this side and maybe we're having

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so much fun making mountains.

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And I've got several letters.

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People want to know how to do mountains

that have a lot of rocks at them.

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So this is a nice way.

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Maybe there's another rock is right there.

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Just wherever you want to put

in some blocks, come back a

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little touch of highlight color.

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No pressure.

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I know you get tired of hearing

that, but probably that's the biggest

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problem that most people have when

they're trying to make mountains

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is they apply too much pressure.

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And then it just moves she's together.

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Steve says my son and

you become a mud mixer.

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So try to try it again, just

practice it, letting it float across

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there with no pressure whatsoever.

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No pressure.

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Now we can bring this area right on up

and just sort of let it go right in there.

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Like that.

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Think about angles that it play.

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I think play, Eric goes and we just

let it come up in here somewhere.

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We don't care where it goes and

all this I'm going to just miss

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right into nothing down here.

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So we can just go wherever you want it.

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A little bit show on over here, maybe.

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Good.

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Clean dry brush.

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And I can't say that enough.

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If you hit this with a wet, fresh,

you're going to be an agony city and

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you're going to talk bad about me.

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And I really want this to work

for you really want it to work

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there and you can do this.

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There really are no secrets.

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There are no secrets here.

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We try to make this.

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Everyone can do it.

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And every day, every day I

receive letters from fantastic.

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People all over the country

and it's working for them.

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And that makes all this worthwhile just

the fact that it works for people because

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it opens new worlds, new doors, things

that you'd never believed you could do.

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You can look at that

mountain that you made.

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And it's so easy.

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That's a very simple little

mountain, but when people see

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your painting, they'll think you

work for months trying to do that.

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Let's take some black, some precious

blue on grab some of this, the

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look green, I like they look green

and trees and stuff, and maybe a

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little touch of a lizard Crimson.

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Let me throw all that in there together.

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And I mixed up a pretty good power.

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We're going to use that color

throughout the painting.

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Maybe.

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I think we'll use it

throughout the painting.

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Let's have a fan brush and we'll load

it full of that dark, dark color.

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This color should look black

on your palette should be

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very, very dark, very dark.

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All right, now then, okay.

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Just have some little trees that we

back here in the distance, little

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indications, and we'll put those in

just by tapping downward, drop them

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in and sort of tap them downward.

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That's why this Misty area right here

is so important without that little

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Misty area, they would just disappear.

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So that missed the area right now.

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Yes, absolutely.

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Your best friend take care of it, treat

it like you would any good friend.

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You care about it treated with respect and

it'll always be there when you need it.

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And it's the same here.

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Maybe a few of these trees, you

can make it a little more detailed.

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We use the corner of the brush.

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There it's that little tree.

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He knew he was there.

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He didn't.

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Yeah, there we go.

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Give him a little friend.

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Maybe, maybe this one right here.

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So you can just pick out a couple

here and there that you want

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to put a little extra detail.

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Okay.

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And we can take another fan brush.

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I have several of them going

touch the bottom here with

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a little of the light color.

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This is just a little blue

and white or whatever.

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Just happened to be there's shadow color

from the mountains and lift upward.

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It'll make it look like little trunks

and stuff that are back in there.

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And a little once again, though, it

creates that illusion of a Misty area.

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And as we talked about Misty

area in painting, a lot of times

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it's absolutely your best friend.

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All right.

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It's time to get crazy.

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Let's take the old two inch brush and I

put a little bit of that background color

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on the brace that we, we made earlier.

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But we made the evergreens out of,

and I'm just going to tap that into

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my CAD, yellow, my yellow ochre,

Hindi, and yellow, and occasionally

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some bright red we'll just vary those

colors, load a little paint, right

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on the brush by tapping, just tap it.

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Let's go up in here.

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And then we have to make

some major decisions already.

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Look at that stands out against

that dark dark background

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color just comes alive on here.

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Just absolutely comes alive.

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I love these black canvases as black Jessa

was one of the most fantastic things.

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It makes your painting

life so much easier.

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It's almost unreal.

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There just happened.

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I wanted to get darker toward the bottom.

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So just by working at tapping,

it it'll mix with that color.

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That's underneath that they love

blue and if they load green and

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automatically, automatically it'll

get darker and darker in value.

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There we go.

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Sometimes I sneak in here and get

the least little touch of titanium

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white and just in my mind, the lights

going to come through there and just

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zigging right across that little

Hill and a little bit of white there.

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We'll make that stand out.

251

00:13:31,560 --> 00:13:32,790

Just beautiful.

252

00:13:34,590 --> 00:13:35,730

Just beautiful.

253

00:13:37,470 --> 00:13:38,340

You ready to get crazy?

254

00:13:39,390 --> 00:13:39,660

Okay.

255

00:13:40,200 --> 00:13:41,250

Let's have some fun today.

256

00:13:42,270 --> 00:13:47,060

I'm gonna take a little bit of liquid

white and I'm going to go into that

257

00:13:47,060 --> 00:13:48,710

thin color that I saved, et cetera.

258

00:13:49,310 --> 00:13:54,770

That's just a little blue and yellow,

green, and liquid clear, mixed together.

259

00:13:54,800 --> 00:13:56,240

Let me get a little

more liquid white here.

260

00:13:56,935 --> 00:13:58,425

Didn't get quite enough on my brush.

261

00:13:59,564 --> 00:14:04,324

Isn't that a gorgeous color now

then let's go right up in here.

262

00:14:05,675 --> 00:14:06,204

You know me?

263

00:14:06,214 --> 00:14:07,204

I don't know, hope water.

264

00:14:07,354 --> 00:14:09,155

So today I thought we'd do just something.

265

00:14:10,474 --> 00:14:10,714

Okay.

266

00:14:10,714 --> 00:14:14,814

Here I got to do though, is just

work at brush a little bit and

267

00:14:14,814 --> 00:14:19,145

just pull it across and makes

all these beautiful little water.

268

00:14:19,145 --> 00:14:19,385

Thanks.

269

00:14:19,385 --> 00:14:20,704

And you can do this with a fan brush.

270

00:14:20,704 --> 00:14:22,115

It'll give you a little more detail.

271

00:14:22,834 --> 00:14:24,905

Just depends on what you

have handy, you know?

272

00:14:25,305 --> 00:14:26,595

What you want to use that day

273

00:14:31,545 --> 00:14:34,955

and the water, just a retinal

along here having a good time.

274

00:14:34,985 --> 00:14:40,895

So a wonderful day, it is having a

super day and it comes right along

275

00:14:41,525 --> 00:14:48,065

here and sign up against somebody,

pull the plug and off it goes, they're

276

00:14:49,895 --> 00:14:51,875

coming straight to them and then false.

277

00:14:54,225 --> 00:14:58,755

Just let it fall, but it's mixing

with that color underneath and

278

00:14:58,755 --> 00:15:02,084

all of these beautiful tones and

values will happen automatically.

279

00:15:03,615 --> 00:15:05,235

Maybe we'll have a big waterfall today.

280

00:15:05,834 --> 00:15:10,245

I like waterfalls like waterfalls.

281

00:15:10,245 --> 00:15:14,985

There are a lot of fun to paint

and people who view your paintings

282

00:15:14,985 --> 00:15:19,545

will just absolutely love, but

there's a little liquid clear

283

00:15:19,545 --> 00:15:21,225

in there and that liquid clear.

284

00:15:22,215 --> 00:15:24,075

It makes that slide on

there so much easier.

285

00:15:24,825 --> 00:15:29,355

Now I'm going to start at the

bottom and pull upward quite firmly.

286

00:15:30,615 --> 00:15:32,325

And this'll blended into the color.

287

00:15:33,015 --> 00:15:34,635

That's already on the canvas there.

288

00:15:36,599 --> 00:15:40,740

There we go smooth it all out.

289

00:15:42,109 --> 00:15:44,900

And while we have that going out,

just tap the corner of the brush

290

00:15:44,900 --> 00:15:48,469

into a little titanium white, and

let's begin thinking about all the

291

00:15:48,469 --> 00:15:50,089

mist that would happen down here.

292

00:15:51,020 --> 00:15:52,579

You had water falling this far.

293

00:15:53,390 --> 00:15:57,680

You would have a lot of missed, cause

it would hit the splash and churn.

294

00:15:57,680 --> 00:16:03,349

Curium probably make a lot of

noise too, but just by tapping

295

00:16:03,349 --> 00:16:04,609

with the top corner of the brush.

296

00:16:04,930 --> 00:16:08,760

We can create the illusion

of little clouds of mr.

297

00:16:08,760 --> 00:16:12,840

Floating right down at the base

of it here, something like that.

298

00:16:18,720 --> 00:16:26,880

There now let's have some fun

I'm on take, take liquid white.

299

00:16:28,545 --> 00:16:34,545

Quick, take some Vandyke Brown and dark

Sienna, both and mix them liquid white.

300

00:16:34,545 --> 00:16:36,074

I'll make them very, very thin.

301

00:16:37,814 --> 00:16:38,865

It's just a thin cut.

302

00:16:38,925 --> 00:16:40,155

Let me clean the old knife here.

303

00:16:42,395 --> 00:16:42,814

Nice.

304

00:16:42,814 --> 00:16:43,505

Then color.

305

00:16:45,485 --> 00:16:46,925

We'll find a Filbert brush.

306

00:16:50,155 --> 00:16:53,194

We'll run it right through

a little bit of the black.

307

00:16:54,689 --> 00:16:56,189

And then I'll come up there.

308

00:16:56,189 --> 00:16:57,689

We are put a little bit of Brown in there.

309

00:16:57,689 --> 00:16:59,189

I want a very dark color.

310

00:16:59,819 --> 00:17:00,300

311

00:17:00,490 --> 00:17:01,560

Now we'll go over here.

312

00:17:02,160 --> 00:17:04,920

And that thin color, I'm just going

to pull one side of the breast

313

00:17:04,920 --> 00:17:08,520

through here, light on one side,

dark on the other end scope here.

314

00:17:08,520 --> 00:17:12,210

Now maybe there's a lot of little

stones and rocks and stuff that

315

00:17:12,210 --> 00:17:14,760

live right along here on the edge.

316

00:17:14,790 --> 00:17:16,889

They sort of hold the waterfall

it so it didn't get away.

317

00:17:19,190 --> 00:17:19,849

There we go.

318

00:17:20,270 --> 00:17:21,920

And by loading the brush

that way we can make.

319

00:17:22,304 --> 00:17:25,694

Both of these little deals at one

time, the highlight and the shadow.

320

00:17:26,984 --> 00:17:31,274

And you can put just as many or as few

little rocks in your world, as you want.

321

00:17:31,274 --> 00:17:32,445

Maybe there's some way up in here.

322

00:17:32,475 --> 00:17:34,365

I don't know wherever you

think they should live.

323

00:17:36,435 --> 00:17:38,745

And sometimes it's even fun.

324

00:17:39,314 --> 00:17:42,284

Maybe there's one that lives

right out here in the waterfall

325

00:17:42,284 --> 00:17:43,365

plays right around him.

326

00:17:44,445 --> 00:17:46,175

He has the best view of all.

327

00:17:47,129 --> 00:17:48,480

Maybe except this one.

328

00:17:49,680 --> 00:17:52,139

We're not gonna, we're

not gonna leave him out.

329

00:17:53,850 --> 00:17:59,190

So we'll take a little bit of our

water, fall color on the fan brush and

330

00:17:59,190 --> 00:18:00,960

just clean the edges up on the rocks.

331

00:18:03,389 --> 00:18:03,930

There you go.

332

00:18:04,139 --> 00:18:04,830

Now we have water.

333

00:18:04,830 --> 00:18:06,990

That's just coming along and

falling right over there.

334

00:18:07,800 --> 00:18:09,300

Having a fantastic day.

335

00:18:09,990 --> 00:18:11,850

Let's go back into our dark tree color.

336

00:18:12,825 --> 00:18:20,175

Very dark, mostly black pressure and blue

little Crimson, and a lot of fellow green.

337

00:18:21,065 --> 00:18:23,764

Now let's begin making big decisions.

338

00:18:23,764 --> 00:18:29,764

We have a tree that lives right there,

corner the brush, just the corner.

339

00:18:30,055 --> 00:18:30,665

There we go.

340

00:18:31,535 --> 00:18:35,855

There, he comes, he lives right there and

then fresh just sort of shake him out.

341

00:18:36,795 --> 00:18:39,735

Sometime you have to sort

of really scare them out.

342

00:18:39,945 --> 00:18:45,825

Give them a little push I old

tree right there, right there.

343

00:18:45,825 --> 00:18:52,185

And he's got a little friend

right there, down there.

344

00:18:52,185 --> 00:18:52,815

We don't care.

345

00:18:52,815 --> 00:18:54,615

We'll separate that a little highlight.

346

00:18:55,754 --> 00:18:58,185

And maybe there's a big clinic

goes right on off the canvas.

347

00:18:58,185 --> 00:18:59,175

We don't know where it goes.

348

00:18:59,235 --> 00:19:01,035

I don't know where it starts.

349

00:19:01,035 --> 00:19:03,405

We'll have to tack another

canvas on the top to find out

350

00:19:03,405 --> 00:19:06,315

where that one lives there.

351

00:19:09,165 --> 00:19:09,825

All right.

352

00:19:10,095 --> 00:19:12,555

But see if you don't hit every bit

of it, it doesn't matter because

353

00:19:12,555 --> 00:19:14,085

you have the black Jesso back here.

354

00:19:14,775 --> 00:19:17,625

Let's go on the other side for

the little tree over there too.

355

00:19:20,520 --> 00:19:21,060

Fair.

356

00:19:21,090 --> 00:19:25,320

If you hadn't tried this black chest,

so you should really track it is the

357

00:19:25,320 --> 00:19:27,990

one of the most fantastic things.

358

00:19:27,990 --> 00:19:32,189

I know I talk about it all the

time, but I really like this.

359

00:19:33,570 --> 00:19:35,760

It has made painting so much easier.

360

00:19:39,350 --> 00:19:40,129

There we go.

361

00:19:41,639 --> 00:19:44,929

It would just drop in the

indication of few little trees.

362

00:19:45,945 --> 00:19:47,715

Maybe there's another

big one on this side.

363

00:19:47,715 --> 00:19:51,344

We don't want it left out, but once again,

we're not worried about a lot of detail.

364

00:19:51,405 --> 00:19:52,304

It really doesn't matter.

365

00:19:53,594 --> 00:19:58,215

Cause you can't see it against that

dark color, but we'll take that brush

366

00:19:58,425 --> 00:20:01,784

same brush and go right through a little

bit of the CAD yellow and immediately

367

00:20:02,115 --> 00:20:06,764

we have a nice, nice dark, dark green,

and that's what we're looking for.

368

00:20:07,304 --> 00:20:09,764

And for that we can come up in here.

369

00:20:10,970 --> 00:20:13,889

Just put the indication of a little

highlight here and there on some

370

00:20:13,889 --> 00:20:17,189

of these big evergreens that are

looking out over that mountain,

371

00:20:17,939 --> 00:20:19,370

darker, darker as it works down.

372

00:20:21,110 --> 00:20:23,480

And there we are a little

bit back in the hair.

373

00:20:24,350 --> 00:20:25,939

Let's go back to this whole big wind.

374

00:20:27,090 --> 00:20:27,629

There it is.

375

00:20:28,550 --> 00:20:33,350

There he is darker, darker, dark, till

it gets all to where you can't see it.

376

00:20:33,919 --> 00:20:35,179

I don't want this one left out.

377

00:20:37,035 --> 00:20:40,785

They're right on down.

378

00:20:40,875 --> 00:20:41,325

There you go.

379

00:20:41,475 --> 00:20:41,885

There you go.

380

00:20:41,905 --> 00:20:42,195

Sorry.

381

00:20:44,555 --> 00:20:45,575

Same thing in here.

382

00:20:46,535 --> 00:20:49,685

Sometimes when you're putting these

highlights on, it gets to be nice and it's

383

00:20:49,685 --> 00:20:51,185

fun and you get carried away and covered.

384

00:20:51,365 --> 00:20:54,905

Oh, you're dark shoot disappear.

385

00:20:56,165 --> 00:20:57,185

It's just a super place.

386

00:20:57,185 --> 00:20:59,105

These trees for my

little squirrels to live.

387

00:20:59,615 --> 00:21:01,265

I got to show you my

little squirrels again.

388

00:21:02,250 --> 00:21:04,679

You know, one of the earliest shirt

series, I showed you these little

389

00:21:04,679 --> 00:21:07,860

Rascals when they were tiny little

babies, they looked like drown rats.

390

00:21:08,460 --> 00:21:11,399

And here just recently we

turned them loose and they

391

00:21:11,399 --> 00:21:13,080

moved far, far away from home.

392

00:21:13,350 --> 00:21:14,100

There's a big tree.

393

00:21:14,100 --> 00:21:18,030

It hangs right over my back door

and they built a nest right in the

394

00:21:18,030 --> 00:21:19,679

tree that hangs over the back door.

395

00:21:19,679 --> 00:21:21,210

So every time somebody walks out.

396

00:21:22,125 --> 00:21:25,035

There they are, but aren't

those, the cutest little devils

397

00:21:25,665 --> 00:21:27,435

and two little boys squirrels.

398

00:21:29,805 --> 00:21:30,585

They're my friends.

399

00:21:30,705 --> 00:21:32,325

I really like his little Rascals.

400

00:21:33,465 --> 00:21:35,865

Then we can come back in

here and begin putting in all

401

00:21:35,865 --> 00:21:37,395

kinds of little grassy areas.

402

00:21:39,435 --> 00:21:41,835

Folk, I show you, show you something.

403

00:21:41,835 --> 00:21:42,254

It's fun.

404

00:21:42,975 --> 00:21:47,055

Take a little white, little bit of Browns.

405

00:21:47,055 --> 00:21:50,955

Both Browns, got a little roll of

paint off, and then we're gonna

406

00:21:51,284 --> 00:21:53,745

see how delicate you can touch.

407

00:21:53,745 --> 00:21:56,675

Just barely touch and sort

of hold it down here now.

408

00:21:56,715 --> 00:21:56,985

See it.

409

00:22:00,014 --> 00:22:02,024

Guess, something like that.

410

00:22:03,254 --> 00:22:07,304

They're just here and

there, here and there.

411

00:22:09,105 --> 00:22:15,014

And maybe over here on the other side,

there's a little it's because the blacks

412

00:22:15,014 --> 00:22:21,014

there, once again, all you gotta do

is just drop in the highlight, man.

413

00:22:21,014 --> 00:22:25,665

Gotta get darker down here toward

the base, something like that.

414

00:22:27,525 --> 00:22:32,375

Dan we'll come back and let's

take, go to inspiration.

415

00:22:32,375 --> 00:22:35,135

Let's have all these little grassy

things that just sort of hang over here.

416

00:22:37,175 --> 00:22:38,435

They just sort of hang around.

417

00:22:40,715 --> 00:22:46,655

I can't go everywhere there.

418

00:22:47,225 --> 00:22:50,075

If there's this much missed in water

here, if you're going to have a lot of

419

00:22:50,075 --> 00:22:52,235

ferns and normally, and stuff like that.

420

00:22:53,535 --> 00:22:58,875

Very nice hanging down type things, and

they're very easy to make with this brush.

421

00:22:59,115 --> 00:23:00,675

All you gotta do is just sort of tap them.

422

00:23:02,195 --> 00:23:06,215

Let's go on the other side

and what do the same thing.

423

00:23:07,235 --> 00:23:10,295

We need some over here and just

let them sort of drip right

424

00:23:10,295 --> 00:23:13,445

off there, right off there.

425

00:23:14,730 --> 00:23:18,840

There they go something about my cat

426

00:23:21,960 --> 00:23:27,020

there, but so you just leave some

of these little areas of showing and

427

00:23:27,020 --> 00:23:31,250

they look like rocks or big cliffs

in there that are showing through.

428

00:23:33,200 --> 00:23:37,970

Let me grab mole knife again,

maybe an hour on their lives.

429

00:23:37,970 --> 00:23:39,980

Another big rock right there.

430

00:23:42,090 --> 00:23:43,200

That's all you have to do.

431

00:23:43,950 --> 00:23:47,880

The black Jesso gives you all

your dark colors automatically.

432

00:23:49,110 --> 00:23:49,410

There.

433

00:23:49,470 --> 00:23:50,910

Maybe that comes right down.

434

00:23:52,080 --> 00:23:53,250

I'll tell you one shoot.

435

00:23:53,280 --> 00:23:54,750

Maybe that rascal just comes right on.

436

00:23:54,750 --> 00:23:55,320

Now here.

437

00:23:56,550 --> 00:23:58,320

I don't know wherever.

438

00:23:59,690 --> 00:24:00,900

Grab a fan brush here.

439

00:24:01,290 --> 00:24:04,230

A little bit of the liquid wipe,

a little bit of a thin color,

440

00:24:06,240 --> 00:24:08,160

maybe here, right in here.

441

00:24:09,765 --> 00:24:12,765

There's a little watery

fall right in there.

442

00:24:13,215 --> 00:24:22,205

My cat comes right down the splashes

and carries on off it goes and

443

00:24:22,205 --> 00:24:23,685

you can get them to get crazy.

444

00:24:24,675 --> 00:24:26,385

Maybe there's a stone lives right there.

445

00:24:28,185 --> 00:24:32,895

Take a little bit of Brown and

white, a little highlight on it.

446

00:24:35,085 --> 00:24:35,475

Here we go.

447

00:24:35,475 --> 00:24:36,405

Back in here.

448

00:24:36,780 --> 00:24:40,380

And here comes our water again, tune right

over, gotta make those little noises,

449

00:24:43,850 --> 00:24:47,090

but you can just make it home kinds

of little things that are happening

450

00:24:47,090 --> 00:24:50,810

down here and our water, and just

sort of slide the brush around.

451

00:24:51,320 --> 00:24:52,490

And it's mixing with that color.

452

00:24:52,520 --> 00:24:57,140

Once again, that's on the canvas and

it'll just make all these beautiful

453

00:24:57,140 --> 00:25:03,800

effects almost automatically

something like, so now we can go back.

454

00:25:05,565 --> 00:25:06,435

And let's begin.

455

00:25:06,525 --> 00:25:07,305

Let's get crazy.

456

00:25:07,425 --> 00:25:08,625

Let's bring it right on out.

457

00:25:08,835 --> 00:25:11,145

Like there's a big overhang here.

458

00:25:12,795 --> 00:25:13,155

Great.

459

00:25:13,155 --> 00:25:13,995

Big overhang.

460

00:25:16,545 --> 00:25:18,165

Take a little touch of my rock color.

461

00:25:18,375 --> 00:25:19,845

Maybe there's a little rock right there.

462

00:25:20,865 --> 00:25:23,565

Don't need much though to need much.

463

00:25:24,490 --> 00:25:28,680

We'll bring this one right on

through, and now you can tell there's

464

00:25:28,680 --> 00:25:34,230

a cliff there, but you didn't have

to hardly do a thing sometimes.

465

00:25:34,230 --> 00:25:37,470

It's nice just to tip the brush and

to a little blue and white and use

466

00:25:37,470 --> 00:25:39,750

that for highlight in that quarters.

467

00:25:40,860 --> 00:25:45,060

I like to do that just to put

a little cool color on there.

468

00:25:46,695 --> 00:25:48,585

Just sort of surprises the census.

469

00:25:50,595 --> 00:25:51,435

Here we go.

470

00:25:52,635 --> 00:25:57,305

I began filling all this,

Sam, just tap it and work it.

471

00:25:57,815 --> 00:26:01,205

And as I mentioned earlier, the more you

tap and work on this, the darker it'll

472

00:26:01,205 --> 00:26:02,915

become because it's picking up that color.

473

00:26:03,080 --> 00:26:09,880

It's on the canvas there and you

can do this till it's as smooth as

474

00:26:09,880 --> 00:26:17,650

velvet looks like silk, the more

you tap it softer, it becomes there.

475

00:26:17,770 --> 00:26:19,000

And you have to make the decision.

476

00:26:19,030 --> 00:26:21,480

Maybe you wanted a little

rough or a little, little

477

00:26:21,490 --> 00:26:22,630

softer than we have it here.

478

00:26:22,660 --> 00:26:24,430

It's up to you wherever you want it.

479

00:26:27,580 --> 00:26:27,970

Maybe.

480

00:26:29,055 --> 00:26:32,895

Let that hang down, maybe it'll hangs it

clean down into the water, over the water.

481

00:26:34,065 --> 00:26:35,265

You have to decide.

482

00:26:37,035 --> 00:26:37,305

Shoot.

483

00:26:37,305 --> 00:26:38,925

I think we've been having

a finished painting.

484

00:26:39,075 --> 00:26:42,695

Maybe we'll sign this one, a little

bit of the paint, thinner, some

485

00:26:42,695 --> 00:26:44,945

bright red let's sign it right.

486

00:26:44,945 --> 00:26:45,815

Appear in the bushes.

487

00:26:46,775 --> 00:26:48,215

I really hope you've enjoyed this one.

488

00:26:49,175 --> 00:26:51,815

If you have time, send us a

picture of when you tried.

489

00:26:51,845 --> 00:26:55,295

I'd love to see what you're doing

and from all of us here, I'd

490

00:26:55,295 --> 00:26:56,495

like to wish you happy painting.

491

00:26:57,300 --> 00:26:58,530

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E08 - Valley Waterfall

Bob Ross's

The Joy of Painting

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