Bob Ross's

The Joy of Painting

S20E10 - Days Gone By

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Hi, welcome back.

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Certainly glad you could join us today.

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Dr.

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David reduced to a

fantastic little painting.

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I hope you have your paint set

up in you already to join us.

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So I'll tell you what, let's start out,

having run all the colors across the

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screen that you need to paint along

with me while they're doing that.

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Let me show you what I've got done.

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Kept my standard old pre-stretch canvas

up here and it's been covered with a

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thin even coat of the liquid white.

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So it's all ready to go.

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So I'll tell you what let's go today.

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Let's just have some fun.

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Let's just do a little, little painting.

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Sorry to make you happy.

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It's enjoyable.

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I want to start out with

a little touch of that.

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They load blue on the two inch brush.

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Don't need a great deal of

paint and that's, that's

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cool right up in here today.

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And just, let's just have some fun.

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Let's just do something like yes,

there, sometimes it's fun just to,

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just to sort of let your imagination

go crazy and just enjoy playing with

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color and just having a good time.

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Little fellow blue, the little

blue, and it's mixing with the

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liquid white it's on the canvas.

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And automatically, automatically

you get all this nice blending.

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Now then to your point, let's add a

little bit of the pressure and blue.

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My impression blue is much darker, much

stronger, and I'm going to go right

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around the edge with a little bit of

depression, blue, something like, so.

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I think we're still just using

little crisscross strokes, put some

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on the other side over here too.

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Don't want it left out.

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They're not bikes.

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Okay, that's looking pretty neat already.

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Now then maybe I'll take a, I'll

tell you what, let's use a little

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pressure and blue and I'll add a little

bit, a little midnight black to it.

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We'll make a very dark blue,

black and blue or blue and

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black, whichever you prefer.

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All right, so we'll come right up here.

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We'll just put in a little

bit, very, very dark color.

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Now then take that same color and go to

the other side, put a little over here,

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just like, so when we're still using

a little crisscross strokes, it really

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makes blending a lot easier if you use

those little crisscross strokes, rather

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than just drawing big circles like that.

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Okay.

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Fun part.

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This is the fun part.

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We'll wash your brush.

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Shake off the excess and just beat

the devil out of there we are.

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Let's take a little bit of the titanium

white right on the two inch brush.

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And I'm going to right back up

in here and decide where the

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lightest part of the sky is.

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And we'll just begin blending outward.

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This is just straight titanium white.

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This is to put a little

bright spot in our sky.

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Just let it blend out right here.

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And you can do this several times

to achieve a desired likeness.

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If you want to.

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There we are.

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And just keep blending outward.

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This is a nice way of making

a very effective little sky.

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Working out with you.

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Try not to take the dirty color from

over here and put it back in the center.

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Stay out of the center.

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Once your brush is dirty.

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If you want to go back into the center

and work, then I would suggest you

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clean the brush and start fresh.

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You asked a really good

adherence, scrub it off.

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That is fun.

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Just to beat the breath a little bit.

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Wow.

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Looking scalp.

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Ready?

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Okay.

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Let's do let's mix up a nice lavender.

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We'll use a little halo blue.

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And the lizard and Crimson

proportionately much, much more of

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the Crimson than blue, what this

to be sorted to the reddish side.

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And it's hard to tell.

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Let's put a little white in

there and see what we have.

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I want a nice light lavender color.

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Maybe we need a little more white.

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Oh, has kept nice.

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Now that's getting nice now.

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And just mix it back and forth

between the crimsons and blues and

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white to get a color that you want.

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And I think something like that

pop up, we're looking for me.

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Wipe off the old knife here.

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Hey, we'll have a fan brush today.

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What the heck?

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Let's go right in here.

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Get a touch more of the Crimson on there.

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Oh yeah, there, but load both sides.

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Full of color.

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Full of color.

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And let's go right up here and make

some big decisions maybe in our world.

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There's some little things

that live right in here.

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And we're just taking that,

just taking the fan brush

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and sort of tapping downward.

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It's all we're doing.

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Basically here.

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Just tap down.

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Right.

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Maybe we allow it to come right down

in here somewhere, wherever, wherever.

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Okay, maybe it comes right on up.

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Just make some decisions, look at your

painting and decide where you think

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things should live and then drop them in

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there.

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Now, maybe in there, there's a few trees

that we can see a lot more detail on.

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We just use the corner of the

brush and work it back and forth.

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There they are right there.

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They live right here in your brush.

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All you gotta do is just

sort of shake them out.

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Just scare him out, back and forth.

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We'll even make this one,

a big old tree there.

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And we're just looking for some basic

shapes, just a few here and there.

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Shoot.

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I tell you what that was so nice.

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Let's put some of the other side too.

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Maybe I'll have one over here.

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We'll have a big one right there.

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Corner of the brush.

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She worked down the little tree

push harder and hardest of the

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bristles bend downward today.

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Sometime we make them bend up where

sometime downward, just sort of,

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depending on how you feel, what your

mood is or how the trees are, where you

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live, or how the trees are in the area

that you want to show in your painting.

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Just a few more of these little devils.

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Okay.

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Give him a little friend there.

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Just a little one right there,

maybe another one there.

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Do you think they should be

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maybe a little in there wherever?

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Okay.

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Now grab the two inch brush.

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Be sure it's dry.

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And I want to create the illusion

of miss down at the base of this.

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So take the top corner with

a brush and firmly tap.

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That's all we're doing there

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that you can create the illusion

of all kinds of little soft

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areas, very soft and very Misty.

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Let me just let that go

right on over to this side.

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Just keep on missing.

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Probably hear how loud I'm

hitting or how hard I'm hitting.

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Sorry to hear how loud very

lightly will lift upward.

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Very gently, very gently, just

barely, barely touching the canvas.

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Shoot.

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I tell you what we had that all color.

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And I'm just going to add a

little bit more to my brush.

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Maybe it's a nice tree this right here.

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It's not, I'm just using the top

corner of the brush and just want

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to create the indication of some

national things that live back in here.

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See, they almost the

same color as the sky.

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I don't want them to be real distinct.

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Wouldn't be soft, just little

gentle things that live back here.

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They're nice tree go in there.

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There's a bit darker

down towards the base.

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So chosen.

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But this is a way of creating

several layers of little background

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trees and bushes and all that.

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Just for the two inch

brush, just with happy,

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maybe comes right on down here.

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I don't know wherever you want it,

where ever you think it should be.

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Maybe.

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I we'll take those script liner,

brush number two, script liner,

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brush a little paint thinner on it.

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And we want to thin this paint till it's

literally like ink or water, but very,

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very thin, very thin like there, and then

turn the bristles as you take them out.

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That'll bring it to a

nice sharp point there.

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You can see how sharp it is.

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Maybe there's a few little sticks

and twigs that you can see back here.

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Just a few wherever you

think they should be

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there.

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These little devils are always

back here in the trees and stuff.

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So just, just put in a few

where ever you want, where ever.

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Okay.

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Few over here too.

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We don't want this side left out.

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Hmm,

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tell you what we'll just keep

on using that same color.

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It's just basically

lavender lizard and Crimson.

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Then they load blue.

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Well come right in here and begin

just adding all kinds of little

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things, but look at all the

different layers that we've created.

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That's what will help create that illusion

of depth and distance in your painting?

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That's layer after layer

after layer, add a little bit.

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Midnight black to that.

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I wanted to give them very dark down here.

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Now.

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Just take it.

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Same old brush.

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I guess it's all right.

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We'll just go right into a little bit

of the CAD yellow, little yellow ochre.

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And all I'm doing is tapping

with, with a top bristles.

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You can see it very well,

then that's a nice close up.

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So you just tap it over the top corner.

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All right.

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Now then with that, we

can come back in here.

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And just using that top corner, you

can begin shaping all kinds of little

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individual bushes and trees that

live in here, there, and we can vary

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the colors back and forth between

the Oh yellow ochre, Indian, yellow,

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bright red, just very, let him, let

him just sort of work back and forth.

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Change them to, however it makes you

happy to do one little push at a time.

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Don't get, don't get too greedy sometimes

if it starts working well and you can, you

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get a little carried away and want to do.

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18 bushes at once.

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Just, just work on one at a time,

give each one of them a name if

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necessary, whatever it takes, just

make them individuals here layer

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after layer, after layer, after layer.

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That really is what creates the

illusion of depth that I know you hear

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me say that over and over, but I think

it's very important in the painting.

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There we go.

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And we make here, maybe just

some tiny little indications, not

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much, not much, much back here.

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Just a few little things

that had back in there.

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You can take the knife scrape to

make a few little sticks and twigs.

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It looked quite how's.

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The canvas is showing through there.

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All right.

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Now, shoot.

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I tell you what.

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Let's put a little barn in

here today, or a big building.

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Maybe, maybe it lives right in here.

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So take the knife and just

scrape out a basic shape.

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Um, like that.

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I don't know whatever you want.

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Maybe it's got a no shit on it.

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Even scraping out this basic shape.

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Let me grab a little Vandyke Brown.

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It will, uh, do two things.

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It removes excess paint,

which is most important.

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But the other thing it does is it

allows you to sort of lay out your whole

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perspective and your whole building and

everything without really being committed.

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Okay.

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I say, we said, we'd have a little shit

out here, so we'll just put a little

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roof pull down and all we're doing

right now is just blocking in color.

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That's all we're doing.

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Just blocking in color.

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So.

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There was a bit on this side.

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It was that easy to actually build a barn.

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This certainly makes it easier.

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My father was a carpenter, so I've

spent a lot of my life building things.

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I knew how difficult it is

to, to actually make a barn.

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That's why I say a wasted

was this easy to do?

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And then I'm going to take a little

and let's take a little homemade, a

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little dark sand, no van Dyke Brown.

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We just mix them together.

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Like, so maybe even the least little

touch of blue into it and that'll gray.

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It it'll give it a gray tone.

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Polocrosse get our little roll of

paint right down the edge of the knife.

253

00:15:02,350 --> 00:15:05,780

We can come back in here and

no pressure, no pressure.

254

00:15:06,560 --> 00:15:08,090

Just like putting snow in the mountains.

255

00:15:09,495 --> 00:15:10,275

Barely touch.

256

00:15:10,905 --> 00:15:12,194

Barely, barely touch.

257

00:15:12,635 --> 00:15:17,685

Want to make us look like old weathered

wood, old weathered wood like me.

258

00:15:17,714 --> 00:15:18,615

It's had a hard life.

259

00:15:20,444 --> 00:15:21,015

There we go.

260

00:15:23,714 --> 00:15:25,094

A little bit over in here.

261

00:15:25,574 --> 00:15:25,844

Shoot.

262

00:15:28,425 --> 00:15:29,655

Just barely touch though.

263

00:15:30,135 --> 00:15:30,525

Barely.

264

00:15:30,525 --> 00:15:31,214

Barely touch.

265

00:15:32,729 --> 00:15:35,430

And we'll take a little more of the

Vandyke Brown and make it make it

266

00:15:35,430 --> 00:15:38,099

much darker because on the other

side, not much, light's going to hit.

267

00:15:38,099 --> 00:15:41,069

So you need, you need to

have that quite a bit darker.

268

00:15:41,219 --> 00:15:45,569

See the comparison, how dark it

is, but our little roll of paint

269

00:15:45,569 --> 00:15:47,339

still come right up in here.

270

00:15:47,339 --> 00:15:50,430

Decide where the roof line is just enough.

271

00:15:50,430 --> 00:15:52,199

So it barely, barely shows up.

272

00:15:52,199 --> 00:15:55,920

That's all we're looking for for

would not be much light striking

273

00:15:55,920 --> 00:15:56,849

this side of the building.

274

00:15:58,800 --> 00:15:59,939

Not much light.

275

00:16:02,520 --> 00:16:07,770

They're in right along the edge, or

maybe I'll put up a nice distinct line.

276

00:16:08,670 --> 00:16:12,120

So it shows that there's a,

there's a difference there.

277

00:16:12,660 --> 00:16:16,170

Let's take a little bit more of

the Vandyke Brown and I'm going to

278

00:16:16,170 --> 00:16:19,890

turn this into an old slab building

with other words, made with boards.

279

00:16:20,370 --> 00:16:23,280

And to do that, we'll just take

the knife a little bit of Vandyke

280

00:16:23,280 --> 00:16:28,770

Brown on it and create the illusion

of a lot of little boards in here.

281

00:16:31,770 --> 00:16:38,390

Something like, so now you can smooth

that by taking a two inch brush and

282

00:16:38,390 --> 00:16:42,470

barely touching barely you just graze it

283

00:16:45,800 --> 00:16:46,700

now for a roof.

284

00:16:47,390 --> 00:16:47,680

Are we going?

285

00:16:48,170 --> 00:16:50,210

Let's just take midnight

black on the roof.

286

00:16:50,600 --> 00:16:53,480

Midnight black, whenever I can.

287

00:16:54,585 --> 00:16:56,235

Get our little roll of

paint right on the edge.

288

00:16:56,235 --> 00:16:59,445

And I, again, and let's just let

it bounce along here and play.

289

00:16:59,965 --> 00:17:03,135

Just touch it to make

a little noise though.

290

00:17:04,335 --> 00:17:05,265

That's all there is to it.

291

00:17:05,295 --> 00:17:06,195

Just let it bounce.

292

00:17:07,425 --> 00:17:09,975

Let the knife touch the canvas.

293

00:17:09,975 --> 00:17:11,745

We'll pull off what it

wants to give you back.

294

00:17:11,745 --> 00:17:12,405

What's left.

295

00:17:14,115 --> 00:17:14,835

There we are

296

00:17:18,105 --> 00:17:22,185

that easy and we'll take a

small edge on the other side.

297

00:17:23,444 --> 00:17:27,334

And I want to make the indication

of little shingles showing on the

298

00:17:27,334 --> 00:17:32,975

other side, but by using a small

edge, they'll be sorted jacket there.

299

00:17:33,945 --> 00:17:36,635

Like you're looking at the edge

of little, little doers there.

300

00:17:38,344 --> 00:17:38,645

Okay.

301

00:17:38,665 --> 00:17:39,125

Right here.

302

00:17:39,125 --> 00:17:39,844

Excuse my arms.

303

00:17:39,875 --> 00:17:40,475

One second.

304

00:17:41,435 --> 00:17:47,524

Make that line a little darker where

they come together there, maybe

305

00:17:47,524 --> 00:17:49,294

we'll make a little do we're there.

306

00:17:50,760 --> 00:17:52,320

I don't make it a little more distinct.

307

00:17:53,699 --> 00:17:54,689

Now we need a door in there.

308

00:17:54,689 --> 00:17:55,620

This is an old barn.

309

00:17:55,620 --> 00:17:57,330

Gotta have a place for the cow to go.

310

00:17:58,110 --> 00:18:01,860

We just take a knife and

go how's that instant door.

311

00:18:03,000 --> 00:18:04,110

We'll take a small age.

312

00:18:04,169 --> 00:18:04,739

Go up here.

313

00:18:05,729 --> 00:18:08,159

Put a little, little place

for the hay to go up.

314

00:18:12,000 --> 00:18:12,780

Got around there.

315

00:18:14,719 --> 00:18:15,389

There we are.

316

00:18:17,625 --> 00:18:19,215

We got a pretty good

looking old barn there.

317

00:18:19,245 --> 00:18:22,084

What the heck, let's just keep going here.

318

00:18:22,125 --> 00:18:25,845

We'll use that lavender and black

and little Brown here and there.

319

00:18:29,564 --> 00:18:29,955

Maybe.

320

00:18:31,575 --> 00:18:32,805

Maybe yeah, right here.

321

00:18:33,645 --> 00:18:35,745

And I'm still just using

the top corner of the brush.

322

00:18:36,675 --> 00:18:39,705

Maybe I'll put just a

little tree right there.

323

00:18:40,125 --> 00:18:44,125

Something like, so, all right.

324

00:18:46,905 --> 00:18:47,235

I'm down.

325

00:18:47,745 --> 00:18:48,915

I don't even know whatever you want it.

326

00:18:50,930 --> 00:18:52,800

So maybe it comes right

in front of the barn.

327

00:18:53,940 --> 00:18:56,970

We go to all that work to build a barn

name of Teradata, but that's all right.

328

00:18:57,570 --> 00:18:58,250

That's all right.

329

00:18:59,800 --> 00:19:02,900

We have several layers of color here.

330

00:19:07,195 --> 00:19:08,245

Yeah, grab that.

331

00:19:08,335 --> 00:19:10,585

I got a bunch of brushes going

here, so I grabbed another one.

332

00:19:11,845 --> 00:19:16,375

We'll take a little bit of SAP green

and a little yellow, yellow ochre.

333

00:19:17,665 --> 00:19:19,794

Just tap a little color

right onto the bristles.

334

00:19:20,185 --> 00:19:20,875

A little bit of red.

335

00:19:22,794 --> 00:19:23,304

There we are.

336

00:19:24,054 --> 00:19:24,835

Let's go right up here.

337

00:19:25,645 --> 00:19:29,425

Now we can just begin adding on some

little highlights on some of these.

338

00:19:30,990 --> 00:19:31,200

Hmm.

339

00:19:32,220 --> 00:19:34,770

Do you ever think you could just take

a top of a great big old brush and

340

00:19:35,190 --> 00:19:36,810

make all these beautiful little trees?

341

00:19:37,350 --> 00:19:38,129

You really can.

342

00:19:38,550 --> 00:19:39,120

You can

343

00:19:42,360 --> 00:19:44,040

maybe a little red and yellow right here.

344

00:19:44,040 --> 00:19:45,420

Make a nice orange color.

345

00:19:46,860 --> 00:19:48,240

Put some color in this rascal.

346

00:19:50,400 --> 00:19:50,640

No.

347

00:19:51,240 --> 00:19:55,650

In some of the past shows in this

series, especially I've enjoyed showing

348

00:19:55,650 --> 00:19:56,910

you some of my little creatures.

349

00:19:57,540 --> 00:19:59,640

I want to show you one more 10 today.

350

00:19:59,640 --> 00:20:00,870

We got just a second.

351

00:20:00,870 --> 00:20:02,490

I'm just going to be doing

this while you watch it.

352

00:20:02,910 --> 00:20:08,820

But this is one of my little squirrels

and they bring so much pleasure into

353

00:20:08,820 --> 00:20:11,610

my life, my mother, and I enjoy these.

354

00:20:12,330 --> 00:20:13,410

She plays with them too.

355

00:20:13,470 --> 00:20:18,000

She, she probably wouldn't admit that she

has about as much fun with them than I do.

356

00:20:18,510 --> 00:20:20,370

And they love to get in

your pocket and hide.

357

00:20:21,720 --> 00:20:25,320

And that's where if you'd let them,

they'd spend most of their time just

358

00:20:25,320 --> 00:20:26,550

hiding right there in your pocket.

359

00:20:27,690 --> 00:20:29,040

So we call them pocket squirrels.

360

00:20:31,310 --> 00:20:32,540

Aren't those cute little devils.

361

00:20:33,590 --> 00:20:37,670

These are just babies that just beginning

to get for from, from their baby phys.

362

00:20:41,360 --> 00:20:47,300

Yeah, he had had his head there a

little bit, probably fell asleep.

363

00:20:48,270 --> 00:20:51,840

But sometimes they stay in my little

pocket there all day and I just walk

364

00:20:51,840 --> 00:20:53,179

around the house, forget they're in there.

365

00:20:53,850 --> 00:20:58,230

They go to sleep and take life easy and

there, they really are a lot of fun.

366

00:20:59,590 --> 00:21:00,090

Here we go.

367

00:21:00,510 --> 00:21:03,840

I hope you enjoy seeing them just

taking a little titanium white here

368

00:21:03,840 --> 00:21:10,290

on the line liner, brushing, putting

in a little tree trunk or two, and

369

00:21:10,290 --> 00:21:14,459

then it's find that knife will take a

little bit more of the van Dyke Brown.

370

00:21:15,255 --> 00:21:18,795

Let's come right along in here and

let's put some dirt under here.

371

00:21:21,975 --> 00:21:22,425

There

372

00:21:25,495 --> 00:21:30,165

looks like the weeds have grown up

just about covered up the old barn.

373

00:21:31,335 --> 00:21:32,445

Touch a highlight on there.

374

00:21:32,445 --> 00:21:34,695

Don't want don't want a

great deal just to touch.

375

00:21:35,685 --> 00:21:37,275

I tell you when maybe let's do this.

376

00:21:37,545 --> 00:21:42,105

Maybe, maybe there was a

big old ditch right there.

377

00:21:44,820 --> 00:21:52,080

Bagel ditch or bean or whatever

you want to call it there.

378

00:21:52,459 --> 00:21:55,639

Just using Vandyke Brown, allow a little

bit of that color that you put on the

379

00:21:55,639 --> 00:21:57,530

top to grab the knife and come down.

380

00:21:57,560 --> 00:21:58,820

You don't need much color here.

381

00:21:59,600 --> 00:22:00,320

Very, very little.

382

00:22:02,620 --> 00:22:03,370

All right.

383

00:22:04,340 --> 00:22:04,580

Yeah.

384

00:22:04,580 --> 00:22:05,689

Then let's go back to her brush.

385

00:22:05,689 --> 00:22:09,080

It's got the highlight color and

a little greens and all that.

386

00:22:09,885 --> 00:22:13,805

Let's just come right in here

and begin putting in shapes of

387

00:22:13,805 --> 00:22:15,185

all kinds of bushes and stuff.

388

00:22:16,265 --> 00:22:16,775

Bushes.

389

00:22:17,405 --> 00:22:17,785

Yeah.

390

00:22:20,165 --> 00:22:21,485

Chest using the top corner.

391

00:22:21,635 --> 00:22:22,355

That's all we need.

392

00:22:25,110 --> 00:22:26,160

I'm going to go back to my brush.

393

00:22:26,160 --> 00:22:27,330

It has the dark color on it.

394

00:22:28,770 --> 00:22:31,640

We'll just put a few bushes

here on this side of that ditch.

395

00:22:31,640 --> 00:22:33,240

You're revealing or whatever

you want to call it.

396

00:22:35,280 --> 00:22:36,300

A little dark covered in there.

397

00:22:36,300 --> 00:22:40,500

So the highlights we'll

show, you know what?

398

00:22:41,880 --> 00:22:43,080

We got to have a way to get in there.

399

00:22:43,080 --> 00:22:45,270

Don't wait, let's take some Brown.

400

00:22:45,900 --> 00:22:48,570

Maybe there's a little path

comes right across here.

401

00:22:49,020 --> 00:22:50,670

Maybe it goes back in the woods somewhere.

402

00:22:53,430 --> 00:22:58,200

There we'll just use some

Brown and lay it in black.

403

00:22:58,200 --> 00:23:02,600

So I'll take a little Brown and

white and I start seeing and white

404

00:23:02,640 --> 00:23:04,040

little touchy, yellow ochre in it.

405

00:23:08,600 --> 00:23:10,220

There, let it come right around.

406

00:23:11,270 --> 00:23:12,740

Gotta have a little place to walk.

407

00:23:13,130 --> 00:23:14,210

Goes right on back here.

408

00:23:17,010 --> 00:23:19,590

We'll have some little bushes that

live right down in here and come

409

00:23:19,590 --> 00:23:25,050

right up over the top of that a

little bit bright red and then yellow

410

00:23:28,920 --> 00:23:29,370

look at there.

411

00:23:30,750 --> 00:23:33,570

I like little paintings, like,

yes, because it teaches you

412

00:23:33,570 --> 00:23:35,490

to use just one big brush.

413

00:23:37,110 --> 00:23:42,780

Basically the only brush we've used

here is a great big old two inch brush.

414

00:23:44,879 --> 00:23:49,770

And, and, and a little bit

of dark color right here.

415

00:23:49,919 --> 00:23:50,939

Push this side back.

416

00:23:53,070 --> 00:23:54,120

Some highlights on him.

417

00:23:55,090 --> 00:23:57,780

Do a little bit of red.

418

00:23:57,870 --> 00:23:58,460

I want that to stay.

419

00:23:58,530 --> 00:23:59,340

Ooh, that's nice.

420

00:24:01,409 --> 00:24:07,129

Some growing right here in front of

the old path, we'd have to have, we

421

00:24:07,129 --> 00:24:08,550

was going across this ravine here.

422

00:24:08,550 --> 00:24:08,899

We'd need.

423

00:24:09,390 --> 00:24:12,960

We would need to have maybe something up

here to keep everybody from falling off.

424

00:24:12,960 --> 00:24:16,540

So we'll put little Dewar, like a

425

00:24:19,800 --> 00:24:21,000

few little highlights on it.

426

00:24:21,000 --> 00:24:21,840

Some Brown and white

427

00:24:25,050 --> 00:24:25,590

come back.

428

00:24:25,680 --> 00:24:29,010

Let's have a little

rail across here to see.

429

00:24:29,610 --> 00:24:31,080

Cause I'd fall off in there.

430

00:24:32,640 --> 00:24:33,210

There we go.

431

00:24:34,150 --> 00:24:36,210

Little something for you to

hold on to when you go by.

432

00:24:39,180 --> 00:24:39,930

There we are.

433

00:24:41,040 --> 00:24:45,419

And then our little bushes that are

grown right here, scratching a few sticks

434

00:24:45,419 --> 00:24:47,250

and twigs, all those little things.

435

00:24:50,159 --> 00:24:50,639

Yeah.

436

00:24:51,360 --> 00:24:52,139

Let's have some fun.

437

00:24:52,169 --> 00:24:53,310

We've got a second left here.

438

00:24:53,960 --> 00:24:58,860

We'll take Vandyke Brown on the

fan brush a little dark Santa, too.

439

00:24:58,860 --> 00:24:59,340

What the heck?

440

00:24:59,340 --> 00:25:00,480

Just mix them right up in there.

441

00:25:01,980 --> 00:25:02,490

Right up.

442

00:25:02,610 --> 00:25:04,800

Maybe we have, yep.

443

00:25:05,565 --> 00:25:09,165

You know me big tree lives right there.

444

00:25:10,305 --> 00:25:16,605

He's got a friend right there,

so just make it nice and dark.

445

00:25:18,255 --> 00:25:26,405

Take our liner brush, make some, a little

bit of Vandyke Brown with paint on it too.

446

00:25:26,405 --> 00:25:27,185

It's very thin.

447

00:25:27,245 --> 00:25:28,925

Like ink can scoop here.

448

00:25:29,795 --> 00:25:30,185

Maybe.

449

00:25:32,084 --> 00:25:33,014

Let it wiggle and jiggle.

450

00:25:33,014 --> 00:25:34,094

Gotta make those little noises.

451

00:25:34,945 --> 00:25:37,965

We put in a few little lambs

on these trees in the back.

452

00:25:38,745 --> 00:25:43,814

You can see a few little trees

are living in there, but just some

453

00:25:44,235 --> 00:25:46,274

Nash hanging down branches on here.

454

00:25:50,764 --> 00:25:52,235

The other whole tree needs some too.

455

00:25:52,564 --> 00:25:53,254

There we go.

456

00:25:55,755 --> 00:25:57,135

But the paint should be very thin.

457

00:25:57,135 --> 00:26:00,975

If you have trouble making it flow, then

just add a little paint thinner to it.

458

00:26:02,625 --> 00:26:04,635

And we're going to put a few

leaves on here, so we don't

459

00:26:04,635 --> 00:26:05,475

have to worried about it.

460

00:26:07,215 --> 00:26:07,665

Okay.

461

00:26:07,725 --> 00:26:09,015

Grab another little fan brush.

462

00:26:09,045 --> 00:26:10,045

I have several of them going in.

463

00:26:10,055 --> 00:26:14,235

We'll take some of that black

and Brown mixed together and

464

00:26:14,235 --> 00:26:16,095

right in here in our world.

465

00:26:16,215 --> 00:26:19,845

Maybe there's some, there we

are just a few little things

466

00:26:19,845 --> 00:26:21,015

that live out here on this tree.

467

00:26:23,475 --> 00:26:25,665

Like, so just push upward with a brush.

468

00:26:26,025 --> 00:26:29,235

It'll create that illusion of all kinds

of little leaves and stuff out here,

469

00:26:31,175 --> 00:26:34,445

there, wherever you think they should be.

470

00:26:34,805 --> 00:26:36,605

So exactly where they should be.

471

00:26:38,255 --> 00:26:38,825

All right.

472

00:26:39,095 --> 00:26:40,055

We'll take that in.

473

00:26:40,055 --> 00:26:43,925

Clean the brush, a little touch of

yellow ochre on there, and it'll mix

474

00:26:43,925 --> 00:26:46,055

for that and turn sort of greenish.

475

00:26:49,305 --> 00:26:51,135

Just push up a little highlight on these.

476

00:26:51,585 --> 00:26:52,485

It doesn't take much.

477

00:26:52,665 --> 00:26:53,865

I want it to stay quite dark.

478

00:26:55,885 --> 00:26:59,115

The old clock on the wall tells me

it's about time to call it a day.

479

00:26:59,115 --> 00:27:01,605

I really hope you've enjoyed this one.

480

00:27:01,815 --> 00:27:03,465

It's a very nice little painting.

481

00:27:03,735 --> 00:27:07,545

It'll show you how to use a limited

number of pieces of equipment and

482

00:27:07,545 --> 00:27:10,605

make a super painting for yourself

from all of us happy painting.

483

00:27:11,264 --> 00:27:12,285

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E10 - Days Gone By

Bob Ross's

The Joy of Painting

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