Bob Ross's

The Joy of Painting

S22E04 - Countryside Oval

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I welcome back.

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Certainly glad you could join us today.

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It's a fantastic day here and I hope

you're also having a fantastic day.

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So I tell you what, let's start out today

and have him run all the colors across

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the screen that you need to paint along

with us while they're doing that as usual.

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Let me show you what

I've got done up here.

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I have my standard old 18 by

24 inch pre stretched canvas.

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And today I've taken a cut, a little

oval out of some adhesive back

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paper or contact paper, whatever you

call it and just stuck it on here.

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And we've covered the center with

a little bit of the liquid white

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and it's all wet and ready to go.

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And update would do one

of those little ovals.

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That's become one of the most

popular things we've ever introduced.

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So let's start out with the old two inch

brush, a little bit of the fellow blue.

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Beautiful blue color would tap

a little into the bristles and

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that's go right up here and we'll

start up here at the top today.

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Just making little, little

crisscross strokes, little exes

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red over, and that's continually

blending with the liquid white.

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So automatically you get this

beautiful variation of color

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in the beautiful blending.

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Here we are.

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And a little bit more we'll

come right over in here.

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Maybe we'll have a happy

little cloud in this guy.

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So I'll just leave a little

area open here, there, come

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right on down to about there.

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It doesn't matter then at anything

we don't like, we just paint over it.

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Keep right on going come out across.

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I just takes out the brush marks and it

just helps blend everything together.

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I didn't like, so, and then let's do the

fun part and that's why she'll brush.

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And if you've painted with me before,

you know, this is the part it's most

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exciting, especially to the camera crew.

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All right.

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I'll tell you hump today.

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Let's just use a little one

inspiration, make a happy little cloud.

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We'll take a little titanium white.

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Okay.

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Just pull the old brush through

the, through the white here, just

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to load a little color on it.

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Let's go up here to the canvas.

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Now, then let's take it out

where our little fluffy cloud

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would live in our world.

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It will start out and just start to

let it bounce around in play here.

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Wherever, wherever you want it.

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A little more paint on the

brush, keep the brush moving.

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It stays in one place and

you go around and around.

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It looked like a big cotton

ball up here in the sky.

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And we're not after that today.

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There maybe the whole cloud lives

right down here and comes right on.

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I don't know.

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Maybe it just goes right on over

there, here somewhere in your world.

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You put it wherever you want it.

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All right.

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Now back to our two inch brush and

very gently just using the top corner.

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I'm going to blend the base of

this cloud out a little, the top.

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I'm not going to touch it all yet.

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Just blended a little

making tiny little circles.

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Once again, using only the

top corner of the brain,

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I beat the brush a little, just to remove

any excess paint that we've picked up.

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It's easier than going through the whole

cleaning procedure and layman terms.

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That's called lazy.

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We are all right.

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Very gently.

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We'll just go across it.

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And maybe today, maybe there's a

couple of little layers in our clouds.

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Maybe we have another little

cloud that lives right here, right

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below that one little happy cloud.

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It just sort of floats around in the sky.

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Very Cubs.

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All right.

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See how easy it is to make

these big fluffy clouds there.

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Same thing once again, two inch brush

using just the top corner and the

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reason we use the top corner watch.

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If you use the bottom corner, you really

can't tell where the brush is hitting.

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Use a top corner, and you can

see exactly what you're doing.

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Okay.

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And you have a lot more

control on the brush that way.

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Once again, fluff it up a little,

like so, and very gently, just blended

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just enough to take out the little

breaststroke, but do them in layers and

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do the one that's furthest away first.

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And then do the second one.

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All right.

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Now then let's have some

little, like little rolling

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Hills that live back in here.

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I'm going to take, we'll use a

little part blue, little alizarin,

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Crimson proportionately, much,

much more blue than Crimson.

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And put a little white out here,

maybe just a touch more of the blue.

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Oh, that's nice.

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That's nice.

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So I have the same color,

but two different values

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here by putting the white.

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And this one is you can see

is much lighter than this one.

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All right.

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So let's take the lightest one first.

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Let's go up in here.

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Come right up in here and let's

take, and let's just put us a very

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basic little shape, something like,

so don't let these get too pointy.

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This is a little, just a soft little Hill.

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Okay.

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Really push it into the fabric

and then scrape off all the

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excess, the value or the color.

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Will remain in the fabric and then we'll

take our brush and grab and firmly pull

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the paint firmly, pull it just like, so

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we want it to get lighter toward the base.

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Okay, pull it right through there.

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I think I'll have some trees over here,

so I'm not too worried about this side.

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I don't know if we leave

it blank then for sure.

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We'll have to put something over there.

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All right.

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But that's really all you need.

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It gives an indication of a nice

little rolling Hill that's far away.

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And if you want to make that

illusion of depth and distance even

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greater, we go into that same color.

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That weed mixed.

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It's darker.

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And with once again, pick up a

little roll of paint on the knife.

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Let's go back up in here,

come right back in here.

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Now then let's drop right down like that.

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And let's just put another

little Hill in here.

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It helps create that illusion

of depth in your painting.

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When you do that, maybe it

turns and goes up right there.

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I don't know.

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You decide, and your world, you

make all these big decisions.

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But once again, we're firmly, firmly

pushing that color right into the canvas.

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And then we'll take our two inch brush,

grab it, just moved the color, allow

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it to actually just blend with the

liquid white that's on the canvas.

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And you always want the

base of a Hill or mountain.

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Lighter than the top.

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And as you can see, look at the

little light area in between

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these two, that's the separator.

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That's your good friend.

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Take care of it, treasure

it, there we are.

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And sometimes I'll just dip

the brush into a little color.

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Sometimes it's fun just to put a little

dark area in there and it looked like

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there's a whole nother plane in there.

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You can just play all kinds of tricks

or you can take and lift gently upward a

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little bit, and it'll look like you can

make out the indication of little trees

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that live with you back in the woods.

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We back on that Hill.

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See you there.

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I hope you can see those.

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It's quite small, but they're there now.

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Let's take, I'm gonna use

that same lavender color.

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I'm gonna add a little black to

it, a little black, a little Brown.

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Little touch maybe of the

Crimson and SAP green.

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There we are.

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Let's go right up in

here right down to this.

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And we have to decide where they'll have

some land areas maybe right in here.

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We'll just put a nice little Hill

and this is just the base color.

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This is just Jess, where I light

her highlights will show when we put

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them on top of this, you could really

put this on with a paint roller.

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Doesn't matter.

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It doesn't matter, but it's a good

place to practice with a brush

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because so much of painting is

a field you've pretty quickly.

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You can feel just by touching the canvas,

when your paints too thick to thin,

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you got too much on the brush and it

comes with just a little practice there.

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Yeah, then I'll just

use the same old brush.

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I'm lazy.

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They don't want to wash them all.

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So we use the same old brush and

go right into a little bit of

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the kid, yellow, little yellow

ochre, maybe a little SAP green.

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There we are there just gently tap.

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See, you can see it.

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Little rigid paint.

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There's an identical one

on the end of the brush.

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And that's what we're after.

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Let's go up here now.

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Just barely touch and tap downward.

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And this is when the easiest, nicest

ways of creating the effect of

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little fields or little grassy areas.

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We record a distance there.

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Just let the sun play through there.

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Sarah.

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We are.

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Okay.

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And sometimes it's fun just

to, just to take and I'll

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just grab another brush here.

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I got it.

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Doesn't matter what you use.

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I'll pick up a one inches.

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Happens to be handy.

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Doesn't matter.

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As I say, maybe there's a little

tree that lives right here.

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Just a little bushy guy there.

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We just put in a little dark color

and let's give him a little friend.

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Do you know me?

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Thank every everything needs

a friend, even an old tree.

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We'll take a little touch, a little

bright red, little yellow hooker.

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I'll be mint, a little Indian,

yellow, there, just a little sparkly.

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Get that little bit of paint right there.

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Let's go right up in here

and let's just, Ooh, nice.

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Let's just put some little highlights

on that little rascal right there.

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And this little one here, he needs

a few little things to there.

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Okay.

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Now back to her calorie reusing

we'll come right in here.

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And just put a little grass down at those.

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The base of those two little trees

is he had creates a whole nother

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plane and you're painting and

these different planes or what?

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Give depth.

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Okay.

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Maybe put a little more

color right in here.

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We need that dark.

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So light we'll show

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you.

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What's your what's your not get

carried away maybe right here.

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Maybe there's a happy little pond.

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That's way back here.

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Pull straight down.

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We'll get just the least little touch

your titanium, white and just sparkle.

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It kind of make those

little little sounds.

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Just pull it straight down and

then very gently go across.

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Very gently.

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Just enough to, to wiggle it a little bit.

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Not to you.

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Let's do it with a fan brush today.

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We'll take a little Vandyke Brown,

little dark CN on the fan brush.

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And you could do it with a

knife or you can do it there.

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Here we are with a fan brush.

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Let's just put in the

indication of a little bank.

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We back in the distance back here,

this is just Brown, straight or Brown.

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Maybe there's a few little

dark things that grew right

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along the edge of the water.

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Just lift up or down.

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It makes it look like a little Bush,

maybe a little cattails that are.

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Dark in there, whatever.

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Just make up little stories

and drop them in the middle,

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the liquid white on the knife.

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And we'll come back in here and touch it.

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Touch of water line right along there.

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Just act like you're trying to cut a

hole right through the canvas there.

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And then we'll go back

to her one inch brush.

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We were using heads.

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Black pression blue Crimson,

LaSalle, green, same old colors.

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Just, it should be very, very dark though.

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Okay.

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Now that maybe I'm touching and

sort of pulling downward, just

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want a little tattoo that Lake left

back here, we put in some dark.

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All right, right there.

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Just sort of look at this and make a

decision where you think that should be.

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Brush is too slow.

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Let me get a big one here.

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You get lazy after a while.

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And you like these big brushes.

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Let's just fill this all in here with

some of the burden, the nice dark cover.

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Once again, this dark is here only to

make the light show because without

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it, you just don't have any light.

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If you put light against

lights, you have nothing.

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If you put dark against

dark, you had nothing.

248

00:13:56,720 --> 00:14:00,380

So you're always playing games, light

against dark, dark against light.

249

00:14:01,580 --> 00:14:02,870

That's what makes it work?

250

00:14:05,060 --> 00:14:06,260

Just illusions.

251

00:14:06,860 --> 00:14:10,820

We only have a two dimensional surface

here, so everything is just illusions

252

00:14:12,020 --> 00:14:16,010

while we're working on that illusion

and that's get crazy or what the heck?

253

00:14:17,265 --> 00:14:18,675

Take a look, see, decide.

254

00:14:18,855 --> 00:14:21,495

We said there was going to

be a big tree right here.

255

00:14:23,885 --> 00:14:25,125

Let's just have us a big tree.

256

00:14:25,125 --> 00:14:26,015

We'll just use the corner.

257

00:14:26,035 --> 00:14:33,075

The old two inch brush, same basic

colors, same colors that, that

258

00:14:33,105 --> 00:14:34,455

all tree live right out there.

259

00:14:35,985 --> 00:14:36,435

Take light.

260

00:14:36,435 --> 00:14:37,285

And we get that new one.

261

00:14:37,285 --> 00:14:38,955

This one over here too.

262

00:14:41,250 --> 00:14:42,180

You get carried away here.

263

00:14:42,190 --> 00:14:47,400

These are fun, but you can make

very detailed little trees and

264

00:14:47,400 --> 00:14:49,500

bushes with a two inch brush.

265

00:14:49,500 --> 00:14:53,970

It doesn't have to be a little,

little tiny Tam brush to make

266

00:14:53,970 --> 00:14:56,280

small things or to make detail.

267

00:14:56,280 --> 00:14:58,590

You can make it with a very large brush.

268

00:14:59,760 --> 00:15:00,540

It's just a matter of.

269

00:15:01,265 --> 00:15:04,745

Practicing a little until it works for

you and you're comfortable with it.

270

00:15:05,695 --> 00:15:05,995

There

271

00:15:15,985 --> 00:15:21,235

let's take, we'll use the old script

liner brush a little bit of white.

272

00:15:21,265 --> 00:15:24,625

I'm going to reach down here and get a

little titanium white, mix them together.

273

00:15:25,785 --> 00:15:27,705

Maybe get a little more of

the paint thinner on there.

274

00:15:28,635 --> 00:15:30,195

I want this paint to be very thin.

275

00:15:30,495 --> 00:15:33,885

Almost the consistency of ink

factory can see it running.

276

00:15:33,885 --> 00:15:34,935

They're very thin.

277

00:15:35,595 --> 00:15:40,935

Let's go up here and here we just put

the indication of some little tree

278

00:15:40,935 --> 00:15:45,695

trunks here and there a little more

of the white and that's better now.

279

00:15:45,695 --> 00:15:51,695

You can see them a little bit better and

we put a few limbs and stones and all the

280

00:15:51,695 --> 00:15:53,135

little things that you need to hold up.

281

00:15:53,475 --> 00:15:55,095

These happy little trees in here.

282

00:15:58,415 --> 00:16:02,375

I tell you what, there might

even be one over here who knows

283

00:16:03,065 --> 00:16:06,305

wherever you want them there.

284

00:16:08,195 --> 00:16:12,935

And I have that old breast Glenham will

go right into straight Vandyke Brown.

285

00:16:13,985 --> 00:16:16,865

Same way then it very thin maybe.

286

00:16:17,225 --> 00:16:18,155

Yeah, let's do this.

287

00:16:18,185 --> 00:16:21,455

Maybe there's a little

fence back here by the pond.

288

00:16:21,975 --> 00:16:26,525

This goes right on down out

of sight and we can see some

289

00:16:26,795 --> 00:16:28,564

old rails still on the post.

290

00:16:31,805 --> 00:16:32,015

Hmm.

291

00:16:32,105 --> 00:16:33,275

It makes it sort of interesting.

292

00:16:33,454 --> 00:16:34,235

Just breaks it up.

293

00:16:34,235 --> 00:16:35,405

I'll take a little light color.

294

00:16:36,095 --> 00:16:37,775

Just put a little

highlight on some of these.

295

00:16:39,390 --> 00:16:41,990

There we go.

296

00:16:42,110 --> 00:16:43,220

Happy little fence lives.

297

00:16:43,250 --> 00:16:47,210

We back in the distance,

back to our brush.

298

00:16:47,210 --> 00:16:51,110

It has our greens and yellows on it.

299

00:16:52,610 --> 00:16:53,840

A little more green.

300

00:16:53,900 --> 00:16:54,530

Oh, there we go.

301

00:16:54,560 --> 00:16:55,040

Nice.

302

00:16:56,180 --> 00:16:57,110

Let's go back in here.

303

00:16:58,530 --> 00:17:00,870

And just begin tapping in

some little grass areas.

304

00:17:02,040 --> 00:17:04,020

Now this is going to be just

like we did in the back.

305

00:17:04,470 --> 00:17:08,460

And while they're doing that, you know,

I get, I get a lot of letters from

306

00:17:08,460 --> 00:17:11,970

fantastic people all over the country

that send pictures of what they're

307

00:17:11,970 --> 00:17:13,500

painting at home from watching the show.

308

00:17:13,500 --> 00:17:15,119

And I'd like to share

some of those with you.

309

00:17:16,500 --> 00:17:17,940

You would not believe.

310

00:17:18,230 --> 00:17:22,129

What people are doing, this is,

this makes it all worthwhile.

311

00:17:23,690 --> 00:17:26,349

A lot of people that have sending

paintings have never had a painting

312

00:17:26,379 --> 00:17:29,889

lesson in their life other than

watching the television series.

313

00:17:31,150 --> 00:17:37,150

And this is what they're accomplishing

and maybe most important, it makes people.

314

00:17:37,425 --> 00:17:40,385

Understand and believe

that they can do this.

315

00:17:40,925 --> 00:17:42,665

You don't have to be somebody special.

316

00:17:43,535 --> 00:17:44,765

Anybody can do this.

317

00:17:45,635 --> 00:17:46,415

We really can't.

318

00:17:47,075 --> 00:17:49,265

And that truly is the joy of painting.

319

00:17:49,265 --> 00:17:54,155

When, when you produce something

like this, you know what a pleasure

320

00:17:54,155 --> 00:17:57,605

it is to give someone a gift that

you've produced yourself or to hang

321

00:17:57,605 --> 00:18:00,845

it in your home and people come by

and they say, you didn't do that.

322

00:18:02,225 --> 00:18:03,065

You didn't do that.

323

00:18:03,215 --> 00:18:05,135

People won't believe that

you could paint like that.

324

00:18:05,669 --> 00:18:08,070

But you can do you really can't.

325

00:18:09,810 --> 00:18:14,070

And every day, as I say, I see

more and more evidences of it.

326

00:18:14,669 --> 00:18:15,179

Everyday.

327

00:18:17,010 --> 00:18:18,240

Shirtless let's have fun.

328

00:18:18,810 --> 00:18:20,250

Maybe in our world.

329

00:18:21,179 --> 00:18:23,610

Let's have another little

watery spot right here.

330

00:18:25,170 --> 00:18:29,629

Just just to break up the

monotony a little, right?

331

00:18:29,629 --> 00:18:32,360

Just a little white as we have some blue.

332

00:18:32,560 --> 00:18:34,850

Well, we can add a little Tayloe

blue to the brush for one, two.

333

00:18:34,850 --> 00:18:36,649

Just to give it a little blue tone,

334

00:18:40,220 --> 00:18:41,510

a little, little white.

335

00:18:42,889 --> 00:18:44,930

And then once again, just pull across

336

00:18:48,139 --> 00:18:50,000

another happy little pond right out here.

337

00:18:51,020 --> 00:18:51,110

Okay.

338

00:18:51,600 --> 00:18:54,240

And we can take our little

grassy color and ms.

339

00:18:54,250 --> 00:18:58,980

Come right down and bring a

little thing, a little peninsula

340

00:18:58,980 --> 00:19:00,630

right off into there that easy,

341

00:19:04,320 --> 00:19:07,080

you can just push that rascal

right back in the distance.

342

00:19:08,760 --> 00:19:13,800

And just as many layers as you want to

ask beautiful areas down here, tell you

343

00:19:13,800 --> 00:19:15,150

what we have this whole brush going.

344

00:19:15,514 --> 00:19:21,355

Let's go right up here and that's just

some little sparkers on these trees.

345

00:19:23,215 --> 00:19:25,254

They need some nice little

highlights on them too.

346

00:19:27,925 --> 00:19:28,375

There.

347

00:19:30,105 --> 00:19:33,375

And all we're using is just

the corner of the brush.

348

00:19:33,675 --> 00:19:37,325

Just the corner there.

349

00:19:37,385 --> 00:19:42,485

We loaded exactly the same way as we

did to make the grassy areas down below.

350

00:19:42,485 --> 00:19:45,695

But all we're using is a corner

and going in the direction that we

351

00:19:45,695 --> 00:19:47,945

want these little limbs to hang.

352

00:19:47,945 --> 00:19:48,004

Yeah.

353

00:19:49,745 --> 00:19:52,745

Touch a little bit of the bright red here,

and then let's put a little sparkler.

354

00:19:53,235 --> 00:19:53,685

Right in there.

355

00:19:54,345 --> 00:19:54,945

That's nice.

356

00:19:56,945 --> 00:19:57,125

Yeah.

357

00:19:57,545 --> 00:20:03,575

Maybe a little yellow ochre would give him

a little friendliness right there and you

358

00:20:03,575 --> 00:20:09,125

can just vary these colors back and forth

and put in all kinds of little things.

359

00:20:10,505 --> 00:20:10,805

All right.

360

00:20:10,835 --> 00:20:15,725

Maybe on the other side over here, we'll

give this tree some nice little highlights

361

00:20:15,725 --> 00:20:17,405

and I'm just using an opposite corner.

362

00:20:19,365 --> 00:20:19,875

There,

363

00:20:24,135 --> 00:20:25,245

but think about shape.

364

00:20:25,245 --> 00:20:28,575

And for me a tree, I know you

get tired of hearing me say that.

365

00:20:30,495 --> 00:20:32,534

That's probably the single

most important thing.

366

00:20:32,534 --> 00:20:35,504

When you're making these trees,

it's more important than what you

367

00:20:35,504 --> 00:20:40,215

use to make them with is the fact

that you give them form and shape.

368

00:20:42,335 --> 00:20:45,995

There we are, and that's, what's going

to make your painting so special.

369

00:20:48,754 --> 00:20:49,774

And the other thing.

370

00:20:50,175 --> 00:20:55,725

Try to leave, try to leave some dark

areas at the base of your tree, gives the

371

00:20:55,725 --> 00:20:58,035

illusion of a big shadow underneath there.

372

00:20:59,565 --> 00:21:01,275

And it creates a depth once again.

373

00:21:02,865 --> 00:21:06,435

Or if you feel that something's needed in

there, make it something very dark, like

374

00:21:06,435 --> 00:21:11,655

a very, very dark, dark green that you

won't, you won't see so much that there.

375

00:21:11,955 --> 00:21:12,555

See my cat.

376

00:21:15,210 --> 00:21:18,980

All right, let's go back to

our little fan brush here that

377

00:21:18,980 --> 00:21:21,410

has the Vandyke Brown on it.

378

00:21:22,260 --> 00:21:23,400

Yeah, we can just hear it in there.

379

00:21:23,400 --> 00:21:26,900

Put a little touch of the, around

to give the indication of the

380

00:21:26,900 --> 00:21:28,340

little, little dirt down there.

381

00:21:30,320 --> 00:21:31,820

Let's take, let's have some fun.

382

00:21:31,910 --> 00:21:32,720

I'd like to do this.

383

00:21:33,540 --> 00:21:36,920

We'll take a little liquid

white, a little bit of dark

384

00:21:36,920 --> 00:21:39,080

Sienna, a little Vandyke Brown.

385

00:21:39,200 --> 00:21:41,570

We're going to make a

very thin paint here.

386

00:21:42,800 --> 00:21:46,220

Just the consistency of liquid white

with a little bit of flavor in it.

387

00:21:47,450 --> 00:21:48,560

And we'll take our little Filbert.

388

00:21:49,700 --> 00:21:50,660

We'll go right into.

389

00:21:51,675 --> 00:21:54,435

Fantastic Brown, little dark Sienna.

390

00:21:54,465 --> 00:21:59,625

Just mix them together, but a lot of color

on each side of the brush, a lot of color,

391

00:22:00,525 --> 00:22:08,115

and we'll go right down here and pull one

side through the STEM color and let's put

392

00:22:08,295 --> 00:22:11,235

just the indication of some little stones.

393

00:22:11,235 --> 00:22:11,625

It live.

394

00:22:12,435 --> 00:22:16,905

There's one out in the water that live out

here in our world, wherever you want them.

395

00:22:18,585 --> 00:22:19,635

And we can come back.

396

00:22:20,774 --> 00:22:21,304

It'll touch it.

397

00:22:21,314 --> 00:22:27,365

The liquid white go right in here

and just clean the bottom of them

398

00:22:27,365 --> 00:22:31,085

up some there, but didn't it.

399

00:22:31,085 --> 00:22:34,534

And then sneaky little nice way of

making some very effective little

400

00:22:34,534 --> 00:22:36,605

stones out here in your, in your water.

401

00:22:37,140 --> 00:22:37,980

Tell you what let's do.

402

00:22:38,760 --> 00:22:42,510

Let's take him, pull the contact

paper off, see what we have.

403

00:22:44,760 --> 00:22:45,390

All right.

404

00:22:46,350 --> 00:22:50,010

And you know, me, I never

leave well enough alone.

405

00:22:51,120 --> 00:22:55,740

I think today I'll just use the old fan

breast that has the Vandyke Brown on it.

406

00:22:56,550 --> 00:23:00,480

And in our world stand back and sort

of look, I like to have something,

407

00:23:00,480 --> 00:23:05,460

it sorta projects right out of the.

408

00:23:06,615 --> 00:23:10,995

Seeing when we do these little

ovals, I just, I think that's neat.

409

00:23:12,105 --> 00:23:16,095

And maybe when you do yours, you

don't want to have this big tree here.

410

00:23:16,125 --> 00:23:16,785

It's up to you.

411

00:23:17,115 --> 00:23:18,075

It's really up to you.

412

00:23:18,750 --> 00:23:19,920

I just sorta like these.

413

00:23:21,600 --> 00:23:26,280

Now let's put a little background material

behind the tree, just the dark color.

414

00:23:27,360 --> 00:23:30,420

If there's a little Bush back

here, maybe this a little Bush

415

00:23:30,420 --> 00:23:32,520

comes right over that way.

416

00:23:32,520 --> 00:23:33,750

It'll push everything back.

417

00:23:33,810 --> 00:23:37,980

How's that maybe it just sort

of disappears into nothing,

418

00:23:39,420 --> 00:23:42,330

whatever, any way that you want it.

419

00:23:44,295 --> 00:23:48,195

Factorial two inch brush that

has the highlight colors on it.

420

00:23:50,205 --> 00:23:52,485

Put at least a little touch

of paint thinner on the brush.

421

00:23:52,815 --> 00:23:55,155

So the paint will be much thinner

because we're getting in quite

422

00:23:55,155 --> 00:23:56,505

a few layers of color here.

423

00:23:58,425 --> 00:24:01,875

And as you know, the thin paint will

stick through the thick paint, then the

424

00:24:01,885 --> 00:24:05,655

thick, and maybe there's another one here.

425

00:24:07,245 --> 00:24:08,775

Just all kinds of little bushes.

426

00:24:09,615 --> 00:24:11,175

Get a little more green.

427

00:24:14,070 --> 00:24:15,980

That's just tap in some

little grassy areas.

428

00:24:15,990 --> 00:24:17,939

It just flow right down from there.

429

00:24:20,250 --> 00:24:20,970

Just like that.

430

00:24:23,070 --> 00:24:23,310

Yeah.

431

00:24:23,669 --> 00:24:26,310

Sometimes it's fun to,

to do little things.

432

00:24:26,310 --> 00:24:30,060

You have to make big decisions when you

paint because you have unlimited power.

433

00:24:30,750 --> 00:24:33,090

See this tree right now, do a

close-up right here on this tree.

434

00:24:33,090 --> 00:24:34,949

It looks like it's behind those bushes.

435

00:24:35,129 --> 00:24:35,669

Now watch.

436

00:24:36,435 --> 00:24:40,784

By pulling us through, we just put

the tree in front of the bushes

437

00:24:42,225 --> 00:24:44,655

and we're putting a big old root

at hangs right up, down there.

438

00:24:46,155 --> 00:24:46,514

Shoot.

439

00:24:46,514 --> 00:24:50,955

See what you can do now

let's take paint thinner.

440

00:24:52,034 --> 00:24:52,935

We'll go into Vandyke.

441

00:24:52,935 --> 00:24:54,885

Brown would load a lot of color there.

442

00:24:55,205 --> 00:24:56,715

Lot of color, very thin.

443

00:24:57,705 --> 00:25:00,104

Maybe he's got a little

buddy, a little friend.

444

00:25:00,314 --> 00:25:00,854

That's right there.

445

00:25:03,215 --> 00:25:04,774

Got a couple little arms on him.

446

00:25:05,915 --> 00:25:08,595

Like that, there we go.

447

00:25:11,145 --> 00:25:12,975

There just a little guy that lives here.

448

00:25:14,345 --> 00:25:15,365

Sometimes it's fun.

449

00:25:16,085 --> 00:25:20,284

Just load the liner brush with, with a

Vandyke Brown and dark Santa mixture.

450

00:25:20,284 --> 00:25:25,085

And then pull just one side to a little

bit of that liquid white with a little

451

00:25:25,085 --> 00:25:30,215

color and you can make nice thing.

452

00:25:30,245 --> 00:25:31,985

It's already highlighted that easy.

453

00:25:33,155 --> 00:25:33,215

Yeah.

454

00:25:33,735 --> 00:25:36,655

And if you want to highlight the

whole tree, we can take a little,

455

00:25:36,655 --> 00:25:38,115

let them color on the liner brush.

456

00:25:38,115 --> 00:25:41,385

You could do it with a knife,

whatever, and just blend it back.

457

00:25:41,385 --> 00:25:44,955

So it gets darker, darker,

darker as it works around a tree.

458

00:25:46,535 --> 00:25:46,715

Okay.

459

00:25:46,715 --> 00:25:52,175

There isn't that sneaky

and it works so easy.

460

00:25:52,955 --> 00:25:56,045

You'll like it, there we are.

461

00:25:56,195 --> 00:26:01,565

Nah, I'm more of the paint thinner

and let's just begin pudding.

462

00:26:03,825 --> 00:26:05,565

Some nice little limbs off this.

463

00:26:07,514 --> 00:26:08,264

There we go.

464

00:26:10,145 --> 00:26:14,764

And you put as many, or as few as you want

in your world, just sort of let them go.

465

00:26:16,145 --> 00:26:17,435

And this is where it really pays.

466

00:26:17,435 --> 00:26:24,395

If you, if you've got a little Twitch

in your head and there, because you can

467

00:26:24,605 --> 00:26:28,325

make, call these beautiful little limbs

and don't want them all just exactly

468

00:26:28,325 --> 00:26:30,905

straight limbs grow every which way.

469

00:26:31,590 --> 00:26:36,090

Let 'em girl, they don't go

just wherever you want them.

470

00:26:36,090 --> 00:26:38,130

Maybe right there, old big.

471

00:26:38,130 --> 00:26:47,780

When it comes right off there, something

like that, you know, let's go down

472

00:26:47,780 --> 00:26:50,690

here, take a little Advantech Brown.

473

00:26:51,560 --> 00:26:52,940

Let's just do this real quick.

474

00:26:53,960 --> 00:26:56,870

Take a little white little dark Sienna.

475

00:26:58,170 --> 00:27:02,520

Come right down here and just barely

touch, but the indication maybe of a

476

00:27:02,520 --> 00:27:07,410

little bit of grass down here, and we

can just take a fan brush, finish this

477

00:27:07,410 --> 00:27:12,300

thing up, pop in a few little happy

bushes right along the base here.

478

00:27:13,830 --> 00:27:15,930

And it makes one of the

most interesting paintings.

479

00:27:17,820 --> 00:27:18,810

I hope you try this one.

480

00:27:18,810 --> 00:27:20,639

Cause I know that you were really like it.

481

00:27:21,090 --> 00:27:24,720

And when you show this, when the people

they'll certainly get excited, hope you've

482

00:27:24,720 --> 00:27:26,520

enjoyed this one from all of us here.

483

00:27:26,639 --> 00:27:27,420

Happy painting.

484

00:27:28,080 --> 00:27:29,070

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E04 - Countryside Oval

Bob Ross's

The Joy of Painting

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