Bob Ross's

The Joy of Painting

S25E12 - Desert Hues

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Hey, welcome back.

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Certainly glad you could join us today.

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I thought today, maybe we just

do a happy little desert scene.

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Just something that is

very calm and peaceful.

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I think you'll enjoy it.

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So let's start out and hammer on

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I got going up here.

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I have my standard old pre

stretched double prime canvas.

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As usual I've used an 18 by 24

inch canvas, but you use any size

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it's convenient for you today.

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I've taken a little contact paper

and cut an oval out and stuck it on

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after I had the contact paper stuck

on there and I've just taken and

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covered the inside area here with

a very thin coat of liquid white.

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So the canvas is all wet

and slick and ready to go.

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So.

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Let's just do a fun painting today.

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I thought today would start

with the old two inch brush.

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What the heck?

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Big old two inspiration.

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We'll put a little, little Prussian

blue on there and a little black.

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We'll just mix them

together right on the brush.

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So we have black and blue or blue and

black, depending on your preference.

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So the way I look when I

get home late, there you go.

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All right, let's just go right up in here.

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And we just start like, so just

using little exes, I'm holding the

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brush flat and making little exits.

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Let me get a little more

color on the brush there.

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Something about bikes.

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So we don't know.

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Maybe I'll have some long stringy

clouds in there, so we'll just leave

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some areas open and we'll come back

and we'll, we'll fill those up.

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Beautiful little clouds show you a

very simple way of making some clouds

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that are for fun and they're effective.

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And you'll like them.

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There we go.

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Let me get a little back in here,

wherever, wherever we don't care.

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Something about like that.

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Alright.

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And now we come to my favorite

time of the whole painting already.

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Let's watch the old brush.

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Cause if you painted with me before.

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You know, that may be the

highlight of the painting.

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All right.

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We just scrubbed it right against

the screen in the bottom of the

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can with odorless thinner and

you can shake off the excess.

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And we just cover everybody in the

studio and with a clean brush, just

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going to quickly go across that.

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Just to remove any excess paint.

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Now, then I'm going to take a little

touch of yellow ochre, a little yellow

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ochre, and go right into the titanium.

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White, just load some

color in the bristles.

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Can let's go back up

here and today, tap him.

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Happy little cloud.

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Just take the brush.

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Can just tap.

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Just tap.

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Just think of it.

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I got some shapes that you'd like

to have in your world and tap a man.

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No big deal.

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Easy.

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Easy, you can do this.

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Anybody can do this.

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There we go.

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In our newsletter, we just featured a

lady who's who was in her nineties and

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just beginning to paint it that fantastic.

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There's no age barriers in this.

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And anybody can do it.

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All right.

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We just tap it in some

happy little clouds as well.

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Maybe there's one that

lives right about there.

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Just basically wherever

you think one should live.

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That's exactly, exactly

the right place for it.

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Okay.

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And that's all we, that's all we need now.

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We'll take him now.

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We're taking clean deal brush again.

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They're probably just, just want

to clean the brush again, get I

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look for excuse, shake it off.

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And there we go.

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Now then very lightly, very lightly

the canvas, because you can always

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add more pressure and begin blending

this and automatically, automatically

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beautiful little clouds will just

appear and you can pull them.

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Because there's liquid

white on a canvas it's wet.

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You can pull these clouds around, you

can move clouds in your world that easy,

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never knew you had that much

power, but on this piece of

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canvas, you do, and you go home.

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You may be like me.

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You have no power at all, but here,

here, you can do anything and anything.

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All right.

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Okay, let's take the knife.

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Take a little pressure to

blue, the depression, blue,

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a little lizard, Crimson.

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Mix them together.

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Oh, make a lavender color.

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But I want it to the blue side.

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When you make lavender out of

these two colors, you can have it

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to the red side or the blue side.

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Sometimes you had to put a little

white paint out there and check it out.

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Let's see if that's what you want or not.

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That's pretty good.

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Let's use that shoe.

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I like that.

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Okay.

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Cut off our little roller paint

lives right on the edge of the knife.

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And let's go right up in here and we have

to make some major decisions already.

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Where in a world or a little mountains

live, where, where do they live here?

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They are there.

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And these are going to be far away.

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I'm not looking for a

lot of detail in these.

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But in fact, I'm looking for

almost no detail because the

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detail indicates closeness.

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And I don't want him to look close.

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I wouldn't look far away, maybe

something about like, yeah, how's that.

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And the only thing you're worried

about at this point is a nice top page.

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You could care less

what's happening in here.

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So difference the fact that I'm

scraping very friendly, trying

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to get off all the excess paint.

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There we go.

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Let me go back to all two inch brush.

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And I just want to grab this and just

blend it out a little bit, just a

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little they're blended out because

that's basically all I'm going to do

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when these little distant mountains.

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Once again, I don't want him

to get ADA for too much detail.

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I want to keep them very soft,

very far away, just brushstroke.

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So we'll create the illusion of detail.

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But you've done nothing.

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That's a secret.

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That's our secret man.

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Let's take a little

tiny bit of that point.

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I didn't hit the yellow credit wheel.

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Maybe I'll add just a

touch, more yellow ochre.

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So we got white and the yellow ochre.

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I want to create miss down here.

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So I'm just going to take

a little damp and rub it.

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Just rub it, let it play around in there.

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I don't know if we'll

just do wonderful things.

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If you just allow it to,

don't be afraid of it.

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Don't be afraid of it and say there,

you may not see a lot of it yet, but

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when we're finished, that'll come out

to look like a nice soft Misty area.

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There Loxo stay there and you'd have

to decide how far, if you missed lives

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and how bright it is, how quiet it is.

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It's up to you.

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Up to you because in your world, you

can create any illusion that you want.

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Any illusion.

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Okay.

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And that'll give us a

little background mountains.

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One that's far away, not

much going on in its world.

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We'll take some more blue and Crimson.

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I just didn't mix up enough before.

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Same, same color, same identical color.

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There we go.

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Now cut off a little roll of paint.

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Just like we hit and let's go back

up here, come right up in here.

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Let's start right here.

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And maybe this comes up.

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We're going to have a big, strong

mountain that lives in the foreground.

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We'll put a little more detail in

that rascal because he's closer to us.

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Unlike the one that lives far away,

that we don't want detail in this one,

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we'll have a little more detail in.

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Maybe like, yeah, that's a

nice old mean looking mountain.

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Shoot.

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I tell you what, maybe he had a good day.

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Maybe he got even stronger.

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It went way up to the top.

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Here.

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We, up to the very top.

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It's up to you.

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See, just change your mind.

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If you want to, you can

put your mountain anywhere.

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You want any shape.

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You want this technique.

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We don't do any drawing, any tracing.

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We just sorta, we learned a trade as we

paint, like maybe the beauty of this.

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There we go.

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We learn to create, as we, as we paint

the scene, maybe this goes, who knows.

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Maybe it comes all the way across.

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If you want it to come over

here across, it'd be some

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little rolling Hills back here.

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Maybe on this end, you can do that.

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We just take the knife

and rub that too fair.

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Wipe off the excess paint.

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You can do entire paintings using nothing

but the knife and they're gorgeous.

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Some of the earlier series,

we've done them one or two

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paintings using the entire knife.

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It's a little harder to do in the

timeframe that we have, but you can do it.

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You really can do it.

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And it's gorgeous.

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I do a lot of them when I'm at home using

nothing but the knife saying, if you want

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to put another layer, I get carried away.

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You do it in this.

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If you want to put another little layer

in there and just put a little more paint

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on, decide where that next layer lives

and would just rub it a little bit too.

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Like that.

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Yeah.

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People tell me over and over again, a

bit, your house is full of paintings.

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You know, what's funny.

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Most artists I think, are like me

that they sort of pick their own

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paintings apart every time I hold.

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But I see something that in my mind,

I think I could have done better or

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it's, it's not exactly what I wanted.

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So in own home, I really, I

hang other people's paintings.

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I have paintings that people have sent me.

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I have paintings that some

of our instructors have done.

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I even have a couple of paintings.

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My sons, Steve done, which

are very, very special to me.

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There.

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And I have, I have a lot of paintings

by very close friends and associates,

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Annette Kowalski, my partner.

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She does most gorgeous

flowers you've ever seen.

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I have some of her paintings

hanging around in fact, and that's

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doing her first book on flowers

now, which will be out soon.

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I think you'll really enjoy that

because she can paint some flowers.

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I'm going to get her on the

show here one day and get her

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to show you what she can do.

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Cause I'm not much of a flower

painter, but she paints them

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well enough for both of us there.

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I just taken off some

of this excess paint.

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I want this to remain very dark though.

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And we can take a big brush and

wipe it, that to remove paint.

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I'm gonna put some highlights in there.

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So the more of this paint that

you can remove, the easier it

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is to make the next layer stick.

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We get other want to lose this dark value.

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It's important to me.

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It's very important.

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Okay.

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Let's mix this up a

little highlight color.

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And for that, let's use some dark Sienna.

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We put some bright red in there.

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Some bright red, let's put a

little white shoot Crimson here

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and there on some yellow ochre.

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What are we going to miss going there?

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And knowing you just sort of piddle

around you find the color that you like.

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And I like that.

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So we cut off our little roll of paint.

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We go back up here and now we just

begin picking out little things that

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will make our mountain look special.

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And today I'm just going

to sort of touch it.

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And sort of, you just rub the

knife on there a little bit.

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Just rub it on.

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Normally I would pull it down,

but today I'm just going to sort

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of rub the knife on there just to

create all kinds of little things.

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Okay.

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There we go.

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Something like so little

white to some of it.

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So it'll be a little bit brighter and then

you can take and pick out the areas that

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you think would that light would strike as

it zings across there and has a good time.

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There.

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I don't want to, I don't want this

to get too bright though, dude.

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I don't want it to get too bright.

252

00:12:57,375 --> 00:12:57,645

Okay.

253

00:12:57,645 --> 00:13:03,275

Now, in fact, I'm going to sorta

froze the edges right out there.

254

00:13:05,525 --> 00:13:06,245

All right.

255

00:13:11,855 --> 00:13:13,415

Just something about like Kevin.

256

00:13:15,420 --> 00:13:18,480

They're going to be, it

comes all the way down.

257

00:13:18,480 --> 00:13:19,530

I don't know where it goes yet.

258

00:13:19,950 --> 00:13:21,660

We'll have to make that

decision pretty soon.

259

00:13:21,960 --> 00:13:24,120

But right now we don't really much care.

260

00:13:24,420 --> 00:13:26,070

We don't really much care.

261

00:13:27,900 --> 00:13:28,680

Okay.

262

00:13:28,920 --> 00:13:30,750

Mix up a little more

color, about to run out.

263

00:13:34,170 --> 00:13:35,490

Maybe out in here.

264

00:13:37,140 --> 00:13:42,420

Bear comes, Dennis, let that

float right down the side.

265

00:13:42,420 --> 00:13:42,630

There.

266

00:13:43,635 --> 00:13:46,365

And we'll just let it sort of just

sort of disappear off into the

267

00:13:46,915 --> 00:13:48,584

never, never land right there.

268

00:13:48,765 --> 00:13:49,425

Only right there.

269

00:13:53,165 --> 00:13:53,515

Yeah.

270

00:13:58,625 --> 00:14:01,385

I'll take some of that dark

color that we had and I want

271

00:14:01,385 --> 00:14:03,245

to retain this nice dark edge.

272

00:14:03,275 --> 00:14:09,814

Maybe it comes over and down and just

disappears back here, but that dark cage.

273

00:14:10,155 --> 00:14:11,025

Is our separator.

274

00:14:11,025 --> 00:14:11,895

It's a good friend.

275

00:14:12,435 --> 00:14:13,095

Don't lose it.

276

00:14:13,305 --> 00:14:13,935

Don't lose it.

277

00:14:15,465 --> 00:14:15,944

See there.

278

00:14:16,245 --> 00:14:21,075

That's what separates, pushes

that back, pushes him back.

279

00:14:22,935 --> 00:14:25,185

And you can put a little highlight

or two here and there wherever

280

00:14:25,185 --> 00:14:26,115

you think they should live.

281

00:14:28,064 --> 00:14:32,595

Their deserts are fantastic places.

282

00:14:32,595 --> 00:14:36,015

There's a lot of, lot of

fantastic wildlife in there.

283

00:14:36,750 --> 00:14:39,330

For example, there's a lot

of cougars and big cats.

284

00:14:39,960 --> 00:14:44,490

And recently I had an opportunity to spend

a little time with a big old kitty cat

285

00:14:44,490 --> 00:14:46,620

that I think is just absolutely gorgeous.

286

00:14:46,920 --> 00:14:51,720

This kid, he belongs to Carmen

Shaw and the cat was given to

287

00:14:51,720 --> 00:14:53,640

her, or she actually found it.

288

00:14:54,720 --> 00:14:56,070

I'll tell you that story in a minute.

289

00:14:57,000 --> 00:15:04,170

And all her Carmen's friends have named

this, this beautiful cat Carmen after her.

290

00:15:05,895 --> 00:15:09,375

Now, this was a kitty that

somebody had purchased as a pet.

291

00:15:09,915 --> 00:15:15,995

And the little kitty turned into a

gree, big Cougar grew up and they

292

00:15:15,995 --> 00:15:17,435

decided he didn't want it anymore.

293

00:15:18,245 --> 00:15:21,695

So they put it in a little, little

candle cage and they took it out and

294

00:15:21,695 --> 00:15:23,105

they left it in the woods to die.

295

00:15:24,305 --> 00:15:27,725

And when Carmen got this

thing, it was just about dead.

296

00:15:29,324 --> 00:15:31,935

She worked with it for a

long time and she saved it.

297

00:15:31,935 --> 00:15:35,475

And this is one of the most

beautiful animals God's ever created.

298

00:15:36,285 --> 00:15:37,125

Isn't he gorgeous?

299

00:15:37,245 --> 00:15:41,204

I can't imagine anybody hurting something

like it, but I'm sort of strange.

300

00:15:41,204 --> 00:15:42,555

I like all these creditors anyway.

301

00:15:44,025 --> 00:15:44,505

All right.

302

00:15:46,995 --> 00:15:48,375

I love that big old kitty.

303

00:15:49,245 --> 00:15:50,055

I'll take a little set.

304

00:15:50,084 --> 00:15:55,574

Green, yellow, maybe put a little yellow

ochre and a little Brown or dull it down.

305

00:15:55,574 --> 00:15:57,074

Something like that.

306

00:15:58,425 --> 00:15:59,925

And maybe an art world here.

307

00:16:01,095 --> 00:16:04,115

I'm going to just start laying

a little color and we do this.

308

00:16:05,465 --> 00:16:07,025

We'll just do a little this with a knife.

309

00:16:07,055 --> 00:16:08,675

You could put it in

with a brush or a knife.

310

00:16:09,454 --> 00:16:12,635

I want to just put the indication that

there's some little things happening

311

00:16:12,635 --> 00:16:14,045

back here at the base of this mountain.

312

00:16:14,045 --> 00:16:15,515

We don't know exactly what they are.

313

00:16:17,375 --> 00:16:20,105

It's a little green things that

are growing right back in here.

314

00:16:20,885 --> 00:16:21,755

We want them to break though.

315

00:16:21,755 --> 00:16:22,745

They want them to be distracted.

316

00:16:24,095 --> 00:16:27,215

Just some middle things there.

317

00:16:28,425 --> 00:16:30,555

Just have to wipe the knife

off every once in a while.

318

00:16:32,055 --> 00:16:34,245

But all I'm doing is

just rubbing the knife.

319

00:16:34,415 --> 00:16:35,105

It's rubbing it.

320

00:16:38,944 --> 00:16:42,454

I say you could take through one inch or

two inch brush and you could lay these

321

00:16:42,454 --> 00:16:45,005

in much faster, but I like this effect.

322

00:16:45,005 --> 00:16:46,775

It's very soft, very Misty.

323

00:16:47,765 --> 00:16:50,824

You just sort of don't you don't

know where edges start and stop here.

324

00:16:50,824 --> 00:16:51,275

That way.

325

00:16:52,025 --> 00:16:52,834

Just very pretty.

326

00:16:54,704 --> 00:16:56,775

Very pretty, but we all

have individual tastes.

327

00:16:56,775 --> 00:16:57,194

So you do it.

328

00:16:57,194 --> 00:17:00,375

However, makes you happy a little

bit mountain color right here with

329

00:17:00,375 --> 00:17:01,605

this, blend it down in here too.

330

00:17:01,905 --> 00:17:05,325

What the heck shoot here and there,

we might even hit a little that

331

00:17:05,325 --> 00:17:11,795

lavender that we used in lace of the

mountain, just to sort of, so all the

332

00:17:11,795 --> 00:17:15,125

tones come together to your world.

333

00:17:15,274 --> 00:17:18,155

So you decide, got to make big decisions.

334

00:17:18,155 --> 00:17:20,135

That's the responsibility

that comes with painting.

335

00:17:21,615 --> 00:17:27,095

There were speaking of big cats

yesterday, the opportunity to go one of

336

00:17:27,095 --> 00:17:29,405

the most fantastic zoos I've ever seen.

337

00:17:30,754 --> 00:17:33,544

It's right outside of Muncie here,

who we filmed the show and it's

338

00:17:33,754 --> 00:17:37,895

called Mizu and MI stands for Maxim,

Eileen, the people who started it.

339

00:17:39,165 --> 00:17:43,304

And they have a lot of very exotic

animals, beautiful animals, but what

340

00:17:43,304 --> 00:17:48,554

makes us so special, I think is the fact

that they, they devote their whole life

341

00:17:48,584 --> 00:17:55,395

to sharing this, this fantastic zoo with

other people, especially handicapped

342

00:17:55,395 --> 00:18:01,695

children, the elderly people who are

very sick and it's all free to them.

343

00:18:02,205 --> 00:18:03,435

Every bit of it's free.

344

00:18:04,334 --> 00:18:05,895

These two fantastic people.

345

00:18:06,750 --> 00:18:08,460

Have literally spent everything.

346

00:18:08,460 --> 00:18:11,400

They have to create this

zoo and they give it away.

347

00:18:12,270 --> 00:18:13,650

And that's what makes it so special.

348

00:18:13,770 --> 00:18:17,550

You can find a zoo anywhere in the

country, but you can't find people like

349

00:18:17,550 --> 00:18:23,760

this and you know, what makes it more

special, more special than anything else.

350

00:18:25,170 --> 00:18:28,860

Max has a terminal illness and

this is how he has chose to spend

351

00:18:28,860 --> 00:18:31,860

the rest of his life is helping

other people through his animals.

352

00:18:33,270 --> 00:18:34,890

That's what makes it so special.

353

00:18:37,920 --> 00:18:42,150

So, if you ever, if he ever around the

Muncie or Indianapolis area, stop by

354

00:18:42,150 --> 00:18:43,500

and say hello, tell him I sent you.

355

00:18:47,900 --> 00:18:48,590

Okay.

356

00:18:49,190 --> 00:18:51,560

Maybe in our world, McLean off my knife.

357

00:18:52,790 --> 00:18:53,540

Hey, what let's do?

358

00:18:54,470 --> 00:18:55,820

Let's take the old Filbert brush.

359

00:18:55,850 --> 00:18:56,270

What the heck?

360

00:18:57,260 --> 00:19:01,400

I'll go into a little bit of the Vandyke

Brown, a little Bendeka Brown, pick up

361

00:19:01,400 --> 00:19:02,720

a little black, put in there with it.

362

00:19:03,140 --> 00:19:04,160

Shoot dark sand too.

363

00:19:04,160 --> 00:19:04,670

We don't care.

364

00:19:04,700 --> 00:19:05,300

Whatever you get.

365

00:19:06,795 --> 00:19:11,585

And maybe back here, maybe back

here, maybe there's smoke cactus.

366

00:19:11,615 --> 00:19:12,785

Are we going to do a desert scene?

367

00:19:12,785 --> 00:19:14,885

We need to have an old cactus there.

368

00:19:14,885 --> 00:19:15,305

Yes.

369

00:19:16,475 --> 00:19:19,355

So Filbert brush, it

makes the right shape.

370

00:19:19,385 --> 00:19:19,925

Pretty easy.

371

00:19:21,635 --> 00:19:23,105

Maybe he's got another arm right there.

372

00:19:23,495 --> 00:19:24,965

Two or three of them,

right close together.

373

00:19:25,775 --> 00:19:26,375

There is one.

374

00:19:27,905 --> 00:19:29,915

How many cactus you have in your painting?

375

00:19:30,575 --> 00:19:31,325

That's up to you.

376

00:19:31,835 --> 00:19:33,785

Let's give that one, a

little arm to like that.

377

00:19:36,735 --> 00:19:37,544

Nedderman right there.

378

00:19:37,544 --> 00:19:41,655

That's that'll give us a few, we can

just take this old Filbert, push up

379

00:19:41,955 --> 00:19:45,104

with, make the indication of some

little bushes that live far back.

380

00:19:45,185 --> 00:19:45,455

Yeah.

381

00:19:47,064 --> 00:19:48,245

See, they're just pushing me up.

382

00:19:48,455 --> 00:19:54,334

Just pushing me like you

put in foam on the ocean.

383

00:19:54,334 --> 00:19:57,844

If you painted oceans with me

and I just take it same brisk, go

384

00:19:57,854 --> 00:20:00,725

into little, the yellows, Indian,

yellow card, yellow, yellow ochre.

385

00:20:01,919 --> 00:20:04,200

A little bit of, a little bit

of blue with the title to make a

386

00:20:04,200 --> 00:20:06,210

gorgeous green or a little SAP green.

387

00:20:07,020 --> 00:20:10,530

And then let's just put a few little

highlights here and there just a few,

388

00:20:10,740 --> 00:20:12,090

one of them to stay sort of muted though.

389

00:20:12,090 --> 00:20:13,020

I don't want them real bright.

390

00:20:14,610 --> 00:20:16,710

They're neat.

391

00:20:17,730 --> 00:20:18,600

These are far away.

392

00:20:18,600 --> 00:20:20,220

So we're not seeing a lot of detail now.

393

00:20:21,615 --> 00:20:24,135

She to enough to make them stand

out, leave some of them totally

394

00:20:24,135 --> 00:20:27,465

dark don't don't don't cover

them all up with highlights.

395

00:20:27,465 --> 00:20:28,965

Sometimes he gets feeling good in it.

396

00:20:29,385 --> 00:20:30,555

You don't know when to stop.

397

00:20:30,885 --> 00:20:32,295

I haven't troubled all the time.

398

00:20:33,485 --> 00:20:39,065

So there tell you what we got a

little lavender lift right here.

399

00:20:41,225 --> 00:20:43,235

Let's just put some

little doors, like yes.

400

00:20:43,235 --> 00:20:43,805

Back here with it.

401

00:20:43,805 --> 00:20:43,865

Now,

402

00:20:46,865 --> 00:20:49,475

some little rock formations,

maybe that are far back in there.

403

00:20:50,280 --> 00:20:54,360

Whatever, just sorta you expect this.

404

00:20:54,360 --> 00:20:58,050

If you'd paint little pictures from

Arizona, New Mexico and all those gorgeous

405

00:20:58,050 --> 00:21:01,270

areas there, something about bikes.

406

00:21:01,270 --> 00:21:02,730

So that's good enough.

407

00:21:04,050 --> 00:21:04,860

We'll take some of that.

408

00:21:04,860 --> 00:21:05,340

Nice.

409

00:21:06,600 --> 00:21:10,530

This was the color I used to highlight

the mountains and maybe right into here.

410

00:21:12,090 --> 00:21:12,899

Right under here.

411

00:21:12,929 --> 00:21:20,370

We can begin applying just a little

bit of sand color, something like yet.

412

00:21:22,560 --> 00:21:25,860

There we go there.

413

00:21:27,419 --> 00:21:28,439

I want to take a little point.

414

00:21:28,439 --> 00:21:29,820

It's got a little yellow ochre in it.

415

00:21:29,820 --> 00:21:34,949

Not much, just a little, mostly

white, and just begin putting in

416

00:21:35,490 --> 00:21:36,840

some highlights right on that.

417

00:21:37,500 --> 00:21:40,890

Barely crate grazing barely, barely crazy.

418

00:21:42,060 --> 00:21:49,320

See there just to make it look

like whole sands and frocks and all

419

00:21:49,320 --> 00:21:50,460

those things that are out there.

420

00:21:52,740 --> 00:21:53,190

Shoot.

421

00:21:53,190 --> 00:21:54,140

We don't know where it goes.

422

00:21:55,260 --> 00:21:58,080

Don't know that we care

wherever it wants to go.

423

00:21:58,440 --> 00:21:59,160

He's just right.

424

00:22:00,810 --> 00:22:01,590

Just right.

425

00:22:03,165 --> 00:22:03,435

Shoot.

426

00:22:03,435 --> 00:22:04,605

I like making them cactus.

427

00:22:05,625 --> 00:22:06,345

Doesn't make another one.

428

00:22:06,345 --> 00:22:09,945

Black Browns, both Browns and

blacks is all used in here.

429

00:22:11,925 --> 00:22:14,685

And maybe we have a bagel

cat that's in our world.

430

00:22:14,835 --> 00:22:15,075

Yep.

431

00:22:15,375 --> 00:22:16,095

We do now.

432

00:22:16,845 --> 00:22:17,955

And he lives right there.

433

00:22:18,764 --> 00:22:22,875

Just using the old Filbert,

the whole Filbert brush.

434

00:22:23,085 --> 00:22:23,715

Give him an arm.

435

00:22:25,695 --> 00:22:28,665

Maybe he's got a friend lens right there.

436

00:22:28,665 --> 00:22:29,024

I'm with him.

437

00:22:29,325 --> 00:22:29,745

Knows.

438

00:22:30,870 --> 00:22:31,919

Maybe he's got two friends.

439

00:22:33,120 --> 00:22:35,700

He's a popular little cactus shoot.

440

00:22:35,730 --> 00:22:37,080

Maybe he's got a party going on here.

441

00:22:37,080 --> 00:22:37,520

Who knows?

442

00:22:38,550 --> 00:22:41,220

As I say, make up little

stories when you paint.

443

00:22:41,370 --> 00:22:41,909

Shoot.

444

00:22:41,909 --> 00:22:42,899

That's what makes it fun.

445

00:22:44,010 --> 00:22:48,300

I want to take a little light

green color and just come down

446

00:22:48,300 --> 00:22:49,379

here and just go right over it.

447

00:22:49,379 --> 00:22:54,300

So it has a little green flavor to

it and just make it a little catty

448

00:22:54,300 --> 00:22:56,340

or a little, little SAP green.

449

00:22:57,960 --> 00:22:58,560

There we go.

450

00:22:59,129 --> 00:23:00,090

There's something like, so

451

00:23:03,659 --> 00:23:07,800

we'll take, we'll take,

we'll take some more of that.

452

00:23:08,100 --> 00:23:10,649

This is that basically that

lavender color is using.

453

00:23:12,120 --> 00:23:15,419

Maybe there's some little bushes and

stuff that live right along in here.

454

00:23:15,929 --> 00:23:18,030

It was a big Bush that's

right there by the cactus.

455

00:23:19,080 --> 00:23:21,209

That'd be a good place to

live under this old cactus.

456

00:23:21,209 --> 00:23:23,459

There would be a multitude

of wildlife that lives in it.

457

00:23:24,270 --> 00:23:27,629

So it'd be a good place to see

some beautiful scenes right there.

458

00:23:29,024 --> 00:23:29,685

Right there.

459

00:23:34,294 --> 00:23:38,465

Take a little bit of her yellow

ochre, CAD yellow, little SAP green.

460

00:23:39,065 --> 00:23:42,365

And it's coming back in here and

just pop in a few little highlights.

461

00:23:42,365 --> 00:23:45,875

I'm still using a little Philbrick today.

462

00:23:45,875 --> 00:23:48,725

I'm just using a little Filbert,

but you use whatever brush works

463

00:23:48,725 --> 00:23:51,425

well for you liking it today.

464

00:23:51,514 --> 00:23:53,075

I'm going to let bright red in there too.

465

00:23:53,075 --> 00:23:53,495

Heck of it.

466

00:23:54,120 --> 00:23:56,399

I got to have a little sparkler

here and their deserts have

467

00:23:56,399 --> 00:23:57,810

some cautious colored on.

468

00:23:57,810 --> 00:24:01,770

Sometimes it's like, it's like

God had his paint brush out and

469

00:24:01,770 --> 00:24:04,440

he just went crazy with color.

470

00:24:04,710 --> 00:24:07,980

You ever seen the desert after

it comes a rain and everything

471

00:24:07,980 --> 00:24:10,530

lights up, just lights up.

472

00:24:11,460 --> 00:24:14,190

That's got to be the most

gorgeous, gorgeous thing.

473

00:24:15,780 --> 00:24:16,050

There.

474

00:24:16,080 --> 00:24:18,930

Let's take a little that

blue and white, but in here,

475

00:24:20,760 --> 00:24:21,870

there, maybe there's a little.

476

00:24:23,155 --> 00:24:24,825

Little bullshit about that color in there.

477

00:24:25,215 --> 00:24:25,815

I like it.

478

00:24:26,145 --> 00:24:26,865

I like that one.

479

00:24:28,275 --> 00:24:29,145

I like that one.

480

00:24:31,005 --> 00:24:36,165

Let's take a little bit over soil

colors, dirt, color, whatever you want

481

00:24:36,165 --> 00:24:38,685

to call it, put it right into here.

482

00:24:40,455 --> 00:24:46,215

Something like it just need this dark

sort of light will show up on top of it.

483

00:24:48,075 --> 00:24:48,645

Like there.

484

00:24:50,880 --> 00:24:54,360

Yeah, then let's take a little while

we'll use more yellow ochre and white.

485

00:24:54,400 --> 00:24:54,750

I like that

486

00:24:58,070 --> 00:24:58,850

a little that in there.

487

00:25:00,020 --> 00:25:01,160

And he has a lot of color in it.

488

00:25:01,160 --> 00:25:02,870

I didn't know it was going

to have much color when I

489

00:25:02,870 --> 00:25:04,730

started it, but now I like it.

490

00:25:05,750 --> 00:25:06,350

I like that.

491

00:25:08,025 --> 00:25:08,655

All right.

492

00:25:10,695 --> 00:25:11,265

Okay.

493

00:25:11,565 --> 00:25:15,315

Let's go back into, we had some

nice lavender color was using here.

494

00:25:16,095 --> 00:25:17,205

Pop in another little bullish.

495

00:25:17,235 --> 00:25:18,255

Maybe it lives right there.

496

00:25:19,575 --> 00:25:20,745

Let's put one on the other side too.

497

00:25:22,245 --> 00:25:23,475

Maybe there's one right in there.

498

00:25:23,625 --> 00:25:24,105

I don't know.

499

00:25:25,785 --> 00:25:26,955

Do you think there should be one there?

500

00:25:27,165 --> 00:25:27,885

Tinder should be.

501

00:25:29,295 --> 00:25:29,805

Let me go back.

502

00:25:29,865 --> 00:25:33,795

200 greens, little Sam

green, yellow, yellow ochre.

503

00:25:34,515 --> 00:25:34,605

Okay.

504

00:25:37,215 --> 00:25:38,865

Put a little of that here and there.

505

00:25:39,825 --> 00:25:45,545

Like, so yeah, clean off the old brush

and don't go back to that blue and white.

506

00:25:47,225 --> 00:25:48,545

I like that blue and white.

507

00:25:48,545 --> 00:25:50,995

It's a cool color amongst

all these warm colors.

508

00:25:50,995 --> 00:25:52,205

So it sort of stands out.

509

00:25:53,495 --> 00:25:55,504

They're a little bit more of that.

510

00:25:57,780 --> 00:25:58,010

There.

511

00:25:58,030 --> 00:26:02,070

See it just a, it's just

a nice, refreshing, cool

512

00:26:02,100 --> 00:26:03,540

little area in your painting.

513

00:26:04,409 --> 00:26:06,870

I would just take the old

knife and clean it off.

514

00:26:06,870 --> 00:26:12,780

It's dirty and just blend these

areas together here, where they come

515

00:26:12,780 --> 00:26:17,270

together, something like that there.

516

00:26:18,800 --> 00:26:19,100

Shoot.

517

00:26:19,100 --> 00:26:21,679

I think we're ready to take the

contact paper off and see what we got.

518

00:26:22,305 --> 00:26:23,145

It looks pretty cute.

519

00:26:23,295 --> 00:26:29,055

So let's grab a hold of it, give

it a little and look at that.

520

00:26:29,145 --> 00:26:31,005

Isn't that a fantastic little scene.

521

00:26:31,545 --> 00:26:32,835

And it's very simple to do.

522

00:26:33,045 --> 00:26:33,705

You can do it.

523

00:26:33,885 --> 00:26:37,815

Take a little bright red, little paint

thinner, right on the liner brush.

524

00:26:37,815 --> 00:26:40,875

And I think we'll sign this little

painting beside it right here.

525

00:26:41,565 --> 00:26:42,975

Cause we can sign it anywhere we want.

526

00:26:44,265 --> 00:26:45,045

There we go.

527

00:26:46,095 --> 00:26:48,525

Since I have a very short

name, it's no problem.

528

00:26:48,705 --> 00:26:49,815

Just to stick it right in there.

529

00:26:51,629 --> 00:26:53,129

I think we have a finished painting.

530

00:26:53,790 --> 00:26:55,290

I really hope you've enjoyed this one.

531

00:26:56,310 --> 00:26:57,000

Give it a try.

532

00:26:57,060 --> 00:27:00,419

I'd love to hear from, you know, how

you do with it from all of us here.

533

00:27:00,929 --> 00:27:01,590

Happy painting.

534

00:27:02,260 --> 00:27:03,330

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E12 - Desert Hues

Bob Ross's

The Joy of Painting

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