Bob Ross's

The Joy of Painting

S22E02 - Hint of Springtime

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Hello, welcome back.

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I'm certainly glad you

could join us today.

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It's a fantastic day here and I

hope it is wherever you're at.

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So I tell you what, let's start out

today and run all the colors across

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the screen that you need to paint

along with us while they're doing that.

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Come on up here.

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Let me show you what we've got already.

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We've got our standard old,

pretty stretched canvas.

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And I use an 18 by 24, but you use

any size that's convenient for you.

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We've covered the entire surface

with a thin even coat of liquid

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white, and that makes the canvas

wet slick, and it's all ready to go.

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So I hope you have your oil

paints out and you're ready

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to spend a relaxing half hour.

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I thought today, we'd just

do a fantastic little scene.

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That's very pretty and very easy.

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And we just have a good time together.

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Let's start out with a little alizarin

Crimson, just a little, pull a little

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out and tap it into the two inch brush.

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And maybe we'll have a

nice warm area in the sky.

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This little painting.

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Let's go right up in here.

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I think just using our little crisscross

strokes, just make little Xes, let

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it blend with the liquid white.

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Those colors will just soften it.

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Blend automatically.

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You don't, you don't

have to worry about it.

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I use very little color.

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We don't want to set this guy on fire.

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All I want to do is.

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Just create a little glow up here.

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Something about like, Hey, we'll

do some little mountains today.

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I like mountains.

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And that's the most single requested thing

that, that people write in and say, they'd

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like to see and do so we'll do something.

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We'll take a little bit, the low blue

didn't even have to clean the brush Casa.

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Crimson is so weak in comparison to the

blue, the blue just eats it up so we can

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start right up here, still making our

little crisscross strokes and just lay

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in a happy little sky that simple there.

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Just bring it about down to

the Crimson, a new wheel, stop,

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clean the brush and blend it.

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Otherwise, once again,

this blue is so strong.

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It'll just consume your Crimson.

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It'll go away and leave you.

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You'll be all alone here

with just a blue sky.

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Right?

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Hang on.

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I only have blue on the brush.

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Let's let's put a little water in here.

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You know me, I love water.

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Take a little bit.

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They little blue and retread over here

and I'll get a touch, just a touch,

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just a touch of the fellow green.

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It's very, very, very strong.

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Be careful with it.

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And maybe we'll go in here.

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An indication of a little bit

of water, just pull from the

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outside in has to be normal.

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I like to, I like to have a little

glimmer of light coming across the water.

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Okay.

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Now they're a little bit more of the

blue, little more, they little green

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in it coming from the other side.

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Just sort of let these come together.

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So like that.

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All right, now then

let's wash steel brush.

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If you've paid with me before,

you know, this is the fun

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part of this whole technique.

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This is where we really get crazy.

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Just odorless, the thinner, the

paint, thinner shake off the excess

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and just beat the devil out of it.

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All right, let's go right up here where

the blue and the pink come together.

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Now.

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Just want to continue to use the

little crisscross strokes and

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we'll begin blending that together.

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Some things about like that.

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So we just, you can't tell where one color

stops and the next color starts there.

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We are down here.

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We'll just go all the way across

to bring her water together.

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But we still have this indication

of light zinging right across there.

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Just sliding across the water.

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All right.

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Tell you what?

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Let's, let's take a one inch brush.

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I want to put some happy little clouds

up here and happy little clouds.

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I'm going to just use a titanium white

today, right on the whole one inch brush.

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And maybe we have a little cloud

that he lives right up here.

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He just floats around this

guy and has a good time.

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Now all we do, and it's just sort

of tapping and hitting the canvas.

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He get those nice fluffy little edges.

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Just little fluffy edges

there, but sort of round.

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So it's got form and shape to it.

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We are, and you can begin creating

all kinds of little individual

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effects, something like that.

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And we do one layer at a time,

just work on the individual layers.

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Okay.

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If that's our first layer.

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Take a good clean, dry two inch brush

and just barely, barely blended.

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We want to leave these nice top edges,

but blend behind it a little bit.

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See there.

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Now, very lightly chest lifted a

little, and that creates it's a nice

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little floater up there in the sky.

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Let me show you some, I

get carried away sometime.

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I keep seeing things that we could do.

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Let's take a little alizarin Crimson

and Tayloe blue and mix it together.

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So we have a little lavender like color

watch here a little bit on the fan brush.

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Let's go right up here.

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Maybe in our world, right back

in here, let's just have a few

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little clouds that we just sort of

float around and have a good time.

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We just sort of call these

floaters for lack of a better word.

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Some of my friends who fly

airplanes would probably tell me

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the correct name for these, but

I just call them little floaters.

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Just hang around, have a good time.

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Very gently pull across,

give us the indication.

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That's a little things are floating.

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We back in the distance.

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Now then that's really crazy.

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I won't take, let's just put another

big old cloud that lives right in here.

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And this one, this one comes right

down right over the top of the

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little floaters that we laid in.

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Just sort of maybe comes right out

about like, I don't know, in your world,

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you've put clouds where ever you want

them where every month there, this is

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probably one of the freest painting

techniques I've ever been exposed to.

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It allows you to do

anything that you want.

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And he's right there.

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I had that once again, back to

our two inch brush, it will blend,

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not a little something about like,

don't have to blend it a great deal.

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Just enough to blend the base of it.

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Okay.

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And very lightly lifted, fluff

it, blend it, bring it together.

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Look at that, there is such a massive

clouds and there's so much depth in there.

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Easy there.

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Okay, fantastic.

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I think we're in business.

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Just knock the excess

paint off at all brush.

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And we're going to have

some mountains today.

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We decided let's take some black.

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We use it a little depression, blues,

Vandyke, Brown lizard, Crimson, whatever.

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Good dark color with sort of a blue

bass to it, blue or lavender base.

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Pull it out, very flat, cut across

and get her little roll of paint.

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Let's come right up in here.

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Maybe right there.

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Just make a decision or you think.

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The old mountains would

live in your world.

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Decided where the peaks

are and all the valleys.

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That's what makes painting so much fun

because you get to control your world.

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This is, this is pure raw power here.

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When I go home, all I can do is.

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You know, the only power I have

is over the garbage that's mine.

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It waits for me and I get to take it out.

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But on this canvas, I can do anything.

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Can move mountains.

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Trees can even move rivers here.

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And so can you, I spent half

my life in the military.

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I would play soldier all day.

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Then at night I would come home and

this painting was a way of finding a

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world that was full of peace and it was

calm and there was no bad things here.

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Can let's just take a two

inch brush, pull that out.

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And let it just blend at the base.

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Okay.

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I see how soft that base becomes.

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Just so just keep pulling it.

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This is also an excellent way to sort of

lay out and shape your mountains because

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you can see these brushstrokes in here.

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And you're not committed, sort

of a way of cheating a little.

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That's not cheating, but it's a

way of making it easier for you.

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There are no such thing

as cheating and painting.

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If it works, it makes you happy.

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That was good.

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The only rule in painting

is that there are no rules.

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It's individual thing.

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Individual and everybody, everybody

sees nature through different

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eyes and painting is a way of

putting your expression on canvas.

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So enjoy it.

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Let's take some titanium, white shirtless.

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Let's have some good fun that they

pull it out flat, cut across, get

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our little roll of pain as usual.

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Now we can go up in here and

let's begin laying in some

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little highlights about that.

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Knife.

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Just sort of bounce in

a wiggle and jiggle.

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Just have fun.

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Thanks for little things with live

or you want little peaks and valleys.

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You need a little home

for the mountain goats.

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There is all kinds of little

creatures that live up in

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here just to have a good time.

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Okay.

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There, but just let it flow.

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No pressure here.

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Absolutely no pressure.

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And in your mind, just think nothing's

touching the canvas, but that little roll

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of paint, that knife is not even touching.

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If you let the knife touch it,

then you as Steve, my son says

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you, you mushed the paint.

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It means you flatten

it down and squish it.

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Steve.

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And I have been known to

make up words sometimes.

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So that's, that's one that he's made

up and uses, but people understand

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what he's saying when he teaches.

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And he travels all over the country

teaching, he teaches literally thousands

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of people, the joy of painting there.

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So if he gets to your area, go

see him Haslem a little bit.

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He does a lot of demonstrations

and you'll find him.

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You'll find him to be a joy to be with.

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Okay.

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Little love that the fellow blue and white

that'll roll with paint on the knife.

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And let's just lay in the indication here

and there of some little shadow areas.

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You don't want a whole

bunch of color there.

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Just, just where you think you'd

be a happy little shadow living

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maybe right here too.

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The spring, this one, distinctly

through that, a preset first one back.

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Sneaky there

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just a little touch over in here.

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I sometimes it's fun to come

back after you've done this and

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let's just, let's break it up.

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Now you can see a shadow through there.

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Little things like that will

make your painting special.

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Yeah.

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But you need to put a shadow back here.

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Every highlight needs its own shadow.

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If you don't give it its own

shadow, it just won't play with you.

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It'll go home.

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Just go away.

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There we are.

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Now then.

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Let's take one, let's get

a clean with everywhere.

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I've got so many brushes laying around

here who didn't take an old two inch

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brush and gently tap bothering the

angles in the mountain as usual.

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Lift up over here.

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We'll follow this angle just to create

the illusion of the mist right down

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here at the base, very soft and very

gentle, but that's a heck of a range of

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mountains to make in just a minute or two.

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And you can do it.

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You really can do it.

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Just practice a little bit, be

sure you have the right paint

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because it has to be firm.

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It really does.

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That's the one thing that I hear, yeah.

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Over and over when people say they're

having trouble, we always nearly

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trace it back to the fact that

their paint is thin and you really.

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You really have to have a very

firm paint to be able to paint wet

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on wet or layer on top of layers.

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There we go.

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Let's take a little, I'll

just use that mountain color.

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I've had the little bandaid.

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It was Brown, a little white in it.

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A little bit.

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Touch the SAP green, not

much, just a little, a little

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more of the white in there.

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A little bit more, the white there,

that's sort of a nice grayish

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Brown color, quite pleasant.

250

00:13:38,415 --> 00:13:38,685

Okay.

251

00:13:38,925 --> 00:13:40,485

Let me wipe the old knife.

252

00:13:41,905 --> 00:13:43,155

Grab us a fan brush.

253

00:13:44,954 --> 00:13:45,194

Okay.

254

00:13:45,194 --> 00:13:47,025

We'll just put a little bit

of color on the fan brush.

255

00:13:47,755 --> 00:13:52,225

And in our world, maybe their

lives, whether it is now just some

256

00:13:52,225 --> 00:13:56,905

happy little trees back in here,

these little trees would be a

257

00:13:56,905 --> 00:13:59,325

super place from a little squirrel.

258

00:13:59,425 --> 00:14:02,695

If you paid women before, you know, I

have all kinds of little creature pits,

259

00:14:03,085 --> 00:14:04,105

I'm going to share with you today.

260

00:14:04,435 --> 00:14:06,955

My latest little squirrel

that's living with me, he is

261

00:14:06,955 --> 00:14:08,275

the most precious little thing.

262

00:14:08,980 --> 00:14:10,210

You have to force him to eat.

263

00:14:10,210 --> 00:14:15,340

See, we call him pea pod, the

pocket squirrel, cause he would

264

00:14:15,340 --> 00:14:16,720

live in your pocket forever.

265

00:14:17,890 --> 00:14:21,280

And one of my neighbors, a young man named

Dennis lived down the street from me.

266

00:14:21,280 --> 00:14:25,150

He found him and brought him

to me and he lives with me.

267

00:14:25,150 --> 00:14:25,390

Now.

268

00:14:25,810 --> 00:14:28,450

I think I have five squirrels

right in there in two crews.

269

00:14:30,205 --> 00:14:33,085

And this little squirrel will be

ready to turn loose hearing just a

270

00:14:33,085 --> 00:14:36,835

few more weeks and you go back to

nature and you'll have a good time.

271

00:14:37,975 --> 00:14:40,045

And these things, usually

they usually stay around the

272

00:14:40,045 --> 00:14:41,185

house when I turn them loose.

273

00:14:42,265 --> 00:14:44,935

So I get to enjoy them sometime

for years and years and years,

274

00:14:49,875 --> 00:14:50,485

he cute.

275

00:14:52,060 --> 00:14:55,239

Little did I say we call him

Pete pod, the pocket squirrel.

276

00:14:56,790 --> 00:14:58,540

And then we have a just

indication back here.

277

00:14:58,579 --> 00:15:02,109

Some, just some little trees that are

live in fire back here in the distance.

278

00:15:03,370 --> 00:15:04,599

Sometimes watch here.

279

00:15:04,630 --> 00:15:05,380

Let's have some fun.

280

00:15:05,560 --> 00:15:08,910

Take a little that same

mountain maybe right in here.

281

00:15:08,939 --> 00:15:09,599

Come right in here.

282

00:15:10,020 --> 00:15:12,420

There's a, just a little stone.

283

00:15:13,845 --> 00:15:16,035

Maybe a little part of the

mountain that lives right in here.

284

00:15:18,045 --> 00:15:21,435

Just put that dark and just like you did

to make them the big mountain up here.

285

00:15:21,795 --> 00:15:22,935

This is a baby mountain.

286

00:15:22,935 --> 00:15:26,985

If you take care of it, treat it well,

it'll grow up and be a big mountain.

287

00:15:26,985 --> 00:15:28,875

Like it's big brother right above it.

288

00:15:30,165 --> 00:15:30,555

Okay.

289

00:15:30,765 --> 00:15:34,295

Back to her a little bit of the white,

I'm going to have the least little

290

00:15:34,295 --> 00:15:35,855

touch of Vandyke Brown in the white.

291

00:15:35,855 --> 00:15:37,565

I want to dull it down some down here.

292

00:15:38,939 --> 00:15:44,040

Just the least little touch, at least

a little touch once again, the little

293

00:15:44,040 --> 00:15:49,020

touch and just let this sort of play

that, that knife just bounced out.

294

00:15:49,290 --> 00:15:55,550

I want this to look like rough,

rough places being there,

295

00:15:56,329 --> 00:15:57,260

but we'll get right in there.

296

00:15:59,300 --> 00:16:00,170

That's what my dog said.

297

00:16:00,170 --> 00:16:01,579

And he sat down the sandpaper.

298

00:16:03,020 --> 00:16:03,260

Okay.

299

00:16:04,189 --> 00:16:04,760

All right.

300

00:16:06,810 --> 00:16:08,190

Yeah, same thing.

301

00:16:09,330 --> 00:16:11,400

Just tap a little bit of mist

right at the base of that.

302

00:16:11,400 --> 00:16:12,300

I don't want that much.

303

00:16:13,650 --> 00:16:16,080

Maybe we'll have some big trees

that live in the front of that

304

00:16:16,140 --> 00:16:17,460

and that'll help push it back.

305

00:16:18,510 --> 00:16:21,780

You can also, I'm going to dull

that same two little Brown.

306

00:16:21,900 --> 00:16:26,100

They look blue and white and make a

little shadow color, but I want it

307

00:16:26,100 --> 00:16:30,210

dollar than the one that pie just

put the indication here and there a

308

00:16:30,210 --> 00:16:31,860

little shadow that lives back in there.

309

00:16:32,240 --> 00:16:33,630

Have to have a little shadow in there too.

310

00:16:36,190 --> 00:16:39,110

Yeah, let's clean this off a little spot.

311

00:16:39,710 --> 00:16:40,520

Even with a pallet.

312

00:16:40,520 --> 00:16:42,890

This big I run out of room sometimes.

313

00:16:43,970 --> 00:16:46,940

That's what happens when you paint

with big brushes and big knives, let's

314

00:16:46,940 --> 00:16:48,830

take some black suppression blue.

315

00:16:50,000 --> 00:16:52,210

I'll put some fatal green in there.

316

00:16:52,280 --> 00:16:53,510

I get a little Brown and Crimson.

317

00:16:53,510 --> 00:16:53,990

What the heck?

318

00:16:55,670 --> 00:16:56,870

Just a little bit of everything.

319

00:16:57,620 --> 00:16:57,920

Good.

320

00:16:58,010 --> 00:16:58,760

Dark color.

321

00:16:58,970 --> 00:16:59,270

Okay.

322

00:16:59,300 --> 00:17:00,620

Let me wipe off the old knife.

323

00:17:02,985 --> 00:17:04,425

I have several fan verses going.

324

00:17:04,425 --> 00:17:05,385

So I'll grab another one.

325

00:17:06,284 --> 00:17:10,425

And on this one, we're going to put

this very dark color and let's put some

326

00:17:10,425 --> 00:17:13,095

little evergreens that live in our world.

327

00:17:13,095 --> 00:17:18,764

They live, they live right there and

this is the easiest way I've ever seen.

328

00:17:18,795 --> 00:17:24,435

I'm making little trees that looked

like they're far, far away, because

329

00:17:24,435 --> 00:17:25,514

you don't want too much detail.

330

00:17:25,514 --> 00:17:29,205

If you get too much detail, then

you lose that illusion of distance.

331

00:17:30,435 --> 00:17:33,195

When things are far away, you

don't see a lot of detail.

332

00:17:33,675 --> 00:17:37,905

You see changes in color or

shape, but not a lot of detail.

333

00:17:38,534 --> 00:17:42,554

Maybe tell you what, maybe I

would take a one inch brush.

334

00:17:43,875 --> 00:17:45,824

We'll just pop in a few

bushes that live right here.

335

00:17:45,824 --> 00:17:49,485

Same color, few, little bushes live

right out here in front of this.

336

00:17:51,014 --> 00:17:53,225

Like, so you can just

see that little stone.

337

00:17:53,235 --> 00:17:56,804

That's just, it's peeking at you

from behind those trees and stuff.

338

00:17:57,795 --> 00:17:59,925

I'm going to dip a one inch

brush into liquid white.

339

00:18:00,615 --> 00:18:02,415

What do you want to a little kid yellow.

340

00:18:02,475 --> 00:18:03,015

Be right back.

341

00:18:03,045 --> 00:18:07,785

Get a little SAP, green, little

SAP green, maybe a little darker.

342

00:18:08,265 --> 00:18:08,805

Here we go.

343

00:18:10,005 --> 00:18:16,395

The yellow ochre and eventually I'll

use the Indian, yellow here and pretty

344

00:18:16,395 --> 00:18:18,585

soon little touches of red, bright red.

345

00:18:19,155 --> 00:18:22,695

And then let's pick out our little

trees and bushes that live back here.

346

00:18:24,105 --> 00:18:26,055

There's one just push up or down.

347

00:18:27,090 --> 00:18:28,590

Just give it a little upward push.

348

00:18:30,650 --> 00:18:33,740

This is one of many ways of

making beautiful little bushes.

349

00:18:33,740 --> 00:18:35,360

Sometimes we use a little round brush.

350

00:18:36,200 --> 00:18:38,870

Oh, there's one, it's got more Indian,

yellow, and yellow ochre in it.

351

00:18:40,250 --> 00:18:44,990

So it's got a little different flavor

touch the bright red right on the tip.

352

00:18:45,230 --> 00:18:47,870

We'll make it look like this

flowers back here on these trees.

353

00:18:49,220 --> 00:18:50,030

That's sort of nice.

354

00:18:51,889 --> 00:18:52,340

Can now.

355

00:18:52,845 --> 00:18:53,595

Let's have some fun.

356

00:18:54,254 --> 00:18:59,115

Let's grab the very bottom of that and

pull straight down just straight down.

357

00:19:01,925 --> 00:19:03,485

I want a dark color down here.

358

00:19:04,055 --> 00:19:07,385

Very dark color there

359

00:19:10,445 --> 00:19:10,685

down.

360

00:19:13,025 --> 00:19:13,415

Yeah.

361

00:19:13,435 --> 00:19:19,685

Then tell you what let's take fan

brush and dip it into the liquid white.

362

00:19:20,220 --> 00:19:24,750

And then go into titanium white and the

least little touch of they blue in it.

363

00:19:25,080 --> 00:19:26,280

Very little of that.

364

00:19:26,280 --> 00:19:26,820

They love blue.

365

00:19:27,450 --> 00:19:31,110

I adapted in the liquid white to make

the paint thinner because a thin paint

366

00:19:31,860 --> 00:19:36,360

will slide right over the top of a

very thick paint without mixing or

367

00:19:36,450 --> 00:19:39,240

just mixing a little bit, depending on

the amount of pressure that you put.

368

00:19:39,720 --> 00:19:42,150

Maybe there's a little waterfall

that lives right up in there.

369

00:19:43,605 --> 00:19:46,544

And we would just push him some,

just some happy little things in

370

00:19:46,544 --> 00:19:48,105

the water plays right around here.

371

00:19:49,334 --> 00:19:51,135

Say there, just let it play though.

372

00:19:51,135 --> 00:19:53,564

And maybe, maybe there's

not a little thing.

373

00:19:53,564 --> 00:19:58,004

There is all kinds of little stones

and rocks under here that create

374

00:19:58,725 --> 00:20:04,094

little bumps and just places the

water falls and carries on it.

375

00:20:04,950 --> 00:20:11,010

Make up little stories and think about

this just floating right down here, make

376

00:20:11,010 --> 00:20:12,630

those little noises that really helps.

377

00:20:13,560 --> 00:20:14,550

That really helps.

378

00:20:16,820 --> 00:20:23,870

I just sort of wanders red in there

somewhere, something like that.

379

00:20:24,530 --> 00:20:25,100

You're right.

380

00:20:26,100 --> 00:20:26,810

Let's take hold there.

381

00:20:27,110 --> 00:20:27,930

I lost my brush.

382

00:20:29,280 --> 00:20:32,159

When you get my age, the mind

sort of slips away sometime

383

00:20:32,820 --> 00:20:33,960

you have to go looking for it.

384

00:20:34,889 --> 00:20:41,430

Let's do a little bit more of a dark

color on this brush and I want to.

385

00:20:41,900 --> 00:20:44,660

I want to push that little

waterfall we back into there.

386

00:20:45,620 --> 00:20:48,920

So we'll put the indication here, some

more little trees that live back in the

387

00:20:48,920 --> 00:20:56,720

background and all we're doing, just

tapping downward, just having cameras and

388

00:20:56,720 --> 00:21:01,400

don't let these become too symmetrical or

just to like have different shapes here.

389

00:21:01,880 --> 00:21:03,020

Otherwise they'll begin looking.

390

00:21:04,100 --> 00:21:06,800

Oh, they'll look like it just

came out of a copy machine.

391

00:21:07,580 --> 00:21:08,689

Trees are different.

392

00:21:08,899 --> 00:21:09,949

They not all straight.

393

00:21:09,949 --> 00:21:10,909

They're not all crooked.

394

00:21:11,949 --> 00:21:15,709

Just they're like people

they're individuals.

395

00:21:16,129 --> 00:21:16,729

That's what makes them.

396

00:21:17,955 --> 00:21:19,514

Makes them so fantastic.

397

00:21:22,094 --> 00:21:24,824

As I say, it's like people, can you

imagine how boring the world would be?

398

00:21:24,824 --> 00:21:30,135

If everybody was just alike, it's

fun to have different people with

399

00:21:30,135 --> 00:21:32,834

different beliefs, different looks.

400

00:21:34,125 --> 00:21:35,415

That's what makes it interesting.

401

00:21:35,415 --> 00:21:37,185

And it's the same when

you're doing paintings.

402

00:21:38,864 --> 00:21:40,125

Enjoy the differences.

403

00:21:42,225 --> 00:21:42,975

Maybe pay you, right.

404

00:21:43,034 --> 00:21:43,784

Or we got a little brush.

405

00:21:43,784 --> 00:21:44,054

Go ahead.

406

00:21:45,320 --> 00:21:46,550

Yeah, stand back and take a look.

407

00:21:47,300 --> 00:21:51,820

Our, the world is going to be, there

is now a big push that lives right here

408

00:21:55,219 --> 00:21:55,689

like that.

409

00:21:55,750 --> 00:21:59,530

I know we're just pushing upward with

this one inch brush just to make all those

410

00:21:59,530 --> 00:22:02,320

little trees and stuff that been there.

411

00:22:03,830 --> 00:22:04,419

There we are.

412

00:22:08,084 --> 00:22:11,864

Just drop those in at the same time,

I'm going to reverse the brush and tap

413

00:22:11,895 --> 00:22:17,205

downward and that'll end up if all goes

well, that'll end up dinner, little

414

00:22:17,205 --> 00:22:20,564

reflections in the water, just like it.

415

00:22:22,395 --> 00:22:23,024

All right.

416

00:22:24,044 --> 00:22:26,804

We can take a two-inch

brush and we grabbed those

417

00:22:26,804 --> 00:22:28,334

reflections public straight down.

418

00:22:28,710 --> 00:22:29,460

Straight down.

419

00:22:29,790 --> 00:22:31,200

Don't don't let them go at an angle.

420

00:22:31,200 --> 00:22:34,080

Like it just won't look right.

421

00:22:35,670 --> 00:22:36,690

It'll bother your eye.

422

00:22:36,750 --> 00:22:40,170

When you look at it, same

thing on the other side, you

423

00:22:40,170 --> 00:22:42,690

can go across and that easy.

424

00:22:42,690 --> 00:22:44,610

We have instant reflections.

425

00:22:45,840 --> 00:22:49,070

Now, now we can go back, take a

little bit black, little, midnight,

426

00:22:49,100 --> 00:22:50,070

black, and go into yellow.

427

00:22:50,070 --> 00:22:54,050

That makes a beautiful,

beautiful green color there.

428

00:22:54,140 --> 00:22:56,630

Polit rush in one direction,

unloading it full of color.

429

00:22:56,660 --> 00:22:57,560

Look at all the paint.

430

00:22:58,035 --> 00:22:58,335

Go ahead.

431

00:22:58,425 --> 00:23:03,825

Let's go up there now, then let's go back

in here and begin picking out individual

432

00:23:03,825 --> 00:23:06,075

bushes and trees that hide back here.

433

00:23:07,514 --> 00:23:12,254

Now reload, the brush continually, and

just change the flavor a little by adding

434

00:23:12,254 --> 00:23:17,774

a little bit yellow ochre, a little

more green or whatever it takes, just so

435

00:23:17,774 --> 00:23:21,945

there's a little variation color there.

436

00:23:23,895 --> 00:23:24,375

Chang.

437

00:23:24,645 --> 00:23:26,895

Sometimes it's fun to put a

little red out on the tip.

438

00:23:27,675 --> 00:23:29,835

As I mentioned earlier and make

those bushes that looked like they

439

00:23:29,835 --> 00:23:33,765

have little, little red flowers

hanging out here on them there.

440

00:23:33,855 --> 00:23:36,315

On the other side, we can do the

same thing where we have this whole

441

00:23:36,315 --> 00:23:40,425

brush guard, had the least little

touch of paint, thinner to the

442

00:23:40,425 --> 00:23:41,775

paint, make it a little thinner.

443

00:23:43,439 --> 00:23:48,060

Then paint once again, we'll stick

the thicker paint, but if the thickest

444

00:23:48,060 --> 00:23:52,290

paint is on its own the brush, when

you go to do this, it'll just pull the

445

00:23:52,290 --> 00:23:54,060

paint off the canvas onto your brush.

446

00:23:55,770 --> 00:23:59,820

So if you, if you do this and you

begin getting a lot of color off

447

00:23:59,820 --> 00:24:04,410

the canvas, Check to be sure that

the paint on your brush is thinner

448

00:24:04,680 --> 00:24:06,360

than the paint on the canvas.

449

00:24:07,260 --> 00:24:09,420

It's really all it amounts to.

450

00:24:10,380 --> 00:24:14,570

It's just a difference in

thickness of paint, really.

451

00:24:16,760 --> 00:24:20,990

And maybe right there is lives

another one working layers, always

452

00:24:20,990 --> 00:24:24,470

completing the most distant one first

and coming forward forward, forward.

453

00:24:25,700 --> 00:24:25,880

Yeah.

454

00:24:26,730 --> 00:24:30,030

Maybe let's take some

Vandyke Brown, get crazy.

455

00:24:30,630 --> 00:24:31,440

Maybe in our world.

456

00:24:31,440 --> 00:24:36,870

There's a nice little stone lives right

in here, and this is going to be the bank.

457

00:24:37,620 --> 00:24:41,610

It's gotta be a place to hold

all this nice greenery up.

458

00:24:41,610 --> 00:24:43,920

So it didn't fall over in the

water and make a big splash.

459

00:24:44,670 --> 00:24:47,160

Might be a little Beaver or something

who lives here and scary, but death.

460

00:24:47,340 --> 00:24:48,180

We don't want to do that.

461

00:24:49,135 --> 00:24:50,745

Hope you enjoy seeing my little creatures.

462

00:24:50,745 --> 00:24:52,935

I am so crazy about some

of these little Rascals.

463

00:24:54,585 --> 00:25:00,405

I have, I have one that we call squirly

girly Brown, and she's a mess when

464

00:25:00,405 --> 00:25:05,445

that little squirrel something else

she's just about ready to turn loose.

465

00:25:05,445 --> 00:25:06,225

He's full grown.

466

00:25:06,225 --> 00:25:07,895

Now she's been with me for.

467

00:25:09,105 --> 00:25:14,085

Oh, I guess eight or nine months

she's she is something else.

468

00:25:14,565 --> 00:25:16,485

And she hides nuts all over my house.

469

00:25:17,325 --> 00:25:20,205

The other day, I went fishing with a

friend and I went to put on my fishing

470

00:25:20,205 --> 00:25:25,635

shoes and there was a pecan in the toe

you year, you ever put your shoe on

471

00:25:25,635 --> 00:25:29,385

and somebody put something in the end

of it certainly gets your attention.

472

00:25:29,895 --> 00:25:33,225

Let's take a little white, a

little bit of the dark Sianna.

473

00:25:34,215 --> 00:25:36,735

Let's just go up here and

just touch and bounce.

474

00:25:37,785 --> 00:25:40,305

And we're just going to put the

indication of some nice little things

475

00:25:40,305 --> 00:25:44,415

that are happening right along in

here, but leave a dark area underneath.

476

00:25:44,445 --> 00:25:46,725

I'll show you why in a minute, let's

take the other side, how we got this

477

00:25:46,725 --> 00:25:49,425

going, leave that dark area underneath.

478

00:25:49,425 --> 00:25:54,665

Cause we want to, just to be

deep, I have height to it.

479

00:25:56,325 --> 00:25:59,775

Wipe the knife and go get, go grab

just the base of that and pull a

480

00:25:59,775 --> 00:26:02,775

little tiny bit of that color down

using the small edge of the knife.

481

00:26:03,585 --> 00:26:07,305

Or sometimes I just use a small

knife depending on how you feel

482

00:26:07,305 --> 00:26:10,785

at that moment, but it will create

the illusion that this is thick.

483

00:26:10,875 --> 00:26:16,695

It's not just coming out there and you

sort of change the angles now, and then.

484

00:26:18,045 --> 00:26:22,665

Something like, so take a little

touch at the liquid white and lay it

485

00:26:22,665 --> 00:26:24,405

out here and we'll get a fan brush.

486

00:26:26,165 --> 00:26:26,915

I love that on it.

487

00:26:28,055 --> 00:26:29,945

That's just liquid white on the fan brush.

488

00:26:30,725 --> 00:26:34,925

Just go in here and just put

the indication, just some

489

00:26:34,925 --> 00:26:36,035

little things right in here.

490

00:26:37,355 --> 00:26:39,095

Not much a little bit on the other side,

491

00:26:43,955 --> 00:26:45,785

tell you what we got

just a second left here.

492

00:26:46,110 --> 00:26:47,970

Hmm, put in a happy little tree.

493

00:26:49,050 --> 00:26:52,260

It's drives my director crazy when

we do this, but we'll do it anyway.

494

00:26:54,030 --> 00:26:56,250

She's mean she'll be out

here to get me in a second.

495

00:26:56,909 --> 00:26:58,919

She just dropped in a happy little tree.

496

00:27:00,100 --> 00:27:01,980

Give him a little friend right there.

497

00:27:03,300 --> 00:27:06,929

Come back with a little, that same

dark color we used to make them.

498

00:27:07,755 --> 00:27:08,715

And what just popped in.

499

00:27:08,755 --> 00:27:14,115

Maybe this is a big evergreen pop in

the indication of a few little lambs

500

00:27:14,115 --> 00:27:16,335

and stuff, the pain right out like that.

501

00:27:16,875 --> 00:27:18,315

And this little tree needs some too.

502

00:27:19,965 --> 00:27:20,625

There we go.

503

00:27:21,225 --> 00:27:25,365

Very simple way of making some very

effective little trees, pick up

504

00:27:25,365 --> 00:27:27,885

a little yellow it'll turn green.

505

00:27:28,065 --> 00:27:33,105

And we can highlight that a little, the

old clock on the wall tells me that it's

506

00:27:33,165 --> 00:27:34,575

about time to leave you for the day.

507

00:27:34,965 --> 00:27:36,435

I really hope you've enjoyed this one.

508

00:27:37,275 --> 00:27:37,935

It's a lot of fun.

509

00:27:37,935 --> 00:27:39,615

It'll teach you how to

use all the equipment.

510

00:27:40,455 --> 00:27:42,615

And I think you'll be

amazed at what you can do.

511

00:27:43,004 --> 00:27:46,875

And from all of us here, happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E02 - Hint of Springtime

Bob Ross's

The Joy of Painting

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