Bob Ross's

The Joy of Painting

S21E10 - Blue Winter

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Uh,

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Hey, welcome back.

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Certainly glad you could join us today.

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And as you can see today, I have

one of my little friends with me.

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This is a little baby Cedar waxwing,

and it's easy to tell because he's got

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bright, yellow, little tail feathers,

but he's just a very small little baby.

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Isn't he?

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The cutest little thing

that you've ever seen.

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Hey, Hey, Hey, you can get an

idea of how small he is always

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going to eat my ring there.

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Okay, tell you what, let's start out now

and run all the colors across the screen

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that you need to paint along with us

today while they're doing that offset my

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little friend down and we'll get started.

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Okay, guy, you go sit right over here and

I'll be back with you in just a second.

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There you are.

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Good.

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Okay today, we have our standard

only 18 to 24 inch canvas up here,

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or whatever size you want to use.

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We just use this because it's

good for the television format.

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It's covered with a thin even coat of

liquid white, and it's all ready to go.

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So let's just have a fun, fun time today.

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And I get so many cards and letters

from people saying, do a winter scene.

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That's cold.

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Uh, your warm scenes are nice, but where I

live, it's cold and we want a cold scene.

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I'm going to show you a very easy

way, using a very limited palette,

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how to do one of the neatest little

winter scenes, and you can change it

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to fit whatever area that you live in.

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Okay.

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So we have nothing but

black, blue and white today.

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So that's what we'll use.

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Let's start out with little

midnight, black pressure and blue.

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We just mix them on the brush here.

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Just mix them on the brush,

black and blue, blue, and

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black, whichever we prefer.

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All right, let's go

right up to the top here.

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Now we'll just start up here making

our little exes or little crisscross

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strokes, whatever you want to call there.

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We are.

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Now, if you want it to look colder,

you can add more of the black color

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to make it look more overcast.

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Like it's a really, really

a bad, bad stormy day.

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However, do you want it

to look a little brighter?

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Go to the blue side, totally.

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And completely up to you there.

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Years ago I had a man tell me he

couldn't paint because he was color

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blind and could see nothing but gray.

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Well, even if you're color blind,

when you're using only black, blue,

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and white, you can do a very, very

nice painting because all you're

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working with is values or different

hues of color, different intensities

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of color, and anybody can do it.

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Even if it colorblind it's no big deal.

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All right now, by starting

at the top and working down.

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Your paint is continually mixing with

a liquid white it's on the canvas

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and automatically, automatically

it gets lighter and lighter toward

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the horizon in the landscape.

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That's what we're looking for.

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Okay.

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Now we'll just go all the way across.

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Take out the little brush

strokes, and we're in business.

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All right.

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Maybe we'll have a little

water in this, you know me?

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Yeah.

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I'm crazy about water.

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So we'll take, since it's all we have,

we'll take the same colors, this black

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and blue, and this Liam for the water.

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This is going to be a winter scene.

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And we're probably we'll have some snow

down here and this also would work very

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well as the shadow color for the snow.

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So we don't care.

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We'll cover the whole bottom, whatever

we don't want to be water, it'll be snow.

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All right.

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Other sides.

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But notice we start on

outside edge and pull inward.

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That way you don't end

up with big watch here.

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I'll just do it.

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If you start here and go

over, see the big line.

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That's very hard to blend out,

very hard to blend out, and

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it's still showing a little bit.

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You have to really work to plan that out.

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So start from the outside and pull in

and try to leave a little area open.

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I can there that little open area,

if all works right, will look like a

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little sheen of light coming across.

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All right.

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Very lightly.

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Just filling the entire bottom

and that little light area.

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Remains in there.

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Okay.

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Let's wash the old brush today.

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Let's play a little bit with

clouds, maybe shake off the excess

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and beat the devil out of it.

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I tell you what, let me

grab old fan brush here.

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Even using just blue and white

and black, we can make some very

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effective little clouds watch here.

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We'll take, we'll start with

just plain titanium white.

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Load both sides have a

good fan brush there.

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Now these are bristle fan brushes there.

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They're pretty stiff in comparison

to ones they're made of how bad your

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hair or some of the better ones.

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These are pretty stiff brushes.

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You wouldn't want to use a Sable brush

to do this because we were going to

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really push this paint into the canvas.

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Yeah.

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Decide where your little cloud's

going to live in our world.

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Maybe.

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Yep.

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Right there.

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Right there.

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And just work in tight, tight,

little circles, little tiny circles.

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There you go.

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See, tiny little circles.

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Maybe, maybe old cloud comes right

over in here and try not to stay in

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one spot and just work it over and over

and over because it looked like, like

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a big old cotton ball up in the sky.

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We don't want that don't want that.

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We want clouds that have character.

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Okay.

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Like all kinds of little

things happening there.

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Yeah.

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Let me get a be sure it's good.

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And dry two inch brush.

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Let's go in here and begin blending this,

but we're not touching the top at all.

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And all I'm using is the very top of

the Bryce, either just the top bristles.

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Okay, good.

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And we'll just blend that

rain on back right on back.

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Now very likely, very likely.

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We'll just sort of fluff that

little, just fluff it up.

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Just two hairs and some air

go over it a little bit.

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Look at that little cloud and we can put

layers of clouds in our world, but do one

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layer at a time and then come forward.

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Always coming forward.

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Maybe, maybe there's another

little layer right there.

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I don't know.

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Just wherever you want

them clowns are very free.

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They just sort of float around and

scan have a good time all day there.

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Let's see clear after layer and

you could put as many layers

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as you want many as you want.

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Okay.

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All kinds of little things.

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We just sort of let it float off in here

and took nothing back to our large brush.

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And be sure it's dry.

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Be sure it's dry.

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If it's wet and you do this, then you're

going to lose the ability to blend it.

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Because the only reason you can blend

this as it's a very thick, dry paint.

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If you have a thin soupy paint, oily

paint, and you're in trouble and I'm just

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beating it to knock off the excess paint.

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There now all pain has

a little oil separation.

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Sometimes when you open the

tube, there'll be a little oil

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separation and oil come out.

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Don't worry about that.

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But if the paint is real oily, And real

thin it will not work for this technique.

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Now I'll grab another fan brush.

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I have several of them going here.

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Let's take, let's take,

put some white over there.

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Some black and blue, mostly black.

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Oh, would it be into the gray?

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Yeah, there maybe even a little darker.

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Ooh, that's nice.

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That's nice.

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Now let's go up in here and right in

here, I'll tell you, let's do it up here.

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We'll start with in here.

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Let's have another little cloud

that just floats right in here.

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Let's see there that, that little

cloud just float right around.

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Maybe it comes down and I don't know.

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Let your imagination take

you wherever you want to go.

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Okay.

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Follow it to follow it there.

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See, now we can make layers

though, of clouds just using

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basically gray and white.

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That's really the only thing that we're

using here back to our brush, big brush.

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And we begin blending

that just blended back.

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On a blend, the bottom of the

cloud back here to where it almost

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disappears, but we're not touching

the top up of the cloud at all yet.

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Not yet.

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And then we'll just

fluff the entire cloud.

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Very likely blended.

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Let's see how that pushes that

whole range of clouds back.

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And sometimes, sometimes,

sometimes you can take what's here.

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Not yet.

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Watch here.

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Maybe here's a little

cloud that slipped down.

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There's a little opening right there.

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Maybe it, maybe it slipped

right out of there.

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There it goes.

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There it goes.

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And we'll just let it float right on back.

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Maybe there's another one that

was right there, little floater

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in the front, front floater.

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And you can just have this spill

over wherever you think it should.

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Back to our big brush.

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It's clean and dry, and we

blend the base of it out again.

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Just blend it down.

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Fair.

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And over here, same,

same fluff him left him.

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And then we blend the entire sky together.

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But you can just keep on and on

and on and make layer after layer,

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after layer of just gorgeous clouds.

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It's very simple to do, even if

you've, if you've never painted

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a cloud before this will work for

you, the easiest, most effective

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way I've ever seen of making clouds.

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All right.

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Let's have some fun.

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We'll use that whole brush.

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We had the, the gray color.

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Okay.

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Maybe in our world, their lives

and lives, lives a little mountain.

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We're just taking the black and the

blue, since it's all, we have mostly

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black though when they go into the dark

side, something like, so, and let's come

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right up in here, maybe in our world.

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Yep.

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See, we will have maybe, maybe

there's a little mountain.

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There.

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It comes right down.

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Put all kinds of little

bumps and stuff in here.

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Maybe just feed right on over

into nothing, basically back here.

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The only thing we're worried about,

so nice top page, we could care less.

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What's happening elsewhere.

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All we're looking for

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here.

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See how you can just put in a basic

mountain sheep with a little fan

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brush, grab her two inch brush.

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And all we're going to do here is grab it

and pull because the liquid whites on the

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canvas, we can literally move the color.

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This would be difficult to do on a

dry canvas, but on a canvas it's wet.

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Very simple, very simple.

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It'll just move all over.

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Just pull it down.

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This is also an extremely easy and

effective way of making the indication

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of some nice little mountains

that live back in your painting.

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Let me, I decided I wanted these look

like they're sort of going away from us.

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So I made this side

smaller than that side.

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That's the only reason if you

want to look like a straight one,

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didn't make it basically the same

all the way across, up to you.

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We can use, I'll use a small knife.

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Could you use a big one or the small one?

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Not take a little titanium white.

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And I think there's a little

snow lane up here in these

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mountains, but I don't want a lot.

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I don't want a lot.

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So I'm just rubbing this a little and

as you go down, let the knife turn.

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So it gets wider.

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Figure out where you think there'll be.

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It might be a little snow on these.

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And just play some games here.

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Don't kill your daughter.

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It's curious.

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It's the dark areas are going

to end up being our shadows.

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There

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you go.

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When that little bird said,

when the cutest little devils, I

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liked little birds, all my life.

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I've raised little birds.

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When I was a kid, my mother would

always get onto me if I went out and.

253

00:14:05,340 --> 00:14:07,410

And swiped a bird out the nest to raise.

254

00:14:07,650 --> 00:14:12,030

So when I was coming home from

school, sometime I would, I would

255

00:14:12,030 --> 00:14:17,250

literally risk life and limb to

climb some great big tree and swipe

256

00:14:17,250 --> 00:14:18,840

a little bird, then I'd take it home.

257

00:14:18,840 --> 00:14:23,430

And then I tell my mother, I said, this

little bird, ma he, he fell out of a tree

258

00:14:24,180 --> 00:14:28,170

and was out in the middle of the highway

and the cars were coming by and about

259

00:14:28,170 --> 00:14:30,689

Toronto Raven, I have to take care of him.

260

00:14:32,100 --> 00:14:36,510

And she'd say, well, okay, if that's

the case, but I always, I always

261

00:14:36,510 --> 00:14:37,949

thought she really knew the truth.

262

00:14:39,750 --> 00:14:40,470

Every year.

263

00:14:40,500 --> 00:14:42,390

There had to be this little

bird out in the highway.

264

00:14:42,660 --> 00:14:50,100

I'd bring him home and I'd raise him,

go out every day after school and dig

265

00:14:50,100 --> 00:14:55,230

fishing worms for him to feed the little

devils because they take constant care.

266

00:14:56,430 --> 00:14:59,010

And then when he got

big, I turned him loose.

267

00:15:00,745 --> 00:15:01,395

Let him go.

268

00:15:03,105 --> 00:15:06,575

And then all year, every time

I'd see a bird that was the same

269

00:15:06,575 --> 00:15:07,985

breed as the one I had released.

270

00:15:07,985 --> 00:15:10,985

I would I'd wonder if that was my

little bird that I had grazed and

271

00:15:12,215 --> 00:15:13,715

had the opportunity to make friends.

272

00:15:13,925 --> 00:15:14,225

Yeah.

273

00:15:17,015 --> 00:15:19,445

I borrowed that little

bird from Diana Shaffer.

274

00:15:19,445 --> 00:15:20,435

The bird lady here in Maine.

275

00:15:22,715 --> 00:15:24,035

He's a loner bird, I guess.

276

00:15:26,415 --> 00:15:32,655

But Diana raises hundreds of little birds

that are orphaned or for various reasons.

277

00:15:33,465 --> 00:15:35,355

I have no parents every year.

278

00:15:35,385 --> 00:15:37,395

She raises hundreds of

them and turns them loose.

279

00:15:38,945 --> 00:15:43,985

And there's people all over the country

that do this work with injured animals

280

00:15:43,985 --> 00:15:46,595

and birds and orphaned animals and birds.

281

00:15:47,285 --> 00:15:48,335

And they need your help.

282

00:15:48,545 --> 00:15:50,165

If you have time, go see them.

283

00:15:51,255 --> 00:15:51,765

Go see them.

284

00:15:51,765 --> 00:15:55,755

And it's a super way for my young

friends to get to meet some creatures.

285

00:15:57,015 --> 00:16:03,345

I know I work with Andy young in Orlando,

Florida, where I live and I go over and

286

00:16:03,345 --> 00:16:04,995

just help her feed the birds sometime.

287

00:16:05,670 --> 00:16:12,660

Chrissy as she has about 2000 birds a

year and she always needs help and sodas.

288

00:16:12,900 --> 00:16:14,430

So to all the other bird ladies.

289

00:16:14,850 --> 00:16:17,010

So if you have time, give him a hand.

290

00:16:17,160 --> 00:16:18,030

They'll appreciate it.

291

00:16:19,410 --> 00:16:20,340

They'll appreciate it.

292

00:16:20,940 --> 00:16:23,040

Hey, most of them support

this out of their own pocket.

293

00:16:23,040 --> 00:16:23,220

There.

294

00:16:23,370 --> 00:16:25,110

They can always use a little contribution.

295

00:16:26,430 --> 00:16:28,830

We'll use a one inch brush here.

296

00:16:29,230 --> 00:16:31,170

I'm just going to tap into

some of that gray color.

297

00:16:31,560 --> 00:16:34,350

Just a little, maybe

in our world back here.

298

00:16:35,130 --> 00:16:38,219

Maybe if there's just a few little trees

that grow right up the side of this,

299

00:16:38,939 --> 00:16:40,860

just touch sort of lift up a little.

300

00:16:42,959 --> 00:16:45,829

We're going to come back with another

one and do this again, but this

301

00:16:45,839 --> 00:16:50,760

just again, is giving the feeling

of a little, little trees that are

302

00:16:50,760 --> 00:16:52,530

grown right up the side over there.

303

00:16:53,370 --> 00:16:56,209

Just a few there.

304

00:16:57,439 --> 00:16:57,800

Okay.

305

00:17:00,560 --> 00:17:01,069

We'll take her.

306

00:17:01,695 --> 00:17:03,525

Clean dry one inch brush.

307

00:17:03,525 --> 00:17:04,395

This is a different brush.

308

00:17:04,425 --> 00:17:05,204

I have several levels.

309

00:17:05,745 --> 00:17:08,095

And lift upward, just lift up.

310

00:17:09,705 --> 00:17:10,055

I'd see it.

311

00:17:10,055 --> 00:17:12,045

I'll make it look like there's

little trees growing right up

312

00:17:12,045 --> 00:17:13,545

beside of these mountains back here.

313

00:17:15,065 --> 00:17:15,365

Okay.

314

00:17:15,705 --> 00:17:22,265

Here we are far, far away,

little tiny ones, tiny ones.

315

00:17:23,345 --> 00:17:27,935

And the last show we showed the

little Kestrel he's he's almost like a

316

00:17:27,935 --> 00:17:30,365

little Falcon, beautiful little bird.

317

00:17:30,365 --> 00:17:31,955

Maybe we'll show him again in this series.

318

00:17:32,595 --> 00:17:34,815

So many people have wrote and

ask about him and how he's

319

00:17:34,815 --> 00:17:37,455

doing gorgeous little bird.

320

00:17:38,925 --> 00:17:39,525

There we are.

321

00:17:41,685 --> 00:17:42,885

And just put layer after layer.

322

00:17:42,885 --> 00:17:46,515

You make up your mind where you, where

you want these and how many you want.

323

00:17:46,725 --> 00:17:48,345

Cause you can get sort of

carried away with them.

324

00:17:49,725 --> 00:17:55,485

Take a little more of a titanium white

and right down here at the base, we

325

00:17:55,485 --> 00:17:59,805

can put in the indication, a little

snow down at the bottom of scene

326

00:17:59,805 --> 00:18:01,095

that sort of brings it all together.

327

00:18:02,895 --> 00:18:08,835

There we go, but there's really

not much paint, paint there,

328

00:18:14,045 --> 00:18:15,335

not a great deal of pressure.

329

00:18:15,335 --> 00:18:19,145

You still want to break a little, I

think I'll have some trees there, so

330

00:18:19,145 --> 00:18:20,465

I'm not too worried about that side.

331

00:18:22,175 --> 00:18:24,865

Looks like a natural place

to have a nice little, little

332

00:18:24,875 --> 00:18:26,225

tree thing growing out there.

333

00:18:29,285 --> 00:18:29,645

Okay.

334

00:18:31,380 --> 00:18:33,540

Let me see, let's take a fan brush.

335

00:18:33,570 --> 00:18:34,950

Here's when it had some white on that's.

336

00:18:34,950 --> 00:18:40,980

All right, we'll go into that same

color, same color, blue, black,

337

00:18:40,980 --> 00:18:43,170

and white, but we don't know.

338

00:18:43,430 --> 00:18:45,170

We don't want it real dark right now.

339

00:18:45,590 --> 00:18:48,830

We don't want it real dark because

we're going to make several layers.

340

00:18:48,830 --> 00:18:53,780

Maybe back here lives some little

evergreen trees that are far away.

341

00:18:55,814 --> 00:19:00,084

Or whatever kind of trees you want

just touch and sort of pulled down,

342

00:19:01,635 --> 00:19:07,155

get a little more color here, there,

and just keep tapping with it.

343

00:19:07,235 --> 00:19:08,534

See, just keep it going.

344

00:19:08,534 --> 00:19:11,375

Like, so there we are.

345

00:19:18,540 --> 00:19:18,889

Okay.

346

00:19:18,899 --> 00:19:19,830

Sounds a little things.

347

00:19:23,340 --> 00:19:28,110

Can you just take us right on up maybe

to about there where ever we want?

348

00:19:31,260 --> 00:19:38,220

All right now, then we want to create the

illusion of missed at the base of these.

349

00:19:38,910 --> 00:19:44,640

So what we'll do is just test for

the two inch fresh in a winter

350

00:19:44,640 --> 00:19:52,560

scene also helps make it look very

cold, very, very cold, then left

351

00:19:52,560 --> 00:19:57,840

upward there, and the base event.

352

00:19:58,905 --> 00:20:01,935

We'll put a little bit more of the

snow, figure out where the bottom of

353

00:20:01,935 --> 00:20:04,034

these trees are laying a little snow.

354

00:20:04,605 --> 00:20:05,415

Just likes that.

355

00:20:08,145 --> 00:20:10,935

So you can put layer after layer,

after layer in your painting

356

00:20:11,805 --> 00:20:13,335

and these various layers.

357

00:20:13,635 --> 00:20:15,254

And that's what makes

your painting look like?

358

00:20:15,254 --> 00:20:16,034

It has depth.

359

00:20:17,565 --> 00:20:19,155

It's not just an old flat paint.

360

00:20:21,240 --> 00:20:26,700

Now, now we'll use the same color

since that's all we have and just

361

00:20:26,700 --> 00:20:30,750

make it a little darker, but we

still want to want to have room

362

00:20:30,750 --> 00:20:32,399

to get even darker if we need to.

363

00:20:33,120 --> 00:20:36,420

And maybe right in here, we just

push upward with it with a brush.

364

00:20:37,500 --> 00:20:40,230

Maybe there's some little grassy

things growing right there.

365

00:20:42,480 --> 00:20:44,040

And there's a few little trees.

366

00:20:44,685 --> 00:20:47,235

We're beginning to, to be able

to make out a little, a little

367

00:20:47,235 --> 00:20:48,525

bit of the shapes here and there.

368

00:20:48,555 --> 00:20:50,175

Cause it's getting closer to us now.

369

00:20:51,014 --> 00:20:56,415

It'll baby tree lift right there,

but he'll grow up in a big old tree.

370

00:20:58,315 --> 00:21:00,195

There's one already has grown up.

371

00:21:00,225 --> 00:21:00,705

Pretty good.

372

00:21:03,845 --> 00:21:11,915

Just push it up or something like, so

yeah, maybe, maybe in our world they'll

373

00:21:11,915 --> 00:21:13,565

have another one bigger one right there.

374

00:21:15,810 --> 00:21:16,169

Okay.

375

00:21:16,290 --> 00:21:19,080

Something that goes like that,

just work back and forth.

376

00:21:19,080 --> 00:21:21,810

We start with a corner of the

brush and as we work down the tree,

377

00:21:21,810 --> 00:21:27,300

we just push harder and harder,

harder and harder automatically.

378

00:21:27,300 --> 00:21:27,870

That will happen.

379

00:21:27,870 --> 00:21:29,100

Let me grab another brush here.

380

00:21:29,850 --> 00:21:33,179

We'll take an old two inch brush,

little titanium white on it.

381

00:21:35,699 --> 00:21:38,820

Grab the bottom of that

blue and black color.

382

00:21:39,060 --> 00:21:40,020

Give it a little pool.

383

00:21:41,189 --> 00:21:41,610

See hat.

384

00:21:42,360 --> 00:21:47,610

Creates illusion of shadows enter

their little dark area underneath.

385

00:21:50,450 --> 00:21:52,520

Don't be excited if you

pick up a little bit color.

386

00:21:52,760 --> 00:21:53,240

It's nice.

387

00:21:58,130 --> 00:21:59,870

No, here comes our snow.

388

00:22:00,080 --> 00:22:01,760

It just sort of it'll sort of happen.

389

00:22:02,120 --> 00:22:04,160

Just sort of look at your

painting and decide where you

390

00:22:04,160 --> 00:22:05,300

think these things should be.

391

00:22:07,110 --> 00:22:08,250

Just sort of happen,

392

00:22:17,550 --> 00:22:19,830

but angles are very important

when you're doing this though.

393

00:22:21,300 --> 00:22:22,170

Very important.

394

00:22:24,120 --> 00:22:24,570

Shoot.

395

00:22:24,810 --> 00:22:26,610

I'll take some of our darker color.

396

00:22:27,060 --> 00:22:30,180

Guess what color it is since

we only have one color.

397

00:22:31,350 --> 00:22:34,190

Pull straight down, straight down.

398

00:22:34,200 --> 00:22:34,910

See you there.

399

00:22:34,920 --> 00:22:37,350

Here it comes there.

400

00:22:37,350 --> 00:22:38,129

It comes up.

401

00:22:38,150 --> 00:22:39,690

You can see it happening right there.

402

00:22:41,370 --> 00:22:45,780

And that quick, that quick

we can turn that little thing

403

00:22:46,200 --> 00:22:47,460

into a happy little pond.

404

00:22:47,460 --> 00:22:52,920

Sometimes you can touch a little wipe and

pull that down and it'll make it look like

405

00:22:52,920 --> 00:22:55,560

it's a little sheen reflecting across that

406

00:22:58,830 --> 00:22:59,430

instantly.

407

00:23:00,975 --> 00:23:03,765

Take a little liquid white, mix

it with a little of a titanium

408

00:23:03,765 --> 00:23:04,875

white just to thin it down.

409

00:23:04,935 --> 00:23:06,585

Cause a thin paint will stick better.

410

00:23:07,665 --> 00:23:08,355

Right over here.

411

00:23:08,745 --> 00:23:09,795

A little water line in there.

412

00:23:11,275 --> 00:23:14,565

Just like, so there we are.

413

00:23:18,045 --> 00:23:20,625

Act like you trying to cut a

hole right through the canvas

414

00:23:21,885 --> 00:23:22,845

should really get in there.

415

00:23:25,035 --> 00:23:25,395

There.

416

00:23:27,524 --> 00:23:30,344

Now with our brush that

has a titanium white on it.

417

00:23:31,604 --> 00:23:36,004

I'm going to pull that

distinctly through there, right.

418

00:23:44,375 --> 00:23:46,895

Seeing that sort of pushes

that whole Lake area back.

419

00:23:48,180 --> 00:23:49,550

Okay, well, thank you.

420

00:23:49,550 --> 00:23:50,160

Grab my pen.

421

00:23:50,220 --> 00:23:54,330

There's the one grabbed her

own fan brush, a little blue

422

00:23:54,330 --> 00:23:57,560

and black, maybe right there.

423

00:23:57,620 --> 00:24:02,540

Let's put one, starting to look at

your composition and decide where you

424

00:24:02,540 --> 00:24:04,490

think there should be a little tree.

425

00:24:04,970 --> 00:24:06,350

I think it should be one right there.

426

00:24:06,980 --> 00:24:07,070

Okay.

427

00:24:08,985 --> 00:24:12,975

There we go, let it work

right off your brush.

428

00:24:12,975 --> 00:24:13,215

There.

429

00:24:15,525 --> 00:24:21,195

Maybe it lives in the foreground a little

more like here, I didn't have a super

430

00:24:21,195 --> 00:24:25,275

easy way to make nice evergreens grabbed

the bottom, give it a little pool.

431

00:24:25,275 --> 00:24:28,305

So it was a shadow under shoot.

432

00:24:28,305 --> 00:24:28,815

You get it.

433

00:24:28,815 --> 00:24:30,165

There let's go.

434

00:24:30,165 --> 00:24:33,135

On the other side, we need

something over there at two don't.

435

00:24:33,135 --> 00:24:34,065

Want him left out?

436

00:24:35,490 --> 00:24:39,629

Maybe we got a big tree lives

right there, corner of the brush.

437

00:24:40,530 --> 00:24:43,260

This is a good painting to teach

you how to make evergreen trees.

438

00:24:45,060 --> 00:24:48,290

And as you've seen in this series, there's

numerous ways to make evergreen trees.

439

00:24:48,310 --> 00:24:52,649

You can use the oval brush,

the one inch brush fan brush.

440

00:24:54,620 --> 00:24:56,600

Just about any way you can think of.

441

00:24:58,185 --> 00:24:58,785

There we go.

442

00:25:03,935 --> 00:25:05,285

And we don't care in here too much.

443

00:25:05,315 --> 00:25:07,025

Cause you can't distinguish much in there.

444

00:25:08,495 --> 00:25:13,145

Here's one that maybe is a

little bit, there we are.

445

00:25:21,215 --> 00:25:23,165

Maybe there's a little

reflection in the water.

446

00:25:25,980 --> 00:25:26,370

Okay.

447

00:25:26,460 --> 00:25:28,379

Just grab a two inch

brush, pull it straight.

448

00:25:28,460 --> 00:25:28,669

Yeah.

449

00:25:30,050 --> 00:25:36,860

Stream down and then go

across instant reflections.

450

00:25:38,240 --> 00:25:44,120

Now I'm going to take a darker color and

put a another little tree right there.

451

00:25:44,540 --> 00:25:50,629

I used a darker color, so it will stand

out and it'll look like it's in the front.

452

00:25:51,885 --> 00:25:54,735

But you have to work with values when

you're doing this, don't use up all

453

00:25:54,735 --> 00:25:56,715

your darkest colors in the background.

454

00:25:57,225 --> 00:25:59,715

Cause then when you get in the

foreground, you have nothing darker.

455

00:26:00,705 --> 00:26:01,905

So it won't stand out.

456

00:26:06,314 --> 00:26:09,044

Sort of plan how many layers

you're going to have in there.

457

00:26:09,855 --> 00:26:11,385

Or start with quite a light value.

458

00:26:11,385 --> 00:26:15,405

And as you work forward, you have

some darker, darker values to you.

459

00:26:16,385 --> 00:26:16,775

All right.

460

00:26:17,315 --> 00:26:19,505

We've got to give it a little

something to stand on since it's

461

00:26:19,505 --> 00:26:20,945

just sort of hanging around out here.

462

00:26:22,295 --> 00:26:30,065

Let's do something like, can this old

tree here and a little place there,

463

00:26:30,215 --> 00:26:33,515

here, take a little liquid point.

464

00:26:33,905 --> 00:26:35,225

Cut us out a little waterline.

465

00:26:37,830 --> 00:26:38,670

Right about there

466

00:26:41,730 --> 00:26:42,660

right along in there.

467

00:26:45,230 --> 00:26:49,550

And you can put a what the indication

here there have a little ripple or

468

00:26:50,420 --> 00:26:58,070

whatever there, clean knife, scraping,

a few little sticks and twigs,

469

00:26:59,030 --> 00:27:00,260

and you have a finished painting.

470

00:27:01,639 --> 00:27:02,550

Hope you liked this one.

471

00:27:02,610 --> 00:27:05,070

It'll teach you how to use a

very limited palette and do some

472

00:27:05,070 --> 00:27:07,290

fantastic things from all of us here.

473

00:27:07,439 --> 00:27:08,189

Happy painting.

474

00:27:08,909 --> 00:27:09,870

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E10 - Blue Winter

Bob Ross's

The Joy of Painting

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