Bob Ross's

The Joy of Painting

S21E01 - Valley View

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:28,305 --> 00:00:29,745

Hello, I'm Bob Ross.

00:00:29,955 --> 00:00:33,255

And I'd like to welcome you to

the 21st joy of painting series.

00:00:33,675 --> 00:00:36,735

If this is your first time with us, let

me extend a personal invitation for you

00:00:36,735 --> 00:00:40,125

to drag out your little paint brushes,

and some paints and paint along with

00:00:40,125 --> 00:00:44,685

us, he Cho or just, just drag up the old

easy chair and enjoy relaxing half hours.

00:00:44,685 --> 00:00:47,085

We play some on nature's

masterpieces on canvas.

00:00:47,765 --> 00:00:49,445

And for those of you, who've

been with us for a while.

00:00:49,565 --> 00:00:53,345

Thank you very, very much for inviting us

back for another series of painting shows,

00:00:53,974 --> 00:00:55,625

tell you what let's get right to it.

00:00:55,714 --> 00:00:58,295

Let's start out today and have run

all the colors across the screen

00:00:58,625 --> 00:01:00,004

that you need to paint along with me.

00:01:00,004 --> 00:01:01,685

And while they're doing

that, come on up here.

00:01:01,685 --> 00:01:02,915

Let me show you what I've already done.

00:01:03,795 --> 00:01:06,405

Have my standard old 18 by 24 inch canvas.

00:01:06,405 --> 00:01:08,715

But you use any sizes convenient for you.

00:01:08,715 --> 00:01:11,625

We just use this because it sort

of fits the television screen.

00:01:12,555 --> 00:01:16,875

The bottom of it, I have covered

with a little bit of black Jesso and

00:01:16,905 --> 00:01:20,235

you can put it on with a sponge or

a foam brush or just a paper towel.

00:01:20,285 --> 00:01:21,735

It doesn't matter anything to cover it.

00:01:22,065 --> 00:01:22,995

And then let that dry.

00:01:23,744 --> 00:01:26,925

Then we've applied some transparent

color down here on the bottom of this.

00:01:27,015 --> 00:01:29,865

And today I've used a little SAP

green and Vandyke Brown mixed

00:01:29,865 --> 00:01:31,815

together, and it's still wet.

00:01:31,845 --> 00:01:35,324

The black Jesso has dried,

but the transparent color

00:01:35,324 --> 00:01:36,854

on top here is still wet.

00:01:37,155 --> 00:01:37,395

Okay.

00:01:37,395 --> 00:01:39,405

And then the top, we've just

covered a little bit of liquid

00:01:39,405 --> 00:01:42,585

white and it just makes the, the

canvas nice and wet and slick.

00:01:42,585 --> 00:01:46,005

And it, it allows us to actually blend

color on the canvas rather than working

00:01:46,005 --> 00:01:47,354

ourselves to death on the palette.

00:01:47,945 --> 00:01:50,405

So I tell you what let's just

take off and have some fun today.

00:01:50,915 --> 00:01:52,805

Let's start with this

little two inch brush here.

00:01:52,925 --> 00:01:55,415

Here, we'll go right into

a small amount of that.

00:01:55,415 --> 00:01:59,495

They low blue and all we do is

just pull a little bit out and

00:01:59,495 --> 00:02:03,575

then tap it into the bristles by

tapping and turn the brush over.

00:02:03,575 --> 00:02:04,475

Tap both sides.

00:02:05,315 --> 00:02:09,395

See that assures a nice even distribution

of color all the way through the bristles.

00:02:09,395 --> 00:02:10,445

And that's what we're looking for.

00:02:10,954 --> 00:02:14,285

And it's easy to add more color, but

it's a son of a gun to take it away.

00:02:14,495 --> 00:02:17,704

So start with a little bit of color and

you can always add more if you need it.

00:02:18,335 --> 00:02:21,005

We'll go right up to the top of

the canvas and it we'll start.

00:02:21,275 --> 00:02:25,265

We just do some little exes,

little crisscross strokes and we'll

00:02:25,265 --> 00:02:26,765

work all the way across the top.

00:02:27,695 --> 00:02:29,045

Now the color is continually.

00:02:29,200 --> 00:02:33,220

Mixing with the liquid white and

he creates all those beautiful

00:02:33,220 --> 00:02:34,390

variations that we want.

00:02:34,390 --> 00:02:36,070

Let me put a little more

color on the brush here.

00:02:37,210 --> 00:02:37,810

Here we go.

00:02:38,080 --> 00:02:39,880

Let's start at the top and work down.

00:02:40,720 --> 00:02:44,560

And that way our scale will get

progressively lighter toward the horizon.

00:02:45,340 --> 00:02:48,250

And that's exactly what we're

looking for in a landscape.

00:02:48,910 --> 00:02:53,130

You want things to get lighter toward

the horizon and darker as they get.

00:02:53,460 --> 00:02:54,750

Come away from the horizon.

00:02:55,560 --> 00:03:00,180

So by using the liquid white and

allowing the color to blend, that

00:03:00,180 --> 00:03:01,800

effect happens automatically.

00:03:02,520 --> 00:03:04,110

You really don't have to worry about it.

00:03:04,170 --> 00:03:05,250

It just happens.

00:03:06,120 --> 00:03:08,880

And that truly is the

joy of painting there.

00:03:10,050 --> 00:03:11,550

We just work this right on down.

00:03:13,079 --> 00:03:15,480

I thought today would we'd

start this series with just

00:03:15,480 --> 00:03:17,010

a very basic little painting.

00:03:17,549 --> 00:03:20,220

And if you've painted with this before,

this will be an easy one for you.

00:03:21,089 --> 00:03:25,049

This is your first time that

you can see one of the ways

00:03:25,049 --> 00:03:27,660

this fantastic technique works.

00:03:28,709 --> 00:03:28,920

Okay.

00:03:28,920 --> 00:03:32,310

Now we'll just take and very

gently go across the entire sky.

00:03:32,790 --> 00:03:34,440

And this just removes the brush strokes.

00:03:34,709 --> 00:03:35,399

It's all we're doing.

00:03:37,890 --> 00:03:38,760

And that's simple.

00:03:39,600 --> 00:03:40,920

We have a happy little sky.

00:03:41,670 --> 00:03:44,519

And that's all you have to do to

make a very, very basic little sky.

00:03:45,239 --> 00:03:46,530

Now let's build us a little mountain.

00:03:46,560 --> 00:03:47,579

I liked the mountains.

00:03:47,929 --> 00:03:52,890

We'll take some black little pressure

and blue, some, a lizard in Crimson,

00:03:53,640 --> 00:03:56,579

and we just mix those to get out,

even put a little Vandyke Brown

00:03:56,579 --> 00:03:57,660

in there just to dial it down.

00:03:57,660 --> 00:04:00,390

So pull the color out as

flat as you can get it.

00:04:00,519 --> 00:04:01,890

It goes straight down with a knife.

00:04:02,730 --> 00:04:03,450

Cut across.

00:04:03,510 --> 00:04:06,359

So you have a little roll of paint

and that little roll of paint should

00:04:06,359 --> 00:04:09,720

live right on the edge of your knife,

right on the edge of the blade.

00:04:10,440 --> 00:04:13,859

Now, then we have to make our first

major decision in this painting.

00:04:13,970 --> 00:04:15,239

Where, where does our mountains live?

00:04:16,079 --> 00:04:18,209

I think in my world, it's going to live.

00:04:18,600 --> 00:04:19,860

Maybe right there.

00:04:21,030 --> 00:04:21,540

It is now.

00:04:21,570 --> 00:04:26,610

Anyway, all we're doing here is

just pushing that color right into

00:04:26,610 --> 00:04:28,230

the fabric, right into the canvas.

00:04:29,040 --> 00:04:30,660

And this is pre stretched canvas.

00:04:30,860 --> 00:04:33,930

We do not recommend the canvas

boards because they have

00:04:33,990 --> 00:04:35,130

a tendency to absorb them.

00:04:35,210 --> 00:04:35,810

Liquid white.

00:04:37,820 --> 00:04:40,190

You end up with a dress

surface almost immediately.

00:04:40,935 --> 00:04:43,275

Maybe maybe, yeah, right there.

00:04:43,275 --> 00:04:44,565

We'll have another little buff there.

00:04:45,885 --> 00:04:51,045

Just wherever you want to

painting is a very individual.

00:04:51,225 --> 00:04:55,865

Everybody we'll see nature through

different eyes and everybody has

00:04:55,865 --> 00:04:59,435

their own idea of what a mountain

should look like or a tree.

00:05:00,185 --> 00:05:02,795

All we want to do here is show

you how to make these effects.

100

00:05:03,635 --> 00:05:05,645

What you paint is totally up to you.

101

00:05:06,525 --> 00:05:11,565

We just want to show you how to

paint, just to get you just to

102

00:05:11,565 --> 00:05:16,605

get you started there now using a

big brush and very firm pressure.

103

00:05:17,489 --> 00:05:18,750

I want to pull this down.

104

00:05:19,530 --> 00:05:22,109

The only thing we're worried about

right now is this nice outside edge.

105

00:05:22,140 --> 00:05:26,219

We could care less what's happening

in here, but once again, because we

106

00:05:26,219 --> 00:05:30,090

had the liquid white on the canvas,

the color is blending with that.

107

00:05:30,780 --> 00:05:33,900

And as you can plainly see

automatically as it goes down, it

108

00:05:33,900 --> 00:05:35,880

gets lighter and lighter in value.

109

00:05:36,989 --> 00:05:39,330

And once again, that will happen

automatically when you have

110

00:05:39,330 --> 00:05:40,799

the liquid white on the canvas.

111

00:05:40,890 --> 00:05:45,810

And it's just an oil base white paint

that allows you to do all of this.

112

00:05:47,790 --> 00:05:50,490

I can just blend it right on down and

already that mountain looks like it's

113

00:05:50,610 --> 00:05:52,260

almost sitting out there in the mist.

114

00:05:53,160 --> 00:05:54,540

Tell you what let's watch the old breasts.

115

00:05:54,540 --> 00:05:56,040

That's the fun part of this.

116

00:05:57,120 --> 00:05:58,350

That's the fun part.

117

00:05:59,070 --> 00:06:06,870

Shake off the excess and just, just

beat the devil out of does that say

118

00:06:06,870 --> 00:06:08,310

that's the part that's the most fun?

119

00:06:09,585 --> 00:06:10,245

Here we go.

120

00:06:11,175 --> 00:06:13,784

Let's take, let's take

some titanium white today.

121

00:06:14,115 --> 00:06:18,034

Hey, we'll reach up here and I'll get

a very small amount of the dark Sienna.

122

00:06:18,045 --> 00:06:22,125

Don't want much, just a little

dark Sienna a little bit.

123

00:06:22,125 --> 00:06:24,825

Maybe I'll even put a touch of the

bright red and, Oh, that's nice.

124

00:06:24,974 --> 00:06:29,505

I just want to flavor this a little,

just enough to flavor it a little bit.

125

00:06:30,045 --> 00:06:33,555

And when you do yours, you make the

determination how much you want.

126

00:06:33,555 --> 00:06:34,635

Let me wipe the knife here.

127

00:06:35,835 --> 00:06:37,875

And we just wipe her knife

on a clean paper towel.

128

00:06:38,145 --> 00:06:40,065

Then we could cut off our

little roll of pain again.

129

00:06:40,075 --> 00:06:41,805

So it's right down the edge of the knife.

130

00:06:42,575 --> 00:06:43,505

And let's go up in here.

131

00:06:44,855 --> 00:06:49,415

No pressure, no pressure touch

and let that knife just float.

132

00:06:49,925 --> 00:06:50,645

Let it float.

133

00:06:50,825 --> 00:06:51,515

Let it float.

134

00:06:52,265 --> 00:06:52,355

Okay.

135

00:06:52,534 --> 00:06:53,915

Right down the side of the mountain.

136

00:06:54,034 --> 00:06:55,685

Think about where light would strike.

137

00:06:56,615 --> 00:06:56,825

Okay.

138

00:06:56,825 --> 00:06:57,665

Let's go right in here.

139

00:06:57,725 --> 00:07:02,945

Sue got to make those little noises

or, or doesn't work right there.

140

00:07:04,830 --> 00:07:07,560

Just pull, see there,

how easy that is though.

141

00:07:09,030 --> 00:07:12,870

And you can change it to any color that

you wanted, any color that you want it.

142

00:07:13,830 --> 00:07:15,960

Sometimes I like to do

this with a gray colored.

143

00:07:15,960 --> 00:07:20,550

It looks like stones and rocks,

and depends on where you live.

144

00:07:21,240 --> 00:07:25,980

Maybe, maybe in your world, you

don't want a mountain, then you can

145

00:07:25,980 --> 00:07:29,460

paint this scene and it'll be very

beautiful without a mountain to you.

146

00:07:29,820 --> 00:07:30,750

It's really up to you.

147

00:07:31,919 --> 00:07:36,510

As we've mentioned earlier, painting

is, is this individual is people are

148

00:07:42,320 --> 00:07:45,950

no, we have to start thinking about

little things maybe in my world.

149

00:07:45,950 --> 00:07:48,560

I think there's a little

light on a strike right there.

150

00:07:49,070 --> 00:07:50,750

So we put a little touch of light there.

151

00:07:52,125 --> 00:07:56,225

We'll take some white, we'll use a little

bit of that mountain color with it.

152

00:07:57,245 --> 00:07:58,805

And a little bit of the

little blue with it.

153

00:07:58,925 --> 00:08:02,195

What the heck, maybe a

little more blue there.

154

00:08:03,245 --> 00:08:05,885

And that, that will make

us a nice shadow color.

155

00:08:06,605 --> 00:08:09,935

And this shadow color should be

lighter than the base color that you

156

00:08:09,935 --> 00:08:13,415

put on your mountain, but certainly

darker than your highlights.

157

00:08:14,195 --> 00:08:17,585

So somewhere in between, you have

to have to reach a happy medium.

158

00:08:18,185 --> 00:08:19,675

Once again, our little roll of paint.

159

00:08:20,159 --> 00:08:21,000

Kim let's go up here.

160

00:08:21,630 --> 00:08:24,299

Now, if this one's going to

be the farthest away, we'll do

161

00:08:24,299 --> 00:08:26,880

this little rascal first put a

little bit of shadow right here.

162

00:08:27,240 --> 00:08:28,049

All there is to it.

163

00:08:28,500 --> 00:08:33,210

Now, watch it, watch it come distinctly

through and look at push that little devil

164

00:08:33,210 --> 00:08:40,380

back that you didn't realize you had that

much power, but on this piece of canvas,

165

00:08:40,799 --> 00:08:42,990

you have total and complete power here.

166

00:08:43,110 --> 00:08:45,329

You can do anything that you want to do.

167

00:08:45,360 --> 00:08:48,540

You can move mountains, rivers, trees.

168

00:08:49,860 --> 00:08:52,020

You can determine what your world is like.

169

00:08:53,910 --> 00:08:58,640

It's a tremendous amount of freedom on

this canvas and that's what makes it fun.

170

00:09:00,280 --> 00:09:01,610

That's what makes it fun.

171

00:09:03,080 --> 00:09:04,310

And you can come back in here.

172

00:09:05,180 --> 00:09:06,710

See this line is very straight.

173

00:09:07,520 --> 00:09:11,060

Now we can come back in here and we

can put all kinds of little ridges

174

00:09:11,060 --> 00:09:15,140

and bumps and little places where the

mountain goat would have to live up here.

175

00:09:16,680 --> 00:09:20,369

He's got to have a little home too, and

we'll just let that run right on down.

176

00:09:22,349 --> 00:09:24,930

But each one of these little

projections, it needs a little

177

00:09:24,930 --> 00:09:27,900

shadow, needs, a little shadow.

178

00:09:27,900 --> 00:09:28,829

We're just won't play.

179

00:09:29,069 --> 00:09:29,849

It'll go hide.

180

00:09:30,569 --> 00:09:31,680

So you have that little shadow.

181

00:09:31,680 --> 00:09:33,510

Just, just brought it right out.

182

00:09:34,140 --> 00:09:34,770

Watch though.

183

00:09:34,859 --> 00:09:37,380

Maybe, maybe it goes right over here.

184

00:09:37,770 --> 00:09:38,219

I don't know.

185

00:09:38,219 --> 00:09:39,959

I don't know.

186

00:09:39,989 --> 00:09:40,560

It's up to you.

187

00:09:42,449 --> 00:09:44,339

You have to make these big decisions.

188

00:09:46,425 --> 00:09:51,015

There, but notice, notice the

angles here, all the highlights

189

00:09:51,765 --> 00:09:53,655

are going in one basic angle.

190

00:09:53,835 --> 00:09:56,895

All the shadows are

going in one basic angle.

191

00:09:56,895 --> 00:10:01,995

They vary a little, but overall,

overall, they're going in the same angle.

192

00:10:01,995 --> 00:10:07,035

Cause if light's coming through here, it's

only going to strike on a given angle.

193

00:10:07,920 --> 00:10:12,600

Now with a good clean dried brush, we

can tap the base of this a little and

194

00:10:12,600 --> 00:10:14,640

create the indication of missed lives.

195

00:10:14,640 --> 00:10:18,430

Ray, down at the bottom of this big

old mountain here, fifth Chifley up

196

00:10:19,709 --> 00:10:23,640

following the angles in the mountain,

and that removes a little tab marks and

197

00:10:23,640 --> 00:10:26,209

brings it all all together over here.

198

00:10:26,390 --> 00:10:30,199

Go in this direction, tap a little bland.

199

00:10:33,930 --> 00:10:36,329

All right now, maybe we'll

get a little crazy today.

200

00:10:36,719 --> 00:10:37,469

I like to do that.

201

00:10:37,709 --> 00:10:43,969

Let's take, I use, let look, mountain

color and we'll go right into some yellow.

202

00:10:44,689 --> 00:10:46,969

We've got a little CAD yellow

here, a little yellow ochre.

203

00:10:46,969 --> 00:10:48,620

We'll just use the same

one, two inch brush.

204

00:10:49,280 --> 00:10:51,770

Doesn't matter, maybe a little touch

of the SAP green here and there.

205

00:10:53,000 --> 00:10:54,110

Maybe an iron world.

206

00:10:54,560 --> 00:11:00,230

There lives some little trees that sort of

grew right up the side of this mountain.

207

00:11:00,740 --> 00:11:04,910

And to do that, all you have to

do is take the big brush and tap,

208

00:11:05,510 --> 00:11:09,710

but most, most important here,

we need to follow these angles.

209

00:11:11,135 --> 00:11:13,195

You need to follow these

angles if you don't.

210

00:11:13,435 --> 00:11:16,135

It just absolutely don't look right.

211

00:11:17,815 --> 00:11:22,015

Vary the colors between darker green

and lighter green back and forth.

212

00:11:22,045 --> 00:11:25,575

A little, just a little, maybe.

213

00:11:25,979 --> 00:11:28,589

Sort of determine where you think

a little tree would live right here

214

00:11:29,760 --> 00:11:33,329

and how far up the mountain it would

grow before you reached the tree

215

00:11:33,329 --> 00:11:40,349

line or the place where it gets too

cold and too high for trees to live.

216

00:11:42,270 --> 00:11:47,400

There, if you've painted with me before,

you know, I lived in Alaska for well

217

00:11:47,400 --> 00:11:52,650

over a dozen years and I just absolutely

fell in love with a fantastic scenery.

218

00:11:52,650 --> 00:11:53,130

That's there.

219

00:11:53,939 --> 00:11:56,040

God was having a good

day when he made Alaska.

220

00:11:57,030 --> 00:12:03,300

It is gorgeous, absolutely

gorgeous, but these kinds of

221

00:12:03,300 --> 00:12:04,620

sites are pretty common there.

222

00:12:05,880 --> 00:12:07,920

And I will take a clean,

dry one inch brush.

223

00:12:08,295 --> 00:12:10,185

And very lightly little short strokes.

224

00:12:10,185 --> 00:12:15,335

I want to grab that and lift just

lifted up or down and sort of

225

00:12:15,335 --> 00:12:16,655

let it blend together a little.

226

00:12:18,635 --> 00:12:23,105

And you just sort of worked back

and forth here, but gently, gently

227

00:12:23,105 --> 00:12:25,475

lifting upward, always going upward.

228

00:12:27,155 --> 00:12:29,825

Think about the middle trees, even

though they're going at an angle here,

229

00:12:29,975 --> 00:12:31,565

they would still grow straight up.

230

00:12:32,015 --> 00:12:33,725

So keep these lines going straight up.

231

00:12:33,725 --> 00:12:37,175

Sometimes the tendency, the mountain

goes this way to make the trees.

232

00:12:37,770 --> 00:12:43,530

I could add and it's, it'll, it'll

look like the big giant sneezed or

233

00:12:43,530 --> 00:12:44,820

something and blew them all over.

234

00:12:45,900 --> 00:12:46,560

We don't want that.

235

00:12:47,430 --> 00:12:51,480

And you can even touch a little

dark color here and there and

236

00:12:51,480 --> 00:12:53,850

just pulled up the indication of

some that are a little darker.

237

00:12:55,530 --> 00:12:58,710

You can continually play this

back and forth between the darker

238

00:12:58,710 --> 00:12:59,850

greens and the lighter greens.

239

00:13:01,214 --> 00:13:05,665

It's a nice way of making very

effective little trees that have grown

240

00:13:05,665 --> 00:13:08,845

up beside of this mountain there.

241

00:13:11,665 --> 00:13:12,084

Okay.

242

00:13:12,595 --> 00:13:12,954

Shoot.

243

00:13:13,214 --> 00:13:13,964

That's so much fun.

244

00:13:14,025 --> 00:13:15,675

I'll take one for steel brush again.

245

00:13:16,365 --> 00:13:18,194

I just look for reasons to wash the brush.

246

00:13:23,145 --> 00:13:23,625

All right.

247

00:13:23,625 --> 00:13:24,855

We're in business again here.

248

00:13:25,770 --> 00:13:27,600

Let's take let's get crazy.

249

00:13:28,050 --> 00:13:28,920

Let's have some fun.

250

00:13:30,100 --> 00:13:34,470

We'll take some pressure in the

blue, some Vandyke, Brown, midnight,

251

00:13:34,560 --> 00:13:37,470

black, maybe even a little PSAP rain.

252

00:13:37,470 --> 00:13:38,819

We'll just mix all those together.

253

00:13:39,360 --> 00:13:44,069

Just mix them together and make a,

make a big old pile of dark color.

254

00:13:44,069 --> 00:13:46,920

Here should look, black should look black.

255

00:13:48,210 --> 00:13:48,750

Okay.

256

00:13:49,199 --> 00:13:52,140

Now then tell you what, let

me wipe the whole knife off.

257

00:13:53,880 --> 00:13:54,450

I think we'll get her.

258

00:13:54,780 --> 00:13:55,740

Let's get a fan brush.

259

00:13:55,920 --> 00:13:56,190

Shoot.

260

00:13:56,190 --> 00:13:56,700

That's fine.

261

00:13:57,480 --> 00:13:59,010

And we'll load the fan brush for list.

262

00:13:59,010 --> 00:14:01,680

Dark color, both sides, lot of color.

263

00:14:02,910 --> 00:14:05,370

Let's go right up in

here, maybe in our world.

264

00:14:05,370 --> 00:14:09,030

There's a little, maybe there's a

little Foothill that lives right here.

265

00:14:09,250 --> 00:14:12,610

Take one I'm gonna do, I'm gonna add a

little, a little bit of white to that.

266

00:14:12,610 --> 00:14:13,780

I'm going to lighten it just a little.

267

00:14:13,840 --> 00:14:14,710

Oh, that's much better.

268

00:14:15,010 --> 00:14:19,510

I want it a little bit lighter there,

but there's, there's some little

269

00:14:19,510 --> 00:14:20,920

footy Hills it's there right here.

270

00:14:20,920 --> 00:14:24,700

Some evergreen trees are growing on

it and they're much closer to us.

271

00:14:25,845 --> 00:14:26,925

Much closer to us.

272

00:14:28,815 --> 00:14:29,715

So they're darker.

273

00:14:30,135 --> 00:14:32,025

They're much darker than

this background back here.

274

00:14:33,345 --> 00:14:35,115

Just tap them down over the fan brush.

275

00:14:36,495 --> 00:14:40,635

This is one of the neatest ways I've ever

come up with and making the illusion of

276

00:14:40,635 --> 00:14:42,885

a lot of little trees that live far away.

277

00:14:46,935 --> 00:14:49,155

Can you determine how many

and where and all that.

278

00:14:57,569 --> 00:15:00,150

We can take a clean, dry two inch Brexton.

279

00:15:00,150 --> 00:15:01,589

I'm just going to tap

the base here a little.

280

00:15:02,280 --> 00:15:05,370

I want to create a little bit of

mist at the bottom of these trees

281

00:15:06,360 --> 00:15:09,120

and this tapping will cause the

liquid fight to come through.

282

00:15:10,350 --> 00:15:14,010

And that little bit of that color, it

will show lift upward just to take out

283

00:15:14,010 --> 00:15:16,020

the task marks, bring it all together.

284

00:15:17,120 --> 00:15:19,880

See there, there we go.

285

00:15:20,510 --> 00:15:21,170

There we are.

286

00:15:21,860 --> 00:15:24,230

Now then maybe.

287

00:15:25,560 --> 00:15:28,770

Maybe, maybe in our world, we'll

just use that same old fan brush.

288

00:15:28,800 --> 00:15:30,180

It's it's working so well here.

289

00:15:30,180 --> 00:15:33,449

Let's keep going load a lot

of the pure dark color on it.

290

00:15:34,709 --> 00:15:35,430

Let's go right up here.

291

00:15:36,479 --> 00:15:40,979

Maybe their lives, a happy little

evergreen tree right there.

292

00:15:41,010 --> 00:15:42,540

We just use the corner of the brush.

293

00:15:44,880 --> 00:15:46,290

Just go back and forth today.

294

00:15:47,370 --> 00:15:47,880

That easy.

295

00:15:48,480 --> 00:15:49,829

It must give him a few friends.

296

00:15:49,829 --> 00:15:51,510

We don't want him to get lonely back here.

297

00:15:52,870 --> 00:15:55,020

My gosh, what a scene like

he's got to look at here.

298

00:15:55,020 --> 00:15:57,270

He'd have to invite all of his

friends over to see it through.

299

00:15:57,270 --> 00:16:00,480

This was just, this is just too

nice frame to keep for himself.

300

00:16:02,360 --> 00:16:03,140

There's a little one.

301

00:16:05,270 --> 00:16:08,270

Put the little guy right up here in the

front row so he can see all of this too.

302

00:16:08,300 --> 00:16:10,069

Maybe there we go.

303

00:16:16,065 --> 00:16:19,755

Notice how these little Misty areas

make those trees really stand out.

304

00:16:20,105 --> 00:16:21,885

That's why they're so important.

305

00:16:23,145 --> 00:16:24,075

That's your separator?

306

00:16:24,105 --> 00:16:25,035

That's your good friend.

307

00:16:26,685 --> 00:16:27,315

Good friend.

308

00:16:27,345 --> 00:16:28,005

Take care of it.

309

00:16:28,635 --> 00:16:29,445

Take care of it.

310

00:16:31,395 --> 00:16:33,885

And you put as many or as few

as you want in your world.

311

00:16:36,255 --> 00:16:39,375

One thing that we're trying to do

here is just to teach your method.

312

00:16:39,375 --> 00:16:41,115

We're really not trying

to teach you to copy.

313

00:16:41,115 --> 00:16:45,135

That's the reason we have no patterns or

we don't do any tracings on the canvas.

314

00:16:45,960 --> 00:16:50,640

We want to teach you freedom with this

technique and turn you loose on the world.

315

00:16:52,620 --> 00:16:57,030

Just absolutely turn you loose on

the world because once you know

316

00:16:57,030 --> 00:16:59,580

the technique, you can do anything.

317

00:17:00,570 --> 00:17:07,650

Take a little blue, little tiny bit

of blue and white and a little bit of

318

00:17:07,650 --> 00:17:10,319

the dark Sienna, probably that flat.

319

00:17:10,650 --> 00:17:13,079

And we get at least a little

roll of painter right out

320

00:17:13,079 --> 00:17:14,010

here on the edge of the knife.

321

00:17:15,240 --> 00:17:20,280

And let's just make the indication

here and there of a little tree

322

00:17:20,730 --> 00:17:23,909

trunk right in there, or right.

323

00:17:24,750 --> 00:17:27,599

We don't want many cause you wouldn't

see all of them or you're just

324

00:17:27,599 --> 00:17:32,010

going to see a little hair in there

and you could just, cause you've

325

00:17:32,010 --> 00:17:33,270

picked up some pain on your knife.

326

00:17:33,270 --> 00:17:36,300

You can just make the

indication of some little.

327

00:17:37,545 --> 00:17:40,725

Sticks and twigs and all kinds of

things that are just projecting out

328

00:17:40,725 --> 00:17:45,555

of that because in the woods, in

the forest, they're always there.

329

00:17:47,055 --> 00:17:47,235

Yeah.

330

00:17:47,235 --> 00:17:50,205

Then I have several fan brushes going,

let me just grab another one here.

331

00:17:50,925 --> 00:17:52,155

Let's put some highlights on that.

332

00:17:52,185 --> 00:17:54,795

We'll take a little, a

little bit of this color.

333

00:17:54,795 --> 00:17:57,645

We've made the trees out here cause

it has blue in it and mix it with

334

00:17:57,645 --> 00:18:01,155

some CAD yellow and blue, yellow

ochre, and little Indian, yellow.

335

00:18:01,185 --> 00:18:01,665

What the heck?

336

00:18:03,465 --> 00:18:05,865

And we will make us a nice

green if you want it darker.

337

00:18:06,540 --> 00:18:08,640

Add a little more of

that tree color to it.

338

00:18:08,700 --> 00:18:11,130

And instantly because it

has a blue and black in it.

339

00:18:11,580 --> 00:18:16,620

So it gets darker that easy, but the

paint work for you, let's go up here now,

340

00:18:16,620 --> 00:18:19,830

then our lights coming from the right,

because our mountain tells us that.

341

00:18:20,970 --> 00:18:25,110

So we want to place more emphasis on the

right side of the tree than on the left.

342

00:18:26,520 --> 00:18:28,680

We'll just put the indication

of some highlights that are

343

00:18:28,680 --> 00:18:29,940

showing through on these trees.

344

00:18:31,750 --> 00:18:34,080

Sometimes, sometimes

just gets feeling good.

345

00:18:34,575 --> 00:18:36,075

And you cover up all the dark.

346

00:18:36,825 --> 00:18:37,695

We don't want to do that.

347

00:18:38,145 --> 00:18:41,625

If we lose all that nice dark,

then our tree becomes flat.

348

00:18:41,925 --> 00:18:46,545

It's that darkness that some deep in

that tree that creates the illusion of

349

00:18:46,565 --> 00:18:49,125

shadows and makes depth in the tree.

350

00:18:50,115 --> 00:18:52,095

Otherwise it'll be a

very flat little tree.

351

00:18:53,265 --> 00:18:54,015

We don't want that.

352

00:18:54,285 --> 00:18:55,545

Well, you don't want them to flat trees.

353

00:18:55,545 --> 00:18:59,355

We want trees that son of

a guns have personalities.

354

00:19:01,514 --> 00:19:05,205

They're like people, each one's

different summer tall, some are

355

00:19:05,205 --> 00:19:07,485

short, some are heavy, some are thin.

356

00:19:09,004 --> 00:19:09,845

I like people.

357

00:19:11,885 --> 00:19:16,985

I think this painting can really,

and truly become a world on its own.

358

00:19:17,014 --> 00:19:19,774

You can, you can find anything

that you want in here.

359

00:19:19,774 --> 00:19:21,065

You can find peace.

360

00:19:21,065 --> 00:19:23,435

You can find calm times, anything.

361

00:19:23,495 --> 00:19:24,185

That's right here.

362

00:19:24,875 --> 00:19:25,145

Shoot.

363

00:19:25,445 --> 00:19:28,835

Let me get off my soap box here and

find a brush and let's get crazy.

364

00:19:28,835 --> 00:19:29,345

Let's make a.

365

00:19:29,865 --> 00:19:31,365

Let's make a big evergreen right there.

366

00:19:32,355 --> 00:19:37,025

And for that, I'm going to tell you

what pick up the old oval brush.

367

00:19:37,025 --> 00:19:42,605

Here we go right into

that same tree color.

368

00:19:43,355 --> 00:19:43,445

Okay.

369

00:19:43,895 --> 00:19:44,975

And this is the oval breast.

370

00:19:45,005 --> 00:19:45,515

End of it.

371

00:19:45,815 --> 00:19:46,415

Let me hold it up.

372

00:19:46,415 --> 00:19:50,435

As you can see the end of it sort of

round, and it's easy to distinguish

373

00:19:50,465 --> 00:19:51,615

because it has a black handle.

374

00:19:51,675 --> 00:19:54,845

The rest of them have white handles,

easy to tell the difference.

375

00:19:55,980 --> 00:19:57,510

Okay, pull it like that too.

376

00:19:57,510 --> 00:19:58,890

It comes to a nice sharp edge.

377

00:19:58,890 --> 00:20:02,280

Let's go up here, make a

decision, maybe our big tree.

378

00:20:03,030 --> 00:20:03,750

We're going to have one.

379

00:20:03,750 --> 00:20:04,860

That's going to live right there.

380

00:20:05,580 --> 00:20:08,520

And we start out by just making a little

line that sort of gives you a guide.

381

00:20:09,060 --> 00:20:11,160

Take just the end of the brush.

382

00:20:12,210 --> 00:20:14,370

And this is going to be one of

the big evergreen trees that.

383

00:20:15,360 --> 00:20:18,510

Sort of saggy hit, uh, limbs, hang over.

384

00:20:18,510 --> 00:20:21,960

I like this brush for

making these kind of trees.

385

00:20:22,320 --> 00:20:23,820

See how the limbs hang though.

386

00:20:24,960 --> 00:20:30,780

I like that, but you can do this with

a one inch brush and have street limbs.

387

00:20:30,990 --> 00:20:32,100

You can do it with a fan brush.

388

00:20:32,130 --> 00:20:33,980

I use a fan brush from very often.

389

00:20:35,370 --> 00:20:36,660

We can do it with the two inch brush.

390

00:20:36,770 --> 00:20:40,320

It all works very well, but if you

want these hangie down looking glimpse

391

00:20:40,320 --> 00:20:42,660

like this, I find it much better.

392

00:20:43,064 --> 00:20:46,905

Do you use this oval brush there?

393

00:20:48,645 --> 00:20:55,455

All we're doing here is chest placing

in some very basic little shapes.

394

00:20:56,445 --> 00:20:59,024

Just think about the arms on

this tree that live out here.

395

00:21:00,675 --> 00:21:01,604

Where are you on them?

396

00:21:02,235 --> 00:21:02,715

There?

397

00:21:04,125 --> 00:21:05,354

Maybe this old tree lives.

398

00:21:05,685 --> 00:21:07,125

I don't know, somewhere down in here.

399

00:21:07,155 --> 00:21:07,635

We don't care.

400

00:21:08,745 --> 00:21:09,085

I don't know.

401

00:21:09,085 --> 00:21:09,615

That was fun.

402

00:21:10,514 --> 00:21:11,655

I like making trees with it.

403

00:21:11,655 --> 00:21:16,455

Oval breasts, tell you what, in this big

in Netherland let's make another one.

404

00:21:17,385 --> 00:21:21,165

Maybe our other tree, they

will have one right there and

405

00:21:21,165 --> 00:21:22,065

we started out the same way.

406

00:21:22,065 --> 00:21:24,165

Just make a little, little line.

407

00:21:26,625 --> 00:21:29,565

And back and forth, back and forth.

408

00:21:30,495 --> 00:21:32,355

Just sort of let that rascal

come right out of that.

409

00:21:32,355 --> 00:21:33,945

Brush it lives in there.

410

00:21:35,985 --> 00:21:40,425

He lives in their old tree that

sometimes they'll hide it in there.

411

00:21:40,425 --> 00:21:41,775

You have to sort of force them out.

412

00:21:44,305 --> 00:21:50,625

Didn't have a fantastic way of making

some very beautiful evergreens now.

413

00:21:50,855 --> 00:21:51,855

Shoot, do you know me?

414

00:21:53,385 --> 00:21:55,125

I think everybody needs a friend.

415

00:21:55,545 --> 00:21:59,945

So we're going to give him

one, right, right there.

416

00:22:08,135 --> 00:22:09,335

Concerned in this area.

417

00:22:09,725 --> 00:22:10,745

That's all so dark.

418

00:22:10,775 --> 00:22:14,945

We'll separate all that with

highlights, all that with highlights.

419

00:22:14,945 --> 00:22:17,254

So let's take a little bit of

that color we had for our trunk.

420

00:22:18,125 --> 00:22:18,215

Okay.

421

00:22:18,540 --> 00:22:18,660

Okay.

422

00:22:18,670 --> 00:22:20,250

We'll just touch with a knife.

423

00:22:20,430 --> 00:22:22,860

And just once again, we're

not going to see much of it.

424

00:22:23,100 --> 00:22:27,210

All we want to do here is just

show a little just here and there.

425

00:22:27,450 --> 00:22:31,700

Just wherever you think

it should show like that.

426

00:22:33,780 --> 00:22:35,390

Wash your brush out here.

427

00:22:37,580 --> 00:22:39,440

Let's have some fun with

some highlight colors.

428

00:22:41,660 --> 00:22:42,200

Okay.

429

00:22:42,470 --> 00:22:45,050

Now then for highlights, I'm going

to take a little, that tree color.

430

00:22:45,719 --> 00:22:51,120

And mix it with the kid

yellow and the yellow ochre.

431

00:22:52,229 --> 00:22:55,290

No, the Indian, yellow, but mix

all these colors on the brush.

432

00:22:55,320 --> 00:22:57,540

So you have a multitude of

things happening on the brush.

433

00:22:57,540 --> 00:22:59,219

You don't end up with one detto color.

434

00:23:00,780 --> 00:23:01,139

All right.

435

00:23:01,489 --> 00:23:07,010

Now I think about your lights coming from

the right now we can go up in here and

436

00:23:07,010 --> 00:23:08,810

just begin putting in the indication.

437

00:23:10,170 --> 00:23:10,500

Awesome.

438

00:23:10,530 --> 00:23:15,920

Beautiful highlights that live right

here on this tree, Sam, there they are.

439

00:23:17,540 --> 00:23:24,230

They're just put some in, but this is

where you make all those old hanging

440

00:23:24,230 --> 00:23:28,490

down limbs and we're going straight

in with a brush straight in and just

441

00:23:28,490 --> 00:23:33,890

touching, just touching, letting

those top part of the bristles, just

442

00:23:33,890 --> 00:23:35,360

the top part of the bristles touch.

443

00:23:38,340 --> 00:23:41,939

Say there now, then let's

go over the other side here,

444

00:23:43,530 --> 00:23:44,629

do the same thing for him.

445

00:23:45,110 --> 00:23:45,889

We left him out.

446

00:23:46,340 --> 00:23:46,760

Shoot.

447

00:23:46,760 --> 00:23:51,139

He'd probably be angry prime to

be angry, and we don't want that.

448

00:23:51,199 --> 00:23:52,879

We want happy trees in our painting.

449

00:23:54,439 --> 00:23:55,189

I used some letters.

450

00:23:55,189 --> 00:23:59,149

Sometimes people say everything in

your world is happy and that's true.

451

00:24:00,409 --> 00:24:02,240

We try to keep everything happy in here.

452

00:24:03,959 --> 00:24:05,070

She was feeling bad stuff.

453

00:24:05,070 --> 00:24:07,260

Watch the news in this world.

454

00:24:07,979 --> 00:24:12,120

We only have pleasant

things they're having.

455

00:24:12,120 --> 00:24:13,429

Sometimes it's fun.

456

00:24:13,520 --> 00:24:17,639

I'll just dip this into a little bit

of the liquid clear and I want a real

457

00:24:17,639 --> 00:24:22,290

thin color, much lighter, but I use

the clear to thin it and then it will.

458

00:24:22,770 --> 00:24:23,729

It's very thin paint.

459

00:24:23,729 --> 00:24:27,030

Now you can go back up here and

pick out where you think light

460

00:24:27,030 --> 00:24:31,229

would really zing through here

and just put on a few sparklers.

461

00:24:32,175 --> 00:24:34,604

Don't overdo this don't overdo.

462

00:24:35,475 --> 00:24:36,314

How's it gets good.

463

00:24:38,715 --> 00:24:39,764

Just here and there.

464

00:24:40,264 --> 00:24:41,735

Clear thins, the paint.

465

00:24:42,574 --> 00:24:45,155

If you've painted with me before, you

know, our golden rule here is a thin

466

00:24:45,155 --> 00:24:47,314

paint will stick to a thick paint.

467

00:24:47,314 --> 00:24:50,135

We use a very firm paint until

we get to the highlights.

468

00:24:52,235 --> 00:24:54,004

Maybe just a few over in here.

469

00:24:54,074 --> 00:24:55,415

I don't want too many on this tree.

470

00:24:57,284 --> 00:24:58,685

Just a few there.

471

00:25:01,290 --> 00:25:02,340

Hi, we're all right there.

472

00:25:03,585 --> 00:25:04,395

Let's have some fun.

473

00:25:04,755 --> 00:25:06,345

Now we have a transparent color here.

474

00:25:06,345 --> 00:25:10,595

This was SAP green, and a little bit of, a

little bit of Vandyke Brown, just a dull.

475

00:25:10,605 --> 00:25:15,615

It I'm going to take pure white, just

the titanium white on the two inch brush.

476

00:25:16,395 --> 00:25:17,685

You have to make a big decision.

477

00:25:17,715 --> 00:25:19,035

Where's where's your water.

478

00:25:19,425 --> 00:25:20,325

I'll have some water in here.

479

00:25:20,995 --> 00:25:26,845

Touch this and pull it straight down

so important to come straight down and

480

00:25:26,845 --> 00:25:30,535

that set green and Vandyke Brown down,

make some futile beautiful colors.

481

00:25:32,275 --> 00:25:34,735

And it's fun to prepare this

canvas when nobody's looking.

482

00:25:34,735 --> 00:25:37,525

And when you do this, especially

if you're painting for

483

00:25:37,525 --> 00:25:38,935

someone, they think it's magic.

484

00:25:39,115 --> 00:25:44,605

Now we go straight across and that'll

create the illusion of water that easy.

485

00:25:45,835 --> 00:25:48,595

And we'll take a one inch brush, but

a little liquid white on it and go

486

00:25:48,595 --> 00:25:49,825

right through some of that color.

487

00:25:51,360 --> 00:25:56,310

Just a nice green color in this back

in here, put the indication of just a

488

00:25:56,310 --> 00:26:00,090

happy little Bush or two that lives right

here, right on the edge of the water.

489

00:26:01,550 --> 00:26:02,450

Something like that.

490

00:26:04,110 --> 00:26:06,710

Little Vandyke Brown, little

dark Sienna mixed together.

491

00:26:07,220 --> 00:26:14,090

And we can put the indication of

some land back in there and easy,

492

00:26:14,270 --> 00:26:16,580

a little bit of Brown and white,

but a little highlight on it.

493

00:26:18,105 --> 00:26:18,495

Shoot.

494

00:26:18,555 --> 00:26:19,274

We're here in business.

495

00:26:19,274 --> 00:26:20,115

A little more of that color.

496

00:26:20,115 --> 00:26:23,284

Maybe there's a look in there.

497

00:26:25,565 --> 00:26:27,065

Little bank lives out here too.

498

00:26:27,125 --> 00:26:28,264

So they just sort of let that go.

499

00:26:28,264 --> 00:26:33,095

Barely, barely touching though

little bit on the other side.

500

00:26:33,125 --> 00:26:37,565

So we can put another bank

over here in your world.

501

00:26:37,655 --> 00:26:40,685

You make these decisions, decide

where all these little things live.

502

00:26:42,185 --> 00:26:43,655

Take a little touch of the liquid white.

503

00:26:45,240 --> 00:26:49,950

On the knife and we'll just cut him a

little water line and this separates

504

00:26:50,610 --> 00:26:57,660

just separates just straight liquid,

white few, little ripples here and there.

505

00:26:57,930 --> 00:26:59,460

She hadn't finished painting.

506

00:27:02,480 --> 00:27:02,930

Thank you.

507

00:27:04,700 --> 00:27:07,460

I think we'll call that one

done, but this is a good example

508

00:27:07,460 --> 00:27:08,990

of how easy this technique is.

509

00:27:08,990 --> 00:27:12,170

So I look forward to seeing you in the

next show and until then, happy painting.

510

00:27:12,830 --> 00:27:13,760

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E01 - Valley View

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse