Bob Ross's

The Joy of Painting

S24E05 - A Pretty Autumn Day

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Hi, welcome back.

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Certainly glad you could join us

today because today I think we're

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really do a fantastic painting.

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So let's start out and have him

run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me show you what I got up here.

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I have my standard old pre-stretch double

prime canvas, but today I've covered

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the entire thing with black Jesso.

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As you can, as you can plainly see,

then I've taken a little bit of liquid

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clear, very, very small amount of

covered the entire canvas with it.

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And then we've taken a paper towel and

wiped all of it off that we can get.

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There's still enough left on

here to do what we want to do.

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You can feel it with your

fingers, but it's not so much

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that you can't paint on it.

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Cause it's, it's very

easy to get too much.

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So let's just do it.

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Let's just do a happy little painting day.

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I'm gonna start off maybe a

little titanium white and a

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little bit of fallow blue.

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We just mix them with a brush.

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Just mix them with a brush.

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Let's go right up in here.

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And we can go right up in here

using little crisscross strokes.

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And let's just put in a little sky.

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I thought maybe today we do one of

the little paintings that you see at

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the opening that the, that the little,

little painter man just sort of pops in

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here with this, for this magic brush.

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There that's a cute

little, little animation.

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Only takes a couple of minutes to watch

it, but it takes a lot of fantastic

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people, a long time to make it there.

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That's a brain child of, one

of our engineers here at the

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station named Jerry Morton.

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It's really gorgeous.

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There we go.

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And that's about all we need

for that is wash the old brush.

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And this won't be an exact duplicate

of what you see at that little

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opening, but it'll be close enough

to show you how it was amazing.

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Here we go.

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All right, let's start and put in

some happy little clouds today.

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I'm going to use just

the corner of the brush.

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A little bit of titanium white.

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I'll be right back and a little

bit, very small amount of yellow

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ochre, just a small amount.

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Back a little color right into

the top corner of the brush here.

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Just a little.

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Okay.

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Let's go up here now.

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We.

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Just to have to start thinking about

some very basic little cloud shapes,

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just basic little shapes, and I'm

going to do today as tap and this

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series, I've tried to try to show

some very, very simple ways of making

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gorgeous clouds and some other effects.

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And this is one of them

just tapping there.

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Little yellow ochre, a

little bit of titanium white.

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That's really all we need,

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but you need to, you need to put in a very

basic shape, just don't tap it random.

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And a little cloud will appear.

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You sorta have to have a basic idea of

where you want the little cloud to live.

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Maybe in between those I'm going

to have several layers of clouds.

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I'm gonna put a little lavender color.

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We'll make that with

little lizard Crimson.

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They look blue.

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We just mix it also on the brush.

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We just sort of tap it in right here.

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Then I'll blend them all together.

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Okay.

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I have several of each brush.

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If I don't have to spend all my time just

washing brushes and all that is fine.

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Now just the top corner, barely,

barely touching the canvas will

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begin to blend, making little Xs

little crisscrosses barely touching,

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barely touching, whisper light.

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Just caress the canvas,

a little tiny, tiny bit.

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There.

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Okay.

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Now we can just gently

blend it all together.

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Something like so fluff

it a little wiggle it.

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Okay.

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That easy.

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We have a happy little cloud now,

then I want several layers of clouds.

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So we'll go back to our little breast.

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It has a little bit of yellow hooker

and a little bit of a white on it.

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There we go.

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Just tap it again.

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Same way.

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Same identical way.

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Now then we'll start up in here and

let's just have it on that layer.

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And in your world, you put as

many or as few clouds as you want.

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It's totally and completely up to you.

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You are the master of this canvas

and you can do anything here and

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anything that you want to do.

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Of course, I'm a firm believer

that you can do anything in life

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that you believe you can do.

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Not just on this canvas, anything

as long as you believe there,

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once again, we're just looking for

some very basic little shapes and

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wherever let's see the bird comes

through and automatically makes sure

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shadows, you don't even have to worry

about it automatically it'll happen.

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This is truly.

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The lazy man's way of painting.

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And I look for very easy ways to make

things work and that'd be effective.

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Okay.

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All right.

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Now, once again, back to my clean dry

brush, and I just want to gently, gently,

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gently blend, tiny little strokes though.

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I can't emphasize that enough

tiny little strokes you make big.

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And just going to say.

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You're going to lose a lot of the

illusion, tiny little strokes.

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And at home, when you have a lot of

time, you can really take your time

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and make these little bitty strokes.

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And you'll be amazed, absolutely amazed

at the effects that you can achieve.

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And you clearly can.

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You really can there.

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Okay.

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We'll fluff this one up a little,

just blend it, bring it all together.

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They're just make all kinds of effects.

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Okay.

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Something about like so already you've

made several layers of cloud and done

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very little, basically all you've

done is just have a little bit, okay.

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I think his painting had

a nice mountain in it.

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It was mostly, mostly done in

very warm, warm Brown tones.

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Now sometimes I like to

make a Brown and to do that.

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And I'll just go ahead and

mix up a pile of, but I'll use

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it throughout the painting.

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We'll start with alizarin,

Crimson and SAP green in about

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equal parts, about equal parts.

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You can shift this Brown to the

greenest side or to the radish side.

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Depends on your mood or what

you're trying to accomplish.

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So it's up to you totally

and completely up to you.

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Today, I think I'm going to sort

of have it to the reddish side a

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little bit, a little bit to the

reddish side and mix it quite well.

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There we go.

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Okay.

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Let me clean off the old knife.

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Just wipe the knife, a little paper towel.

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We'll cut off our little roll of

paint and just cut right up in here.

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We want a big mountain

that lives right here.

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So if we come in here and just

start, maybe there's a peak here.

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Just your imagination take you

there, whatever you'd like, you just

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put and it's all Cannes, a little

lures in there wherever you want.

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Maybe over in here now we just, we

just literally lay in some color here.

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Little thing back in the background.

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There we go.

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And Steve, my son says, well, just

some shit, a little color down there.

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There we go.

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I'm just taking off all the excess.

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And the reason I did this is because

we had nothing but clear under here,

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and I need a little color underneath.

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Normally we have a transparent

color when we use black canvases,

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but today all we have is the clear.

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So now we have a little color into there.

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So when we put things in and blend

them, it'll have a color to pick up.

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There we go.

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Large brush.

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We just blend that out a little.

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There we go.

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And you can make any kind of

mountain that you want today.

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I think I'll make one, just a big old

raggedy mountain has a lot of character.

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Maybe tell you what let's have the

light coming from the left side today.

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I'm right-handed so I have a tendency.

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I have a tendency to normally have

the light coming from the right side

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and my left-handed friends sometime.

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Right.

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And say, why don't you do one

with it coming from the left.

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Let's do that.

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I should go big deal brush.

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All right.

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Now that I'm going to take first, I'm

gonna take clean off a spot to work yet.

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Take some white, some of that Brown color.

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That we made with the alizarin

Crimson and SAP green.

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There we go.

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Something about like, yeah, but I want

to leave this not mixed very well.

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Maybe I'll put at least a little touch.

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Touchy yellow ochre there too.

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Ooh, I like it.

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That's better.

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Okay.

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Cut off a little roll of paint

and we can go up in here and very

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lightly, very lightly touch that

it run right down the mountain.

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Just let it run right down.

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Follow those angles, follow those angles.

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See them there they come and up in

here there, we let this one, one

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mountain just, just run right off.

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Hi there.

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Wherever it doesn't matter, you make

your mountain anyway that you want

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it in your way that you want it.

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Something like that.

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There might be things up in

here, but apply no pressure.

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And that way this paint will break.

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I know you hear that over and over

and over, but it's really what makes

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these mountains work so well is the

fact that they have all these holes.

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All right, need a shadow color for that.

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I'm going to take quite

a little tale of blue.

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I'm going to add a little Crimson to that.

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Make sort of a, sort of a lavender color.

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They're just, Ooh.

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That's Oh, I like that.

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So I don't want to overmix it.

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I want to leave these variations

in there because when you pick

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it up on the knife, they're still

there and let's go up in here.

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Those little variations will

make all kinds, a little

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pretties, bear in your shadows.

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See, let them go see the

variations they're there.

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They're right there.

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They don't go away and leave you.

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They remain there.

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Okay.

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We need some shadows right here.

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Well, this is one big

old, strong mountain here.

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He lives here.

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He has a view and a half they're

the little doors in there,

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something like, so, all right.

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Maybe we can make a whole roof.

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Angle right there just by doing

that, it looks like there's

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another protrusion right here.

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All right.

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But when you're making mountains, just

play with them, make all kinds of little

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things, let your imagination go and just

sort of left the knife and canvas there.

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And then let me take a clean, very dry.

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Two inch brush, and I want to

miss the base just a little bit

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tapping, just tap, follow the angles

to most, most important that you

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follow those angles most important.

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There we go left upward,

upward, upward up.

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See how that creates that illusion

of missed down at the base.

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I mean, knock off any

painter that's picked up.

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We'll do the same over

here in this shadow area.

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There we go.

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All right.

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Once again, left upward.

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There we go.

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Open here, tap a little

lift up in this direction.

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This part back here, I'm going

to leave basically like this.

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So it looks like it's far

back in the distance law.

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I'm way off, long, long, way off.

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We don't even know where it's at.

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I don't know that we even care.

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All right.

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I think that gives us a

pretty nice little mountain.

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Tell you what, let me grab one little

half size oval brushes, and I'm

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going to make clean off another spot.

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I can work here.

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Okay.

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I'm going to make a, I'm take some

pressure and blue and the lizard Crimson,

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Prussian blue and Elizabeth Crimson.

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I want to make a, a lavender color, use

the Prussian blue because it's darker.

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It gives it a little, a little different

than the fellow blue, stronger,

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darker, little different flavor.

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Ooh, that's nice.

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Now then.

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Nah, didn't, let's take our little,

little half size round brush and back

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here in the distance in our world.

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There's some happy little

trees back in here.

251

00:14:10,665 --> 00:14:16,485

They're kind of all I'm doing right

now is putting on some dark color.

252

00:14:17,010 --> 00:14:22,790

So later on when we put some highlights

in here, it'll show, maybe there's a nice

253

00:14:22,790 --> 00:14:25,099

little tree right there, right there.

254

00:14:28,079 --> 00:14:28,620

Just start.

255

00:14:28,770 --> 00:14:29,099

Sorry.

256

00:14:29,099 --> 00:14:33,480

Like what's your, that's really

all we're doing all we're doing,

257

00:14:38,370 --> 00:14:39,300

but we don't know where that goes.

258

00:14:39,300 --> 00:14:40,770

I'm going to put a tree,

I think right there.

259

00:14:44,339 --> 00:14:44,819

Okay.

260

00:14:44,880 --> 00:14:46,530

Now I have a couple of

these little brushes.

261

00:14:47,219 --> 00:14:50,390

So once again, I don't have to spend

all the time Washington won't take.

262

00:14:51,280 --> 00:14:53,520

Little SAP, green little kid yellow.

263

00:14:53,579 --> 00:15:00,000

Mix them together right on the

brush scope scoping here, maybe

264

00:15:00,000 --> 00:15:01,079

this little Bush right here.

265

00:15:01,680 --> 00:15:02,370

Ooh, look at that.

266

00:15:02,640 --> 00:15:07,199

Look how color stands out against

that dark background just stands out.

267

00:15:09,180 --> 00:15:10,620

Yeah, it's almost unreal.

268

00:15:10,740 --> 00:15:12,540

It excites you when you see this happen.

269

00:15:13,949 --> 00:15:17,699

The white canvases are gorgeous, but

these black canvases, Oh my gosh.

270

00:15:17,699 --> 00:15:18,420

Do they stand out?

271

00:15:18,780 --> 00:15:20,360

It's almost unbelievable.

272

00:15:20,550 --> 00:15:25,920

Fantastically look, they're putting

all kinds of little doers in there.

273

00:15:27,990 --> 00:15:31,020

Like then we don't know where that goes.

274

00:15:31,020 --> 00:15:32,310

There's another Bush front of it.

275

00:15:33,950 --> 00:15:35,720

So we work in lyricists layer back here.

276

00:15:35,750 --> 00:15:37,190

I'm going to leave dark this one.

277

00:15:37,460 --> 00:15:38,420

Nice and bright and shiny.

278

00:15:39,110 --> 00:15:40,040

Hey, we'll work forward.

279

00:15:41,030 --> 00:15:42,140

I want a little grassy area.

280

00:15:43,910 --> 00:15:45,860

Take a little bit of that mountain color.

281

00:15:46,905 --> 00:15:52,035

Just some of the old mountain colors left

there and right into my yellow, green,

282

00:15:52,035 --> 00:15:54,005

little yellow ochre, Indian, yellow, Nan.

283

00:15:54,015 --> 00:15:58,035

Then occasionally I'll touch

a little bright red just to

284

00:15:58,035 --> 00:15:59,115

add a little flavor to it.

285

00:16:00,275 --> 00:16:00,545

Good.

286

00:16:00,875 --> 00:16:01,535

Let's go up here.

287

00:16:02,735 --> 00:16:05,225

I want a little grassy area right in here.

288

00:16:05,675 --> 00:16:07,805

So I'm just going to take and tap.

289

00:16:08,565 --> 00:16:13,485

Again, thinking about the lay of the land,

like a dare though against that bark.

290

00:16:13,665 --> 00:16:15,315

So we don't even have to

put anything down there.

291

00:16:15,315 --> 00:16:19,935

There's enough liquid clear, even

though you wiped it hard with a

292

00:16:19,935 --> 00:16:23,355

paper towel, there's still enough

left that the paint mix as well.

293

00:16:24,975 --> 00:16:27,555

And it's slick enough that it

slides when you want it to slide.

294

00:16:29,295 --> 00:16:29,955

There we go.

295

00:16:31,545 --> 00:16:33,105

Maybe there's a little metal back here.

296

00:16:33,165 --> 00:16:36,165

I'm even going to add the least little

touch of titanium white to the brush.

297

00:16:37,065 --> 00:16:40,605

I want to put the IndyCar, the indication

of a little bright area right here.

298

00:16:40,605 --> 00:16:43,365

Maybe, maybe the lights

just zinging through there.

299

00:16:43,365 --> 00:16:47,655

And that's a place I'd want to

take off my shoes and let my

300

00:16:47,655 --> 00:16:50,625

feet run naked through there.

301

00:16:51,125 --> 00:16:51,725

Okay.

302

00:16:53,045 --> 00:16:56,585

And let me wash my little old

brush, a little round brush.

303

00:17:00,420 --> 00:17:02,130

It's not as much fun to beat as a big one.

304

00:17:02,790 --> 00:17:03,750

I don't get anybody else.

305

00:17:03,780 --> 00:17:06,050

Camera this dodging and

carrying on like, yes.

306

00:17:07,220 --> 00:17:11,720

Now, then I'm going to go into a

little bit of the CAD yellow and then

307

00:17:11,720 --> 00:17:14,839

right into some bright red let's have

a firecracker up here, maybe yellow

308

00:17:14,839 --> 00:17:20,599

ochre too on, uh, something about like,

yeah, I want this little tree here.

309

00:17:20,660 --> 00:17:22,250

I want it to really stand out.

310

00:17:23,240 --> 00:17:26,780

So that's mainly, didn't

actually, it's mainly.

311

00:17:27,405 --> 00:17:30,585

Yellow ochre and bright red loads.

312

00:17:30,585 --> 00:17:31,635

A little more color.

313

00:17:36,005 --> 00:17:37,895

well, this will be a

little firecracker here.

314

00:17:39,305 --> 00:17:40,475

Something about my cat.

315

00:17:40,505 --> 00:17:42,575

I just want a nice little

red Bush in this painting.

316

00:17:48,785 --> 00:17:54,425

take a little liner brush, a

little bit of light color, and

317

00:17:54,425 --> 00:17:55,625

we put the indication of it.

318

00:17:56,085 --> 00:17:58,544

Two little sticks and twigs

that live in this little tree.

319

00:17:59,534 --> 00:18:01,395

Maybe there's even a few

back in here somewhere.

320

00:18:01,395 --> 00:18:04,514

I don't know wherever you want wherever.

321

00:18:07,355 --> 00:18:13,774

Now, let me find that we use a

fan brush loaded, full of color.

322

00:18:14,585 --> 00:18:18,304

I think I want, let's go right up here.

323

00:18:18,665 --> 00:18:21,965

I'm on right there.

324

00:18:22,385 --> 00:18:23,615

And that's evergreen tree.

325

00:18:24,960 --> 00:18:28,470

Here's the corner of the brush, just

work back and forth and forth and back.

326

00:18:30,020 --> 00:18:30,410

Great.

327

00:18:32,720 --> 00:18:35,900

I'm still using the same color

that I used to make the backgrounds

328

00:18:35,900 --> 00:18:40,430

for those little trees back here,

there it's mostly a lavender type

329

00:18:40,430 --> 00:18:43,340

color just because it was handy.

330

00:18:43,970 --> 00:18:45,620

You could make something

in the dark greens.

331

00:18:45,620 --> 00:18:46,580

It would work just as well.

332

00:18:46,580 --> 00:18:48,740

It's up to you up to you.

333

00:18:49,970 --> 00:18:51,740

I just want a national dark color here.

334

00:18:53,355 --> 00:18:58,035

They're having a little friend, you

know, me, I think everybody should

335

00:18:58,035 --> 00:19:06,285

have a friend, at least one, at

least one preferably two or three.

336

00:19:08,895 --> 00:19:14,205

We'll put some little bushes right

in here using a little Brown brush.

337

00:19:15,225 --> 00:19:16,605

Maybe write down like, yeah.

338

00:19:21,975 --> 00:19:24,645

And let me wash this little brush

339

00:19:28,335 --> 00:19:30,015

so that one's not near as much fun.

340

00:19:30,075 --> 00:19:31,935

Nobody back here is dodging or anything.

341

00:19:32,985 --> 00:19:35,025

I like it when everybody

sort of runs and hides.

342

00:19:35,025 --> 00:19:43,395

And anyway, it's a lot more fun now,

maybe right in here, we have some

343

00:19:43,395 --> 00:19:44,685

little bushes that live in here.

344

00:19:45,465 --> 00:19:49,095

I'm just going to use the various

yellows, a little bright red nine, then.

345

00:19:50,115 --> 00:19:53,024

And with that little pop in

whole, or is that still orange?

346

00:19:53,024 --> 00:19:55,034

You see little surprises

just sort of happen.

347

00:19:55,055 --> 00:19:57,635

That sorta happened.

348

00:19:59,555 --> 00:20:01,325

Work in layers one at a time.

349

00:20:01,385 --> 00:20:03,245

Don't get greedy one at a time.

350

00:20:04,865 --> 00:20:05,645

There I go.

351

00:20:07,355 --> 00:20:07,805

Oh,

352

00:20:11,105 --> 00:20:11,794

there we are.

353

00:20:14,165 --> 00:20:18,435

Let's take some of that nice Brown color

that we had and come right in here.

354

00:20:20,610 --> 00:20:22,080

And I'm just putting some Brown in there.

355

00:20:22,080 --> 00:20:25,290

So maybe there's something, maybe

we can see some dirt here and there.

356

00:20:25,830 --> 00:20:29,429

Some rocks and stones and nice soil areas

357

00:20:33,550 --> 00:20:37,350

I'd ever would take a little

that same Brown and some titanium

358

00:20:37,350 --> 00:20:38,489

white and mix it together.

359

00:20:39,330 --> 00:20:42,570

Don't overmix on put a little touch

here and there, the bright red, the

360

00:20:42,570 --> 00:20:46,169

yellow ochre in it now very lightly,

just like you're doing the mountain.

361

00:20:47,580 --> 00:20:48,960

Just sort of let that float along.

362

00:20:49,020 --> 00:20:51,820

Barely, barely touching, barely touching.

363

00:20:54,950 --> 00:20:58,370

Oh, look at her neck.

364

00:20:58,390 --> 00:20:58,820

Gorgeous.

365

00:20:59,120 --> 00:21:01,610

It really stands out against

that dark, dark color.

366

00:21:05,000 --> 00:21:09,830

And we can come back and make it look

like a lot of little stones and rocks

367

00:21:09,830 --> 00:21:11,210

and things that are happening in there.

368

00:21:12,050 --> 00:21:13,400

Just all over the place.

369

00:21:15,240 --> 00:21:21,180

Backed her a little round brush, few

little bushes and sticks and weeds

370

00:21:21,180 --> 00:21:24,360

and the grassy areas and all the

little things that live around there.

371

00:21:25,350 --> 00:21:30,780

Like, so now you get a lot of

letters, people asking about my

372

00:21:30,810 --> 00:21:37,920

easel, if they can find an easel,

like the one that I use, this is

373

00:21:37,920 --> 00:21:39,720

just made out of old platform ladder.

374

00:21:40,470 --> 00:21:42,930

But so many people have asked,

I think pretty soon we'll.

375

00:21:43,635 --> 00:21:47,324

We'll have a, I've designed a

new easel, which is fantastic.

376

00:21:47,985 --> 00:21:48,824

And it'll be out soon,

377

00:21:52,034 --> 00:21:53,264

but this one's just an old ladder.

378

00:21:53,264 --> 00:21:54,165

You can make one at home.

379

00:21:56,715 --> 00:21:58,064

You can make one at home.

380

00:21:58,094 --> 00:21:58,665

It doesn't matter.

381

00:22:00,524 --> 00:22:00,915

Yeah.

382

00:22:00,915 --> 00:22:06,705

Then let's take a little blue and

Crimson, lavender colored, other words,

383

00:22:06,705 --> 00:22:08,115

and just put a little color right here.

384

00:22:10,334 --> 00:22:10,844

A little color.

385

00:22:12,824 --> 00:22:13,455

There we go.

386

00:22:15,105 --> 00:22:17,804

There's a bit of titanium white and

the same brush on and make us look

387

00:22:17,804 --> 00:22:20,264

like a happy little stream right here.

388

00:22:20,355 --> 00:22:27,135

Pull straight down, straight down

about like, so, and then go across.

389

00:22:29,465 --> 00:22:33,465

We have instant water with all the

covers just reflected right into it.

390

00:22:35,034 --> 00:22:38,855

They're a little green

and a little yellow.

391

00:22:39,480 --> 00:22:42,300

And let's go up in here and

just throw some highlights red

392

00:22:42,300 --> 00:22:44,460

on this big evergreen tree.

393

00:22:46,710 --> 00:22:53,760

Something about like, yeah,

there, there goes another one.

394

00:22:55,320 --> 00:22:56,070

All right.

395

00:22:57,210 --> 00:23:00,960

Now on the other side, let me

find a big round brush shoot.

396

00:23:01,500 --> 00:23:02,640

We had a big tree over here.

397

00:23:02,640 --> 00:23:04,320

Now I'm gonna add a little

black to that color.

398

00:23:04,320 --> 00:23:06,120

I want to get strong little black.

399

00:23:07,290 --> 00:23:11,760

So I have lavender with a little

bit of black color in it, and

400

00:23:11,760 --> 00:23:14,490

that's just left this big old tree

just grow right out of the brush.

401

00:23:15,689 --> 00:23:17,790

Just let it grow right out of the brush.

402

00:23:25,699 --> 00:23:28,409

And that helps you push that whole

mountain back into the distance,

403

00:23:30,510 --> 00:23:33,139

but you never knew a tree could

push a mountain, but it can

404

00:23:37,080 --> 00:23:38,340

just let it come right on out here.

405

00:23:39,810 --> 00:23:40,860

Something about like, yep.

406

00:23:42,840 --> 00:23:43,439

There we go.

407

00:23:45,990 --> 00:23:47,909

Come back, pick up Luke Brown.

408

00:23:48,899 --> 00:23:53,699

We'll turn it into a nice little bank

just by putting some Browns right there.

409

00:23:55,080 --> 00:23:57,659

Back to all of our little colors

like we used on the other side,

410

00:23:59,610 --> 00:24:01,409

just popped in a little color there.

411

00:24:01,470 --> 00:24:02,429

Maybe it comes right down,

412

00:24:05,879 --> 00:24:09,870

back to our little Brown brush

with all the little colors on

413

00:24:09,870 --> 00:24:11,159

it, the greens and the yellows.

414

00:24:12,975 --> 00:24:17,195

But they had some happy little bushes

right down here hanging over C, C.

415

00:24:17,415 --> 00:24:20,475

They, there they're there

they live right there.

416

00:24:21,915 --> 00:24:22,635

Right there.

417

00:24:24,615 --> 00:24:29,145

Old two inch brush put in some

little grassy areas all down here.

418

00:24:29,145 --> 00:24:32,084

This foot's there.

419

00:24:33,165 --> 00:24:38,054

This runs right down the ed, but

I don't know if the canvas easy.

420

00:24:39,300 --> 00:24:42,570

Tell you what, when we had that brush, I

will take some at Brown color and mix it

421

00:24:42,570 --> 00:24:45,900

with yellow ochre just, well, I know him.

422

00:24:45,960 --> 00:24:46,830

I know what I want to do.

423

00:24:47,220 --> 00:24:47,460

Hmm.

424

00:24:48,310 --> 00:24:49,050

Got it of myself.

425

00:24:50,160 --> 00:24:53,160

I want to put a trunk and that

old tree that's go right here.

426

00:24:53,640 --> 00:24:56,640

Take a little bit Brown

red on the fan brush.

427

00:24:57,570 --> 00:24:58,020

There it is.

428

00:24:59,280 --> 00:25:01,290

Take my knife, a little Brown and white.

429

00:25:01,770 --> 00:25:02,220

Come back.

430

00:25:03,660 --> 00:25:05,760

Let me just add a little touchy

highlight here and there.

431

00:25:07,560 --> 00:25:12,389

There, there just a little

highlight here and there.

432

00:25:18,450 --> 00:25:19,649

Say they're in DC.

433

00:25:19,700 --> 00:25:21,860

We have the indication

of a nice little trunk.

434

00:25:22,310 --> 00:25:23,990

Now we'll use that Brown color.

435

00:25:23,990 --> 00:25:27,530

We've made mixed with yellow ochre and put

a little tattoo, liquid white, just in it.

436

00:25:29,220 --> 00:25:32,740

Let's come back here, drop it.

437

00:25:32,950 --> 00:25:35,600

Nice little highlights all over this tree.

438

00:25:35,660 --> 00:25:37,580

It's a nice little user living up in here.

439

00:25:39,540 --> 00:25:43,040

There they come there.

440

00:25:44,780 --> 00:25:48,410

Just all kinds of little

doers, but didn't that opening?

441

00:25:48,410 --> 00:25:53,570

Cute had Jerry mean all those, all those

little things just popping out of nowhere.

442

00:25:55,010 --> 00:25:55,970

I enjoy doing those.

443

00:25:57,270 --> 00:25:58,470

I really enjoy doing that.

444

00:25:58,470 --> 00:25:59,250

Was there a lot of fun?

445

00:26:01,560 --> 00:26:02,130

Here we go.

446

00:26:05,280 --> 00:26:05,700

Okay.

447

00:26:08,880 --> 00:26:10,830

Just all kinds of little

things on this tree.

448

00:26:11,490 --> 00:26:13,950

We covered up most of her

trunk, but we know it's there.

449

00:26:14,160 --> 00:26:15,240

So that's all that matters.

450

00:26:16,410 --> 00:26:17,400

We know what's there.

451

00:26:19,650 --> 00:26:23,490

Dip the brush into a little bit of

paint thinner and right in here.

452

00:26:24,510 --> 00:26:24,780

Yeah.

453

00:26:24,810 --> 00:26:29,220

I want to put a little, a little bushes

right around his little foot, third.

454

00:26:29,220 --> 00:26:29,790

Holy man.

455

00:26:30,899 --> 00:26:33,950

They will about, about having

a finished painting shoot.

456

00:26:33,950 --> 00:26:38,000

We can take our little liner brush,

put in a little stick of a twig here

457

00:26:38,000 --> 00:26:44,060

and there and it'd be all done just

to do those, something like that.

458

00:26:47,475 --> 00:26:49,035

I think we'll call that

a finished painting.

459

00:26:49,255 --> 00:26:50,525

I hope you've enjoyed this one.

460

00:26:50,525 --> 00:26:51,575

He'll give you a challenge.

461

00:26:51,575 --> 00:26:54,995

And from all of us here, happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E05 - A Pretty Autumn Day

Bob Ross's

The Joy of Painting

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