Bob Ross's

The Joy of Painting

S17E12 - Nature's Splendor

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Hi, I'm certainly glad

you could join me today.

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You ready to do a

fantastic little painting?

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I'll tell you what.

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Let's start out today.

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Have run all the colors across the screen

that you need to paint along with me.

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And while they're doing that, let

me show you what I've done up here.

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I have my standard old canvas up

here, but today I've taken black

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Jesso and I've just sort of sketched

in with a black Jessel or rough.

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Idea here, just some tree indications

and just, uh, this whole bottom area here

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is covered completely with black Jesso.

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I've allowed that to dry.

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Totally.

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And then I've covered it with a

transparent color, which today I'm

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using a mixture of a lizard and Crimson

and a little bit of fallow blue.

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Another thing that you'll find

that'll help when you're doing

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this, sometimes it's very difficult

to scrub that old stiff paint.

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Over the black Jesso.

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If you will take a little bit of

liquid clear and put on here, but a

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little tiny bit, then when you start

putting this transparent color on,

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it'll go on just as smooth as glass and

it makes it a little easier for you.

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So I tell you what, let's start

out today with the old two inch

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brush, we'll go right into a small,

small amount of the thalo blue.

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Just a little bit, just tap the

bristles into a little bit of it.

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Don't need much.

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Now then up here, I just applied

liquid white as usual so that our

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color will blend with it and we

can create all kinds of effects.

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There were just Trump in quick

little, just a happy little sky.

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There we are.

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Now this blue is very transparent, so.

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See, these things still show through

and that creates some beautiful effects.

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I'll show you as we, as we go along

here now, then I have a little bit

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of that lavender color left that

I use to cover the black Jesso.

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And it's just, as I say,

Lisbon Crimson and Taylor blue.

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Maybe I'll put a little touch of that

lavender color right along in here.

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And I'm still using just little

crisscross tropes, little

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Xs, something like, so, okay.

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Now let me wash my brush.

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That's the fun part of all this.

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And as you know, will you wash our brushes

with odorless thinner with shake off the

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excess and just beat the devil out of it?

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Okay.

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Now then, now, then at brush wash

and makes all this worthwhile, I'm

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gonna take some titanium white.

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I'll be right back.

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I'll get at least little touch of yellow

ochre, yellow ochre, and titanium white.

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And just mix those on the brush.

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Shoot.

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Don't worry about it.

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Maybe in here, we'll put

a little bit of that.

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We want to make a bright,

happy little sky today.

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So we'll just drop that right in there.

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Now that lavender color, if we put

in here, that'll act as a barrier.

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So the yellow does not touch

the blue and turn bright green.

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There we go.

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Now wash the brush one more time.

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There's this screen down here in the

bottom of his can, and that allows

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you to scrub the brush against it.

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That works great.

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And, but the screen allows the solid

material to settle to the bottom and

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it keeps your paint thinner, relatively

clean and paint thinner, never wears out.

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All you have to do is let it settle

for a while for the paint thinner

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off and throw away the sludge.

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Cumulates in the bottom and you

can use it over and over again.

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There we go.

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It doesn't then make a

very effective little sky

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tapping, all canceled things.

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If you want to miss this right together,

just tap it and very lightly go over it.

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Okay.

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We have a nice little sky today.

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I'll tell you why.

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I haven't done many

mountains in this series.

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So let's build this a little mountain.

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We'll take some black alizarin

Crimson mix that together.

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That'll make a nice lavender color,

sort of a reddish lavender color.

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It's very pretty.

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You can take a little pressure

and blue add in there also

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little bit of pressure blue.

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Now, then.

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Pull it out very flat as usual cut across.

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And there's our small roller paint

red out on the edge of the knife.

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It's most important.

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Now then you have to make

your first major decision.

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It's come right up in here.

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Where does your mountain

lift and our world?

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Our mountain lives right here and just

begin working on some basic shapes.

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Just let this one to ride on

back here wherever you want it.

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Maybe it comes out here.

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There may be a bump there and

another one, maybe it goes

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off just how ever you want it.

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It's really an individual thing there.

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Scrape off all the excess paint.

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It's most important to get

all this excess paint off.

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And you're not going to hurt.

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The canvas.

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Canvas is tough.

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Shoot.

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They make tents out of it.

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It's very tough.

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Now with a large brush,

we'll pull that out.

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That does two things.

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It removes the excess paint

even more and it blends us down.

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So it gets lighter and lighter in

value as it works down the mountain.

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And you can use the brush to create.

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The sort of like the illusion

of, of highlights and shadows

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just by using brush strokes.

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And it may not show too much

on television, but when you

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do your own painting, you'll

understand exactly what I'm saying.

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Okay.

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Let's have some fun, we'll take, let's

take a little white, little white,

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little bit of a lizard in Crimson.

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They look blue.

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Making a dark lavender color here,

maybe a little more of the Crimson.

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There we go.

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We're going to make a shadow color.

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That's what I'm looking for there.

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Something about like, so, okay.

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Once again, we cut off our little

roll of paint and then today I'm

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going to apply the shadows first soon.

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No pressure.

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Absolutely.

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No pressure.

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Just barely, barely touching the canvas.

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The lighter, the better,

no pressure whatsoever.

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Put in a few of those little shadow areas.

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Maybe there's one going to be right in

here wherever you think there'd be one.

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Nah, just take a little dark Sienna, a

little bright red, a little touch of the

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little touch of the yellow ochre into it.

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And we will just make a beautiful little

Brown color here, but leave it marble like

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this, all kinds of things are happening.

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Don't overwork it, our little roll

of paint again that we can go up

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in here and began picking out all

these little individual things.

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Once again, though.

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Absolutely no pressure, no pressure.

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Just let the knife barely, barely touch.

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And follow those basic ankles

that you have in your mountain.

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There just all kinds of

little things happening.

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Just let your imagination wander

here to whatever, whatever,

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whatever makes you happy.

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There we are.

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I'm going to highlight even this.

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So all we're doing here is just

applying a little bit of color.

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We're not really too

concerned at this point.

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And I don't want to lose all

this light area down here.

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That'll be very pretty human back

to some of the shadow colors.

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Maybe there's a bump right in there.

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Watch here.

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We want to have a little Indian

patient or something different.

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Just drop it in on this canvas.

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You can do anything that you want to do.

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You have absolute total power there.

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I think that's one of the things

that attracted me to painting so much

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because here I could create any kind of

world that I wanted any kind of world.

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And there's no violence here.

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Everything's happy.

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And that's what I wanted to violence.

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Turn the news on.

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Okay.

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Now then I'm going to take

white, just titanium white.

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Hold it out as flat as I can get it.

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And once again, we're going to

cut off that little roll of paint.

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Now, then I want to put the

indication like there's a little

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highlight, just zinging through here.

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Very, very delicate touch,

but that paint break.

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Let it break.

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That's nice.

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There we go.

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Where ever you think it should be?

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With ankles are very important.

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Very, very important here.

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Don't just hit it random.

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Yeah.

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We'll take a clean, very dry two inch

brush and we can tap this, follow

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the angles, all of those angles.

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There we are.

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And then very lightly blended upward.

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That brings everything together,

takes out all the little tap marks

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and that quickly we have a beautiful

little mountain sitting right out here.

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Okay.

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Happy to brush like that

because there's a little paint

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that is collected in that way.

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You can take that paint off without going

through the whole cleaning procedure.

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Let's take C today.

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We'll use some.

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We'll use some question blue, some

black Brown, a little bit of SAP green,

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maybe even a little dessert and Crimson.

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What the heck?

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Whatever makes you happy.

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Dark colors.

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We're looking for very dark colors.

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There we are a little bit of it.

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This pile I'm going to

take out and add to that.

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Just a small amount of yellow.

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I want it to be a little bit lighter.

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They're little yellow ochre, Zara, Waco,

maybe even a little white in there.

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That's nice.

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It's a little lighter

than this pile over here.

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We have two piles.

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One's a little lighter.

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Let me get a fan brush.

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Okay.

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I'm going to load the

fan brush full of color.

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Full of color.

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Let's go right up in here.

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Now, back in here, back in here

where you're just going to have

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all kinds of little evergreen trees

that live far back in the distance.

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Okay.

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They're just, I'm just

tapping down, right?

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That's all we're doing here.

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Let me just let that go wherever

we don't know where it goes

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wherever you want it to go.

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There's one week up in there.

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Yeah.

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See some of these things like

right in here, that's what we

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painted that on with black chess.

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So, but I don't want to cover those.

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I want them to stay because

it'll look like Misty soft

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things that are far, far away.

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See, 'em all up here.

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Those can be so beautiful in a painting.

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Try not to kill all of them.

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Looks like a little background trees

that are far away now, here and there.

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Maybe there's a tree that you can

make out a little more detail,

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just a few here and there.

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They're a little bigger than stronger.

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Okay.

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And we don't know where they

go, where they just go up here

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into the mist somewhere now.

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And we'll take our two inch pressure.

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I want to create some

mist at the base of these.

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I got the least little touch, please.

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Little touch your fight on there.

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Just a small, small amount.

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It's easy to overdo, especially

on this black here, because it'll,

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it'll just jump right out at you.

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I just want to create a little mist

at the base and that's all we need.

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So we need, at this point, it doesn't

look like a great deal in here, but

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when we come back and begin laying and

other things, that'll jump out at you.

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Okay.

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Super.

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Let's go in here, take a

little touch, uh, yellow.

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Be right back.

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Get a little descent green, just tap

it right into the bristles and tap it.

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Loads.

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The bristles canes go up here.

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You have to start making

some big decisions.

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Where does our land live?

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I think that's good right here.

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See, I think it lives right here.

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Okay.

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I've left a little bit

of that missed in there.

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How she knows to begin making

these big decisions again.

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Where does it go?

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All we're doing here is just tapping.

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See there.

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It looks like soft little grassy

areas, soft little grassy areas.

256

00:13:44,310 --> 00:13:45,570

And this is just a mixture of.

257

00:13:46,454 --> 00:13:53,175

Oh, we'll use some SAP green card,

yellow, yellow ochre, Indian,

258

00:13:53,175 --> 00:13:56,834

yellow, maybe even a little touch

of the bright red here in there.

259

00:13:58,095 --> 00:14:01,125

Just whatever makes you happy, sort

of look at it and make big decisions.

260

00:14:02,375 --> 00:14:03,935

Tell you what I want a

little water in there.

261

00:14:04,964 --> 00:14:05,795

One little water.

262

00:14:05,795 --> 00:14:05,944

Now.

263

00:14:05,975 --> 00:14:06,755

I like water.

264

00:14:07,355 --> 00:14:12,245

You've painted with me before, you

know, you know, I like that water now

265

00:14:12,305 --> 00:14:15,395

on I've taken this little titanium

wipe on the two inch brush touch.

266

00:14:15,855 --> 00:14:18,915

And full down the color is on the canvas.

267

00:14:20,025 --> 00:14:23,325

And if immediately, beautiful,

beautiful reflections will happen.

268

00:14:25,445 --> 00:14:26,495

That's simple.

269

00:14:28,775 --> 00:14:33,155

That's one of the most fantastic things

that happens when you use this black.

270

00:14:33,555 --> 00:14:34,355

I love that.

271

00:14:36,845 --> 00:14:38,855

That's very easy for it

to get too bright on you.

272

00:14:38,855 --> 00:14:39,605

So be careful.

273

00:14:41,790 --> 00:14:45,860

And it gets, when you do this, it's

so much fun and you, you get carried

274

00:14:45,860 --> 00:14:48,709

away and pretty soon you let it go.

275

00:14:49,579 --> 00:14:52,370

As I've mentioned to some of

the other shows, it's fun.

276

00:14:52,400 --> 00:14:58,280

If you're doing paintings where friends

or relatives, or anybody's watching to

277

00:14:58,280 --> 00:15:02,089

put the color in this black part and

don't tell them there's color there.

278

00:15:02,600 --> 00:15:04,939

And then you take a little bit of

white and touch it anyway, they

279

00:15:04,939 --> 00:15:07,670

think you're doing something that's

magic because all these beautiful

280

00:15:07,670 --> 00:15:09,230

colors will just jump out at you.

281

00:15:10,530 --> 00:15:11,069

Here we go.

282

00:15:11,250 --> 00:15:13,740

I'm just going to tap a few more

of the little grassy areas in here.

283

00:15:15,540 --> 00:15:16,020

Shoot.

284

00:15:16,020 --> 00:15:16,410

Who knows?

285

00:15:16,410 --> 00:15:19,859

Maybe on the other side over here,

maybe there's a, another one.

286

00:15:20,099 --> 00:15:20,339

Yep.

287

00:15:20,400 --> 00:15:20,849

You're right.

288

00:15:21,120 --> 00:15:24,540

He lives right there wherever you want it.

289

00:15:26,910 --> 00:15:27,510

There we go.

290

00:15:30,060 --> 00:15:35,819

And you can put as many or as few

little things in here as you want now.

291

00:15:36,165 --> 00:15:37,905

We'll put a reflection into that one too.

292

00:15:37,965 --> 00:15:42,345

All you do little white pull down,

even though this is going at an angle

293

00:15:42,345 --> 00:15:47,355

this way, these strokes need to come

straight down, straight down, but

294

00:15:47,355 --> 00:15:49,995

they just won't look right there.

295

00:15:50,204 --> 00:15:51,615

Very lightly come across.

296

00:15:51,645 --> 00:15:55,574

This stroke also needs to be

horizontal straight across,

297

00:15:56,535 --> 00:15:57,735

or it won't look right either.

298

00:15:59,085 --> 00:15:59,954

Kim, let me take that.

299

00:16:00,285 --> 00:16:00,525

Shoot.

300

00:16:00,525 --> 00:16:01,365

Let's have some fun here.

301

00:16:01,395 --> 00:16:03,495

Let's take a little touch of the

liquid white and put out here.

302

00:16:03,495 --> 00:16:05,865

I'm gonna put a little touch

of yellow ochre with it, maybe

303

00:16:05,865 --> 00:16:07,365

a little touch of dark Sienna.

304

00:16:10,895 --> 00:16:11,824

Wipe off my knife.

305

00:16:13,564 --> 00:16:16,595

Let's take a, I'm gonna

use the old Filbert brush.

306

00:16:17,555 --> 00:16:21,425

Go into a little Brown and I'm going

to go down here and just pull one

307

00:16:21,425 --> 00:16:24,545

side of it through that mixture.

308

00:16:24,545 --> 00:16:25,535

And then paint.

309

00:16:25,595 --> 00:16:27,035

See it's dark on one side.

310

00:16:27,525 --> 00:16:28,185

Right on the other.

311

00:16:28,215 --> 00:16:28,485

Okay.

312

00:16:29,025 --> 00:16:30,375

Maybe there's a little stone.

313

00:16:31,095 --> 00:16:33,675

Just want to show you a nice way

of making a happy little stone.

314

00:16:34,515 --> 00:16:35,595

See he lives right there.

315

00:16:36,885 --> 00:16:37,485

That easy.

316

00:16:37,755 --> 00:16:39,345

You paint both sides of the stone.

317

00:16:39,615 --> 00:16:46,035

At one time, we'll come down here, put

a little grass right around his foot.

318

00:16:47,295 --> 00:16:48,135

We're in business.

319

00:16:49,725 --> 00:16:50,295

Okay.

320

00:16:50,355 --> 00:16:51,675

Back to my fan brush.

321

00:16:51,675 --> 00:16:55,545

Now we're going back to that original

pile of dark color that we made.

322

00:16:55,545 --> 00:17:01,455

We want this to be dark now, back

to the very dark colors, maybe

323

00:17:01,995 --> 00:17:04,425

their lives, a tree right here.

324

00:17:04,875 --> 00:17:07,305

Notice I'm not going in here.

325

00:17:07,725 --> 00:17:08,475

Brent, come on up here.

326

00:17:08,475 --> 00:17:08,805

See here.

327

00:17:08,805 --> 00:17:10,725

They're the ones with the

black Jessel back there.

328

00:17:11,085 --> 00:17:12,105

I want to leave those.

329

00:17:13,860 --> 00:17:15,810

Want to leave them because they're

going to look like trees that

330

00:17:15,810 --> 00:17:17,340

are far back in the distance.

331

00:17:18,930 --> 00:17:20,100

I think that's very nice.

332

00:17:20,100 --> 00:17:21,270

I don't want to say that area.

333

00:17:23,700 --> 00:17:25,770

All we're going to do here

is just quickly drop in some,

334

00:17:26,790 --> 00:17:28,200

some little evergreen shapes.

335

00:17:29,730 --> 00:17:31,050

Maybe they live right there.

336

00:17:32,010 --> 00:17:35,130

We'll give him a friend, you know, me.

337

00:17:36,314 --> 00:17:36,615

Thank you.

338

00:17:36,675 --> 00:17:38,085

Everybody needs a friend.

339

00:17:39,495 --> 00:17:41,774

They're the most important

commodity in the world.

340

00:17:46,215 --> 00:17:48,855

When all else leaves you,

your friends are still there.

341

00:17:49,605 --> 00:17:50,745

If they're true friends.

342

00:17:52,635 --> 00:17:53,955

Okay, we'll have another one then.

343

00:17:54,290 --> 00:17:56,940

Got so many friends here, this, this

fellow fellow's never going to be alone.

344

00:17:59,580 --> 00:18:00,240

There we go.

345

00:18:04,430 --> 00:18:06,590

The other side, she didn't need

some friends over there too.

346

00:18:07,340 --> 00:18:10,790

Maybe over here, we have a big

old tree that lives right there.

347

00:18:15,000 --> 00:18:15,689

Wherever you want it.

348

00:18:16,379 --> 00:18:17,370

That's where he should live.

349

00:18:18,330 --> 00:18:19,620

And look around in your painting.

350

00:18:19,620 --> 00:18:24,090

Maybe if I put half a dozen trees

in here, maybe you only want

351

00:18:24,090 --> 00:18:26,850

two, or maybe you want two dozen.

352

00:18:27,389 --> 00:18:29,490

It's up to you up to you.

353

00:18:30,990 --> 00:18:33,149

Painting is very individual.

354

00:18:34,139 --> 00:18:38,129

Everyone who paints has their own idea

of how their painting should look.

355

00:18:39,405 --> 00:18:40,215

And it's different.

356

00:18:42,725 --> 00:18:43,685

What I thinks right.

357

00:18:43,745 --> 00:18:47,345

You may think is not, and that's

what makes painting so special.

358

00:18:48,725 --> 00:18:54,544

It's a way of expressing what you feel,

not what someone else feels there.

359

00:18:54,605 --> 00:18:57,544

Maybe we'll give them a little friend,

got to have a little friends, too.

360

00:18:59,014 --> 00:19:01,595

I get so many letters from young

people all over the country.

361

00:19:02,135 --> 00:19:03,185

It's fantastic.

362

00:19:03,185 --> 00:19:07,175

And then we go out and we do a lot

of demonstrations for PBS stations.

363

00:19:08,445 --> 00:19:10,395

Help them make a happy

buck here and there.

364

00:19:11,925 --> 00:19:15,405

And so many of my young

friends come to see me unreal.

365

00:19:18,465 --> 00:19:19,035

There we are.

366

00:19:19,635 --> 00:19:20,955

They're the most super people.

367

00:19:23,715 --> 00:19:26,385

And if I get to your area doing

demonstration, I hope you will come

368

00:19:26,385 --> 00:19:30,435

out and see us and support your

station and enjoy a few hours with us.

369

00:19:31,625 --> 00:19:34,335

If you'd like to be notified, I'm

taking little Brown and white here.

370

00:19:35,280 --> 00:19:39,180

If you'd like to be notified whom we're

going to be in your area, just drop me

371

00:19:39,180 --> 00:19:41,010

a line with your name and address on it.

372

00:19:41,040 --> 00:19:42,870

We have a little, little mailing list.

373

00:19:42,870 --> 00:19:43,900

We'll add your name to it.

374

00:19:45,300 --> 00:19:47,430

We'll drop you a card when

we're going to be in the area.

375

00:19:49,580 --> 00:19:50,150

There we go.

376

00:19:54,140 --> 00:20:00,860

Just all kinds of little trucks and things

on the other side, give these trees over

377

00:20:00,860 --> 00:20:03,200

here, a little something to hold them up.

378

00:20:05,250 --> 00:20:06,330

We don't want them left out.

379

00:20:07,960 --> 00:20:11,580

You don't have to paint the whole truck

in because there's going to be some

380

00:20:11,580 --> 00:20:15,630

highlights on the front of the tree

and you wouldn't see the entire trunk.

381

00:20:15,630 --> 00:20:19,350

Let's take a little, we'll

use a little bit of the color.

382

00:20:19,350 --> 00:20:22,950

We made the tree with mixed with some

CAD yellow and blue, yellow ochre,

383

00:20:24,900 --> 00:20:26,670

but just mix things on the brush.

384

00:20:26,700 --> 00:20:29,010

All those different colors

will also be on your brush.

385

00:20:29,220 --> 00:20:30,960

You don't end up with one detto color.

386

00:20:32,490 --> 00:20:36,780

Because nature is rarely, rarely

ever has just one color or something.

387

00:20:36,810 --> 00:20:38,639

Usually it's a collection of colors.

388

00:20:38,820 --> 00:20:48,510

Put together, put a few little highlights

on here we go a little bit here

389

00:20:52,320 --> 00:20:55,920

that the sun's zing through

there and just, she wants to

390

00:20:55,920 --> 00:20:57,510

do happy things to the trees.

391

00:21:01,230 --> 00:21:02,700

I don't overdo the highlights.

392

00:21:03,660 --> 00:21:05,400

It gets looking good and it feels good.

393

00:21:05,400 --> 00:21:09,720

And it's almost a tendency to cover

up your whole tree with a light color.

394

00:21:10,290 --> 00:21:13,840

And if you lose all these beautiful

dark areas, then there's no depth.

395

00:21:13,970 --> 00:21:16,500

There's no distance in

each individual tree.

396

00:21:16,720 --> 00:21:19,800

They become very flat and

it'll disturb your eye.

397

00:21:19,830 --> 00:21:22,830

When you look at the painting

and we want your eye to be happy.

398

00:21:23,220 --> 00:21:24,120

Let's go on the other side.

399

00:21:24,540 --> 00:21:26,640

That to me, maybe the lights

coming right down this Valley,

400

00:21:26,670 --> 00:21:27,930

maybe it's hitting on both sides.

401

00:21:27,930 --> 00:21:28,070

So.

402

00:21:29,370 --> 00:21:31,409

And we have an artist license here.

403

00:21:31,830 --> 00:21:36,040

Remember I've mentioned when you buy your

first tube of paint, you get an artist.

404

00:21:36,040 --> 00:21:38,600

License says you can do

anything that you want to do.

405

00:21:39,260 --> 00:21:40,399

At least on this canvas.

406

00:21:42,229 --> 00:21:46,639

Anything, the two of them, I like it.

407

00:21:47,300 --> 00:21:47,600

Shoot.

408

00:21:47,600 --> 00:21:50,959

When I go home, the only thing I

can do is empty the garbage, but on

409

00:21:50,959 --> 00:21:52,820

this canvas, I can create worlds.

410

00:21:54,050 --> 00:21:55,459

I can create worlds.

411

00:21:57,899 --> 00:21:58,320

There.

412

00:21:58,530 --> 00:21:59,370

And so can you,

413

00:22:02,580 --> 00:22:03,270

there we are.

414

00:22:04,410 --> 00:22:09,530

Oh, he needs a little imagination

and some practice and you had, okay,

415

00:22:09,560 --> 00:22:12,080

now let's take, let's take it a one.

416

00:22:12,080 --> 00:22:12,649

It breaks down.

417

00:22:12,649 --> 00:22:17,210

We're dip it into a small amount of the

liquid white, just a small amount and go

418

00:22:17,210 --> 00:22:19,639

right into some yellow and some green.

419

00:22:20,990 --> 00:22:22,670

Let's make a few little happy bushes here.

420

00:22:24,195 --> 00:22:27,885

And all we do is just give a little

upward push and begin forming

421

00:22:27,945 --> 00:22:29,774

and shaping each individual Bush.

422

00:22:31,725 --> 00:22:34,784

And maybe when you do your

painting, maybe you won't like fall.

423

00:22:34,844 --> 00:22:40,754

Maybe you want to do it in all kinds of

beautiful reds and yellows and whatever,

424

00:22:42,314 --> 00:22:44,955

but use your imagination and do whatever.

425

00:22:45,465 --> 00:22:46,544

Do whatever feels good.

426

00:22:47,175 --> 00:22:47,774

It feels good.

427

00:22:47,774 --> 00:22:48,885

And it doesn't hurt anybody else.

428

00:22:49,185 --> 00:22:49,695

Sorry.

429

00:22:52,304 --> 00:22:55,304

I guess let's go right up here.

430

00:22:57,074 --> 00:22:57,645

Let me put in there.

431

00:22:57,645 --> 00:23:00,014

The Bush right over in this

side, we don't want him left out.

432

00:23:01,425 --> 00:23:05,405

We put as many or as few as you

want them wherever you want them.

433

00:23:08,645 --> 00:23:08,855

Yeah.

434

00:23:08,855 --> 00:23:11,465

Then I want to take what you use

a little bit of the same Brown.

435

00:23:11,465 --> 00:23:14,105

We've made three trucks out

of what the heck was that?

436

00:23:14,105 --> 00:23:14,824

Very flat.

437

00:23:14,855 --> 00:23:18,304

Just a little bit tiny, little

bit, a little roll right

438

00:23:18,304 --> 00:23:19,085

on the edge of the night.

439

00:23:20,135 --> 00:23:21,004

Let's go along here.

440

00:23:21,735 --> 00:23:26,115

You just put in for the indication, a

little waterline, more than anything

441

00:23:26,115 --> 00:23:30,315

else, we're just sort of scraping right

through the, the colored stone here and

442

00:23:30,315 --> 00:23:31,755

letting a little bit of the black canvas.

443

00:23:31,755 --> 00:23:35,325

Show it over here.

444

00:23:35,715 --> 00:23:36,465

Maybe a little bit.

445

00:23:37,755 --> 00:23:38,085

Shoot.

446

00:23:38,085 --> 00:23:38,445

Who knows?

447

00:23:38,445 --> 00:23:40,155

Maybe it even goes up in here wherever.

448

00:23:42,545 --> 00:23:44,255

Now let's go back to our big brush.

449

00:23:45,215 --> 00:23:45,935

Let's get crazy.

450

00:23:47,235 --> 00:23:48,915

Maybe look here, look here.

451

00:23:49,515 --> 00:23:50,025

Why not?

452

00:23:50,835 --> 00:23:53,145

Why not let this just come

right down across here.

453

00:23:54,885 --> 00:23:56,175

See that flight Jesso.

454

00:23:56,625 --> 00:23:58,185

You already have your dark down here.

455

00:23:59,025 --> 00:24:00,285

So all you have to do is apply.

456

00:24:00,285 --> 00:24:06,045

Your highlights makes you laugh

so much easier a little bit on

457

00:24:06,045 --> 00:24:10,425

the other side, we'll finish it

up and I'm just using the yellows.

458

00:24:11,580 --> 00:24:15,330

A little bit of Sam green, if

you wanna just put them together.

459

00:24:19,040 --> 00:24:19,100

Yeah.

460

00:24:19,130 --> 00:24:20,810

It's just layer after layer.

461

00:24:20,840 --> 00:24:23,870

And as I've mentioned before, the

softer, you want this, the more

462

00:24:23,870 --> 00:24:27,710

you tap it, the more that you

tap, the softer it'll become that.

463

00:24:27,710 --> 00:24:29,420

It looks like velvet laying out here.

464

00:24:30,680 --> 00:24:35,630

If that's what you want, it's

up to you totally up to you.

465

00:24:36,620 --> 00:24:38,030

Grab this, pull it down.

466

00:24:39,430 --> 00:24:41,130

Just let that become

part of the reflection.

467

00:24:43,290 --> 00:24:45,870

Come back with her knife, a

little touch, that Brown color.

468

00:24:46,110 --> 00:24:47,370

And we'll just clean up the edges.

469

00:24:47,380 --> 00:24:50,610

Put a little indication of

a little water line here.

470

00:24:50,700 --> 00:24:51,690

It's quite dark though.

471

00:24:53,450 --> 00:24:53,780

Yeah.

472

00:24:55,790 --> 00:25:01,400

I tell you what, let me get

another two inch brush with

473

00:25:01,400 --> 00:25:02,750

some nice dark color on it.

474

00:25:03,920 --> 00:25:06,710

This is that same color we've made

other trees with maybe up in here.

475

00:25:08,130 --> 00:25:10,050

There lives a big tree.

476

00:25:10,050 --> 00:25:11,070

It's closer to us.

477

00:25:11,850 --> 00:25:13,680

Don't need my chair

because of black Jesso.

478

00:25:13,680 --> 00:25:18,300

Once again, creates most of what you

need and then just gonna take it.

479

00:25:18,300 --> 00:25:20,430

Same old brush, because

I want this to be dark.

480

00:25:21,630 --> 00:25:22,710

I want to be very dark.

481

00:25:23,610 --> 00:25:26,160

Go right into a little bit of yellow.

482

00:25:27,090 --> 00:25:30,390

Tap a little color on it there.

483

00:25:30,570 --> 00:25:32,790

Now let's come right up in here.

484

00:25:33,990 --> 00:25:35,910

Maybe this is a very large tree.

485

00:25:37,545 --> 00:25:40,995

And it has all these beautiful

lambs that are hanging out.

486

00:25:43,035 --> 00:25:51,075

Like see, you can take this big brush

and make beautiful, beautiful details.

487

00:25:53,565 --> 00:25:54,915

Just let it work for you.

488

00:25:55,815 --> 00:25:56,595

Have fun with it.

489

00:25:56,985 --> 00:25:57,615

Enjoy it.

490

00:25:59,865 --> 00:26:00,435

There we are.

491

00:26:02,745 --> 00:26:05,235

Didn't it look like big limbs

that are all hanging over.

492

00:26:06,315 --> 00:26:06,525

Hmm.

493

00:26:07,215 --> 00:26:10,245

I like what this brush does you want?

494

00:26:10,245 --> 00:26:11,865

Must-do shoot.

495

00:26:13,485 --> 00:26:14,295

Let's have a little fun.

496

00:26:15,435 --> 00:26:19,185

Maybe we to look like, or to be a

little baby tree lives right there.

497

00:26:20,655 --> 00:26:21,525

Just a little guy.

498

00:26:22,665 --> 00:26:26,555

So we just dropped him right

in there anywhere you want

499

00:26:27,215 --> 00:26:29,825

putting him in 10, too easy.

500

00:26:31,145 --> 00:26:32,135

Put a little highlight on him.

501

00:26:32,135 --> 00:26:33,065

So he'll stand out.

502

00:26:33,485 --> 00:26:34,475

Be a nice individual.

503

00:26:37,470 --> 00:26:43,610

Get there, get there back to my

one inch brush, take witness,

504

00:26:43,820 --> 00:26:45,260

put a little Bush right there.

505

00:26:47,060 --> 00:26:49,879

Just sort of look around your painting

and decide what kind of little finishing

506

00:26:49,879 --> 00:26:52,040

touches that you want and drop them in.

507

00:26:52,100 --> 00:26:53,300

That's really all there is to it.

508

00:26:55,160 --> 00:26:59,750

I think we've been having a

completed painting, so we'll take

509

00:26:59,750 --> 00:27:01,730

a little thinner liner brush.

510

00:27:02,340 --> 00:27:06,270

Touch to the bright red and they'll

sign this one maybe right here,

511

00:27:06,600 --> 00:27:11,730

wherever you want to end by that

we'll call this painting finished.

512

00:27:12,780 --> 00:27:16,080

I really hope you've enjoyed this one

because it'll teach you a great deal.

513

00:27:16,110 --> 00:27:19,379

How to use the equipment and go

have fun from all of us here.

514

00:27:19,710 --> 00:27:20,460

Happy painting.

515

00:27:21,120 --> 00:27:21,899

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E12 - Nature's Splendor

Bob Ross's

The Joy of Painting

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