Bob Ross's

The Joy of Painting

S18E02 - Absolutely Autumn

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. Hey, welcome back.

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Certainly glad you could join me today.

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You ready to do a

fantastic little painting?

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Tell you what let's start out

today and have him run all

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the colors across the screen.

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That you need to paint along

with us while they're doing that.

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Let me tell you what I've

already done up here.

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I have my standard old pre-stretch

double prime canvas up here and I've

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put just a thin even coat of the

liquid white over the entire surface.

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So it's all slick and

wet and it's ready to go.

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So let's have some fun.

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I thought today is such

a fantastic day here.

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We just do a happy little painting, just.

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I've had a lot of requests,

people asking about how to do

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these great big fluffy clouds.

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So I thought we'd work on

something like it today.

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So let's start out.

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We use the old two inch

brush with a little touch of

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the fellow brew, blue blue.

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Sometimes my tongue gets over my eye

teeth and I can't see what I'm saying.

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And here we are.

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A little bit of the blue.

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We don't want much,

let's go right up here.

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And maybe right in here, we'll

have just a little bit of little

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bit of blue right in there.

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Like, so we'll just let that float right

on, off into nothing, a very small amount.

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We'll put a little colored in this guy.

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So the clouds will show up something

like, so this is just the little blue.

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And it's mixing with the liquid white it's

on the canvas and automatically you get

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a beautiful, smooth, even color in here.

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If this was a drag canvas, you'd been

agony city about now, now without cleaning

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the brush, I'm going to go into the

midnight black, just looking for a small

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amount of color, just a small amount Lexa.

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Now then with the black on there, and a

little bit of blue that was left, we'll

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have a very nice gray color and I'll

start at the top of the canvas, making

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a little Xs, little crisscross strokes

and blend that right down into the blue.

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Like that.

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So that way we graduated in color

from a blue, up into a nice gray

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and the more you blend this,

the better it'll come together.

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So you can't tell her one color stops.

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The next color starts.

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And while we have that gray going.

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Put a little more on the brush,

maybe right down in here.

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We'll add a little bit more of the gray.

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They're still making little

crisscross strokes and

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sometimes, sometimes it's nice.

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I'm gonna reach up here and get the

least little touch of a lizard Crimson.

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We'll warm that gray up a little bit.

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So we have a black and a

little bit of Crimson on the

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brush, but very small amount.

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Very very small amount.

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We don't want much.

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We don't want to set this cow on fire.

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I just want to change

the hue a little bit.

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The color fleece a little bit.

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This will warm it up.

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And today I think we'll

concentrate mainly on the sky.

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So I'm not too worried about down here.

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There we go.

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Now then let me wash the old brush.

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And as you know, we wash our brush with

odorless paint, thinner, the sheer it's

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odorless, and we never use turpentine.

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I have a screen in the bottom of

the can that I scrubbed the brush

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against shake off the excess.

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And just beat the devil.

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That's the fun part of this whole thing.

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Now that Emissary and right in here, I'm

going to go right into some titanium,

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white and the least little touch of yellow

ochre, putting a little yellow ochre in

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there just to brighten it up a little.

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Just a little bit.

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We don't want much don't want much.

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Okay.

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Now then I'm just going to go in

here, come right up to this blue and

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try not to intermingle them too much

because you know, if you put the yellow

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ochre into the blue, it's going to

turn green and we don't want that.

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They're just a very nice little light

spot that goes right through there.

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Now then we can take a little

black and maybe here and there.

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There's an indication.

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I have a little streaky cloud

that floats through there.

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We don't want many of those either.

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Just put them in there.

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Just a couple little happy things and I'll

take a clean brush and I have several of

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each breasts go in here, so I don't have

to spend all my time washing brushes.

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We'll just blend those that easy.

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Now, now we can have some fun.

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I think I'll just use

a one inch brush there.

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You could do it with any old thing.

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I'm going to write into a little

black, little white, and I want to

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make just a grayish color, least little

touch with a little blue into it.

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But mostly just black and white.

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There we are.

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Okay.

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Let's go out of here.

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Now we have to start

making some big decisions.

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Where does our clouds live?

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Let's just take and use just the corner,

just the corner of the one inch brush.

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And let's just begin laying in

some very basic little shapes here.

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And when you're doing this, you

need to have some basic shapes.

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Don't just throw it in at random

and think clouds will appear.

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They just won't do it.

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Rascals are lazy.

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They're like me maybe over in here.

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I mean, there's a big

cloud that floats around.

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I don't know.

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And when you do this at home, you

paint them any way that you want them,

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because painting is as individual

as people are, you paint what you

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see and what you want in your world.

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We all see nature through

different eyes and we all.

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We all have our own idea, the

way we want things to look.

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And I'm not trying to

teach you to copy here.

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The only thing I want to do

is to show you a technique and

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turn you loose on the world.

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Everyday.

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I get letters from hundreds of

people all over the country that

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are doing some of the most beautiful

paintings you've ever seen.

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And that's so fantastic there.

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Now just being, filling it in,

just as I say, decide where you

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want your big cloud to live.

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Hey, man.

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Hey man.

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And you can put all kinds of, maybe

there's a little, little thing.

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It goes right out there.

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Little stringy thing.

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All we're doing is putting

in some basic shapes.

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We'll come back and we'll

highlight all these little things.

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They're just all kinds

of happy, little things.

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So I see this whole canvas

has going to be mainly clouds.

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There we go.

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Maybe that one runs right on out and

has a little, get a little projected

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there, but this will be huge clouds.

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These are beautiful.

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Also, if you're doing seascapes,

sometimes it's nice to have these

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great big clouds floating around and

see, leave some holes once in a while.

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Let a little light shine through

really makes your cloud looks

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special when you do that.

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There we go.

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We just let that run.

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We don't know where it goes

somewhere off in there.

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Now there's very little

paint on the canvas.

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It may look like there's a lot, but

there's very little, we're using a brush.

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It's almost dry.

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Very little paint.

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If you're not sure if you have

a thin enough layer of paint,

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ticker, just a clean, dry two

inch brush and just do like, so.

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And that'll help pick up that excess paint

and blends it all together, even smoother.

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That's all you have to do there.

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And that'll remove, as I say,

that'll remove that excess paint.

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Now we can just pull that

because the canvas is wet.

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We can move this color there.

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All right, now that we can begin putting

some highlights on here, she's going

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to speak begin putting some highlights.

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And we can use a one inch brush

for that or two inch or fan brush.

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Any of them worked very well.

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There we are.

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Let's use a one inch bursty.

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What the heck?

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The round brush also

is excellent for this.

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It works very, very well.

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Now then let's just take some

titanium white be right back.

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I'm going to pick up the least

little touch of the bright,

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red, least little touch.

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Now then pull the brush

in a one direction there.

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Okay.

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Now let's take and go right up here

and write to that would go slightly

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above the dark area and just begin

putting in all these beautiful little

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highlights, tight, small little circles.

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There we go, Sam.

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Okay, now then just think about where

light's going to strike your cloud there.

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One of the questions were asked over

and over again is where did we come

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up with ideas for these paintings?

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Mainly they come from suggestions that

people radio people write everyday and

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tell me what they would like to see.

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And we try to paint what the majority

of people write and tell us they want.

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And we'll take a clean, dry brush.

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We won't do this in layers.

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Very gently, very gently.

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Just blend the base of it a little bit.

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Just the base.

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We're not touching the

top edges at all yet.

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Now.

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Very lightly.

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And this is a big circular stroke.

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See there, like that don't go

straight up or it'll look like it

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looked like it's raining up and

that sort of disturbs your eye.

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Look at it very lightly.

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Just caress it a little bit

and that's all you need.

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And we just do that in the layers.

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And we're going to do that

in several layers here.

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You know, if you've been doing

me before in some of the past

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series, you know, I love to show

little creatures and all the shows.

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Or recently, one of my neighbors

brought me over a little baby squirrel

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that had fell out of a tree and a

kitty cat had gotten, they rescued it.

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And this is the way it

looked when I got it.

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It looks like a little drowned rat.

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Doesn't it.

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Now is what he looks like today.

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This is got to be one of the cutest little

things that you've ever seen in a net.

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And I have raised this little

rascal and he's almost grown.

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Now we call it Bob bet.

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That way, we both have our name in it,

but he is the most precious little devil.

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And as I say, he lives with me and

he sort of has free run of the house.

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He just runs around, tear

his up everything, but he's

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getting a little old for that.

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We're to have to go and have

to turn in blues pretty quick.

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Just about growth there now.

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Same thing.

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I'm just working in layers.

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The Creek, those big fluffy effects,

then once again, and this is so light,

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so light, gentle, very easy, very easy.

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Whisper.

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And then just very lightly caress.

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It blended all together.

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Yeah.

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And I'm beating the big brush between

each of these blending procedures only

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to remove the excess paint by beating it.

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You can take that paint off the

bristles without going through

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the whole cleaning procedure.

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Okay.

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I will go right up in here and

add a little highlight here.

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Just the same basic old

thing over and over.

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This is an excellent painting

to teach you how to do clouds.

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Once you do this, when you'll never

have any problem with clouds, again,

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they'll be easy from now on just because

you've taken the time to practice there.

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Okay.

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And you can do it.

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You really can do it.

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Every day.

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As I mentioned before, I get so many

letters from people who never believed

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they could paint or do anything creative

like this, and they're having just

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marvelous success then that's wonderful.

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So let me hear from you.

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If you try this.

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Send me a photograph of what's

happening every once in a while

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we put them together and we'd like

to show them on the program here.

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And I just enjoy, I enjoy seeing them.

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It, it really makes all this worthwhile.

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Just the fact that people are, are taking

this method of painting and creating

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some of the most beautiful masterpieces.

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And it makes people happy.

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They may not hang in the

Smithsonian, but they certainly

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look good in our living rooms.

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Okay.

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Amy's essay.

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We just do this over and over and over and

work in layers, always working in layers.

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That way you'll have distance

and depth in your cloud.

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They won't just be all flat

clouds laying out here.

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We want our clouds to

have some life in them.

248

00:13:21,180 --> 00:13:21,959

There we go.

249

00:13:27,180 --> 00:13:29,790

We have a lot of skies like

kissing Florida, where I live,

250

00:13:29,970 --> 00:13:31,110

especially in the afternoon.

251

00:13:32,820 --> 00:13:38,610

And they're so pretty, maybe over in here,

just sort of work them around and look and

252

00:13:38,610 --> 00:13:40,020

see where you think you were to be thing.

253

00:13:42,020 --> 00:13:42,740

There we go.

254

00:13:46,370 --> 00:13:47,180

There's another one.

255

00:13:49,340 --> 00:13:52,550

See, this will also help

you expand your imagination.

256

00:13:52,790 --> 00:13:53,210

Painting.

257

00:13:54,314 --> 00:13:58,604

If you pay for any length of time, you,

your imagination will just sort of go

258

00:13:58,604 --> 00:14:03,854

a muck as they say, because imagination

may be the most valued thing that an

259

00:14:03,854 --> 00:14:11,474

artist has and it like anything else

develops with practice, the more you use

260

00:14:11,474 --> 00:14:13,724

your imagination, the better it becomes.

261

00:14:14,895 --> 00:14:16,275

It's like a muscle in our body.

262

00:14:16,545 --> 00:14:19,665

If you want it to expand

and get bigger, you use it.

263

00:14:20,835 --> 00:14:23,025

Take it to the point of

exertion and then it grows.

264

00:14:23,505 --> 00:14:25,064

And it's the same with your imagination.

265

00:14:26,385 --> 00:14:32,415

If you don't use it, it just

gets tired and lazy there.

266

00:14:34,035 --> 00:14:34,335

Okay.

267

00:14:34,365 --> 00:14:36,345

But always in circles here don't ever.

268

00:14:37,005 --> 00:14:38,204

Don't ever just go straight up.

269

00:14:38,204 --> 00:14:40,005

It really will look like it's raining up.

270

00:14:40,875 --> 00:14:44,324

But by the same token, if you wanted

to show rain coming out of the bottom

271

00:14:44,324 --> 00:14:47,025

of this cloud, all you have to do is

grab it and the start and pull down.

272

00:14:47,655 --> 00:14:51,375

I really don't want to do rain today,

but should you want to do rain or show

273

00:14:51,375 --> 00:14:52,905

white rain wheel from the distance?

274

00:14:53,415 --> 00:14:55,905

All you do is just grab, see, like yeah.

275

00:14:55,935 --> 00:14:56,775

And pull it downward.

276

00:14:59,104 --> 00:15:00,185

That's all there is to it.

277

00:15:03,275 --> 00:15:04,415

And then a wild sky.

278

00:15:05,135 --> 00:15:06,814

And you can do that in

just a couple of minutes,

279

00:15:11,765 --> 00:15:12,334

right?

280

00:15:13,895 --> 00:15:17,285

Maybe just a touch, more of the gray down

here and we'll just let this come weed.

281

00:15:18,780 --> 00:15:23,760

A little bit more of a Crimson

and just blend it all together.

282

00:15:24,990 --> 00:15:26,490

Very soft, very gentle.

283

00:15:28,760 --> 00:15:31,190

Maybe, maybe in our world.

284

00:15:32,954 --> 00:15:34,694

Maybe we eat back here in the distance.

285

00:15:34,755 --> 00:15:38,535

Maybe there's a little Hill,

it just take some gray, which

286

00:15:38,535 --> 00:15:39,704

is just the midnight black.

287

00:15:39,704 --> 00:15:43,574

And I'm just working with a

very small amount of it into the

288

00:15:43,574 --> 00:15:47,324

bristles, very small amount, maybe

the least little touch of that.

289

00:15:47,324 --> 00:15:48,135

They love blue with it.

290

00:15:48,135 --> 00:15:53,685

Not much on my chest enough

to, to tenent a little bit.

291

00:15:54,285 --> 00:15:55,215

Okay, let's go out up here.

292

00:15:55,665 --> 00:15:57,405

Maybe there's a nice

little Foothill that lives.

293

00:15:57,405 --> 00:15:59,265

We back in the distance here.

294

00:16:00,795 --> 00:16:04,095

We're a little mountain,

depending on where you're from.

295

00:16:05,910 --> 00:16:08,790

There we go, we'll put a little

point on it and let it come right on

296

00:16:08,790 --> 00:16:13,020

there and all we do, and he's just

barely tapping with a two inch brush.

297

00:16:13,050 --> 00:16:13,710

Very simple.

298

00:16:17,070 --> 00:16:21,390

Just follow the basic shape we want there.

299

00:16:24,090 --> 00:16:25,740

Just want this to be far away.

300

00:16:26,940 --> 00:16:31,830

Now, then at the base of this, I want

to create the illusion of a mist.

301

00:16:32,860 --> 00:16:38,050

And to do that, take a clean, dry two inch

brush, and I'm just going to tap it firmly

302

00:16:38,620 --> 00:16:40,990

right at the base, right on the bottom.

303

00:16:41,319 --> 00:16:46,150

Just tap it and not a blend, the

liquid white and automatically

304

00:16:46,540 --> 00:16:51,430

that illusion of missed will

occur, lifted upward, very lightly.

305

00:16:53,650 --> 00:16:54,220

And that easy.

306

00:16:54,220 --> 00:16:57,250

We got a happy little Hill as we

back here in the distance somewhere.

307

00:16:58,530 --> 00:17:00,240

Let's see, we just take

old, dirty brush here.

308

00:17:01,709 --> 00:17:03,810

Now we've used, Oh gosh.

309

00:17:03,839 --> 00:17:08,180

Well over three quarters of the entire

canvas, just doing the sky and you say,

310

00:17:08,339 --> 00:17:10,139

Oh my gosh, Bob, you didn't leave enough.

311

00:17:10,290 --> 00:17:13,950

You didn't leave enough room down

here to do something in the bottom.

312

00:17:14,550 --> 00:17:15,690

Oh, we have a little time left.

313

00:17:15,690 --> 00:17:16,829

So let's just have some fun.

314

00:17:16,859 --> 00:17:21,720

We'll take some Vandyke Brown and dark

Sienna, little black, little Crimson.

315

00:17:22,500 --> 00:17:25,230

Whatever it may be at least little

touch of SAP green in there.

316

00:17:26,700 --> 00:17:27,120

Okay.

317

00:17:28,800 --> 00:17:32,040

Now let's have back in here.

318

00:17:32,460 --> 00:17:37,530

Let's put the indication of

some little trees, just a little

319

00:17:37,530 --> 00:17:38,820

bushes and trees that live.

320

00:17:39,240 --> 00:17:42,270

We back in here, there, there.

321

00:17:43,185 --> 00:17:47,055

So just happy little thing, and I'm just

using the corner of the two inch brush.

322

00:17:48,915 --> 00:17:53,805

All we're doing and just

worry about very basic shape.

323

00:17:53,955 --> 00:17:55,575

That's all we're looking

for at this point.

324

00:17:56,835 --> 00:17:58,395

Very, very basic little shapes.

325

00:17:58,915 --> 00:18:03,225

Nothing else maybe that comes through.

326

00:18:03,555 --> 00:18:04,545

We don't know where it goes.

327

00:18:04,905 --> 00:18:06,525

I don't know that we

even care at this point.

328

00:18:09,105 --> 00:18:13,455

Now we have, in reality,

we've put nothing down here.

329

00:18:13,755 --> 00:18:14,595

This is all just.

330

00:18:15,165 --> 00:18:18,675

Watch what happens now, make a decision,

touched a little bit of fate, a little

331

00:18:18,675 --> 00:18:22,755

blue with a brush, very little and

make a decision where you think water

332

00:18:22,755 --> 00:18:26,865

would be underneath here and just

pull it straight down, straight down.

333

00:18:27,345 --> 00:18:31,995

That'll blend with the liquid white

that's on the canvas, and automatically,

334

00:18:33,135 --> 00:18:38,055

automatically we can create the illusion

of water just by going across like that.

335

00:18:41,565 --> 00:18:44,265

Now we'll come back and we'll put all

kinds of highlights on all that stuff.

336

00:18:45,780 --> 00:18:46,110

Okay.

337

00:18:47,490 --> 00:18:47,790

Okay.

338

00:18:47,790 --> 00:18:50,250

I'll just keep on using

the two inch brush here.

339

00:18:50,280 --> 00:18:54,360

What the heck you could use round

brusher, one inch brush or whatever.

340

00:18:54,750 --> 00:18:57,000

Just go tap a little bit of

color right into the corner.

341

00:18:57,000 --> 00:18:59,010

Over there, right into the corner.

342

00:18:59,610 --> 00:19:04,530

We'll use some yellow ochre, little

Indian, yellow, CAD yellow, maybe a

343

00:19:04,530 --> 00:19:05,970

touch of the bright red here and there.

344

00:19:07,830 --> 00:19:09,840

Let me reach up here and get

at least little touch a green.

345

00:19:10,850 --> 00:19:11,389

All right.

346

00:19:11,419 --> 00:19:14,179

Now just using the top

corner of the brush.

347

00:19:15,315 --> 00:19:19,815

Let's just go in here and tap in

some beautiful little highlights

348

00:19:19,815 --> 00:19:21,165

on these little trees and bushes.

349

00:19:23,085 --> 00:19:24,284

And we vary the colors.

350

00:19:24,465 --> 00:19:27,855

I won't use the same colors over and

over, but I'm just going to vary them.

351

00:19:27,855 --> 00:19:30,675

So to look like there's a lot of

bushes rather than just a few.

352

00:19:31,514 --> 00:19:36,524

See, you can grab a little

bit of black on the brush.

353

00:19:36,524 --> 00:19:38,685

Mix that with yellow,

that'll make us a nice green.

354

00:19:40,379 --> 00:19:46,440

There, you could do this in fall

colors or spring colors, whatever.

355

00:19:48,030 --> 00:19:48,990

It's very individual.

356

00:19:49,050 --> 00:19:50,940

You started looking, make a decision.

357

00:19:51,450 --> 00:19:53,940

Ooh, nice one nice one there,

a little bit of red in there.

358

00:19:55,500 --> 00:19:56,399

There we go.

359

00:19:58,215 --> 00:20:00,825

There's another one, wherever

360

00:20:03,975 --> 00:20:06,825

I say, you could do this with a round

brush or very nicely and make the

361

00:20:06,835 --> 00:20:15,495

same effect, same identical effect

there, but layers always layers.

362

00:20:15,495 --> 00:20:17,835

If you want that illusion

of depth in your painting.

363

00:20:20,325 --> 00:20:25,095

We go, if you want to spring colors,

for example, in the greens, I'd

364

00:20:25,095 --> 00:20:29,205

use a little halo green rather than

SAP green, and that'll give you a

365

00:20:29,205 --> 00:20:32,325

much brighter, more sparkly greens.

366

00:20:32,325 --> 00:20:34,305

I don't know if that's a word or

not, but you know what I'm saying?

367

00:20:34,845 --> 00:20:36,975

Greens that are vibrant,

that jump out at you.

368

00:20:38,325 --> 00:20:39,525

If you're looking for spring.

369

00:20:41,625 --> 00:20:43,815

There maybe another little

Bush who's right there.

370

00:20:44,745 --> 00:20:46,095

See, and don't worry about the bottom.

371

00:20:46,275 --> 00:20:48,375

Cause all you gotta do

is just pull them down.

372

00:20:49,965 --> 00:20:54,495

Like, so they become part of

your reflections that easy.

373

00:20:56,625 --> 00:21:00,735

Now then with a clean knife, we can go

back up in here and just take the point of

374

00:21:00,735 --> 00:21:04,485

the knife and scraping the indication of

some trunks and twigs and sticks and all

375

00:21:04,485 --> 00:21:06,075

those little things that live out in here.

376

00:21:07,199 --> 00:21:10,169

But mainly in the dark areas,

mainly in the dark areas.

377

00:21:11,729 --> 00:21:12,209

Here we go.

378

00:21:14,100 --> 00:21:21,510

And maybe in our world, grandpa two inch

brush, we'll take a little yellow, grab

379

00:21:21,520 --> 00:21:23,250

a little black hair, make some green.

380

00:21:24,330 --> 00:21:28,679

Now when you're loading this brush,

tap it firmly into the color.

381

00:21:29,639 --> 00:21:34,290

See and give it a push so

that the tips of the bristle.

382

00:21:35,715 --> 00:21:36,255

Are loaded.

383

00:21:36,465 --> 00:21:39,735

So give it a little push that's where

the paint sat now it's right at the tip.

384

00:21:40,365 --> 00:21:41,865

And maybe read along in here.

385

00:21:42,135 --> 00:21:46,245

Maybe there's a little bit of a

little grass growing right on here.

386

00:21:46,545 --> 00:21:47,805

Some happy little things.

387

00:21:49,005 --> 00:21:50,025

All you have to do is just.

388

00:21:50,355 --> 00:21:51,345

Just tap it.

389

00:21:51,795 --> 00:21:52,785

That's all there is to it.

390

00:21:54,945 --> 00:21:55,695

There we go.

391

00:21:55,995 --> 00:22:00,555

Just tap and you can put layer

after layer, after layer of

392

00:22:00,555 --> 00:22:02,625

just beautiful little grassy.

393

00:22:02,985 --> 00:22:04,665

Things are floating right down in here.

394

00:22:06,675 --> 00:22:08,655

And once again, if you get a

little bit, look color into your

395

00:22:08,655 --> 00:22:10,155

water, don't worry about it.

396

00:22:10,155 --> 00:22:17,265

Cause all you have to do is grab it

and pull it down like so, and go gently

397

00:22:17,265 --> 00:22:18,645

across that's all there is to it.

398

00:22:21,030 --> 00:22:22,800

So I have it's a little

borderline there for them.

399

00:22:23,190 --> 00:22:27,780

We'll take a little liquid white little

titanium, white, just mix them together.

400

00:22:27,810 --> 00:22:31,050

I've put the liquid

white into the titanium.

401

00:22:31,050 --> 00:22:34,320

White only that then the color I'm

going to take at least a little touch

402

00:22:34,910 --> 00:22:36,950

blue in that just, Oh, that's nice.

403

00:22:37,400 --> 00:22:37,940

That's nice.

404

00:22:39,080 --> 00:22:39,440

Okay.

405

00:22:39,650 --> 00:22:41,600

Now take a little bit

of that on the knife.

406

00:22:41,600 --> 00:22:42,560

Small room of paint.

407

00:22:43,710 --> 00:22:49,140

Now then let's go right up in here and

just sort of pull this, let it wiggle and

408

00:22:49,140 --> 00:22:52,680

pull and we'll make like a sandbar bank.

409

00:22:52,680 --> 00:22:53,730

It lives right out there.

410

00:22:54,780 --> 00:22:55,950

Say here, just pull it.

411

00:22:56,850 --> 00:23:02,970

Just make all kinds of little

things that easy, that easy.

412

00:23:04,230 --> 00:23:05,280

And then we can go back in here.

413

00:23:05,280 --> 00:23:08,640

If you want put in a few little

lines and stuff, just to smooth

414

00:23:08,670 --> 00:23:09,900

it out, bring it all together.

415

00:23:11,400 --> 00:23:13,320

Wherever you want them wherever.

416

00:23:14,925 --> 00:23:17,745

Okay, tell you what let's

take us around brush here.

417

00:23:17,835 --> 00:23:23,295

We'll go right into some Brown,

dark Sienna, a little bit of black.

418

00:23:23,715 --> 00:23:24,135

What the heck?

419

00:23:25,575 --> 00:23:28,095

Now there let's come right up in here.

420

00:23:31,514 --> 00:23:34,215

Let's just tap into indication

of some happy little trees.

421

00:23:34,995 --> 00:23:36,585

You can just use any

old round brush today.

422

00:23:43,280 --> 00:23:46,120

But all we're looking

for is very basic shapes.

423

00:23:46,129 --> 00:23:48,070

That's all we're looking

for at this point.

424

00:23:48,540 --> 00:23:52,190

We'll come back and we'll put

highlights in here right now.

425

00:23:52,760 --> 00:23:55,429

All we want just a little shapes.

426

00:23:56,985 --> 00:23:59,085

Let's go on the other side and

do some things over here too.

427

00:23:59,085 --> 00:23:59,925

We don't want it left out.

428

00:24:01,365 --> 00:24:01,995

Maybe over here.

429

00:24:01,995 --> 00:24:03,285

Lifts, fig tree.

430

00:24:03,735 --> 00:24:04,875

Great big old tree.

431

00:24:07,355 --> 00:24:12,255

It comes right down like, so

maybe he lives up here in the sky.

432

00:24:14,355 --> 00:24:16,215

This is the big boss tree here.

433

00:24:16,215 --> 00:24:18,375

He looks around and watches everything.

434

00:24:18,915 --> 00:24:22,635

King of the mountain, King

of the mountain right here.

435

00:24:22,935 --> 00:24:23,804

This would be the tree.

436

00:24:23,865 --> 00:24:29,804

My little squirrel did want to live out

there where you can just tap this on.

437

00:24:29,804 --> 00:24:34,064

You could put this on with a paint roller

doesn't matter, any old way you want.

438

00:24:36,225 --> 00:24:36,794

There we go.

439

00:24:39,554 --> 00:24:41,475

All we're doing is just

filling them with color.

440

00:24:41,534 --> 00:24:42,465

Just blocking it in.

441

00:24:42,465 --> 00:24:43,004

Basically.

442

00:24:44,054 --> 00:24:46,544

Now, then I have several of these brushes.

443

00:24:46,544 --> 00:24:49,635

I'm going to take another one, put the

least little touch of liquid white on it.

444

00:24:51,314 --> 00:24:53,985

Go right into a little bit

of yellow, a little bit of

445

00:24:53,985 --> 00:24:58,205

green, tap it firmly, firmly.

446

00:24:59,014 --> 00:25:00,725

Get a little yellow ochre

once in a while, too.

447

00:25:00,754 --> 00:25:01,325

That's nice.

448

00:25:02,435 --> 00:25:03,905

How'd it go right above the dark.

449

00:25:05,345 --> 00:25:05,825

Look at that.

450

00:25:05,975 --> 00:25:11,284

Look at that this whole round brush test

does beautiful, beautiful things that you

451

00:25:11,284 --> 00:25:13,925

can put all of these little highlights in.

452

00:25:15,185 --> 00:25:15,784

There we go.

453

00:25:17,085 --> 00:25:19,425

Same thing about all kinds

of little individual things

454

00:25:19,425 --> 00:25:20,505

that are happening in here.

455

00:25:20,985 --> 00:25:22,125

There's limbs in here.

456

00:25:23,115 --> 00:25:24,735

These are not just random.

457

00:25:25,305 --> 00:25:26,805

Don't you don't just hit it random.

458

00:25:28,155 --> 00:25:31,575

If you want you to treat her

to have character, you want

459

00:25:31,575 --> 00:25:32,745

it to be a special tree.

460

00:25:34,245 --> 00:25:35,685

Think about shape and form.

461

00:25:36,375 --> 00:25:40,275

Maybe down in here, maybe down in here.

462

00:25:40,815 --> 00:25:41,205

There's that?

463

00:25:41,700 --> 00:25:42,630

Ooh, that's nice.

464

00:25:42,750 --> 00:25:46,920

It's got a little red hair, another

bright red, and there's a happy Bush.

465

00:25:47,220 --> 00:25:47,970

That's right there.

466

00:25:49,140 --> 00:25:51,120

And he's got a little friend right there.

467

00:25:52,440 --> 00:25:56,250

Let's see how easy these things are

to make using this old round brush.

468

00:25:57,060 --> 00:25:59,850

Or you can grab the bottom of

that and just pull it down.

469

00:26:01,560 --> 00:26:05,310

Just pull it down a little, that

little color right into the water.

470

00:26:07,410 --> 00:26:09,420

Go across that easy.

471

00:26:11,085 --> 00:26:12,375

Take a little Vandyke Brown.

472

00:26:13,254 --> 00:26:15,314

We'll turn it right into a

little middle layer on there.

473

00:26:17,264 --> 00:26:25,514

Little white and Brown highlight,

drop that right in like that little

474

00:26:25,514 --> 00:26:33,735

touch of her liquid white there, hang

a scratching, stick those things.

475

00:26:35,280 --> 00:26:39,330

Let's go on the other

side here, over here.

476

00:26:40,470 --> 00:26:41,460

Same basic thing.

477

00:26:42,870 --> 00:26:43,590

Look at that though.

478

00:26:44,450 --> 00:26:48,980

Isn't that a fantastic little painting

that you can do in just a couple of

479

00:26:48,980 --> 00:26:53,899

minutes or the old clock on the wall tells

me it's about time to shut it down for

480

00:26:53,899 --> 00:26:55,610

the day because I'm finishing up here.

481

00:26:56,870 --> 00:26:57,409

I'd like to.

482

00:26:58,380 --> 00:27:02,100

Extended invitation for you to try

this painting and see how it works.

483

00:27:02,400 --> 00:27:02,940

Let me know.

484

00:27:03,180 --> 00:27:05,940

I really would like to

know how everything goes.

485

00:27:07,590 --> 00:27:08,670

Well, just put that in there.

486

00:27:09,630 --> 00:27:10,560

Take her big brush.

487

00:27:12,630 --> 00:27:14,790

Tap in a little grassy area.

488

00:27:14,790 --> 00:27:20,490

Like, so, and I think this

one's about that, that easy

489

00:27:21,190 --> 00:27:22,260

hope you've enjoyed this one.

490

00:27:22,290 --> 00:27:24,960

We're going to call that one

finished and from all of us here,

491

00:27:25,050 --> 00:27:27,240

happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E02 - Absolutely Autumn

Bob Ross's

The Joy of Painting

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