Bob Ross's

The Joy of Painting

S25E01 - Hide A Way Cove

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 25th joy of painting series.

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If this is your first time with us, allow

me to extend a personal invitation for you

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to drag out your brushes and your paints,

and to paint along with us each show.

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And if you've been with us before, please

allow me to thank you for inviting us

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back for another series of painting shows.

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So I'll tell you what, let's start

out today and have him run all

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the colors across the screen that

you need to paint along with us

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at home while they're doing that.

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Let me show you what

I've got going up here.

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This is a wet on wet painting technique.

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So normally the first thing we do is

cover the canvas with one of our mediums.

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Today I've used liquid white and

the liquid white is designed only

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to make the canvas wet and slick.

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It allows us to actually blip color.

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Right here on the canvas, rather than

working ourselves to death on the pallet.

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So with that, tell you what let's get

started and just have a good time today.

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I thought today is such a fantastic

day here that we'll just do a painting.

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That's very bright and happy,

and I think you'll enjoy it.

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So let's start with a little bit.

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Tiniest little Mount of the CAD

yellow, just a very, very small amount.

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Let's go right up here.

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Once again, the canvas is

covered liquid white, so this

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color will blend right on there.

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Just like so, and I'm just using

little, little crisscross strokes

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to go Xs and we'll just sort

of work it across like that.

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There maybe just a touch, more color.

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We put a little bit right in here.

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I think we'll have some

water in this painting.

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So let's have all these

colors just reflect, right?

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It was water, just cadmium yellow

now without cleaning the brush.

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I'm going to go into a small

amount of the bright red, very

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small amounts, very strong color.

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We only need a little bit.

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Okay, let's go back up here.

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And then with that, we'll just put a

little pinkish glow in the sky there.

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Let's say, I thought today

would make something it's just

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bright, shiny, and beautiful,

and it just makes you feel good.

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But when you're painting your

painting, you do it in any

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color combination that you want.

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All we want to do here is show you how

to make some of these fantastic effects.

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Very simply I might put just

a little bit more in there.

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Okay.

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And while we have that on the old

brush, let's put a little bit down

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in here, little out, a little, that

color to reflect right into the

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okay.

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I'd worked out pretty good.

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Shoot.

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Let's keep going here and we'll

take a little bit of the blue

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and a little lizard and Crimson.

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We'll just mix those red on the brush.

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Make it easy.

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It's a little Crimson, little Tayloe blue.

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Let's go back up here and

would that, well, that's a

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nice color, sort of a lavender.

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We'll just still use the

little crisscross strokes.

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We'll just lay it in a little led color.

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And while I have it on the brush,

I'm going to go down to the bottom

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and do the same basic thing down

here, whatever we do on top, we'll do

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the same basic thing in the bottom.

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All right, let's finish this

guy off with a little bit of

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pressure and blue oppression.

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Blue is much stronger.

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It's a very dark blue, beautiful color.

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We laugh just a little bit

of that, right on the brush.

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And let's go up in here.

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It was just still this guy.

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There we go already, already.

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We have a masterpiece for the

museum of modern art right here.

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Here we go.

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There we go.

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A little bit more of that color

and we'll just add it once

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again, right down the bottom.

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That's all there is to it.

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Okay.

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On the bottom.

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I'm gonna put a little bit of

black right in the corners.

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I want it to be a little

darker, little darker.

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So at each corner on had just a

little bit of the midnight black.

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Now the most fun part of this

whole painting technique is white.

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The brush.

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So let's wash the brush.

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We do that with odorless paint thinner.

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And I have a screen in the bottom of

this can, so we can scrub the bristles

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against the screen and the solid material

sorta settled to the bottom, keeping

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the paint on her, relatively clean.

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I would shake it off and then

just beat the devil at it.

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Is I thing that has to be the most

fun part of the whole technique.

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Now let's just begin blending

these colors together.

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Because the canvas is wet

with the liquid white.

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It allows us to actually blend these

colors together, right on the canvas,

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very simple steel using little

crisscross strokes, working from the

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light area to the dark, because you

don't want to carry that dark color

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back down here into your light area.

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Okay.

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Sometimes you can just beat the brush

like that and then pick an excess

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paint off without going through the

entire cleaning procedure down here.

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We'll just do the same basic thing.

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Okay.

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I think I'll wash your

brush one more time.

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I just liked to wash expression.

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So I say that might be

the most fun of all.

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I get letters from people who

say they don't paint, they just

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bought a brush and need it.

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Cause it makes them feel better.

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And it really does.

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I'd like to have a bright

area in this painting.

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So I'm going to take a little, the

titanium white, just pure titanium white.

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And let's just go right up in here.

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I allowed that to mix with the CAD

yellow and, and the bright red and

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all the beautiful colors we have.

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And it won't show much now, but

when we begin putting things in

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there, the handle come alive.

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There we go.

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Now we just go across the entire canvas

to sort of take out the brush, strokes and

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blend everything together and we're ready.

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We're ready.

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Tell you what let's do today,

let's build us a little mountain.

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And for that, I want to take a

little bit of the midnight black

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little touch of pressure and blue.

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Get some Vandyke Brown,

maybe some dark Santa.

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What the heck, lizard and Crimson.

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Doesn't matter.

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There we go.

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And pull this pin out as flat

as you can get it, take the

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knife and just cut across.

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He'd get a little roll of paint that

lives right on the edge of the knife.

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So you can see it right on the edge there.

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Okay, let's go up here.

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Now that you have to make your

first major decision in your world.

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Where does your mountain live?

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I think it lives right here.

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Right here.

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You decide wherever you want it.

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If you've painted with

us before, you know that.

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I believe this piece of

canvas is your world.

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And on this piece of canvas, you

can create any illusion that you

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want, any dream that you want.

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You can put it right here.

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All you have to do is just learn

a few little basics, then devote

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a little time to practice.

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And just let your imagination go.

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Really all there is to have something

about like yet, let me grab this

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old two inch brush here and I'm

going to take it and pull this.

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Just pull it.

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There's not much paint up here.

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Not much paint there.

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So you just pull it, let it blend

with this nice light color here.

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Okay, we'll pull this a little

bit over in here, whatever way.

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And that creates a softness, a

dam at the base of this mountain

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just happens automatically.

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Okay.

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Now we're ready.

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Tell you what today.

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Let's take a little titanium point

and wound reach up here and get some

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midnight black, make a nice gray color.

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Very nice gray color.

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Maybe I'll even put a

little touch of that.

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Yeah, a little dark CNM to it too.

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Maybe a little touch of bright red.

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Just sorta let your imagination go

wherever you think these colors should go.

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Let them go there.

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All right.

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Once again, cut across.

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Get our small roller paint,

right on the edge of the knife.

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Maybe our light's coming

from the left today.

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So we'll just take this and let

it just sort of barely there,

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no pressure, no pressure at all.

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We want these little

mountains to be far away.

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I want them to be very bright, far away,

very quiet, little mountains there.

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And maybe right up in here.

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See there though.

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That's all there is to it.

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Once again, let your

imagination take you away.

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Do you want to go there?

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Because we all nature through different

ideas and each one of us will have a

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different interpretation of what we

see and that's what makes it wonderful.

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Painting is a very individual thing.

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Very individual.

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There we go.

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And maybe shoot, who knows?

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Maybe it comes right on over in here.

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We don't know wherever you want.

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And we can go back.

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We'll take a little boy, a

little bit oppression blue.

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We'll make a little shadow color.

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I'm getting a little black, but we

have a little blue in there to give the

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indication of a little reflected light.

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We'll put a little Vandyke in act two.

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Ooh, don't overmix the color, our

little roll of paint as usual.

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And we can come back in here

and just begin putting in a few

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little indication of some shadows.

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I don't want a whole lot in here

because I want this to look like

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it's far away, too much detail.

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We'll bring it to close to you.

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There just a little, she

asked a little, there we go.

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A little rat in there.

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Maybe it comes right on that

wherever you think it should be.

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It's exactly where it should be.

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So you wouldn't come back in

here and add a little more color.

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Let that play right through there.

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Once again, I want to

keep this very subdued.

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Now let's take old two inch

brush and begin tapping.

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Just begin tapping.

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I want to create the illusion of mist.

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I'm going to grab a clean brush

and I had a little paint on it.

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I want to keep this, this.

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Clean as possible because of

Google, I'm going to begin blending

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that upper deck has to read.

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I wasn't too worried about detail here.

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They're very soft.

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We'll take a little quiet

and begin blending at once.

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Again.

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I want to create the illusion

of mist and distance in here.

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A little mountain lives far, far away.

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There are very gently.

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Just blend it.

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I see that light color we put

in there is showing through.

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It'll create the illusion of mist at

the base of your mountain and that's

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what will make your painting special.

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There we go.

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All right.

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That was a lot of fun.

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I told you.

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You'd like this.

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Let's take, let's take a little

bit of a little pressure and

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blue, little white there.

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I certainly get a little bit of a

lizard Crimson and put in there.

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Maybe a little touch more.

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Ooh, that's nice.

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That's a nice thing.

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Something about like that.

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Okay.

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Let me grab an old fan of Bresnick.

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I'll use a fan brush today.

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There we go and we just load some

color right into the bristles.

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Just fill up both sides like that.

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That's all there is to it.

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Kim, let's go back up in here.

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Maybe we have some little, little

foothills, little footy Hills that live

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right down at the base of this mountain.

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We just take the fan brush and

just tap down where to do that.

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Do you guys tap?

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Yeah, I'm ready.

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There we go.

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See there.

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So there's two a day and I'm going

to apply a less and less pressure.

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So it's not as dark over here

because I want it to look like

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it's farther away from you.

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No, bring it.

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Let's just bring it right on cross

over here wherever you want it

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to be something about like that.

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All we're doing is just happy.

254

00:12:47,540 --> 00:12:48,320

Just happy.

255

00:12:49,460 --> 00:12:50,660

Now we'll take a clean.

256

00:12:51,314 --> 00:12:52,155

Two inch brush.

257

00:12:53,055 --> 00:12:55,454

And I want to create the illusion

of misstep here at the base.

258

00:12:58,334 --> 00:12:59,084

We just tapping.

259

00:12:59,535 --> 00:13:01,724

And as you can probably hear,

I'm tapping very firmly.

260

00:13:02,895 --> 00:13:07,875

This is where you take out of your

frustrations of hostilities right here.

261

00:13:08,204 --> 00:13:10,964

This is better than arguing

with your spouse, or if you're

262

00:13:10,964 --> 00:13:11,985

like me, you always lose.

263

00:13:11,985 --> 00:13:17,745

Anyway, this is where you can really,

really take out your hostile at

264

00:13:17,745 --> 00:13:19,844

the side there that very lightly.

265

00:13:20,175 --> 00:13:22,425

One hair in some air touch and lift up.

266

00:13:23,895 --> 00:13:27,555

See how soft that makes it look too

to tell you what we have at old color,

267

00:13:28,905 --> 00:13:31,964

but a little more on the brush and

let's just pull it straight down.

268

00:13:32,685 --> 00:13:35,564

The blue, create the illusion

of an instant reflection.

269

00:13:36,850 --> 00:13:37,230

Easy.

270

00:13:38,160 --> 00:13:40,530

And as traditional painter

reflections used to drive me

271

00:13:40,530 --> 00:13:43,470

crazy, but this is so easy.

272

00:13:44,310 --> 00:13:46,530

Just pull it straight down

because the canvas is wet.

273

00:13:46,530 --> 00:13:51,360

You can do this for painful move on

there, and then very lightly go across

274

00:13:52,410 --> 00:13:53,939

just enough to move it a little bit.

275

00:13:53,939 --> 00:13:55,530

And it gives it a watery feel.

276

00:13:57,020 --> 00:13:59,180

Let's take a little bit

of that liquid white.

277

00:13:59,760 --> 00:14:00,890

We'll put it on the pallet.

278

00:14:01,730 --> 00:14:02,010

Come on.

279

00:14:02,010 --> 00:14:05,000

He had the least little touch

of bright red lace little touch.

280

00:14:06,225 --> 00:14:10,815

She has to enough to warm it up,

pull it out very flat and cut across.

281

00:14:10,995 --> 00:14:11,175

Okay.

282

00:14:11,175 --> 00:14:15,405

Let's go up in here and with it, with

the status, a little water line, right in

283

00:14:15,405 --> 00:14:23,355

here, she asked a little divider between,

between the trees and the reflections.

284

00:14:24,045 --> 00:14:25,515

Little light between the darks.

285

00:14:26,895 --> 00:14:27,615

There we go.

286

00:14:29,035 --> 00:14:33,075

Light areas is what will separate

and make everything stand out.

287

00:14:34,785 --> 00:14:36,075

Just that little light area.

288

00:14:38,135 --> 00:14:38,415

Neat.

289

00:14:40,335 --> 00:14:42,915

This is a very, very simple

little painting, even if

290

00:14:42,915 --> 00:14:44,085

you've never painted before.

291

00:14:44,475 --> 00:14:47,535

This is one you could do when

you first or second attempt.

292

00:14:48,405 --> 00:14:52,125

But when you first start, expect to run

into some difficulties, because you have

293

00:14:52,125 --> 00:14:56,445

to think about things and figure out how

they work and, and how to load the brush

294

00:14:56,445 --> 00:15:00,915

and, and all kinds of little things like

yes, but very, very quickly within a day.

295

00:15:01,305 --> 00:15:02,385

Half a dozen paintings.

296

00:15:02,385 --> 00:15:03,795

You will be so comfortable with this.

297

00:15:05,175 --> 00:15:07,094

You won't believe you ever

had any difficulty with it.

298

00:15:08,145 --> 00:15:10,995

Say what to your neat little

way to make some nice trees.

299

00:15:10,995 --> 00:15:12,375

Let's just take all this dark color.

300

00:15:12,375 --> 00:15:20,464

We had his impression and blues

and black Brown Crimson SAP green.

301

00:15:22,635 --> 00:15:23,505

Little Sam crane.

302

00:15:23,505 --> 00:15:25,485

I tell you what, let's

put you some fellow Greek.

303

00:15:25,545 --> 00:15:30,105

I like the, the little

green and trees there.

304

00:15:31,275 --> 00:15:31,745

Use more.

305

00:15:31,745 --> 00:15:35,225

If they low green and trees

sometimes, and I do SAP green as

306

00:15:35,225 --> 00:15:36,725

long as it's a very bright green.

307

00:15:36,725 --> 00:15:40,265

So I usually try to dull it down

with, with some of the other colors.

308

00:15:41,915 --> 00:15:43,025

Now, then I've got a brush here.

309

00:15:43,025 --> 00:15:43,685

That's dirty.

310

00:15:43,955 --> 00:15:47,615

It's got a little white on it and

I'm going to go into this color.

311

00:15:47,975 --> 00:15:50,555

The reason I have that white on there

is because I don't want this to be.

312

00:15:51,360 --> 00:15:52,110

Real dark.

313

00:15:52,110 --> 00:15:53,370

I don't want it to be black looking.

314

00:15:53,370 --> 00:15:53,520

Huh?

315

00:15:54,750 --> 00:15:55,199

Come on.

316

00:15:55,199 --> 00:15:59,250

Bring this brush to a Nash chisel

edge, pull it through the paint.

317

00:15:59,580 --> 00:16:00,150

Wiggle it.

318

00:16:01,050 --> 00:16:02,400

Wiggle, wiggle, wiggle kit.

319

00:16:02,610 --> 00:16:03,569

And then sharpen it.

320

00:16:03,915 --> 00:16:08,235

Just like you would a find knife

here and see how sharp it is.

321

00:16:08,655 --> 00:16:08,805

Okay.

322

00:16:08,805 --> 00:16:12,615

Let's go up in here and maybe in our

world, back in here, lifts and big trees.

323

00:16:12,615 --> 00:16:14,295

Now there's a lot of ways to make trees.

324

00:16:14,295 --> 00:16:17,055

Here's one of the simplest touch

the canvas, give it a little push,

325

00:16:18,895 --> 00:16:20,685

give it a little push and that easy.

326

00:16:20,835 --> 00:16:25,454

That's one side of the tree

we'll come back and we'll put

327

00:16:25,454 --> 00:16:27,045

the indication of the other side.

328

00:16:28,680 --> 00:16:32,339

And he's got a big

brother lives right there.

329

00:16:33,560 --> 00:16:36,890

So you're painting when you're painting

makeup, little stuff, stories about what's

330

00:16:36,890 --> 00:16:40,579

happening in your world, your friends

and your relatives may look at you.

331

00:16:40,579 --> 00:16:42,949

Like you're a little strange,

but, but that's okay.

332

00:16:43,069 --> 00:16:47,420

Painters are expected to be a little

different, but make up little stories.

333

00:16:47,569 --> 00:16:51,439

It will really help you in deciding

what you're going to paint.

334

00:16:51,650 --> 00:16:54,560

And it will give you

ideas of things to paint.

335

00:16:55,189 --> 00:16:56,870

That may be the hardest thing in painting.

336

00:16:57,525 --> 00:16:59,805

It's not how to paint, but what to paint.

337

00:17:01,125 --> 00:17:07,965

And I use this continually to come

up with new ideas in my mind, the

338

00:17:07,965 --> 00:17:10,785

scene may be, Oh, it may be weird.

339

00:17:10,895 --> 00:17:11,944

He out in the woods somewhere.

340

00:17:11,944 --> 00:17:14,615

And there was an old trapper that

lived out here for many years, and

341

00:17:14,615 --> 00:17:15,965

this is what he saw every morning.

342

00:17:16,085 --> 00:17:20,885

They woke up there and somebody was going

to say, well, where's the old trapper.

343

00:17:20,885 --> 00:17:21,365

Well, maybe.

344

00:17:22,095 --> 00:17:25,004

Maybe he had a bad day, he

fell in the river or maybe move

345

00:17:25,004 --> 00:17:26,925

back to the city or wherever.

346

00:17:29,645 --> 00:17:30,215

There we go.

347

00:17:31,565 --> 00:17:35,105

And a simple, easy way to make the

indication of a lot of little trees.

348

00:17:36,885 --> 00:17:38,085

Anybody can do this.

349

00:17:38,985 --> 00:17:42,435

It's there and oils are so forgiving.

350

00:17:43,635 --> 00:17:44,445

So forgiving.

351

00:17:44,445 --> 00:17:47,745

You can make a million mistakes

with oils and change them very

352

00:17:47,745 --> 00:17:49,875

simply with other mediums.

353

00:17:49,905 --> 00:17:55,365

That's very difficult and oils

to me have a luster that no

354

00:17:55,365 --> 00:17:57,045

other medium has ever achieved.

355

00:17:58,274 --> 00:17:58,784

Here we go.

356

00:17:59,475 --> 00:18:01,455

Now that'll give us a few

little background trees.

357

00:18:02,300 --> 00:18:06,050

She you us live and we'd back

in there, something like, so

358

00:18:07,189 --> 00:18:08,090

now that I'm going to take.

359

00:18:09,915 --> 00:18:13,665

I'm gonna take the old fan brush

again and grab a fan brush.

360

00:18:15,784 --> 00:18:18,034

And I want to put some trees

that a little closer to us.

361

00:18:18,155 --> 00:18:19,715

So I'm going to go right

into the dark color.

362

00:18:19,745 --> 00:18:21,004

This has no white in it.

363

00:18:21,245 --> 00:18:22,084

It's very dark.

364

00:18:22,865 --> 00:18:23,014

Okay.

365

00:18:23,014 --> 00:18:23,824

Let's go back up in here.

366

00:18:23,855 --> 00:18:24,094

Yeah.

367

00:18:24,735 --> 00:18:26,975

I had them here and

there and there and here.

368

00:18:27,004 --> 00:18:31,504

I'm going to add just the indication

of a few little evergreens.

369

00:18:31,534 --> 00:18:32,675

These are closer to us.

370

00:18:32,764 --> 00:18:33,814

So they're a little darker.

371

00:18:34,995 --> 00:18:37,935

This is what will help create the

illusion of distance in the painting.

372

00:18:40,155 --> 00:18:45,075

We just throw in a few real quick

here, and you put in when you're

373

00:18:45,075 --> 00:18:48,284

doing your painting as many, or as

few as you want, it's up to you.

374

00:18:50,070 --> 00:18:53,189

Once again, I don't want to just teach

people to copy when we're doing this.

375

00:18:53,189 --> 00:18:58,979

I want to teach you for the freedom of

painting, the joy of painting, and the

376

00:18:58,979 --> 00:19:01,590

joy comes from doing your own thing here.

377

00:19:03,120 --> 00:19:03,510

All right.

378

00:19:03,510 --> 00:19:05,939

Let's move right over in here and

put a couple of little ones in here.

379

00:19:06,629 --> 00:19:09,330

I don't want to, I don't want to

cover up all those nice distant ones.

380

00:19:09,330 --> 00:19:09,689

We've put here.

381

00:19:11,840 --> 00:19:13,790

All right, here they go.

382

00:19:15,795 --> 00:19:18,765

Do you ever believe you could paint

a whole forest that quick you can.

383

00:19:20,125 --> 00:19:20,625

You can.

384

00:19:20,685 --> 00:19:21,465

I know you can.

385

00:19:23,675 --> 00:19:26,555

There, there we go.

386

00:19:28,830 --> 00:19:29,129

Okay.

387

00:19:29,190 --> 00:19:30,360

We'll just put one more right here.

388

00:19:30,419 --> 00:19:30,899

What the heck?

389

00:19:32,690 --> 00:19:33,560

Yeah, they, we just take it.

390

00:19:33,560 --> 00:19:34,200

Same old brush.

391

00:19:34,240 --> 00:19:36,860

I'm gonna go right into a little CAD

yellow and that'll give us an instant

392

00:19:36,860 --> 00:19:39,320

green in here and there and there.

393

00:19:39,320 --> 00:19:42,230

And here, we'll just put the

indication of a little highlight.

394

00:19:42,290 --> 00:19:43,550

I don't want a whole lot, a little.

395

00:19:44,305 --> 00:19:46,315

A little bit of the yellow

ochre and Indian yellow, too.

396

00:19:46,375 --> 00:19:50,004

Just to change the flavor there.

397

00:19:50,425 --> 00:19:51,595

I want to keep this pretty dark.

398

00:19:51,625 --> 00:19:54,355

Oh, there we go.

399

00:19:56,205 --> 00:19:59,385

Is he has simply, I guess

these little, these little

400

00:19:59,385 --> 00:20:00,795

evergreen trees they live right.

401

00:20:00,795 --> 00:20:03,975

And your fan brush, all you

gotta do is sorta scare them out.

402

00:20:05,235 --> 00:20:07,395

Now, then let's take some

of that same old color.

403

00:20:08,145 --> 00:20:11,475

And let's put us a little reflection

that lives right underneath that,

404

00:20:12,824 --> 00:20:20,554

just pull that same color straight

down, straight down, and then go

405

00:20:20,675 --> 00:20:22,564

gently across just like we did before.

406

00:20:23,605 --> 00:20:27,054

And that'll give us the illusion

of instant reflections while

407

00:20:27,054 --> 00:20:28,075

I get that old brush going.

408

00:20:28,825 --> 00:20:32,335

Maybe there's a few little

bushes and trees that live

409

00:20:32,335 --> 00:20:33,835

right along the borderline here.

410

00:20:34,794 --> 00:20:38,965

We'll put in some dark and

that'll be our background color.

411

00:20:40,290 --> 00:20:45,770

Okay, man, take a little bit of the

liquid white, put it on the brush.

412

00:20:45,990 --> 00:20:50,270

We'll go right through a little bit at

the CAD yellow SAP green be right back

413

00:20:50,450 --> 00:20:55,970

little SAP, green, yellow, ochre, Indian,

yellow, and then I'll touch the bright

414

00:20:55,970 --> 00:21:00,200

red because bright red is a duller and

we load a lot of color in the brush.

415

00:21:00,350 --> 00:21:00,830

Look at there.

416

00:21:00,990 --> 00:21:01,879

A lot of color.

417

00:21:02,120 --> 00:21:04,370

Let's go up here now with that.

418

00:21:04,890 --> 00:21:06,900

Giving a gentle push, pushing upward.

419

00:21:07,660 --> 00:21:08,130

See it here.

420

00:21:08,520 --> 00:21:10,050

We can create all kinds.

421

00:21:10,100 --> 00:21:15,500

Tons of gorgeous, little trees and bushes

and happy little things that live all

422

00:21:15,500 --> 00:21:20,300

along the water here that easy, that easy.

423

00:21:20,660 --> 00:21:22,550

Maybe there's a bigger

tree lives right here.

424

00:21:24,170 --> 00:21:24,710

There he is.

425

00:21:26,900 --> 00:21:27,260

Okay.

426

00:21:27,350 --> 00:21:28,460

We'll give him a little friend.

427

00:21:29,330 --> 00:21:29,420

Okay.

428

00:21:29,754 --> 00:21:31,365

Little touch of the bright red there.

429

00:21:33,495 --> 00:21:35,264

That's a sparkler shoot.

430

00:21:35,264 --> 00:21:37,034

Let's reflect him right

down here in the water.

431

00:21:38,925 --> 00:21:40,784

Maybe, maybe you're right.

432

00:21:41,504 --> 00:21:42,945

Another one lives right there.

433

00:21:43,665 --> 00:21:45,074

Just wherever you think they should be.

434

00:21:45,495 --> 00:21:49,955

Really let your imagination take you

to places that you see only in your

435

00:21:49,955 --> 00:21:53,495

mind, you can do that in painting.

436

00:21:55,355 --> 00:21:57,725

You can do anything that

you believe you can do.

437

00:21:58,175 --> 00:21:59,495

All you got to do is practice a little.

438

00:22:00,860 --> 00:22:01,220

There.

439

00:22:01,520 --> 00:22:03,620

So we're just going to reflect

a few of those nice little

440

00:22:03,620 --> 00:22:04,670

things down in the water.

441

00:22:04,790 --> 00:22:08,240

While we get a toad fresh,

dirty, maybe there's a little,

442

00:22:09,330 --> 00:22:10,790

little Bush lives right there.

443

00:22:12,340 --> 00:22:16,210

I don't right now, then two inch brush.

444

00:22:16,240 --> 00:22:19,180

And this is your test for delicacy touch.

445

00:22:19,540 --> 00:22:20,320

Barely touch.

446

00:22:20,440 --> 00:22:22,420

Just graze it, pull it downward.

447

00:22:23,350 --> 00:22:23,950

Like, so.

448

00:22:25,290 --> 00:22:29,850

And then go gently, gently, gently

across just enough to sorta disturb

449

00:22:29,850 --> 00:22:36,030

it a little bit, but that makes us

gorgeous mirror with flections in there.

450

00:22:37,070 --> 00:22:38,310

Take a little Vandyke Brown.

451

00:22:38,580 --> 00:22:42,060

Let's put a little dirt here,

needs something for it to sit on.

452

00:22:43,395 --> 00:22:46,065

We don't want to treat a fall off

in the water, make a big splash,

453

00:22:48,105 --> 00:22:53,115

something about like so white, a

little bit of the dark Sienna or the

454

00:22:53,125 --> 00:22:54,675

Vandyke Brown and mix it together.

455

00:22:55,905 --> 00:22:57,465

And let's just come right along in here.

456

00:22:58,875 --> 00:23:02,975

Put a little highlighter in

there, just like, so Jess, like,

457

00:23:02,975 --> 00:23:06,065

so backed her liquid white.

458

00:23:08,135 --> 00:23:09,485

We'll put a little water in there.

459

00:23:10,365 --> 00:23:11,055

There we are.

460

00:23:12,015 --> 00:23:15,225

Once again, this little waterline was

separate your land from your water.

461

00:23:17,490 --> 00:23:22,770

There something about like, so

where ever you think it should be?

462

00:23:23,070 --> 00:23:24,420

A few little ripples here and there.

463

00:23:24,930 --> 00:23:28,680

Maybe the wind is just gently

caressing this, take the knife.

464

00:23:29,310 --> 00:23:33,810

I didn't feel sticks and twigs,

all those little things that

465

00:23:33,810 --> 00:23:35,130

live way back in the woods.

466

00:23:36,330 --> 00:23:40,080

There just a few little pushes

that come down on the land area.

467

00:23:40,935 --> 00:23:41,355

All right.

468

00:23:42,764 --> 00:23:47,175

Let's have some fun if you've painted

with me before, you know, I like big

469

00:23:47,205 --> 00:23:51,284

trees, so let's take some of this

dark color that we had on the old

470

00:23:51,555 --> 00:23:53,175

we'll use the old two inch brush here.

471

00:23:53,595 --> 00:23:54,284

Let's go right up in here.

472

00:23:54,305 --> 00:23:54,514

Yeah.

473

00:23:55,504 --> 00:23:59,195

Maybe in our world lives a big tree

that goes right on with the canvas.

474

00:24:00,754 --> 00:24:03,185

Is that say if you've painted

with me before, you know,

475

00:24:03,185 --> 00:24:06,365

I like these big trees NAF.

476

00:24:06,660 --> 00:24:08,910

In your world when you paint

yours, if you don't want a big

477

00:24:08,910 --> 00:24:10,590

tree here, just leave it out.

478

00:24:10,800 --> 00:24:17,280

The painting was to be gorgeous, but

it's a nice, nice way to practice.

479

00:24:17,280 --> 00:24:22,500

Some of these things

just drop them in there.

480

00:24:24,510 --> 00:24:28,350

And you could do this with a fan brush,

one inch brush, or as we're doing it

481

00:24:28,350 --> 00:24:31,020

here with the old two inspiration,

I like the old two inch brush.

482

00:24:31,050 --> 00:24:32,640

It's it's a lot of fun.

483

00:24:33,420 --> 00:24:34,590

She already got that going.

484

00:24:34,710 --> 00:24:37,170

Maybe there's a nice little

Bush that lives right there.

485

00:24:40,725 --> 00:24:45,315

We're just filling this up with

dark color in order to have light,

486

00:24:45,405 --> 00:24:47,055

you first have to have dark.

487

00:24:47,835 --> 00:24:49,055

You have to have, is it dark down here?

488

00:24:49,055 --> 00:24:50,195

So you light shows.

489

00:24:50,495 --> 00:24:54,575

Otherwise if you put dark against dark,

you have nothing light against lights.

490

00:24:54,575 --> 00:24:55,175

You have nothing.

491

00:24:56,075 --> 00:24:58,235

I just took that same old, dirty brush

went right into a little bit of the

492

00:24:58,235 --> 00:25:03,425

yellows, all the yellows on tap a little

color in here and let's go up in here and

493

00:25:03,425 --> 00:25:07,055

just put the indication of some beautiful

little highlights that live out here.

494

00:25:08,409 --> 00:25:09,850

There don't kill all your darks.

495

00:25:10,500 --> 00:25:11,370

It's working good in it.

496

00:25:11,879 --> 00:25:12,510

It gets nice.

497

00:25:12,510 --> 00:25:15,090

And you just have a tendency

sometime to sort of kill all

498

00:25:15,090 --> 00:25:17,280

the darks, leave some in there.

499

00:25:17,399 --> 00:25:21,179

It shows depth and shadows and

your tree little place for all

500

00:25:21,179 --> 00:25:23,370

the little birds that I Hmm.

501

00:25:24,804 --> 00:25:27,085

And you know me, I'm crazy about

the little animals that live

502

00:25:27,085 --> 00:25:29,185

out here in these woods there.

503

00:25:30,264 --> 00:25:30,595

Okay.

504

00:25:30,595 --> 00:25:32,754

Back to our one inch brush, I'm

going to dip it in the liquid

505

00:25:32,754 --> 00:25:35,004

white and the liquid whites.

506

00:25:35,004 --> 00:25:38,034

They're only to make

the paint at the center.

507

00:25:39,105 --> 00:25:44,715

One of our golden rules, is it a thin

paint will stick to a thick paint.

508

00:25:44,745 --> 00:25:46,485

The paint we use is very thick.

509

00:25:46,935 --> 00:25:47,655

It's very dry.

510

00:25:47,685 --> 00:25:50,145

It's much, much thicker

than traditional oil paints.

511

00:25:52,365 --> 00:25:55,695

Without that you have a difficult time

making these layers of paint stick

512

00:25:55,695 --> 00:25:59,205

without whether, if you've painted,

you know, without becoming a mud mixer.

513

00:26:00,735 --> 00:26:06,945

And if you've painted, you have discovered

a little bit of mud mixing in your life.

514

00:26:06,975 --> 00:26:10,335

That happens all of us who have

painted have a little bit of that.

515

00:26:12,045 --> 00:26:12,675

There we go.

516

00:26:13,305 --> 00:26:13,845

Okay.

517

00:26:14,715 --> 00:26:18,435

Maybe there's another little

booklet right here, just wherever

518

00:26:18,435 --> 00:26:19,335

you think they should be.

519

00:26:21,985 --> 00:26:23,745

We can take a little Vandyke Brown.

520

00:26:23,775 --> 00:26:27,705

Maybe there's a little path

just goes right in there.

521

00:26:27,705 --> 00:26:35,025

Like, so take a little Brown and

white there that easy and we'll

522

00:26:35,025 --> 00:26:36,225

need some bushes on this side.

523

00:26:37,080 --> 00:26:41,430

To sort of push that path

down into the painting there.

524

00:26:42,419 --> 00:26:47,879

Let's see there something about like yet

you would just put in some few little

525

00:26:47,879 --> 00:26:54,240

bushes and trees, take the old knife,

scraping some sticks and flags shoot.

526

00:26:54,240 --> 00:26:55,139

That's about all you need.

527

00:26:57,210 --> 00:26:57,690

All right.

528

00:26:58,110 --> 00:27:00,000

I think we'll call that one finished hope.

529

00:27:00,000 --> 00:27:00,750

You've enjoyed it.

530

00:27:01,320 --> 00:27:02,180

Give this one a track.

531

00:27:02,190 --> 00:27:04,290

Cause it'll work for you until next time.

532

00:27:04,320 --> 00:27:05,669

I'd like to wish you happy painting.

533

00:27:06,180 --> 00:27:07,350

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E01 - Hide A Way Cove

Bob Ross's

The Joy of Painting

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