Bob Ross's

The Joy of Painting

S22E13 - Silent Forest

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Hey, welcome back.

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Certainly glad you could join us

today for this is the last show of

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the 22nd joy of painting series.

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So I tell you what, let's start out

today and have him run all the colors

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across the screen that you need to paint

along with us while they're doing that.

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Let me show you what I've

got planned for today.

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Today as you can plainly, see, I have a

canvas here, this painted with a black

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Jessel, I've allowed it to dry completely.

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And then on top of that, I've put

a thin even coat of liquid clear.

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And we put the clear on there

only because it makes putting

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transparent color on top of this.

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Much much easier.

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You really don't have to have it, but

it makes your life so much easier.

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Then on top of the clear, I've put a

mixture of SAP, green, yellow, blue, and

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a little van Dyke Brown to dull it down.

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And I thought today would

just do a happy little scene.

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Maybe that's deep in the woods.

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I've had a lot of requests for paintings

that have big trees and I'm so.

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Let me just show you an easy,

easy way to do just that.

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Let's take an old two inch brush today.

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Take the corner of it, just the

corner and go into a little bit of

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titanium white and let's go up in here.

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Now, once again, this has green

and blue and little Brown on it.

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So color will just jump out at you.

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All you have to do is just taking, put

a little bit of quiet on their hand.

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Watch what happens.

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Beautiful.

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Beautiful.

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This is a fantastic painting to do as a

demonstration for friends or relatives

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or just people who are going to watch

you paint and don't let them see you

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put the color on and they think you

started with a blank canvas and then you

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touch it with a little bit of white and

they'll, they don't absolutely think that

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magic is happening and you don't have

to tell them any different, let them,

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let them try to figure out how to do it.

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But these are truly a joy to do.

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And the black canvas is, might

very well be my favorites there.

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We'll just spin it and work it, keep it

going, move it just have fun with it.

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Just have fun with it.

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Let it go there and just keep adding

a little touch of white hair in there.

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And if we're going to have

deep, deep woods, this is a

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nice way of making a background.

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Maybe we'll put some big trees in here.

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This is a nice way of making a background

that you can see between the trees.

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And it looks like a lot of

things that are happening.

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And you didn't have to

hardly work at all to do it.

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And this is truly the lazy man's

way of, that's why I'm here.

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They're all right.

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And a little bit more on this corner,

in this, put a little over in here

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to be sure to leave some nice dark

areas in Harrington, cover it all up.

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Don't cover it all.

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And the other thing is

you can do this with any.

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Transparent color or

semi-transparent color.

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Didn't have to be totally true.

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Disparate semi-transparent.

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And the way to tell if a pane

is transparent, what I do is

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just take a little put on my

finger and touch the black.

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Yeah.

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If it's transparent enough for

this, it'll still look black.

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The canvas was still looking black.

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You will know immediately whether

it's transparent enough to do

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this, some colors like the cadmium

yellow, the white are very opaque.

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Other colors are semi-transparent

and some are very transparent.

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So test a little, you'll find exactly

what you're looking for that way.

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All right.

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Yeah.

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We just sort of wind it up and

play with it here and there.

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And when you're doing this, maybe it's

good thing to step back and take a

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look so you can see what it looks like.

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If it needs to be blended more.

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Just blended a little more.

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Sometimes you need to go back and

add some little light spots, or

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you could even go back with the

original color, the green and the

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blue and putting dark back in here.

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If you wanted to, if you overdo this

light, they're just sort of winded

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up back in K down here at the bottom.

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I want it to be much darker, so

I'm not putting much color here.

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I want it to really look like it's

far away, something like that.

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All right.

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And very lightly just brush across it

and that'll take out the breast jokes.

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And then she started looking at

what you have and you have one that

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you don't like, or it's too bright.

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You can change it.

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You can move it.

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Anything that you want to do,

anything that you want to do on here?

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All right.

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Maybe let's find it all fan breast today.

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Let's go right into a little touch

of the little touch of the midnight

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black, just load the brush full of

color, and let's begin making a few.

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Trees in the background back here in my

mind, I see a tree with is right there.

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Just pull straight down, applying more

pressure as you work down the tree and

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it'll give you a nice trunk that easy.

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That easy, the easiest kind of tree

to make three, let's take a little

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flight, a little bite, be right back

and get a little touch of the bright

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red, just a little, it's a very, very

strong eat your whole world, Kenny.

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Now I'm going to get a little bit more

paint put right here and then that

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one we'll put some of the low blue.

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Maybe add a little black to that to bell.

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It that's better.

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Don't want it too bright.

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Use black the doll there right now.

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Let me clean deal knife in my world today.

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Yeah, I think the light

is coming from the right.

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If you're right-handed, as I've

mentioned before, you would probably

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find it is easier to have the

light coming from the right side.

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So let's just start off here with a

knife and just put the indication of a

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little highlight right there on the edge.

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Here, there a little bit of a

bluish color I'll put on the back.

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Not a great deal.

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This is just to indicate

a little reflected light.

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Okay.

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Now we can take a little bit of

the pure black and just touch.

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All we're doing is just taking the knife.

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And touching, just touching the

canvas will pull off on it once.

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And this way you can blend all

those colors together and it will

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actually give this tree texture.

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When this painting is dry, you can

actually feel bark on it, or she

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can feel it while it's wet too.

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But it's going to get

all over your finger.

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So suggest you wait until it's dry.

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Let's take, let's take and

get some paint thinner.

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We'll go right into a

little bit of the black.

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A little black pickup on the dark

Sienna there once in a while, even

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some of the Vandyke Brown, just to

give it a little brownish flavor

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load that brush full of color.

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Okay.

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Now then we can put just the

indication here and there a

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few little lambs, just a few.

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Maybe these are evergreen trees out

here, or whatever kind of trees you on

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giant redwoods.

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Maybe.

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Hmm.

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I don't know.

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Just trees, just friendly trees there.

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Few little arms sticking out on him.

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Now then we can take us here's one.

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Yeah.

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We'll take us an old two inch

brush and put a little black on it.

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SAP green or right.

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Of course the black and yellow

would make green blackest.

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Once again, just use the doll, just

push, tap a little color red on there.

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And maybe this little tree up here.

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There's a few little Liam's

leaves that are hanging out here.

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Just use the corner of the

brush and sort of tap some of

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these little Rascals in there.

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Just think about where the alarms would

stick out and little leaves would grow the

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easiest way I've ever found them, making

them very effective in gorgeous trees.

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There we are.

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That's one of the things that we're doing

demonstrations for charity groups and PBS

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stations and stuff around the country.

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When people see the paintings

that we do have close.

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One of the things that always here

is that I never realized it'd be that

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much detail in it when I saw it close.

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So this really does work quite well.

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There really is exceptional

amount of detail and believe

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it or not tell you what.

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Shoot.

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I just had another idea.

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Maybe I want to show

you a couple of tricks.

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Maybe let's take, let's

take, I get excited.

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Sometimes I begin seeing things in here.

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I don't want to put, yeah,

put a nice little Bush.

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Right back here.

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And I want this voice to

be in front of this tree.

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Show you how to push that little

rascal right back in the woods.

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This Bush or collection of bushes

whooshes lives right there.

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I can maybe, maybe there's another

old Bush that lives right here.

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Just sort of let your imagination

go wherever, wherever.

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May might even have a friend here, there,

and maybe back here let's get crazy.

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Maybe watch it and putting

in all kinds of little areas

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there just sort of blend them together.

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And all I'm doing is just tapping

down here and there adding a little

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yellow ochre, Linden yellow, a

little bright red once in a while

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there, but not much of a bright red.

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And I don't think I'll keep

this mostly in the greens.

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He was the red to doll, the green.

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Just to doll, the green.

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There we go.

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Okay.

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We got a whole bunch of bushes

and maybe coming right down here.

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There's a couple of more, but see

already that tree is being pushed back.

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I want to push it back into the forest.

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You didn't know you could

move trees, did you?

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Or maybe you did.

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There we go.

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Okay.

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Let's take, let's put some trees in the

foreground and really push everything

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back and went right back into the black.

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Maybe be brave right there beside,

but the bottom of this one, I'm

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going to bring further down.

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So everything's behind it.

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Everything is behind it.

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This is a stronger tree.

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Bigger.

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And it may just be that

it's closer to you.

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And that's the kind of impression

that we're trying to make here

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at this chest closer to you.

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Maybe, maybe he's got a friend.

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Well, we said we was going

to paint some big trees.

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I think, I think these are big trees.

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Big strong trees.

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Maybe, maybe we have a forest and

when you're doing it and you were,

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so you decided how many paintings or

how many trees you want in to paint?

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How many paintings do

you want in the tree?

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There we go.

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Either way.

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It works for you.

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We can start a whole new

kind of painting here.

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All right.

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And if you're really brief,

You can put big trees in here.

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I mean, big, very strong tree.

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So why is this?

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This is a number six fan brush.

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And as wide as it brushes,

I'm going to make this one

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big old trees.

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Okay.

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A little grass round bottom of that one.

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Now let's go back.

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Sorry, color that we had here.

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This is a little bit of bright

red and white, and just let

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it float right down the tree.

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This is just like you laid

in snow on the mountain.

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Just let it break.

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Grab canvas will literally pull

off what it wants to give you back.

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What's left.

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Just like a tax man,

when he does your taxes.

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Huh?

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There very nice looking.

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As I mentioned earlier, this would

look like a real bark when it's done.

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It'll feel like real life there and

you can make it as thick as you want.

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That's one thing is so

fantastic about oil paints.

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You can give texture to your painting.

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Of course, I guess you could do

that with other paints, just to

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find it much easier with oils, to do

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a little hard, to get water color,

to build up a quarter of an inch.

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There makes up a little more color and

will give us a big tree here or something.

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Something I can.

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There, but isn't that a fun

way to paint big strong trees.

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And you can do this, even if

you've never painted before.

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This is one of the easiest, most

effective ways of making large trees.

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Just it's a pleasure to make them

this way and they work and people

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will never believe you've done this.

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Never believe it.

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They'll be looking for the numbers.

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Cause they'll know this is

a paint by number thing.

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Okay.

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I'll take a little bit of that blue

that we were using for reflected light.

247

00:15:00,740 --> 00:15:03,440

And I'm just going to let a little

of that play down the backside.

248

00:15:04,100 --> 00:15:04,190

Okay.

249

00:15:06,020 --> 00:15:10,190

Right down through there, there we go.

250

00:15:10,310 --> 00:15:11,480

A little bit here.

251

00:15:13,070 --> 00:15:13,340

Like.

252

00:15:14,820 --> 00:15:15,690

And Dan,

253

00:15:19,640 --> 00:15:21,050

well, I shouldn't have done so many trees.

254

00:15:21,050 --> 00:15:23,810

This is too repetitious there.

255

00:15:25,970 --> 00:15:26,270

Of course.

256

00:15:26,270 --> 00:15:29,780

When you do yours, you decide how many

trees you want to have in your world.

257

00:15:30,500 --> 00:15:33,920

Maybe you want fewer more

somewhere in between.

258

00:15:34,730 --> 00:15:35,330

Doesn't matter.

259

00:15:35,840 --> 00:15:39,680

As long as it makes you happy

when you do it, painting does

260

00:15:39,680 --> 00:15:41,450

nothing else should make you happy.

261

00:15:42,719 --> 00:15:44,069

Correct back into some black

262

00:15:47,069 --> 00:15:48,270

clean off a spot to work

263

00:15:51,479 --> 00:15:53,699

back into the midnight blank.

264

00:15:54,180 --> 00:15:57,449

And then once again, all I'm going

to do, I'm just touching the canvas.

265

00:15:57,449 --> 00:15:58,380

That's all we're doing.

266

00:15:58,560 --> 00:15:59,250

Just touch.

267

00:15:59,670 --> 00:16:01,709

Get that little roll of paint and touch.

268

00:16:02,819 --> 00:16:03,780

It's so simple.

269

00:16:06,000 --> 00:16:10,710

I think, I think just about anybody

could do this with never practicing,

270

00:16:10,710 --> 00:16:13,260

even this particular part of it.

271

00:16:13,500 --> 00:16:16,680

Some things need a little more

practice than others, but this one

272

00:16:16,830 --> 00:16:20,160

is very easy and very effective.

273

00:16:20,940 --> 00:16:23,790

That's the nice thing about a

lot of things are easy, but they

274

00:16:23,790 --> 00:16:24,810

don't look good when you're done.

275

00:16:26,430 --> 00:16:27,300

This looks good.

276

00:16:28,110 --> 00:16:29,040

This looks good.

277

00:16:31,065 --> 00:16:34,965

All right, there we go.

278

00:16:35,915 --> 00:16:40,235

So I say, this is the last show of

the 22nd joy of painting series.

279

00:16:40,295 --> 00:16:44,795

It's almost unbelievable to me that we've

done this many shows with 22 series.

280

00:16:44,795 --> 00:16:47,405

That means there's almost

300 half hour shows.

281

00:16:50,315 --> 00:16:51,005

Sound real.

282

00:16:51,035 --> 00:16:51,725

That's a record.

283

00:16:51,725 --> 00:16:56,525

It's absolutely unsurpassed in television

history, and I'm very proud of that.

284

00:16:58,095 --> 00:17:00,315

And don't ever think that

you do that many shows alone.

285

00:17:00,315 --> 00:17:02,415

There's been a lot of fantastic

people that have worked

286

00:17:02,415 --> 00:17:04,635

with us to make it happen.

287

00:17:06,675 --> 00:17:12,075

People like my wife, Jane Walton,

Nanette Kowalski, and the people here at

288

00:17:12,075 --> 00:17:17,954

the television station takes effort on

all of their parts to bring us to you.

289

00:17:19,425 --> 00:17:22,845

But most important is the fact

that you watched the shows and,

290

00:17:23,214 --> 00:17:24,375

and you, and you like them.

291

00:17:25,095 --> 00:17:26,085

That's what keeps us here.

292

00:17:27,645 --> 00:17:31,485

So, if you hadn't seen all the shows, as

I say, he's nearly 300 of them and you

293

00:17:31,485 --> 00:17:36,365

want to give you station to call they're

available to them, they're available.

294

00:17:38,615 --> 00:17:41,735

And if there's other things that you

want to see in future series that

295

00:17:41,735 --> 00:17:45,485

we're not doing yet, drop me a line,

let me know what you want to see.

296

00:17:46,805 --> 00:17:50,285

And if I can't do it, I'll try to find

somebody that can bring him on as a

297

00:17:50,285 --> 00:17:53,764

guest artist there, but we can get it.

298

00:17:54,485 --> 00:17:55,235

We can get it.

299

00:17:56,055 --> 00:17:59,385

Let's take a little bit of

black on the liner brush.

300

00:17:59,985 --> 00:18:03,345

Let's just go in here, put the

indication back in here and there, and

301

00:18:03,345 --> 00:18:08,145

here have some nice little limbs and

branches that live back on these trees.

302

00:18:09,755 --> 00:18:10,445

There we go

303

00:18:13,805 --> 00:18:14,615

right in there

304

00:18:19,175 --> 00:18:20,705

and hair.

305

00:18:20,925 --> 00:18:22,925

And if you have trouble

making this paint flow.

306

00:18:23,625 --> 00:18:25,064

Add a little bit more paint thinner.

307

00:18:25,514 --> 00:18:26,354

I don't put a lot of leaves.

308

00:18:26,354 --> 00:18:29,235

I think if there's, I'm not going

to put every little stick and twig,

309

00:18:30,584 --> 00:18:34,995

sometimes it's fun to not put many

leaves and put a lot, a little twigs.

310

00:18:34,995 --> 00:18:39,435

It makes an interesting painting, but

it would be too boring for you to watch

311

00:18:39,764 --> 00:18:43,364

somebody sit here for 30 minutes, just

putting leaves and limbs on these trees.

312

00:18:44,864 --> 00:18:47,534

So we've just put a few

in show you how to do it.

313

00:18:47,834 --> 00:18:50,114

And then when you do yours,

you put as many in as you want.

314

00:18:52,350 --> 00:18:52,650

Good.

315

00:18:53,850 --> 00:18:56,960

Maybe here's an old one that

hangs down and comes across.

316

00:18:58,230 --> 00:19:00,360

Don't have all of them just

going right out from the site.

317

00:19:01,710 --> 00:19:02,730

Look like your trees.

318

00:19:04,470 --> 00:19:06,780

Somehow been, just cut off.

319

00:19:07,320 --> 00:19:11,460

Half of it's gone need branches

it go in every direction.

320

00:19:11,460 --> 00:19:12,900

Some go behind the tree.

321

00:19:13,080 --> 00:19:16,620

Some come in front, some are broken.

322

00:19:16,920 --> 00:19:18,990

Some are long somebody

short they're like people.

323

00:19:19,485 --> 00:19:24,015

Everyone's different and that's

what makes everyone wonderful is

324

00:19:24,015 --> 00:19:25,035

the fact that we are different.

325

00:19:26,955 --> 00:19:30,995

The fact that we're different bear

326

00:19:35,785 --> 00:19:40,295

couple more in here and there something

like I can't put a more of the

327

00:19:40,295 --> 00:19:43,055

paint thinner, a little more color.

328

00:19:44,145 --> 00:19:46,875

And maybe I want this

old big one left down.

329

00:19:47,715 --> 00:19:49,035

Maybe he's got a big old worm.

330

00:19:49,035 --> 00:19:49,755

It comes out here.

331

00:19:50,295 --> 00:19:55,575

I can't, I can't let your hand wiggle

and jiggle when you're doing this.

332

00:19:56,295 --> 00:19:57,915

Don't just make them all straight.

333

00:19:58,785 --> 00:20:02,385

Nothing's more boring and just

perfectly straight tree limbs.

334

00:20:03,945 --> 00:20:08,055

Give him some character there.

335

00:20:09,435 --> 00:20:11,205

There is another big old rascal.

336

00:20:12,105 --> 00:20:15,765

If these are a type of evergreen,

evergreen seemed to always have a

337

00:20:15,765 --> 00:20:18,075

lot of little broken limbs on them.

338

00:20:18,705 --> 00:20:21,735

That's where you always find

little squirrels and stuff setting.

339

00:20:22,515 --> 00:20:22,695

Hmm.

340

00:20:22,725 --> 00:20:26,085

Speaking of squirrel, I really hope

you've enjoyed it as many times as

341

00:20:26,085 --> 00:20:29,175

I've showed you pea pod, the, my

little squirrel in this series, I

342

00:20:29,175 --> 00:20:30,705

really hope you've enjoyed seeing him.

343

00:20:31,995 --> 00:20:34,485

It's my way of sharing.

344

00:20:35,220 --> 00:20:40,679

Nature with you and trying to make people

aware that these little creatures are so

345

00:20:40,679 --> 00:20:45,720

fantastic and they need, they need our

help and support if they're to survive.

346

00:20:47,580 --> 00:20:51,300

And you can, you can really enjoy some

of God's creations by just looking

347

00:20:51,300 --> 00:20:54,870

at your window because it's unreal.

348

00:20:54,899 --> 00:20:55,590

What's been done.

349

00:20:57,480 --> 00:21:03,720

And we have a tendency in her busy life to

forget about these little creatures into.

350

00:21:04,065 --> 00:21:04,815

To look over him.

351

00:21:07,055 --> 00:21:11,685

And my young friends tell me that they

really like these little creatures, but

352

00:21:11,685 --> 00:21:13,755

I hope I really hope that you enjoy it.

353

00:21:14,625 --> 00:21:19,605

I was there, as I say, they're very

special to me, very special to me.

354

00:21:21,735 --> 00:21:24,105

But anyway, you know,

painters are sort of weird.

355

00:21:24,105 --> 00:21:25,695

They like, they like things like that.

356

00:21:26,985 --> 00:21:27,645

All right.

357

00:21:29,100 --> 00:21:31,320

You don't have to be a painter

to like little creatures.

358

00:21:31,800 --> 00:21:37,590

Let's put a little grass down here

and bottom of this, maybe we'll

359

00:21:38,730 --> 00:21:40,440

take it right on through there.

360

00:21:41,850 --> 00:21:47,550

Wherever the yellow Looker, Indian,

yellow, Cadieux sat with green.

361

00:21:48,300 --> 00:21:51,840

Just mix them on the brush, but all these

little colors and things just happen.

362

00:21:53,875 --> 00:21:57,955

There we go, where ever

363

00:22:03,325 --> 00:22:05,605

put the least little touch

of paint thinner on my brush.

364

00:22:05,605 --> 00:22:10,405

I just dip the brush into a small,

small amount of paint thinner just

365

00:22:10,405 --> 00:22:13,435

at the end, the paint a little bit

more sweat for really slips off.

366

00:22:13,435 --> 00:22:14,125

They're easy.

367

00:22:15,685 --> 00:22:18,145

Sometimes it's fun.

368

00:22:19,365 --> 00:22:21,585

And makes your painting look

a little better, put some

369

00:22:21,585 --> 00:22:22,935

roots out here on the tree.

370

00:22:23,125 --> 00:22:27,245

Just take a fan brush, a little

black painting Brown or whatever.

371

00:22:29,285 --> 00:22:30,605

Can you put the indication here?

372

00:22:30,605 --> 00:22:33,905

And there just big root grows, right?

373

00:22:36,935 --> 00:22:40,385

Don't put one on every single tree because

you're not going to see every tree.

374

00:22:40,745 --> 00:22:43,885

Some of them are going to be

covered up by grass or things.

375

00:22:44,135 --> 00:22:45,425

Little weeds that grow around here.

376

00:22:46,755 --> 00:22:48,195

Don't put one on everyone.

377

00:22:48,345 --> 00:22:49,365

Just fear.

378

00:22:49,365 --> 00:22:58,265

And there, there something about

bike camp we can go up in here.

379

00:22:58,325 --> 00:22:59,585

We'll just use that same old brush.

380

00:22:59,585 --> 00:23:05,405

Take a little and begin thinking

about where all these little pieces

381

00:23:05,405 --> 00:23:06,875

of foliage would live up in here.

382

00:23:08,135 --> 00:23:09,065

Things like, yes.

383

00:23:10,685 --> 00:23:12,695

Begin thinking about shape and form.

384

00:23:15,315 --> 00:23:21,335

Yeah, I have trouble making the paint

stick, had a little touch of the

385

00:23:21,335 --> 00:23:24,965

paint, thinner to your brush, Janice.

386

00:23:27,575 --> 00:23:30,995

There, here it goes.

387

00:23:30,995 --> 00:23:34,385

The one right across the tree there.

388

00:23:36,410 --> 00:23:38,700

This is really where the paint

that you're putting on top of all

389

00:23:38,710 --> 00:23:40,350

this on the tree has to be thinner.

390

00:23:40,680 --> 00:23:44,190

If it's not, it's just

to all mixed together.

391

00:23:45,690 --> 00:23:46,650

And we don't want to do that.

392

00:23:48,120 --> 00:23:54,750

We want it to stand up there

and look good there wherever.

393

00:23:54,750 --> 00:23:57,750

And you put as many as you want in

yours, I'm just going to put a few

394

00:23:57,750 --> 00:24:00,540

hair in there and let it go at the end.

395

00:24:06,105 --> 00:24:07,365

Come on back down here to the bottom.

396

00:24:08,705 --> 00:24:12,004

Drive the director crazy here,

running back and forth on this.

397

00:24:14,975 --> 00:24:15,064

Okay.

398

00:24:15,574 --> 00:24:16,685

Little grassy areas.

399

00:24:18,544 --> 00:24:19,595

Nice little place.

400

00:24:19,595 --> 00:24:22,115

This is, this would be

just a fantastic place.

401

00:24:22,860 --> 00:24:27,449

They come and walk, take

your shoes off your feet.

402

00:24:27,449 --> 00:24:28,530

Run naked through here.

403

00:24:28,699 --> 00:24:30,240

Feels good on the bottom of your flips.

404

00:24:30,240 --> 00:24:33,330

When you, when you run across

all these little grass areas,

405

00:24:38,850 --> 00:24:41,129

look at the amount of distance

it's already in there.

406

00:24:41,969 --> 00:24:43,350

She got a big blank spot there.

407

00:24:43,379 --> 00:24:44,010

Let's do something.

408

00:24:44,280 --> 00:24:45,449

We got a minute left here.

409

00:24:46,560 --> 00:24:47,159

You know me?

410

00:24:47,969 --> 00:24:48,360

Yup.

411

00:24:48,389 --> 00:24:48,959

Here we go.

412

00:24:49,169 --> 00:24:50,159

Another huge tree.

413

00:24:51,524 --> 00:24:53,145

Another huge old tree.

414

00:24:53,175 --> 00:24:54,284

We'll put him right in there.

415

00:24:55,955 --> 00:24:56,294

Right.

416

00:24:58,205 --> 00:25:00,004

But he comes right down

to about like, yeah.

417

00:25:01,385 --> 00:25:04,445

Give him a big old routine

hanging out there like that.

418

00:25:08,524 --> 00:25:08,584

Yeah.

419

00:25:08,905 --> 00:25:14,975

I can a little bit of her bright

red, white, same thing too, but

420

00:25:14,975 --> 00:25:18,754

that dropper Ray down there.

421

00:25:21,815 --> 00:25:22,395

I can.

422

00:25:26,735 --> 00:25:27,335

Okay.

423

00:25:28,025 --> 00:25:29,525

A little bit of a bluish color.

424

00:25:31,205 --> 00:25:32,255

Excuse me, arm there.

425

00:25:34,145 --> 00:25:35,465

Just drop that right on down.

426

00:25:38,195 --> 00:25:38,495

Okay.

427

00:25:40,685 --> 00:25:41,675

A little bit of her black.

428

00:25:41,935 --> 00:25:45,845

Once again, all we're going to

do here, it's just sort of touch.

429

00:25:50,085 --> 00:25:50,655

All right.

430

00:25:52,625 --> 00:25:54,365

Let's drop a few little branches on that.

431

00:25:55,445 --> 00:25:56,315

I want him left out.

432

00:25:56,315 --> 00:25:59,764

He needs some arms on him too there.

433

00:26:02,075 --> 00:26:04,325

So if we'd have known he was going to

be there, we could have just put him

434

00:26:04,325 --> 00:26:05,465

in when we were doing the other ones.

435

00:26:05,465 --> 00:26:08,794

I just decided there should be

something over here in this spot too.

436

00:26:10,805 --> 00:26:11,375

There we go.

437

00:26:13,514 --> 00:26:14,415

Something like that.

438

00:26:17,345 --> 00:26:20,044

Once again, let's just

tap a few leaves in here.

439

00:26:20,794 --> 00:26:21,485

So big tree.

440

00:26:21,485 --> 00:26:25,925

It may not have many leaves down here that

we apply somewhere with a little squirrel.

441

00:26:25,955 --> 00:26:26,044

Okay.

442

00:26:28,175 --> 00:26:28,835

All right.

443

00:26:31,379 --> 00:26:31,980

Okay.

444

00:26:33,230 --> 00:26:36,469

And this would be, as I say, a beautiful

place to take a walk in the woods and

445

00:26:36,469 --> 00:26:38,780

let's have a, let's have a little path.

446

00:26:38,780 --> 00:26:43,429

We take a little dark center, a little

bit of white, go right up in here.

447

00:26:43,580 --> 00:26:47,659

You can just take a knife and just

rub it'll pick up the color underneath

448

00:26:47,659 --> 00:26:49,159

and it'll sort of all blend together.

449

00:26:50,449 --> 00:26:51,889

Put you in a happy little path.

450

00:26:52,429 --> 00:26:56,629

Just rub strongly, very strongly.

451

00:26:58,650 --> 00:27:01,800

And that'll give us the

indication of a little path.

452

00:27:02,150 --> 00:27:05,060

It goes way back here and the

distance that I think we're going

453

00:27:05,060 --> 00:27:06,620

to call this old painting finished.

454

00:27:07,220 --> 00:27:11,360

Once again, I really hope you've

enjoyed this series, but the next

455

00:27:11,360 --> 00:27:12,590

one's already under production.

456

00:27:12,590 --> 00:27:16,760

I look forward to seeing you then behalf

of the entire staff, happy painting.

457

00:27:17,420 --> 00:27:18,440

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E13 - Silent Forest

Bob Ross's

The Joy of Painting

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