Bob Ross's

The Joy of Painting

S19E09 - Ebb Tide

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Hi, welcome back.

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Certainly glad you could do join us today.

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I thought today we'd just do a

fantastic little seascape and show

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you a very simple way of doing a

seascape that I think you'll enjoy.

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Let's start out and have him run all

the colors across the screen that

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you need to paint along with me.

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Let's go on up here.

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Let me show you what I've done today.

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I took a piece of contact paper

and cut a little oval in it.

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And just stuck it onto the old canvas.

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And I discovered the canvas here.

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The top part is just a little

liquid white, and I have a little

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piece of masking tape across here.

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This is going to be my horizon.

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And down here is liquid clear and we

put the clear on, because down here I'm

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going to have some dark colors and I

don't want to dilute the color appear.

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I want to dilute the color.

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Okay.

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So that's basically all we've done.

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Let's start out today and

just have a good time.

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Let's go with a little bit of, let's

try a little bit of CAD yellow.

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We'll make a beautiful little

scatter day, super day.

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So it's a nice day to make a pretty.

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Bright shiny sky, a little yellow.

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Let's go right up in here.

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Maybe I can right there.

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Right?

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Tell me, we'll put a

little sign up in the sky.

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That sounds like fun.

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Yeah.

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And then without, without

cleaning the brush, I'm going

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to go reach right down here.

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Get a little bit of yellow ochre in

the same way, making little Xs, little

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crisscross strokes, just lay a little

bit at ochre right around there.

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The ochre sort of a gold color.

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It's very, pretty, very pretty color

it make you happy there now then still

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without cleaning the brush, we'll

go right into bright red and let's

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just go right around the edges here.

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Beautiful little color, but be careful.

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It's very strong and it'll eat up

your whole world in just a heartbeat.

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There maybe a little touch more.

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You can always add more.

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Mr.

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Sun.

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Are we going to take it off there?

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Something about like, so,

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okay, now then.

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Can we take a little that bright red

little touch-up fellow blue into it.

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I'll be right back there.

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We are a little bright

red little fellow blue.

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We'll go right up in here and

we'll just very quickly dance in a

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little sky up here, a little blue.

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Okay.

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Let me wash the old brush.

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That's the fun part of

this whole procedure.

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Just wash it, shake off the excess.

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I can just cover everybody in the

studio now with a nice clean brush.

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We can blend this.

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I think it was in the last series.

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We showed you one of our

camera, men with his rain CODO.

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He sits over there with his rain coat.

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I've been known to splashy there,

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breasts, just to knock off any

paint that I've picked up, it's

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much easier than going through the

whole cleaning procedure again.

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Okay.

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Now we'll just blend this all together

and you want to blend this to where.

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You can't tell her one color stops

and the next color starts here.

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And when you're doing this at home,

sort of step back and take a look,

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see at you painting, it's hard to

see it when you're very close to it.

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It's a step back and you look and

see if it's exactly what you want.

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If it's not blended a little more,

add some more color, whatever

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it takes to fix it, there, take

a little bit of titanium white.

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And maybe we were going to

have a sun right up in here.

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So we'll take that white

and we just begin dancing.

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I want a very light area right around

the sun there, and we'll just let

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that blend outward, outward, outward.

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Easy.

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Okay.

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See, now we have a nice bright

spot right up in there and we can

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take, we just use the old finger.

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They will do a little finger painting.

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Go ahead.

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Up in here.

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We just draw a little circle

and make you sun round.

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You make it a square or oblong

suns people sort of laugh at them.

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We don't want anybody laughing at you son,

clean brush and very gently, very gently.

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You can just go right over that

and sort of blend it a little.

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It gives you a nice little

indication of little sun.

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We appear in the sky.

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Okay.

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Maybe we have a couple of

happy little clouds in our sky.

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So for that, let's make some lavender,

we'll take a little lizard and Crimson,

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a little touch of the fellow blue.

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Just mix them together.

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That's very difficult to

see what color that is.

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So we can take a little white

board over here, check it and

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see if it's what you want.

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That's pretty good.

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Okay.

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Let me grab a brush.

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Maybe today.

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Let's use, we use old fan brush.

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Take a little bit of color, little

color, a little bit of white.

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So it's not real strong there.

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Just load some color into

the fan brush back and forth.

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Now that must go right up here.

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You have to make some big decisions.

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Where does the clouds live in your world?

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Maybe it is a happy little

cloud that lives right up

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here and just floats around.

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Just floats around.

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Has a good time.

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There, but just use the corner of the

brush and make little tiny circles

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that maybe there's one that comes out.

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It comes a red across the side,

wherever Amy let's go right on down.

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There's one down here, but in your world

you put as many or as few clouds as you

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want, because painting is very individual.

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Everybody sees things differently.

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And so you should paint things

the way you see them there.

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Maybe over here, there's a nice

cloud, just floats right along and

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this'll be the horizon right here.

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So we just let this cloud float right

along in here came maybe there's some

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little stringy corrals to make hose.

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All you gotta do is just sort

of pull the breast like, so.

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A little more color on it.

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There, those are the easiest

kind of clouds to make.

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Can you maybe up in

here, shoot, who knows?

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Maybe there's another little

cloud lives right here.

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Does that say, when you're doing

this, decide how many clouds

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you want in your world and just

drop them in, just drop them in.

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Maybe a peer there's another

little tiny one lives.

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We appear in the sky.

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He watches all this down here.

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Now that take a good clean, dry brush and

very gently we just come sort of stirred

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up using just the corner of the brush.

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It's a blended all together and it also

removes any excess paint that's on there.

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There.

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And then very lightly, very lightly

just blended it, fluff it a little.

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If you want to look it out, not a

super nice, easy way to make some

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very, very effective little clouds

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at the string.

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You wouldn't say all you have

to do is just pull those.

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Let's give him a little pull the sense

of canvas, which you can move them soon.

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There we go.

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There,

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maybe there's a little sunlight plan

across some of these let's take, I have

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several fan verses going here, so I don't

have to spend all my time washing them.

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We'll take some white titanium,

white, get a little bit of the.

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Bright red don't want too much.

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Just enough to just enough to

spark lit a little bit, lot

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of color on the brush though.

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Really got it filled up.

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And then maybe in our world, maybe

a little light plays right through

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here, just bounces right across the

top to some of these little clouds

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there don't want to overdo, but just

here and there, wherever you think

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light would just hit the sparkle.

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That's good.

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More color.

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Maybe this is a little over here too.

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Okay.

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Super.

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Maybe it'd be right in here.

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There's little indication,

right on top of a little light

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played on that cloud though.

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Your little there, wherever this cloud,

maybe get a little color right along here.

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Like, so just sort of make a decision

where you think the light would hit it.

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Needless to say it's going to hit right

under here, right along in the here.

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Yeah.

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The good clean, dry brush

again, be sure it's dry.

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If it's not, it's going to

sort of just moose together.

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That's a new word there.

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She had a sort of winded up plan.

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I like to do seascapes, but I like you.

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I like he's had have a

lot of going on in them.

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Sometimes they're sorta hard to

do in the time that we have here.

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I know recently I did one.

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That was, gosh, it just, it hits so nice.

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And I just couldn't get it down to

where I could do it in 30 minutes.

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So we've we featured it in the newsletter.

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So everybody will have

a chance to paint it.

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There we go.

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Okay.

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I'm doing just blend

that out a little bit.

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Okay.

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I think that easy, we've got quite

a nice little sky going there.

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Now you could use this idea for a sky

and in any kind of scene that you want.

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It doesn't have to be, just be a seascape.

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Maybe you want to do a nice.

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Landscape or something that

you needed this guy like it.

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And of course it'll work just as well.

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No problem.

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Clean off the old fan brush,

we just wash these and thinner,

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wipe them on a paper towel.

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Let's start down on the bottom.

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That's where the fun will start.

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We'll take mix up a little more of

that lavender color lizard and Crimson.

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They have a blue proportionately,

much more Crimson, much, much more.

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Once again, it's very difficult

to tell what color that is.

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So take a little white paint

layout, check it and see if

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it's what you're looking for.

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That's pretty good.

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Yeah.

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We have this piece of tape here.

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This is just to keep our horizon straight.

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So we'll take that off.

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You don't have to have it there, but

it certainly makes your life easier.

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Make sure Matt still down there and

we'll just use, we can use a two inch

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brush go right into a little bit of that

and we're going to come right up here.

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I'm just going to cover this part of

the canvas with a little bit of this

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lavender color, and you can use any

color that you want just thought today.

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We'd use a little lavender.

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We try to keep at her rising

as straight as we can.

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There we are.

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Did I say I enjoy doing these

seascapes are a lot of fun and you

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can really play with color, like

make some very interesting seascape.

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There

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we will have a, they will

have a little beach down here.

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So instead of putting a lavender all

the way down, we'll wash the brush.

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I just liked to wash his brush.

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Hey, I would just beat the devil out

of that, down here on the bottom.

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We'll go into a little dark Sienna

and we had the clear down here, so

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that does not distort the color.

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There we go.

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Maybe a little touch of Vandyke

Brown right down at the very bottom.

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So we have Ben Dyke Brown.

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Dark Sienna.

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And then the lavender color

that would make that would just

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sort of blend those together.

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All right.

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So if we we'd put liquid white out

here, we would have diluted all

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these colors and I don't want to

dilute the color at this point.

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Yeah.

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Get to shake the brush again.

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All right.

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Let's, let's play with a little Filbert.

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First thing I would do is decide where

the major waves going to be in here.

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So come right up in here and you

make this big decision and just sort

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of take the brush and sketch it in.

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I don't want this to be a very

big wave, maybe just a little

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one that lives right in there.

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Somehow sketch out a basic shape.

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There's several ways you can do this.

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If the eye is going to be right

here, you can take a paper towel.

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And you could remove a little of that

color or you could just paint right

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over it, but it's a little easier if you

just remove a little of it, let's take

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a fan and brush and let's outline okay.

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Where our major waves are going to be.

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Here's one back here too.

249

00:14:36,375 --> 00:14:40,145

Like that that'll be the,

the little curl right there.

250

00:14:43,835 --> 00:14:44,795

Cleaner a little brush.

251

00:14:46,870 --> 00:14:49,110

All we're interested in

is what's behind here.

252

00:14:49,110 --> 00:14:51,990

So very gently take this

and let me exaggerate.

253

00:14:51,990 --> 00:14:56,850

We're going to make a, a motion

like that, and I'm exaggerating

254

00:14:56,850 --> 00:15:05,780

it there, but that'll create the

troth between the waves that easy.

255

00:15:06,480 --> 00:15:08,040

And back here, same thing.

256

00:15:10,970 --> 00:15:14,030

So you already, you begin to get

the impression of waves are and

257

00:15:14,030 --> 00:15:15,200

you haven't done hardly a thing.

258

00:15:16,130 --> 00:15:20,810

It's a very nice, easy way of making

them a little wave is quite effective.

259

00:15:23,060 --> 00:15:23,720

There we go.

260

00:15:28,430 --> 00:15:28,700

Nice.

261

00:15:28,700 --> 00:15:29,420

Clean brush.

262

00:15:31,460 --> 00:15:31,970

Let's take.

263

00:15:32,745 --> 00:15:35,985

We will take a little titanium,

white, at least little touch

264

00:15:35,985 --> 00:15:37,275

of the CAD, yellow into it.

265

00:15:38,564 --> 00:15:40,665

And we're just going to

use the old Filbert brush.

266

00:15:40,665 --> 00:15:44,204

What the heck load some color on it.

267

00:15:44,385 --> 00:15:45,314

Let's go right up in here.

268

00:15:46,025 --> 00:15:47,555

Now let's do the eye of the wave.

269

00:15:47,854 --> 00:15:49,444

That's always the most fun part.

270

00:15:50,255 --> 00:15:53,675

That's what everybody

wants to do immediately.

271

00:15:53,675 --> 00:15:56,285

So let's do it and get it out

of the way, but a little color

272

00:15:56,285 --> 00:15:57,574

in there and just scrub it in.

273

00:15:58,265 --> 00:15:58,354

Okay.

274

00:15:59,400 --> 00:16:00,300

Just grip it in.

275

00:16:00,300 --> 00:16:03,840

Now you can do this several times

to achieve a desired lightness.

276

00:16:05,130 --> 00:16:11,850

If you need be there now we will take

a clean and be sure it's really dry.

277

00:16:12,180 --> 00:16:15,450

If nothing else, wipe your brush

on some paper towels and then feel

278

00:16:15,450 --> 00:16:16,950

it to make sure it's good and dry.

279

00:16:16,950 --> 00:16:17,730

It's important.

280

00:16:17,760 --> 00:16:21,840

If it's not dry, it's going

to just all go together.

281

00:16:22,320 --> 00:16:25,860

I just put the tip of the brush

right here and just turn the

282

00:16:25,860 --> 00:16:27,390

handle it sorta just winds it up.

283

00:16:28,349 --> 00:16:30,209

And you can't believe, see there.

284

00:16:31,770 --> 00:16:32,310

Good shot.

285

00:16:32,550 --> 00:16:33,050

Good shot.

286

00:16:33,930 --> 00:16:35,939

Can't believe how smooth it will.

287

00:16:36,060 --> 00:16:38,520

It'll make it there.

288

00:16:40,469 --> 00:16:42,930

There was a time I would have never

believed you could have painted paintings.

289

00:16:42,930 --> 00:16:51,270

Like yes, he was in great big brushes,

but you can, you really can there.

290

00:16:54,930 --> 00:16:55,229

Yeah.

291

00:16:55,240 --> 00:16:55,469

Then.

292

00:16:55,875 --> 00:16:58,155

Let me wipe off my little Filbert brush

293

00:17:01,694 --> 00:17:04,275

and we can begin working

on the foam for that.

294

00:17:04,305 --> 00:17:07,185

We'll take a little white, a little

white, a little that lavender color.

295

00:17:07,214 --> 00:17:07,724

What the heck.

296

00:17:09,704 --> 00:17:10,454

There we go.

297

00:17:10,754 --> 00:17:14,535

It's a nice color, a little

bit lavender and white.

298

00:17:16,365 --> 00:17:16,635

And ms.

299

00:17:16,635 --> 00:17:18,994

Go up in here and think about

where the foam is going.

300

00:17:18,994 --> 00:17:19,845

Gonna be.

301

00:17:20,025 --> 00:17:23,714

We'll put it in right

here and just scrub it in.

302

00:17:26,880 --> 00:17:29,220

Thinking about that water

crashing and having fun.

303

00:17:29,760 --> 00:17:31,260

And this is the shadow we're putting in.

304

00:17:31,260 --> 00:17:34,080

Now we'll come back in a minute

and put in all the highlights,

305

00:17:34,080 --> 00:17:35,280

but this is just the shadow.

306

00:17:36,780 --> 00:17:39,810

Just to give us an idea of where

the foam is going to turn and curl.

307

00:17:40,640 --> 00:17:40,880

Yeah.

308

00:17:44,180 --> 00:17:48,380

Back to our fan brush, put titanium

white on it, and we could begin

309

00:17:48,380 --> 00:17:51,640

putting that nice sparkly area behind.

310

00:17:52,350 --> 00:17:53,820

Let that wave crash right over.

311

00:17:55,530 --> 00:18:01,250

And it really, it really helps if you

make these little noises, there we go.

312

00:18:06,650 --> 00:18:10,070

We can go back to our little Filbert

brush that has some white on it.

313

00:18:10,500 --> 00:18:12,260

Now we can come in here

and put the goodies on

314

00:18:17,060 --> 00:18:17,540

splash.

315

00:18:17,540 --> 00:18:18,140

It was in there.

316

00:18:21,990 --> 00:18:27,230

Wipe your brush off and it picks

up some of the color, but it just

317

00:18:27,230 --> 00:18:28,970

barely break the horizon there.

318

00:18:32,030 --> 00:18:32,209

Yeah.

319

00:18:32,209 --> 00:18:33,230

Back to our large brush.

320

00:18:33,260 --> 00:18:35,629

And we want to just

blend that foam together.

321

00:18:37,010 --> 00:18:37,879

Very gently.

322

00:18:39,199 --> 00:18:40,699

You could use the one inch brush for this.

323

00:18:40,699 --> 00:18:43,490

If you're a little more comfortable

with it, sort of an individual choice.

324

00:18:44,520 --> 00:18:46,860

I seem to get along better

with this old big verse.

325

00:18:46,860 --> 00:18:50,669

So if you want to create the illusion

of little things, splashing up in

326

00:18:50,669 --> 00:18:54,300

there, just take the color you've

picked up on the brush and just touch.

327

00:18:54,419 --> 00:18:57,570

Say it'll make all those little

splashes and they're usually

328

00:18:57,570 --> 00:19:00,060

there are usually in there.

329

00:19:01,909 --> 00:19:02,480

All right.

330

00:19:05,000 --> 00:19:07,220

Just let that wander right on

off, and then nothing over there.

331

00:19:09,260 --> 00:19:09,830

Okay.

332

00:19:13,395 --> 00:19:18,315

Grab the old fan brush, and we can

start playing with little, little foam

333

00:19:18,315 --> 00:19:20,055

patterns and stuff they're living in here.

334

00:19:21,465 --> 00:19:24,885

Think about how your water

is going to be shaped.

335

00:19:25,245 --> 00:19:26,955

It's going to come up and curl over.

336

00:19:27,615 --> 00:19:28,455

So think about that.

337

00:19:28,455 --> 00:19:30,645

And as it works out, it's going

to get flatter and flatter.

338

00:19:33,885 --> 00:19:35,895

Just put in a few,

little basic shapes here.

339

00:19:37,515 --> 00:19:38,715

Then we'll take a large brush.

340

00:19:39,135 --> 00:19:41,685

And very gently to start

blending that together.

341

00:19:42,555 --> 00:19:43,485

It's very soft.

342

00:19:46,775 --> 00:19:51,065

Jessica gives you an idea of

how the water flows, Adam.

343

00:19:51,815 --> 00:19:51,905

Okay.

344

00:19:52,535 --> 00:19:56,915

Take a little paint thinner on the

liner brush and we'll take a little that

345

00:19:56,945 --> 00:19:58,925

same old white color, and we can begin.

346

00:19:59,405 --> 00:20:02,915

We can begin putting in all the

little fun parts here, right

347

00:20:02,915 --> 00:20:05,765

along the top of this wave there.

348

00:20:07,065 --> 00:20:11,615

Just let you brush her to wiggle

and jiggle and have fun back here.

349

00:20:15,605 --> 00:20:18,365

This begins to make it sparkle

and all these little things are

350

00:20:18,365 --> 00:20:21,935

what makes your seascape look

so good right along in horizon

351

00:20:25,355 --> 00:20:25,685

there.

352

00:20:25,895 --> 00:20:28,475

See, but go look.

353

00:20:28,955 --> 00:20:29,855

I hope that makes sense.

354

00:20:29,965 --> 00:20:30,755

Hope it looks right.

355

00:20:32,495 --> 00:20:34,655

Just little, like little waves.

356

00:20:35,190 --> 00:20:42,170

We back in the distance there, there,

and all these little things are what

357

00:20:42,170 --> 00:20:46,100

really give you seascape character

and mood and, and make it look good.

358

00:20:47,210 --> 00:20:51,440

So spend a little time when you're

doing this, let a little easel, some

359

00:20:51,440 --> 00:20:53,090

of these little things, just work back.

360

00:20:57,290 --> 00:20:57,980

There we go.

361

00:20:58,760 --> 00:20:59,570

Let's go over here.

362

00:20:59,870 --> 00:21:01,670

Even back behind here,

there should be some.

363

00:21:06,240 --> 00:21:09,420

And you can put just all kinds of these in

364

00:21:12,960 --> 00:21:13,590

Madden.

365

00:21:14,120 --> 00:21:17,390

Once again, we begin thinking about

the way, the way he was shaped here,

366

00:21:18,260 --> 00:21:19,880

putting all these little doers in here,

367

00:21:24,140 --> 00:21:24,500

there.

368

00:21:26,000 --> 00:21:26,090

Okay.

369

00:21:26,360 --> 00:21:28,760

This is where you way

begins to take on character.

370

00:21:29,000 --> 00:21:31,130

This is where you begin

showing the form and it.

371

00:21:35,720 --> 00:21:38,300

Yeah, we'll take a little

bit of that lavender color.

372

00:21:41,150 --> 00:21:44,300

Hello, but maybe a little bit

darker and put a little line

373

00:21:44,300 --> 00:21:45,470

underneath the bottom of this.

374

00:21:45,650 --> 00:21:48,890

So it separates it there.

375

00:21:48,920 --> 00:21:49,970

Seeing that stands out.

376

00:21:49,970 --> 00:21:51,800

There's that little dark area

in there and you just sort of

377

00:21:51,800 --> 00:21:53,780

blend it in and back in here.

378

00:21:53,780 --> 00:21:54,740

There's some little doers.

379

00:21:59,020 --> 00:22:05,179

Slider brush though is fantastic

for doing these little things there.

380

00:22:09,590 --> 00:22:13,850

Now, maybe there's we said was going

to have a little beach in here,

381

00:22:13,909 --> 00:22:17,030

so let's take a little bit of the

white and I'm gonna pull it out.

382

00:22:17,030 --> 00:22:17,659

Very flat.

383

00:22:18,290 --> 00:22:20,990

Take the small knife, cut

off a little roll of paint.

384

00:22:21,450 --> 00:22:25,740

Like, so I decide where you want

your, your little beach to be here.

385

00:22:26,790 --> 00:22:27,810

Push very firmly.

386

00:22:29,370 --> 00:22:30,240

Very firmly.

387

00:22:32,090 --> 00:22:32,690

There we go.

388

00:22:32,750 --> 00:22:33,620

A little more paint.

389

00:22:36,710 --> 00:22:43,310

Do you literally just push off a little

layer of paint there, but now this

390

00:22:43,310 --> 00:22:45,169

needs to be flat or it won't look right.

391

00:22:46,700 --> 00:22:47,480

Look right.

392

00:22:47,690 --> 00:22:48,620

Take a fan brush.

393

00:22:49,260 --> 00:22:54,780

Grab this and gently pull it back,

but don't kill all your areas in here.

394

00:22:55,140 --> 00:22:55,950

Just pull it back.

395

00:22:56,820 --> 00:22:59,640

You can also grab the least little

touch of it here and pull down.

396

00:23:00,090 --> 00:23:03,360

It'll make hot water or the sand

look like it has water on it.

397

00:23:04,350 --> 00:23:10,440

Just like you were making a reflection

and then go across creates that

398

00:23:10,440 --> 00:23:11,820

illusion of wetness on there.

399

00:23:14,730 --> 00:23:14,970

Okay.

400

00:23:14,980 --> 00:23:15,360

Maybe.

401

00:23:15,675 --> 00:23:18,825

Maybe there's another little

Dewar in here, wherever.

402

00:23:19,004 --> 00:23:21,705

Sometimes there's several

little, little ripples in there.

403

00:23:22,875 --> 00:23:28,155

Just drop them in wherever you

want to take the fan brush.

404

00:23:28,215 --> 00:23:29,895

And once again, pull it back

405

00:23:34,575 --> 00:23:34,995

there.

406

00:23:35,415 --> 00:23:37,004

Just all kinds of little things

407

00:23:42,675 --> 00:23:44,625

can, and then we can go

back to our liner brush.

408

00:23:47,010 --> 00:23:50,520

And you can just add in all these

little details, all kinds of little

409

00:23:50,520 --> 00:23:57,890

foamy things that are going on fair,

but that's a super easy way of making

410

00:23:57,890 --> 00:24:02,570

a very, very effective little seascape,

but play with colors and stuff.

411

00:24:02,570 --> 00:24:05,840

When you're doing this, and you can use

that they little green, for example,

412

00:24:05,840 --> 00:24:07,490

it make beautiful, beautiful things.

413

00:24:07,910 --> 00:24:09,740

This liquid clear though allows you to.

414

00:24:10,245 --> 00:24:13,455

To use this color without

diluting it, it stays the same

415

00:24:13,635 --> 00:24:15,315

color that you put on there.

416

00:24:15,315 --> 00:24:18,825

If you had white under there,

liquid white, naturally,

417

00:24:18,885 --> 00:24:21,525

it would get very diluted.

418

00:24:21,975 --> 00:24:25,065

I won't take a, a little dark

color and put it right under the

419

00:24:25,065 --> 00:24:27,075

edge of this little dark color.

420

00:24:28,155 --> 00:24:30,255

What caused it to stand up a little?

421

00:24:30,255 --> 00:24:32,655

Like there's a little Ridge,

but just a little dark color.

422

00:24:34,785 --> 00:24:35,505

See how it looks like.

423

00:24:35,505 --> 00:24:36,795

It's just sort of standing up there.

424

00:24:38,725 --> 00:24:39,705

Maybe in our world.

425

00:24:40,125 --> 00:24:41,505

Shoot, let's have some fun here.

426

00:24:43,215 --> 00:24:45,915

Maybe, maybe there's a couple

little stones laying out here.

427

00:24:45,945 --> 00:24:47,085

We can make those real easy.

428

00:24:47,085 --> 00:24:51,585

We'll just take a little yellow

ochre, liquid white, some dark Sienna.

429

00:24:52,725 --> 00:24:54,375

I'll mix up a very thin paint.

430

00:24:54,785 --> 00:24:55,815

Clean off my knife,

431

00:24:59,555 --> 00:25:01,055

a little paint thinner on the brush.

432

00:25:01,235 --> 00:25:04,145

Go right into some Vandyke

Brown, dark Sienna.

433

00:25:05,645 --> 00:25:06,305

Like so.

434

00:25:06,990 --> 00:25:10,500

Maybe I'm a little black, let's

take a little black on there, like

435

00:25:10,500 --> 00:25:12,720

a dark still go right down here.

436

00:25:13,250 --> 00:25:15,860

Then we'll take one side and go

right through that damn color.

437

00:25:15,860 --> 00:25:19,040

So I have light on one side,

dark on the other, right.

438

00:25:19,730 --> 00:25:24,830

And maybe down in here lives, look there

just some little stones and you put as

439

00:25:24,830 --> 00:25:26,360

many, or as few as you want in here.

440

00:25:28,100 --> 00:25:29,630

And you can make both sides of the stone.

441

00:25:29,630 --> 00:25:32,540

At one time, you can pull down

a little color, look like it's

442

00:25:32,540 --> 00:25:34,100

reflecting into that wet sand.

443

00:25:35,790 --> 00:25:40,170

How many stones you want, it's up

to you and up to you, just drop

444

00:25:40,170 --> 00:25:41,040

them in wherever you want them.

445

00:25:42,390 --> 00:25:44,880

Take a little light color on the liner.

446

00:25:44,880 --> 00:25:47,070

Brush, put a little watermark around them.

447

00:25:48,030 --> 00:25:49,920

Usually when you have a stone

there, a little water sorta

448

00:25:49,920 --> 00:25:50,970

just floats around in there.

449

00:25:54,680 --> 00:25:54,770

Okay.

450

00:25:54,800 --> 00:25:57,500

Everybody always wants a little,

a little bird on the, I take a

451

00:25:57,500 --> 00:26:00,890

little black on the liner brush,

stand it down with paint thinner.

452

00:26:01,970 --> 00:26:02,990

Tell us almost like.

453

00:26:03,330 --> 00:26:07,980

Ink or water and we'll

do some little Elm birds.

454

00:26:09,169 --> 00:26:10,970

I gotta do see, just draw a little yum.

455

00:26:12,080 --> 00:26:13,129

Call those alien birds.

456

00:26:14,750 --> 00:26:17,179

Anybody can do one of those one.

457

00:26:17,419 --> 00:26:18,590

Let's see what this looks like.

458

00:26:18,860 --> 00:26:24,350

I'm gonna take the to pull the contact

paper off and expose the entire canvas.

459

00:26:25,159 --> 00:26:28,100

I didn't have a fantastic way of

doing a super little seascape.

460

00:26:28,875 --> 00:26:33,255

And you could paint this outside

edge, any color that you wanted

461

00:26:33,285 --> 00:26:34,515

before you put it on there.

462

00:26:35,025 --> 00:26:36,705

And it really makes it

even more interesting.

463

00:26:36,915 --> 00:26:42,075

Maybe we'll have one more Amber Bird and

this one, he sort of broke out there.

464

00:26:42,415 --> 00:26:43,485

He came out the edges.

465

00:26:45,035 --> 00:26:47,045

They're all right.

466

00:26:48,035 --> 00:26:48,515

Thanks for that.

467

00:26:48,695 --> 00:26:52,295

We got a pretty good little seascape

assign this one, take a little

468

00:26:52,295 --> 00:26:55,085

red and we'll sign this rascal

right down here in the rocks.

469

00:26:56,375 --> 00:26:57,545

I hope you've enjoyed this one.

470

00:26:58,475 --> 00:26:59,625

Give you a lot of practice.

471

00:26:59,925 --> 00:27:01,575

It's a very interesting little scene.

472

00:27:02,595 --> 00:27:04,625

Now, once again, I think you'll enjoy it.

473

00:27:05,045 --> 00:27:07,445

So from all of us here, I'd

like to wish you happy painting

474

00:27:07,985 --> 00:27:09,095

and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E09 - Ebb Tide

Bob Ross's

The Joy of Painting

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