Wednesday, December 23, 2020

S04E13 - Mountain Challenge

Bob Ross's

The Joy of Painting

S04E13 - Mountain Challenge

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Hi, I'm glad you could join me today.

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Today.

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Let's do something a

little bit different today.

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I'm going to start with a

canvas is just it's dry.

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Didn't have any magic white on it.

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So I'll have them graphically run all the

colors across your screen that you need

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to do this painting and let's get started.

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I'm going to start today with that.

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Two and a half inch brush them.

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We'll put a little paint thinner on

it and go right into some burn number.

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Very thin paint, just

a small, small amount.

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And I'm just going to put a

little wash up here on the canvas.

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Let I see.

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Just burn number, just wash

the canvas, just playing a

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small, small amount of color.

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Okay.

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Really scrubbing that

pain into the fabric.

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Can you take a tiny bit more of the

thinner and I'm going to go right

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into a little bit of fellow blue.

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Didn't clean the brush.

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Didn't clean.

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The brush takes very little of

this blue, very strong color.

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We'll just throw a little

happy wash up here by wash.

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I mean, the paint is so thin.

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It's, it's almost like water.

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This will dry in just a couple of minutes.

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It'll dry, even faster here in

the studio, because we have all

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the lights on the canvas at home.

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He might want to give it to three

minutes to dry a little bit.

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So it's not so runny.

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It's very thin, very light.

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Okay.

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That gives us a little

background color that easy,

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right?

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Let's lay the brush down and today let's

have some fun with the knife right in

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here and get some titanium white and less.

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Let's just start playing, like maybe

there's some little cloud shapes just

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sort of float around in the sky up here.

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And this whole knife

will do fantastic things.

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Fantastic things.

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But you got to turn it

loose and let it go.

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God, let it go.

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Be be brave with it.

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See, now it's picking up that color

underneath and you can make all kinds

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of beautiful little cloud effects

just using the knife, just using,

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maybe those were, I don't know if

the canvas there, this is your sky.

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So you, you put things where

you want them, let them happen.

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And when you're painting with a knife,

normally we would probably use a

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little more painting you normally do

because it's thicker on the canvas.

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It has texture when it's dry makes

a beautiful, beautiful effect

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though, just clean that knife off.

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And we can just rub this a little bit

and it picks up the under color and just

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blends the bottom of these clouds, right?

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In all the beautiful blues and

Browns that we've got there.

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There we go see how easy you can make

it a sky, just, just using the knife.

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So you don't have to have all

the big fancy brushes you use.

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Nice, nice knife, little practice.

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Have some fun maybe, maybe.

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And under this.

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Beautiful little sky here.

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Maybe there's a happy little mountain.

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I'm take some Vandyke Brown,

take some pressure and blue.

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Good, strong, dark blue, a little

bit of a lizard and Crimson.

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Just mix them together here.

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Put a little white in there.

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Okay.

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So we get blue Brown, a little

Crimson and the small amount of white.

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Can you just go up here?

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Maybe, maybe, maybe there it is.

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I knew there was a big old mountain.

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We lived up here somewhere.

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You just have to sort of finally

decide where he's at dropping, man.

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So they're just, and when these

paintings are, are dry, they look, they

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look a great deal, like traditional

paintings, where you would take washes

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and glazes and all those good things.

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These paintings will

give you that feeling.

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Can you just rub that?

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Right?

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And I'm like, yeah.

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Cause we want this mountain to be a little

bit lighter down toward the horizon,

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rub it, but it pick up that color.

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It's underneath

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any excess paint, you can just scrape off.

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All you looking for is that

dark, dark value in the canvas.

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There we go.

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That's a little bumps things in there.

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Alrighty.

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Now we put some, let's put some

highlights on this mountain.

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Let's take two.

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You take some white, a little

bit of a lizard Crimson, just

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a very, very small amount.

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We don't want to set this mountain fire.

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I just want to warm it up a little bit.

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And it's also easier for you to

see at home and maybe there's a.

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Maybe there's a little light that

plays right down through here.

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Let it strike the canvas.

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Just like, so wherever you think light

would strike that is play and have fun.

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Okay.

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A little bit.

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Yep.

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Right there.

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There it is.

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There it is little bit head right there.

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Just let all these things happen

flow right out of your mind.

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They're there.

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They're there come right down,

man, down to some of this color and

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let it pick up blending together.

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I'm gonna take some whites, a little

bit of and blue mixed into it.

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We'll make a little shadow type

color and we'll go in here.

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Just hearing, they will put

some indications of few shadows.

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I don't want to cover all that

dark, just hearing their few

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little shadowy things happening.

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painting to be very soft and very quiet.

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Understand can maybe this little

light strikes out here on that peak.

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So your mountain, you let light

strike wherever you want it.

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And that's where I wanted right there.

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Here we go a little shadow right in there.

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There's another happy little shadow.

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Just let those little shadows display in

the fall in there, clean the knife again,

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just blend that together.

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So it makes it look nice and Misty.

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Easy, you can just bring it together.

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I'm really pushing quite hard here.

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I want to blend that Misty.

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Okay.

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Let's have a.

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If want to have a happy little

Foothill back here and for that, and

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I'll use a little Brown, little SAFT

green, let's put some white in it.

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So we got some Brown, some SAP green, some

white, and I'm going to put into that.

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We'll just put a little bit of

this blue, just a little blue.

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This is stay low blue there.

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And that's about what I'm looking for.

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Okay.

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Let's go right up here.

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Maybe there's a happy little Foothill.

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Yes, right here at first, we were

just still just using the knife.

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I want to just use a knife today

and show you what can be done.

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Say they're just dropping just a little

indication of a little Foothill back here.

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And then you want it to be

very soft at the bottom that

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need that little Misty area.

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That's your separator

that separates everything.

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Now I'm going to just keep

using that same color.

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Maybe I'll add a small

amount of blue to it.

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Make it a little bit

more into the blue issue.

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Let's go right over here.

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Maybe there's a yup.

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There he is.

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I see it.

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It's another little bit

that comes right down.

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So this is a little darker.

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It's a little closer to you.

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So it stands out a little more.

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I'm just pushing this up here

and there to make it look like

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little trees far, far away.

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And it's the thing that's

getting closer to you.

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You want, you want to

have more and more detail.

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Now I had a little white, so I can

create some miss down here at the bottom.

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And as things get closer, you

begin to making out color.

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You can see.

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Let's see all kinds of little

colors as things get closer.

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So if you wanted to begin showing

at least at least little amount of

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color, I'll add a tiniest little

bit of CAD yellow here and there.

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Tiniest, tiniest little bit.

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Just want to put an indication

here that don't want overdue.

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Janice, the little it's too far away

yet the want one, a lot of detail in it.

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It's still too far away.

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Maybe.

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True an add a little more Brown to

that same color, a little Brown.

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Then you just keep making these

cars darker as you come closer.

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And maybe there it is.

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There it is.

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A little Hill, same, you can make as

many as these little Hills, as you want.

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Just decide how many Hills are in your

world and drop them in, drop them in.

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I can do anything.

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There we go.

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Kinds of depth and a painting

using nothing but a little knife,

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stills color,

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lot of rubbing and rubbing

makes it very smooth.

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And.

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And this has done it.

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Look almost like it was done with a brush.

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It will be so smooth.

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I hope, I hope that's what

we're shooting for anyway.

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And it takes a lot of this

blending and rubbing and you can

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spend hours and hours on these.

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I have a lot of fun.

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Good painting do when

you're not in a hurry.

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And I just have some fun,

more color right in there.

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I want to lighten this a little song,

that small amount of white and blended.

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Another layer right there.

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I just added a little more blue,

little Brown and some dark in here.

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And then we can begin working on

some shady form playing a little

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Kim we'll go right into a little

bit of yellow ochre, yellow ochre.

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And to that, I'll put a little bit

of blue, a little, a little blue into

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my yellow ochre, like a nice green,

but it's not so bright and shiny.

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It's adultery.

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Let's go back up here.

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Maybe you're beginning to

make that detail in here.

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Little things are starting to happen

and you can vary these colors.

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It's not bright enough.

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You man.

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Oh, the yellow.

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Make it as bright or as dark as you want.

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But these colors play through

there, here and there.

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Excellent painting to do to, if you

have a lot of paint left on your

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palette, because you can just use any

old color that you have and put all

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these things together and just make

beautiful, beautiful, beautiful paintings.

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And did you really make

friends with unite?

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You'll get to know that thing.

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Just like an extension of your hand.

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And that's when the fun really starts.

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Can you maybe go back and get

a little pressure and blue

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Vandyke Brown and white into it?

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Little Sam green,

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Brown there.

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No, then that's go up to the

canvas maybe right in here.

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Maybe there'll be some water.

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So we need some, I need a little bit of

dark into here to show our reflection.

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We just rubbed some dark in here.

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Some over here.

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I don't want to kill totally all

of that, but most of it, a little

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bit of that fan area show through.

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Okay.

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That'll give us some dark and

onto that we can add light.

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So I'll take some point.

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And a little bit of a alizarin Crimson.

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We'll get pretty here.

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There we go.

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Just a nice pinkish glow and let's

go right up in here and just lay

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a little that here and there.

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Just let it play in

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all these little colors just happened

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over here.

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Pushing very hard, right there.

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Very hard.

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Okay.

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Now I'm going to go into

some white and a little bit.

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Let's go into some fellow

blue, white, blue cross.

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Let's go up here and we can begin

just laying some little watery looks.

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Right on, there has to come across.

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Are these little lines

that you're putting in.

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They need to be straight.

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Fair enough straight.

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He's not going to look like for water.

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Really need to be straight

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just to keep going back and forth.

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Keep them straight.

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I can't say that enough.

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We can just play this back for

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just a little bit of titanium white.

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Me, just let it go across and pick up

color, little things happen, touch,

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come across, bring all this together.

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Very lightly.

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Very, very.

255

00:16:32,340 --> 00:16:35,130

There that probably sounds loud.

256

00:16:35,160 --> 00:16:36,780

But remember, this canvas is dry.

257

00:16:37,650 --> 00:16:38,850

This is a dry canvas.

258

00:16:39,660 --> 00:16:41,550

Normally we're working

with a canvas it's wet.

259

00:16:42,750 --> 00:16:43,800

And so you don't hear all that.

260

00:16:43,800 --> 00:16:45,990

The, the knife would

just glide across there.

261

00:16:46,380 --> 00:16:49,590

And I've got a little band-aid Brown,

little bird number mixed here, and

262

00:16:49,590 --> 00:16:54,330

we'll just put some little areas

right here to make it look like where

263

00:16:54,330 --> 00:16:56,040

the land comes down into the water.

264

00:16:56,370 --> 00:16:57,600

And I'm just touching the canvas.

265

00:17:03,450 --> 00:17:04,290

Just touching.

266

00:17:06,940 --> 00:17:08,480

It's just sort of separates everything.

267

00:17:10,819 --> 00:17:12,920

If you little happy bushes,

right along in here,

268

00:17:15,950 --> 00:17:17,150

some of the different yellows

269

00:17:23,750 --> 00:17:24,980

clean the whole knife off.

270

00:17:28,200 --> 00:17:36,389

Maybe, maybe take some blue ones

Brown from Sam green, maybe.

271

00:17:36,649 --> 00:17:36,920

Yeah.

272

00:17:37,490 --> 00:17:38,090

Right in here.

273

00:17:38,570 --> 00:17:40,520

Maybe there's a little

peninsula that comes out here.

274

00:17:42,409 --> 00:17:44,060

So just lay in a basic shape.

275

00:17:45,740 --> 00:17:46,310

Very dark,

276

00:17:50,960 --> 00:17:51,680

very dark.

277

00:17:58,950 --> 00:18:03,900

There maybe, maybe right underneath,

there's a little color in water.

278

00:18:05,740 --> 00:18:11,240

Some of that dark underneath create

the illusion of a reflection,

279

00:18:11,570 --> 00:18:15,740

neater reflection in there to

set it down into the water, take

280

00:18:15,740 --> 00:18:19,220

some little blue and some white.

281

00:18:21,135 --> 00:18:26,505

Just let that go across that easy,

easy gives it the impression of water.

282

00:18:27,275 --> 00:18:27,395

Okay.

283

00:18:29,945 --> 00:18:30,695

Let me just pile up.

284

00:18:30,695 --> 00:18:34,025

A lot of this is just all the dark

colors that are laying around my palette.

285

00:18:34,385 --> 00:18:35,285

Let me just pick him up.

286

00:18:35,915 --> 00:18:37,535

Maybe there's a right here.

287

00:18:37,985 --> 00:18:40,355

There it is a happy little tree.

288

00:18:40,355 --> 00:18:43,085

It lives right there and

was a little evergreen.

289

00:18:43,085 --> 00:18:44,165

Let's just start out up here.

290

00:18:46,625 --> 00:18:47,195

There you go.

291

00:18:49,169 --> 00:18:50,550

Just work back and forth.

292

00:18:58,389 --> 00:19:00,060

Evergreens are fun to make with this.

293

00:19:01,679 --> 00:19:04,560

Maybe, maybe, maybe there's

another little tree lives here.

294

00:19:05,820 --> 00:19:08,669

It's a good way to close in this

corner, but just make it a little tree.

295

00:19:12,330 --> 00:19:13,500

It's also a good way to use up.

296

00:19:13,500 --> 00:19:15,810

Any, any old paints you

got left on your palette.

297

00:19:19,919 --> 00:19:21,659

There we'll just come

right around like it,

298

00:19:26,419 --> 00:19:29,870

spring is right around there.

299

00:19:29,870 --> 00:19:31,729

It goes, it goes, there it goes.

300

00:19:32,159 --> 00:19:33,629

It's just, Bandag Brown.

301

00:19:34,969 --> 00:19:35,239

Cool.

302

00:19:35,479 --> 00:19:38,300

Crushing blue lizard crams.

303

00:19:38,300 --> 00:19:39,500

And just call your dark colors.

304

00:19:39,560 --> 00:19:42,080

It's just, just throw all

your dark colors in here.

305

00:19:42,080 --> 00:19:43,129

Sam green.

306

00:19:46,185 --> 00:19:46,475

Here.

307

00:19:46,475 --> 00:19:50,355

We're just trying to fill up the rest

of the canvas with nice dark color.

308

00:19:57,365 --> 00:19:59,705

And these paintings are,

they're really a joy to do.

309

00:19:59,795 --> 00:20:01,965

They're a lot of fun, a lot of fun.

310

00:20:02,045 --> 00:20:05,345

Does that say these are the type

of things I like to spend hours

311

00:20:05,345 --> 00:20:06,485

and hours and hours on them.

312

00:20:07,680 --> 00:20:08,850

These are mood paintings.

313

00:20:09,240 --> 00:20:12,120

If you're in a good mood, Oh,

you can paint some of the most

314

00:20:12,120 --> 00:20:13,680

beautiful, delicate things.

315

00:20:14,580 --> 00:20:15,750

Figuring out bad mood.

316

00:20:15,750 --> 00:20:19,770

If you just had an argument or somebody

kicked you, these are ones you can edit.

317

00:20:19,770 --> 00:20:27,180

Take out your hostilities on

strong, strong paintings there.

318

00:20:27,620 --> 00:20:30,200

And we've used nothing,

nothing but a knife.

319

00:20:31,710 --> 00:20:34,440

Except we use that two and a

half inch brushes to put on some

320

00:20:34,440 --> 00:20:35,730

wash to give it some undercover.

321

00:20:36,090 --> 00:20:38,850

And some of that colors

is playing through this.

322

00:20:38,910 --> 00:20:39,870

You still can see it.

323

00:20:39,870 --> 00:20:43,080

So you have areas that are very thick

with paint areas that are very thin.

324

00:20:43,080 --> 00:20:47,990

It makes it beautiful,

beautiful composition, maybe

325

00:20:48,200 --> 00:20:49,540

not got small amount of whites.

326

00:20:49,540 --> 00:20:53,000

So we'll just take a little white

and just begin rubbing it in here.

327

00:20:53,270 --> 00:20:57,290

Seeing that all these little things

just happen, just let them happen.

328

00:20:59,159 --> 00:21:07,139

We'll get some SAP, green and green

in there and a little green, Brown,

329

00:21:07,139 --> 00:21:12,540

little white, just play these cars

back and forth, back and forth.

330

00:21:12,570 --> 00:21:15,060

I'm going to keep this

very, very dark in front.

331

00:21:18,930 --> 00:21:21,720

Maybe our lights coming from the

right, maybe right here in this tree.

332

00:21:21,720 --> 00:21:24,300

There's a little light striking

out here on these leaves.

333

00:21:25,020 --> 00:21:26,129

I don't want a bunch of color.

334

00:21:26,459 --> 00:21:27,240

Let me keep it dark.

335

00:21:27,300 --> 00:21:33,060

Just so there's a little highlight,

a little highlight, little

336

00:21:33,060 --> 00:21:34,860

light, maybe striking right here.

337

00:21:41,240 --> 00:21:45,020

I ain't even has a little

land coming down, whatever,

338

00:21:45,110 --> 00:21:48,560

whatever little highlight here.

339

00:21:48,560 --> 00:21:49,580

And they're doing too much.

340

00:21:51,860 --> 00:21:52,159

Okay.

341

00:21:53,940 --> 00:21:58,980

Oh, Kevin's a little grassy things happen

and you just see little touches here and

342

00:21:58,980 --> 00:22:01,830

there don't really see a lot happening.

343

00:22:03,240 --> 00:22:04,260

Okay, let's go over here.

344

00:22:04,260 --> 00:22:08,730

Maybe there's one that lives

right there comes right back down.

345

00:22:10,760 --> 00:22:12,710

Yellow, ochre, Indian,

yellow, cat, yellow.

346

00:22:13,129 --> 00:22:14,659

I'm just mixing them all

together on the night.

347

00:22:15,860 --> 00:22:17,149

Just letting them happen.

348

00:22:19,129 --> 00:22:20,750

She has tried over whatever.

349

00:22:22,500 --> 00:22:23,670

Let the canvas do the word,

350

00:22:28,580 --> 00:22:30,200

all those little beautiful things.

351

00:22:37,100 --> 00:22:38,660

This is such a fun painting.

352

00:22:38,660 --> 00:22:39,920

I really hope you try it.

353

00:22:40,280 --> 00:22:45,110

I really do think you be, you'll

be very satisfied with it.

354

00:22:46,100 --> 00:22:48,590

You sent me a letter and

thanked me for giving you this.

355

00:22:52,159 --> 00:22:53,209

And I'd like to hear from you.

356

00:22:53,870 --> 00:22:58,010

Don't get to answer all of them,

but I certainly certainly do read

357

00:22:58,010 --> 00:22:59,419

every single letter that comes in.

358

00:23:01,990 --> 00:23:02,480

Everyone

359

00:23:09,590 --> 00:23:10,639

play with color here.

360

00:23:10,850 --> 00:23:11,970

Don't let this get too light.

361

00:23:12,860 --> 00:23:14,330

Want this to stay very dark.

362

00:23:16,305 --> 00:23:18,435

So it helps create the

illusion of distance.

363

00:23:18,505 --> 00:23:19,935

Go back to the other side over here.

364

00:23:19,935 --> 00:23:23,295

And, but a few little

happy things in here.

365

00:23:23,895 --> 00:23:24,525

I don't know.

366

00:23:26,475 --> 00:23:27,075

It's like, so

367

00:23:31,365 --> 00:23:34,875

see in here is often clean your

knife and you can just gently,

368

00:23:35,025 --> 00:23:36,405

gently bring all this together.

369

00:23:37,995 --> 00:23:38,535

Very light.

370

00:23:38,595 --> 00:23:41,775

If it's too bright for you, rub

it as so much dark on the canvas.

371

00:23:41,805 --> 00:23:42,465

It'll pick it up.

372

00:23:43,260 --> 00:23:45,300

And make all kinds of

beautiful things happen.

373

00:23:45,300 --> 00:23:49,139

You can dark and it just, by rubbing

it, blending it all together.

374

00:23:51,689 --> 00:23:54,570

As I say, this is a super,

super painful to use up.

375

00:23:55,379 --> 00:24:03,300

Any painted you have left on your palette,

super, super anything for that teaches

376

00:24:03,300 --> 00:24:04,949

you to love, color, and to play with it.

377

00:24:08,240 --> 00:24:09,320

Okay, let's see here.

378

00:24:09,530 --> 00:24:10,409

Let me go back.

379

00:24:13,005 --> 00:24:13,935

Clean up at age,

380

00:24:17,195 --> 00:24:19,155

maybe just a little water

line here and there.

381

00:24:20,655 --> 00:24:21,645

Just here and there.

382

00:24:31,365 --> 00:24:31,665

Golly.

383

00:24:31,685 --> 00:24:33,405

I think we just about got us a painting.

384

00:24:34,485 --> 00:24:34,575

Okay.

385

00:24:40,595 --> 00:24:46,655

maybe, maybe you want to put like

as a little stick here at lives.

386

00:24:47,765 --> 00:24:49,465

Let me just take your knife sticks.

387

00:24:49,535 --> 00:24:50,135

Easy to make.

388

00:24:50,135 --> 00:24:55,685

What a knife just drop you in

a happy little, little twig.

389

00:24:55,835 --> 00:24:56,615

Don't want it too bright.

390

00:24:56,645 --> 00:25:00,965

I don't want it to stand up too

much, wanting to be very quiet.

391

00:25:01,025 --> 00:25:01,895

Some dude just.

392

00:25:03,420 --> 00:25:03,930

Back here.

393

00:25:04,020 --> 00:25:04,890

I hadn't been dark.

394

00:25:07,400 --> 00:25:07,880

There you go.

395

00:25:07,920 --> 00:25:08,100

396

00:25:16,130 --> 00:25:17,390

give him a little arm

397

00:25:21,110 --> 00:25:23,060

and the least, least

little touch a highlight.

398

00:25:23,070 --> 00:25:23,930

So he stands out.

399

00:25:25,100 --> 00:25:26,180

This is just a light color.

400

00:25:26,180 --> 00:25:29,900

It looks like it has a little blue and I'm

really not looking for a specific color.

401

00:25:29,900 --> 00:25:31,280

This is just an office leftover.

402

00:25:31,695 --> 00:25:32,295

On the pallet

403

00:25:35,345 --> 00:25:36,815

or we can just blend him in letting go.

404

00:25:38,014 --> 00:25:41,885

And I think that'll give you a good

idea of how you can do a painting

405

00:25:41,885 --> 00:25:43,865

using nothing but your almighty knife.

406

00:25:44,285 --> 00:25:47,105

So on behalf of all of us here, we'd

like to wish you happy painting.

407

00:25:47,615 --> 00:25:48,514

See you next week.

End .srt file.

S04E12 - Autumn Days

Bob Ross's

The Joy of Painting

S04E12 - Autumn Days

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,450 --> 00:00:00,690

Hi.

00:00:00,900 --> 00:00:02,850

Hi, glad you could join me this week.

00:00:03,420 --> 00:00:05,550

And today I thought we'd do a

fantastic little painting that

00:00:05,880 --> 00:00:07,050

would make you happy in here.

00:00:07,370 --> 00:00:10,100

So let's start out and have them

graphically run all the colors across

00:00:10,100 --> 00:00:12,680

the screen and they'll come across

in the same order, but I have them

00:00:12,680 --> 00:00:14,480

on my palette or they're doing that.

00:00:14,510 --> 00:00:15,680

Let's go up here and talk a little.

00:00:16,190 --> 00:00:18,920

I started with a black canvas

today and it's covered with a flat

00:00:18,920 --> 00:00:23,810

black acrylic paint and allowed

to dry on two that I have added.

00:00:24,300 --> 00:00:26,520

Oh, I just sort of went all around

here and I put a little bit of a

00:00:26,520 --> 00:00:30,780

lizard and Crimson here and there a

little bit of halo, blue in spots,

00:00:31,290 --> 00:00:34,800

a little pressure and blue just sort

of mix them up and let them happen.

00:00:34,980 --> 00:00:35,610

What the heck?

00:00:36,420 --> 00:00:42,030

Now I'm gonna go right into some magic

white and we'll go right up here and just

00:00:42,030 --> 00:00:43,920

start making little crisscross strokes.

00:00:44,985 --> 00:00:47,745

And look at all the beautiful

colors that began happening.

00:00:49,155 --> 00:00:50,834

These guys are really not planned.

00:00:52,214 --> 00:00:53,385

We just started let them happen.

00:00:55,065 --> 00:00:57,405

All kinds of beautiful

little things will happen.

00:00:58,065 --> 00:00:59,114

And the more magic right.

00:00:59,114 --> 00:01:00,705

You add the lighter the sky will get.

00:01:00,705 --> 00:01:01,185

Of course.

00:01:02,129 --> 00:01:05,009

And you can make this guy,

Oh, I can, you can make it to

00:01:05,009 --> 00:01:06,330

where it looks like it's noon.

00:01:06,330 --> 00:01:08,280

If you want to, or you can make it dark.

00:01:10,440 --> 00:01:11,190

This is your world.

00:01:11,190 --> 00:01:13,200

So you have to make these decisions.

00:01:13,670 --> 00:01:14,210

Um, is it,

00:01:18,140 --> 00:01:21,410

that's a fantastic way

to make a very effective.

00:01:21,985 --> 00:01:24,625

Quick little sky and not much

of this, guy's going to show.

00:01:24,625 --> 00:01:28,075

So I'm not worried about

having a lot of sky today.

00:01:28,075 --> 00:01:30,895

This one's some pretty little

colors happening back here.

00:01:34,914 --> 00:01:35,604

Alrighty.

00:01:39,715 --> 00:01:41,095

Now then we'll wash the brush.

00:01:42,955 --> 00:01:45,804

I'm going to wash it in this

odorless paint thinner, and this

00:01:45,804 --> 00:01:47,035

is screened down the bottom mask.

00:01:47,054 --> 00:01:48,115

Grab the breast against.

00:01:48,730 --> 00:01:54,009

Shake off the excess and then

you cover the whole camera crew.

00:01:54,990 --> 00:01:55,320

Okay.

00:01:55,350 --> 00:01:56,700

Let's have some fun up here today.

00:01:57,420 --> 00:01:57,509

Okay.

00:01:57,600 --> 00:02:00,720

I'm going to go right into, we just

mix these colors on the brush and

00:02:00,720 --> 00:02:05,039

we'll take a little lizard, Crimson,

little SAP, green Vandyke Brown.

00:02:06,060 --> 00:02:07,170

Just mix them on the brush.

00:02:08,834 --> 00:02:09,734

I would go into a little burn.

00:02:09,734 --> 00:02:10,244

Number two.

00:02:10,334 --> 00:02:11,054

What the heck?

00:02:11,204 --> 00:02:12,315

All we're looking for is nice.

00:02:12,315 --> 00:02:13,035

Dark color.

00:02:13,575 --> 00:02:14,804

You can just go up to the canvas here.

00:02:15,405 --> 00:02:18,225

Maybe there's some little trees that

live back here and all I'm going

00:02:18,225 --> 00:02:20,024

to do is just touch the canvas.

00:02:21,734 --> 00:02:22,304

Just touch.

00:02:24,165 --> 00:02:25,905

I don't want to kill all

the background color.

00:02:26,204 --> 00:02:30,435

Well, some of that to show

through and we're just putting

00:02:30,445 --> 00:02:32,234

some, some happy, basic.

00:02:33,075 --> 00:02:36,674

Little tree shapes wherever you

think they ought to be a tree.

00:02:37,575 --> 00:02:43,825

That's where there would be a tree, just

wherever you want to drop them in, drop

00:02:43,825 --> 00:02:48,704

them wherever you want and let it go.

00:02:51,090 --> 00:02:53,970

Maybe, maybe tell you heart,

maybe there's, maybe there's

00:02:53,970 --> 00:02:55,080

one who lives over here.

00:02:57,150 --> 00:03:03,150

Trees live everywhere, wherever nature

deposits, the seed and the groves.

00:03:03,250 --> 00:03:04,440

That's, that's where he lives.

00:03:06,160 --> 00:03:12,310

Maybe, maybe there's one back up in

here and let some of them be very light.

00:03:12,760 --> 00:03:15,190

Just let it literally just disappear.

00:03:16,870 --> 00:03:19,660

Just, just absolutely disappear.

00:03:20,880 --> 00:03:21,960

Quiet little trees,

00:03:27,660 --> 00:03:34,980

man, big old trees lives here and this

using the corner of the brush and just

00:03:35,430 --> 00:03:38,820

gently, gently tapping, striking the

canvas and giving it a little pull.

00:03:39,270 --> 00:03:42,270

And I'm always pulling

to work toward the trunk.

00:03:42,420 --> 00:03:46,860

We know there's a trunk in the center of

this tree, so I pull Williams toward that

00:03:46,860 --> 00:03:49,320

trunk and it helps make them look right.

00:03:49,810 --> 00:03:54,250

Now, if you want one to some very

light, just an indication here,

00:03:55,510 --> 00:04:03,190

back in here, maybe wherever without

cleaning the brush, cleaning the brush

00:04:03,190 --> 00:04:04,090

on that a little more right here.

00:04:04,090 --> 00:04:07,930

First, I'm going to go right into a

little bit of the yellows and this is

00:04:08,320 --> 00:04:14,800

cadmium yellow, the yellow ochre, and

just pull it right through the paint,

00:04:15,550 --> 00:04:17,920

pull it right through the paint like yet.

00:04:18,495 --> 00:04:19,515

Okay, go up here.

00:04:20,055 --> 00:04:23,865

Now we can put some highlights on these

and all we're going to do is just touch.

00:04:24,104 --> 00:04:24,255

Now.

00:04:24,255 --> 00:04:27,914

If you have problems making the page

stick, add a little magic white or

00:04:27,914 --> 00:04:32,354

a little paint thinner either one

and it'll make it stick much easier.

00:04:33,375 --> 00:04:37,544

And I'm going to put a little paint

thinner, and then we can go back in

00:04:37,544 --> 00:04:39,525

here and see how easy it comes off.

00:04:39,914 --> 00:04:41,625

Then paint was ticked with thick paint.

00:04:43,275 --> 00:04:43,844

There we go.

00:04:43,935 --> 00:04:44,565

Okay.

00:04:46,155 --> 00:04:47,145

The yellow ochre.

00:04:48,420 --> 00:04:49,230

I'm gonna go right up here.

00:04:49,320 --> 00:04:50,130

Ooh, that's perfect.

00:04:51,120 --> 00:04:51,510

Yes.

00:04:51,510 --> 00:04:52,260

Thank for the light.

00:04:52,290 --> 00:04:52,980

But strike

00:04:56,780 --> 00:04:58,370

these little paintings

should make you happy.

00:05:02,180 --> 00:05:03,080

The painting teaches you.

00:05:03,080 --> 00:05:03,620

Nothing else.

00:05:03,620 --> 00:05:04,190

It'll teach you.

100

00:05:04,910 --> 00:05:08,810

It'll teach you to look at nature

and to see some of the most

101

00:05:08,840 --> 00:05:10,520

fantastic things imaginable.

102

00:05:11,270 --> 00:05:15,170

Sometimes we spend our whole life looking

at things, but we don't see anything.

103

00:05:15,780 --> 00:05:21,719

And painting teaches you to see,

really teaches you to see, I have

104

00:05:22,440 --> 00:05:26,520

people call and write all the time and

say, you know, Bobby, you were right.

105

00:05:28,260 --> 00:05:31,650

The first time I saw a tree and this

lived in my front yard for a hundred years

106

00:05:32,219 --> 00:05:33,690

and I never paid any attention to it.

107

00:05:35,219 --> 00:05:36,840

Add a little permanent

red to my color too.

108

00:05:36,840 --> 00:05:38,370

We might as well get crazy today.

109

00:05:39,974 --> 00:05:42,075

And you can make these, any

car you want in your world.

110

00:05:47,625 --> 00:05:51,525

Little SAP, green thrown in here

and there, and put a happy little

111

00:05:51,525 --> 00:05:56,565

Bush right about there let's go.

112

00:05:56,565 --> 00:05:58,875

The, the side of the canvas,

we'll drop some in over there.

113

00:05:58,875 --> 00:06:00,645

I don't want it to be left out.

114

00:06:01,905 --> 00:06:02,715

That's my cat.

115

00:06:06,599 --> 00:06:07,770

Barely barely touching.

116

00:06:14,849 --> 00:06:15,830

There's another one right here.

117

00:06:16,140 --> 00:06:20,180

I'm going to leave this one right here

without putting any highlight on it.

118

00:06:20,750 --> 00:06:23,960

So it'll look like it's really far

away and you can put several of those

119

00:06:23,960 --> 00:06:28,070

in your painting and really help once

again, create the illusion of distance.

120

00:06:29,740 --> 00:06:34,430

And distance is created by making

numerous planes and you're painting

121

00:06:35,610 --> 00:06:38,220

and planes are just different levels.

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00:06:38,790 --> 00:06:40,290

Here's a plane, here's a plane.

123

00:06:40,740 --> 00:06:44,010

Each time you put another plane, it

creates more depth in your painting.

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00:06:44,280 --> 00:06:45,780

It makes it much more interesting.

125

00:06:46,950 --> 00:06:49,050

And that's what brings

the happy buck home.

126

00:06:50,430 --> 00:06:53,520

And let's us have some nice, soft

little grassy areas back in here.

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00:06:53,940 --> 00:06:56,550

And all I'm going to do is take

his large brush and we can tap it.

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00:06:58,315 --> 00:07:01,125

There's color on the bottom of this

canvas, just like it was on the top

129

00:07:05,055 --> 00:07:06,495

and just pushing very easily.

130

00:07:06,765 --> 00:07:09,585

So it doesn't mix later on.

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00:07:09,585 --> 00:07:12,555

Maybe we'll maybe we'll put a little

water down in the bottom of this,

132

00:07:13,105 --> 00:07:14,955

then we want it to mix right now.

133

00:07:14,955 --> 00:07:18,705

We're not even using the color

it's underneath, but we will

134

00:07:22,635 --> 00:07:23,835

again, making some little Hills.

135

00:07:24,550 --> 00:07:24,960

Tell you what?

136

00:07:25,920 --> 00:07:29,550

And we'll take the liner brush,

put some paint thinner on it

137

00:07:29,550 --> 00:07:31,050

and go right into my dark color.

138

00:07:31,200 --> 00:07:35,640

This is Brown and pleasant, Crimson,

SAP, green, all those colors I was using.

139

00:07:36,480 --> 00:07:38,310

And let's just put an

indication here and there.

140

00:07:38,850 --> 00:07:40,710

I happy little tree trunk

just here and there.

141

00:07:41,910 --> 00:07:44,490

I remember you're not going to see

all of the trunk because there's

142

00:07:44,490 --> 00:07:46,350

leaves on, on this side of the truck.

143

00:07:46,980 --> 00:07:47,820

So just here and there.

144

00:07:49,650 --> 00:07:51,600

And maybe there's one that was out here.

145

00:07:53,880 --> 00:07:54,750

Where do they live?

146

00:07:57,590 --> 00:08:01,400

These also help create different Plains

in your painting and give it more depth.

147

00:08:03,710 --> 00:08:04,250

Air Waco.

148

00:08:06,470 --> 00:08:07,640

Okay, let's go right over here.

149

00:08:07,640 --> 00:08:10,880

There's one, he's got a

friend that lives there.

150

00:08:14,180 --> 00:08:14,960

That's another thing.

151

00:08:14,960 --> 00:08:17,630

When you paint, painting

brings your new friends.

152

00:08:18,500 --> 00:08:20,750

I have met since I started painting.

153

00:08:21,375 --> 00:08:26,145

Alan's of people that are so dear

to me, and they're so special.

154

00:08:29,385 --> 00:08:32,534

And if I had never started painting,

I probably would have never had

155

00:08:32,534 --> 00:08:38,565

the opportunity to meet so many

fantastic people, just like you.

156

00:08:40,605 --> 00:08:44,595

And when you started painting, You'll find

it, it changes your whole outlook on life.

157

00:08:44,595 --> 00:08:45,705

It changes your attitude.

158

00:08:47,415 --> 00:08:49,755

You look at nature, different,

you look at life different.

159

00:08:50,975 --> 00:08:57,695

And sometimes I get fanatical and

I even have a little pond behind

160

00:08:57,695 --> 00:09:02,465

where I live and I feed the fish and

they come up and I'm little crazy.

161

00:09:02,465 --> 00:09:06,245

I sat there and talked to the fish

and we're on the verge of answering.

162

00:09:06,245 --> 00:09:07,025

That's what scares me.

163

00:09:10,425 --> 00:09:10,574

Yeah.

164

00:09:10,594 --> 00:09:13,515

I feed them bread every day and they, they

come up there and they weighed on him.

165

00:09:16,244 --> 00:09:20,675

It really, it does nice things when

you begin to understand nature and

166

00:09:20,685 --> 00:09:25,125

you fall in love with it and it makes

you appreciate the fact that you.

167

00:09:26,295 --> 00:09:29,405

You've been allowed to be

part of it and to explore,

168

00:09:32,975 --> 00:09:37,025

and hopefully, hopefully it'll

be there for your grandchildren

169

00:09:37,025 --> 00:09:37,955

and my grandchildren.

170

00:09:38,915 --> 00:09:41,465

And they too can see some

of the fantastic things.

171

00:09:41,465 --> 00:09:42,485

If we just take care of it.

172

00:09:44,090 --> 00:09:45,140

I you have to take care of it.

173

00:09:46,190 --> 00:09:49,340

I'm just going back and forth here between

the permit, red, yellow, ochre, Indian,

174

00:09:49,340 --> 00:09:54,710

yellow, OCAD, yellow, whatever happens

and throw it in a little SAP green area.

175

00:09:54,770 --> 00:09:55,450

Once in a while,

176

00:10:03,770 --> 00:10:04,300

here we are.

177

00:10:06,250 --> 00:10:08,870

That's pretty crazy.

178

00:10:08,870 --> 00:10:10,330

It's a lot of distance in the painting.

179

00:10:15,505 --> 00:10:19,615

There were, let's go

over to the side here.

180

00:10:19,975 --> 00:10:21,775

Let's make a happy little

Hill right over here.

181

00:10:23,305 --> 00:10:25,495

But when you're doing these black

canvas, don't always think they

182

00:10:25,495 --> 00:10:27,175

have to end up being very dark.

183

00:10:27,355 --> 00:10:30,685

You can make canvases that when

they're finished, you would

184

00:10:30,685 --> 00:10:32,845

think it was, it was noontime.

185

00:10:32,845 --> 00:10:36,865

Maybe they do not have to end

up being very dark paintings.

186

00:10:36,865 --> 00:10:38,515

They can be bright, shiny, bright.

187

00:10:41,415 --> 00:10:42,945

Experiment with them, have fun.

188

00:10:45,975 --> 00:10:47,505

Learn to mix color on the brush.

189

00:10:47,835 --> 00:10:49,485

Don't worry about mixing

it on the palette.

190

00:10:50,475 --> 00:10:51,465

Mix it on the brush.

191

00:10:54,765 --> 00:10:59,355

Now that I tell you what I'm

going to get in a little bit of

192

00:10:59,985 --> 00:11:01,215

paint, then I'm a liner brush.

193

00:11:01,215 --> 00:11:04,875

And back into some of this Brown

color and let's put a, let's put

194

00:11:04,875 --> 00:11:06,945

a little tree or two that lives.

195

00:11:07,814 --> 00:11:10,305

Well, I see one that's right there.

196

00:11:11,685 --> 00:11:12,375

There he is.

197

00:11:13,604 --> 00:11:14,594

Give him another alarm.

198

00:11:14,895 --> 00:11:16,125

Trees need arms too.

199

00:11:18,015 --> 00:11:18,675

There we go.

200

00:11:19,094 --> 00:11:21,375

And make his little

trunk a little stronger.

201

00:11:21,584 --> 00:11:23,535

He's got to stay here when

the wind is blowing hard.

202

00:11:24,614 --> 00:11:26,415

So he needs, he needs to be strong.

203

00:11:28,155 --> 00:11:30,255

We don't want any weak old

trees in our paintings.

204

00:11:32,354 --> 00:11:35,385

Maybe he's got a friend

that lives right over here.

205

00:11:39,770 --> 00:11:41,390

Uh, more paint there, here and there.

206

00:11:41,460 --> 00:11:42,020

There we are.

207

00:11:46,230 --> 00:11:46,320

Okay.

208

00:11:46,820 --> 00:11:49,640

And we're beginning to make some

thick deep woods here, maybe.

209

00:11:51,260 --> 00:11:52,940

Oh yeah, you're right there.

210

00:11:52,940 --> 00:11:55,880

It is there.

211

00:11:58,580 --> 00:11:59,240

And trees grow.

212

00:11:59,240 --> 00:12:01,100

However, however, makes them happy.

213

00:12:02,280 --> 00:12:04,920

And sometimes, you know, when

trees are little babies, maybe

214

00:12:04,920 --> 00:12:10,560

the big bear comes through here

to move, sir, to maybe a deer.

215

00:12:10,560 --> 00:12:12,900

And he steps on that

tree and, and hurts him.

216

00:12:14,579 --> 00:12:17,099

But the little tree doesn't give up,

but maybe he grows up and he's got

217

00:12:17,099 --> 00:12:21,839

all kinds of, Oh, Oh, all kinds of

little crooks and bands and hurts him.

218

00:12:22,770 --> 00:12:24,240

And that's what makes him interesting.

219

00:12:25,560 --> 00:12:28,290

Don't make all your trees just

perfectly straight up and down.

220

00:12:29,745 --> 00:12:31,545

Let them band and play have fun.

221

00:12:34,365 --> 00:12:34,605

Okay.

222

00:12:34,895 --> 00:12:35,795

I'm going to go right into it.

223

00:12:36,185 --> 00:12:37,535

Let's try a little cat yellow here.

224

00:12:39,035 --> 00:12:39,305

Okay.

225

00:12:39,935 --> 00:12:40,505

You need a color.

226

00:12:40,505 --> 00:12:41,074

It's bright enough.

227

00:12:41,074 --> 00:12:42,545

It stands out against your background.

228

00:12:43,775 --> 00:12:48,005

We'll just put some happy little

indications here and there and just

229

00:12:48,005 --> 00:12:49,295

let them drop right off your brush.

230

00:12:49,745 --> 00:12:53,255

You can use this brace sideways

or straight on just to make

231

00:12:53,255 --> 00:12:56,074

some little indications, not

looking for a lot of detail yet.

232

00:12:56,074 --> 00:12:56,824

It's too far back.

233

00:12:58,800 --> 00:13:02,970

Practice with these big brushes, you

would not believe what they will do.

234

00:13:04,620 --> 00:13:04,860

Damn.

235

00:13:04,860 --> 00:13:09,960

I had a little yellow ochre that

same color drop, some happy lemon

236

00:13:09,960 --> 00:13:11,730

leaves right on that little tree.

237

00:13:15,210 --> 00:13:17,310

Maybe it is a few little leaves, whatever.

238

00:13:17,310 --> 00:13:18,210

Right here on this tree.

239

00:13:24,959 --> 00:13:26,420

this is the same old, dirty brush.

240

00:13:26,449 --> 00:13:28,760

My gosh has got every

color in the world on it.

241

00:13:28,939 --> 00:13:30,500

I'm just adding yellow into the tips.

242

00:13:30,890 --> 00:13:32,989

And then it's all mixing together

right there on the brush.

243

00:13:34,069 --> 00:13:37,430

Let's add a little permanent red in there

and yellow ochre and see what we get.

244

00:13:38,540 --> 00:13:39,770

No, we don't make mistakes.

245

00:13:39,770 --> 00:13:44,569

We have, we have happy accidents and

some of these happy accidents turn

246

00:13:44,569 --> 00:13:46,310

out to be the most beautiful effects.

247

00:13:46,969 --> 00:13:48,680

If you were trying to make

them, you couldn't make them.

248

00:13:50,010 --> 00:13:52,260

So when you get one, don't

get, don't get upset.

249

00:13:52,290 --> 00:13:54,900

Look at it before you, or you wipe it off.

250

00:13:54,930 --> 00:13:59,430

Sometimes, sometimes these happy little

accidents are the nicest things that

251

00:13:59,430 --> 00:14:00,870

could possibly happen in your painting.

252

00:14:02,625 --> 00:14:05,265

Okay, just come right down here.

253

00:14:05,625 --> 00:14:09,015

I'm going to take a small amount of

the magic quite again, just the tiniest

254

00:14:09,015 --> 00:14:11,954

little bit on my big brush and in my mind.

255

00:14:12,765 --> 00:14:12,974

Yep.

256

00:14:13,964 --> 00:14:15,735

There's going to be a little

bit of water down here.

257

00:14:15,824 --> 00:14:17,115

I like, I like water.

258

00:14:20,939 --> 00:14:23,130

I spend a lot of time

playing with the water.

259

00:14:24,839 --> 00:14:27,630

I say, I have all these

fish that I feed sometime.

260

00:14:27,839 --> 00:14:32,400

Sometime we buy up to a couple of

hundred loaves of bread at a time.

261

00:14:32,400 --> 00:14:34,910

And we, we have all these space training.

262

00:14:34,920 --> 00:14:36,770

They, you almost walk

right out of the water.

263

00:14:36,790 --> 00:14:38,579

They'd come up and eat bread.

264

00:14:39,420 --> 00:14:42,120

And a couple of hundred loads

might, might last a week.

265

00:14:44,699 --> 00:14:45,270

I understand.

266

00:14:45,270 --> 00:14:51,060

I have a lot of fish friends when they

come up and they sit around there and

267

00:14:51,060 --> 00:14:54,120

wait, and they'll almost climb up on

the shore and come knock on the door.

268

00:14:54,390 --> 00:14:55,380

I want to know who dinner is.

269

00:14:56,310 --> 00:14:58,680

I have a lot of friends that

come over and look at me.

270

00:14:58,739 --> 00:15:00,270

They can't believe all these fish.

271

00:15:00,630 --> 00:15:01,770

Anyway, not fish stock.

272

00:15:01,859 --> 00:15:02,699

Let's get busy here.

273

00:15:03,870 --> 00:15:09,479

And Doug Brown bird number, and let's

put, let's put some land in here.

274

00:15:09,630 --> 00:15:10,260

What the heck?

275

00:15:11,880 --> 00:15:13,440

Yeah, let it play.

276

00:15:13,440 --> 00:15:13,680

277

00:15:17,330 --> 00:15:19,800

play have fun wherever you want land.

278

00:15:20,750 --> 00:15:21,300

It don't matter.

279

00:15:21,300 --> 00:15:23,880

Anything you don't like you

cover up where this put grass

280

00:15:23,880 --> 00:15:25,080

right back over the top of it.

281

00:15:27,930 --> 00:15:28,980

Just wherever you want it.

282

00:15:30,450 --> 00:15:31,110

However you mind.

283

00:15:35,295 --> 00:15:35,415

Yeah.

284

00:15:37,355 --> 00:15:40,025

Maybe, maybe, maybe it comes

right down through there.

285

00:15:40,025 --> 00:15:40,204

Yeah.

286

00:15:43,775 --> 00:15:44,314

There we go.

287

00:15:44,615 --> 00:15:44,885

All right.

288

00:15:44,885 --> 00:15:48,635

Over, I get that and it's fantastic.

289

00:15:48,635 --> 00:15:50,495

And you can do that with

a great big old knife.

290

00:15:50,495 --> 00:15:51,935

It almost looks like a putty knife.

291

00:15:52,655 --> 00:15:52,745

Okay.

292

00:15:58,475 --> 00:15:58,564

Okay.

293

00:16:01,140 --> 00:16:02,189

Just put some highlight on there.

294

00:16:02,189 --> 00:16:08,010

I'm going to use yellow

ochre, yellow ochre, and put a

295

00:16:08,010 --> 00:16:09,209

little permanent road into it.

296

00:16:09,420 --> 00:16:13,470

Small amount of permit

red and some bird number.

297

00:16:13,949 --> 00:16:18,449

Now this bird number

is very, very reddish.

298

00:16:18,449 --> 00:16:19,530

It's almost like a bird scene.

299

00:16:19,530 --> 00:16:20,579

Now that's a little different than.

300

00:16:20,985 --> 00:16:22,605

Most boring numbers.

301

00:16:23,355 --> 00:16:26,835

So it's almost like a Sienna color

cut across and get that small roll of

302

00:16:26,835 --> 00:16:28,335

paint, right over edge of the knife.

303

00:16:29,355 --> 00:16:30,075

Things go up here.

304

00:16:30,885 --> 00:16:36,075

Another thing I wanted to mention, cause I

get, I get some letters sometime when you

305

00:16:36,075 --> 00:16:37,875

look at my knife, close-up on television.

306

00:16:37,875 --> 00:16:40,575

It may look a little different

than the knife you you have.

307

00:16:41,235 --> 00:16:45,315

And the reason is I put tape on

this knife so that it doesn't glare

308

00:16:45,315 --> 00:16:47,085

on TV, but it's the same knife.

309

00:16:47,850 --> 00:16:49,380

It's just that I put a

little tape on there.

310

00:16:56,840 --> 00:16:56,960

Yeah.

311

00:16:56,970 --> 00:16:59,210

Let's use the fan brush

and varsity, a lot of fun.

312

00:17:00,370 --> 00:17:01,430

Get a little paint that are on it.

313

00:17:02,270 --> 00:17:09,109

Go right into some CAD yellow sat,

green, green, yellow ochre, and just

314

00:17:09,109 --> 00:17:10,670

mix all these colors on the brush.

315

00:17:10,730 --> 00:17:11,150

Look it there.

316

00:17:11,845 --> 00:17:13,974

Look at all the colors

happening in that brush.

317

00:17:14,845 --> 00:17:16,044

And that's what we're looking for.

318

00:17:16,855 --> 00:17:18,895

We don't want one flat,

dead, old color in there.

319

00:17:18,925 --> 00:17:19,885

Let's go up to the canvas.

320

00:17:20,994 --> 00:17:23,004

Now, then we can begin

bringing all this together.

321

00:17:23,905 --> 00:17:26,095

And all we're doing is

touching, pushing vented enough.

322

00:17:27,714 --> 00:17:28,165

Look at that.

323

00:17:28,345 --> 00:17:31,554

Just bring it right down into these

land areas that you built in here.

324

00:17:33,615 --> 00:17:34,064

Okay.

325

00:17:37,830 --> 00:17:39,540

Go anywhere.

326

00:17:39,540 --> 00:17:42,260

You want the grass to me, you

just come right over the land.

327

00:17:43,220 --> 00:17:44,510

No big deal.

328

00:17:44,510 --> 00:17:45,320

This is your world.

329

00:17:46,760 --> 00:17:52,940

And do anything can't really do

anything, but you have to believe,

330

00:17:53,420 --> 00:17:54,950

always believe in yourself.

331

00:17:57,110 --> 00:18:01,610

Maybe let's go over the other

side here, believing in yourself.

332

00:18:01,639 --> 00:18:04,970

Maybe, maybe the most

important thing in life.

333

00:18:06,315 --> 00:18:08,745

Cause if you don't believe in

yourself, nobody else is going to

334

00:18:08,745 --> 00:18:11,445

believe, and you can do anything.

335

00:18:13,754 --> 00:18:15,014

You can do anything.

336

00:18:16,665 --> 00:18:19,965

And if anybody challenges that you

tell them bobs that you could do

337

00:18:19,965 --> 00:18:24,254

anything, you can a little magic.

338

00:18:24,254 --> 00:18:24,465

Right.

339

00:18:24,535 --> 00:18:27,675

I put a little bit of blue in it and then

a little Brown in it just to dull it down.

340

00:18:28,754 --> 00:18:31,065

I'm just going to pull

it out kind of crass.

341

00:18:31,065 --> 00:18:31,695

Let's go up here.

342

00:18:32,145 --> 00:18:32,295

Okay.

343

00:18:32,669 --> 00:18:34,860

And we'll put a little bit of water line.

344

00:18:34,860 --> 00:18:40,110

I didn't hear this play there.

345

00:18:42,840 --> 00:18:44,669

Make a little more than

magic, quite on my pallet.

346

00:18:44,689 --> 00:18:45,659

Not to run out here.

347

00:18:45,750 --> 00:18:46,860

Didn't mix didn't mix.

348

00:18:46,860 --> 00:18:47,520

Quiet enough.

349

00:18:50,820 --> 00:18:51,659

There we go.

350

00:18:52,409 --> 00:18:56,580

I tend to run right on around,

like, let's go right there.

351

00:19:00,600 --> 00:19:00,780

Hmm.

352

00:19:04,550 --> 00:19:04,990

Okay.

353

00:19:07,020 --> 00:19:12,300

Let's have some fun and we'll take a big

brush, go run and tell him my dark colors

354

00:19:12,300 --> 00:19:14,850

of Brown, the same green, all of them.

355

00:19:15,840 --> 00:19:19,650

And then there it goes, it

comes right down that gap.

356

00:19:21,090 --> 00:19:24,240

And we'll just cut that little pond

right off, right where we want it.

357

00:19:26,520 --> 00:19:27,480

Take our large brush.

358

00:19:28,900 --> 00:19:31,230

We'll just have some little

highlights right on there and

359

00:19:31,230 --> 00:19:32,580

you can do this with a fan brush.

360

00:19:33,600 --> 00:19:39,090

Can you suggest a little bit faster

to get darker, darker, darker, darker

361

00:19:39,090 --> 00:19:40,500

as it goes towards the corner here?

362

00:19:40,650 --> 00:19:41,940

Dark, dark, dark.

363

00:19:42,480 --> 00:19:42,900

Look there.

364

00:19:43,800 --> 00:19:44,070

Go ahead.

365

00:19:44,370 --> 00:19:44,940

That's all you need.

366

00:19:45,990 --> 00:19:46,260

Okay.

367

00:19:47,355 --> 00:19:52,515

Let's build some big trees, grab a fan

brush, and I want to make a, I want to

368

00:19:52,515 --> 00:19:56,955

make black, let's clean off a spot here.

369

00:19:57,555 --> 00:20:03,315

I want to take a little green lizard,

Crimson, little green lizard and

370

00:20:03,315 --> 00:20:05,505

Crimson, and about equal parts.

371

00:20:07,395 --> 00:20:09,315

And I want to mix this very good.

372

00:20:09,315 --> 00:20:10,905

Pick it totally up off the pallet.

373

00:20:11,115 --> 00:20:13,755

Turn it over, pick it up.

374

00:20:13,815 --> 00:20:14,475

Turn it over.

375

00:20:18,640 --> 00:20:20,160

Okay, let me clean the knife here.

376

00:20:24,840 --> 00:20:28,830

Now that we need some,

we need some big trees.

377

00:20:31,050 --> 00:20:31,980

Got to make a decision.

378

00:20:31,980 --> 00:20:33,240

I'll just use a fan brush today.

379

00:20:33,240 --> 00:20:36,090

The knife works fine with

fan brushes in my hands.

380

00:20:36,090 --> 00:20:36,750

I will try it.

381

00:20:37,410 --> 00:20:39,510

And there is a big tree who lives.

382

00:20:40,710 --> 00:20:41,910

There's where he lives.

383

00:20:42,990 --> 00:20:44,910

Make a decision and throw him in.

384

00:20:46,635 --> 00:20:47,805

Just drop it.

385

00:20:47,805 --> 00:20:48,015

Yeah.

386

00:20:50,355 --> 00:20:53,805

Cause on your canvas, you

can do in anything you want.

387

00:20:54,585 --> 00:20:56,325

Give them a big old

foot sticking out here.

388

00:20:56,415 --> 00:21:00,765

Don't want him to fall over in the

little, in the little mud puddle

389

00:21:00,765 --> 00:21:01,935

there and make a big splash.

390

00:21:04,445 --> 00:21:05,045

There we go.

391

00:21:06,754 --> 00:21:07,925

And let's give him an arm.

392

00:21:08,315 --> 00:21:09,425

Three needs an arm too.

393

00:21:11,135 --> 00:21:11,675

There we go.

394

00:21:16,740 --> 00:21:18,570

Yep right here.

395

00:21:20,550 --> 00:21:22,020

We'll just put us in another tree.

396

00:21:23,160 --> 00:21:25,410

We can have as many trees

as we want in our world.

397

00:21:27,150 --> 00:21:28,290

No, the big old tree

398

00:21:32,040 --> 00:21:33,210

and this one's closer to you.

399

00:21:33,240 --> 00:21:34,590

So he's, he's bigger.

400

00:21:34,590 --> 00:21:35,550

He's stronger.

401

00:21:36,360 --> 00:21:37,920

Give him a big old, strong room here.

402

00:21:37,950 --> 00:21:39,090

Always floating in the water.

403

00:21:41,034 --> 00:21:42,495

He's floating right there in the water.

404

00:21:43,155 --> 00:21:44,475

Maybe he's got a little friend.

405

00:21:45,764 --> 00:21:47,205

He lives here for protection.

406

00:21:47,415 --> 00:21:48,435

He knows his big tree.

407

00:21:48,435 --> 00:21:49,365

Won't let anybody hurt him

408

00:21:52,365 --> 00:21:52,695

there.

409

00:21:54,945 --> 00:21:57,915

Just while we got this good dark cover on

here, we'll just drop some in the bottom.

410

00:21:57,915 --> 00:22:01,965

We got to give it some bland

frame to frame, to live on there.

411

00:22:04,004 --> 00:22:06,875

See there that easy, easy.

412

00:22:10,635 --> 00:22:13,485

I'm going to take another fan rush today.

413

00:22:13,485 --> 00:22:16,125

I think I'll just take a

little yellow ochre and little

414

00:22:16,425 --> 00:22:19,325

white, yellow ochre, and white.

415

00:22:19,995 --> 00:22:21,075

And let's just go right in here.

416

00:22:21,615 --> 00:22:23,504

And just all I'm doing

is touching the canvas.

417

00:22:23,504 --> 00:22:31,685

Just touch, touch, let a little bit

of highlight, play on these trees.

418

00:22:36,215 --> 00:22:37,235

So it stands out.

419

00:22:42,405 --> 00:22:43,965

Let's do this other big tree over here.

420

00:22:44,415 --> 00:22:45,075

Same thing.

421

00:22:45,105 --> 00:22:46,395

I'm just going to use the same color.

422

00:22:46,935 --> 00:22:50,385

You can vary these colors

a little bit, add a little

423

00:22:50,385 --> 00:22:51,705

permit, read right in there to

424

00:22:54,765 --> 00:23:00,525

sorta tap makes it look

like bark, rough and strong

425

00:23:03,975 --> 00:23:07,335

airway are, yeah, a little

bit on this one over here.

426

00:23:07,725 --> 00:23:08,835

And he's skinny little tree.

427

00:23:09,465 --> 00:23:09,555

Okay.

428

00:23:10,035 --> 00:23:11,175

So he didn't need too much.

429

00:23:17,145 --> 00:23:17,505

Okay.

430

00:23:17,505 --> 00:23:21,795

Maybe tell you what, let's give

him a little arm right there.

431

00:23:21,885 --> 00:23:29,295

Three needs another arm and maybe

shoot to go arm on this tree.

432

00:23:29,325 --> 00:23:30,795

He's a big, healthy, strong tree.

433

00:23:30,795 --> 00:23:31,785

We'll give him a big art.

434

00:23:33,075 --> 00:23:36,205

And you could do these arms on

these trees with, with a knife.

435

00:23:36,225 --> 00:23:37,335

It worked just as well.

436

00:23:38,865 --> 00:23:44,985

Um, just in a fan brush moved

today and maybe we'll put, I

437

00:23:44,985 --> 00:23:48,195

would put a few little indication

appear of some leaves and stuff.

438

00:23:48,195 --> 00:23:50,175

So let's go run into a year ago.

439

00:23:52,355 --> 00:23:58,075

Little yellow, yellow, and I'm still

still using that same old, dirty brush.

440

00:23:59,095 --> 00:23:59,245

Okay.

441

00:23:59,245 --> 00:24:03,325

Let's go up to this tree and I'm going to

take, and all they're going to do here.

442

00:24:04,375 --> 00:24:06,655

Just touch and just sorta let some.

443

00:24:07,510 --> 00:24:11,020

I had some happy little leaf indication,

just, just float around up here.

444

00:24:12,850 --> 00:24:20,440

They're really not here, not connected

or anything just float around.

445

00:24:20,470 --> 00:24:23,170

And it's pretty fantastic.

446

00:24:23,170 --> 00:24:28,360

What you can do with a little imagination

and an almighty brush and a dozen colors.

447

00:24:32,555 --> 00:24:34,955

and once again, use the

colors that make you happy.

448

00:24:35,165 --> 00:24:36,995

I use colors a lot of times.

449

00:24:36,995 --> 00:24:38,615

They're a little brighter

than I normally would.

450

00:24:39,125 --> 00:24:41,315

Just so you can see it better on your set.

451

00:24:42,365 --> 00:24:43,895

And if I can teach you how to do it.

452

00:24:44,250 --> 00:24:49,350

Then, what you do is that's up to

you because each one of us sees

453

00:24:49,350 --> 00:24:50,580

nature through different eyes.

454

00:24:52,470 --> 00:24:55,410

And what you see is, is

what you should paint.

455

00:25:04,610 --> 00:25:05,920

A bit of a brighter color.

456

00:25:05,930 --> 00:25:06,830

So it stands out,

457

00:25:10,820 --> 00:25:12,730

gives you an idea of how that's done.

458

00:25:13,510 --> 00:25:16,629

I take the old fan brush and I go

run into some yellow and some green.

459

00:25:19,430 --> 00:25:22,270

I might just drop some happy

little grassy areas that are living

460

00:25:22,270 --> 00:25:28,830

right down here at this big trees,

but sort of do these in layers.

461

00:25:28,840 --> 00:25:32,830

So I'd create that a little bit.

462

00:25:32,830 --> 00:25:33,430

Dark color.

463

00:25:36,225 --> 00:25:36,945

I think so.

464

00:25:38,175 --> 00:25:39,254

Take little yellow ochre.

465

00:25:40,514 --> 00:25:41,295

That'll highlight.

466

00:25:42,855 --> 00:25:44,925

I think we just about having

finished painting here.

467

00:25:45,295 --> 00:25:46,335

A little water line here.

468

00:25:49,335 --> 00:25:52,905

We're going to call that one

finished and from all of us here,

469

00:25:53,055 --> 00:25:54,885

I'd like to wish you happy painting.

470

00:25:55,355 --> 00:25:55,875

God bless.

471

00:25:55,875 --> 00:25:56,895

And I hope to see you again.

472

00:25:57,045 --> 00:25:57,405

Thank you.

End .srt file.

S04E11 - Northwest Majesty

Bob Ross's

The Joy of Painting

S04E11 - Northwest Majesty

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,780 --> 00:00:01,560

Welcome back.

00:00:01,560 --> 00:00:03,690

I'm glad you could join me

this week and this week.

00:00:03,690 --> 00:00:04,440

I'm very excited.

00:00:04,440 --> 00:00:05,670

Cause I have a lovely lady here.

00:00:05,670 --> 00:00:07,830

That's going to show you

a fantastic painting.

00:00:08,220 --> 00:00:10,440

I'd like to introduce you

today to a good friend of mine.

00:00:10,440 --> 00:00:12,120

Diane Andriy Diane.

00:00:12,150 --> 00:00:13,500

Thanks for being here with us today.

00:00:13,650 --> 00:00:14,160

Thanks Bob.

00:00:14,400 --> 00:00:15,570

I'm going to turn Diane loose.

00:00:15,570 --> 00:00:18,060

She's going to do a fantastic

painting right here for you

00:00:18,090 --> 00:00:19,230

and I'll be back in a minute.

00:00:19,740 --> 00:00:19,830

Okay.

00:00:19,910 --> 00:00:20,810

Well thank you Bob.

00:00:21,170 --> 00:00:21,950

I appreciate that.

00:00:21,950 --> 00:00:23,090

Nice little introduction.

00:00:24,240 --> 00:00:27,750

Well, I'm the color I'm showing the colors

that I'll be using on the screen to you.

00:00:27,930 --> 00:00:29,910

Um, I'll start GN up here.

00:00:29,910 --> 00:00:36,150

I've coded the top half of the canvas

with magic black magic white and

00:00:36,150 --> 00:00:37,470

the bottom half with magic black.

00:00:37,769 --> 00:00:41,670

Now over the bottom of the canvas

where I have the magic black, I'm

00:00:41,670 --> 00:00:46,310

going to pick up some soft green and

with a lot of pressure, I'm going

00:00:46,310 --> 00:00:49,940

to work at the end, work it in.

00:00:50,580 --> 00:00:53,160

You're wanting just to leave

a thin coat of paint there.

00:00:55,800 --> 00:00:57,540

Dan coat, thin coat, thin coat.

00:00:57,629 --> 00:00:58,140

Okay.

00:00:58,769 --> 00:01:01,140

That like, so look it up a

little bit into the white.

00:01:02,220 --> 00:01:02,670

Okay.

00:01:02,760 --> 00:01:05,640

I guess it's a nice surface color to

work from, and I'm going to show up,

00:01:05,640 --> 00:01:09,630

be showing a lot of shadow in through

there and I've saw I've already have it.

00:01:10,530 --> 00:01:10,979

Okay.

00:01:10,990 --> 00:01:14,970

Going to go over to my palette and

I'm going to pick up a little mixture

00:01:14,970 --> 00:01:18,660

of Vandyke Brown impression, blue

equal parts, just to touch a color.

00:01:19,365 --> 00:01:22,635

Don't load that brush come up in here.

00:01:23,855 --> 00:01:29,715

Lot of pressure, a lot of pressure, a lot

of pressure, bring it down in to lights.

00:01:31,095 --> 00:01:35,145

One of the biggest keys when you're making

those clouds is to use a lot of pressure.

00:01:35,985 --> 00:01:41,805

So they come back in there with that

cloud color, it shows off, pulls off.

00:01:41,805 --> 00:01:43,395

Nice for a little more red up in here.

00:01:44,145 --> 00:01:47,895

Use a little bit of lizard Crimson

up in there and touch over there.

00:01:49,350 --> 00:01:57,000

Okay now take this nice diff fan brush,

pull it through my nice thick white here.

00:01:58,440 --> 00:02:03,390

Use a stiff brush when you do work

with this thick paint, pull it in there

00:02:03,630 --> 00:02:06,570

and let that paint pull off for me.

00:02:07,470 --> 00:02:14,100

Move it around, give it some power, grow

it in there and do keep that brush clean.

00:02:15,405 --> 00:02:20,625

Before I go back into the, um, the

paint I always clean and dry that brush

00:02:20,655 --> 00:02:24,135

real good, low both sides of the brush.

00:02:24,655 --> 00:02:25,545

Lot of pressure.

00:02:25,545 --> 00:02:27,165

Look at the bristles of that brush.

00:02:27,195 --> 00:02:31,745

Moving around, moving around, moving

around, back down a little lighter

00:02:31,745 --> 00:02:38,675

touch, or I want it to blend down

into shadow, down into shadow.

00:02:40,735 --> 00:02:41,165

Okay.

00:02:41,165 --> 00:02:43,745

We want it to be a little bit

brighter right up in here.

00:02:44,595 --> 00:02:50,865

Pick up a little more paint corralling

in there early to go out at the bottoms.

00:02:53,345 --> 00:02:53,795

Okay.

00:02:54,785 --> 00:02:59,825

Stick a clean our brush, going

to need a nice clean, dry

00:02:59,825 --> 00:03:01,235

brush when you hit Mathias.

00:03:01,235 --> 00:03:03,665

And when you hit Matteis keep in mind.

00:03:06,125 --> 00:03:10,865

Just a few hairs are touching

that paint so that the paint

00:03:10,865 --> 00:03:12,635

stays exactly where I put it.

00:03:13,770 --> 00:03:18,720

And all this does is take it down

into shadow and blends it into a

00:03:18,720 --> 00:03:22,140

soft, soft movement in through here.

00:03:23,010 --> 00:03:24,300

Look at that in that nice.

00:03:24,480 --> 00:03:25,800

Just stays right where I put it.

00:03:26,250 --> 00:03:27,090

Be gentle.

00:03:27,870 --> 00:03:28,920

No pressure.

00:03:30,210 --> 00:03:30,600

Okay.

00:03:31,200 --> 00:03:36,480

Now let's pick up the pellet knife

and take a little bit of that

00:03:37,470 --> 00:03:42,240

blue and Brown mix and add just

a touch of your titanium white.

00:03:42,960 --> 00:03:47,340

To lighten it up a little bit and

look how I mix don't over mix.

00:03:47,910 --> 00:03:51,090

He wants a nice

consistency of thick paint.

00:03:51,090 --> 00:03:54,270

Let's bring this guy right up in there.

00:03:58,370 --> 00:03:58,780

It gotcha.

00:03:59,330 --> 00:04:03,080

There always load your knife

by pulling the paint, get a

00:04:03,080 --> 00:04:04,370

nice edge of paint on there.

00:04:05,530 --> 00:04:08,420

Use a lot of pressure when you're putting

the undercoat of these mountains on.

00:04:09,780 --> 00:04:14,250

That's big to do back in and

out just into that scrape.

00:04:15,180 --> 00:04:19,410

You want it to lift all that extra

paint off of there because when you

00:04:19,410 --> 00:04:24,930

come back in here with your brush,

just a few hairs are touching that

00:04:25,980 --> 00:04:29,100

tint of blue under there, and the rest

of it's touching that magic white.

00:04:29,880 --> 00:04:31,260

I'm going to give it a

little bit of pressure.

00:04:31,470 --> 00:04:35,430

It blends right down into

a little bit of a fog.

00:04:35,430 --> 00:04:35,910

And through there.

00:04:37,110 --> 00:04:39,490

Sets that mountain right

back where we want.

00:04:40,590 --> 00:04:41,070

Okay.

00:04:42,480 --> 00:04:44,370

Now let's take a little

bit of shadow color.

00:04:44,370 --> 00:04:48,300

I'm going to use pressure and

blue and white, your thick,

00:04:48,300 --> 00:04:49,860

white, again, pull your paints.

00:04:50,400 --> 00:04:51,720

Pick up a nice little edge.

00:04:52,680 --> 00:04:53,820

Come back up in here.

00:04:54,360 --> 00:04:59,490

Gently, gently, gently touch

that knife to the canvas.

00:04:59,490 --> 00:05:01,410

I'll try to go as slow

as I can here for you.

00:05:01,410 --> 00:05:05,280

So you can see the pool of that

paint for the pain, for the paint.

00:05:08,235 --> 00:05:10,185

Well, the opinions, no pressure.

00:05:11,115 --> 00:05:11,805

That's the key.

00:05:11,835 --> 00:05:15,284

No pressure, no pressure.

00:05:15,765 --> 00:05:17,145

Let the paint do the work.

00:05:17,205 --> 00:05:18,735

Let it pull, let it pull mental.

00:05:19,844 --> 00:05:20,265

Okay.

00:05:21,525 --> 00:05:25,155

Pick up some sunshine color back in here.

00:05:25,155 --> 00:05:29,055

And we'll put some light up in

here on this map, but how that

100

00:05:29,055 --> 00:05:34,485

just pulls grabs off the thin coat

underneath and pulls right off.

101

00:05:35,955 --> 00:05:37,425

Or it wants to look at that.

102

00:05:37,664 --> 00:05:40,125

You can move it around

maybe down into there.

103

00:05:43,205 --> 00:05:44,854

Let's pull this guy up in through here.

104

00:05:47,135 --> 00:05:47,675

Okay.

105

00:05:47,705 --> 00:05:50,045

A little more back down here.

106

00:05:50,735 --> 00:05:50,974

Okay.

107

00:05:51,875 --> 00:05:56,164

All of a sudden you're seeing

some movement, always looking for

108

00:05:56,164 --> 00:05:59,705

movement and illusion, illusion.

109

00:06:02,615 --> 00:06:03,305

You can see this.

110

00:06:03,359 --> 00:06:07,800

Swoop this, this, that, that be creative.

111

00:06:09,150 --> 00:06:13,289

Be creative, one extra touch.

112

00:06:13,289 --> 00:06:15,810

And you're going here,

back in through here.

113

00:06:15,810 --> 00:06:18,780

Let's swing that a little, a little

flickers of paint fall off there.

114

00:06:19,979 --> 00:06:20,430

Okay.

115

00:06:20,430 --> 00:06:26,640

Now let's go back to our pallet

and load a one inch brush.

116

00:06:27,405 --> 00:06:31,575

With some green I'm using

SAP, green, Vandyke Brown and

117

00:06:31,575 --> 00:06:33,135

pressure and blue in equal parts.

118

00:06:33,135 --> 00:06:34,604

And then I tap off the edge.

119

00:06:35,505 --> 00:06:42,465

I'm getting that brush loaded a good half

the way down that with paint down that

120

00:06:42,465 --> 00:06:50,825

brush it's loaded back into the paint,

get the paint loaded from the inside out.

121

00:06:52,275 --> 00:06:53,025

Tap tap.

122

00:06:53,145 --> 00:06:54,705

I'm using a little bit of pressure.

123

00:06:54,794 --> 00:06:56,234

There's not much pressure in here.

124

00:06:57,544 --> 00:06:58,765

Tap, tap, tap, tap.

125

00:07:03,094 --> 00:07:06,215

No, I'm going to sit those

mountains back even further.

126

00:07:07,625 --> 00:07:10,115

Bring it in to happen in that.

127

00:07:11,075 --> 00:07:11,435

Okay.

128

00:07:13,924 --> 00:07:16,955

Now all I'm doing here,

people is I'm creating dark.

129

00:07:17,940 --> 00:07:24,690

So that when I come back in over this

dark with light, you'll see all kinds of

130

00:07:24,690 --> 00:07:28,110

illusions in here, right down in here.

131

00:07:28,140 --> 00:07:33,990

I'm just adding a little bit of

texture, a little bit of texture to

132

00:07:33,990 --> 00:07:36,450

play from my dark is already there.

133

00:07:36,450 --> 00:07:40,020

The beauty of using

that undercoat of black.

134

00:07:41,130 --> 00:07:44,580

The magic black is to

create the dark for me.

135

00:07:44,609 --> 00:07:49,760

So I don't have to go back and create

dark with pink a little more than Mark.

136

00:07:51,469 --> 00:07:52,039

Okay.

137

00:07:52,280 --> 00:07:55,580

Back to the paint on

the brush, open it up.

138

00:07:56,960 --> 00:08:00,710

It's come up in here with

something light touch.

139

00:08:00,740 --> 00:08:03,409

Let the paint pull from the brush.

140

00:08:04,610 --> 00:08:06,620

FIC is pulling off of the thin.

141

00:08:09,060 --> 00:08:09,989

Down into shadow.

142

00:08:10,590 --> 00:08:11,190

All right.

143

00:08:11,609 --> 00:08:17,239

Now let's pick one of these guys and

let's pick up a little bit of Indian,

144

00:08:17,239 --> 00:08:23,150

yellow, maybe a touch of will touch

a SAP green, just marble it in there.

145

00:08:24,500 --> 00:08:28,250

Oh, and some, how about some

CAD yellow and a touch of red?

146

00:08:29,690 --> 00:08:30,440

Marble it in.

147

00:08:32,159 --> 00:08:33,049

Okay.

148

00:08:34,440 --> 00:08:37,830

No again, whenever you're doing

highlights, you're loading the

149

00:08:37,830 --> 00:08:39,870

brush the same way you work.

150

00:08:39,870 --> 00:08:42,060

A lot of pain on the tip of that brush.

151

00:08:43,110 --> 00:08:44,520

Come back into your magic.

152

00:08:45,930 --> 00:08:47,610

Now we need a thinner consistency.

153

00:08:47,610 --> 00:08:52,350

So not only am I getting different

values, I'm also loosening that paint.

154

00:08:53,090 --> 00:08:56,750

So when I come back up in here

and lightly touch from the CIC

155

00:08:56,750 --> 00:08:59,240

paint bulls, the thin paint.

156

00:09:00,290 --> 00:09:01,370

Oh, look at that.

157

00:09:01,400 --> 00:09:02,150

Look at that pool.

158

00:09:03,585 --> 00:09:04,455

Isn't that nice.

159

00:09:07,665 --> 00:09:09,225

Actually they call it illusion.

160

00:09:09,225 --> 00:09:15,255

And I think it looks like the illusion of

hard work and it's not have a good time.

161

00:09:15,255 --> 00:09:18,675

I teach my students enjoy what you do.

162

00:09:18,675 --> 00:09:19,395

Look at that pool.

163

00:09:19,455 --> 00:09:21,045

Look, isn't that exciting.

164

00:09:21,225 --> 00:09:27,795

Don't back down in that, that, that,

that, that, that down into shadow down.

165

00:09:27,795 --> 00:09:30,755

And when I say down into shadow, that

means I'm filtering my light out.

166

00:09:31,875 --> 00:09:32,655

Lighter touch.

167

00:09:32,655 --> 00:09:33,344

When you do that.

168

00:09:34,665 --> 00:09:38,704

Now we're going to pick up a

little bit about CAD yellow and

169

00:09:38,704 --> 00:09:40,625

a touch of the permanent red.

170

00:09:41,135 --> 00:09:43,084

And I loosened it with some magic.

171

00:09:43,084 --> 00:09:44,584

Can I come up in here?

172

00:09:46,505 --> 00:09:50,765

Look how that color Springs from

the dark Springs, from the dark spur

173

00:09:50,765 --> 00:09:54,604

down into shadow, down into shadow.

174

00:09:55,324 --> 00:09:58,535

Pick up a little more of that more bed.

175

00:09:59,255 --> 00:10:00,334

Nice room.

176

00:10:01,860 --> 00:10:03,180

Tap it into the magic.

177

00:10:03,390 --> 00:10:04,229

Loosen it up.

178

00:10:05,729 --> 00:10:06,150

Look at that.

179

00:10:06,479 --> 00:10:12,089

Not a pretty, and you can see all those

different colors in one stroke of that

180

00:10:12,089 --> 00:10:18,360

brush by mixing your brush this way,

mixing the paint with your brush this way.

181

00:10:19,380 --> 00:10:20,219

That would be better.

182

00:10:20,880 --> 00:10:21,180

Okay.

183

00:10:21,240 --> 00:10:25,290

Tapper in pick a color,

any color, tap it in there.

184

00:10:26,535 --> 00:10:30,285

Ki dip it into the magic,

loosen it up a few times.

185

00:10:30,705 --> 00:10:31,485

Tap it in there.

186

00:10:32,175 --> 00:10:33,375

Come back up in here.

187

00:10:33,705 --> 00:10:34,995

Lightly touch.

188

00:10:35,115 --> 00:10:41,235

Lightly touch, lightly

touch down into shadow.

189

00:10:41,265 --> 00:10:42,585

Contented to shadow.

190

00:10:44,235 --> 00:10:46,575

Now look how nice those

lights play against that dark.

191

00:10:48,045 --> 00:10:50,805

Okay, let's pick up a little

Indian, yellow, tap it into that.

192

00:10:50,805 --> 00:10:51,315

Thick white.

193

00:10:51,315 --> 00:10:53,775

Well, I want a real nice, bright yellow.

194

00:10:54,525 --> 00:10:55,335

I get my color.

195

00:10:57,165 --> 00:11:00,135

Tip it into the magic and go with it.

196

00:11:00,375 --> 00:11:06,095

That's what a bright little guy just

assume his way through life looking

197

00:11:06,095 --> 00:11:12,905

real smug that got us sitting up

here in front, back into a color.

198

00:11:14,220 --> 00:11:16,890

Back into a code or look at that.

199

00:11:18,200 --> 00:11:20,720

I get excited every time I

paint one of these old dudes.

200

00:11:23,330 --> 00:11:23,660

Okay.

201

00:11:25,610 --> 00:11:28,940

Over here, maybe pick a little dismissed,

touched a little blue in there.

202

00:11:30,080 --> 00:11:34,730

Have fun with your color

that, that, uh, over here.

203

00:11:34,850 --> 00:11:35,390

Thought that.

204

00:11:36,500 --> 00:11:36,890

Okay.

205

00:11:36,890 --> 00:11:37,700

Let's see what we got.

206

00:11:38,180 --> 00:11:39,140

Oh, that's good.

207

00:11:40,790 --> 00:11:42,110

You never know where you're

going to come up with.

208

00:11:43,470 --> 00:11:45,390

I'm excited every time, look at that.

209

00:11:46,920 --> 00:11:47,459

Okay.

210

00:11:49,709 --> 00:11:51,689

Let's get a whammo color right there.

211

00:11:52,860 --> 00:12:00,800

That data, that data, I get involved

so much when I play on my palette

212

00:12:00,800 --> 00:12:02,930

that way, and I never get a mud.

213

00:12:03,740 --> 00:12:05,090

I never get mud for a color.

214

00:12:06,079 --> 00:12:08,990

As long as you keep the

brush open, loosen it up.

215

00:12:09,500 --> 00:12:10,189

Like I'm showing you.

216

00:12:10,695 --> 00:12:12,015

Yeah, fire it in there.

217

00:12:12,135 --> 00:12:13,365

Throw it, throw it through a tap.

218

00:12:13,365 --> 00:12:14,415

Tap light touch though.

219

00:12:15,135 --> 00:12:16,905

So what I'm teaching

you is that light touch.

220

00:12:18,555 --> 00:12:19,335

Okay.

221

00:12:19,485 --> 00:12:21,555

Now let's bring a few of those together.

222

00:12:21,915 --> 00:12:26,565

Let's take a little bit of your magic

white and just a touch, a color.

223

00:12:29,405 --> 00:12:32,915

Give a little color to your magic white,

but you want a real loose consistency.

224

00:12:34,145 --> 00:12:37,925

Pull your knife through, pull it in.

225

00:12:38,675 --> 00:12:39,155

Aha.

226

00:12:39,225 --> 00:12:39,935

Lot of pressure.

227

00:12:40,875 --> 00:12:41,865

Lot of pressure,

228

00:12:45,725 --> 00:12:51,125

little guys holding around in

here, don't make one line per item.

229

00:12:52,835 --> 00:12:56,975

Each will abortion each little tree, show

things running around and moving around

230

00:12:56,975 --> 00:13:02,285

them or in behind them or whatever those

lights showing on that dark will create

231

00:13:02,285 --> 00:13:09,635

the illusion of something happening more

than what you can see, how that light.

232

00:13:10,110 --> 00:13:13,800

At one of the line rounds, the whole

idea, you can almost see this moving

233

00:13:13,800 --> 00:13:19,340

in front one little stroke, then bring

a big guy up, pull that in there.

234

00:13:20,060 --> 00:13:27,560

But yeah, remember that loose paint with

a lot of pressure is pawn off for me,

235

00:13:28,070 --> 00:13:33,470

some backup and you know, people, you

don't always have to use the whole knife.

236

00:13:33,500 --> 00:13:37,430

A lot of times, I'm just using

the little section in here.

237

00:13:37,830 --> 00:13:41,520

Or I'll flip it over and use this

little end or I'll just shoot it up

238

00:13:41,520 --> 00:13:43,530

there with the whole side of the knife.

239

00:13:43,950 --> 00:13:44,490

Let me show you here.

240

00:13:44,580 --> 00:13:48,750

Let's just clip a little in, I'm just

using this area right here that you

241

00:13:48,750 --> 00:13:57,170

can move it a little more, something

back up in here, but it worked for you.

242

00:13:58,010 --> 00:13:58,100

Okay.

243

00:13:58,910 --> 00:14:02,600

Play with these things and make them

move these ideas I'm giving you today.

244

00:14:04,370 --> 00:14:05,150

Okay.

245

00:14:05,210 --> 00:14:06,320

Now let's take that.

246

00:14:08,610 --> 00:14:12,720

Brush, we had all those pretty

colors in and we'll load it again.

247

00:14:13,230 --> 00:14:18,660

Look at that little, this little

that drag it through those colors.

248

00:14:20,040 --> 00:14:24,030

Key lucid up with the magic.

249

00:14:24,900 --> 00:14:27,990

Like, so all you're doing

is loosening those colors.

250

00:14:28,890 --> 00:14:34,260

Come back up in here with the

light touch, tap, tap, tap,

251

00:14:34,260 --> 00:14:35,760

tap, tapping up at all times.

252

00:14:39,015 --> 00:14:40,425

Bring that in a little bit,

253

00:14:44,175 --> 00:14:46,395

and you can keep turning that brush over.

254

00:14:47,015 --> 00:14:52,155

I'm gonna turn it over a little more

color in through their little speed.

255

00:14:54,314 --> 00:14:57,795

And as I come down and I'm

unloading my brush, my touch

256

00:14:57,795 --> 00:15:00,824

gets a little bit more demanding.

257

00:15:01,035 --> 00:15:02,175

I hit it a little bit harder.

258

00:15:03,314 --> 00:15:04,635

Okay back here.

259

00:15:04,635 --> 00:15:07,724

We're going to pick up just in Lindy

in yellow and a touch of white.

260

00:15:10,364 --> 00:15:15,704

And again, loosen the

paint, loosen the fan.

261

00:15:16,125 --> 00:15:18,165

I want it to be a little bit

brighter right up here in

262

00:15:18,165 --> 00:15:20,145

front smuggle, back in here.

263

00:15:21,135 --> 00:15:26,675

And I'll create the illusion of

this sitting in front of what's

264

00:15:26,675 --> 00:15:31,295

happening there and back, you can see

the depth coming in through there.

265

00:15:33,480 --> 00:15:37,920

That down into shadow,

leave it a little darker.

266

00:15:38,590 --> 00:15:42,750

See how the lines point in through here

really clipping along, clipping along.

267

00:15:43,920 --> 00:15:44,610

Okay.

268

00:15:44,670 --> 00:15:53,040

Now let's take some Ben Dyke

Brown and a little bit of

269

00:15:54,510 --> 00:15:56,010

burnt umber about equal parts.

270

00:15:56,010 --> 00:15:58,620

When you're doing this, we're going to

put a couple of Burt's cheese in there.

271

00:15:59,204 --> 00:16:00,464

Remember, don't mix your paint.

272

00:16:00,495 --> 00:16:01,694

You want to keep the texture.

273

00:16:01,755 --> 00:16:03,255

The texture is what's working for you.

274

00:16:05,775 --> 00:16:10,005

And from this I'll make three

different values by adding your

275

00:16:10,005 --> 00:16:14,084

thick white to put our base color on.

276

00:16:14,235 --> 00:16:20,025

We first start with Vandyke Brown,

just straight up Vandyke Brown.

277

00:16:21,555 --> 00:16:27,285

And we put a line in there

where your paint line in there.

278

00:16:28,515 --> 00:16:33,255

I pretty well, draw the line and then

go back in and fill in, flip my knife

279

00:16:33,255 --> 00:16:34,905

over since I've loaded both sides.

280

00:16:34,905 --> 00:16:35,775

I can do that.

281

00:16:41,855 --> 00:16:42,845

Pull your pants.

282

00:16:44,105 --> 00:16:44,195

Okay.

283

00:16:45,035 --> 00:16:47,015

Draw the line, draw the

line, draw the line.

284

00:16:47,015 --> 00:16:54,485

Gotta draw the line somewhere that, fill

it in, fill it in, fill it in, fill it in.

285

00:16:57,255 --> 00:16:57,734

All the way up.

286

00:16:59,564 --> 00:17:00,824

Let's put another one in there.

287

00:17:01,545 --> 00:17:01,635

Okay.

288

00:17:01,805 --> 00:17:05,734

Let's bring this guy down in

here, bring it up, bring it up.

289

00:17:05,885 --> 00:17:07,175

Tap in the line.

290

00:17:08,254 --> 00:17:09,274

Give yourself a base.

291

00:17:09,274 --> 00:17:10,325

Something to work from.

292

00:17:12,335 --> 00:17:16,234

This is again, I'm using just straight

Vandyke Brown, right in through here.

293

00:17:16,835 --> 00:17:20,944

Remember you have to have shadow

to show light in everything you do.

294

00:17:22,365 --> 00:17:25,605

Whether it's trees or rocks

or bushes got to have the dark

295

00:17:25,605 --> 00:17:26,835

before you can play the light.

296

00:17:28,155 --> 00:17:28,515

Okay.

297

00:17:28,545 --> 00:17:29,025

Fill it in

298

00:17:32,175 --> 00:17:34,875

doctor, down in here with what filled in.

299

00:17:39,425 --> 00:17:39,905

Okay.

300

00:17:39,935 --> 00:17:41,555

Now we got a lot of texture on there too.

301

00:17:41,585 --> 00:17:42,695

I like a lot of texture.

302

00:17:43,865 --> 00:17:44,255

Okay.

303

00:17:44,255 --> 00:17:46,265

Now we're going to take

that Vandyke Brown.

304

00:17:49,065 --> 00:17:51,764

And Britain, Amber, I could

say it's about equal parts.

305

00:17:52,125 --> 00:17:55,725

We add just a touch of your

titanium, white to that.

306

00:18:00,155 --> 00:18:02,585

And again, I'm going to make about

three different values of that.

307

00:18:04,415 --> 00:18:06,245

Let's get that a little

darker for the first time.

308

00:18:07,155 --> 00:18:10,475

Remember your shadows coming

from your, um, from your right?

309

00:18:10,504 --> 00:18:13,715

So the right side of your tree would be.

310

00:18:15,315 --> 00:18:17,535

Which still shows shadow,

but it would be darker.

311

00:18:18,015 --> 00:18:20,805

And as we come to the right,

we will start lightening up.

312

00:18:21,525 --> 00:18:22,485

Look at the pull of that.

313

00:18:22,785 --> 00:18:28,635

Watch don't push, just let

the paint pull off for me.

314

00:18:30,285 --> 00:18:31,695

Let the paint do the work.

315

00:18:32,865 --> 00:18:37,125

All I have to do is that,

um, that, um, guide the idea.

316

00:18:37,155 --> 00:18:38,025

Let it happen.

317

00:18:38,625 --> 00:18:41,835

I didn't have no pressure, no

pressure, no pressure, no pressure.

318

00:18:44,070 --> 00:18:50,010

Okay, we'll take a little bit lighter

value of that and do the same thing.

319

00:18:53,460 --> 00:18:57,270

Again, you get that load of paint

that I showed you always load your

320

00:18:57,270 --> 00:18:58,770

knife the same way I showed you.

321

00:19:01,230 --> 00:19:01,950

Light touch.

322

00:19:01,980 --> 00:19:03,450

Let it pull, let it pull.

323

00:19:03,450 --> 00:19:04,680

Let it pull out for you.

324

00:19:05,940 --> 00:19:10,770

No pressure, no pressure

and all the way up.

325

00:19:16,185 --> 00:19:20,985

Remember, your knife really

never touches the canvas.

326

00:19:21,915 --> 00:19:27,195

That roll of paint you got on there

as what's working, it lifts itself

327

00:19:27,195 --> 00:19:30,435

away from the knife and that falls

in the direction you want it to fall.

328

00:19:32,045 --> 00:19:32,375

Okay.

329

00:19:32,375 --> 00:19:33,425

A little more white.

330

00:19:35,165 --> 00:19:38,015

And some of that mix marble it together.

331

00:19:38,015 --> 00:19:38,185

Like.

332

00:19:38,295 --> 00:19:38,775

So,

333

00:19:42,345 --> 00:19:42,795

okay.

334

00:19:42,975 --> 00:19:48,485

Give it a little more light that, uh,

right here on this one side, I had a pool

335

00:19:48,545 --> 00:19:54,365

and a pool, duh, duh, duh, duh, duh, duh,

336

00:19:58,415 --> 00:20:02,045

pull it in light touch,

light touch, light touch.

337

00:20:02,465 --> 00:20:04,385

Kind of those trees are

starting to round out for you.

338

00:20:05,525 --> 00:20:07,595

You can see the movement running around.

339

00:20:10,200 --> 00:20:14,400

And the texture would that bark grant.

340

00:20:16,020 --> 00:20:16,410

Okay.

341

00:20:16,410 --> 00:20:19,940

Let's tick that green mix I had you make.

342

00:20:20,150 --> 00:20:23,180

And we're going to take just a

little bit of your magic black.

343

00:20:23,210 --> 00:20:24,290

We want to lose paint.

344

00:20:25,640 --> 00:20:29,300

So I'm going to thin it down with a

little bit of magic black, because

345

00:20:29,300 --> 00:20:30,770

we want a real dark color here.

346

00:20:32,390 --> 00:20:35,630

We're going to come back up in here

and we're going to lightly touch.

347

00:20:36,615 --> 00:20:41,804

Not the thick pull off the thin that,

that, that, that look at that shadow.

348

00:20:42,554 --> 00:20:43,575

It wouldn't pull it.

349

00:20:43,575 --> 00:20:50,595

Wouldn't grab for me if I didn't

send it down that like, so, okay.

350

00:20:51,935 --> 00:20:53,735

Now let's finish off those trees.

351

00:20:53,764 --> 00:20:58,685

They need a few little branches,

take some magic black and a

352

00:20:58,685 --> 00:21:01,085

little bit of burnt umber.

353

00:21:02,825 --> 00:21:03,995

You want to lose paint here?

354

00:21:05,205 --> 00:21:06,045

Keep it loose.

355

00:21:11,055 --> 00:21:11,985

Keep it loose.

356

00:21:13,425 --> 00:21:17,325

Now let's use the little

script liner, long hair.

357

00:21:18,585 --> 00:21:20,115

You need those long hairs.

358

00:21:21,225 --> 00:21:27,435

So few hairs, but long because they need

to bounce onto the canvas and move around.

359

00:21:27,555 --> 00:21:31,515

However we want them to, if I

had a short hair brush, it would

360

00:21:31,515 --> 00:21:33,225

almost push into the canvas.

361

00:21:33,705 --> 00:21:36,345

So the hair should be be long.

362

00:21:38,355 --> 00:21:41,115

You long to turn, look

at, watch the painful.

363

00:21:41,955 --> 00:21:42,525

Yeah.

364

00:21:44,555 --> 00:21:45,245

Okay.

365

00:21:47,015 --> 00:21:50,615

And up in here, we'll

give it a little, a little

366

00:21:54,935 --> 00:21:55,625

Oh, darker.

367

00:21:55,625 --> 00:21:57,545

I'd have been there by the pool.

368

00:21:57,545 --> 00:22:04,260

And as you come down that, uh, Pull it

and bring it in around, look at the twist,

369

00:22:06,600 --> 00:22:09,960

let it twist and turn in your fingers.

370

00:22:10,650 --> 00:22:12,660

Don't try to paint the painting.

371

00:22:13,590 --> 00:22:16,320

Otherwise they look like little

sticks hanging up in there and

372

00:22:16,320 --> 00:22:17,460

you want a little more movement.

373

00:22:17,460 --> 00:22:25,040

Everything should have a little movement

back down, maybe a little guy up in there.

374

00:22:29,534 --> 00:22:35,865

Oh, let's put a little is

coming from their little snakes.

375

00:22:39,284 --> 00:22:40,544

Nothing's happening now.

376

00:22:40,544 --> 00:22:45,034

Let's take a look, a bit of magic

white on a little bit of that Brown.

377

00:22:46,534 --> 00:22:51,395

We're going to highlight a few of

those little branches do still.

378

00:22:51,425 --> 00:22:52,085

You want to lose fat?

379

00:22:52,125 --> 00:22:55,355

Look how that falls now, just by

adding a little bit of light on those

380

00:22:55,355 --> 00:22:58,385

dark, it makes those stand away.

381

00:23:03,304 --> 00:23:05,554

And he gives it and don't, you

don't have to put that everywhere.

382

00:23:05,554 --> 00:23:10,564

You put the Brown, just let it pull

off where it once remember too,

383

00:23:11,014 --> 00:23:15,544

let me show you this and letting

that roll around in my fingertips.

384

00:23:15,754 --> 00:23:20,855

And I'm always bringing that to

a point, um, back up in here,

385

00:23:20,855 --> 00:23:22,294

a little light back up in here.

386

00:23:26,085 --> 00:23:30,585

Back up in here, a little,

my light up in here.

387

00:23:32,925 --> 00:23:33,255

Okay.

388

00:23:37,065 --> 00:23:38,685

Little light back up in there.

389

00:23:41,295 --> 00:23:43,425

Let it pull, let it pull for you.

390

00:23:45,165 --> 00:23:46,395

Let it move a little.

391

00:23:46,395 --> 00:23:46,845

All right.

392

00:23:46,865 --> 00:23:47,455

Here.

393

00:23:48,005 --> 00:23:49,605

All the sun clipping in there.

394

00:23:52,650 --> 00:23:53,370

Okay.

395

00:23:53,700 --> 00:23:56,360

Now before, here you go.

396

00:23:56,360 --> 00:23:57,560

Paint this on your own.

397

00:23:57,740 --> 00:24:00,410

Let's throw just, uh, one more thing.

398

00:24:00,410 --> 00:24:01,460

Let me show you one more thing.

399

00:24:02,540 --> 00:24:05,000

Take a little bit of magic

Wyatt and touch it for a number

400

00:24:11,870 --> 00:24:14,900

and right in here, we need some movement.

401

00:24:15,290 --> 00:24:16,640

So we'll go back in here.

402

00:24:18,375 --> 00:24:25,175

And we'll make a little more of

a definite larger little thing.

403

00:24:25,175 --> 00:24:28,745

Moving off in here, bigger it's coming up.

404

00:24:28,745 --> 00:24:30,605

It's kind of sitting

in front of those guys.

405

00:24:30,665 --> 00:24:34,475

It's getting a little

little here, little there.

406

00:24:35,764 --> 00:24:38,945

It kind of breaks that area and puts

your eye back into the painting.

407

00:24:39,125 --> 00:24:41,254

So you have the movement of

the painted is going around.

408

00:24:41,254 --> 00:24:46,085

It hits the mountains, it

captures who's around and around.

409

00:24:47,100 --> 00:24:54,990

Now this also will help keep,

keep the viewer in focus a little,

410

00:24:54,990 --> 00:24:57,000

this a little more right in there.

411

00:24:58,950 --> 00:24:59,490

Okay.

412

00:25:01,320 --> 00:25:02,310

We'll touch in there.

413

00:25:07,680 --> 00:25:08,220

Alrighty.

414

00:25:08,670 --> 00:25:13,080

And last but not least, I will

pick up a little magic black.

415

00:25:14,580 --> 00:25:20,340

And sign my name away here, then paint.

416

00:25:21,270 --> 00:25:24,390

I like using a thin pink because it

will pull off automatically for me.

417

00:25:26,910 --> 00:25:28,380

Dada, dada.

418

00:25:30,270 --> 00:25:32,340

Well, I've sure enjoyed

being with here today.

419

00:25:32,370 --> 00:25:40,155

I really hope that, uh, was able to teach

you something and, um, Here those few

420

00:25:40,155 --> 00:25:42,314

tips in your, be all ready to go for it.

421

00:25:42,875 --> 00:25:44,135

Tell you she was fantastic.

422

00:25:44,435 --> 00:25:46,084

Thanks from all of us here.

423

00:25:46,084 --> 00:25:47,435

We'd like to wish you happy painting.

424

00:25:47,524 --> 00:25:49,115

God bless, and we'll see you next week.

425

00:25:49,205 --> 00:25:49,655

Bye bye now.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E13 - Mountain Challenge

Bob Ross's

The Joy of Painting

S04E12 - Autumn Days

Bob Ross's

The Joy of Painting

S04E11 - Northwest Majesty

Bob Ross's

The Joy of Painting

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