Bob Ross's
The Joy of Painting
S02E01 - Meadow Lake
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Hello, I'm Bob Ross for the next 13 weeks.
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I'll be your host.
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As we experienced the joy of painting.
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This is a fantastic method of painting,
where we use a wet on wet technique.
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And before I go far into the
show, I'd like to take a few
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minutes and make a dedication.
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I would like to dedicate this show
to my beloved friend and teacher
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whom we've all watched and loved
for many years on public television.
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Bill Alexander.
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And years ago, bill taught
me this fantastic technique.
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And I feel as though he gave
me a precious gift and I'd like
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to share that gift with you.
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So before we start, let's talk
a minute about the equipment
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that we'll be using here.
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We're using a stretch canvas
rather than a canvas board.
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The canvas board will absorb your under
paint very rapidly and become dry.
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You need a strong easel because
we use a lot of pressure here.
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And you need an easel that would
grip the canvas and hold it securely.
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The pallet that we use, we
use a large pallet that has
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a lot of working area in it.
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And I'm going to go over each of
the colors that we use here, and
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there'll be flashed across the screen.
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So if you need to write them
down, you can pick them up off
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the screen as I talk about them.
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So here we go.
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Let's start right up here with
titanium white, yellow, green.
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They low blue Prussian blue bird number
Vandyke Brown alizarin, Crimson SAP,
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green, caddy, yellow, yellow ochre,
Indian, yellow, and permanent red.
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Now these 12 colors we'll use every week.
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So if you want to have your pallet ready,
these are the colors that we'll use.
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Also each week, we'll run
the colors across the screen.
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So in case you didn't get all
of these, you can pick them up.
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The next time, the brushes that we
use, these are natural bristle brushes.
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I'm using a two and a half
inch and a one inch brush.
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Also, we use an almighty palette
knife, a very big pallet knife.
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And this pallet knife, unlike
traditional palette knives is very firm.
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It's very big, so we can do whole
mighty things very rapidly here.
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So let's do it.
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Let's paint an almighty
picture right here.
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I'm going to start.
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By dipping the brush into a
little bit of magic white.
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Now this makes the canvas wet.
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It makes it slick.
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It allows the paint to blend in here.
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You actually blend the
painting on the canvas.
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So all we do here is cover
the entire canvas with a thin
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layer of the magic white.
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All right.
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Probably the biggest mistake made when you
first started supplying too much magic.
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White.
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All we want is just a nice stand even
coat when you're using large brushes.
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This only takes a couple of minutes.
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So no problem.
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Here we go.
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Look at there already.
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We're almost done
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the hair.
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Okay.
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I just work it back and forth
and up and down and get a nice
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even distribution of color.
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okay.
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Just about yet this canvas
covered with the magic white.
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Another big problem that we run into
continually is washing the brushes.
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Now I'm going to wash the brush and we
wash it with odorless paint thinner, and
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I strongly suggest that you use odorless.
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Or you're running everybody
in the house, out in the yard.
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You'll be there by yourself.
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Now we shake the brush into a box
and then beat the bristles dry.
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Now, if you do this at home,
this is a quick way to redecorate
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your living room in a second.
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So be careful learn how to contain this.
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Alrighty, let's do a simple
little picture today.
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That'll just give you an idea of
how this fantastic technique works.
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So I'm going to start here with a
little bit of pressure and blue.
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And we pull a small amount of pain
out and beat it into the bristles.
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Really work is painting to the bristles.
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You're looking for nice even distribution
of color throughout the bristles.
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And we'll start right up here at
the top and we just make little
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exes, little crisscross pattern
come all the way across the top.
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There we go.
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Now your brush is picking up the
magic white and automatically the sky
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is going to get lighter in value as
it works toward the horizon there.
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Let's see how easy that was.
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Okay.
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And very gently.
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We'll just blend this out.
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It's very easy to make a sky darker.
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What does the son of a
gun to make it lighter?
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If you wanted to make it a little
darker, all you do is add a little
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more blue, a little more blue.
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This stuff is really strong and go
right back through the same procedure
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you can dark in this guy very easily.
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All right.
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Another thing it seems to give us a
lot of problems is all mighty clouds.
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So let's spend a second
here and make us a cloud.
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And here we'll use the fan brush and
I'm going to take the fan brush and
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load it full of titanium, white paint,
loaded for a lot of pain in the rear.
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Okay.
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Now we'll go up here and decide
who we want a happy little cloud to
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float around and you touch the canvas
and just make little tiny circles.
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She asked work at work at work.
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Do it rapidly push hard
and get away from it.
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Don't keep working the same area.
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All you'll have is a big
cotton ball up in the sky.
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Okay.
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Maybe we'll put a, another little
cloud right over here just to show
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you how to make these little clouds.
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Okay.
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Ma'am with a large brush.
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We want to very gently blend this
out on the bottom, down here, but
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without touching the top at all.
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So very gently, just the bottom.
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She just blended a little
bit, little tiny circles.
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There we go.
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Now over here, we're blending this
one a little now we'll fluff it and
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we're just going to gently lift upward
and don't worry if you get some of
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these little things up in the sky.
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Okay.
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Not very gently will hypnotize app.
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There we go.
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These are very simple, very basic
little clouds and very easy to do.
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Now, if your brush sheds like it just
did here and you get a hair on you just
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take a cornea brush and lifted off.
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Don't spend all day trying to pick it off.
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You'll have fingerprints
all over your painting.
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Just use a quarter of your brush.
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All right.
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That's nice.
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Make an almighty mountain.
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Everybody likes mountains.
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No matter if you live in Florida or
Alaska mountains are still pretty.
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I'm going to take a little bit of
the Prussian blue, some Vandyke
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Brown, and a little touch of
Crimson, very little Crimson.
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And we'll mix that up real good.
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Now all you need to do here is.
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Push this all mighty knife red into
the canvas, just push, really pushing
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the paint right into the fabric
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there.
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All we're looking for is just a
basic outline for this mountain.
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I have noticed by now we use no patterns.
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We do no sketching.
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We let this flow right out of
our heart, onto the canvas.
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There now with the larger brush,
I'm just going to pull this down.
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One thing about mountains when you're
painting them, they should always be
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more distinct at the top than they are
at the bottom, because at the bottom
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of the mountain we have missed and.
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And now we have pollution.
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All of these things diffuse and
break up light and create the mist
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at the bottom of the mountain.
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So once again, we allow the
magic white to mix with the paint
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and this happens automatically.
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We don't have to worry about it.
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If, think about it, let it happen.
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All right, let's put some snow
on this almighty mountain.
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We'll use a little of the
titanium white, and we're going
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to start red appear on this peak.
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Just let this paint flow
right down the mountain.
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And you want the paint to break like this.
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So it greets all the little
rocks and stones and highlights
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and shadows in your mountain.
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Yeah.
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Light's going to strike
right along this peak also,
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and maybe just a little
touch back in here.
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Let's build some shadows and
we'll just use a little bit
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of depression, blue and white,
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maybe a touch more.
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There we go.
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Now the shadows were running
the opposite direction.
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We'll start here.
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Just let the shadows run right across.
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Like yes, there comes a shadow.
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Okay.
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We'll put one back here and we've
decided this peak is behind the mountain.
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So all we do is take this shadow
and bring it right through and
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automatically you just pushed them
out and around on this canvas.
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You're the creator.
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Anything that you want,
you can build here.
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This is your world.
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Your dreams come real here.
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All right.
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There.
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Yeah, maybe we'll add just a
couple more little peaks in here.
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Maybe there's a happy
little peak right here.
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We put the highlight in first
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and then we give him his own
private little shadow right there.
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This is a very basic,
simple little mountain.
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And as the series progresses, we'll do
some that are a little more complicated.
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If this is too easy for you.
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Barely go.
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Okay.
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Now, as we had talked about earlier,
we always want it to be more distinct
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on the top than it is on the bottom.
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So using the large brush here,
I'm going to very gently tap
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the bottom of the mountain.
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I'm tapping.
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All I want to do is diffuse.
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I don't want to destroy it.
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There we go.
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Always following the angles
now, very gently lift up.
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We're using the brush flat.
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Look at that.
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Look at that mist.
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See, I knew you could do it.
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All right.
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I think it's time.
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We had some fun.
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Now let's get over here into the SAP green
and just load this brush full of paint.
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Just put a lot of pain into the brush.
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Just really work it into the bristles and
we're going to go right along here and
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touch and push, just push, just like, so
this is where you need the almighty easel,
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because you're really pushing hard here.
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You're pushing the paint
right into the fabric.
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Okay.
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There we go.
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Just push it up.
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This is just straight SAP green and
you're bending the bristles most
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important that you've been the bristles
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hair.
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Okay.
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Now I'm going to go into just a
tiny bit of pressure and blue.
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And we'll dark in the front here.
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As things get closer to
you in the landscape, they
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should get darker in value.
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All right.
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You know what I'm doing that one of the
most interesting things that we see as
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we run across the country, teaching this
fantastic Methodist people continually
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say, I can't draw a straight line.
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I don't have the talent Bob
to do what you're doing.
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That's bologna talent
is a pursued interest.
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In other words, anything that you're
willing to practice you can do.
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And this is no exception, but
it's like driving the card first.
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It's a little difficult.
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You have to learn how to make your
hands and your foots work together.
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Same thing.
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And that's what we're trying to
teach you here is the technique.
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Once you have the technique down,
all, you need to dream in your heart
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and the desire to put it on canvas.
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Okay.
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Now, Let's go back here in the background
a little bit and we'll mix up some blue.
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This is Prussian blue, Brown Vandyke
Brown in about equal parts and SAP green.
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All three of these are in about equal
parts and it should look very dark.
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It should look black on you.
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It's palette.
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Okay.
245
00:13:29,824 --> 00:13:31,175
Now with a fan brush here.
246
00:13:32,835 --> 00:13:35,445
We'll make some, let's make some
little evergreens back here in
247
00:13:35,445 --> 00:13:39,105
front of this almighty mountain, and
there's many, many ways to make them.
248
00:13:39,105 --> 00:13:41,415
I will try to show you a bunch
of ways during this series.
249
00:13:42,675 --> 00:13:42,855
Okay.
250
00:13:42,855 --> 00:13:46,845
We load the fan brush full of paint and
decide where you want you to treat a
251
00:13:46,845 --> 00:13:52,965
B you touch the canvas, turn the brush
sideways and just begin building a tree
252
00:13:53,325 --> 00:13:58,965
back and forth in that easy look at there.
253
00:14:00,480 --> 00:14:01,800
And trees get lonely too.
254
00:14:01,800 --> 00:14:02,750
They need a little friends.
255
00:14:02,750 --> 00:14:03,920
So we'll give him a friend, right?
256
00:14:03,980 --> 00:14:04,220
Yeah,
257
00:14:08,300 --> 00:14:08,710
I hear.
258
00:14:09,800 --> 00:14:12,710
And you know, sometimes you don't want
to have a bunch of distinct trees.
259
00:14:12,710 --> 00:14:14,450
You just want indications of trees.
260
00:14:14,780 --> 00:14:17,720
So watch right here, this is
the way to make indications.
261
00:14:17,720 --> 00:14:21,680
All we're doing is
touching, just touching.
262
00:14:24,230 --> 00:14:27,170
This looks like little trees when the
painting's finished it, as we leave
263
00:14:27,230 --> 00:14:28,460
there, way back in the background.
264
00:14:30,810 --> 00:14:35,060
And maybe over here, just drop these in.
265
00:14:35,090 --> 00:14:37,100
This is, this is such
a freestyle of people.
266
00:14:39,710 --> 00:14:40,160
Fair.
267
00:14:41,700 --> 00:14:43,430
Maybe there's some here
that are a little closer.
268
00:14:45,230 --> 00:14:47,450
Hey, we'll just drop them in
and let them, let them just
269
00:14:47,450 --> 00:14:49,130
fall right off your fan brush.
270
00:14:50,360 --> 00:14:50,930
There we go.
271
00:14:53,850 --> 00:14:54,570
There we go.
272
00:14:58,860 --> 00:14:59,100
Okay.
273
00:14:59,100 --> 00:15:00,450
And we'll put a little more dark in here.
274
00:15:00,450 --> 00:15:02,120
You need dark in order to show lights.
275
00:15:02,120 --> 00:15:04,770
So here, I'm just applying
a little dark color.
276
00:15:06,360 --> 00:15:10,260
Now another golden rule that you
need to remember here, a thin
277
00:15:10,260 --> 00:15:12,240
paint will stick to a thick paint.
278
00:15:12,720 --> 00:15:15,630
So I'm adding just a touch of
magic white on my brush here to
279
00:15:15,630 --> 00:15:16,830
go through this thicker paint.
280
00:15:17,625 --> 00:15:18,945
And this will make it
a little bit thinner.
281
00:15:18,945 --> 00:15:20,565
So will stick on top of the thick paint.
282
00:15:20,595 --> 00:15:23,325
This is why we're able
to paint wet on wet.
283
00:15:24,825 --> 00:15:25,005
Okay.
284
00:15:25,005 --> 00:15:27,795
Now let's put some happy little
things happening back in here.
285
00:15:28,815 --> 00:15:30,375
Just a little bushes and stuff.
286
00:15:31,485 --> 00:15:32,865
Here they come down the Hill.
287
00:15:33,975 --> 00:15:35,115
Just let them progress.
288
00:15:39,915 --> 00:15:40,515
There we go.
289
00:15:45,900 --> 00:15:47,790
Hair look at all them little Rascals.
290
00:15:51,670 --> 00:15:52,340
Okay.
291
00:15:53,270 --> 00:15:56,300
With a knife here, I'm just using
the point and I'll scratch a few
292
00:15:56,300 --> 00:16:00,410
little trunks here and there already.
293
00:16:00,410 --> 00:16:03,140
It looks like we have a multitude
of trees and stuff back here.
294
00:16:04,460 --> 00:16:04,910
Okay.
295
00:16:05,600 --> 00:16:07,280
Now let's move a little
forward in the painting.
296
00:16:09,015 --> 00:16:11,475
And I'm gonna come right about here.
297
00:16:11,955 --> 00:16:12,525
There we go.
298
00:16:13,215 --> 00:16:14,835
And we'll drop a bigger tree in here.
299
00:16:16,545 --> 00:16:17,145
There he goes
300
00:16:22,415 --> 00:16:22,835
there.
301
00:16:23,445 --> 00:16:25,515
These little trees live in
your fan brush and you have to
302
00:16:25,515 --> 00:16:30,135
scare them out sometime there.
303
00:16:33,150 --> 00:16:33,960
I knew you could do it.
304
00:16:36,990 --> 00:16:37,920
Just let that camera.
305
00:16:37,920 --> 00:16:38,370
I don't know.
306
00:16:39,600 --> 00:16:42,330
I guess some trees on the other
side over here too, let's just
307
00:16:42,330 --> 00:16:43,740
put an almighty tree right here.
308
00:16:44,730 --> 00:16:47,250
We're having such a lot
of fun doing these trees.
309
00:16:47,250 --> 00:16:48,750
We might as well just
keep going with them.
310
00:16:58,515 --> 00:17:02,055
Okay by now, you're probably saying,
Hey, can he do anything but evergreens?
311
00:17:02,685 --> 00:17:03,075
All right.
312
00:17:03,075 --> 00:17:08,115
Let's do some different types of trees
and we'll take a one inch brush and
313
00:17:08,115 --> 00:17:09,765
load some of the same color on it here.
314
00:17:10,425 --> 00:17:14,235
And let's put in some leafy trees.
315
00:17:15,855 --> 00:17:16,575
Here we go.
316
00:17:16,694 --> 00:17:19,605
Just push them right off
your brush in the bristles.
317
00:17:19,605 --> 00:17:21,855
Most, most important that
you've been in the bristles.
318
00:17:23,175 --> 00:17:28,685
So you get all the actions that
happen there and maybe over here.
319
00:17:28,695 --> 00:17:32,325
Nice little tree there.
320
00:17:38,385 --> 00:17:39,015
There we go.
321
00:17:40,245 --> 00:17:41,895
Now let's put a little trunk in here.
322
00:17:41,895 --> 00:17:43,695
I'll use a little bit of burn number.
323
00:17:47,370 --> 00:17:49,590
And let's just lay some
happy little trunks.
324
00:17:52,800 --> 00:17:53,340
Okay.
325
00:17:53,370 --> 00:17:56,010
And the little evergreen
trees just here and there.
326
00:17:58,050 --> 00:17:58,740
There we go.
327
00:18:01,320 --> 00:18:03,690
And we need a trunk in this
big, old tree over here.
328
00:18:06,240 --> 00:18:10,130
Like so one in there, you can also take
just the point of the knife and scratch
329
00:18:10,130 --> 00:18:13,040
right through the paint and put all
kinds of little indications in here.
330
00:18:17,720 --> 00:18:18,350
All right.
331
00:18:19,940 --> 00:18:20,690
A little more of them.
332
00:18:21,230 --> 00:18:25,550
They haven't paint the, this
down and we'll put some happy
333
00:18:25,550 --> 00:18:26,720
little highlights on there.
334
00:18:27,530 --> 00:18:28,550
Maybe we'll say this is.
335
00:18:29,160 --> 00:18:30,140
This looks like false.
336
00:18:30,190 --> 00:18:32,850
Let's choose some bright
colors here and they show up.
337
00:18:32,880 --> 00:18:33,930
Good on your set at home.
338
00:18:37,080 --> 00:18:38,400
Look at that sign of a guy.
339
00:18:43,020 --> 00:18:43,440
Okay.
340
00:18:43,470 --> 00:18:43,800
Now
341
00:18:47,190 --> 00:18:47,910
there we go.
342
00:18:50,430 --> 00:18:51,090
All right.
343
00:18:51,120 --> 00:18:53,850
Now, down in the bottom, down here.
344
00:18:54,225 --> 00:18:56,115
We need some nice little
bushes that are happening.
345
00:18:56,925 --> 00:18:58,274
One thing to be very careful of.
346
00:18:58,274 --> 00:18:59,595
Don't kill all your dark areas.
347
00:18:59,595 --> 00:19:02,355
If you kill them, your
painting becomes very flat.
348
00:19:05,314 --> 00:19:05,945
There we go.
349
00:19:11,615 --> 00:19:14,135
And maybe there's a happy
little Bush right here
350
00:19:17,675 --> 00:19:19,774
and a big old wooden hair pick tree here.
351
00:19:25,680 --> 00:19:26,280
All right.
352
00:19:28,100 --> 00:19:29,600
The little something underneath here.
353
00:19:29,629 --> 00:19:30,860
Just to give it a little more depth.
354
00:19:32,900 --> 00:19:33,530
There we go.
355
00:19:37,790 --> 00:19:41,060
Now we'll cut a few more little
sticks and twigs here and there.
356
00:19:41,810 --> 00:19:43,790
And this helps create
depth in the painting.
357
00:19:44,120 --> 00:19:45,410
It shows different planes.
358
00:19:46,200 --> 00:19:48,720
The more planes you can show
the deeper the painting will be.
359
00:19:49,620 --> 00:19:51,330
So we need to just cut
a few of them in here.
360
00:19:54,149 --> 00:19:55,200
You know, it's interesting.
361
00:19:55,560 --> 00:19:59,040
I was doing this painting one
time at a mall and I had a man
362
00:19:59,040 --> 00:20:01,409
come along and he says, you
know, I've been to that location.
363
00:20:01,889 --> 00:20:04,080
He says, except it had a
little pond right here.
364
00:20:04,080 --> 00:20:06,720
He says, if it had a little pond
there, I'd buy that painting from you.
365
00:20:07,230 --> 00:20:10,439
So I told him, I said, you start
writing the check and by the time it
366
00:20:10,439 --> 00:20:12,270
checks done, you'll have a little pond.
367
00:20:12,510 --> 00:20:13,470
So watch right here.
368
00:20:13,500 --> 00:20:14,520
Let's see what happens.
369
00:20:15,120 --> 00:20:17,850
All you do is take us all
mighty brush and pull down
370
00:20:21,300 --> 00:20:24,899
and we will create a little
pod right there so that easy.
371
00:20:27,540 --> 00:20:28,290
There we go.
372
00:20:32,040 --> 00:20:35,159
And I'm going to take a little
bit of pressure and blue just to
373
00:20:35,159 --> 00:20:36,689
make us pond a little bit deeper.
374
00:20:37,010 --> 00:20:39,060
Want to have enough room for
the trout to live in here?
375
00:20:40,530 --> 00:20:41,760
Just a little bit deeper.
376
00:20:43,950 --> 00:20:46,860
This is one thing is so fantastic
about this style of painting.
377
00:20:46,860 --> 00:20:47,190
Right?
378
00:20:47,430 --> 00:20:47,700
Right.
379
00:20:47,700 --> 00:20:49,620
In midstream, you can change your mind.
380
00:20:49,620 --> 00:20:54,420
You can, you can completely completely
change your painting in just a second.
381
00:20:54,990 --> 00:20:57,510
And here I'm just pulling across
to make it look like water.
382
00:20:59,400 --> 00:21:00,150
Isn't that something.
383
00:21:01,320 --> 00:21:06,300
Now we'll take just a tiny bit
of the magic quake and we'll
384
00:21:06,300 --> 00:21:07,650
put a little water line in here.
385
00:21:12,810 --> 00:21:15,990
There just act like you're trying to
cut a hole right through the canvas
386
00:21:17,640 --> 00:21:24,750
and let's just take, and I sorta wiped
out a couple of these little bushes
387
00:21:24,750 --> 00:21:26,220
here, so let's just put them back in.
388
00:21:27,750 --> 00:21:30,300
Maybe on each side there we
have some nice little bushes.
389
00:21:33,330 --> 00:21:35,370
Now I'm going to add just a tiny bit.
390
00:21:36,735 --> 00:21:39,554
Of the Vandyke Brown and the burn.
391
00:21:39,554 --> 00:21:41,385
Number two, this magic white to make it.
392
00:21:41,655 --> 00:21:46,814
It's a very, very thin paint and
wood that would just take and
393
00:21:46,825 --> 00:21:50,264
pull down here a little bit and
make us a nice little bank here.
394
00:21:51,735 --> 00:21:55,965
Just some, just some ground for the
bushes and trees here to sit on it.
395
00:21:56,235 --> 00:21:58,274
Don't want them to fall off in
the water and make a big splash.
396
00:22:00,304 --> 00:22:02,105
I disturbed that old trail
to it lives in there.
397
00:22:04,050 --> 00:22:04,410
There.
398
00:22:06,140 --> 00:22:06,260
Yeah.
399
00:22:06,260 --> 00:22:10,100
Maybe highlight it with just
a tiny bit of white and this
400
00:22:10,100 --> 00:22:11,960
is a very, very gentle touch.
401
00:22:11,990 --> 00:22:14,270
Just enough to get the
paint to come off the knife.
402
00:22:15,590 --> 00:22:16,430
There we go.
403
00:22:19,550 --> 00:22:23,600
Isn't that something now with just
a little touch, more magic white.
404
00:22:24,470 --> 00:22:26,150
We'll put a little water
line on anything here.
405
00:22:29,120 --> 00:22:29,660
There it is.
406
00:22:31,575 --> 00:22:33,195
She asked enough to separate this
407
00:22:37,785 --> 00:22:41,655
there a few more little
sticks here and there.
408
00:22:43,575 --> 00:22:44,505
Just to break it up.
409
00:22:47,625 --> 00:22:50,535
Maybe there's some little grassy
things that sort of worked down onto
410
00:22:50,535 --> 00:22:52,485
the bank here, just here and there.
411
00:22:52,485 --> 00:22:52,985
Over here.
412
00:22:53,005 --> 00:22:53,655
Martin visa.
413
00:22:54,615 --> 00:22:57,975
Now what happens if you change
your mind again, son of a gun.
414
00:22:58,395 --> 00:22:59,205
Let's change it again.
415
00:23:00,435 --> 00:23:04,475
I will take the big brush and go
right back into this dark color and
416
00:23:04,655 --> 00:23:11,195
begin pushing like, so, and we'll
just add another plane to this
417
00:23:11,195 --> 00:23:12,545
painting and make it even deeper.
418
00:23:13,745 --> 00:23:15,035
Just push this dark in there.
419
00:23:15,035 --> 00:23:17,915
Once again, we need the dark
in order to show the light.
420
00:23:20,285 --> 00:23:20,705
Okay.
421
00:23:20,855 --> 00:23:22,115
Now we got our dark in there.
422
00:23:22,865 --> 00:23:23,945
Now we can highlight it.
423
00:23:25,440 --> 00:23:26,910
A little more of the thin white here.
424
00:23:26,910 --> 00:23:28,090
So we can thin this down.
425
00:23:28,120 --> 00:23:29,250
It sticks nice and easy.
426
00:23:30,000 --> 00:23:33,570
We use little yellow ochre
mixed with a little caddy
427
00:23:33,570 --> 00:23:36,240
yellow and mix it on your brush.
428
00:23:36,360 --> 00:23:38,490
That way you get a multitude
of things that happen.
429
00:23:40,290 --> 00:23:43,910
Maybe a little bit of permanent
red, let's put, Ooh, a fireball.
430
00:23:46,070 --> 00:23:46,940
That's a nice one.
431
00:23:48,860 --> 00:23:50,870
And right on down through like, so.
432
00:23:51,825 --> 00:23:53,715
And just let these flow
with the lay of the land.
433
00:23:56,835 --> 00:23:59,415
You can put all kind a little look
at all those little grassy things.
434
00:24:00,885 --> 00:24:01,545
There they go.
435
00:24:03,255 --> 00:24:06,435
Just as easy, huh?
436
00:24:08,355 --> 00:24:08,865
Okay.
437
00:24:09,105 --> 00:24:14,595
Now we'll just cut a few little
sticks here and there, there we are.
438
00:24:16,705 --> 00:24:18,885
You know, one of the hardest
things to do when you're painting.
439
00:24:19,800 --> 00:24:21,300
Is to no one in the world to stop.
440
00:24:21,330 --> 00:24:25,500
It's just, it's such a temptation just
to add one more sticker, one more tree.
441
00:24:26,160 --> 00:24:28,830
And there comes a time when you have
to stop or you piddle it to death.
442
00:24:30,150 --> 00:24:33,270
So I think we're going
to stop on that one.
443
00:24:33,750 --> 00:24:35,100
I'll show you how to sign a painting.
444
00:24:35,100 --> 00:24:38,850
This is something that gives people a
lot of trouble and I'm going to dip.
445
00:24:39,600 --> 00:24:43,080
This is a number two script liner, and
I'm going to dip it into a little bit of
446
00:24:43,080 --> 00:24:46,830
thin oil and then use the liner brush.
447
00:24:47,835 --> 00:24:48,555
And make the paint.
448
00:24:48,565 --> 00:24:51,155
So it's like water very, very thin.
449
00:24:51,215 --> 00:24:54,795
And then it'll flow right on top of
there and turn this brush, twist it.
450
00:24:55,485 --> 00:24:58,185
That brings it to a nice firm sharp point.
451
00:24:59,915 --> 00:25:00,305
Okay.
452
00:25:02,045 --> 00:25:04,475
Now let's sign it right here.
453
00:25:05,615 --> 00:25:11,105
And all we do is touch and just
let this paint flow or head
454
00:25:11,105 --> 00:25:12,455
off this little liner brush.
455
00:25:13,955 --> 00:25:14,645
There we go.
456
00:25:16,140 --> 00:25:18,180
And luckily I have a very simple name.
457
00:25:18,180 --> 00:25:21,120
It's easy to spell and only
takes a second to sign a painting
458
00:25:24,510 --> 00:25:25,320
that next week.
459
00:25:26,550 --> 00:25:29,250
I hope you have your canvas on your
easel and you're already to go with
460
00:25:29,250 --> 00:25:33,210
us and we'll be doing a white canvas
next week during the series, we're
461
00:25:33,210 --> 00:25:35,100
going to do numerous different things.
462
00:25:35,100 --> 00:25:39,000
There'll be several paintings that
we do on a black canvas, or there'll
463
00:25:39,000 --> 00:25:43,140
be some that you won't believe, but
next week have a white canvas ready.
464
00:25:43,950 --> 00:25:47,310
You have the colors and we'll
be looking for you here.
465
00:25:48,120 --> 00:25:53,070
And until then from all of us here,
we'd like to wish each and every one
466
00:25:53,070 --> 00:25:55,440
of you happy painting and God bless.
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