Bob Ross's

The Joy of Painting

S25E10 - Just Before The Storm

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Hey, welcome back.

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Certainly glad you could join us today.

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I thought today, maybe we'd do

a very nice little seascape.

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I've got a lot of letters from

people asking me for a simple

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little seascape that anyone can do.

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So I thought we do that today.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I've

gotten done up here for this.

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I have my standard old.

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Canvas.

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I use an 18 by 24 inch pre

stretched double prime canvas, but

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you use whatever size you want.

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I took a piece of contact

paper and cut an oval out.

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Now I had to cut the oval out.

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You can use something like an

Exacto knife or a pair of scissors.

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It doesn't matter.

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Stuck the oval onto the canvas.

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Covered the inside with black Jesso just

totally covered it with black chest.

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So allowed that to dry completely.

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Now on top of that, on the sky up here,

I've taken Prussian blue and black.

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I think I'll make a

stormy looking see today.

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So I want something very dark, very

moody, just and blue and black and

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covered the entire top on the bottom.

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I've used a little bit of black

SAP, green and Prussian blue.

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So on the bottom, I just put

a little bit of SAP green.

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Otherwise it's the same as the top.

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So you can do the whole thing, a

little SAP green at the bottom, just

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to give it a little watery feel.

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And with that, let's just

start off and have some fun.

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We'll take off the day with the old

two inch brush and a little bit, just

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a small amount of titanium white.

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We don't need much paint, not much,

just a little just old titanium white.

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And let's go right up in here.

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And now with that, let's just put in some

basic little, little cloud things that

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are happening up here, and I'm just using

the corner of the brush and just making

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like little, little Xs, just sorta let

the brush play and just have fun up here

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is it takes very little paint though.

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Very little because we have

the color underneath when you

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touch it with white, that color.

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Comes alive, just absolutely

comes alive there.

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And we just sort of have to think

and make up in our mind where,

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where does have big old clouds?

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We have, he's a big old, fluffy, big,

old, tough clouds, storm clouds maybe.

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And we just sort of dance them in

here and there they're in here.

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Wherever you think they should be.

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They're

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very, very easy to do this.

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Very easy.

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Maybe there's another big old

cloud that lives right here.

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You can tap in a few use, just the corner,

making exes anyway, that you sort of get

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an effect that you're looking for there.

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I think we're going to come back and

we're going to blend all of these.

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So even these areas that are

very dark we'll end up with

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a little bit of pain in them.

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This black canvases are so fantastic

because it allows you to make affects

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that all they have, but they're

almost real and they're easy to do.

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Very easy to do.

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There we go.

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Maybe a little color right in here.

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And we wash the old brush.

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If you've painted with me before, you

know, that's really, the fun part of this

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whole technique is just washing the brush.

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So we'll scrub the old brush with

odorless paint, shake off the excess

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and just beat the devil out of it.

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Now be sure your brush is

as dry as you can get it.

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And then we can go up here and

very lightly just begin blending

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this how you can blend it to any

degree of darkness that you want.

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In other words, the more that you

blend it, it's going to mix with the

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color that's already on the canvas and

it'll get darker and darker and darker.

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You can always go back and add a little

more of the white, and we may do that

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just to highlight some of the clouds.

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So don't worry about it.

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As you know, we don't make mistakes.

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We just have happy accidents sometimes.

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And by that, we just mean that it very

soon, you begin to, to be able to work

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with anything of happens, anything

it happens and you can turn it into

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something that's exciting and wonderful.

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There's nothing bad that

happens on this canvas.

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The absolute worst thing that

could happen is that you take the

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paint off that you put on reuse the

canvas and do the painting over.

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But even then you've still learned.

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And any time that you learned

from practice, it's not wasted.

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All right.

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I just use the same old brush.

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I want to add a little more white.

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I think we're going to brighten

up our clouds a little.

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And as I say in your world, you can

make them as bright or as dull as you

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want up to you up to you, depending

on the mood that you want there.

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She has the corner of your brush and

just little tiny things like that.

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Say there are the purposes of TV.

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I think maybe we'll make them a little

bit brighter so you can see them better.

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But maybe when you do yours, you just

want very quiet, little gentle clouds.

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I have several brushes here.

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I'm gonna grab another one.

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That's nice and clean and dry.

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So I can just blend that out a little.

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There we go.

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Maybe.

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Yep.

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You're right.

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We'll do this one here a little bit too.

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This is one of the simplest easiest

ways that I have ever found to make very

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effective little clouds and it works.

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That's what's so important.

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Works.

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There.

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I just think about little things that

are floating around here in the clouds.

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He just, just put them in, just put them

in and going back to the clean brush

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like that, and very lightly just blend

it a little, just blended a little.

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I don't want to blend it too much.

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Don't want it to go away

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and you can do this as a city,

as many times as you desire.

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Some people want clouds

that are very distinct.

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That's easy to do.

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You just do this as many times

as you want, until it gets there.

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It gets too.

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Hm.

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Well, that's a mean looking

old cloud there that's when the

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little clouds that are bringing

you a thunderstorm and a heart,

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right.

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I live in Florida, wrecked,

close to Mickey mouse's house.

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And we'd have a lot of thunderstorms

sometimes, especially in the summer.

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It is a, there's a period

there where almost every day we

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have a fantastic thunderstorm.

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I sorta like them.

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Cause it's, it has a

beautiful sound to it.

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And when it's sober,

everything is clean and fresh.

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Beautiful.

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Again, it's like God sort of

washes the whole landscape.

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Okay.

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Was that easy?

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We have a pretty nice little sky,

some nice clouds, no problem at all.

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And as I say, even if you've never

painted, this is one that you can do.

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Now here, I had a, just a piece of

old masking tape because it helps me

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have a nice straight line across it.

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That's the only reason I have it on there.

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So we'll just take it off.

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And we have a very straight horizon now.

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And with that, we can

begin to really play.

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Let me wash the brush.

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It's been a while.

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Just like to wash it.

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There we go.

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We're in business now, now, then where

we had that piece of tape might need

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to add just a little bit of color.

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So we'll take a little sat,

brain, little black and blue.

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And we'll just bring that color, Ray

that right up there, something like that.

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I know you probably can't see that cause

I can't either, but we know now that

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there's paint all the way up to that line.

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Alright.

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Let's use the old Filbert brush

a little bit, put a little bit of

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titanium white on it, and let's just

sort of lay out our basic wave shape.

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This is one of the easiest

ways that I've ever found.

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To sort of lay out your waves.

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So you know where it's going to go.

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Just take a little paint, cause it

doesn't matter anything you don't

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like, you can just wipe it out and

lay out a basic wave shape here.

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Maybe the old wave comes over.

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Like it goes off and back

in here, back in here.

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There's another way you,

wherever you want them.

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And back in here, we'll

just have little ones.

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So, and that wave will crash

over in that direction.

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Does that help?

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We just sort of put a

little line in there.

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So sweat, it helps you see how the

water is going to go, but that easy

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wash the Filbert brush.

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Yep.

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I'm going to grab.

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Maybe today I'll use a

number three fan brush.

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Sometimes I use a three, sometimes a

six, whatever happens to be available.

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It doesn't matter.

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Doesn't matter.

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Now that little bit of white

paint on it, pick up a little

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touch of blue and put in there.

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They're all right, now then let's

start we back in here and just

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touch and let me exaggerate.

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I'm doing a rocking motion.

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Think about water to do, to do.

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Dude like that.

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Now I'm really exaggerating.

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Cause I'm doing it very small.

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Something about like self see there

and automatically that will begin to

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create the illusion of little things

that are happening back there right now,

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if this is going to be our wave, just

taking ghosts right across like that.

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There and with what we have paint on the

brush, we'll bring this right on down

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like that.

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All right.

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Nah, wipe all the excess paint.

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You can get off the brush where you could

even wash it and start with a fresh.

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Now, then I want to take this.

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Color that we put right on the

edge here and begin blending it

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back very gently, very lightly.

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Just begin, blending it back, trying

to preserve a dark area right in there.

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Just trying to preserve that

that's a good friend there.

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And those dark areas will

end up being the waves.

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Something about like that.

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It will come back with a liner brush

and we'll put all kinds of little

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details in there, but this is just

extremely, extremely simple way of

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making a very effective little wave,

very effective cause seascapes sometimes

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can give you, they can give you a

little problem or two, they're not the

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easiest thing in the world of paint.

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So we try to simplify it

to where anybody can do it.

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Even on their first attempt.

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I'm gonna take a little, the CAD

yellow, a little bit of white.

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Just mix it on the

Filbert brush right there.

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I can't get, let's go up in here.

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Now.

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Everybody likes to have this wave

where the lights coming through.

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Some people call that the eye of the wave.

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So we'll take this and scrub it in.

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Aren't running around.

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Just really get in there and scrub it.

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Yeah.

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Janice really work it, let it

just get dark and darker, dark

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as it works out like that.

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Okay.

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That's a really bad all there is to it.

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And you can make this as bright.

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Did you want it the same

as you did the clouds?

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If I just cleaning the brush, going

back and adding more and more color,

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now that would take a very clean.

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Dry brush and using just

the tippy top bristles.

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I'm just going to wiggle it.

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I'm really wiggling the handle

more than I am the bristles CDs,

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the handles going around around,

but the bristles stay right there.

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Can you see that?

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Good there?

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And that's all we're doing and you

can turn this into it's so smooth.

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It's almost unbelievable.

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And then just work

outward, outward, outward.

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I don't want this to get too bright,

particular painting because of my world.

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I think this is a, this is sort

of like a storm coming it's it's

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getting pretty rough out here.

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So there wouldn't be a great deal

of light coming through here.

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What if you want to have more,

please, please feel free to do it.

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We're not trying to teach you to copy.

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Here are only trying to teach you a

technique and turn you loose on the world.

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Because, as I've said before, we

all see nature through different

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eyes and we all have different

interpretations of what things look like.

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And that may truly, may truly be the joy

of painting is that you do your thing,

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you paint your world the way that you see

it in the way that you wanted on canvas.

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There because art is a

very, very individual thing.

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We all have different ideas of

what we want and they're all good.

245

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There's no good or bad.

246

00:13:33,930 --> 00:13:35,460

It's just, does it make you happy?

247

00:13:37,110 --> 00:13:40,470

I have still the number three

fan brush since it was handy and

248

00:13:40,470 --> 00:13:42,990

dirty, loaded with a white paint.

249

00:13:42,990 --> 00:13:45,690

But now that this is the fun part.

250

00:13:46,440 --> 00:13:50,580

Let's think about the water, just

crashing over, make little sounds,

251

00:13:51,600 --> 00:13:55,940

juice, make little sounds there.

252

00:13:56,910 --> 00:13:57,560

There it comes.

253

00:13:59,420 --> 00:14:00,020

Janice.

254

00:14:00,030 --> 00:14:04,580

Think about it at crashes over

this, a wave has traveled a long

255

00:14:04,580 --> 00:14:09,110

way and it finally got here at the

shore and that's crashing over.

256

00:14:09,110 --> 00:14:10,700

It's going to create a lot of foam.

257

00:14:11,840 --> 00:14:13,250

Makes a beautiful sound.

258

00:14:14,600 --> 00:14:15,380

Beautiful sound.

259

00:14:16,155 --> 00:14:19,574

There something about my

kid is all we need for now.

260

00:14:20,594 --> 00:14:25,395

And we'll take a Filbert brush, take

a little bit of blind, a little bit of

261

00:14:25,395 --> 00:14:29,265

the Prussian blue and a touch of white.

262

00:14:30,165 --> 00:14:30,765

There we go.

263

00:14:31,364 --> 00:14:34,064

So I'm making sort of a, put

some lizard crims in there too.

264

00:14:34,064 --> 00:14:35,864

I want that to be more

of a, Oh, that's nice.

265

00:14:35,864 --> 00:14:39,765

More of a lavender type color,

but lavender to the blue side.

266

00:14:40,275 --> 00:14:40,604

Okay.

267

00:14:40,694 --> 00:14:43,604

Let's go up in here now

then we'll take this brush.

268

00:14:44,865 --> 00:14:46,665

And let's put the shadow.

269

00:14:47,355 --> 00:14:49,925

We're putting the shadow

in first for the phone.

270

00:14:50,974 --> 00:14:57,964

There comes, water's turning and

crashing and churning and always

271

00:14:57,964 --> 00:14:59,405

just having a ball back here.

272

00:15:02,224 --> 00:15:02,735

There.

273

00:15:03,960 --> 00:15:04,650

All right.

274

00:15:05,340 --> 00:15:09,000

I have two Filbert brushes going here so

I can sort of work back and forth without

275

00:15:09,300 --> 00:15:10,980

having to stop and clean them each time.

276

00:15:12,390 --> 00:15:14,310

They're not as much fun

to clean the big brushes.

277

00:15:14,310 --> 00:15:18,480

So we'll just have, we'll have a couple

of them, something about like that.

278

00:15:19,530 --> 00:15:24,060

Now, then we can go right up to

the top of that shadow and we

279

00:15:24,060 --> 00:15:25,440

can put the indication in here.

280

00:15:25,480 --> 00:15:29,610

Some, some nice foam each time

you load your brush, wipe it

281

00:15:29,610 --> 00:15:31,950

off, get it nice and clean.

282

00:15:32,850 --> 00:15:36,390

Or at least wipe off the excess

paint, then go back and reload it.

283

00:15:38,430 --> 00:15:44,490

They're wiping it a little bit more paint

that we can come back with fresh paint

284

00:15:45,120 --> 00:15:46,980

and just keep right on the splash in here.

285

00:15:48,569 --> 00:15:50,280

Just sort of tapers off into nothing.

286

00:15:51,960 --> 00:15:52,400

Shoot.

287

00:15:52,730 --> 00:15:53,189

We get that.

288

00:15:53,220 --> 00:15:53,790

Maybe there's.

289

00:15:54,225 --> 00:15:57,675

Maybe back in here, some little

splashes that are happening.

290

00:15:57,675 --> 00:15:58,725

This is pretty rough water.

291

00:15:58,755 --> 00:16:02,565

So we need some little, some little

doers that are going on back in here.

292

00:16:03,585 --> 00:16:04,605

Who knows, who knows?

293

00:16:04,605 --> 00:16:06,825

Maybe there's even a little pet in here.

294

00:16:07,875 --> 00:16:10,065

Not as much, not as strong

because we want the center of

295

00:16:10,065 --> 00:16:11,325

interest to still be in here.

296

00:16:12,815 --> 00:16:14,225

There now.

297

00:16:15,425 --> 00:16:16,655

Good dry two inch brush.

298

00:16:16,685 --> 00:16:18,125

Or you could use a one

inch brush for this.

299

00:16:18,125 --> 00:16:20,375

If you're a little more comfortable

with it, it makes no difference.

300

00:16:22,170 --> 00:16:24,150

And once again, we want

to blend this together.

301

00:16:25,620 --> 00:16:34,739

So it's as soft as silk, just like,

so there something about that.

302

00:16:39,060 --> 00:16:44,219

And I beat the brush just to knock

off excess paint and sometimes in our

303

00:16:44,219 --> 00:16:49,620

world, we'll take a little, Bandag

Brown, a little bit of the dark Sianna.

304

00:16:50,459 --> 00:16:56,310

Maybe my little black mixed them together,

maybe in our one on we back, we back

305

00:16:56,310 --> 00:16:57,810

in the background, let's go up here.

306

00:16:58,500 --> 00:17:00,630

Maybe there's a little Headland up here.

307

00:17:02,310 --> 00:17:05,460

You know, just a little projection

of land comes out into the water,

308

00:17:06,599 --> 00:17:09,960

something about like, so it's very dark.

309

00:17:09,960 --> 00:17:14,430

It's very far away, but we can

still make it out back here.

310

00:17:16,395 --> 00:17:18,525

We'll take a little bit of

white and put in there to make

311

00:17:18,525 --> 00:17:19,725

a little highlight, same color.

312

00:17:19,725 --> 00:17:20,954

I'm just adding little quite to it.

313

00:17:21,615 --> 00:17:24,645

So here and there, we can see

just a little indication of things

314

00:17:24,725 --> 00:17:29,885

that are going on there like that.

315

00:17:30,425 --> 00:17:31,745

Now we have to wash the brush

316

00:17:35,975 --> 00:17:39,485

back to our white paint, pick up

a little, and now I'm going to

317

00:17:39,485 --> 00:17:42,275

just, just splash a little water

right up here on this Headland.

318

00:17:43,380 --> 00:17:47,670

There something about like, so maybe

you could even see a little here and

319

00:17:47,670 --> 00:17:50,640

there it's really splashing right there.

320

00:17:50,640 --> 00:17:52,050

Maybe there's some big rocks in the water.

321

00:17:52,050 --> 00:17:52,580

We don't know.

322

00:17:54,150 --> 00:17:56,340

Just makes it very

interesting and very pretty.

323

00:17:59,630 --> 00:17:59,690

Yeah.

324

00:17:59,810 --> 00:18:00,990

Going back to the old Filbert.

325

00:18:01,160 --> 00:18:03,980

I like the old Falber today

doesn't matter, use anything.

326

00:18:04,940 --> 00:18:08,090

And we could begin putting in

the indication here, all kinds

327

00:18:08,090 --> 00:18:12,200

of little foam patterns, and this

water's churning pretty hard here.

328

00:18:12,290 --> 00:18:18,080

So we're going to have a lot of

little things that are going on there.

329

00:18:19,190 --> 00:18:22,610

And this is where you really bring

your little seascape together.

330

00:18:23,960 --> 00:18:25,670

All of these little

things that are happening.

331

00:18:27,750 --> 00:18:33,590

There we go see, this is a very,

very simple little seascape.

332

00:18:33,590 --> 00:18:35,480

This is what I'd recommend

when you first start.

333

00:18:37,190 --> 00:18:40,850

And as you work, father and father,

you can do seascapes that my gosh,

334

00:18:40,850 --> 00:18:43,610

you won't even believe, but this is

a good way to get started, to get

335

00:18:43,610 --> 00:18:47,330

a feel, just to get a feel for it.

336

00:18:49,280 --> 00:18:50,030

There we go.

337

00:18:51,285 --> 00:18:55,095

We have so many fantastic people all over

the country that are painting or painting

338

00:18:55,095 --> 00:18:57,135

scenes that they never believed possible.

339

00:18:58,425 --> 00:19:02,085

And maybe more interesting is

their family and friends didn't

340

00:19:02,085 --> 00:19:03,045

believe they could ever do it.

341

00:19:04,605 --> 00:19:09,975

That's nice when I've got letters from

young friends, mothers that said my son

342

00:19:09,975 --> 00:19:14,085

or daughter is painting and they're doing

paintings that I can't hardly believe,

343

00:19:14,085 --> 00:19:17,655

and they've never had any lessons other

than watching the show on television.

344

00:19:18,390 --> 00:19:20,820

And from that they become

very interested in art.

345

00:19:20,910 --> 00:19:23,130

They begin to experience a little success.

346

00:19:23,940 --> 00:19:25,980

And did you probably know

nothing in the world?

347

00:19:25,980 --> 00:19:28,160

Breed success like success.

348

00:19:28,790 --> 00:19:31,220

So if you have a few good

experiences with pain, then you

349

00:19:31,910 --> 00:19:33,170

can, you start to get hooked on it.

350

00:19:35,090 --> 00:19:37,790

So try these paintings that

aren't too difficult at first,

351

00:19:38,690 --> 00:19:40,040

become comfortable with them.

352

00:19:40,220 --> 00:19:43,730

And then as you become comfortable,

go into more difficult things.

353

00:19:44,450 --> 00:19:44,540

Okay.

354

00:19:44,865 --> 00:19:47,595

I've taken a little bit of paint,

thinner, mixed it with some titanium

355

00:19:47,625 --> 00:19:48,765

white and a little bit of depression.

356

00:19:48,765 --> 00:19:49,095

Blue.

357

00:19:49,215 --> 00:19:51,045

I have a liner brush, very thin paint.

358

00:19:51,585 --> 00:19:52,565

Fill the bristles full.

359

00:19:52,615 --> 00:19:53,475

Let's go up in here.

360

00:19:54,245 --> 00:19:57,395

Now we can come back and begin

putting the, the icing on the cake.

361

00:19:58,115 --> 00:20:03,005

You can just, but all these little

things in here, this is what

362

00:20:03,005 --> 00:20:05,075

gives you your painting character.

363

00:20:05,315 --> 00:20:06,905

It looks like a lot of detail in it.

364

00:20:08,285 --> 00:20:11,105

And if you have time, you can

set and do this and make all

365

00:20:11,105 --> 00:20:12,605

kinds of gorgeous effects.

366

00:20:14,024 --> 00:20:15,405

Gorgeous gorgeous effects.

367

00:20:16,514 --> 00:20:19,575

And this is really what will

make your seascape special.

368

00:20:21,524 --> 00:20:22,725

Very, very special.

369

00:20:28,145 --> 00:20:30,875

Let's say they're just little things

that are happening, where the water

370

00:20:30,875 --> 00:20:34,325

splashing and playing and having

fun, but we're using that same

371

00:20:34,325 --> 00:20:36,725

stroke, sorta a rocking stroke.

372

00:20:37,565 --> 00:20:40,685

Now you have sort of a weird angle

here and it looks a little strange.

373

00:20:42,315 --> 00:20:44,235

But it'll look right for you

374

00:20:47,435 --> 00:20:48,155

by the weird angle.

375

00:20:48,155 --> 00:20:50,015

I mean, the camera

gives it a little ankle.

376

00:20:50,015 --> 00:20:51,605

This looks a little

higher than it really is.

377

00:20:53,345 --> 00:20:54,035

All right.

378

00:20:55,205 --> 00:21:03,245

And we can bring things all down through

here, but details in the water there

379

00:21:03,665 --> 00:21:05,525

as you paint more and more seascapes.

380

00:21:06,615 --> 00:21:08,655

Spend more time studying foam patterns.

381

00:21:08,655 --> 00:21:10,185

That may be the hardest part of painting.

382

00:21:10,185 --> 00:21:10,875

Seascapes.

383

00:21:11,685 --> 00:21:14,835

These little foam patterns here, though,

are what make or break a seascape.

384

00:21:15,645 --> 00:21:21,555

These are just dropping very easily,

but as you paint more, you'll want

385

00:21:21,555 --> 00:21:23,085

to put more and more detail into it.

386

00:21:27,035 --> 00:21:31,475

There we go and carried away

with this and just make some of

387

00:21:31,475 --> 00:21:34,625

the most gorgeous seams there.

388

00:21:39,004 --> 00:21:40,385

Maybe something about my cab.

389

00:21:41,405 --> 00:21:44,675

Sometimes it's nice to take the Lee's

little touch of that white we had with

390

00:21:44,675 --> 00:21:49,385

a little bit of yellow in it, then it

down, then it down a little paint thinner,

391

00:21:50,975 --> 00:21:55,085

and you can come back and just highlight

this just, just to make it sparkle level.

392

00:21:55,385 --> 00:21:56,044

Don't overdo.

393

00:21:56,135 --> 00:22:00,215

This is too dark of a painting

for this to be real bright now.

394

00:22:02,925 --> 00:22:05,264

Also another thing that can

be done, that's very easy.

395

00:22:06,585 --> 00:22:08,294

And all Filbert here, that's half clean.

396

00:22:08,865 --> 00:22:14,534

You can take that dark color, some blue

and black, little green, and you can come

397

00:22:14,534 --> 00:22:18,544

back up in here with a Filbert and you can

literally just punch holes in the foam.

398

00:22:19,835 --> 00:22:23,195

C can just punch holes in it

wherever you think it should be.

399

00:22:23,825 --> 00:22:25,504

So it looks like there's

openings in there.

400

00:22:25,955 --> 00:22:29,514

So if you get a little, a little more

phone pattern here than you want, just

401

00:22:29,524 --> 00:22:31,115

go back and punch a hole here and there.

402

00:22:31,575 --> 00:22:32,025

That's all.

403

00:22:32,955 --> 00:22:33,465

That's all.

404

00:22:35,385 --> 00:22:36,375

No big deal.

405

00:22:36,765 --> 00:22:36,855

Okay.

406

00:22:37,475 --> 00:22:39,365

As I said earlier, we don't make mistakes.

407

00:22:40,235 --> 00:22:41,705

We just have happy accidents.

408

00:22:43,455 --> 00:22:47,465

Now then I'm to take the contact paper

off and let's see what we have here.

409

00:22:47,465 --> 00:22:48,725

So this is the moment true.

410

00:22:50,044 --> 00:22:52,865

Let's just grab it, pull it off.

411

00:22:54,574 --> 00:22:57,814

And that didn't make too bad of a

little seascape for your first time.

412

00:22:57,814 --> 00:23:02,615

Or if you're just beginning to paint,

it's a nice little seascape, but you know

413

00:23:02,615 --> 00:23:04,264

me, I don't ever leave well enough alone.

414

00:23:05,074 --> 00:23:06,425

So tell you what let's do.

415

00:23:07,650 --> 00:23:10,770

Let's take a little black, a little

bit of the van Dyke Brown, mix it

416

00:23:10,770 --> 00:23:16,340

together here and maybe in our world,

shoot, that's too nice to leave alone.

417

00:23:16,340 --> 00:23:19,520

I got to have a big tree

that lives right there.

418

00:23:22,160 --> 00:23:22,700

Be brave.

419

00:23:22,730 --> 00:23:23,990

This is your brave retest.

420

00:23:24,230 --> 00:23:27,590

After you've worked so hard to

create a beautiful little seascape,

421

00:23:28,400 --> 00:23:31,640

then this crazy guy tells you to,

to drag a tree right through it.

422

00:23:32,930 --> 00:23:33,680

You know, what's worse.

423

00:23:34,610 --> 00:23:36,080

The only thing worse than one tree.

424

00:23:36,570 --> 00:23:37,320

It's two trees.

425

00:23:38,040 --> 00:23:38,340

So.

426

00:23:38,925 --> 00:23:39,645

Let's be brave.

427

00:23:41,625 --> 00:23:42,495

Let's be brave.

428

00:23:42,905 --> 00:23:49,175

Cause we can do anything in the thing on

this piece of canvas, anything, little

429

00:23:49,175 --> 00:23:52,655

set, Brene read into that same color and

we'll put a little base color in here.

430

00:23:52,655 --> 00:23:54,395

I need something for my

little trees to set on there.

431

00:23:54,395 --> 00:23:56,075

Sorta just hanging out here in space.

432

00:23:58,565 --> 00:24:00,365

Same color with little SAP green in it.

433

00:24:00,365 --> 00:24:02,284

Just to give it some

dark, sorry to Lidl show.

434

00:24:04,490 --> 00:24:06,770

Shoot, let's take, I use

that little fan brush.

435

00:24:06,949 --> 00:24:11,300

I won't take, it was dark Sienna

in it and black, but mostly black.

436

00:24:11,300 --> 00:24:14,120

I want this to be sort of

a gray color with just an

437

00:24:14,120 --> 00:24:16,090

indication of a little dark CNN.

438

00:24:17,419 --> 00:24:19,730

Now we can just go up here and touch.

439

00:24:19,870 --> 00:24:21,470

Give it sort of a little round pool.

440

00:24:22,970 --> 00:24:23,659

Just touch.

441

00:24:24,199 --> 00:24:27,439

Don't want this to be too bright

because we have a pretty dark sky here.

442

00:24:28,870 --> 00:24:30,159

Pretty old dark sky.

443

00:24:30,580 --> 00:24:31,240

Just enough.

444

00:24:32,430 --> 00:24:35,460

Show a little indication

of light on this old tree.

445

00:24:37,260 --> 00:24:38,580

That's how we sort of separate them.

446

00:24:40,230 --> 00:24:42,960

But when you do this, pull

it sort of round by round.

447

00:24:42,960 --> 00:24:48,870

I mean like cat and once again,

I'm exaggerating, but it'll give

448

00:24:48,870 --> 00:24:50,460

the tree sort of a round effect.

449

00:24:51,195 --> 00:24:53,895

Okay, easy.

450

00:24:53,895 --> 00:25:00,255

That is, and just take some paint

thinner and I'm gonna go right into them.

451

00:25:00,285 --> 00:25:01,155

Midnight black.

452

00:25:01,155 --> 00:25:04,905

I want a lot of black color, but

I want it to be very, very thin.

453

00:25:05,730 --> 00:25:08,220

Very thin because you know,

our golden rule, a thin paint

454

00:25:08,760 --> 00:25:09,930

will stick to a thick paint.

455

00:25:10,650 --> 00:25:13,020

I've got paint all the way up,

halfway up the handle, the brush

456

00:25:13,020 --> 00:25:13,970

here, but that's all right.

457

00:25:16,010 --> 00:25:21,020

So, all right, but the pain is very thin

and maybe there's some old Palm leaves

458

00:25:21,650 --> 00:25:23,810

laying out here and blowing in the wind.

459

00:25:24,800 --> 00:25:28,520

This is the easiest way have ever

found of making them just use

460

00:25:28,520 --> 00:25:31,910

a very thin paint, figure out

basically where you want them to be.

461

00:25:32,910 --> 00:25:42,000

And then just give them a little pool,

something like, so they're all Palm trees

462

00:25:42,000 --> 00:25:46,710

had a rough time man there where I live.

463

00:25:46,710 --> 00:25:50,580

There's a lot of Palm trees

are gorgeous, gorgeous trees.

464

00:25:50,610 --> 00:25:53,550

I like them there.

465

00:25:53,670 --> 00:25:55,830

Maybe there's just a little

Rascals hanging up here.

466

00:25:55,830 --> 00:25:59,250

He's trying to make it wind sort

of blowing him around today.

467

00:26:00,435 --> 00:26:01,305

But he's doing all right.

468

00:26:01,485 --> 00:26:02,925

We don't have a big one out here.

469

00:26:03,345 --> 00:26:05,115

Maybe he goes clean off the canvas.

470

00:26:05,115 --> 00:26:05,655

Who knows?

471

00:26:07,245 --> 00:26:07,935

It's your world.

472

00:26:08,085 --> 00:26:10,305

So you make it any way that you want it.

473

00:26:11,774 --> 00:26:12,764

Another one out here.

474

00:26:15,045 --> 00:26:21,585

There's another one coming out through

here, through there, wherever these

475

00:26:21,585 --> 00:26:23,175

are going to be mainly silhouettes.

476

00:26:24,524 --> 00:26:27,885

Mainly so little SAP,

green, little white in here.

477

00:26:27,885 --> 00:26:31,004

And there, you can just put the

indication of a little, I don't want much.

478

00:26:31,620 --> 00:26:33,480

It's going to covering

that illusion of darkness.

479

00:26:34,710 --> 00:26:35,429

All right.

480

00:26:36,570 --> 00:26:39,899

Grab another fan brush, take

a little yellow, little set

481

00:26:39,929 --> 00:26:41,699

green, put it right in here.

482

00:26:42,659 --> 00:26:43,320

Pretty dark.

483

00:26:45,149 --> 00:26:49,980

And let's put some little grassy areas

down here to foot, pretty dark green

484

00:26:49,980 --> 00:26:52,860

color, a little dark Sienna in it.

485

00:26:52,870 --> 00:26:57,270

Once in a while just to do like cat.

486

00:26:59,055 --> 00:27:03,764

We can take the liner, brush a

little bit of color, put in a few

487

00:27:03,764 --> 00:27:08,445

little, little things that hang like

that, just to bring it together.

488

00:27:09,274 --> 00:27:11,195

And I think we have a

nice little seascape done.

489

00:27:11,195 --> 00:27:12,034

It's very simple.

490

00:27:12,605 --> 00:27:16,355

I hope you tried because this one

over work for me from all of us here.

491

00:27:16,534 --> 00:27:17,885

I'd like to wish you happy painting.

492

00:27:18,545 --> 00:27:19,655

And God blessed my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E10 - Just Before The Storm

Bob Ross's

The Joy of Painting

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