Bob Ross's

The Joy of Painting

S19E11 - Winter Elegance

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Hi, welcome back.

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Certainly glad to see you today.

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And I hope you're having a wonderful day.

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So I tell you what, let's start out

the day and then run all the colors

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across the screen that you need to paint

along with me while they're doing that.

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Let me tell you what I've

already got done up here.

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Got my regular old 18 by 24 inch.

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Pre-stretch double prime canvas

up here, and it's been covered

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with a thin even coat of a liquid

white, and it's all ready to go.

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So let's go.

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I thought today, maybe we'll do a.

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Maybe we'll just do a happy little

winter scene, something that's

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very soft and gentle and quiet,

and let's just have some fun.

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What the heck, let's start out.

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Ooh.

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A little bit of CAD yellow, cadmium

yellow, but very, very small amount.

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Very small amount on the brush.

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Let's go up here now then decide

right off where you want the

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light area to be in this painting.

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I think maybe right in

here anywhere is okay.

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Except right dead in the center.

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We don't want it right in the center.

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They're scented like Mike.

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So that's good.

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Now then without cleaning, the brush

would take a little bit of yellow ochre.

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It's a very nice gold color.

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So you like that?

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We'll go right around the edges here.

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A little yellow ochre.

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We just let it blend out there.

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Little touch over here, wherever we

just sorta let it dance around and play.

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Shoot tell you what tell you what, maybe

we'll add a little bright red to that.

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Just a little bit on the old brush here.

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We'll go right along in

here and put a little red.

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Sometimes, as I've mentioned

before, in other paintings,

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winter scenes get so cold.

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They're almost uncomfortable.

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A lot of times we use a lot

of blues in the winter scenes

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and they get very, very cold.

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This will keep your winter scenes

nice and warm and inviting.

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The fact that you have some

of these warm colors in here.

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All right.

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That a bit in here and there,

there, wherever you want it,

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tell you, what would his shoes

at same old, dirty brush, maybe.

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We've got some here's some

fallow blue we'll use that.

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And our retread over here and get a

little bit of this midnight black.

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So we have black and blue port

blue and black either way.

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Just sort of mix them

together on the brush.

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Very dark color though.

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And I want a dark in these edges.

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Yeah.

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If we're going to have a little light

spot in here by making these edges darker,

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it'll make that light spot look lighter.

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Any any of that makes any sense?

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You need to stark area.

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To make the lights look

really light there.

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Okay.

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A little bit on the other

side, just black and blue.

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Once again, we'll put that right in

here and we'll just let it sort of

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gently float right across the top.

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Okay.

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We'll wipe a little list down here.

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Maybe we'll have some snow and this'll

end up being some shadows in the snow.

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It's a good way to clean

the paint off your brushes.

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All right.

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And we just washed the brush

and did you know, we wash your

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brushes with odorless thinner.

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The shake off the excess cover, everybody,

you know, and off you go seriously,

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if you do this at home, I wouldn't

recommend that you beat the brush.

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Like, yes, if you do, you're

gonna, you're going to lose your

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popularity in about one heartbeat.

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They make a thing called

a brush beader rack.

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It goes down the side of a wastepaper

basket and you can shake the brush

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inside the basket, beat it on the rack.

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And everything's contained.

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It works very, very well.

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Okay.

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Take a little titanium white.

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I'm going to be right up in here.

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If this is going to be our

brightest area, we'll just have

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a nice bright spot right there.

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Just like, so see how

bright that makes it.

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Then I'm going to start blending outward.

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I want to blend all this together.

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Always blending outward.

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Don't take us dark, dirty color

and bring it back into the center.

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You do.

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Are you going to have

a beautiful green sky?

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And that might be all right sometime, but

today we're not looking for a green sky.

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They're just blending out with

lending out where this red color in

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here access like sort of a barrier.

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There we go.

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It keeps the, keeps the

yellow and the blue apart.

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And maybe I'll tell

you what I want to add.

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At least a little touch of a

lizard, a Crimson in there.

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Yeah.

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It creates a little lavender area right

in there a little bit more of that.

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There we go.

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Okay.

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It makes a very, very nice little sky.

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okay.

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A little bit over in here.

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Let me beat the brush

a little by beating it.

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It takes off the excess paint and you

don't have to clean the brush unless

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you just liked to clean the brush.

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Okay.

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Very lightly.

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Very lightly.

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We'll just blend this out.

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Isn't that a fantastic way

of making a very effective

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little sky and it's very easy.

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Okay.

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And we can wash this whole brush again.

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I thought maybe today day we'd have, maybe

we'll put some little trees back here.

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There we are.

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Let's use, let's use the

old round brush today.

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We'll put some little distant trees.

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Now we'll take this round brush.

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Now this, this is a new round brush

that we've just come out with.

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It has golden hair in it,

just like the two inch brush

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much softer works much better.

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Thank you.

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Like it.

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Go tap a little bit of that black in

there, but very, very little color.

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Tap it firmly.

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Just tap it.

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Let's go right up in here.

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Now, maybe back in here, there's some

little trees that live back in here.

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I usually start at the base

and work upward that way.

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The bottom of the tree is always much,

much darker than the top of the tree.

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So your shadow areas are toward the

bottom and think about some basic

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little shapes that you want in here.

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And that's all we're really looking for.

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It's very basic shapes and not looking for

a lot of detail at this point later on.

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We'll be concerned about that.

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But when things are far away, you don't

see a lot of detail that you see shape the

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form, little color, and that's about all

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right in here.

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There's another happy little bullshit

lifts wherever you want them.

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Now I've been here because

this is the light source.

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I want this to be extremely light.

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So very, very little color tap,

very lightly there because the

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sun will be shining through there.

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And these would sometimes they almost

become transparent when they're right

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in front of the light source like that.

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There we go a little more color.

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Did you work away from that light area?

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Let them get a little

darker, a little bit darker.

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Here's one, this, you know,

he was there to strap him in.

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We'll give him a little friend over here.

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Maybe we'll just go all the

way across here, putting trees.

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What the heck sometimes, sometimes

just keeps working and it's fun.

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You just want to keep going.

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So why not?

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Why not?

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Enjoy it, enjoy it.

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Painting should make you happy.

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And you've heard me say over and over

again, painting, doesn't make you happy.

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Then you're doing the wrong thing.

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If the work that you do,

you do your best work.

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If you do a job.

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And I'm very fortunate,

I get, I get to do a job.

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It makes me very happy

when I'm doing this.

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And it's, it's too bad that everybody

does not have a job, but they'd rather

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do than anything else in the world.

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And then you do your best at it.

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And that quick, we've got little

bushes and trees all the way across

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there and put little individual

small ones in front, but make them

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a little bit darker, just like that.

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But I'm using basically.

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Just a little tiny bit of the midnight

black, that's all we're using.

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Okay.

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Maybe, maybe some in the

foreground right here.

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Just a couple of little tiny ones.

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And we're not worried about the bottom.

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Anything down here, we don't like

we're going to have some snow maybe.

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So we'll just drag it

right off into the snow.

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Now then you find my liner brush to that.

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We're going to add some paint thinner

and we'll go right into that same color.

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I didn't do it, but the pain is a

very, very thin ink consistency.

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Okay.

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Let's go up in here now with this very

thin paint, we could go in here and drop

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in the indication here and there of a few

little sticks and twigs and all the little

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things that live out here in these trees.

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There they are just a few little

indications there wherever

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you think they should live.

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That's exactly where they should be.

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There we go.

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I like to do these little Rascals, maybe

back in here, you can see some little

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things that are living back between these

two trees, all kinds of little sticks,

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and that quick you can drop them in.

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And that creates the illusion

of depth in your painting.

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The fact that you can

see all these things.

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So use them to your benefit.

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They'll make your painting

special, very special.

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It's hard to believe this is

a 19th series that we've done.

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And each series contains 13 shows.

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Gosh, it must be nearly 250 shows now.

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And if you haven't got to see them all,

if you want to call your local station,

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these shows are provided for them free.

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So, I don't know what

you'd like to see them.

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Shoot.

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There we are.

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Okay.

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I have that time to time to have some fun.

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Now then let's decide if this is

going to be a little winter scene.

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Maybe it is going to be

some snow in our same.

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Let's decide where it's going to be.

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Drop it in.

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Easy to do when you're using a great big

old brush, we'll take the two inch brush.

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Hey, we'll go right across.

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We load both sides with titanium

whiten up in quite a bit of pain into

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the bristles for this first stroke.

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I wanna, I want to pull these

bristles together pretty good.

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So they're pretty tight and

it takes quite a bit of paint.

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Look at it.

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See, it's almost to a chisel

edge, but there's quite a bit

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of pain in those bristles.

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Good up here now that we have

to start making some decisions.

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If our snow lives back here, let's

start right here, touch, push, and

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just bend the brush and pull snow is

one of the easiest things to make.

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It would just let it disappear

off into the side there.

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See how simple that is.

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Don't let snow body, it's one of

the nicest, once again, most easy

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things to paint in this technique.

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And by putting a little bit of

color on the canvas automatically

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you have shadows automatically.

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You just don't cover everything up, allow

some of those shadows to show through

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and it makes your painting much more.

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Interesting.

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Show you another little trick,

something that's fun here.

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Maybe we want to have some, some banks,

maybe there's even some water there.

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I don't know.

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We'll see.

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Let's take some black.

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Little titanium white.

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I just want to make a gray color here.

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Maybe a little darker than that.

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That's nice right there.

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I'm just going to take a little

bit of that on the small knife.

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Not much figuring out back here.

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This is an easy way of making banks.

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If you want to a little bank

lives right here, for example.

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Well, you had to just sorta

lay in a little color and I'm

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scraping off all the excess paint.

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Now the color or the value,

it remains in the fabric.

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In fact, you couldn't get it out.

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Now, if you wanted to, you could paint

over it, but you can't take it out.

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Let's see.

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That's all you have to do.

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Don't don't worry about it.

252

00:13:09,390 --> 00:13:11,730

I know that doesn't look so great

right now, but I'll show you

253

00:13:12,000 --> 00:13:14,400

how to make it look much nicer.

254

00:13:14,460 --> 00:13:17,820

Very easy there.

255

00:13:19,305 --> 00:13:21,615

Now, normally, if you had a

little bank here, we'd have

256

00:13:21,615 --> 00:13:23,235

some reflections underneath it.

257

00:13:24,135 --> 00:13:24,464

I forgot.

258

00:13:24,464 --> 00:13:27,375

I have a little water smell and just put

a little led into while we're doing it.

259

00:13:28,214 --> 00:13:32,755

Take a clean brush, grab it

very strong, really get in there

260

00:13:32,755 --> 00:13:33,974

and grab it and pull it down.

261

00:13:33,974 --> 00:13:38,895

I don't want a great deal, but I want it

to be directly underneath that dark color.

262

00:13:40,425 --> 00:13:40,935

There we go.

263

00:13:41,385 --> 00:13:43,275

Pull straight down

because of canvases wet.

264

00:13:43,275 --> 00:13:44,385

It has liquid white on it.

265

00:13:44,865 --> 00:13:46,094

You can move this color.

266

00:13:47,805 --> 00:13:49,574

Pull it all the way down

to the bottom of out too.

267

00:13:50,714 --> 00:13:57,724

And then very lightly go across, just

like, so now watch what happens here.

268

00:13:57,785 --> 00:13:58,865

Let me find my brush.

269

00:13:58,895 --> 00:14:03,785

There it is that we had the titanium

who I don't now take the titanium

270

00:14:03,785 --> 00:14:06,005

white on the two inch brush and

come right up here and watch.

271

00:14:06,005 --> 00:14:11,795

Now we're going to pull this right across,

right over and just let it come over.

272

00:14:13,324 --> 00:14:15,724

See it makes it look like yours.

273

00:14:16,260 --> 00:14:18,870

Snow hanging right over the

edge and you haven't hardly

274

00:14:18,870 --> 00:14:21,180

done a thing in that sneaky.

275

00:14:23,030 --> 00:14:23,780

There we are.

276

00:14:25,730 --> 00:14:26,420

Okay.

277

00:14:26,959 --> 00:14:27,920

But it's that easy.

278

00:14:28,790 --> 00:14:28,880

Okay.

279

00:14:29,120 --> 00:14:31,819

You should never again have problem

putting snow over the banks.

280

00:14:31,819 --> 00:14:35,270

That's that's one of the nicest, easiest

ways I've come up with doing this.

281

00:14:36,530 --> 00:14:37,220

There we go.

282

00:14:38,540 --> 00:14:38,630

Okay.

283

00:14:38,720 --> 00:14:41,959

But you have to think of the lay

of the land and keep your strokes

284

00:14:41,959 --> 00:14:43,339

going in that general direction.

285

00:14:44,835 --> 00:14:48,555

And work in layers, do the thing as

fathers to weigh first and work forward,

286

00:14:48,555 --> 00:14:50,565

forward forward, always coming forward.

287

00:14:52,125 --> 00:14:53,925

Maybe we'll have some more

of those little bank shoot.

288

00:14:53,925 --> 00:14:54,525

Those are fun.

289

00:14:54,645 --> 00:14:55,605

The same gray color.

290

00:14:56,745 --> 00:15:00,015

Think about where we'd like to have

a little, little bank right in there.

291

00:15:01,800 --> 00:15:02,979

I'll see her riverbank.

292

00:15:03,000 --> 00:15:05,489

That's that's a place where

the fish put the money.

293

00:15:06,540 --> 00:15:08,010

Ooh, bad joke.

294

00:15:09,569 --> 00:15:10,020

There.

295

00:15:14,760 --> 00:15:20,010

We'll take her two inch brush once

again, grab that color and pull

296

00:15:20,010 --> 00:15:23,430

it straight down, straight down.

297

00:15:23,969 --> 00:15:24,719

Come across.

298

00:15:27,060 --> 00:15:27,870

Back with our brush.

299

00:15:27,870 --> 00:15:29,460

It has the titanium white on it.

300

00:15:29,940 --> 00:15:33,480

Decide where you want it to

be and just drop it right over

301

00:15:33,480 --> 00:15:36,150

the top, right over the top.

302

00:15:37,740 --> 00:15:38,430

But that easy.

303

00:15:40,710 --> 00:15:40,860

Oh,

304

00:15:44,130 --> 00:15:44,640

that's fun.

305

00:15:47,505 --> 00:15:47,835

Okay.

306

00:15:47,835 --> 00:15:49,995

Once again, same thing take at night.

307

00:15:50,535 --> 00:15:51,915

Maybe, maybe there's a bank.

308

00:15:51,915 --> 00:15:53,115

We out here, I don't know.

309

00:15:58,075 --> 00:15:59,715

Angles are most important.

310

00:16:01,455 --> 00:16:02,805

Just get your angles right.

311

00:16:02,835 --> 00:16:04,245

The rest of it will work easy.

312

00:16:05,355 --> 00:16:13,095

Once again, little reflection underneath,

grab it, pull down, come across.

313

00:16:15,689 --> 00:16:17,849

Shoot you're in business again, that easy.

314

00:16:19,290 --> 00:16:22,530

Now back to our two inch breast,

it has the titanium white on it.

315

00:16:24,140 --> 00:16:25,020

Load a little color.

316

00:16:25,199 --> 00:16:32,780

Let's come right in here and

just let it drop over there.

317

00:16:35,569 --> 00:16:36,410

Okay.

318

00:16:39,480 --> 00:16:42,660

Had met a super easy way,

putting all kinds of little

319

00:16:42,660 --> 00:16:44,730

things in there, here and there.

320

00:16:44,730 --> 00:16:49,170

I'm going to add the least little touch

of the little blue, just to create

321

00:16:49,170 --> 00:16:50,790

the illusion of some shadows in there.

322

00:16:52,350 --> 00:16:52,530

Now.

323

00:16:52,560 --> 00:16:53,520

Very gently.

324

00:16:53,550 --> 00:16:54,840

You can smooth all that out.

325

00:16:55,080 --> 00:17:00,020

So it's as smooth as very, very smooth.

326

00:17:01,724 --> 00:17:04,095

You could even take a tiniest

little amount of that face, a little

327

00:17:04,095 --> 00:17:08,385

blue and here and there, but very,

very small amounts here and there.

328

00:17:09,165 --> 00:17:12,135

Just pull the indication of a little

bit down until your reflections.

329

00:17:13,065 --> 00:17:13,754

Don't overdue.

330

00:17:15,405 --> 00:17:16,754

It's easy to overdo

331

00:17:20,264 --> 00:17:20,565

it there.

332

00:17:22,845 --> 00:17:26,115

Now maybe let me find a fan brush.

333

00:17:26,115 --> 00:17:26,774

What the heck here?

334

00:17:27,345 --> 00:17:27,435

Okay.

335

00:17:27,764 --> 00:17:32,705

There's one, let's take a little Vandyke

Brown dark Santa would just mix them

336

00:17:32,705 --> 00:17:35,645

together on the LDL fan brush load.

337

00:17:35,645 --> 00:17:37,205

Quite a lot of pain on the bristles.

338

00:17:37,685 --> 00:17:39,125

Just pull it through both colors.

339

00:17:40,475 --> 00:17:43,445

Maybe there's a, maybe there's a

happy little tree that lives right

340

00:17:43,445 --> 00:17:50,135

here and hangs over and watches what

happens and he lives right there.

341

00:17:51,185 --> 00:17:52,175

See, just pull.

342

00:17:52,294 --> 00:17:54,095

Hm.

343

00:17:55,034 --> 00:17:55,605

Right there.

344

00:17:55,635 --> 00:17:56,385

That's where we want him.

345

00:17:58,245 --> 00:17:59,745

Maybe he's got a little arm here.

346

00:18:00,495 --> 00:18:04,665

Just hangs out, comes right on down.

347

00:18:08,564 --> 00:18:11,985

Like, so trees are so neat.

348

00:18:13,605 --> 00:18:14,205

There we are.

349

00:18:16,455 --> 00:18:19,425

And you can make him a little

fat or skinny or however you want

350

00:18:19,425 --> 00:18:21,465

him, but ground make a decision.

351

00:18:21,465 --> 00:18:22,334

How you want your tree.

352

00:18:22,425 --> 00:18:24,044

Let's give him a friend,

shoot, you know, me.

353

00:18:24,615 --> 00:18:28,455

I think everybody needs a friend

and even this little tree, he has

354

00:18:28,455 --> 00:18:31,544

one that lives right here beside him

355

00:18:35,584 --> 00:18:36,334

that easy.

356

00:18:40,985 --> 00:18:41,465

Okay.

357

00:18:43,515 --> 00:18:43,815

There.

358

00:18:45,245 --> 00:18:48,965

Yeah, we'll take her a knife,

a little touch of titanium,

359

00:18:48,965 --> 00:18:50,645

plied, a little dark Sienna.

360

00:18:51,395 --> 00:18:53,435

We just sort of mix them

together until they're marbled.

361

00:18:53,435 --> 00:18:56,015

Like that cut off our

little roll of paint.

362

00:18:56,585 --> 00:19:00,815

Go right up in here for lights coming

from here and there it is right up there.

363

00:19:01,685 --> 00:19:05,045

Then we want to put some

highlight right along.

364

00:19:06,270 --> 00:19:06,840

Edge of that.

365

00:19:08,670 --> 00:19:10,320

Just a little highlight color.

366

00:19:10,890 --> 00:19:17,520

Let the sun just shine

through saying there.

367

00:19:21,090 --> 00:19:23,820

And all you have to do is just

literally just touch the canvas.

368

00:19:23,820 --> 00:19:24,950

It'll pull off what it wants.

369

00:19:25,860 --> 00:19:26,550

Give you back.

370

00:19:26,550 --> 00:19:32,190

What's left there a little

bit of the dark color.

371

00:19:32,370 --> 00:19:33,120

Excuse my arm.

372

00:19:33,130 --> 00:19:33,870

Just a second.

373

00:19:35,580 --> 00:19:36,630

They let dark color.

374

00:19:36,630 --> 00:19:37,500

On the other side,

375

00:19:43,340 --> 00:19:44,870

I'm making this tree quite thick.

376

00:19:45,140 --> 00:19:47,570

So when it dries, it

literally has texture to it.

377

00:19:47,570 --> 00:19:48,650

Just like a real tree.

378

00:19:49,190 --> 00:19:51,050

You can, you can feel the bark on it.

379

00:19:52,310 --> 00:19:54,290

There were a little highlight

on this little rascal.

380

00:19:54,290 --> 00:19:55,310

Don't want to leave him out.

381

00:19:56,570 --> 00:19:57,410

He'd be all upset.

382

00:19:57,410 --> 00:20:01,070

If you leave him out, he

wants to shine the sun too.

383

00:20:02,730 --> 00:20:04,830

They're a little dark color.

384

00:20:06,000 --> 00:20:09,960

Just tap that in bike.

385

00:20:09,960 --> 00:20:16,460

So now let me get the little liner brush

script liner brush, and we'll go right

386

00:20:16,460 --> 00:20:18,410

into some, some of those Brown color.

387

00:20:18,440 --> 00:20:21,470

It's just a mixture of the

dark CN and Vandyke Brown.

388

00:20:22,850 --> 00:20:24,130

Then the paint with paint thinner.

389

00:20:24,150 --> 00:20:26,930

Then we can go up in here and

let's begin putting us in.

390

00:20:27,854 --> 00:20:31,094

Just some little tree lamps here and

there wherever you think they should live.

391

00:20:35,705 --> 00:20:35,945

Okay.

392

00:20:35,945 --> 00:20:39,274

Maybe we'll put a little, some little

snow covered things up on here.

393

00:20:39,754 --> 00:20:43,354

Make it look like a snows hanging from

all these little branches and twigs.

394

00:20:44,375 --> 00:20:46,445

So we don't have to draw each

one of them at this point.

395

00:20:46,445 --> 00:20:50,135

Then sometimes when you're

doing these they'll maybe, maybe

396

00:20:50,135 --> 00:20:51,395

you want to have a dead tree.

397

00:20:51,814 --> 00:20:53,584

There's a lot of dead

trees in nature, too.

398

00:20:53,675 --> 00:20:55,715

That's that's as normal as the live trees.

399

00:20:56,790 --> 00:20:59,010

Oh, some people do not like to

have them in their painting.

400

00:20:59,710 --> 00:21:03,899

I like to have dead trees in my

painting, but I have received letters

401

00:21:03,899 --> 00:21:06,990

from people who get angry because

I put dead trees in the painting,

402

00:21:07,350 --> 00:21:08,850

but I think that's part of nature.

403

00:21:08,909 --> 00:21:12,290

But if you don't want them and you're

painting, then just leave them out.

404

00:21:12,439 --> 00:21:12,949

That's all right.

405

00:21:13,760 --> 00:21:16,879

Painting's very individualized there.

406

00:21:16,970 --> 00:21:19,399

We'll put a little Liam right there.

407

00:21:19,399 --> 00:21:20,210

Even what the heck?

408

00:21:21,290 --> 00:21:22,550

This little tree here.

409

00:21:23,240 --> 00:21:23,810

There he is.

410

00:21:25,410 --> 00:21:32,270

Give him an arm or two there,

maybe this one comes right

411

00:21:32,270 --> 00:21:33,440

over in front of the trunk,

412

00:21:38,210 --> 00:21:42,200

but at your hand, just wiggled and

jiggled and you don't want all of

413

00:21:42,200 --> 00:21:47,690

them just perfectly straight tree

limbs grow every which way, whatever

414

00:21:47,690 --> 00:21:49,520

makes them, makes them feel good.

415

00:21:51,260 --> 00:21:51,770

There we are.

416

00:21:54,899 --> 00:21:55,530

All right.

417

00:21:56,520 --> 00:21:58,470

Maybe there's a little

dead one on this one, too.

418

00:22:01,470 --> 00:22:02,659

Few little ones here and there.

419

00:22:05,030 --> 00:22:08,480

Now we'll take just a little touch

of the liquid white, red on the brush

420

00:22:08,929 --> 00:22:12,199

and just put a little color right down

here at the bottom to bring all that

421

00:22:12,199 --> 00:22:17,360

together there, it just looked like a

little snow climbing right up his foot.

422

00:22:19,129 --> 00:22:19,580

Okay.

423

00:22:20,655 --> 00:22:21,825

Just a little liquid wine.

424

00:22:23,504 --> 00:22:29,865

That's the easiest way to do it now,

then let's find the Filbert brush.

425

00:22:29,895 --> 00:22:31,754

Maybe there's some stones

out here in this water.

426

00:22:32,415 --> 00:22:35,055

Let's take, let's take, we'll

use that same gray color we're

427

00:22:35,065 --> 00:22:36,585

using this black and white.

428

00:22:37,965 --> 00:22:38,175

Okay.

429

00:22:38,175 --> 00:22:39,675

Let me, let me mix up something else here.

430

00:22:39,675 --> 00:22:43,514

I'm gonna take some liquid

white put right there.

431

00:22:43,815 --> 00:22:46,905

Just plain liquid white with a

least little touch of gray in it.

432

00:22:49,260 --> 00:22:53,370

Least least little touch a great, okay.

433

00:22:53,400 --> 00:22:57,540

We're going through or gray color

now just keep the camera there

434

00:22:57,540 --> 00:22:58,590

and I'll bring this right up.

435

00:22:59,730 --> 00:23:01,080

All right there.

436

00:23:02,160 --> 00:23:04,740

So see, it has white on one

side, dark on the other.

437

00:23:05,430 --> 00:23:07,800

Now maybe there's some

little stones back in here.

438

00:23:08,160 --> 00:23:12,000

All you have to do is just begin,

figuring out where they live and

439

00:23:12,000 --> 00:23:14,220

drop them in however many you want.

440

00:23:14,860 --> 00:23:16,380

They live right out here

in the edge of this.

441

00:23:17,130 --> 00:23:18,090

Right along the bank.

442

00:23:18,840 --> 00:23:20,940

I was thinking we can just

put the indication of a little

443

00:23:21,330 --> 00:23:22,920

reflection underneath those.

444

00:23:24,330 --> 00:23:34,190

Like, so there's some more see wherever

you want them, wherever, little

445

00:23:34,190 --> 00:23:38,690

more the liquid hide on there down.

446

00:23:40,310 --> 00:23:42,530

We take her, our little knife here.

447

00:23:44,895 --> 00:23:48,785

And we can just come back and

put a little, like a little water

448

00:23:48,785 --> 00:23:50,165

line right around these tones.

449

00:23:50,945 --> 00:23:51,965

Maybe this is frozen.

450

00:23:51,965 --> 00:23:52,925

It looks frozen to me.

451

00:23:52,925 --> 00:23:55,835

Now there

452

00:23:59,225 --> 00:24:02,765

isn't that a super easy way of putting

in a lot of little things like that.

453

00:24:02,795 --> 00:24:06,815

And you can put in just hundreds of little

stones, if you want it to let's get crazy.

454

00:24:07,295 --> 00:24:11,555

You know, me, I love him more

big trees, maybe in our world.

455

00:24:12,675 --> 00:24:15,585

Their lives, Pew right down through there.

456

00:24:16,545 --> 00:24:17,595

Huge big tree.

457

00:24:19,335 --> 00:24:28,545

Maybe he's got a little arm out here like

that and I give him another arm get crazy.

458

00:24:28,545 --> 00:24:30,975

Sometime when you're making

trees, they're a lot of fun.

459

00:24:32,205 --> 00:24:33,035

Maybe he's got an arm.

460

00:24:33,035 --> 00:24:37,305

It goes, I don't know if the

canvas over here where my little

461

00:24:37,305 --> 00:24:38,955

squirrel would love this tree.

462

00:24:39,645 --> 00:24:39,975

This is.

463

00:24:40,379 --> 00:24:41,669

Squirrel heaven right here.

464

00:24:43,370 --> 00:24:45,419

Take her Brown and white.

465

00:24:45,659 --> 00:24:47,159

Put a little highlight on this tree.

466

00:24:48,930 --> 00:24:49,560

There we go.

467

00:24:51,720 --> 00:24:53,580

Let's see, just let that

sort of work right around.

468

00:24:54,659 --> 00:24:57,570

All we're doing is just

touching the canvas.

469

00:24:58,470 --> 00:25:03,090

Allow the canvas to pull

off what it wants there.

470

00:25:03,149 --> 00:25:04,169

See lights coming through here.

471

00:25:04,169 --> 00:25:06,840

Maybe this one would be hand

highlighted on this side.

472

00:25:08,790 --> 00:25:13,560

I sort of look and see where you think

the light would be a little bit right

473

00:25:13,560 --> 00:25:19,649

in here because the lights coming from

that direction here and there a little

474

00:25:19,649 --> 00:25:22,379

touch of that dark, dark, dark color.

475

00:25:22,379 --> 00:25:25,729

This is just straight and

light Brown with dark skin, but

476

00:25:25,729 --> 00:25:27,300

still just touching the canvas

477

00:25:30,800 --> 00:25:31,219

down here.

478

00:25:31,219 --> 00:25:31,909

It is little flips.

479

00:25:31,909 --> 00:25:35,479

We take a little bit of white,

bring all that together.

480

00:25:36,659 --> 00:25:39,600

There, you can even pull a

little bit of it out and create

481

00:25:39,600 --> 00:25:41,159

the illusion of a shadow here.

482

00:25:42,300 --> 00:25:44,639

Cause there would be a nice

shadow behind these trees.

483

00:25:44,790 --> 00:25:45,780

You can do it that easy.

484

00:25:45,780 --> 00:25:48,240

Let it come right over there.

485

00:25:48,240 --> 00:25:53,610

And now we have some little shadows

in there and maybe in our world, maybe

486

00:25:53,639 --> 00:25:59,490

there's a few little, just a few little

Liam's on this big, big, old thing here.

487

00:26:01,530 --> 00:26:03,169

Not too many because it's too tall.

488

00:26:03,200 --> 00:26:04,320

Most of them are up on the top.

489

00:26:04,320 --> 00:26:04,649

Up here.

490

00:26:06,855 --> 00:26:07,514

There we are.

491

00:26:10,754 --> 00:26:11,715

There we go.

492

00:26:13,574 --> 00:26:14,975

And maybe one right here.

493

00:26:14,975 --> 00:26:20,044

That's really about always Jean let's

take a little bit of our gray color.

494

00:26:21,155 --> 00:26:22,715

Let's just tap in the indication here.

495

00:26:22,715 --> 00:26:26,284

And there were a few little frosty

leads time's about up for today.

496

00:26:27,274 --> 00:26:30,334

Then I can show you basically how to just

put in a few, little things like that.

497

00:26:30,665 --> 00:26:31,324

Very light.

498

00:26:35,900 --> 00:26:37,190

Just to give the indication.

499

00:26:37,190 --> 00:26:38,780

There's a few things hanging from there.

500

00:26:39,530 --> 00:26:45,500

Take a little bite and we'll just

tap in just a few little highlights,

501

00:26:45,770 --> 00:26:46,970

little snow covered things.

502

00:26:47,990 --> 00:26:50,830

I didn't have fantastic there.

503

00:26:50,840 --> 00:26:52,370

A few little things in here.

504

00:26:56,450 --> 00:26:58,790

So round brush we'll do

just a wonderful things.

505

00:26:59,820 --> 00:27:04,320

Few out here don't want too many looks

like frost, hanging all out on these.

506

00:27:06,450 --> 00:27:08,160

I think we have a finished painting.

507

00:27:08,190 --> 00:27:08,550

Shoot.

508

00:27:09,720 --> 00:27:11,400

That's a supernational winter scene.

509

00:27:11,430 --> 00:27:12,090

Hope you track.

510

00:27:12,360 --> 00:27:14,490

Cause you'll enjoy it from all of us here.

511

00:27:14,550 --> 00:27:16,170

I'd like to wish you happy painting.

512

00:27:16,590 --> 00:27:17,370

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E11 - Winter Elegance

Bob Ross's

The Joy of Painting

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