Bob Ross's

The Joy of Painting

S23E06 - River's Peace

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Hi, welcome back.

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Certainly glad to see you today.

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I thought today we'd do something it's

a little bit different, so let's start

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out and have them run all the colors

across the screen that you need to paint

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along with us while they're doing that.

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Let me show you this crazy thing.

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I've got going up here today.

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I'm back to my good old black Jess.

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So I love that black GSO taking

regular 18 by 24 inch canvas

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or any size that you want.

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And I've just taken a paper

towel with black Jesso and

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just sorta dobbed all over.

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Like that and just sort of put a design in

here and no, it looks like, it looks like

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a bomb went off in there, but hopefully

it'll look better for it's over with

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allow the black Jesso to dry completely.

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Now all of it that's has

the black Jess on it.

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I've covered with a thin coat of liquid

clear and over that, I've put a in extra

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Vandyke Brown, SAP, green, and a little

bit of Prussian blue, not much blue.

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And appears just has liquid white.

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And when you called me out, I was

just, I was just finishing up with

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a little bit of this dark color

that goes right over the black Jess.

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So, and all you need is

just a thin even coat.

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The reason we put the liquid clear

on there first is because that

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way you can put a very thin coat.

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It's almost like a glaze over the black.

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If you just try to put solid color

on there, you can put so much paint

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that when you put a little white on

there, it just, it's almost too bright.

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So this allows you to do

very gentle little things.

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All right now, just to keep

using that same old, dirty

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brush and go into small amount.

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Let's use a little,

little tiny bit of that.

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They look glue nothing much,

but right on that dirty brush.

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So I'm just going to mix

it with that same color.

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It's on the bottom of the canvas.

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Don't need much and let's go right up here

in the sky and see what we have there.

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Just a little color, something like yet.

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So we have the little blue with the same

colors that we have on the bottom here.

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And we just sorta let it

blend together like that.

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We'll come back with a clean brush and

blend that a little more, but the color

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is transparent enough that the black

Jessel things come through and it'll,

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it'll give that illusion of a lot of

little things happening in the background

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without you hardly doing a thing.

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There is Blake Jesso, maybe one of the

neatest things that I've ever invented.

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I really hope you like it.

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It has just about become a

standard now in the art world.

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And it was, as I say, you saw it first

right here on the joy of painting.

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All right.

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We'll just bring it right on

down now let's have some fun and

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then we'll take a clean brush.

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And I have several of each one going,

so I don't have to spend all my time

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just washing brushes, and just want to

blame this out to this nice and soft.

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And all it's doing is mixing

with the liquid white, just

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on the canvas and blending.

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And you can blame this to any

degree of softness that you want.

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And that's about all we need right now.

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They're the only thing that I'm really

sure of in this painting is that I'm

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going to have a big, massive trees

right here in this very dark area.

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Other than that, I don't really care.

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We, you really don't have to make

a lot of decisions with this.

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You just have a general

idea of what you want.

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You need to know the time of year

and the time of day for light.

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And of course, if you're doing

a winter scene, you want it to

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look a little cold summer scene.

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Vice-versa whatever, without cleaning

that brush, I'm going to go right into

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a smaller amount of the dark Sienna.

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So I still have all that bottom

color in the sky color, and I just

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added a dark Sienna right onto it.

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In a scope in here and just begin picking

out some little background things.

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I don't want a lot of detail

because it's too far away there.

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She just a few little things.

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Are we back in the distance?

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There, there.

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Sometimes it's sort of nice to

take your brush and put it up

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here and just bend it sidewards.

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And it'll make the indication of little

trees that have little arms sticking out,

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but that easy, maybe there's another one

there wherever you think they should be.

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And all you're doing is

just being in the brush.

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Give him a little friend right in there.

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However many you want it's up to you.

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I don't want to cover up all those

little things made by the black Jesso

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that are showing through because to me,

those are very attractive, very pretty.

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I want it to be very

soft and extremely Misty.

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You can add a little titanium white

to your brush once in a while.

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Very very little smallest amount.

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Smallest mountain it'll look

just like mist laying back here.

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Something like stuff.

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I think we can add a few

more darker bushes, right?

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In the foreground, right over

the top of the mist, that

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mist will act as a separator.

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We'll keep them apart.

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And there's not a great

deal of paint out here.

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It really, and truly, there's

a lot of different colors, but

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there's not a great deal of paint.

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You must have scraped that very hard.

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You'd get very little off of it.

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Okay.

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Back to our dark sand, let's go

near the side and do a little bit.

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Over in here too.

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We don't want this one left out.

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Maybe over here.

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There's one of those sidewards trees and

I don't want them to be very distinct.

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If they're real distinct, you'll

lose that illusion of distance.

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We'll do things that are very

distinct in the foreground back here.

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We only want suggestions there once

again, maybe the least little touch of

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that titanium to create a Misty area.

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Back to some of our darker colors.

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We just have an indication of

some little distance bushes and

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things that are happening now.

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No, let's go.

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Let me find a knife and

we mix up some color.

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Let's take some black oppression, blue,

some Vandyke Brown, little Safmarine,

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same basic colors that we had before.

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All right, let me wipe off the old knife,

but the predominant color here is black.

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Most of it is black.

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We put the other ones in there

just to flavor it a little bit.

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I'm going to just load the brush

by tapping it right into the color.

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Just tap it in.

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Let's go right up in here.

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I have to make some big decisions

using just the corner of the brush.

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Now let's begin, just laying in all

kinds of very basic little patterns.

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This is going to be a big

clump of trees back here.

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I think.

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So we'll start laying in some very

basic little shapes and because we have

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that black Jeff's over there, we have

to do very little, very, very little

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in the way of putting in our darks.

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They're already there.

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In fact, the worst thing you

can do is cover all that up.

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All those little light areas

in there will look like light

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coming right through the tree.

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That's the reason I put that on

with a paper towel, rather than a

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brush, you put it on with a brush.

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You just have solid color.

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And I'm really looking for

these little light areas.

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Okay.

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It'll drive people crazy if they

don't know how you did that.

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That's our secret.

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I have to tell them

just between you and I.

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There we go.

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Down in here.

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I want that to be quite dark, like so

well, it'd be a fantastic place for

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one of my little critters to live.

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And the last show I showed you, Steve

being introduced to one of my little

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squirrels that Steve had never played with

a squirrel farm, where show you him again,

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while I'm doing this, I'm just going to be

putting in some of this little dark area.

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We'll show you.

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This is in my backyard in Florida.

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And Steve finally got enough nerve up

to let the little squirrel jump on him,

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but didn't he the cutest little devil.

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I mean the squirrel.

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Steve's a little bit to be cute.

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When this was made.

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Steve is what's the 24.

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Now he's 24 little short

guy, six foot five.

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He calls me shorty.

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Now then let's take our liner brush, going

to some paint, thinner, take a little

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Brown, grabbing them a white tear to their

nice color, a little Brown, little white.

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Vandyke, dark Santa, both mixed 10 here.

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Hope you enjoy seeing

those little critters.

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Okay.

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Let's pull that nice point.

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And let's go back in here and here

and there and here and here, let's

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put the indication of a few little

Liam's sticks, trunks, twigs,

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whatever that live back in here.

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I don't want them to be real to

stink, but enough that they stand out.

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There maybe add a little

more white to this one.

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There we go.

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That'll more paint thinner.

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Let's have a nice one.

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Yep.

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It is right there.

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And let your hand wiggled and jiggled

and make all those little crazy things.

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I have people write and they tell

me they can't paint because they,

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your hand shakes a little shoot.

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You have an advantage.

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Use it.

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There's no reason that one can't paint.

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No reason.

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I have one lady who paints

with us lives in the Boston

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area and she's totally blind.

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And she paints along with

us just from listening.

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That's why I'm fantastic.

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Lady takes a lot of nerve to do that.

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And she does it very well.

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I've seen some of her paintings

and you wouldn't believe what

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she's doing would not believe.

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So, if you can do that, the rest

of us don't have any excuse there.

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This one's got a little more

Brown and it doesn't matter.

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I just have to hit a little more

wherever you want them there.

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Now let's take, yeah.

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Express didn't have too much on it.

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We'll just use it.

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Let's have a little bit of that.

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Yellow ochre be right back.

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I'm getting a little dark Sienna.

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Put it maybe a little more

there, kid yellow, yellow ochre.

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We'll use some Indian yellow for it.

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So with the leaving, some of the

bright red, just load a little bit of

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color, just push so you can see how

that's set little Ridge right there.

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There's one just like it on the bristles.

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And that's what we're going to use.

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And we can come in here and very lightly.

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I don't want a lot of color back here.

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Oh, that's perfect.

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That is perfect.

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Just a little, just a

little don't overkill.

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Just enough to make

you stand out a little.

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You want this to be a very subdued,

quiet painting back here to back a little

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bit more of the dark Sienna, yellow

ochre, a little Indian yellow in there.

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There.

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See now how that works, but I'm

using just the corner of the brush.

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I'm not using the entire brush

and this will work with a one

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inch brush with either one of the

round brushes, the oval brush.

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The one inch oval brush

will do it just as good.

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It's just whatever your preference is.

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Let's practice a little bit with

all of them and find the one

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that works the best for you.

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And then that's the

right brush for the job.

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There we go there, there we go.

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I love to do little paintings, like,

especially with this black jest, it

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just makes it so easy, so easy there,

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but you've already got a whole

clump of trees there that easy

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right now, maybe.

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Maybe let's see, I had the least

little touch to the bright red to that.

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We need a little sparkler in

there, a little sparker, but

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I don't want it too bright.

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Maybe even then go into the least

little touch of the titanium white

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and I'm gonna come right in here.

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All there's a beautiful little Bush.

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He lives right along in here.

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Just pick him out there.

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He is.

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There he is darker, darker, darker down

toward the base down toward the bottom.

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Don't let him get too bright on you.

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They're highlighting with a

little touch of the yellow ochre.

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She has to change his flavor a little.

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I see another one right there.

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See these little things that

you just drop in at random.

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All of a sudden begin.

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They look like little

things back in there.

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You're not too concerned when you

first started, did you just sort of

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let them go wherever, but then as

you begin painting all these little

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things that were happy accidents.

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Turn it into beautiful little things.

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Don't find them learn to enjoy them.

245

00:13:44,235 --> 00:13:46,515

Let them happen, man.

246

00:13:46,515 --> 00:13:50,625

I tell you what, how

about let's do this baby?

247

00:13:51,165 --> 00:13:51,405

Yep.

248

00:13:51,585 --> 00:13:52,095

You're right.

249

00:13:52,665 --> 00:13:52,905

Okay.

250

00:13:52,905 --> 00:13:56,835

Here, maybe there's a nice little grass

here that lives right along in there.

251

00:13:58,185 --> 00:14:01,935

What a gorgeous place to have a

little grassy area back underneath

252

00:14:01,935 --> 00:14:03,135

all these beautiful trees.

253

00:14:07,650 --> 00:14:08,100

Fair

254

00:14:12,200 --> 00:14:14,570

and just think about the way

you want the land to go here.

255

00:14:16,460 --> 00:14:17,570

Oh, I got a little brighter.

256

00:14:17,570 --> 00:14:21,590

See, that'll look like a whole

different plane just by making it a

257

00:14:21,590 --> 00:14:25,340

little brighter, get a little more

of the yellow ochre in that one.

258

00:14:27,380 --> 00:14:29,540

Just sort of vary your

colors back and forth.

259

00:14:32,730 --> 00:14:33,810

Real what you can do.

260

00:14:35,240 --> 00:14:35,960

Absolutely.

261

00:14:35,960 --> 00:14:37,610

And really let me get my liner brush here.

262

00:14:39,230 --> 00:14:40,610

Have a little bit of Brown on it.

263

00:14:42,710 --> 00:14:47,600

Just a little bit of the, band-aid not

much just a little, I don't wanna put a

264

00:14:47,600 --> 00:14:49,520

few little sticks and twigs back here too.

265

00:14:51,050 --> 00:14:52,040

Need a little more thinner.

266

00:14:52,820 --> 00:14:54,260

It didn't go real easy.

267

00:14:54,320 --> 00:14:54,980

Real smooth.

268

00:14:55,010 --> 00:14:55,580

Add a little thing.

269

00:14:58,070 --> 00:14:58,880

There we go.

270

00:15:01,110 --> 00:15:04,260

Some of them very light can't hardly

see them other one's a little darker.

271

00:15:06,650 --> 00:15:07,370

All right.

272

00:15:07,610 --> 00:15:08,420

All right.

273

00:15:09,440 --> 00:15:10,550

Few over in here

274

00:15:13,670 --> 00:15:21,950

can touch one of the color, but just

wherever you want them now I see something

275

00:15:23,090 --> 00:15:25,040

and I see somebody find a fan brush.

276

00:15:26,355 --> 00:15:31,275

They're divided into a little bit

of the little bit of the liquid

277

00:15:31,275 --> 00:15:35,145

white and then go into titanium

white and I'll be right back.

278

00:15:35,145 --> 00:15:37,275

I'm going to get the least little

touch if they love blue and

279

00:15:37,275 --> 00:15:39,855

put in at least a little bit.

280

00:15:39,855 --> 00:15:42,585

It's so strong, so strong.

281

00:15:42,585 --> 00:15:43,485

I see something here.

282

00:15:43,545 --> 00:15:45,165

It's just, I have to do this.

283

00:15:45,875 --> 00:15:46,385

Watch you.

284

00:15:48,275 --> 00:15:49,055

I have to do this.

285

00:15:49,055 --> 00:15:50,675

Watch, watch it over.

286

00:15:53,075 --> 00:15:54,425

It's just a perfect place.

287

00:15:55,260 --> 00:15:58,830

For a little waterfall to just sort of

sneak out from behind there, come crashing

288

00:15:58,830 --> 00:16:01,650

down and it splashes right along in there.

289

00:16:01,710 --> 00:16:03,120

See it, see it, there it is.

290

00:16:04,620 --> 00:16:07,319

And it just sort of starts

from there and begins.

291

00:16:07,319 --> 00:16:10,939

Working out, begins, working out again.

292

00:16:11,210 --> 00:16:12,230

I see all kinds of things.

293

00:16:12,230 --> 00:16:17,960

Now, watch it left, pulled

down straight down, and it's

294

00:16:17,960 --> 00:16:19,010

going to pick up that color.

295

00:16:19,010 --> 00:16:21,370

That's underneath there.

296

00:16:21,370 --> 00:16:23,330

It comes now go across.

297

00:16:24,795 --> 00:16:25,725

Back to our fan brush.

298

00:16:25,755 --> 00:16:31,275

It has that color on it, and a

very lightly just grazing the

299

00:16:31,275 --> 00:16:38,355

surface, just make the water

slick and shiny and easy there.

300

00:16:39,345 --> 00:16:40,395

Isn't that fantastic.

301

00:16:41,595 --> 00:16:42,375

You can do that.

302

00:16:42,465 --> 00:16:45,435

That easy, that easy.

303

00:16:46,725 --> 00:16:48,795

Now we need a little something

over here to contain it.

304

00:16:51,120 --> 00:16:53,040

Because we had that black Jessa

underneath, we didn't even

305

00:16:53,040 --> 00:16:54,180

have to put anything on there.

306

00:16:54,240 --> 00:16:59,910

It'll just go right in, brighten it

up with a little touchy yellow thing.

307

00:16:59,920 --> 00:17:00,780

See it a little better.

308

00:17:02,990 --> 00:17:03,680

There we go.

309

00:17:05,960 --> 00:17:06,710

Now he shows up,

310

00:17:13,280 --> 00:17:16,880

Hey, let's take, we'll use a little

black, conventional Brown mixed together.

311

00:17:19,335 --> 00:17:20,355

I need to mix up.

312

00:17:22,125 --> 00:17:25,454

I'm going to take some liquid

white, put it right out here.

313

00:17:25,994 --> 00:17:30,315

Just a little bit of the liquid

white and to that, make some

314

00:17:30,315 --> 00:17:32,024

dark sand and van Vandyke Brown.

315

00:17:32,385 --> 00:17:34,155

I want to make a very thin Brown color.

316

00:17:35,925 --> 00:17:36,435

All right.

317

00:17:38,475 --> 00:17:38,774

Okay.

318

00:17:38,895 --> 00:17:40,695

Let me wash off your knife there.

319

00:17:42,284 --> 00:17:44,415

We pull this brush

through black and Brown.

320

00:17:44,985 --> 00:17:50,715

Then half of it through that thin color

inmate and let's have right in here.

321

00:17:52,065 --> 00:17:56,715

Yeah, just a bunch of little stones,

just a bunch of little stones live

322

00:17:56,715 --> 00:18:00,705

right in there and they are, but you

can make both sides of the stones

323

00:18:01,305 --> 00:18:03,315

in one stroke just by doing that.

324

00:18:07,085 --> 00:18:10,865

And of course the water has

got to sneak right over there.

325

00:18:14,040 --> 00:18:19,050

Kind of make those little noises just

doesn't work without those little noises

326

00:18:22,530 --> 00:18:24,990

back to another brush.

327

00:18:25,650 --> 00:18:26,730

And let's pull this down.

328

00:18:29,400 --> 00:18:30,480

Maybe this comes right on around here.

329

00:18:30,510 --> 00:18:36,060

I don't know, three months ago, and your

world, you decide maybe it comes around

330

00:18:36,060 --> 00:18:40,560

and around and it's mixing with a color

that's on the canvas and automatically you

331

00:18:40,560 --> 00:18:42,600

get all these beautiful shades and hues.

332

00:18:43,995 --> 00:18:45,435

It's very likely go across.

333

00:18:46,785 --> 00:18:50,525

We have instant reflections and I

don't want this to be too bright

334

00:18:51,775 --> 00:18:55,275

to stay sort of, sort of subdued in

this particular little pain here.

335

00:18:56,265 --> 00:18:58,095

I feel it would be quite dark.

336

00:19:01,875 --> 00:19:03,915

Just let it just sort

of skim across there.

337

00:19:05,765 --> 00:19:06,335

All right.

338

00:19:09,665 --> 00:19:11,855

Let's finish up some of

the grass areas right here.

339

00:19:13,710 --> 00:19:18,930

Just sort of let them flow back here

farther and farther back wherever you want

340

00:19:18,930 --> 00:19:22,890

them here and there and gonna touch the

least, little bit of the titanium white.

341

00:19:22,890 --> 00:19:25,380

So it looks like it was a little

light zinging through there, but

342

00:19:25,380 --> 00:19:27,930

not much, not much for you as much.

343

00:19:28,500 --> 00:19:32,530

It'll ruin the illusion too much there.

344

00:19:34,770 --> 00:19:36,870

See how you can make

all those little Hills.

345

00:19:40,065 --> 00:19:40,875

There we go.

346

00:19:43,215 --> 00:19:43,905

Okay.

347

00:19:46,845 --> 00:19:49,515

But once again, there's not a

great deal of paint on the canvas

348

00:19:51,215 --> 00:19:54,605

because you have a bike Jesso on

there that dark colors already.

349

00:19:54,605 --> 00:19:57,305

And so you, you don't have

to apply very much painting.

350

00:19:57,425 --> 00:19:59,375

It takes a very little

color to actually do that.

351

00:19:59,405 --> 00:19:59,615

Yes.

352

00:20:00,815 --> 00:20:01,685

Very little color.

353

00:20:05,495 --> 00:20:06,725

And maybe.

354

00:20:07,320 --> 00:20:08,610

It must really get crazy here.

355

00:20:10,740 --> 00:20:12,090

Let's just cut off her little stream.

356

00:20:12,090 --> 00:20:13,800

It comes right across here.

357

00:20:14,970 --> 00:20:16,139

Gotta have something to contain it.

358

00:20:23,240 --> 00:20:24,080

Okay.

359

00:20:32,480 --> 00:20:33,290

Let's take a brush.

360

00:20:33,290 --> 00:20:34,730

It's got a little that dark color on it.

361

00:20:36,555 --> 00:20:38,835

And maybe right in here,

tap in a few little things.

362

00:20:39,285 --> 00:20:40,545

We'll have a little tree right there.

363

00:20:42,195 --> 00:20:43,185

Just a little tree.

364

00:20:46,385 --> 00:20:51,035

Give him a little trunk, just some

Brown and white on the liner brush.

365

00:20:53,375 --> 00:20:53,915

Here we go.

366

00:20:55,445 --> 00:20:59,525

Just Brown and white then with paint

thinner, you lit alarms here and there.

367

00:21:02,885 --> 00:21:03,575

We can come back.

368

00:21:06,885 --> 00:21:08,085

Put a little highlight on there.

369

00:21:08,355 --> 00:21:09,135

Just a little.

370

00:21:11,985 --> 00:21:12,765

All right.

371

00:21:13,235 --> 00:21:17,375

So now we have a little tree that

lives right there, right about there.

372

00:21:20,495 --> 00:21:21,275

Let's get crazy.

373

00:21:22,115 --> 00:21:22,685

You know me.

374

00:21:23,285 --> 00:21:23,375

Okay.

375

00:21:23,645 --> 00:21:26,945

You know me, let's take some

van Dyke, Brown, little black,

376

00:21:29,195 --> 00:21:30,905

little black, little Crimson.

377

00:21:32,670 --> 00:21:33,840

A little Crimson in there too.

378

00:21:33,870 --> 00:21:34,080

Yeah.

379

00:21:35,190 --> 00:21:40,080

In my world who here goes our beautiful

trees back here should be brave.

380

00:21:40,230 --> 00:21:41,370

This is your brave retest.

381

00:21:43,260 --> 00:21:45,750

Wait, I'll just have us a big

tree that lives right there.

382

00:21:47,340 --> 00:21:50,460

We'll give him a friend two big trees.

383

00:21:52,410 --> 00:21:54,390

Just drop those Rascals right in there.

384

00:21:58,365 --> 00:22:03,945

I heard, maybe they sit out here

on a big rock, big a rocket lives

385

00:22:03,945 --> 00:22:05,295

here on the edge of the water.

386

00:22:09,045 --> 00:22:15,615

Maybe it's all been washed away, except

that we take a little white, little

387

00:22:15,615 --> 00:22:20,895

dark Sienna, little touch to the van

Dyke, get us a small roll of paint.

388

00:22:22,485 --> 00:22:22,845

And then.

389

00:22:23,190 --> 00:22:28,350

Just touch, just graze,

something like that.

390

00:22:28,560 --> 00:22:32,010

Just let it graze work right down.

391

00:22:32,040 --> 00:22:36,630

I kept allowing the paint

to break no pressure.

392

00:22:37,780 --> 00:22:38,280

Absolutely.

393

00:22:38,300 --> 00:22:41,570

You know, pressure that

oppression blue and white.

394

00:22:43,220 --> 00:22:46,220

And on the one side here, we

can put a little blue mix, a

395

00:22:46,220 --> 00:22:48,440

little reflected light on there.

396

00:22:51,840 --> 00:22:52,860

Let's have some fun here.

397

00:22:52,890 --> 00:22:54,090

We got a minute or so left.

398

00:22:55,860 --> 00:22:59,910

Let me take my Filbert brush and

turn this in two great big stones

399

00:23:00,060 --> 00:23:01,440

that are all around the edge of this.

400

00:23:03,350 --> 00:23:04,040

There we are.

401

00:23:04,640 --> 00:23:06,470

Just here they go.

402

00:23:06,800 --> 00:23:07,210

Dump them.

403

00:23:07,670 --> 00:23:11,840

However many you want

and every many you want.

404

00:23:14,340 --> 00:23:17,430

There and seeing how you can just

give the illusion that there's all

405

00:23:17,430 --> 00:23:21,990

kind of stones and rocks down here at

the base of this couple of old trees.

406

00:23:24,030 --> 00:23:30,090

So all you have to do take her

fan brush that a bit of that thin

407

00:23:30,090 --> 00:23:33,300

paint on it, clean up the edges.

408

00:23:33,710 --> 00:23:35,730

It looks like a little water

lines around the bottom.

409

00:23:38,940 --> 00:23:41,730

There something like, so

410

00:23:46,470 --> 00:23:49,290

let's go up here and put some, put

some stuff on this big, old tree.

411

00:23:49,420 --> 00:23:51,210

Let's put a few little

limbs on the bottom.

412

00:23:51,930 --> 00:23:57,180

Then on the top, we just put in

some nice leaves going to have a

413

00:23:57,180 --> 00:23:58,770

few little Liam's down here, though.

414

00:23:58,950 --> 00:23:59,820

Here's an old lamb.

415

00:23:59,830 --> 00:24:01,110

It comes off and goes everywhere.

416

00:24:01,140 --> 00:24:04,230

Once you wiggle the way, like yet.

417

00:24:05,445 --> 00:24:10,425

Maybe this one on this one and you take a

little bit of that thin Brown and white.

418

00:24:11,685 --> 00:24:14,715

I see you could double load this little

brush and do this all in one stroke.

419

00:24:16,145 --> 00:24:22,145

However I ever for the few little

things here and there and here and

420

00:24:22,145 --> 00:24:23,795

here, and here's one, it comes out.

421

00:24:23,915 --> 00:24:25,235

Maybe it comes round in front.

422

00:24:26,765 --> 00:24:31,055

Another one here, none there on the top.

423

00:24:32,340 --> 00:24:35,700

Maybe those names, maybe they

still have some leaves on them.

424

00:24:35,700 --> 00:24:40,409

So we'll take a little dark paint here

or the old two-inch brush and just put

425

00:24:40,409 --> 00:24:45,300

the indication of some nice foliage.

426

00:24:45,300 --> 00:24:46,200

It lives right up here.

427

00:24:46,710 --> 00:24:48,149

Oh, from a beautiful tree.

428

00:24:48,149 --> 00:24:51,240

I've worked so hard on in the

background, but we know it's there.

429

00:24:51,330 --> 00:24:51,929

No big deal.

430

00:24:51,990 --> 00:24:53,429

We know it's there.

431

00:24:56,825 --> 00:25:00,135

You know, if you have time, I love to

look at photographs of paintings that

432

00:25:00,135 --> 00:25:01,605

people have done from watching the show.

433

00:25:01,875 --> 00:25:06,215

So if you have time to drop this align,

we'd love to hear from you left to see

434

00:25:06,215 --> 00:25:08,015

the paintings and it's time for MITs.

435

00:25:08,015 --> 00:25:10,895

I ever so often put them together

in a little board and we,

436

00:25:11,035 --> 00:25:12,155

we like to show them to you.

437

00:25:13,385 --> 00:25:15,455

So drop us a line.

438

00:25:15,485 --> 00:25:16,504

Let us see what you're doing.

439

00:25:16,504 --> 00:25:19,775

And let us hear about the successes

that are going on in your life.

440

00:25:21,480 --> 00:25:23,710

They're little touch of

paint, thinner on a thin down.

441

00:25:24,000 --> 00:25:26,430

Use it, same dirty brush and

go into a little bright red.

442

00:25:27,240 --> 00:25:29,580

That'll make a very dirty red color.

443

00:25:31,230 --> 00:25:31,919

Very dull.

444

00:25:32,190 --> 00:25:32,550

All right.

445

00:25:33,659 --> 00:25:35,460

Maybe we'll highlight the tree with that.

446

00:25:35,610 --> 00:25:36,360

Oh, I like it.

447

00:25:37,710 --> 00:25:38,820

That's not very bright.

448

00:25:39,629 --> 00:25:40,379

It's just enough.

449

00:25:40,379 --> 00:25:44,430

So it shows up against the trees

that are in the background.

450

00:25:47,595 --> 00:25:51,794

Right in there, but think

about, think about the shape.

451

00:25:52,064 --> 00:25:53,115

Don't just hit it random.

452

00:25:55,365 --> 00:25:55,905

I like it.

453

00:25:57,645 --> 00:26:02,115

I like paintings that aren't real bright,

but they're a little harder to do than

454

00:26:02,115 --> 00:26:04,784

paintings that are extremely bright.

455

00:26:07,514 --> 00:26:11,804

And when you're doing yours at home, you

do it in any color that you want, any

456

00:26:11,804 --> 00:26:13,754

color that you want because this'll work.

457

00:26:14,594 --> 00:26:18,344

If he'd done it in bright greens or

whatever, it really doesn't matter.

458

00:26:19,125 --> 00:26:26,165

It's an individual thing there

once in a while, I just like to use

459

00:26:26,165 --> 00:26:27,725

these colors that a lot more muted.

460

00:26:29,344 --> 00:26:29,885

All right.

461

00:26:32,225 --> 00:26:33,365

Something about my kid

462

00:26:36,485 --> 00:26:36,725

truth.

463

00:26:36,754 --> 00:26:41,615

We can take the old liner brush, but

a few little sticks here and there.

464

00:26:41,615 --> 00:26:42,415

And they're in here.

465

00:26:44,100 --> 00:26:46,170

We're about to the point of

having a finished painting.

466

00:26:47,879 --> 00:26:51,080

You could take a little touch of

the blue and white, like a shadow

467

00:26:51,080 --> 00:26:56,360

come right on down to really make it

interesting right across the rocks.

468

00:26:58,100 --> 00:27:00,080

And I think with that, we'll

call that a finished painting.

469

00:27:00,480 --> 00:27:01,520

I hope you've enjoyed it.

470

00:27:01,970 --> 00:27:05,300

Try the black Jess, or let me know how

it works for you from all of us here.

471

00:27:05,450 --> 00:27:06,200

Happy painting.

472

00:27:06,889 --> 00:27:07,970

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E06 - River's Peace

Bob Ross's

The Joy of Painting

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