Bob Ross's

The Joy of Painting

S20E09 - Winter Paradise

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Hi, welcome back.

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Certainly glad you could join us today.

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Today.

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I thought we'd just do a beautiful,

warm little winter scene.

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So let's start out having to do all

the colors across the screen that

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you need to paint along with me and

they'll come across right about there.

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So tell you what, let me show

you what I've done up here.

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I've got my standard old canvas

up here, and this is a double

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prime pre stretched canvas.

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We don't recommend canvas

boards and own to that.

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I've put a piece of contact

paper with an oval out of it.

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And that's basically all we've done.

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Just covered this with liquid

white and it's ready to go.

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So that's skill.

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And today we're going to use a very

limited palette, which means we're

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only going to use a few colors.

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So let's start out with a

little lizard and Crimson.

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Just a little on the old two inch

brush, I'll go right up here and

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just bounce him a little bit of pink.

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And this is one of those paintings

that just, it should make you happy.

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Just enjoy this.

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This is not something you should

labor over or worry about.

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Enjoy it.

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If you've been with us before,

you've probably heard me say

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painting does nothing else.

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It should make you happy.

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Should make you happy.

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They're still using little

crisscross strokes, just little Xs.

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That's all.

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That's fun with a big old two inch brush.

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It didn't take too long to

really cover a lot of area.

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And when you get done, shoot, you

go out in the yard and paint the

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barn or the house or whatever there.

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I know these look like house painting,

brushes, but they're really not.

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They're very fine artists precious.

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There we go.

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Okay.

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Right.

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I don't know wherever they do that.

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The here

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looks like a big Easter egg already.

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There

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let's take, let's take, we weren't even

cleaning the brush because Elizabeth

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crams is not a very strong kind of

wiggle right into a little, little blue.

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And just put a little into the bristles

and tap the bristles, see that it

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gets a nice even distribution of color

all the way through the bristles.

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And that's what we're looking for.

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Otherwise, if you just hit that big

GABA paint and go up here, you're

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going to have huge blue streaks that

are very hard to work out, work those

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bristles in, in the color there.

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And then we'll start at the

top and just blend a little

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touch of that blue into here.

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I don't want a great deal.

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Just a little bit, just a little,

they didn't blend downward.

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Like, so shoot, you need to tap in a

little stringy cloud here and there.

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If you want it, we'll come back

and blend this in a second.

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Right now we're just

putting a little color in.

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If I can.

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And while we got it on the brush, let's

add a little bit down here in the bottom

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part, which will probably be water.

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I see, I think we'll do a

little winter picture today.

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I went, her pictures are very nice.

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I enjoy doing them.

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And I like to make winter scenes

with a little warmer than them.

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That's why I use the pink, but some

people, when I was talking to my friend,

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Kim, just the other day from New Jersey,

He said he wanted a scene that was cold.

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If you want a cold scene, then

all you need to do is just

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take and leave the pink out.

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Just use blue and braise mix a

little midnight black with it.

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Shoot.

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You'll have a cold winter scene.

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I guarantee then let's

wash your old brush.

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That's the fun part.

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Shake it off.

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There we go.

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We're in business now.

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Now if the brush is good and clean and

dry, and the camera man is covered again,

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if we can just take this and blend it out.

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Just blended and where the two

come together, you'll get sort of a

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lavender color, which is very pretty.

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There's something about like,

so down here we just go gently,

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gently all the way across.

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We're not applying much

pressure, just enough to sort

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of blend everything together.

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Okay.

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Now then.

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Today let's let's build us a little cloud.

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We'll use a fan brush today.

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Screw right into title white,

good old titanium white.

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And we'll go up here and I'm

just going to put in indication

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of just happy little cloud using

just the corner of the fan brush.

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And you can do this.

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You can do this with a one

inch brush works very well.

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Very well.

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There we go.

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Maybe, maybe let me give

you another fan brush.

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Let's have two of them going.

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Maybe we want to put a

little color into that cloud.

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We could take a little blue

little lizard Crimson and we'll

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make up a lavender color here.

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Let me grab a little white little

lavender color, little bit.

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Ooh, that's pretty nice.

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That's coming along and just

adjust it back and forth

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until it's what you want it.

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And let's go up in here and we'll

just come in and we'll put a little.

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Little color underneath there.

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So all there is to it a little

more, the white that'll sort

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of mix it together there.

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Let me find a big brush now,

clean, dry two inch brush, fairly

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gently using just the corner.

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Just the corner.

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And I like the two inch brush.

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Yeah.

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Cause it has a lot of bristles and

they will fluff it, lift it, tease it a

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little and then very gently go across it.

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Not a nice way of making a

very effective little cloud.

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You can do that.

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Maybe right here.

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We'll have another little cloud

and you can do this either way.

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You can put the light in

first and then the dark.

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He doesn't much matter.

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As long as you blend them

together, gently let the light in.

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Skip my little fan brush.

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It has that touch a dark color on it at

1100 under the base under the bottom.

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That'll indicate the lights

coming from above and then very

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gently three hairs and some air.

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All we do is just stirred up,

mix it up and blend it, fluff.

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It lifted very likely just go over it.

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Like it there.

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And you can put clouds in front of clouds.

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Maybe you want another little

cloud, little baby cloud.

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Maybe it lives right here.

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Maybe this, maybe this

is a mommy cloud here.

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There can't ever tell

who knows, who knows.

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There we go.

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Blend them together.

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Give that one a little fluff.

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And off we go that easy.

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We bet some nice little, very effective

clouds that just float around the sky and

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have a good time on the Washington shelf.

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As you know, we just watched the brushes

and odorless dinner, the little brushes,

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I just wipe on the paper towel to dry.

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Nothing just take the midnight black

and lizard and Crimson, just black

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and Crimson today went to heck.

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So we need to put these two together.

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It makes it very dark, lavender color,

cut off our little roll of paint, right

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on the edge of the knife and maybe in our

world their lives, whether it does now.

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Maybe there's a, a mountain right here.

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Okay.

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This is an extremely simple little

painting we're going to do today.

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Just want to show you

how effective it can be.

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Just playing with some colors,

very simple little painting.

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This is a type of painting that.

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One of our instructors would teach

you probably on the first or second

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day of class, you could do it.

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We have instructors that travel

all over the United States,

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spreading the joy of painting there.

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They get large brush.

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Grab this, pull it, pull it back.

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Maybe earlier in the series you

saw Dana gesture on show here with

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us, with squirrels all over it.

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Had to have somebody to help

me with all the little Rascals.

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He had four of them here in the

studio and where they were giving

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us a fit they wanted to play.

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And as you know, in a television

studio, you have to be sort

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of quiet and not run around.

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They don't know that rule.

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They just wanted to have a good

time and play with everybody here.

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Of course, everybody here

fell in love with them,

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between what this now to blend

right into a nice soft Misty area.

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They're very soft.

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All right, let's take our knife.

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This is a fun part.

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This is a fun part.

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I'm going to take titanium white

pulled out as flat as I can get it.

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And a least little touch of alizarin

Crimson to at least little touch just to.

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Just to warm it up a little, give

it a little warm flavor, pull it

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out flat once again, cut across.

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And we get our very small room of

paint, right on the edge of the knife.

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There we go.

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Now then let's have our light

coming from the right, because I'm

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right-handed and that's normally

easier for right-handed people.

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There we go.

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See there.

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Haven't maybe I have a little snow

right there, wherever you want it.

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Just think about where light would

zing through there in play and make all

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these little highlights on the mountain.

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That's really all we're

looking for at this point.

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There we go.

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I really truly enjoy doing mountains.

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As I've mentioned before, I lived in

Alaska for about a dozen years and they

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have some of the most beautiful mountain

scenery there that I've ever seen.

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Absolutely gorgeous.

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I had been born and raised in

Florida and was 21 years old

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before I ever saw snow shoot.

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That's been nearly 10, 12 years ago

now, maybe a little more than that.

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Okay.

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Devil's going to get me for

telling stories, a little blue,

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a little, uh, black into it.

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No.

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If we go, everybody

around here is laughing.

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When I say it was just 10 to 12 years

ago, cut off a little roll of paint.

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Go right up here, touch and let's

put in the indication of some

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nice little shadow areas here.

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No pressure.

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Absolutely no pressure.

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Just let the knife barely graze

the canvas just barely touch.

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And that's what causes all that braking.

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You want those little holes in there?

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Want them in there?

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Okay.

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A little shadow right in

there, wherever, wherever.

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Now we can come back and we

can begin adding all kinds of

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little extras in our mountain.

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See, you can do this.

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You can put all kinds of little

things that you want in there.

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You can do it on this canvas.

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You can do anything that you want to do.

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Total power.

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There we go

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very gentle, very gentle,

no pressure there.

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Sometimes it's nice to go back and pick

up a little less dark and lay a little

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dark indication here and there just makes

it look like you're some deep shadow.

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Some places.

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There we go.

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Don't overdue.

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You can overdo real quick, real quick.

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There is a trick I learned from my son.

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He makes some beautiful mounts here.

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Now we'll just take clean dry brush.

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Tap this, following the angles.

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Always follow the angles.

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There we go.

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And lifted that takes out the tap marks

brings everything together, that easy

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over here, we'll follow these angles.

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Just however you painted it.

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That's exactly the angle

that you want to follow.

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And if you come along like yes, and

go all the way across, it's going

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to look like somebody took a big

razor blade and just cut it off and

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just sort of left it, hanging there.

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So follow those angles there.

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Yeah, I know why you grab a little

that white and let it look like a

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little reflected, like going down

the side there, another little thing.

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It's fun.

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Take a little that same

shadow color and just happen.

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I think so there it is.

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There's just a little Hill right there

and that sort of pushes everything back.

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Gives it another plane.

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Hmm.

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I guess a little hype paint up here, this

guy that I sort of miss didn't see it.

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We just put a shadow hinder and that easy.

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We'll turn it into another little peak.

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See, we don't make mistakes.

254

00:14:05,100 --> 00:14:06,780

We just have happy accidents.

255

00:14:07,650 --> 00:14:09,780

Cause the mountain looks better

now with a peak like yet.

256

00:14:15,930 --> 00:14:16,530

Okay.

257

00:14:16,590 --> 00:14:20,100

Now let's take tell you

what let's do today.

258

00:14:21,165 --> 00:14:22,035

Tell you, what let's do.

259

00:14:22,035 --> 00:14:23,625

I have some lavender mixed up here.

260

00:14:24,015 --> 00:14:25,064

Let's see what it looks like.

261

00:14:25,094 --> 00:14:26,805

We'll take lavender, put

a little white in it.

262

00:14:28,305 --> 00:14:28,454

Yeah.

263

00:14:28,464 --> 00:14:32,175

I want it more to the Crimson side, to the

lizard and Crimson, dilo, blue and white.

264

00:14:32,175 --> 00:14:33,314

That's really all we have here.

265

00:14:34,935 --> 00:14:37,155

I want to make it a nice

sort of light lavender.

266

00:14:37,365 --> 00:14:38,025

Oh, that's nice.

267

00:14:38,025 --> 00:14:40,814

I like that right there, right there.

268

00:14:40,814 --> 00:14:42,944

But when you do yours, if you

want it more to the blue or

269

00:14:42,944 --> 00:14:45,005

the red side, that's up to you.

270

00:14:46,115 --> 00:14:47,344

That's totally up to you.

271

00:14:47,344 --> 00:14:48,425

Here's a dirty fan brush.

272

00:14:48,425 --> 00:14:49,204

We'll just use it.

273

00:14:50,385 --> 00:14:52,785

Same one was making the cloud

where this is number three, fan

274

00:14:52,785 --> 00:14:54,675

brush, but you could use your six.

275

00:14:55,725 --> 00:14:56,085

All right.

276

00:14:56,085 --> 00:14:57,015

Load it full of color.

277

00:14:57,405 --> 00:14:58,245

A lot of color on it.

278

00:14:58,395 --> 00:15:01,305

Go up here, maybe in our world.

279

00:15:01,395 --> 00:15:03,315

You see right there.

280

00:15:03,435 --> 00:15:06,015

I'm going to push him a little

tree and I'm pushing upward here.

281

00:15:06,945 --> 00:15:09,945

I want these particular evergreens

to have little upward arms on

282

00:15:09,945 --> 00:15:12,825

them, depending on where you live.

283

00:15:14,295 --> 00:15:18,105

Evergreens are different in some

places, the limb sorta hang down Burton.

284

00:15:19,155 --> 00:15:21,285

And other places they sorta who ship.

285

00:15:22,094 --> 00:15:23,895

And also it depends on

the kind of tree it is.

286

00:15:23,925 --> 00:15:28,005

There's a lot of different

types of evergreen trees there.

287

00:15:28,425 --> 00:15:30,105

Maybe, maybe, maybe, maybe, yep.

288

00:15:31,485 --> 00:15:32,145

Put another one there.

289

00:15:32,145 --> 00:15:33,704

And this one's maybe got a little crook.

290

00:15:34,214 --> 00:15:37,185

I hate having all my trees

just perfectly straight.

291

00:15:39,105 --> 00:15:42,255

I'd really rather see trees that

have some character to them.

292

00:15:43,680 --> 00:15:46,440

And I always tell myself with maybe

when that tree was young, maybe

293

00:15:46,440 --> 00:15:50,940

something stepped on it or maybe a

squirrel laid its top off or something.

294

00:15:50,940 --> 00:15:51,420

I don't know.

295

00:15:51,990 --> 00:15:55,710

But just anything just to

keep it from being too bland.

296

00:15:57,510 --> 00:15:58,140

There we are.

297

00:16:01,260 --> 00:16:04,530

That's pretty clean here.

298

00:16:04,530 --> 00:16:09,510

We'll just take that brush and I want

to just begin tapping this and then

299

00:16:09,510 --> 00:16:13,050

we'll pick up a little, this color

and bring it over here and then let

300

00:16:13,050 --> 00:16:15,510

it just fade right on out to nothing.

301

00:16:15,510 --> 00:16:16,530

See how soft it gets.

302

00:16:23,370 --> 00:16:24,000

All right.

303

00:16:26,160 --> 00:16:28,199

Now then take a little that same color.

304

00:16:28,814 --> 00:16:32,444

And let's decide where we

would have a little reflection

305

00:16:32,505 --> 00:16:33,495

and maybe it's right there.

306

00:16:34,635 --> 00:16:40,935

Put straight down just a tiny bit of

that reflection go across now, then let's

307

00:16:40,935 --> 00:16:43,725

take her some liquid white liquid white.

308

00:16:43,755 --> 00:16:47,444

I'm going to put a little touch

of a lizard Crimson into it, just

309

00:16:47,444 --> 00:16:48,555

enough to warm it up a little.

310

00:16:48,555 --> 00:16:50,265

So it, so it feels good.

311

00:16:50,835 --> 00:16:53,925

Pull it up flat, cut across the flat.

312

00:16:54,795 --> 00:16:57,285

Cut across now than we take that.

313

00:16:58,115 --> 00:17:01,715

Let me go right up here and let's

just cut a, in a little waterline

314

00:17:06,545 --> 00:17:06,875

there.

315

00:17:07,714 --> 00:17:09,335

Just start to let it

wander back into there.

316

00:17:10,505 --> 00:17:11,045

There we go.

317

00:17:15,545 --> 00:17:15,964

There,

318

00:17:19,145 --> 00:17:21,065

maybe there's a little red bull hair.

319

00:17:21,065 --> 00:17:22,085

Now we don't want too many.

320

00:17:23,339 --> 00:17:24,720

Just a few little things in there,

321

00:17:28,339 --> 00:17:28,550

man.

322

00:17:28,550 --> 00:17:30,530

I still got that number

three fan brush go.

323

00:17:30,530 --> 00:17:31,520

And I guess it's okay.

324

00:17:32,090 --> 00:17:33,050

It doesn't make much difference.

325

00:17:33,050 --> 00:17:34,040

Whatever works for you.

326

00:17:35,780 --> 00:17:36,650

Clean off a spot.

327

00:17:36,680 --> 00:17:42,260

Let's take black and Prussian

blue Prussian blue, strong,

328

00:17:42,530 --> 00:17:44,450

strong, strong Crimson.

329

00:17:44,750 --> 00:17:48,170

So we've got black and blue

and the lizard Crimson.

330

00:17:50,270 --> 00:17:50,810

There we are.

331

00:17:51,824 --> 00:17:52,665

Very dark though.

332

00:17:52,754 --> 00:17:57,014

Very dark color should look black,

clean off the old knife here.

333

00:18:00,245 --> 00:18:00,514

Yeah.

334

00:18:02,375 --> 00:18:05,014

Wipe the excess off that

number three fan brush.

335

00:18:05,044 --> 00:18:05,675

We'll use it.

336

00:18:05,885 --> 00:18:07,564

Does that say, doesn't matter.

337

00:18:09,304 --> 00:18:09,814

All right.

338

00:18:10,715 --> 00:18:14,225

Now this good dark color and

the brush is fully loaded.

339

00:18:14,344 --> 00:18:16,354

Let's have us a tree

that lives right there.

340

00:18:17,094 --> 00:18:20,225

Start off with just a little line

and then we're going to push upward.

341

00:18:20,790 --> 00:18:27,810

Bluish upward and where that will

make her happy little evergreen tree.

342

00:18:28,020 --> 00:18:36,120

Just like there he goes, there goes,

see, that's all there is to it.

343

00:18:36,120 --> 00:18:37,310

I, to make several of these.

344

00:18:38,100 --> 00:18:40,650

And while I'm making these, let

me, let me share another one of

345

00:18:40,650 --> 00:18:41,760

my little creatures with you.

346

00:18:42,600 --> 00:18:46,080

As I say, I am such a nut

for these little creatures.

347

00:18:46,560 --> 00:18:48,720

This is my Crow here,

and he lives with me.

348

00:18:48,720 --> 00:18:49,680

We call him midnight.

349

00:18:50,550 --> 00:18:52,080

Isn't he a mean looking center again?

350

00:18:52,200 --> 00:18:54,810

And he's one of the nicest little

creatures that you've ever seen.

351

00:18:55,740 --> 00:18:56,640

That's midnight.

352

00:18:57,930 --> 00:19:03,330

He lives in my backyard right now

and sort of a sad story with him.

353

00:19:04,320 --> 00:19:09,150

Some somebody tried to

shoot his wing off and it's

354

00:19:12,150 --> 00:19:13,130

do too good for a while.

355

00:19:13,130 --> 00:19:18,260

We didn't know if all midnight was

going to make it for a long time, but

356

00:19:19,130 --> 00:19:20,600

a lot of nice people have helped him.

357

00:19:21,675 --> 00:19:25,695

And I think he's gonna make, he's going

to be okay now, but he'll, he'll never be

358

00:19:25,695 --> 00:19:29,475

able to fly again, which is, it's hard.

359

00:19:30,135 --> 00:19:34,485

It's hard to watch that when you, when

you see something as beautiful as he

360

00:19:34,485 --> 00:19:37,514

is, and he'll never be able to fly again

361

00:19:41,865 --> 00:19:42,135

there.

362

00:19:43,575 --> 00:19:46,845

Now then we'll take, let's just

grab this old two inch brush.

363

00:19:47,264 --> 00:19:48,615

Awesome reflections under there.

364

00:19:50,235 --> 00:20:01,005

Was it straight down, straight down,

straight down and go across there, right?

365

00:20:01,325 --> 00:20:01,505

Yeah.

366

00:20:01,715 --> 00:20:02,455

Let me find that.

367

00:20:02,465 --> 00:20:04,505

We find, we use the one at depression.

368

00:20:06,095 --> 00:20:08,855

We'll pop in a couple little

bushes or some dark color.

369

00:20:08,855 --> 00:20:10,355

That'll end up being bushes in here.

370

00:20:11,495 --> 00:20:12,035

There we go.

371

00:20:12,545 --> 00:20:13,865

This is that same dark color.

372

00:20:17,879 --> 00:20:21,830

Let's take our knife

cut right through there.

373

00:20:21,840 --> 00:20:24,860

Make the indication of a few little

trunks and sticks and everything.

374

00:20:29,659 --> 00:20:29,929

Hmm.

375

00:20:30,379 --> 00:20:31,370

Do you like that old Crow?

376

00:20:31,760 --> 00:20:32,659

He's something else.

377

00:20:33,679 --> 00:20:34,850

He is something else.

378

00:20:34,909 --> 00:20:36,230

He's pretty nice little bird though.

379

00:20:39,090 --> 00:20:39,950

I hated that.

380

00:20:39,950 --> 00:20:42,290

He, as I say that he'll

never be able to fly though.

381

00:20:42,290 --> 00:20:44,090

That bothers me terribly.

382

00:20:45,715 --> 00:20:48,495

Somebody would just shoot

him just for the heck of it.

383

00:20:48,645 --> 00:20:52,545

Let me grab a little pink here

and I'm not opposed to hunting.

384

00:20:52,575 --> 00:20:57,675

My father was an avid Hunter, but I'm

opposed to shooting things for no reason.

385

00:20:59,385 --> 00:21:00,735

Let, just pulling a little color in here.

386

00:21:00,735 --> 00:21:03,925

This is just titanium white with little

lizard, Crimson it, one, warm it up.

387

00:21:03,925 --> 00:21:11,225

So, and we go up here and let's just

put us in just beautiful little snow

388

00:21:11,225 --> 00:21:13,025

covered Bush right out here on the edge.

389

00:21:13,935 --> 00:21:17,955

They're a little more, the liquid white

and the liquid whites in there only to

390

00:21:17,955 --> 00:21:23,175

thin the color because as you know, a

thin paint will stick to a thick paint.

391

00:21:23,805 --> 00:21:26,925

And the color that we have

appeared initially is very thick.

392

00:21:27,975 --> 00:21:33,195

I, another one, maybe we'll

have him there work in layers.

393

00:21:33,465 --> 00:21:35,925

One later time I can reverse the brush.

394

00:21:37,365 --> 00:21:37,845

See you there.

395

00:21:38,445 --> 00:21:40,095

That's a middle doers

down here in the water.

396

00:21:41,520 --> 00:21:48,480

Dan in the water, Dan, this is your test

to see how gentle you are barely touch

397

00:21:48,540 --> 00:21:53,280

and go down, go across and we can make

those nice little mirror reflections.

398

00:21:54,870 --> 00:21:56,220

I like those they're fun.

399

00:21:57,179 --> 00:21:58,110

Now then we'll take that.

400

00:21:58,510 --> 00:21:59,909

We'll just use some titanium white.

401

00:21:59,939 --> 00:22:00,389

What the heck?

402

00:22:02,189 --> 00:22:04,139

What the heck I come right along here

403

00:22:07,290 --> 00:22:08,669

and just put in a little bit of snow.

404

00:22:12,145 --> 00:22:14,614

Like that, there we go.

405

00:22:14,774 --> 00:22:19,264

A little bit of our liquid white that

we can come back, cut a sand waterline.

406

00:22:21,995 --> 00:22:22,864

There we are.

407

00:22:28,685 --> 00:22:31,625

And off we go, we can take

the clean edge of the knife.

408

00:22:32,104 --> 00:22:33,695

Scratches, have a stick and a twig.

409

00:22:34,985 --> 00:22:36,185

Then we're in business.

410

00:22:37,875 --> 00:22:39,825

And I'll tell you what today.

411

00:22:40,205 --> 00:22:43,145

I want to pull this oval off now

and I'm going to play a little bit,

412

00:22:43,205 --> 00:22:49,085

you know, me, let's just take that

right off and go down wherever we go.

413

00:22:49,805 --> 00:22:53,465

Now that I always like, they

have big trees in my painting.

414

00:22:53,465 --> 00:22:54,485

So guess what?

415

00:22:56,045 --> 00:22:57,905

Get what you're right.

416

00:22:59,015 --> 00:23:01,685

Let's take an old dark

tree color fan brush.

417

00:23:02,315 --> 00:23:03,695

And I went to a number six fan brush.

418

00:23:03,695 --> 00:23:04,385

I want to be bigger.

419

00:23:05,730 --> 00:23:07,380

Let's go right there.

420

00:23:09,430 --> 00:23:13,140

We're going to come right outside

of this oval and we're going to let

421

00:23:13,140 --> 00:23:17,730

this big, old tree we're going to

let him look out into the sunlight.

422

00:23:19,170 --> 00:23:19,980

There he goes.

423

00:23:20,280 --> 00:23:21,210

There he goes.

424

00:23:22,995 --> 00:23:23,655

They're

425

00:23:27,195 --> 00:23:28,155

pushing upward though.

426

00:23:28,275 --> 00:23:29,355

Always pushing upward.

427

00:23:31,355 --> 00:23:34,565

How about I should've done this with a two

inch brush because this tree's becoming,

428

00:23:34,575 --> 00:23:38,625

I didn't know it was going to be quite

that big, but that's all right, let it go.

429

00:23:38,925 --> 00:23:39,345

Let it go.

430

00:23:42,045 --> 00:23:43,785

When I said big tree, I was serious.

431

00:23:43,785 --> 00:23:44,175

This time

432

00:23:48,525 --> 00:23:49,425

I'm going to stop it there.

433

00:23:49,455 --> 00:23:50,235

Otherwise it's gone.

434

00:23:50,570 --> 00:23:55,790

Eat up the whole world, the tree, that

tree that ate up the world sounded

435

00:23:55,790 --> 00:24:00,440

like a nice theme for a horror movie

or something go the little tree.

436

00:24:00,530 --> 00:24:01,790

I got to have a friend for him.

437

00:24:03,330 --> 00:24:04,500

Gotta have a friend in for him.

438

00:24:06,240 --> 00:24:07,899

Otherwise he'll get lonely sitting here.

439

00:24:11,790 --> 00:24:17,600

Don't want him lonely push

up, continually pushing up,

440

00:24:21,500 --> 00:24:23,929

going back to my one inch brush

that has the dark color on it.

441

00:24:25,110 --> 00:24:26,640

Something I have to stop this tree.

442

00:24:26,670 --> 00:24:30,660

So we'll put a Bush under his foot there.

443

00:24:30,690 --> 00:24:31,740

We got him slowed down.

444

00:24:31,740 --> 00:24:32,010

Now.

445

00:24:34,020 --> 00:24:37,620

Got him slowed down, maybe where

we're just coming in and out here.

446

00:24:37,650 --> 00:24:38,070

What the heck?

447

00:24:39,690 --> 00:24:40,920

Let your imagination go.

448

00:24:40,920 --> 00:24:45,210

When you're doing these little

paintings, that's what makes it fun?

449

00:24:45,270 --> 00:24:46,110

Just let them go.

450

00:24:47,520 --> 00:24:48,210

Let them go.

451

00:24:49,830 --> 00:24:52,140

And then take a little

flight, a little dark Sienna.

452

00:24:52,320 --> 00:24:53,040

Mix it together.

453

00:24:54,165 --> 00:24:59,955

And that's come up here June, but the

indication just here and there of a

454

00:25:00,945 --> 00:25:02,625

little trunk, it lives in these trees.

455

00:25:03,255 --> 00:25:06,515

I don't want to much

grab another fan brush.

456

00:25:06,755 --> 00:25:10,145

I'm going to take titanium

white and a little bit of thalo

457

00:25:10,145 --> 00:25:12,365

blue on it, white in blue.

458

00:25:13,985 --> 00:25:17,795

And let's come back in here

and I want to put that.

459

00:25:19,395 --> 00:25:21,615

Few little highlights on

this big old tree here.

460

00:25:22,785 --> 00:25:29,465

So just the little blue and white, I

kept them think about shape and form.

461

00:25:29,495 --> 00:25:33,305

I know you get tired of hearing

that, but it is so important.

462

00:25:33,485 --> 00:25:34,895

Don't just throw this in at random.

463

00:25:34,895 --> 00:25:35,705

You'll be unhappy.

464

00:25:36,795 --> 00:25:38,025

A a bit on this tree too.

465

00:25:39,795 --> 00:25:46,545

Don't want as much on that one hair

darker, darker, darker down there.

466

00:25:49,235 --> 00:25:50,345

Damn these little ones back here.

467

00:25:50,345 --> 00:25:51,635

I want a little bit back in here too.

468

00:25:51,635 --> 00:25:52,625

Don't want them left out.

469

00:25:53,315 --> 00:25:54,155

These are farther away.

470

00:25:54,155 --> 00:25:56,525

So I don't want as much

detail in them just enough.

471

00:25:56,975 --> 00:26:00,155

So, you know, they got a little, little

something happening in them, too.

472

00:26:02,085 --> 00:26:09,074

According to liquid white, a little bit

of the Crimson, and let's come in here and

473

00:26:09,074 --> 00:26:13,365

that's put, sometimes highlights on these

little bushes that live right in here.

474

00:26:16,155 --> 00:26:16,875

There we go.

475

00:26:18,165 --> 00:26:20,235

So you just drop them in, drop them in.

476

00:26:21,195 --> 00:26:22,544

Maybe there's one that's right there.

477

00:26:23,745 --> 00:26:25,155

And then we got a minute left here.

478

00:26:25,155 --> 00:26:29,294

So let's put a little path,

take a little white shoot.

479

00:26:29,324 --> 00:26:31,095

We're going to have a way to

get back to this big old tree.

480

00:26:33,150 --> 00:26:33,870

There dues.

481

00:26:34,290 --> 00:26:36,450

That's happy little path

that lives right there.

482

00:26:38,190 --> 00:26:41,370

We need just a couple of bushes

on this side and that'll push

483

00:26:41,370 --> 00:26:44,670

that path right back in there and

to get her dark in there first,

484

00:26:47,770 --> 00:26:52,230

then liquid white that'll titanium.

485

00:26:52,230 --> 00:26:52,470

Right.

486

00:26:53,520 --> 00:26:54,840

And we'll put a Bush over here.

487

00:26:56,129 --> 00:26:58,280

Shoot in a nice way.

488

00:26:58,280 --> 00:27:01,020

They were making just a

beautiful little winter.

489

00:27:01,910 --> 00:27:02,060

Yep.

490

00:27:02,210 --> 00:27:03,170

And you can do this.

491

00:27:03,830 --> 00:27:04,250

Thank you.

492

00:27:04,250 --> 00:27:04,790

And enjoy it.

493

00:27:06,170 --> 00:27:08,720

I'll tell you what I think with that.

494

00:27:09,080 --> 00:27:11,510

We're going to call that one

finished from all of us here.

495

00:27:11,690 --> 00:27:12,440

Happy painting.

496

00:27:13,070 --> 00:27:14,000

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E09 - Winter Paradise

Bob Ross's

The Joy of Painting

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