Bob Ross's

The Joy of Painting

S23E07 - At Dawn's Light

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Hey welcome.

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Come back.

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Certainly glad you could join us today.

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I thought today would just do a fantastic

little scene that I believe you'll enjoy.

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So let's start out in here and run

all the colors across the screen

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that you need to paint along with us.

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And while they're doing that, let me

show you what I've got done up here.

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Hey, my standard old 18 by 24 inch

canvas, but you use whatever size

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is convenient and I've just covered

the entire thing today with a thin

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even coat of the liquid white.

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So it's all ready to go.

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So.

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Shoot.

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Let's just do a happy little painting.

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I thought today we'd do the painting

that you see at the beginning of the

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show, the little winter scene where

the little painter man runs into it.

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So three, how that one's

made let's start out.

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They will use the old two inch brush

with a little bit of the bright red,

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and it's just a small amount of CAD

yellow and make a nice orange color.

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So we have bright red and

then just a little CAD yellow,

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something about like, so, and you

can just mix these on the brush.

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All right, let's go ahead.

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I've been here.

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And maybe somewhere about along in

here, we'll just start making a little

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orangy circle, something about like,

so like, so we might even reflect

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a little that down into the water.

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Don't look too much now take a

little yellow ochre and bright

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red and mix that together.

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Just so it changes the flavor a little

bit yellow ochre and bright red.

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And we'll go back up here.

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And we'll add just a little bit

of that right around in here.

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See that just sorta

changes the flavor there.

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Hmm.

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Okay.

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Matt, I'm going to wash the old

brush cause that's the fun part.

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Put a little that right there.

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Let's wash her off and we just wash our

brushes with odorless paint thinner.

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And as you've heard me say

before, I really, really

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recommend that it's odorless

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and then just beat up a lot of it.

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Now, then let's go right into a little

bit of the Elysium Crimson, just a little

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Crimson, and we'll just use the same

old two inch brush and let's go right up

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in here and we'll just drop in a little

bit at the Crimson color and I'm using

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little crisscross strokes, little exes.

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That makes it much

easier to blend later on.

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We'll come back and we'll

blend this entire sky.

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Just Crimson.

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Yeah.

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Without watching the brush,

I'll take a little, uh, Desmond

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Crimson and Prussian blue.

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And once again, just mix them on,

just mix them right on the brush.

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No big deal.

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Make a nice lavender color.

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And we can go up in here and

add a little bit of that.

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We'll pull a little that down here and

what's eventually going to be water.

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They're a little touch

more for the other side.

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Prussian blue.

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Listerine Crimson, something like that.

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And then a little bit more of a

depression blue of his own Crimson.

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Then I'm going to add a

small amount of black to it.

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All we're doing is making this

progressively darker as it works out.

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It's all we're trying to do.

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So we have black Crimson and

blue now that we want to make

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it quite a bit darker there.

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Okay.

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And we'll just fill up the

rest of the sky with it.

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Yeah.

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Something like, so a little

touch right in there.

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And maybe a little touch where

our water's going to be too.

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That's quite pretty already.

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It's just getting very

nice colors in there.

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Now let me wash the old brush again.

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I just like to wash the brush there

and off we go, and that really

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drives the brush quite dry there now.

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I just want to start in the center.

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And begin blending, outward,

splendid outward, but try not to

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start over here and bring it back.

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It'll just destroy your nice light area

and we want to keep it dark on the outside

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and the lighter on the center there.

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Go right on out all the way

to the outside of the canvas.

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Now having watched the

old brush one more time.

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Just one, one time, kick the bucket there.

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Now, then I want to take that

same brush and go into a little

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bit of the titanium white.

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This is just pure titanium white, and

we'll go right up in the center area.

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Cause we want it to be the brightest and

start with this white and begin working

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outward, outward, outward, and it'll

create a beautiful glow in the sky.

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There it's all there is to it.

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And you can do this several times

to achieve a desired lightness.

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So don't be afraid to go back in and

do it again if it's not as bright as

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you want it to be there, or if it's

too bright, just do the opposite.

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Pulled the dark color in a little

bit and you can make it go away.

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Okay.

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Something about like, yeah,

that's really all we need.

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And down in here, just very gently

for across the entire canvas.

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And that'll sort of bring it together.

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We'll work on it a little more as

we, as we get into the painting.

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Very nice.

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And that's all we need right now.

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Let's have some fun today.

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I'll tell you what, let's

take a big GABA black.

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I'm gonna use this color come tenuously

continually through this painting.

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So I'm gonna mix up a bunch of black

alizarin Crimson, and a little bit of

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depression and blue, not much blue, black

and Crimson are buddy equal amounts.

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And a little bit of blue.

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I want this to have sort of a

lavender lavender hue to it, but.

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The black and Crimson will give you

just about all that you need there.

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Now, then take a little bit of it and

put it over here and mix with some white.

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I don't want to mix the entire

pot just a little bit out in here.

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There we go.

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Something like that.

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Now let me grab an old fan brush.

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Maybe today, back here in the background.

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Let's put us a few little.

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Few little evergreens.

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Now this will not be an exact

duplicate of what you saw in the little

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opening, but it'll be very close.

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It'll show you how we made that.

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It only takes a few minutes to paint that

little opening, but it takes a lot of

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fantastic people nearly all day to produce

that little 32nd thing that you see that

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was the brain child of Jerry Morton.

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One of our engineers here.

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There,

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but see that's, that's all there

is to make making little trees.

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He would give him a

little friend right here.

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And when you do this, you put

as many or as few little trees

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as you want in your world.

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Just want to show you how to make a tree.

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And then you decide where you want them.

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How many you want to,

how many that you want.

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There were maybe another one there.

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But you should use the

corner of the brush.

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And as you work down the tree,

push harder and harder forcing

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the bristles to bend downward.

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Now then we can take, we can take

a spine, a little round brush.

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Maybe there's some little things

that reel right along in here.

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We can just have those, right.

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Just using a little round

brush, something like, so.

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Got a little hair, just take the corner

lifted off and we're in business.

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We sort of just push

those right back in there.

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I'm going to let a little,

that color work down in here.

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So it'll be reflections then we'll

have a little reflection in the water.

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I want this to be very

soft up in here, though.

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We can take a two inch brush,

decide where water and land meet,

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grab, and pull straight down.

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And we have instant

reflections that quick.

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That quick, it never stops to amaze me how

well reflections work in his technique.

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He used to drive me crazy when I

was traditional painter, trying

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to try to put reflections in.

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And now it's one of the

easiest things that we do.

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Little land area, right back in here.

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We'll use that same color and just tap,

tap, get a basic shape, something like,

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so maybe it goes all the way across there.

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Then we can just go into a little

bit of the titanium height I'm on.

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I had the least little touch of liquid

white to my brush, and all that does

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is STEM the paint sort of stick to

the sticker, paint little titanium,

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white, and make it look like as

little snow covered things back here.

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Maybe, maybe Jack Frost touched it.

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You there easy, you can just create the

illusion of all kinds of things in there.

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And we can take the knife, little touches,

a little touch of the liquid quiet.

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Don't put at least little amount

of the bright red into it.

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Just enough to warm it up a

little cut across we go up here.

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We can just put the indication

of a little water line in.

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There we go little things

happening all through there.

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I liked these little winter scenes

that have a lot of color in them.

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Sometimes winter scenes can, can be so

cold that they're almost unpleasant.

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I really liked these, but when you do

yours, you might want a very cold scene.

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If you do.

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Use predominantly blue blue is a

very cold color and I guarantee

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you, it will make your painting.

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Look, look, Chile.

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You'll have to wear your coat

when you paint it now, though.

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Let's start, let's start Kevin,

some fun go right back in to

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some of those same colors.

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I'm going to darken it a little bit

because I want each layer as it comes

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toward us to get a little darker, take

some of that base covered, but right into

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this other King, let's go up in here.

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We have a little tree that

lives right here, all kinds

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of little bushes and stuff.

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They live right out here and they

watch this beautiful area back in here.

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There we go.

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This will round brushes something else.

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It just really makes little trees like

this better than anything that I've found.

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I think.

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There we go, just drop them in and

we need a few reflections under that.

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So at the same time, just let a

little led color come underneath.

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So say reflections might be one of

the easiest things that we do here.

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Pull it straight down.

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It's important that he go

straight there and then come

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across and that easy and easy.

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We have instant reflections.

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Now let's have us a little,

little tree trunk, and then

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we need something to hold up.

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All the little things that

are happening back in here.

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I'm gonna take a little of that

same color, add some paint,

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thinner to it on the liner brush.

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And just put in the indication

here and there a few little trumps,

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we're not going to see many of

them, just a few here and there.

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And I'm gonna grab one of

the small round brushes.

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This is the new brush that

we introduced in this series.

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It's just like the big round brush only.

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It's about half the size and it's just

really nice for sneaking into all those

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little areas there, but a little white

on it then get, gets on darker color.

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There we go.

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Something about like that.

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But all you do is just tap it to load it.

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Just tap it.

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We can come right back up in here

and begin putting in some distant

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highlights on some of these.

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I don't want this one to be too bright.

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It's too far away.

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It's in the background.

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There we are something like,

so maybe a few, little, few

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little doers right in there.

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Here we go, Oh, there's a nice little one.

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Don't overdo.

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Don't kill all the dark.

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If you kill all the dark and this is just

not going to show up very well, that dark

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is what, what makes it really show up?

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It makes it spectacular.

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And this is a beautiful

little scene when it's done.

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Isn't that cute though.

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The way they, they have the little

painter man walk off into that scene.

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That's what we call

that little characters.

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A little painter, man.

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There we are.

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Let's take the point of the

knife, scraping a few little

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sticks, twigs, all kinds of little

things that you want in there.

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Now we can take some, let's take a little,

the titanium white and come right in here.

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And that's put us in a little bit of snow,

right then at the base, something yeah.

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About like, so an angles

are most important here.

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Most important, be sure to

bring it, something like that.

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And if you want to make it look like

there's like a little bank here,

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just take a little dark color and

come run underneath and pull it down.

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And usually I just use a small lady

of the knife for the small areas and.

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Big age for the larger areas, but it

puts a little depth underneath it.

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Then when you come along with, put your

waterline in here, you just clean it

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all up, bring it together that easy.

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Okay.

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And wearing business.

241

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And sometimes it's nice to give a

little bit of the liquid one, right?

242

00:15:05,415 --> 00:15:06,845

Little touch of titanium wine.

243

00:15:06,845 --> 00:15:10,565

I'm just mixing together and the liquid

white isn't there once again, just to

244

00:15:10,565 --> 00:15:13,085

make it a little thinner, put a little

touch of the bright red in there.

245

00:15:14,045 --> 00:15:18,755

You can just pop in a few, little,

few, little grassy things right along

246

00:15:18,755 --> 00:15:22,145

in here, just to sort of break up

that edge and bring it all together.

247

00:15:22,145 --> 00:15:24,845

It looks like there's a little grassy

things that grow right down on the bank.

248

00:15:25,650 --> 00:15:27,000

And Jack Frost has touched them.

249

00:15:27,000 --> 00:15:27,420

Also.

250

00:15:28,980 --> 00:15:29,579

There we go.

251

00:15:31,520 --> 00:15:33,650

Yeah, let's take, I'll

just use a fan brush.

252

00:15:34,650 --> 00:15:38,900

We were right into Vandyke

Brown and the dark Sienna.

253

00:15:38,900 --> 00:15:39,800

Just mix them together.

254

00:15:39,860 --> 00:15:41,900

Vandyke, dark Santa.

255

00:15:41,900 --> 00:15:42,920

Mostly Bandak though.

256

00:15:43,400 --> 00:15:44,390

I want it to be quite dark.

257

00:15:45,590 --> 00:15:47,120

We had a couple little trees here.

258

00:15:49,230 --> 00:15:50,510

Our little tree is going to live.

259

00:15:50,510 --> 00:15:53,420

There is one there.

260

00:15:53,420 --> 00:15:53,780

Yes.

261

00:15:54,839 --> 00:15:55,800

You don't make a little noise.

262

00:15:55,800 --> 00:15:56,490

It won't work though.

263

00:15:58,319 --> 00:15:58,890

Here we are.

264

00:15:59,910 --> 00:16:01,650

And we'd give him a little

friend that lives right in there.

265

00:16:04,349 --> 00:16:05,280

Okay.

266

00:16:07,849 --> 00:16:11,000

A little bit of the titanium white

and our light sources right in here.

267

00:16:11,449 --> 00:16:14,810

So the light's going to hit and

just the saying right along my cat,

268

00:16:15,230 --> 00:16:20,689

excuse Maren, that therapy just a

little highlight right along there.

269

00:16:25,125 --> 00:16:31,145

And we can take her little

liner brush, painting around it.

270

00:16:31,175 --> 00:16:34,205

We want to send this paint

down till it's thin, as ink.

271

00:16:34,655 --> 00:16:35,585

Very, very thin.

272

00:16:36,125 --> 00:16:39,305

If you have trouble making it flow,

chances are, it's just not thin enough.

273

00:16:40,145 --> 00:16:42,935

Then let's go right up in here and

just put in the indication here and

274

00:16:42,935 --> 00:16:46,625

there have a little leaf or a little.

275

00:16:47,445 --> 00:16:48,765

Well, I've got it mixed up here.

276

00:16:49,565 --> 00:16:53,145

A little, little arms sticking

out here and there just limbs and

277

00:16:53,145 --> 00:16:58,775

twigs, I'm going to put some leaves

up here or the indication of sun.

278

00:16:59,225 --> 00:17:01,295

So we're not worried about

getting it just right here.

279

00:17:01,355 --> 00:17:02,525

Just a few little things.

280

00:17:04,475 --> 00:17:05,195

Okay.

281

00:17:07,115 --> 00:17:11,435

And then let me find my little round

brush and I'll show you a little trick.

282

00:17:12,215 --> 00:17:15,905

Let's take a little bit of the liquid

clear and we'll put it up here.

283

00:17:17,250 --> 00:17:21,030

And to that, I'm going to

mix just titanium white.

284

00:17:21,030 --> 00:17:24,030

I want it to be very thin, very thin.

285

00:17:24,750 --> 00:17:28,230

This is liquid clear and titanium

white, but see how thin it is.

286

00:17:28,470 --> 00:17:30,210

It almost runs right off the pallet.

287

00:17:31,340 --> 00:17:31,910

All right.

288

00:17:35,240 --> 00:17:38,540

Now we'll take our small round brush,

put a little bit of a dark color on it.

289

00:17:39,659 --> 00:17:44,430

Wipe off some of that there a little bit

of the dark color, and then just the tip

290

00:17:44,430 --> 00:17:46,290

of the bristles are bringing it to you.

291

00:17:47,460 --> 00:17:48,120

Just the tip.

292

00:17:48,120 --> 00:17:50,970

We're going to put it

into that very thin color.

293

00:17:52,230 --> 00:17:56,190

So then we can go up here and

just come around like this.

294

00:17:56,639 --> 00:18:00,720

And that's how all those highlights were

made on those beautiful little trees.

295

00:18:00,720 --> 00:18:04,250

There, just a little touch of that.

296

00:18:06,929 --> 00:18:07,439

Isn't that neat.

297

00:18:08,370 --> 00:18:09,300

It works so well.

298

00:18:10,320 --> 00:18:13,250

This little half sized brush

is just absolutely wonderful

299

00:18:13,250 --> 00:18:14,449

for doing these little details.

300

00:18:15,820 --> 00:18:17,540

That's the reason we've made that one.

301

00:18:20,120 --> 00:18:22,820

Now place you put this liquid

clear when it dries, it'll

302

00:18:22,820 --> 00:18:24,169

have sort of a shine to it.

303

00:18:24,439 --> 00:18:25,030

Almost like the.

304

00:18:25,410 --> 00:18:26,940

Like the painting is glazed.

305

00:18:28,350 --> 00:18:31,260

All right, let's go over here and

the other side and have some fun.

306

00:18:31,260 --> 00:18:34,380

Now we'll go back to our big

round brush so we can do some

307

00:18:34,380 --> 00:18:36,810

big areas maybe right in there.

308

00:18:38,895 --> 00:18:44,775

And we'll just start tapping in all kinds

of little things, but the indication of

309

00:18:44,775 --> 00:18:46,905

some free, big trees that live in here,

310

00:18:50,625 --> 00:18:52,365

and all we're doing here is just tapping.

311

00:18:52,785 --> 00:18:53,895

That's really all that's happening.

312

00:18:53,985 --> 00:19:01,785

It's just tapping, tapping

there a bit over in here.

313

00:19:05,790 --> 00:19:08,160

I like these kinds of scenes,

the colors are very, very

314

00:19:08,160 --> 00:19:11,160

appealing to me, very appealing.

315

00:19:12,900 --> 00:19:15,510

And they certainly, if you put them

in a room, they certainly brighten

316

00:19:15,510 --> 00:19:20,280

up a room and then like that over

in here, we had another little

317

00:19:20,280 --> 00:19:23,040

tree and he lives right there.

318

00:19:24,900 --> 00:19:27,300

Just sort of stands right there

and watches everything happen.

319

00:19:29,370 --> 00:19:29,940

All right.

320

00:19:32,445 --> 00:19:35,925

Then we need a little

reflection under that.

321

00:19:36,945 --> 00:19:39,315

Put our reflection in,

take our two inch brush.

322

00:19:39,345 --> 00:19:42,225

Grab it, pull straight down

once again, straight down.

323

00:19:43,185 --> 00:19:45,705

Go across and that easy.

324

00:19:45,705 --> 00:19:50,805

We have our reflection and we can

come forward and begin putting

325

00:19:50,805 --> 00:19:51,975

in all these little areas.

326

00:19:52,845 --> 00:19:56,025

But see, it's important that you put that

reflection in before you do this, because

327

00:19:56,025 --> 00:19:58,005

it's hard to sneak back in and put it in.

328

00:19:59,540 --> 00:20:03,590

There all we're doing now is just

putting in some dark star light areas.

329

00:20:03,590 --> 00:20:09,909

We'll show a little bit over

here on the other side, the big

330

00:20:09,909 --> 00:20:12,580

brace just fills in these areas

much faster than the little ones.

331

00:20:16,090 --> 00:20:16,899

Does that make sense

332

00:20:21,939 --> 00:20:22,480

about there?

333

00:20:23,970 --> 00:20:24,909

About there?

334

00:20:27,600 --> 00:20:30,930

And we can take our little liner,

brush a little bit of a lavender

335

00:20:30,930 --> 00:20:34,890

color on it, same color that we

made that out of, then it down.

336

00:20:35,340 --> 00:20:37,920

And we can just come in here and

begin putting the indication of

337

00:20:38,580 --> 00:20:41,670

all kinds of little sticks and

twigs that live back in here.

338

00:20:42,390 --> 00:20:44,520

They're going to grow up

and be big trees to one day.

339

00:20:45,840 --> 00:20:48,720

But right now they're

just little babies to us.

340

00:20:48,730 --> 00:20:49,410

Little babies.

341

00:20:51,210 --> 00:20:51,900

There we go.

342

00:20:54,540 --> 00:20:55,200

Okay.

343

00:20:55,350 --> 00:20:58,800

And you decide how many live in your

world wherever you think they should be.

344

00:21:02,150 --> 00:21:03,380

Wash off the old brush.

345

00:21:05,900 --> 00:21:08,510

And let's see, let me find

another fan brush here.

346

00:21:10,130 --> 00:21:10,940

We'll use that one.

347

00:21:10,940 --> 00:21:14,120

We'll go right into that

dark color loaded, full of

348

00:21:14,120 --> 00:21:16,070

color, a lot of pain on it.

349

00:21:17,040 --> 00:21:19,230

And we had one very

dark evergreen in there.

350

00:21:20,040 --> 00:21:23,879

So let's put him in, he

lives right about in there.

351

00:21:24,419 --> 00:21:26,370

Just like we made the ones

in the background and touch,

352

00:21:27,000 --> 00:21:28,169

use the corner of the brush.

353

00:21:28,830 --> 00:21:32,520

And as you work down the tree, push harder

and harder forcing the bristles to bend

354

00:21:32,520 --> 00:21:37,709

downward down or down or down that easy.

355

00:21:37,709 --> 00:21:40,129

We have a little tree it's right there.

356

00:21:41,480 --> 00:21:42,020

All right.

357

00:21:45,320 --> 00:21:46,010

And you can.

358

00:21:46,740 --> 00:21:48,300

Maybe there was another one there.

359

00:21:48,480 --> 00:21:48,750

I see.

360

00:21:50,389 --> 00:21:53,899

Just use the liner brush in that same

lavender color basically is all I'm doing.

361

00:21:56,360 --> 00:21:56,960

All right.

362

00:21:59,149 --> 00:22:02,990

Then back to my family brushed

it had the Vandyke, Dyke Brown on

363

00:22:02,990 --> 00:22:04,580

it, the dark Santa mixed together.

364

00:22:05,780 --> 00:22:12,230

We had two very large trees

and they live too right there.

365

00:22:12,290 --> 00:22:13,550

This is your bravery test.

366

00:22:14,570 --> 00:22:15,409

There's one.

367

00:22:16,815 --> 00:22:19,725

And there's this friend too right there.

368

00:22:22,085 --> 00:22:26,645

And maybe when you do your painting, you'd

like to have three trees or four or none.

369

00:22:27,095 --> 00:22:28,985

It's really, and truly up to you.

370

00:22:29,615 --> 00:22:31,805

You put as many or as

few trees as you can.

371

00:22:31,805 --> 00:22:32,645

You want in your world.

372

00:22:34,024 --> 00:22:34,685

There we go.

373

00:22:35,534 --> 00:22:36,995

Now then here comes the fun.

374

00:22:37,805 --> 00:22:40,085

We'll take a little bit of the

titanium white, grab it and

375

00:22:40,085 --> 00:22:41,465

give it sort of a round pole.

376

00:22:41,524 --> 00:22:42,965

Just see.

377

00:22:44,205 --> 00:22:50,415

It makes it look like Mark on there

or rough bark, little touch on the

378

00:22:50,415 --> 00:22:52,965

other side, but not quite as much.

379

00:22:52,965 --> 00:22:57,255

Just a little, just to give the

indication that there's a little there.

380

00:22:58,905 --> 00:23:01,725

I didn't want to set a tree left

down here, so we'll put some

381

00:23:01,725 --> 00:23:04,185

on him, something like that.

382

00:23:06,665 --> 00:23:10,625

There that'll touch here.

383

00:23:11,940 --> 00:23:13,200

Shoo we're in business.

384

00:23:13,200 --> 00:23:19,010

Now take a little touch of our dark

color and go back and just barely touch

385

00:23:19,040 --> 00:23:23,150

and let the paint, let the paint grab

that it grabbed and it sort of lifted

386

00:23:23,870 --> 00:23:25,760

and it'll make it look like real bark.

387

00:23:26,240 --> 00:23:29,540

And when it's dry, it'll

feel like real bark.

388

00:23:31,190 --> 00:23:34,580

Absolutely feel like it, man.

389

00:23:34,610 --> 00:23:38,450

We can take our liner brush

a little bit of dark color.

390

00:23:40,065 --> 00:23:44,535

And let's just put the indication

here and there, big old Lael

391

00:23:44,535 --> 00:23:46,035

Martu that lives on here.

392

00:23:46,455 --> 00:23:47,115

There they are.

393

00:23:48,405 --> 00:23:50,625

There they are wherever

you think they should be.

394

00:23:56,245 --> 00:23:57,165

All right.

395

00:23:59,055 --> 00:24:02,205

There comes one and this had leaves on it.

396

00:24:02,205 --> 00:24:04,065

So we don't have to put

too many things in there.

397

00:24:05,355 --> 00:24:06,645

A little Dewar right in there.

398

00:24:09,090 --> 00:24:11,610

They would just put him another

little tree right here in front.

399

00:24:14,330 --> 00:24:15,630

Now then let's go back.

400

00:24:17,360 --> 00:24:19,880

Find one of her little round brushes.

401

00:24:20,030 --> 00:24:21,380

It's a half size round brush.

402

00:24:21,980 --> 00:24:23,870

And I'm going back to

that very thin paint.

403

00:24:24,230 --> 00:24:28,580

This has the liquid clear and it's

just titanium white and liquid clear.

404

00:24:28,730 --> 00:24:32,150

And I just want to just highlight

this, but let some of these

405

00:24:32,150 --> 00:24:33,500

come right across the tree.

406

00:24:34,220 --> 00:24:34,310

Okay.

407

00:24:35,230 --> 00:24:39,179

This is a fantastic way of making

those little frosty looking things

408

00:24:39,179 --> 00:24:40,439

that just live right out in here.

409

00:24:41,870 --> 00:24:46,189

There with that pain is very,

very thin and it flows right

410

00:24:46,189 --> 00:24:47,570

over this without mixing with it.

411

00:24:48,800 --> 00:24:53,030

If the paint's thick, you have a devil of

a time making it stick on there like that.

412

00:24:53,689 --> 00:24:57,949

But because the paint that we put on the

canvas first is extremely extremely firm.

413

00:24:58,730 --> 00:25:01,100

The STEM paint will slip right over it.

414

00:25:02,475 --> 00:25:07,185

Just like, so there we are

a little bit on this tree.

415

00:25:07,195 --> 00:25:08,385

We don't want to have left down.

416

00:25:08,715 --> 00:25:09,075

Shoot.

417

00:25:09,075 --> 00:25:13,455

He'd get mad, nothing worse

than an old angry tree.

418

00:25:16,935 --> 00:25:18,495

Now tell you what we can do.

419

00:25:18,495 --> 00:25:22,155

We can go down in here and we

can begin putting in few little

420

00:25:22,155 --> 00:25:24,375

details right around in here.

421

00:25:25,935 --> 00:25:30,075

Just a few little things that

live in there, but work in layers.

422

00:25:30,135 --> 00:25:31,335

So there's depth in it though.

423

00:25:32,130 --> 00:25:35,580

Do the one that in your mind

is a fathers to way and work

424

00:25:35,580 --> 00:25:37,500

forward, always working forward.

425

00:25:39,930 --> 00:25:42,270

We go and leave some of

those little dark areas.

426

00:25:42,900 --> 00:25:45,360

That's your separator,

your good, good friend.

427

00:25:45,420 --> 00:25:46,140

Take care of it.

428

00:25:46,560 --> 00:25:48,330

Take care of it treated well.

429

00:25:53,690 --> 00:25:56,300

This is Justin, a little bit

of that thin paint and I've

430

00:25:56,300 --> 00:25:57,710

had a little titanium white.

431

00:25:58,200 --> 00:26:02,100

You want to just thin enough that

it sticks over near the sign here?

432

00:26:03,270 --> 00:26:04,860

Just a few little things like that,

433

00:26:09,530 --> 00:26:10,010

right?

434

00:26:11,240 --> 00:26:13,160

We're about ready to put that

little path in there that the

435

00:26:13,160 --> 00:26:14,480

little painter man ran down.

436

00:26:15,350 --> 00:26:17,630

I think it's so cute when he

just disappears back in there.

437

00:26:20,090 --> 00:26:21,170

Few little things there.

438

00:26:22,940 --> 00:26:23,300

Okay.

439

00:26:23,340 --> 00:26:26,180

Let's take titanium

white on the old knife.

440

00:26:26,790 --> 00:26:26,910

Okay.

441

00:26:26,910 --> 00:26:30,240

We'll just go right in here and

just sort of work it back and forth.

442

00:26:31,530 --> 00:26:38,630

And that's all we had to do to put

her little path in there, get larger

443

00:26:38,630 --> 00:26:40,130

and larger as it gets towards you.

444

00:26:41,060 --> 00:26:42,110

Closer, it comes to you.

445

00:26:42,560 --> 00:26:45,440

Larger should become that little path.

446

00:26:45,470 --> 00:26:48,410

Just sort of disappears right on

back here into the background.

447

00:26:48,770 --> 00:26:49,880

And that's what we're looking for.

448

00:26:49,940 --> 00:26:55,610

So he has a place to go and hide, few

little finishing touches, shooting.

449

00:26:56,160 --> 00:26:56,880

I think we better.

450

00:26:57,390 --> 00:27:00,120

I think we've got a pretty nice

representation of, of the little

451

00:27:00,120 --> 00:27:01,470

painting that you see at the opening.

452

00:27:01,500 --> 00:27:02,370

Hope you've enjoyed it.

453

00:27:02,670 --> 00:27:06,090

And from all of us here, happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E07 - At Dawn's Light

Bob Ross's

The Joy of Painting

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