Bob Ross's

The Joy of Painting

S18E11 - Enchanted Forest

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Hi, welcome back.

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I'm certainly glad you

could join me today.

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And I thought today we'd just do a

fantastic little painting, maybe sort

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of like a little fantasy painting.

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I think you'll enjoy it.

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So I tell you what, let's have him

start out, run all the colors across

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the screen that you need to paint

along with me while they're doing that.

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I'll show you what I've

done up here today.

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I've taken a little black Jesso

on my standard old 18 by 24 inch.

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Pre-stretch double prime canvas

and I've just sort of painted that

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little, little design right here.

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It just sort of goes around and right on

into nothing there, it looks like a big

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guy or something right in the center.

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Now then I've let the black

Jessle dry completely.

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And then onto that, I've taken a

little bit, very small amount of the

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liquid clear and covered the entire

canvas with very, very small amount.

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And then we've just made a mixture

of, uh, Elizabeth Crimson, little

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fatal blue to make a lavender.

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And we've covered the entire canvas

with it, and that's all we do.

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The only reason I put the liquid

clear on the top of the black Jesso

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is to make the application of the firm

lavender color, much, much easier.

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You'll see that it really

pays you great dividends.

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And I thought today, I thought

today, fantastic day that we

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just, we just have a good time.

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So let's start out today with

little titanium white, right on

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the old two-inch brush shoot, get

right in there with a big one.

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And we'll just load a little color

onto the bristles just by tapping

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a little color out and just tap it.

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It's all you have to do.

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Let's go right up here.

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Now today, I want to have a nice

light shining right out of this area.

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So we're going to start right in here with

this very light paint, this pure white,

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and just begin working this outward.

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Just let it work outward.

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Just making like little

crisscross strokes right there.

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This will be our light

area in this painting.

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I want to do a painting.

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I think in my mind, I see a painting

that well, like maybe there's big

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trees here in is like a stream

of light coming through here.

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It just zinging right through there.

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And we can even take him public

and gives that impression already.

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But that's going to be our

light source in this painting.

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And these paintings can be

done at a multitude of colors.

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I've just picked lavender date

because that's, that's a nice color.

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It's a nice day.

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So I thought it would work well, but you

could do them like in, in fail-over blue

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or green or any of the transparent colors.

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And if you're in doubt as to whether

a color is transparent and not take

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a little bit of it on your finger,

just rub it on a black canvas.

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If the canvas still looks black, then it's

transparent enough for what we're doing.

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It may only be semi-transparent,

but it'll work for what we're doing.

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If you put it on here, like quiet,

for example, you put it on here and

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you can see the color and it's not

transparent enough for what we're doing.

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Okay.

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That's easy way to try it out

and see let's wash your brush.

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That's the fun part.

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Shake it off and just to

have a good time with it.

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Okay, tell you what

let's go right up here.

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Let's have a little lavender, a little

fellow blue lizard Crimson, and we

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just sort of mix these on the brush.

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I want this one, this lavender

color more to the red side.

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So we'll add more Crimson

than normal there.

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And I'm just going to tap a

little color into the bristles.

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We'll be right back.

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Let me get a little touch of white.

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I want to lighten that even more.

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There maybe a little more

of the reddish color cut.

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I like that.

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Tap a little color

right into the bristles.

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Like, so, okay.

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Let's go right up here.

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Maybe back in here.

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We can make out there.

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The indication of some nice little

trees that are hanging over here.

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So all we want to do here is

just put the indication of some

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beautiful little branches right here.

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I don't want this to get too dark cause

it'll ruin that illusion back here.

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The hair and all we're looking for.

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It's very basic little shapes.

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We're not looking for

detail at this point.

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Just very, very basic little shapes.

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Maybe back in here, you can

see the indication of something

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very soft little things.

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Okay.

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Now then let's take our liner brush.

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We'll dip it in a little

of the paint thinner.

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Little paint thinner.

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It will go right into that same color.

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We want this to be thin like water though.

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Finish zinc and turn the bristles.

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When you pull them out, that'll

bring it to a very sharp point.

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See there.

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Okay, let's go here now.

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Then we can go back in here and

begin putting here in there.

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The indication of a few sticks

and little lambs that you

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can see little trunks there.

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So you just drop those on wherever

you think they should live.

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That's exactly where

they should live there.

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Yeah.

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Wouldn't this be a perfect

place for a squirrel to live?

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I hope you've got to see

him during this series.

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I've showed him a couple of times.

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Actually.

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It's a she, but beautiful little creature.

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There we go.

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Okay.

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Maybe, maybe right here.

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We can see something

that's a little bigger.

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Just sort of let your imagination go here.

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I have it.

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Let's take wash the old brush.

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Let me find another two inch brush.

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We'll take a two inch press here

and I want to make a very, very

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light lavender color, very light.

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So I'll pick up a little that

lavender that we were using.

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Go into the titanium point.

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Maybe even a little more of the Crimson.

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Oh, that's nice.

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That's very nice.

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Or you could use a little

touch of the bright red.

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Let's have a little of that.

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That's even better now.

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Tap the bristles.

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Once again, that loads, that little,

little Ridge of paint right out

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on the tips of the bristle there.

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Just give it a tap, a little push.

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You can see that.

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See that little Ridge of

paint comes up right there.

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There's also a corresponding

one on the bristles and that's

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what we actually paint with.

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Now.

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Then we can go up here and the

light's singing through here.

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So we're going to have

some very bright areas.

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Yes, there we go.

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Just tap on it.

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That's beautiful.

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So easy.

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All we're using is just

the corner of the brush.

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Just the corner of the brush.

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And just begin thinking about all

the little, various shapes here,

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there all kinds of nice things.

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Just, just sorta hanging around there.

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There we go.

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And you have to make a decision

where they live and how many there

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are, where they hang out at there.

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Maybe a little more right there.

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Yeah, and that gives us a nice light area

in this painting, right back in here.

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Very lightly one hair in

some air, just barely touch.

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You can pull over that to help create

that illusion of light rays coming through

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there, but just barely, barely touched.

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So you don't distort any of this.

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That you've painted up here now, then

let's go back into our lavender color and

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we'll begin working forward with this.

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Just begin working for, to take a

little bit of lavender on the two

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inch brush, load it the same way.

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And maybe we begin to see little

tree shapes that are closer to us.

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All we're doing right now is

putting on some dark star, light

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or show when we put it in there.

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There,

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this is the way we begin creating

distance and depth in this painting.

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And we're not concerned

with this side over here.

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All we're looking for is this nice edge

right here at this point later on, we'll

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be concerned with everything, but right

now that's all we're interested in.

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Let's take a little more

of that light color.

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And as you notice,

we're working in layers.

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Tap a little bit more of that

light color onto the brush.

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Just tap it on there.

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Maybe pick up a little there a little

bit more that they look blue as it gets

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farther away from the light sources.

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Go and get a little darker,

a little more blue into it.

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Okay, let's go up here and try this now.

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Then we can begin coming in here.

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Ooh, that's nice.

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Isn't that fantastic though?

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That you can take a brush this big.

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And make something, it looks that

delicate and you can do you agree?

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There we go.

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These are beautiful paintings to give

to, if you have a young friend, this

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is a super painting for a young friend,

because this looks like something right

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out of a fairy tale, if you do it right.

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And you could, you could go back and

add in any kind of little characters

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that you wanted to, whatever.

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Maybe, maybe there's going

to be a path down here.

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So we'll begin.

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We'll begin hanging some nice

grassy things that hang right

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over the edge of this path.

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Just like, so we'll come back and work

on those a little bit in a minute.

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Right now, all we're doing is

putting in some basic ideas.

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Okay.

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Let's go to the other side, they

looked blue, alizarin Crimson, and

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you can just mix these on the brushes

you go, or you can mix up a pile

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when you first start either way.

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Whichever is easiest.

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Okay.

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Now over here on the other side,

let's come right up in here.

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Maybe there's some big trees here that

are hanging over like this, and these

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are much darker because the light

is coming from the other direction.

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These are very dark and this darkness here

will make that light look even brighter.

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The fact that this is so dark, see

how that contrast just shows up.

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You can make some unbelievable

effects, like is playing light

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against dark, dark against light.

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This black Jesso.

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It's got to be one of the most fantastic

things that I've ever came up with.

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There we go.

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It is unreal.

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Now, then on this side, I want these

trees, as I say, to be much, much darker.

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So let's take, let's take, we'll use

the same old brush that we would use it

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for highlights, but we're going to add

a lot more of the blue and the lavender.

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So it's quite a bit darker.

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Quite a bit darker once again, load

the brush by giving them a little push

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and creates that little Ridge of paint.

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You can just see it

pushing right up there.

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If it's not pushing up on your

pallet, like this chances are,

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it's also not on your bristles.

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So that's a good way to sort of test it.

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I get a lot of letters asking about this,

and this is the best way to test it.

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Push, give it a little push.

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Okay.

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Now then would that little Ridge

of paint that we've built up there?

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Now we can come up here.

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And just begin putting in

all kinds of little things.

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We'll let them get darker

and darker up in here.

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They count

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where ever you think they should be there.

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Here comes a nice one.

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There it is.

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It hangs right out over

here, like, so, okay.

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Maybe and think about form and shape here.

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Don't just throw these in at random.

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Think about them.

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Think about maybe here comes to the

night of the one that comes up and

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it goes over all these little things.

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Okay, maybe right there.

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Where would you want them?

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This really is an individual thing.

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Look at your painting because every

single painting is going to be different.

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Every one's going to be different.

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One thing that we try to

teach you is not to copy.

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We only want to teach you how to

do a method of painting, a style of

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painting, and then turn you loose on

the world because once you know how

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to do it, Then what you do becomes

the joy of painting, because you can

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paint anything that makes you happy.

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That brings joy to you and

to those that you care about

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or those that are around you.

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There we go.

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Now that I'm going to

add a little touch more.

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Maybe we'll add a little

more Crimson to that.

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00:13:10,185 --> 00:13:14,925

Just that, just to change the taste

a little bit, still loading the

249

00:13:14,925 --> 00:13:16,425

breast the same exact way though.

250

00:13:17,505 --> 00:13:17,895

Push.

251

00:13:19,320 --> 00:13:23,540

There we go see, that's a

beautiful closeup there.

252

00:13:23,540 --> 00:13:24,620

You can see that right.

253

00:13:24,620 --> 00:13:27,920

Uptight exactly how it's

loaded a little push.

254

00:13:28,130 --> 00:13:28,370

Okay.

255

00:13:29,330 --> 00:13:30,770

And then right in here.

256

00:13:33,350 --> 00:13:33,440

Yeah.

257

00:13:33,450 --> 00:13:35,930

Some things that are hanging out and

I made these little lighter because

258

00:13:35,930 --> 00:13:38,450

in my mind, I think a little more

light, which strike right there.

259

00:13:40,430 --> 00:13:41,090

There we go.

260

00:13:42,030 --> 00:13:44,070

It's a little bit

hanging right down there.

261

00:13:46,260 --> 00:13:47,610

Just all kinds of things.

262

00:13:50,430 --> 00:13:51,600

Maybe I've been here.

263

00:13:51,780 --> 00:13:52,260

I don't know.

264

00:13:53,190 --> 00:13:56,280

Wherever you think there might be some

big bushes and trees and things grow it.

265

00:13:56,610 --> 00:13:57,630

Just sorta lay a man.

266

00:13:59,310 --> 00:14:02,550

You think maybe there's little elves

or leprechauns playing in here.

267

00:14:05,430 --> 00:14:07,080

Add a little touch to

the bright red to that.

268

00:14:07,620 --> 00:14:08,520

Just once again.

269

00:14:09,135 --> 00:14:15,755

Once again, just to change the flavor

a little, but these dark ridges that

270

00:14:15,755 --> 00:14:19,475

were in here from the paintbrush, and

I use a foam applicator brush just to

271

00:14:19,475 --> 00:14:24,155

put this black Jesso, these dark ridges

here actually can become the walls.

272

00:14:24,305 --> 00:14:27,635

If there's a little path here, maybe

there's, this is a recessed area,

273

00:14:27,695 --> 00:14:29,315

but you use these things that happen.

274

00:14:30,035 --> 00:14:30,695

Don't fight them.

275

00:14:32,675 --> 00:14:34,565

All kinds of magic happens here.

276

00:14:38,670 --> 00:14:47,010

Right now, maybe on the other side here,

look at where you think a light would

277

00:14:47,040 --> 00:14:51,180

zing through and you've made it a little

bit of titanium white right there,

278

00:14:52,260 --> 00:14:54,150

right out on the end of the bristles.

279

00:14:54,900 --> 00:14:57,689

And it'll, it'll give the impression

that light's just zinging right through

280

00:14:57,689 --> 00:15:00,750

there hitting a few middle things.

281

00:15:01,275 --> 00:15:03,525

Don't overdo the, or to

lose its effectiveness.

282

00:15:04,575 --> 00:15:07,095

We want to create that illusion

of light coming through, maybe

283

00:15:07,515 --> 00:15:09,405

a little touch right out here.

284

00:15:11,235 --> 00:15:11,985

There we go.

285

00:15:14,415 --> 00:15:15,765

And that's about all we need there.

286

00:15:17,025 --> 00:15:18,615

And then let's go back to our liner brush.

287

00:15:19,965 --> 00:15:22,575

We will take the ladder

brush a little dark Sianna.

288

00:15:23,805 --> 00:15:25,605

And once again, this paint is very thin.

289

00:15:26,235 --> 00:15:27,765

It's ink consistency.

290

00:15:30,060 --> 00:15:33,390

Okay, let's go up in here,

maybe in our world right here.

291

00:15:34,950 --> 00:15:37,470

There lives a nice tree

trunk that we can see.

292

00:15:39,090 --> 00:15:42,030

And if you have trouble making

the paint flow, all you have to do

293

00:15:42,570 --> 00:15:44,070

is add more of the paint thinner.

294

00:15:44,880 --> 00:15:47,430

If it's not flowing, it's

only because it's too thick.

295

00:15:47,790 --> 00:15:52,140

Add a little paint, thinner,

a little more of the thinner,

296

00:15:55,460 --> 00:15:55,790

right?

297

00:16:01,010 --> 00:16:04,160

feels a little branches and twigs

and all kinds of things happening.

298

00:16:07,520 --> 00:16:10,670

She maybe there's a, maybe

there's a little stick.

299

00:16:10,670 --> 00:16:11,600

It lives right there.

300

00:16:11,750 --> 00:16:14,660

I don't know wherever you want them.

301

00:16:17,300 --> 00:16:17,870

See you in here.

302

00:16:18,050 --> 00:16:18,860

Just drop a man.

303

00:16:21,230 --> 00:16:21,980

Drop a man.

304

00:16:30,980 --> 00:16:35,060

and we can take just a little bit

of light paint and just, I'm just

305

00:16:35,060 --> 00:16:36,110

using a little bit of titanium.

306

00:16:36,110 --> 00:16:38,900

I once again think about where

the light was zinc through there.

307

00:16:39,650 --> 00:16:43,730

And we can add just the indication

of a little highlight here and there

308

00:16:43,730 --> 00:16:49,130

where you think it would hit on this

little trunk and really pop it out.

309

00:16:49,550 --> 00:16:50,840

Just make it stand or right out.

310

00:16:51,050 --> 00:16:52,580

Maybe the light's going to hit right here.

311

00:16:54,375 --> 00:16:57,765

I don't know, sort of just look at your

light source and make a determination

312

00:16:57,775 --> 00:16:58,755

where you think it would hit.

313

00:17:06,724 --> 00:17:07,055

Okay.

314

00:17:07,275 --> 00:17:13,055

Just gives us all kinds of little things

happening now then maybe, and our world.

315

00:17:14,415 --> 00:17:16,754

Maybe we're beginning to

see a little bit of green.

316

00:17:16,994 --> 00:17:18,194

So we'll take a little yellow.

317

00:17:18,615 --> 00:17:21,435

I'm using the same old,

dirty brush, little yellow.

318

00:17:21,435 --> 00:17:22,845

We'll be right back, right back.

319

00:17:22,984 --> 00:17:28,635

Add a little black to it, black

and yellow, make a beautiful green.

320

00:17:30,195 --> 00:17:31,455

Tap us a little color in there.

321

00:17:32,445 --> 00:17:37,625

And maybe, maybe we'll add a little

Vandyke Brown just to dull it there.

322

00:17:38,045 --> 00:17:39,185

That may be right in here.

323

00:17:39,815 --> 00:17:42,665

We have look at the look at that.

324

00:17:44,145 --> 00:17:44,475

There.

325

00:17:44,475 --> 00:17:48,344

See all these things are

just sorta hanging over here.

326

00:17:50,564 --> 00:17:53,294

And just by changing the angle of

the stroke here, you can create the

327

00:17:53,294 --> 00:17:58,365

illusion that things that maybe this

is the nice mossy things that are

328

00:17:58,365 --> 00:18:00,225

hanging over the edge of a bank.

329

00:18:02,264 --> 00:18:07,844

I'm going to tap the brush to police,

little touch of red, bright red, and an

330

00:18:07,844 --> 00:18:09,554

Indian, yellow to make a nice orange.

331

00:18:09,584 --> 00:18:11,715

Maybe there's some nice

little flowers on this Bush.

332

00:18:11,745 --> 00:18:12,254

We don't know.

333

00:18:13,635 --> 00:18:16,335

Let's see how easy you can put all

kinds of little things in there.

334

00:18:17,805 --> 00:18:20,055

Once again, it just sort

of changes the flavor.

335

00:18:21,015 --> 00:18:22,515

It makes those nice things happen.

336

00:18:24,105 --> 00:18:29,025

Now the time to get serious

here, maybe up in here, let's go.

337

00:18:29,025 --> 00:18:29,565

We have pair.

338

00:18:30,435 --> 00:18:33,795

Maybe there's some big

overhanging tree limbs.

339

00:18:35,455 --> 00:18:40,935

Have, and we can just begin taking the

brush using just the corner and begin

340

00:18:40,935 --> 00:18:46,575

shaping all of these beautiful limbs

of hang over here, but really devote

341

00:18:46,575 --> 00:18:50,085

a little time to looking at the shape

and the form that you put in here.

342

00:18:51,765 --> 00:18:53,355

Don't want to just

throw them on at random.

343

00:18:55,050 --> 00:18:56,070

Don't just throw them off.

344

00:18:57,570 --> 00:18:58,320

Think about them.

345

00:18:59,010 --> 00:19:01,620

Think about the fact that there's

limbs inside of this tree.

346

00:19:01,650 --> 00:19:05,850

Maybe there's a big trunk over here that

we can't see and there's limbs in here.

347

00:19:05,850 --> 00:19:09,150

And each one of these

limbs has a personality.

348

00:19:09,150 --> 00:19:09,870

All of its own.

349

00:19:11,670 --> 00:19:12,510

Each one of them.

350

00:19:14,490 --> 00:19:15,150

There we go.

351

00:19:18,210 --> 00:19:19,920

Let's see how you can

create that illusion.

352

00:19:19,920 --> 00:19:20,340

It looks like.

353

00:19:21,015 --> 00:19:23,295

Just huge, huge branches hanging over.

354

00:19:25,875 --> 00:19:30,015

Now, if you've never painted before,

this would be an ideal painting

355

00:19:30,015 --> 00:19:34,065

for your first attempt, because

it's probably one of the simplest

356

00:19:34,065 --> 00:19:36,705

paintings of this series and it works.

357

00:19:37,185 --> 00:19:38,295

It works so well.

358

00:19:41,295 --> 00:19:43,695

Very, very nice little painting to learn.

359

00:19:44,850 --> 00:19:49,430

Maybe here comes one all the

way over and right across

360

00:19:54,230 --> 00:19:54,710

there,

361

00:19:58,430 --> 00:20:02,000

but just play with these little things

and bring them together, work with them.

362

00:20:02,810 --> 00:20:05,270

Be careful that you don't lose all

your dark areas, because if you

363

00:20:05,270 --> 00:20:09,020

lose all that dark, then you're

going to lose the illusion of this.

364

00:20:10,185 --> 00:20:11,625

Very subdued place.

365

00:20:12,555 --> 00:20:13,695

Very quiet place.

366

00:20:13,695 --> 00:20:14,745

It's steep in the woods

367

00:20:17,865 --> 00:20:18,195

there.

368

00:20:19,274 --> 00:20:19,665

Dang.

369

00:20:19,935 --> 00:20:20,895

Maybe right here.

370

00:20:21,885 --> 00:20:28,514

See that all these

things just work out now.

371

00:20:28,605 --> 00:20:30,825

A little brighter yellow

right here because of my mind.

372

00:20:30,825 --> 00:20:34,065

There's gotta to be a little more light

right here than there is back over here.

373

00:20:36,345 --> 00:20:39,595

When you're back over here, we

use a much darker, more subdued.

374

00:20:39,825 --> 00:20:42,725

Sorry, there.

375

00:20:45,425 --> 00:20:48,575

Now then let's come back out

here and let's use a color.

376

00:20:49,175 --> 00:20:50,855

Has a little more of the bright in it.

377

00:20:52,235 --> 00:20:54,695

Just let it, just let it work right over.

378

00:20:55,035 --> 00:20:55,265

Yeah,

379

00:20:58,295 --> 00:20:58,955

there we go.

380

00:20:59,135 --> 00:20:59,765

Sparkling.

381

00:21:03,285 --> 00:21:06,945

And when we get back in these more

recessed areas, a darker green

382

00:21:11,855 --> 00:21:13,775

has this made you want to

get your paint brush out yet?

383

00:21:16,865 --> 00:21:20,855

This one you're like, does that say,

even if you've never painted, this

384

00:21:20,855 --> 00:21:22,415

is a beautiful little painting to do.

385

00:21:24,575 --> 00:21:28,715

We travel all over the country and

teach classes and do demonstrations.

386

00:21:29,595 --> 00:21:37,425

And this is one that the students

love so well there, but to see what's

387

00:21:37,425 --> 00:21:40,305

happening down here already, you

begin to make out that the illusion

388

00:21:40,305 --> 00:21:43,125

of little path down here, we haven't

even painted anything here yet.

389

00:21:43,305 --> 00:21:43,755

We will.

390

00:21:45,015 --> 00:21:48,405

But at this point, all we're doing

is just creating that illusion.

391

00:21:49,470 --> 00:21:50,970

With big trees hanging over.

392

00:21:51,060 --> 00:21:51,840

Tell you what let's do.

393

00:21:51,930 --> 00:21:52,230

Shoot.

394

00:21:52,230 --> 00:21:52,860

This looks good.

395

00:21:53,730 --> 00:21:56,340

Take a little more of the midnight flag.

396

00:21:56,370 --> 00:21:58,020

Let's get some SAP green in there too.

397

00:21:58,500 --> 00:21:59,310

Oh, that's nice.

398

00:22:01,230 --> 00:22:01,950

A little bit of Brown.

399

00:22:01,950 --> 00:22:03,420

Be right back there.

400

00:22:04,260 --> 00:22:06,750

Add some Vandyke Brown

in there only to dull it.

401

00:22:07,710 --> 00:22:11,310

Dulls the green down now

then push that brush.

402

00:22:12,000 --> 00:22:13,710

There's that little Ridge

of paint we talk about.

403

00:22:14,835 --> 00:22:16,305

There just give it a little push.

404

00:22:16,365 --> 00:22:17,745

See it works very well.

405

00:22:17,745 --> 00:22:21,255

Let's go back up here and there, maybe

on this side, there's some big trees too.

406

00:22:21,705 --> 00:22:22,275

Who knows?

407

00:22:22,935 --> 00:22:26,505

So make a decision

here, drop them in here.

408

00:22:26,505 --> 00:22:26,835

They come.

409

00:22:29,645 --> 00:22:30,265

Just bring them.

410

00:22:31,055 --> 00:22:32,735

Maybe they come right across over here.

411

00:22:33,755 --> 00:22:36,245

And if you want to make them stand

out a little, add a little more of

412

00:22:36,245 --> 00:22:40,625

the bright color and then they'll come

right out and they'll stand in front.

413

00:22:42,155 --> 00:22:42,635

Like, so.

414

00:22:45,780 --> 00:22:47,850

See how that pushes that

other layer of trees back.

415

00:22:50,400 --> 00:22:53,100

This is an excellent painting though,

to give you a lot of practice,

416

00:22:53,100 --> 00:22:54,810

making all these beautiful things,

417

00:22:58,080 --> 00:22:59,370

but form and shape.

418

00:22:59,400 --> 00:23:02,760

I can't say that enough are

most, most important when you're

419

00:23:02,760 --> 00:23:06,120

doing this most important.

420

00:23:08,220 --> 00:23:11,640

And as I mentioned earlier, try not

to kill all the dark area in here.

421

00:23:12,240 --> 00:23:16,020

If you kill all this dark area, then

you're going to lose that distance.

422

00:23:18,290 --> 00:23:18,770

They're

423

00:23:25,160 --> 00:23:25,910

fantastic.

424

00:23:27,825 --> 00:23:32,445

And I think I mentioned earlier in the

series with the completion of this series,

425

00:23:32,445 --> 00:23:35,905

there'll be well over 230 shows Saturday.

426

00:23:35,975 --> 00:23:36,915

God, I can't believe.

427

00:23:38,085 --> 00:23:41,775

And I sincerely appreciate the

fact that you keep allowing me

428

00:23:41,775 --> 00:23:45,885

to come back into your home and

bring the new shows and new ideas.

429

00:23:48,105 --> 00:23:49,845

It was very special to all of us here.

430

00:23:52,455 --> 00:23:54,375

And I'd like to thank

you for that opportunity.

431

00:23:55,755 --> 00:23:58,365

And if you'd like to keep seeing

the shows, or you'd like to see

432

00:23:58,365 --> 00:24:01,395

some of the ones that you've missed,

give me a station to call, let them

433

00:24:01,395 --> 00:24:02,475

know that you'd like to see them.

434

00:24:03,705 --> 00:24:08,315

That's the only way they have of

knowing that you're enjoying fair,

435

00:24:11,885 --> 00:24:19,025

maybe read on down wherever, just sort

of make a decision and drop them in here.

436

00:24:21,495 --> 00:24:22,725

Where are you think they should be?

437

00:24:24,375 --> 00:24:27,345

I tell you what, let's have

some fun maybe, maybe right

438

00:24:27,345 --> 00:24:28,605

in here, maybe right in here.

439

00:24:29,505 --> 00:24:31,685

Let's take some with Vandyke Brown.

440

00:24:31,685 --> 00:24:32,435

We just pull it out.

441

00:24:32,525 --> 00:24:33,305

Very flat.

442

00:24:33,605 --> 00:24:36,065

Cut us off a little roll of, they

pull it out as flat as you can get it.

443

00:24:36,875 --> 00:24:40,025

Go straight down with the knife, zip

and there's our little reel of paint.

444

00:24:40,955 --> 00:24:43,715

Maybe there's a huge tree, huge tree.

445

00:24:44,690 --> 00:24:45,420

Lives right here.

446

00:24:46,590 --> 00:24:49,980

We just put in some Brown,

straight Vandyke Brown.

447

00:24:49,980 --> 00:24:51,510

Maybe it goes right on up here.

448

00:24:52,260 --> 00:24:55,260

Maybe you can even see a little up

here wherever you think it should be.

449

00:24:56,910 --> 00:24:58,379

Just straight over in light Brown.

450

00:24:59,960 --> 00:25:00,230

Yeah.

451

00:25:00,260 --> 00:25:06,050

We'll take some white, a little van

Dyke, dark Santa mix them together.

452

00:25:07,010 --> 00:25:08,330

But I want to marble that one.

453

00:25:08,600 --> 00:25:10,879

I want the color to be very varied here.

454

00:25:12,045 --> 00:25:16,425

So you don't end up with one color, see

all the different color combinations.

455

00:25:16,965 --> 00:25:20,085

And when you cut off your little

roll of paint, those variations

456

00:25:20,085 --> 00:25:21,105

will be right in there too.

457

00:25:21,995 --> 00:25:26,735

And let's go up in here and

just touch and barely graze.

458

00:25:26,735 --> 00:25:29,165

The canvas to her comes up big tree.

459

00:25:30,725 --> 00:25:31,565

There he comes.

460

00:25:32,285 --> 00:25:36,965

It's got a huge foot on him and he needs

that to hold him up the tree, this big.

461

00:25:38,580 --> 00:25:40,800

And this is just like link

snow on the mountain here.

462

00:25:41,100 --> 00:25:43,050

Just barely grazing the canvas.

463

00:25:45,430 --> 00:25:52,550

Barely grazing here, maybe a

little light shining through there.

464

00:25:52,820 --> 00:25:55,670

See how that just by doing

that, it gives the impression

465

00:25:55,670 --> 00:25:59,180

of bark old rough bark up here.

466

00:26:02,370 --> 00:26:05,340

And a little bit of Brown,

so we can Dell it over here.

467

00:26:05,370 --> 00:26:07,080

We don't want this side

to be as bright as that.

468

00:26:08,129 --> 00:26:10,469

So just take a little Brown,

Dell it down a little bit.

469

00:26:15,770 --> 00:26:15,949

Okay.

470

00:26:16,010 --> 00:26:19,280

Let's take a fan brush with at least

little at Brown and white on it.

471

00:26:20,195 --> 00:26:25,635

Let's go back in here, just

hearing their indication.

472

00:26:25,745 --> 00:26:26,825

We have a little path.

473

00:26:26,915 --> 00:26:30,215

We don't want a lot of

detail too dark in here.

474

00:26:31,925 --> 00:26:33,035

You bring that right on.

475

00:26:33,035 --> 00:26:33,245

Now.

476

00:26:34,985 --> 00:26:36,515

Create a beautiful little path.

477

00:26:38,220 --> 00:26:43,200

Back to her brush that has the green

on it and has come down here and put a

478

00:26:43,200 --> 00:26:46,649

little bit of green little grassy areas

right along the foot of this big old tree.

479

00:26:48,240 --> 00:26:54,600

Like, so in this a fantastic

little pain, once again, this

480

00:26:54,600 --> 00:26:55,740

is an excellent painting though.

481

00:26:55,830 --> 00:26:58,860

Even if you've never painted

before, you can make this

482

00:26:58,860 --> 00:27:00,659

one work without any problem.

483

00:27:02,730 --> 00:27:05,340

And with that, I think we're

going to call this one finished.

484

00:27:05,340 --> 00:27:06,210

I hope you've enjoyed it.

485

00:27:06,240 --> 00:27:08,370

And I hope you try it from all of us here.

486

00:27:08,490 --> 00:27:09,240

Happy painting.

487

00:27:09,810 --> 00:27:11,040

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E11 - Enchanted Forest

Bob Ross's

The Joy of Painting

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