Bob Ross's

The Joy of Painting

S18E05 - Autumn Exibition

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Well, welcome back.

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Certainly glad you could join me today.

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It's a fantastic day here and

I hope it is wherever you are.

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So I tell you what, let's start out today

in ham, run all the colors across the

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screen that you need to paint along with

me at home while they're doing that.

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Let me tell you what

I've already done here.

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I have my standard old 18 by 24 inch

canvas, double primed pre-stretch

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canvas, and I've covered it with a

thin even coat of the liquid white.

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So it's all wet and slick and ready to go.

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So let's go, not today.

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We're just do a beautiful little painting.

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Maybe we'll do something with fall colors.

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It's it's a good day.

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So let's just, let's start out and

do a very simple little sky, very

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simple nondescript type little sky.

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We'll take a little bit of the

yellow ochre on the two inch brush.

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Very small amount.

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Maybe just go up in here and

let's just begin blending in some

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nice, warm little colors here.

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This is just yellow ochre, but

it's mixing with the liquid white.

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And it'll be very pale

and very, very soft there.

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Maybe a touch, more color

right about in here, wherever.

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Yeah.

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Tell you, what tell you what?

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Let's take a little touch of the

lizard and Crimson on the two

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inch brush and very small amount.

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Just pull a little bit out and tap the

bristles firmly into the paint that

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assures a nice even distribution of

color all the way through the bristles.

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Okay.

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Now then maybe right in here,

we'll put a nice little warm spot,

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little pink spot, just like that.

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We're using little crisscross

strokes or little exes.

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Like that and just blend

that color right in.

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Once again, this is going to be a very

nondescript little sky, very, very soft.

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You won't hardly even notice it

when the painting's done there.

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We just blend that Crimson

and ochre together.

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Let's have some fun.

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Tell you what?

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I'll take the knife.

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I'm want to mix up some

lavender purple color.

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We'll take some the lizard and

Crimson, a little bit of Laylo blue.

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Now proportionately much,

much more Crimson than blue.

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The blue is many, many times stronger.

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Pick it up, turned all the way over.

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If you really want to mix it.

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Well, now we can take a little

bit of white and lay out here

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and see what color we have there.

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Okay.

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Sometimes it's very difficult to tell

what color that is without putting

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a little white there, because it's

going to look just basically black.

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So put a little bit of white and

then you can test your color.

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We'll put the small amount

of that lavender right here

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on that two inch brush.

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And maybe there's a little

cloud that floats right here.

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Okay.

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This tab.

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So all we have to do, but in a very

basic little idea of a cloud, maybe

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right in here, we'll put in a little.

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Little color, like, so very

soft, very gentle there.

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Then with a clean brush, we're

just going to brush this.

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I have several brushes going, so I don't

have to wash them between each procedure.

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Not easy.

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We have a very nice, very effective.

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Soft little sky.

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Now that a month, I'm going to

continue to use this two inch brush.

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I'll go right into that lavender color

and made maybe we'll maybe we'll make

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some little background trees and just

tapping the corner into the paint.

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I don't want a lot of

paint on the bristles.

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Just a little.

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Okay, let's go ahead up here now

then begin thinking about some very

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basic little tree shapes and we're

not looking for a lot of detail here.

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This is too far away.

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If you put too much detail, you'll

lose that illusion of distance.

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So be very careful, very careful.

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It starts working.

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It feels good.

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And you want to just, Oh, you get

carried away there, but we want this

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to be very soft and very distant.

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There we go.

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And think about little individual trees

and bushes and all kinds of little shapes

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here and just sort to let your imagination

take you wherever you want to go.

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It looks soft and far away already.

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We haven't heard a Denver thing too.

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And if you want to create more

missed at the base of this,

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we'll take a clean, dry brush.

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Tap the bottom of these little

bushes and trees, but just

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the bottom, just the bottom.

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And very lightly two hairs and

some air touch and lift upward.

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There we go.

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Maybe we want to put

several layers in there.

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That's pretty easy to do.

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Also, we'll take a little bit more of

the color on the two inch brush and.

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Tap firmly tap from there where we

can begin putting in the next layer.

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And this is a little bit darker each

layer, as it gets closer to you, the

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landscape should get a little darker.

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There we go.

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Maybe right here, wherever you want.

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Just drop them in.

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Okay, that's fantastic already.

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I like it pretty much.

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A little distant trees are so

easy and so much fun to make.

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Maybe we back in here, we're beginning

to see the first indication of a little

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bit of color, but very small amounts.

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So I'll go into a little

touch of the yellow ochre.

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Maybe even pick up a little bit of bright

red there we'll have a fall seem to be.

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That sounds good.

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Okay.

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Now then, Let's just begin.

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You still using just the top

corner, just happy in the

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indication of a little bit of color.

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Not too much.

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Or once again, you'll lose that

illusion of distance and depth.

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There.

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Just a few little indications, maybe

there's one right here, wherever,

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and I think.

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Thanks today.

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That's about all we need under here.

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I must have a little grassy

area, a little grassy area.

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So I'll just take a little bit

more of that same lavender color

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decide basically where your little

grassy area is going to live.

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And let's come right up in here.

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And all you have to do is just tap it in.

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This is just the dark SAR,

light color we'll show.

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All we're putting in right now.

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Doesn't matter how you put the sand.

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You can put this in with a paint

roller doesn't matter, and you're

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where you want to do it there.

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Tell you what, maybe down in here,

there's a little bit of water.

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You know me, I love water and

it's so much fun to paint with

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this particular technique.

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We'll take a little bit

of the fatal, blow it up.

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Still using the same old, dirty brush.

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There we go.

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And let's just come right across here.

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I don't want much water in this.

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Maybe just a happy little pond where

you back in the distance somewhere.

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So I'll just take a little bit

of say a little blue and come

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right across here, like, so,

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okay.

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Now we want to reflect a

little bit that in there.

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So I'll take a little bit of

the lavender color, same color.

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Touch and just pull it down.

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Same lavender color, not a great deal.

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Just enough to indicate

a little reflection

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straight down though.

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It's most important that these

lions come straight down.

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If they go at an angle, it's going

to bother the eye to drive you crazy.

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And maybe you won't even know why they're.

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Now that same old brush still

haven't washed this whole brush.

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We'll take a little yellow ochre.

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Oh little Indian, yellow, CAD yellow.

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Just mix them together.

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This is going to be a fall picture.

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We want a lot of the nice, pretty colors.

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Maybe even a little touch of the bright

red hair in there, but mix these colors

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on your brush and that way you get a

multitude of things happening on your

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brush rather than one old dead color.

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Okay.

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Let's try that.

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Let's see what we have here.

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Screw right up here,

slightly above the dark area.

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And think about the lay of the

land here, the way the land flows.

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And we'll just begin dropping

in some happy little things.

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They're all kinds of

little happenings here.

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This is far away.

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So we're still not looking

for a lot of detail.

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All we're looking for is

basic shape and color.

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All right, maybe there's

a little land back here.

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Let's take a little bit of the

Vandyke brand, a little dark Sienna

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mixed together with a knife, pull

it out as flat as we can get it.

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Just really pull it out flat.

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Then cut across and get our

little roll of paint there.

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You can see it right in

the edge of the night.

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And then I've been here.

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I've been here.

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Let's just scrub in a

little bit of land area.

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Don't want a lot, don't want a lot, just,

just enough to give the indication of

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a little bank there or something there.

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Yeah, man.

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Go into a little touch of the liquid

white, maybe at the least little touch

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it, the little blue to it, just to

cool it down a little bit there, pull

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it out for like that and cut across.

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So all there is to it.

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Now we go up here and act like he tried

to cut a hole right through the canvas.

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We'll just cut in a little water line.

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There's just a light area between these

darks and it sort of separates him, makes

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things, just makes things look better.

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Excuse me.

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They might even be a little

ripple or two out here.

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We don't know.

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And your world, you make these decisions,

you decide where all these things are.

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Okay.

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Now it's time to really get crazy.

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Let's take the old big brush.

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We'll go right into that

lavender color we've made.

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Now I add some Vandyke Brown to it.

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Shoot, maybe even some black

make a good, strong, dark color,

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lot of paint in the bristles.

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Add that.

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Let's start, let's start deciding

how our Lamb's gonna flow here.

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Maybe it's going to come right about here.

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And all we're doing here is

just tapping in some color.

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Maybe there's some bushes

that live right there.

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Just push upward with a brush.

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They didn't mix all those

little bushy effects.

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But the brush worked for you.

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Shoot.

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Maybe the land comes maybe

comes right on up here.

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I don't know.

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Just make a decision in your world

and put it wherever you want it.

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There.

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Maybe that's the way

our land will be today.

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Yeah, we can just really just

paint this in, just like, just

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like we're painting the barn.

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Shoot.

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Just want to cover this

with Nash, dark color.

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When you're using a big old

two inch brush, it didn't

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take too long to do all this.

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Let me just sort of throw it here.

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Maybe we want some trees in our world.

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Maybe, maybe we'll have a lot of trees.

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It is up to you when

you're doing your painting.

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You sort of look around and decide

what you want, because you can create

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any kind of world that you want.

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We'll just take the same

old brush, same old brush.

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We'll go through those same colors.

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Get some Crimson.

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Maybe we'll add some SAP green too.

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That's a beautiful color there.

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Just pull it through in one

direction, one direction and see

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that creates a curve on that brush.

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You see that round curve on the top.

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We want to keep that curve on the top.

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Must go up to the canvas.

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Now maybe we can bring the

camera in here real close.

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And when we touch, we want to

give it a little push, give

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it a push, see that happening.

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See push and you can

create, look it there.

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There's you can really see it

now, but see at push that's.

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What creates all those

beautiful little leafy effects.

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Maybe it's a Bush lives.

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Right?

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Got a friend in there wherever, wherever

don't be afraid to experiment though.

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When you painting, sometimes you

learn more from making mistakes than

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you learn from, from really trying

to paint a beautiful masterpiece.

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Your mistakes can also let's go up here.

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I had a fair let's make one.

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We have been the sky there.

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Maybe there's a big tree.

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It lives right up here.

251

00:13:20,580 --> 00:13:23,760

He looks around and he watches a

little pond here and all the little

252

00:13:23,760 --> 00:13:25,260

creatures that live around the pond.

253

00:13:26,010 --> 00:13:28,110

Cause you know, there'd be all

kinds of little things around

254

00:13:28,110 --> 00:13:32,520

the water and hold there, give

you the have ducks and squirrels.

255

00:13:33,810 --> 00:13:35,220

Hope you get to see my little squirrel.

256

00:13:35,220 --> 00:13:37,350

I showed him one of the

earlier shows of this series.

257

00:13:38,370 --> 00:13:40,050

He's a character actually.

258

00:13:40,050 --> 00:13:40,650

It's a, she.

259

00:13:42,475 --> 00:13:43,335

Something else.

260

00:13:43,335 --> 00:13:46,005

So maybe I'll maybe I'll bring

the squirrel back in when the

261

00:13:46,015 --> 00:13:47,235

later shows and let you see her.

262

00:13:48,495 --> 00:13:49,035

There we go.

263

00:13:49,665 --> 00:13:53,025

And that might have raised her since

she was just tiny little critter.

264

00:13:53,835 --> 00:14:02,415

Didn't even have her eyes open there and

we have great big tree now that easy,

265

00:14:04,305 --> 00:14:06,645

big, old tree I'm getting carried away.

266

00:14:06,645 --> 00:14:08,695

Now let's have some, let's

really have some fun.

267

00:14:08,725 --> 00:14:10,155

I'll go back into all these dark colors.

268

00:14:11,445 --> 00:14:12,435

Just pull them out here.

269

00:14:12,825 --> 00:14:16,815

Maybe there's a whole clump

of trees lives right here.

270

00:14:17,385 --> 00:14:21,795

I don't know wherever,

but push that brush.

271

00:14:21,885 --> 00:14:22,515

Bend it.

272

00:14:22,755 --> 00:14:23,685

Don't let it slide.

273

00:14:23,985 --> 00:14:24,315

Look here.

274

00:14:24,315 --> 00:14:26,835

If it slides see, that's what

you're going to get, who we don't

275

00:14:26,835 --> 00:14:28,515

want that look at the difference.

276

00:14:29,265 --> 00:14:31,215

See that nice open leafy effect.

277

00:14:31,455 --> 00:14:32,505

That's what we're looking for.

278

00:14:33,135 --> 00:14:34,905

That's what will make

your painting special?

279

00:14:36,945 --> 00:14:39,975

The only time we use a sliding

effect that I can think of right

280

00:14:39,975 --> 00:14:44,085

now is when we're making, like,

saw grass that lives in the water.

281

00:14:47,455 --> 00:14:50,725

Sometimes we're painting scenes

from Florida, Louisiana, et cetera.

282

00:14:51,205 --> 00:14:55,495

You have that beautiful grass

that grows in the water, and

283

00:14:55,495 --> 00:14:59,515

that's the way you make get there.

284

00:15:00,525 --> 00:15:01,165

See that easily.

285

00:15:01,165 --> 00:15:03,205

You can block in a whole forest basically.

286

00:15:05,515 --> 00:15:10,495

And you begin seeing things, things,

this is almost a natural place right

287

00:15:10,495 --> 00:15:12,325

here for a little path to live.

288

00:15:12,824 --> 00:15:13,605

We'll think about that.

289

00:15:13,605 --> 00:15:14,745

We may put a path in there.

290

00:15:14,895 --> 00:15:16,635

What the heck, what the heck?

291

00:15:17,204 --> 00:15:20,025

And on this style of painting, you

really don't have to make big decisions

292

00:15:21,225 --> 00:15:24,165

and you look at your work and you

decide what, what do you see in there?

293

00:15:25,005 --> 00:15:27,165

And then you take that and work with it.

294

00:15:27,495 --> 00:15:29,235

And that's where you,

you really have your fun.

295

00:15:29,265 --> 00:15:30,824

That's where you really become creative.

296

00:15:31,574 --> 00:15:32,745

Let's take a fan brush here.

297

00:15:32,865 --> 00:15:35,775

I'm going to take both sides

through some Brown and then take

298

00:15:35,775 --> 00:15:38,295

one side through titanium white.

299

00:15:39,975 --> 00:15:40,545

There we are.

300

00:15:40,785 --> 00:15:42,105

So we have white on one side.

301

00:15:44,314 --> 00:15:44,795

See there.

302

00:15:45,125 --> 00:15:45,425

Okay.

303

00:15:46,055 --> 00:15:48,575

Now then you have to make

a decision right now.

304

00:15:48,605 --> 00:15:49,745

Where's our light coming from.

305

00:15:49,805 --> 00:15:52,055

If you're right-handed, you'll

probably find it as easy to have

306

00:15:52,055 --> 00:15:53,255

the light coming from the right.

307

00:15:53,735 --> 00:15:56,285

So put the light side on the right side.

308

00:15:57,185 --> 00:16:03,125

It's hard to say in one mouthful and

just pull down and we can put a whole

309

00:16:03,125 --> 00:16:07,655

tree trunk in there at one stroke, both

sides, the highlight and the shadow.

310

00:16:08,265 --> 00:16:11,925

In one stroke, say they're sneaky.

311

00:16:11,925 --> 00:16:12,135

Huh?

312

00:16:13,605 --> 00:16:14,565

Maybe over here.

313

00:16:15,195 --> 00:16:16,755

Maybe there's several trees over here.

314

00:16:17,405 --> 00:16:20,045

So you decide how many

trees live in Europe?

315

00:16:21,275 --> 00:16:22,445

Clump her group.

316

00:16:22,985 --> 00:16:23,075

Okay.

317

00:16:23,405 --> 00:16:27,515

You decide, and maybe you can't see

the container trunk of all of them.

318

00:16:27,515 --> 00:16:31,205

Maybe you can only see that much of that

one because maybe it was a big Bush here.

319

00:16:31,205 --> 00:16:31,655

I don't know.

320

00:16:32,195 --> 00:16:32,495

Just.

321

00:16:33,180 --> 00:16:36,840

Use your imagination, but you don't want

every one of them to be exactly the same.

322

00:16:36,840 --> 00:16:39,569

You don't want each one of

them to be perfectly straight.

323

00:16:39,960 --> 00:16:41,010

It becomes very boring.

324

00:16:41,040 --> 00:16:41,699

Very quickly.

325

00:16:42,240 --> 00:16:45,030

Maybe, maybe there's a

Liam here on this one.

326

00:16:46,380 --> 00:16:48,510

See just whatever you want though.

327

00:16:49,470 --> 00:16:53,610

Maybe over here, you can see a little

teeny one, gotta have small trees

328

00:16:53,790 --> 00:16:54,960

or you never have any big ones.

329

00:16:55,860 --> 00:16:56,370

Okay.

330

00:16:57,449 --> 00:17:01,470

Now then today let's use a,

let's use a one inch brush.

331

00:17:03,570 --> 00:17:08,910

And I'm gonna dip it into a little

bit, little bit of the liquid white,

332

00:17:08,910 --> 00:17:10,170

and then we'll go through color.

333

00:17:10,319 --> 00:17:11,480

We'll start with yellow.

334

00:17:11,490 --> 00:17:14,790

I reach up here and get a

little, little bit of black,

335

00:17:17,870 --> 00:17:18,890

white, little red.

336

00:17:19,250 --> 00:17:20,990

We just, this is going to be a fall scene.

337

00:17:20,990 --> 00:17:22,430

We need a lot of beautiful colors.

338

00:17:22,430 --> 00:17:23,450

There's some yellow ochre.

339

00:17:25,040 --> 00:17:26,270

Put your sunglasses on this.

340

00:17:26,270 --> 00:17:29,570

One's going to be a bright one, but

pull this brush in one direction.

341

00:17:30,600 --> 00:17:31,020

I can't.

342

00:17:31,410 --> 00:17:33,120

And once again, see the rounded corner.

343

00:17:33,750 --> 00:17:34,800

That's what we're looking for.

344

00:17:34,800 --> 00:17:38,370

But that rounded corner to the top,

let's go right here, go slightly above

345

00:17:38,370 --> 00:17:45,780

the dark and very gently, very gently

begin laying in your shape of your tree.

346

00:17:46,650 --> 00:17:48,900

I remember this tree is not flat.

347

00:17:49,770 --> 00:17:53,040

It has round this this

way as well as this way.

348

00:17:54,150 --> 00:17:57,720

So think about shape and form when

you're building your tree, don't just.

349

00:17:58,410 --> 00:17:59,730

Throw a bunch of color on it.

350

00:18:00,750 --> 00:18:05,540

Cause the old tree will come out, looking

flat as a boy, giving some character,

351

00:18:05,870 --> 00:18:09,420

let each tree be an individual there.

352

00:18:09,590 --> 00:18:13,520

Like people they want to be,

they want to be individuals.

353

00:18:14,510 --> 00:18:18,950

Now sometimes when you have fall scenes,

maybe Jack Frost, didn't get all of it.

354

00:18:18,950 --> 00:18:20,510

And there's still a little

green here and there.

355

00:18:21,380 --> 00:18:24,020

Some plants never turn colors.

356

00:18:25,280 --> 00:18:26,960

So let's have one of those right here.

357

00:18:28,950 --> 00:18:30,900

Just a nice one that has

a little green in it.

358

00:18:32,820 --> 00:18:35,430

Maybe he's got a little friend

that lives here behind this Bush.

359

00:18:35,550 --> 00:18:36,060

We don't know.

360

00:18:37,170 --> 00:18:40,200

But once again, and I know you

get tired of hearing it all the

361

00:18:40,200 --> 00:18:42,270

time, do one Bush at a time.

362

00:18:42,750 --> 00:18:44,100

Don't be in too big of a hurry.

363

00:18:45,120 --> 00:18:47,310

I'm going to leave some of these

dark things sticking up back at it.

364

00:18:47,310 --> 00:18:48,740

He'll be, there'll be nice.

365

00:18:49,760 --> 00:18:53,750

Think I'll go into my yellow

ochre little medicad yellow.

366

00:18:56,310 --> 00:19:02,700

Let's go up here to this tree and maybe

up here in this tree, maybe, maybe, yeah.

367

00:19:03,710 --> 00:19:06,050

There's some beautiful

colors up in here too.

368

00:19:07,490 --> 00:19:08,120

Once again.

369

00:19:08,270 --> 00:19:09,800

Think about shaping this tree.

370

00:19:11,300 --> 00:19:14,660

So, so important there.

371

00:19:20,310 --> 00:19:23,820

They're right across the trunk

because you don't see the entire

372

00:19:23,820 --> 00:19:27,900

trunk at a tree normally in nature.

373

00:19:27,900 --> 00:19:30,960

There's just about exceptions

to every rule, but normally

374

00:19:30,990 --> 00:19:32,490

you won't see the entire trunk.

375

00:19:35,730 --> 00:19:36,330

There we go.

376

00:19:37,080 --> 00:19:40,950

Maybe back here there's even

a little, we don't know.

377

00:19:40,980 --> 00:19:42,900

Let's have some, must

have a firecracker there.

378

00:19:43,110 --> 00:19:46,110

Shoot, let me go into a little bit of

a lizard Crimson and then the yellow.

379

00:19:47,565 --> 00:19:48,615

Losing Crimson.

380

00:19:48,615 --> 00:19:51,195

And then some kid yellow, we're

going to make a, we going to

381

00:19:51,195 --> 00:19:52,455

make a firecracker right there.

382

00:19:52,545 --> 00:19:53,235

That'll be pretty.

383

00:19:54,975 --> 00:19:56,985

They're full of brushing

at one direction though.

384

00:19:58,035 --> 00:19:59,925

Now that maybe right in here lives.

385

00:20:00,375 --> 00:20:01,245

Ooh, that's nice.

386

00:20:02,235 --> 00:20:03,075

That is nice.

387

00:20:05,265 --> 00:20:13,335

There, there he is just, he just

hangs out here around the pond there

388

00:20:14,175 --> 00:20:15,555

maybe even a little bright red.

389

00:20:16,560 --> 00:20:17,280

Down here.

390

00:20:20,280 --> 00:20:21,330

Beautiful little Bush.

391

00:20:24,870 --> 00:20:25,320

Okay.

392

00:20:25,470 --> 00:20:27,150

There is a little bit over in here.

393

00:20:29,370 --> 00:20:29,970

There he is.

394

00:20:31,830 --> 00:20:33,210

Practice some of this brush though.

395

00:20:33,240 --> 00:20:38,460

You'll be surprised, probably be amazed

at what you can do with a brush like this.

396

00:20:39,405 --> 00:20:41,385

I'm going to go into a little

bit more of the liquid white.

397

00:20:41,925 --> 00:20:45,405

If you have trouble making your color

stick had a little bit liquid white

398

00:20:46,155 --> 00:20:49,545

or a little bit of paint thinner, but

very small amount of paint thinner.

399

00:20:49,605 --> 00:20:53,565

The liquid white now will change your

color a little bit, make it brighter.

400

00:20:54,465 --> 00:20:54,795

Okay.

401

00:20:54,885 --> 00:20:55,175

Let's see.

402

00:20:55,275 --> 00:21:00,225

Just have a little bit of green

there and we'll go right here.

403

00:21:00,255 --> 00:21:03,015

Maybe there's a happy little

Bush that lives right there.

404

00:21:04,919 --> 00:21:06,120

Very these colors though.

405

00:21:06,209 --> 00:21:11,240

And fall, you have every color

that you can imagine there.

406

00:21:12,889 --> 00:21:13,220

Shoot.

407

00:21:13,250 --> 00:21:14,899

Oh, have that green, maybe over here.

408

00:21:15,919 --> 00:21:18,199

There's a nice little Bush right there.

409

00:21:20,149 --> 00:21:20,750

There we go.

410

00:21:23,750 --> 00:21:26,929

She can begin creating all

kinds of effects to you.

411

00:21:26,929 --> 00:21:28,100

What tell you what.

412

00:21:28,754 --> 00:21:30,315

Let's go back into our yellow ochre.

413

00:21:30,345 --> 00:21:31,695

Maybe I'll grab some bright red.

414

00:21:32,264 --> 00:21:33,225

Ooh, that's a pretty one.

415

00:21:34,575 --> 00:21:35,385

That's a pretty one.

416

00:21:36,014 --> 00:21:39,004

All right, let's go right up in here.

417

00:21:40,415 --> 00:21:46,385

Now, sometimes these big trees have a

tendency to scare you, but just remember

418

00:21:46,385 --> 00:21:52,235

that large trees are nothing more than

clumps of bushes, but together it's just

419

00:21:52,235 --> 00:21:53,695

a whole group of little small bushes.

420

00:21:53,705 --> 00:21:54,335

It got together.

421

00:21:54,810 --> 00:21:58,980

And made a big tree and work on

individual shapes inside of this tree.

422

00:21:59,190 --> 00:22:05,400

Thank you at each limb, for example, is

just a Bush, just a little Bush sticking

423

00:22:05,400 --> 00:22:09,150

out there and don't be afraid to reload.

424

00:22:09,150 --> 00:22:13,650

The brush often, probably the

biggest mistake made is not thinning

425

00:22:13,650 --> 00:22:17,010

to paint enough and not putting

enough paint on the bristles.

426

00:22:18,975 --> 00:22:19,665

There we go.

427

00:22:20,145 --> 00:22:23,715

And if you don't have enough paint, then

you have to hit very hard and it'll,

428

00:22:23,955 --> 00:22:25,395

it'll just sort of moosh together.

429

00:22:26,325 --> 00:22:26,865

There we go.

430

00:22:29,775 --> 00:22:34,965

See how you can create all those

different effects, just using a one inch

431

00:22:34,995 --> 00:22:40,335

brush there and leave some areas open.

432

00:22:40,335 --> 00:22:43,935

So you have some of these dark

things showing through that little

433

00:22:43,935 --> 00:22:45,285

trunk show through here and there.

434

00:22:45,345 --> 00:22:46,305

All these things are.

435

00:22:47,070 --> 00:22:48,090

That wouldn't make your painting.

436

00:22:48,120 --> 00:22:48,780

Interesting.

437

00:22:50,430 --> 00:22:54,270

Make it stand out there.

438

00:22:54,600 --> 00:22:55,860

Another little Bush down here.

439

00:22:56,310 --> 00:22:58,500

Another thing that would help

your painting be special.

440

00:22:59,879 --> 00:23:03,030

Anytime you have a large clump

of trees, like yes, this area,

441

00:23:03,030 --> 00:23:07,919

right in here, you need a darkness

shadow area, very dark shadow area.

442

00:23:08,669 --> 00:23:10,620

Tell you what let's go in here.

443

00:23:12,165 --> 00:23:18,465

Let's go in here, take a little

two inch brush, tap in a little

444

00:23:18,465 --> 00:23:24,195

color and let's just begin laying

in the lay of the land here.

445

00:23:24,285 --> 00:23:28,365

Little grassy areas, soft

little areas like that.

446

00:23:31,095 --> 00:23:32,115

Very soft.

447

00:23:32,955 --> 00:23:34,185

Bring us all together.

448

00:23:37,335 --> 00:23:37,725

There.

449

00:23:38,445 --> 00:23:40,215

We said we might have

a little path in here.

450

00:23:40,215 --> 00:23:41,595

I think that's an excellent idea.

451

00:23:46,235 --> 00:23:48,025

Then a little bit of these grass areas.

452

00:23:48,035 --> 00:23:49,805

I want to just drop in a little path.

453

00:23:51,245 --> 00:23:51,485

I see.

454

00:23:51,485 --> 00:23:58,865

By changing the angle here, changing the

angle, we can create different planes.

455

00:24:02,525 --> 00:24:03,155

There we go.

456

00:24:06,900 --> 00:24:07,379

Like so

457

00:24:12,270 --> 00:24:18,420

saying, but just by tapping, you can

create all of these little illusions

458

00:24:18,420 --> 00:24:20,580

of all these things that are happening.

459

00:24:21,030 --> 00:24:24,629

And by changing the color a little

bit, changing the intensity or the

460

00:24:24,629 --> 00:24:28,770

brightness of the color, you can create

different planes in your painting.

461

00:24:30,060 --> 00:24:31,170

Let's take a fan brush, shoot.

462

00:24:31,170 --> 00:24:31,950

We'll put a little bit of.

463

00:24:33,015 --> 00:24:38,045

There's a bit of Brown on it,

a little dark Sienna, and let's

464

00:24:38,045 --> 00:24:39,545

just begin creating the illusion.

465

00:24:39,755 --> 00:24:39,905

Okay.

466

00:24:39,935 --> 00:24:40,685

The little path.

467

00:24:41,915 --> 00:24:42,395

Look at that.

468

00:24:42,395 --> 00:24:44,345

Here it comes here.

469

00:24:44,345 --> 00:24:44,975

It comes.

470

00:24:45,815 --> 00:24:45,905

Okay.

471

00:24:45,935 --> 00:24:48,965

And that way you clean up the bottom of

all these little things, make them any

472

00:24:48,965 --> 00:24:53,075

way you want them add a little white to

the brush and then come back in here.

473

00:24:54,545 --> 00:24:54,785

There.

474

00:24:56,025 --> 00:24:58,905

I like to do this with sort of a rocking

Busch and cause it makes it look like the

475

00:24:58,905 --> 00:25:01,545

path is sort of worn there in the center.

476

00:25:03,815 --> 00:25:04,415

There we go.

477

00:25:08,015 --> 00:25:08,585

All right,

478

00:25:11,885 --> 00:25:15,395

then we can come back, add a few little

finishing touches wherever we want.

479

00:25:18,905 --> 00:25:22,025

Maybe right here, there

was another little Bush.

480

00:25:23,189 --> 00:25:27,360

And you can take his breath sideways,

push up and it'll create all kinds

481

00:25:27,360 --> 00:25:30,179

of little grassy looking things, a

little bushes that live right in here.

482

00:25:30,750 --> 00:25:32,550

We'll have them work

with right down the side.

483

00:25:34,500 --> 00:25:35,159

Like, so

484

00:25:40,820 --> 00:25:41,929

bring all this together.

485

00:25:45,229 --> 00:25:45,679

All right.

486

00:25:46,395 --> 00:25:48,285

Hmm, how they were just to clean.

487

00:25:48,285 --> 00:25:52,875

Now, all I'm going to do is just go

in here and scrape the indication

488

00:25:52,995 --> 00:25:55,875

of a few little sticks and twigs

and all these little happy things.

489

00:25:57,495 --> 00:26:01,515

These also help create that illusion,

depth, and distance in your painting.

490

00:26:07,605 --> 00:26:07,935

Okay.

491

00:26:09,045 --> 00:26:10,275

We can take our liner brush.

492

00:26:14,409 --> 00:26:18,149

He'd go into a little bit of

the Brown, but we want this

493

00:26:18,149 --> 00:26:19,439

paint to be thin, like ink,

494

00:26:24,080 --> 00:26:27,350

and let's go up here, maybe

their lives, some little sticks

495

00:26:27,350 --> 00:26:33,860

and twigs and just little extra

things all over here like that.

496

00:26:35,629 --> 00:26:36,139

Okay.

497

00:26:36,199 --> 00:26:37,399

Tell you what thank you.

498

00:26:37,399 --> 00:26:38,300

This one's about finished.

499

00:26:38,300 --> 00:26:41,659

Let's take a little, the red

let's come right in here.

500

00:26:42,645 --> 00:26:43,695

Yeah, we'll sign this one.

501

00:26:44,504 --> 00:26:45,794

Certainly hope you enjoyed it.

502

00:26:45,975 --> 00:26:47,294

It's a very nice little painting.

503

00:26:49,095 --> 00:26:51,314

I think you'll enjoy doing this one.

504

00:26:52,574 --> 00:26:55,274

And from all of us here, I'd

like to wish you happy painting

505

00:26:55,875 --> 00:26:57,044

and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E05 - Autumn Exibition

Bob Ross's

The Joy of Painting

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