Bob Ross's

The Joy of Painting

S20E04 - Hazy Day

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Hi, welcome back.

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Certainly glad you could join

me that you're ready to do

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a fantastic little painting.

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Super tell you what let's start out

day and having run all the colors

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across the screen that you need to

paint along with me and his usual

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they'll come across in the same orders.

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We have them on the pallet, starting

with a white and working around, but

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when you load your own pallet loaded

any way, that's convenient to you,

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it's just, we sort of get in the habit

of loading it this way up here today.

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Let's see what we have today.

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I have a contact paper.

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On my canvas with an oval cut out of

the center, and this is just normal, a

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haze of back paper that you can buy at

the hardware store or the grocery store.

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And we cut a little overlap

and stick it on there.

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And then I've covered the inside here

with a thin even coat of the liquid white.

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And so it's wet.

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Ready to go.

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So let's do a little

painting thought today.

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Maybe we just do a very

soft little painting.

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That's.

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A lot of fun.

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Let's start out with a least

little amount of yellow ochre.

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Just want to put a little

happy spot appear in the sky.

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Just a, a little bit of

color, but I don't want much.

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I think today we'll try to do a painting.

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That's very soft and subdued and quiet.

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I like those kind of little paintings.

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They're very little color.

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You can always add more, but it's

a son of a gun to take it off.

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So just, you can take it off.

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It's easier just to add

a little bit of time.

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Maybe we'll just have a little

water down here to reflect a little

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that right into the water, but very

little color, very little now then.

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I'm going to mix up a little lavender

color and I'll use a knife to mix.

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It will take some alizarin Crimson, and

it'll play a little blue proportionately,

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much, much more of the Crimson than

the blue, but yet I want this to

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be a little bit to the blue side.

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You can make it when you're making

lavender like this, you can take it

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to the ready side or the blue side.

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I want this to be a little to the

blue side, but a little white.

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And then check it.

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Oh, that's nice.

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Good flavor.

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It's hard to tell what color this is.

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That's why we had a little white

out there so we can see it now, then

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clean off the old knife and let's

go back up here in our sky and we'll

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take a little touch of that cover.

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I have not cleaned the brush.

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Just a little of that

color, little, that color.

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I want to add it teeny,

little bit more of the blue.

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Oh, that's better.

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I want a little bit more

to the blue side there.

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Okay.

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That's much better.

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Let's go up in here.

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Yes, that's a nice color.

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Okay.

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And it's not a great deal

of paint on the brush.

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It's really not a lot of paint

because the canvas is wet.

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This is paint will go a long way.

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It didn't take a great deal.

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There.

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We are sort of like that and

just really doesn't matter.

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Whatever makes you happy, because

painting is very individual.

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This has many different ways to paint

as an art painters and every person

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sees nature through different eyes.

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So when you're doing your own paintings,

paint, what makes you happy there?

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We're going to have some water.

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We said.

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So let's just go ahead and put in a little

indication of some water right there.

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Like, so.

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All we're doing is adding a little color.

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We can come back and change it or

move it however we want it later.

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But all we have the brush

dirty might as well.

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Use it.

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There we go.

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And then let's do the funny part of

this, but let's wash this old brush.

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Just give it a good scrubbing here.

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Shake off the excess

and just meet the devil.

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All right, let's go right up in here.

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Just blend this together.

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And one of the earlier series

we showed one of our camera.

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People showed him in a raincoat because

it gets a little, it gets a little

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tricky around here, but all this

paint splashing around the studio.

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So sometimes Richard puts

on a little raincoat and he

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sits behind the camera there.

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There we go.

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Just want to blend this too.

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It lends together extremely soft.

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You don't want to see any

dark spots or light spots.

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We want a very soft

transition from light to dark.

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There we are down here.

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Yes.

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Gently go across and you

can bring us together.

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That was very smooth, but we want to

maintain this little light spot here.

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That's important to me right now.

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And that may be back

in the background here.

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A little of that lavender

color still a little bit.

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There we go.

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And this is just the little

blue and legends in Crimson.

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A little bit on the corner of the brush.

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Now that maybe there's some little, little

bushes and trees that live back here,

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this using the top corner of the brush.

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And I don't want these

to be very distinct.

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I want them to be very quiet, gentle soft.

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If we back in the distance, there,

there just let him blend into, we

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don't know exactly where they go.

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It'd be nice if they would just

sort of disappear right up here.

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There.

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No.

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I like very soft paintings personally,

but if you want to make it a little more

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distinct, that's certainly your right.

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And we encourage it.

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If you like it, a little

brighter, a little more

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distinct, please, please do that.

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Don't don't just try to copy.

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I'm serious when I.

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Say, we're really trying to

teach your technique there.

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One of the questions I get quite

frequently is about these little ovals is

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how do you go about cutting these ovals?

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If there's a frame shop in your

neighborhood and they have an

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oval cutter for cutting mats, you

can take a little adhesive bag

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paper and take it down to them.

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Cut it in.

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In the size that you wanted overall size

and you go to frame shop and they can

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zip it out for you in just a second.

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I think they probably charge you a little

bit, but not much for the other way.

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And frame shops cut ovals.

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They normally throw the oval

part away when they cut it

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out of cardboard or art board.

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I usually throw the oval away.

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And a lot of times frame shops

will just give you that part

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and you can take that part.

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And just taking, lay it on some contact

paper or any kind of adhesive back paper.

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And I take an Exacto knife and

just run right around the cardboard

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cutout and that easy you can cut

or you can do it with scissors.

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I've got a little paint thinner

here on my liner brush and a

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little, the same exact color.

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And I just want to put the indication

here and there of some quiet little

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branches that live back in here.

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Just a few.

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Can't see many, just a few here

and there, but not too distinct.

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Once again, I really would like for

this to be quiet and gentle little

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payday, and you can take out a little,

the titanium white with paint thinner.

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It may be in our world.

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There's one here.

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That's, that's sort of white.

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There's a lot of little

white sticks in nature too.

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And little white trunk trees, not

only Birch trees, but I'm kind

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of little things at crew that are

white or gray and they're nice.

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Use them in your paintings.

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Let's see here.

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We'll grab a little fan brush.

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Sometimes it's fun.

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We'll take a little, let's take a

little titanium white retread down here.

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I'm gonna get a little bit of the

yellow ochre and mix it with a titanium

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white, mostly titanium white though.

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Just enough yellow to the colored.

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There we are.

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Let's go up here.

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Maybe there's some little bushes that

live right in here and there's some light

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zinging through and just making them

sparkle, take the corner of the brush.

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And I have the number three

fan brush here, and all I'm

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gonna do is go and push upward.

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Just push it, just sort

of scrub it and push it.

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There we are.

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That's all there is toys, very simple,

but you can make little plushies

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that are back in the distance.

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Very quiet, little devils

that live back in here.

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There.

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And so to vary the color.

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So they're all not just exactly.

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Oh, that's nice that one's

got a little more ochre in it.

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Sort of like it, maybe I'll put

a little more of in here too.

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I like that.

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It's quite affective

somewhere right in there.

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We don't know where they go

anywhere that you want them.

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Let's take our knife, a little

dark sand, a little Vandyke Brown,

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put a little white in there.

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Just mix it with a knife

right here on the old pallet.

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Pull it out as flat as you can

get it, go down, cut across.

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And we get our small roller of paint.

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It lives are right out

on the edge of the knife.

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Okay, let's go up here and we need a

little land in here and I want this to

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be very dark, so I'm just rubbing it.

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So it picks up the liquid white dust

underneath here and all these things,

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just, they just sort of come together,

but I don't want it to be real dark.

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Maybe it comes all the way across

here, just whatever, why they ever

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hang out in our little fan breaks

that we had the little bushy color

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on the white and yellow ochre.

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You can go back and just pop in.

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Some little bushy areas that come down on

this land just sort of bring it together.

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So you don't see distinct edges there.

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Yeah.

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I have several fan brushes

going, but maybe in our world

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here, maybe let's do it.

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I see something here.

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See something here.

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We're going to take a little bit of

the liquid white liquid light titanium.

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White makes them together.

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Be right back.

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Don't go away.

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They're little touch of the

theolo blue little touch.

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Little touch.

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Can't say that enough because

it's a very strong eat up your

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whole world in a heartbeat.

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Can you just go up here maybe in our

world, their lives, just a little happy

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waterfall that comes along, drops in

their splashes a little bit plays.

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It comes right over that too.

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So now you can see a little

dark right through it.

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Like there's a little stone or

some, some dirt or something

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under there, whatever you want.

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Maybe this is pretty rough

water there, but think about it.

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Think about water, just

floating along here and having

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a good time, a real good time.

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And somebody says, bloop pulls

the bottom out and that's the way

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they make the water look correct.

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Just straight and then over.

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There we go little splashes

here and there and there.

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And here we can begin working that out.

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Okay.

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Should we better put something

in here for we get too far along,

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that's taken, we'll use, let's take,

I'm gonna make a nice Brown color.

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Tell you what tell you what, let

me clean off a spot to work here.

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We'll just set that over there

in case we need it later.

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I won't take SAP green.

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We'll make a very nice Brown

and the lizard Crimson in about

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equal parts, roughly equal parts.

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And you want to really mix these up

good SAP green and the lizard Crimson.

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This makes one of the most

beautiful Browns, but you

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really have to mix it well.

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There.

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And when you're mixing paint to mix it

well lifted completely off the pallet.

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Turn it over that way.

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Both sides get stirred up.

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All right, let me clean off the

old knife then we we'll just

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use, we use a two inch brush.

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I'm gonna go right in it.

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Load a little color onto the bristles.

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Just load a little color.

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Like so, all right.

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Maybe there's some, maybe there's

some happy little bushes that live

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right here using just the corner.

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Just begin tapping in some very

basic little shapes wherever you

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think they should live there.

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We are see maybe in our world,

they come right out through here.

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I don't know.

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There's a nice little Bush.

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He lives there.

250

00:12:45,705 --> 00:12:46,755

He lives right there.

251

00:12:46,755 --> 00:12:50,195

And he's got a friend in there and

maybe another one up here, whatever.

252

00:12:53,235 --> 00:12:55,325

Just think about all these

little critters that live out

253

00:12:55,325 --> 00:12:56,555

here to make friends with them.

254

00:12:57,985 --> 00:12:59,255

And then we had all that.

255

00:12:59,255 --> 00:13:00,755

There'd be some reflections in the water.

256

00:13:00,755 --> 00:13:08,435

So we just take a little that color

straight down, like, so now if you

257

00:13:08,435 --> 00:13:11,855

want it to paint this picture without

the oval, you certainly can do that.

258

00:13:11,855 --> 00:13:12,455

Just leave it off.

259

00:13:12,930 --> 00:13:14,460

Can do easy, no big deal.

260

00:13:15,600 --> 00:13:17,370

Maybe on the other side, over here.

261

00:13:18,405 --> 00:13:20,594

I'm gonna use that same color, but

I'm gonna add a little white to it.

262

00:13:20,594 --> 00:13:24,795

I want it to be a little lighter, same

color loaded the same way just by pushing.

263

00:13:26,145 --> 00:13:26,834

Let's go up in here.

264

00:13:27,944 --> 00:13:30,194

Maybe in this side, let's do this.

265

00:13:31,275 --> 00:13:35,954

Maybe we have some bigger trees

that live over here and in my mind,

266

00:13:35,954 --> 00:13:37,515

these are farther away than these.

267

00:13:37,665 --> 00:13:39,105

So I want them to be a little lighter.

268

00:13:40,625 --> 00:13:42,905

And we just sorta let them, maybe

they go all the way to the top.

269

00:13:42,905 --> 00:13:44,135

What the heck, let's go over up here.

270

00:13:45,454 --> 00:13:47,765

It's a big old tree that hangs

over here and watches a little

271

00:13:47,765 --> 00:13:49,265

waterfall back in the background.

272

00:13:51,515 --> 00:13:54,665

Watches that little waterfall

has a good time out here.

273

00:13:55,444 --> 00:13:58,834

Enjoys life there.

274

00:14:01,125 --> 00:14:06,855

And some darker color and maybe it

comes right out here for ground area.

275

00:14:10,245 --> 00:14:10,875

All right.

276

00:14:11,324 --> 00:14:18,015

So you begin seeing things here

just after you've painted a little

277

00:14:18,015 --> 00:14:21,915

while and you get over the initial

fear of touching fresh to canvas.

278

00:14:22,365 --> 00:14:25,005

Then it becomes so much fun because

you're not worried about making

279

00:14:25,005 --> 00:14:28,694

mistakes or because anything

that happens on this canvas.

280

00:14:29,564 --> 00:14:33,015

You can work with it or

you can fix it there.

281

00:14:34,455 --> 00:14:37,725

When our instructors like someone like

Dana that you met in the last series,

282

00:14:37,725 --> 00:14:41,895

or my son, Steve, when these instructors

are teaching people, one of the first

283

00:14:41,895 --> 00:14:45,285

things I tell them is don't worry about

making mistakes because there's nothing

284

00:14:45,285 --> 00:14:46,965

on the canvas that they can't fix.

285

00:14:47,685 --> 00:14:50,265

And I'm going to add a little

touch of lavender, that same

286

00:14:50,265 --> 00:14:52,845

lavender color right here.

287

00:14:52,875 --> 00:14:54,465

I want to put a little dark down.

288

00:14:54,465 --> 00:14:55,545

I want a little dark in here.

289

00:14:56,400 --> 00:14:57,840

This is just that same lavender.

290

00:14:59,040 --> 00:14:59,850

That's been Crimson.

291

00:15:00,920 --> 00:15:01,970

I want to add it right in there.

292

00:15:02,990 --> 00:15:07,250

There, I like it, maybe a little

on this side too, just to darken it

293

00:15:07,250 --> 00:15:09,680

up a little bit and put a little,

that same background color into our

294

00:15:09,680 --> 00:15:12,020

reflections, but not a great deal.

295

00:15:13,730 --> 00:15:14,630

There we go.

296

00:15:14,870 --> 00:15:15,560

Very nice.

297

00:15:15,830 --> 00:15:16,580

Very nice.

298

00:15:18,620 --> 00:15:19,670

Add a little more to that tree.

299

00:15:21,020 --> 00:15:22,430

I'm going to put another

tree in front of him.

300

00:15:22,430 --> 00:15:23,090

I think so.

301

00:15:23,450 --> 00:15:24,440

Not too worried about that.

302

00:15:26,714 --> 00:15:26,954

Hmm.

303

00:15:27,734 --> 00:15:28,395

Let's see.

304

00:15:28,875 --> 00:15:30,015

I would just use the same brush.

305

00:15:30,015 --> 00:15:30,584

It didn't matter.

306

00:15:31,364 --> 00:15:36,015

Go right into a little yellow ochre,

little yellow ochre, touch a CAD

307

00:15:36,015 --> 00:15:39,974

yellow and in yellow, maybe even a

little bit of bright red hair, neck.

308

00:15:40,005 --> 00:15:40,545

Ooh, that's nice.

309

00:15:40,604 --> 00:15:41,895

I like a little more that bright red.

310

00:15:41,925 --> 00:15:44,234

I like that push though.

311

00:15:44,265 --> 00:15:45,795

You want that little Ridge of paint?

312

00:15:46,005 --> 00:15:46,935

See it coming up here.

313

00:15:47,175 --> 00:15:50,165

Push let's go right up here now.

314

00:15:50,645 --> 00:15:51,635

Oh, well you know what I want to do?

315

00:15:51,995 --> 00:15:53,255

I think, I think.

316

00:15:54,220 --> 00:15:57,000

I think I'll just go in there

and put a little branch or two.

317

00:15:57,010 --> 00:15:57,630

What the heck?

318

00:15:58,140 --> 00:15:59,430

I think we have time to do that.

319

00:16:00,300 --> 00:16:03,780

Maybe we can see just a few little

sticks and twigs that are living in

320

00:16:03,780 --> 00:16:09,050

here and coming through, see you there.

321

00:16:10,970 --> 00:16:13,400

It makes it a little more interesting

when you see some of these little

322

00:16:13,400 --> 00:16:17,450

things that live deep in your

trees and just brings it together.

323

00:16:17,450 --> 00:16:18,470

Cause they're always there.

324

00:16:18,740 --> 00:16:20,840

There's something that's

holding all these leaves up.

325

00:16:22,125 --> 00:16:22,844

There we go.

326

00:16:22,935 --> 00:16:27,555

Now, now we can use that nice cut

or we made corner the brush, think

327

00:16:27,555 --> 00:16:31,665

about shape and form and how all these

little Rascals would live in there.

328

00:16:32,820 --> 00:16:34,020

And just begin working with them.

329

00:16:34,450 --> 00:16:40,020

If you had trouble making the stick

at the least, least little touch of

330

00:16:40,020 --> 00:16:42,630

paint thinner, or the liquid white.

331

00:16:43,230 --> 00:16:45,990

Now the liquid white will

slightly change your color.

332

00:16:45,990 --> 00:16:47,340

Of course it'll make it a little lighter.

333

00:16:49,230 --> 00:16:52,860

So it just depends on what

it is that you want there.

334

00:16:53,700 --> 00:16:54,900

Think about shape and form.

335

00:16:54,900 --> 00:16:58,080

Now I know you get tired of hearing

me say that, but it is so important.

336

00:16:59,680 --> 00:17:02,760

It will make you happy when you

get done, it'll be worth it.

337

00:17:03,210 --> 00:17:06,950

It'll be worth the effort hair.

338

00:17:09,349 --> 00:17:09,530

Yeah.

339

00:17:09,530 --> 00:17:12,140

Then over here on this other side and just

put a little something over there, I'm

340

00:17:12,140 --> 00:17:15,800

gonna reach up and grab a little bit of

titanium white and add to that same color.

341

00:17:16,400 --> 00:17:20,329

Now over here, I have the white,

because of my mind, the light's

342

00:17:20,359 --> 00:17:23,270

zinging through there, and it's

going to be a little bit brighter.

343

00:17:26,415 --> 00:17:29,475

See kind of have those little, I'm going

to have those little spots on there.

344

00:17:29,475 --> 00:17:30,375

That shine.

345

00:17:32,505 --> 00:17:35,385

There we go, Jerry.

346

00:17:35,385 --> 00:17:35,655

Thank you.

347

00:17:35,655 --> 00:17:38,955

Could do such a delicate little things,

but great, big old two inch brush.

348

00:17:39,405 --> 00:17:41,895

You can, you really can.

349

00:17:43,095 --> 00:17:49,275

In fact, you can do anything that

you believe you can do anything.

350

00:17:50,970 --> 00:17:55,500

And I know you can get there now.

351

00:17:56,540 --> 00:17:58,520

Let's do, I'm going back

to my old brush here.

352

00:17:58,520 --> 00:17:59,360

Let me find a brush.

353

00:18:00,350 --> 00:18:01,699

It's got nothing but Brown on it.

354

00:18:02,899 --> 00:18:03,620

Nothing would Brown.

355

00:18:04,429 --> 00:18:07,790

This is the Brown that we made from

the SAP green and the lizard Crimson.

356

00:18:07,850 --> 00:18:08,960

We're going to load some color in it.

357

00:18:09,230 --> 00:18:10,909

Let's go up here in my mind.

358

00:18:10,939 --> 00:18:12,800

I want a very dark tree right here.

359

00:18:13,679 --> 00:18:14,159

Right there.

360

00:18:15,149 --> 00:18:18,090

There he is there.

361

00:18:18,419 --> 00:18:21,300

But watch how this dark contrast in color.

362

00:18:23,189 --> 00:18:26,129

Push that first color

back and it'll stand out.

363

00:18:27,600 --> 00:18:29,220

It'll really stand out.

364

00:18:31,230 --> 00:18:32,220

There we go.

365

00:18:35,939 --> 00:18:36,449

Nice.

366

00:18:36,449 --> 00:18:38,399

Big old happy tree lives are right there.

367

00:18:39,419 --> 00:18:40,080

Right there.

368

00:18:41,145 --> 00:18:44,294

Maybe there's a big,

old and hangs out here.

369

00:18:47,205 --> 00:18:48,135

There we go.

370

00:18:49,835 --> 00:18:54,675

This contrast is very

pleasing, very pleasing.

371

00:18:57,925 --> 00:18:59,265

We may not do much more to that.

372

00:18:59,355 --> 00:19:04,245

I like it dark so well, I may not even

highlight it because in my mind, this

373

00:19:04,245 --> 00:19:05,745

is going to be way back in the shadows.

374

00:19:05,745 --> 00:19:08,235

Anyway, there's not going to be a great

deal of light coming through there.

375

00:19:09,165 --> 00:19:12,195

And it's a good way for me to keep

the dark back there that I want.

376

00:19:13,785 --> 00:19:15,475

If you want to highlight

it, you certainly could.

377

00:19:15,475 --> 00:19:17,895

I'm going to take a little

paint there with the same

378

00:19:17,895 --> 00:19:20,025

color and just here and there.

379

00:19:20,085 --> 00:19:23,055

Just like we did before at the indication.

380

00:19:23,460 --> 00:19:26,400

That there's some limbs and sticks

and stuff going on in here too.

381

00:19:26,400 --> 00:19:33,240

We don't want this one left out, but not

a great deal and not a great deal shoot,

382

00:19:33,240 --> 00:19:40,340

maybe right in here is one, that's a

little lighter, as we mentioned earlier,

383

00:19:40,340 --> 00:19:44,270

you, you have a lot of those in the woods

and they're, they're sort of pretty stand

384

00:19:44,270 --> 00:19:52,760

out now that back to our brush with a,

with a dark Brown and we can come in here.

385

00:19:54,705 --> 00:19:58,245

Just to begin tapping in some, maybe

there's a little land area into here.

386

00:19:59,715 --> 00:20:05,535

Grab that, pull it down to, I'm

going to go into a little, we get a

387

00:20:05,535 --> 00:20:09,075

little SAP, green, little CAD yellow

would make it very dark, maybe a

388

00:20:09,075 --> 00:20:10,605

little black in it, Dell it down.

389

00:20:11,885 --> 00:20:14,355

There's Brown on the brush and

that's really going to dull it.

390

00:20:14,355 --> 00:20:18,975

Also, all these colors are going

to dull it and in her world, maybe

391

00:20:18,975 --> 00:20:21,975

there's a little green grass that

lives back here under this tree.

392

00:20:23,910 --> 00:20:25,070

Just a little

393

00:20:28,379 --> 00:20:32,970

hair, nice place to sit, try to catch it

and go with trout that lives out there.

394

00:20:33,750 --> 00:20:34,860

Swims around all day.

395

00:20:37,050 --> 00:20:37,830

I like to fish.

396

00:20:37,860 --> 00:20:39,030

I'm pretty good old fishermen,

397

00:20:42,150 --> 00:20:45,540

but I'm one of these people that

puts bandaid on and gives him

398

00:20:45,540 --> 00:20:48,210

a little CPR, Patsy one, a two,

two puts him back in the water.

399

00:20:48,899 --> 00:20:50,939

Hmm, come back the next

day and catch him again.

400

00:20:51,659 --> 00:20:57,710

Cause the funds and the catching of him

a little more of the Brown Brown, maybe

401

00:20:57,710 --> 00:20:58,850

there's a little ledge right there.

402

00:20:58,850 --> 00:21:04,970

We don't know something like so

little Brown and white and we

403

00:21:04,970 --> 00:21:06,169

can put a little highlight on it.

404

00:21:06,230 --> 00:21:09,649

Matt, just a touch, just a touch.

405

00:21:11,899 --> 00:21:14,540

You could use a fan brush with

a little, that same green color.

406

00:21:15,075 --> 00:21:16,875

Just pop in some little areas.

407

00:21:16,875 --> 00:21:18,945

So they come right down,

bring it all together.

408

00:21:20,445 --> 00:21:21,045

There we go.

409

00:21:22,095 --> 00:21:22,875

That might be the day.

410

00:21:22,995 --> 00:21:25,005

We'd have some fun and

we'd make some rocks.

411

00:21:25,005 --> 00:21:30,645

I'm going to take quite a bit of liquid

white, but out here, just put it out here.

412

00:21:30,645 --> 00:21:33,465

I'm going to take then some

dark Santa and mixing there.

413

00:21:34,635 --> 00:21:35,925

I want a very thin paint.

414

00:21:35,955 --> 00:21:40,395

This is dark Sienna, liquid white, and

the least little touch of yellow ochre.

415

00:21:41,610 --> 00:21:47,399

She me with buddy Vandyke Brown, and

they're really dull it down there.

416

00:21:48,190 --> 00:21:54,570

See here now, wipe off the knife and

the choose today, we'll use a Filbert.

417

00:21:55,889 --> 00:22:00,510

I'm going to go right through the

Browns, both Browns and I can dark

418

00:22:00,510 --> 00:22:02,159

Santa and I'll reach over here.

419

00:22:02,190 --> 00:22:06,240

Both sides have covered and we'll pull

it one side through that thin paint.

420

00:22:06,750 --> 00:22:08,970

So we have light color on

one side, dark on the other.

421

00:22:10,080 --> 00:22:14,220

And our world, I see all kinds of

happy little stones that live here.

422

00:22:14,760 --> 00:22:18,450

Maybe there's just a whole group of

little stones that they have all down

423

00:22:18,450 --> 00:22:23,760

in here wherever you want them just

sorta decide where they at and put

424

00:22:23,760 --> 00:22:26,160

them in the other side over here.

425

00:22:26,700 --> 00:22:29,810

I have some, something like that.

426

00:22:32,090 --> 00:22:32,720

There we go.

427

00:22:33,260 --> 00:22:33,350

Okay.

428

00:22:33,410 --> 00:22:35,149

And we don't know, shoot

out in the water here.

429

00:22:35,570 --> 00:22:37,610

There may be several more ran out of dark.

430

00:22:39,150 --> 00:22:43,460

Just little things that live

out here in the water there.

431

00:22:45,590 --> 00:22:45,950

Yeah.

432

00:22:45,950 --> 00:22:47,870

Then we can come right back.

433

00:22:49,490 --> 00:22:52,280

I want to have a little bit of

land projecting right out through

434

00:22:52,280 --> 00:22:59,870

here saying little dark color,

a little bit of reflection and

435

00:23:00,200 --> 00:23:01,670

a little bit of her same color.

436

00:23:03,500 --> 00:23:04,970

And in yellow, CAD yellow.

437

00:23:05,715 --> 00:23:08,865

A little bit and here and there,

maybe the least little touch to

438

00:23:08,865 --> 00:23:10,205

the bright red it mixed in with it.

439

00:23:11,765 --> 00:23:15,155

Just like, so yeah.

440

00:23:15,155 --> 00:23:21,005

Then I think there might be a

few little stones down here too.

441

00:23:21,995 --> 00:23:25,255

Maybe this one lives out

here just wherever you want.

442

00:23:26,075 --> 00:23:30,605

Like, so, and shoot, let's go up here.

443

00:23:30,605 --> 00:23:32,375

Maybe there's some little

stones that live in here.

444

00:23:34,410 --> 00:23:39,450

And you put as many or as few stones

in your world as he won liquid

445

00:23:39,450 --> 00:23:42,270

white with a little, the blue in

it, and we'll come right in here.

446

00:23:42,780 --> 00:23:46,800

Let this water just play right along

through here, that sort of cleans

447

00:23:46,800 --> 00:23:51,000

up all these edges and brings it

all together and play some water

448

00:23:51,000 --> 00:23:55,680

all around these little stones that

you laid in here, they're saying

449

00:23:55,750 --> 00:23:57,330

sort of just brings it all together.

450

00:23:59,540 --> 00:23:59,960

There.

451

00:24:01,680 --> 00:24:03,210

All right, man.

452

00:24:05,920 --> 00:24:06,870

That's fantastic.

453

00:24:07,500 --> 00:24:07,950

You went let's.

454

00:24:07,950 --> 00:24:11,070

Do I want to take the contact paper

off here and let's see what we have.

455

00:24:11,879 --> 00:24:14,820

Let's grab it off.

456

00:24:14,820 --> 00:24:15,080

We go.

457

00:24:15,080 --> 00:24:20,120

Isn't that a nice little painting and

you know, me, he always liked to put

458

00:24:20,120 --> 00:24:23,450

a big tree or two, so I'm going to go

right into that Brown color that I made.

459

00:24:23,990 --> 00:24:29,120

Use a fan Bryce single Brown color,

and in my world, I think, right.

460

00:24:29,120 --> 00:24:30,139

There's your bravery test.

461

00:24:30,885 --> 00:24:33,675

Their lives tree right there, right there.

462

00:24:34,725 --> 00:24:35,745

And he's got a friend.

463

00:24:36,245 --> 00:24:36,575

Shh.

464

00:24:38,465 --> 00:24:39,754

Don't make them just strange.

465

00:24:39,814 --> 00:24:43,925

Give him some character, let them

move around and play in there.

466

00:24:44,495 --> 00:24:52,865

Our liner brush paint thinner, and we'll

put an arm or two on his tree there.

467

00:24:52,925 --> 00:24:56,465

If your paint doesn't flow, it only

means that you need more paint thinner.

468

00:24:57,814 --> 00:24:58,325

There we go.

469

00:24:58,325 --> 00:24:59,885

Maybe that Lamb's a little fatter.

470

00:25:01,590 --> 00:25:07,520

There, um, see, and just put

in all kinds of little pounds

471

00:25:07,520 --> 00:25:11,090

and doers and there we are.

472

00:25:12,410 --> 00:25:14,270

And this is up to you.

473

00:25:14,360 --> 00:25:17,360

Once again, you would decide

how many limbs are on your tree.

474

00:25:18,200 --> 00:25:18,470

Shoot.

475

00:25:18,470 --> 00:25:20,330

You might want to put some

leaves or something on it.

476

00:25:20,330 --> 00:25:20,750

I don't know.

477

00:25:21,860 --> 00:25:26,090

Once again, each person will

see nature different than each

478

00:25:26,120 --> 00:25:27,290

painting should be different.

479

00:25:27,290 --> 00:25:28,880

And that's what makes it so much fun.

480

00:25:31,050 --> 00:25:31,740

There we go.

481

00:25:36,230 --> 00:25:41,120

You can just put a limb after limb to

limb, many as you want, or as few as you

482

00:25:41,120 --> 00:25:42,740

want, maybe I'll tell you what look here.

483

00:25:42,830 --> 00:25:43,040

Okay.

484

00:25:43,070 --> 00:25:48,110

Here's one that's you have to make a

little noise to see it just sort of hangs

485

00:25:48,110 --> 00:25:51,230

off fairly, but wiggle the brush shoot.

486

00:25:52,340 --> 00:25:55,130

Now we can take, we can take

the knife and we'll take a

487

00:25:55,130 --> 00:25:56,960

little touch of Brown and white.

488

00:25:57,915 --> 00:26:00,675

And here's our light source and

we can come in here and just by

489

00:26:00,705 --> 00:26:05,505

touching, just by touching, we can

begin adding the illusion of bark.

490

00:26:06,705 --> 00:26:07,665

That's what puppy does.

491

00:26:07,665 --> 00:26:12,735

Barks Martin thousand comedians that'll

work in me trying to be one here.

492

00:26:12,855 --> 00:26:13,125

Okay.

493

00:26:16,775 --> 00:26:21,935

something like, so, and we'll

come back with our brushes.

494

00:26:21,935 --> 00:26:23,345

Cut a little, the yellow on it.

495

00:26:24,180 --> 00:26:27,090

But little something around

this tree's foot to hold him in.

496

00:26:28,470 --> 00:26:31,170

And I'll tell you what, I'm going to

take a little touch of the bright red.

497

00:26:32,770 --> 00:26:33,870

Think we'll sign this one.

498

00:26:34,230 --> 00:26:35,850

We'll assign him right

out here on the rock.

499

00:26:37,320 --> 00:26:38,430

We'll call it finished.

500

00:26:38,790 --> 00:26:39,990

I hope you've enjoyed this one.

501

00:26:40,800 --> 00:26:42,750

These little ovals are fantastic.

502

00:26:43,170 --> 00:26:44,370

Since we introduced them.

503

00:26:44,370 --> 00:26:48,720

And several series back,

they've become one of the most

504

00:26:48,720 --> 00:26:49,890

popular things we've ever done.

505

00:26:49,920 --> 00:26:52,710

Artists all over the

country are using this idea.

506

00:26:53,085 --> 00:26:54,105

So try it.

507

00:26:54,135 --> 00:26:55,035

I think you'll like it.

508

00:26:55,185 --> 00:26:58,875

And from all of us here, happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E04 - Hazy Day

Bob Ross's

The Joy of Painting

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