Tuesday, December 22, 2020

S04E02 - Tranquil Valley

Bob Ross's

The Joy of Painting

S04E02 - Tranquil Valley

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Hi, I'm glad to see you today.

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Glad you could join me today.

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I thought we'd do a black canvas and,

and I've taken, uh, a black canvas here

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and I've covered the whole thing with

a lizard Crimson and failover blue.

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And I've just sort of mixed them on the

brush and just covered the entire canvas.

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So I'll have them graphically run

all the colors that you need across

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your screen, and you can see the

colors we're going to use to do this

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beautiful little painting today.

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And while they're doing

that, let's get started.

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So I say this is alizarin

Crimson and fail-over blue.

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So it's sort of a purplish color up here.

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We hope we hope it's hard to see.

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Take a little bit of white on the large

brush and let's go right up here and just

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lay a little bit of color in this guy.

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This is just plain white, but

it's picking up the purple-ish

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color that we have underneath.

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Just asked a little titanium, just

let it bounce around and play.

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If everything works just right

when this painting's done.

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I don't think he's going to

look like a black canvas.

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I think it'll look like white canvas.

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Just want to show you how versatile

little some of these black canvases are.

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There are some of the most

fantastic things going.

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That'll give us just a little

bit of color in this guy.

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That was a personal issue.

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You could make this any color you want.

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If you want to be more of a bluish

color, have more fatal gleaned in Crimson

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and automatically you'll have that.

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Okay.

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Let's wash the brush and what the heck.

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And we wash our brushes

with odorless paint thinner

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on the dry, and then we're in business.

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Let's take a, let's take

a little fan brush today.

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It's build a happy little cloud

up this guy and I'll use some

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titanium white on the fan brush and

put a lot of pain into the brush.

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A lot of paint.

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Then let's go up to the canvas here.

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He was just a corner of the brush

and very quickly, we'll just drop

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in some happy little floaters, right

under here, little clouds are free.

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They just sort of float

around and have fun.

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Just let them go wherever, wherever

got to make these decisions.

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Where are they at?

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And we'll take our big brush.

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It's clean and dry.

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Very gently, very gently.

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Let's plan this out.

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It also is picking up that

color it's underneath.

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At first coat of paint that we

put on is put on with very firm

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paint, very dry from paint.

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So you can do all this blending

without becoming a mud mixer.

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If you, if you use thin Orly

paints here and you try to do all

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this, you're going to become a mud

mixer going to be upset with me.

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I don't want you to be unhappy.

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So gently blend the cross and

that easy, that easy that's very

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effective, beautiful little clouds.

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All there is to it.

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We can clean the old brush again.

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Okay.

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It's really, maybe the most fun

part of this whole technique

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is, was cleaning the brush.

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Oh, you can take out all your hostilities.

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All right.

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Maybe there's a little, maybe there's

a little footie Hill back here.

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A little foot Hill and let's

take, let's take, let's take, we

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just mix it on the brush here.

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So they look blue.

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A little Crimson into it, unless you

use some SAP green right into it.

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And this is just mixed with a brush shoot.

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No big deal.

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Put a little white in there and

we can see what color we got.

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Okay.

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Let me add a little Brown on Dell.

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It too bright, too bright.

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So you can Dell it right down a

little Brown and that'll dull it down.

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Okay.

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A lot of paint on the brush.

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Let's go up to the canvas.

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Maybe their lives, a little Foothill.

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Yeah, you're right there he is.

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And just use the corner of the brush.

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I mean, we'll just put a basic

little Foothill shape right in there.

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Just like, so let it go there.

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And all you're looking for

is very, very basic shape.

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Okay.

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Now we'll take the large brush,

grab it and pull it down.

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Hold it down.

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Easy.

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And just by changing the direction of

the brush, you can make the illusion of

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all kinds of highlights and shadows just

by changing the direction of the brush,

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especially on these black canvases.

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If you want to create miss down at the

bottom, take a little white on the brush.

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Very little, very, very little, and

just tap it in color shows up a hundred

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times stronger on the black canvases

and it doesn't have white ones.

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So you use very, very, very little color.

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Very good.

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Just tap in a little bit and that'll

create the illusion of nest down here.

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Very lightly blend all

that and lift it up.

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It's a super nice way to make some

little foothills that are far away.

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Very quiet.

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tell you what let's do is

clean that old fan brush.

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Now let's, let's make another range of

Hills here and maybe for this one not

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use let's use let's use they low blue.

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And van Brown, blue, and Brown.

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This one's very dark.

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We put a little white in the other one,

this one, I don't want any, any white.

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And as things get closer to the

landscape, I should get darker and value.

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So here comes a little Hill

or right there, very dark,

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very dark blue and Brown.

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Eric goes right there, right there.

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Seriously in a little color.

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So yeah, he's either ideas and

already, already, you can begin

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to see another range here.

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We're working with different planes

and more planes you have in a painting,

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more depth you'll have in that painting.

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And sometimes when I'm

painting these, I'll make them

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smaller and put, Oh goodness.

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Sometimes eight or 10, eight

or 10 foothills in here.

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And you can, it looks like you can just

look back and see forever on a clear day.

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Of course.

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Okay.

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Let's go in here now.

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Let's take a little, little permanent

red, permanent red, little permit,

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red little burn number, and we'll

just sort of mix that together

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and let's go right up in here.

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Maybe there's a little red.

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All right.

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And here let's begin

adding a little color.

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This is getting close enough.

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Now that we're beginning to see color

so we can add a little color in it.

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Maybe comes right down.

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I think so.

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Yeah, there might even be a little

bit right over wherever, wherever

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you want it to Joanne, a little

color, permanent red burn number.

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Let's put it in now.

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I'm going to take this big brush.

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And gently tap that on a soften.

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It, so it just blends right in,

but yet you'll still be able to

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see a little of that reddish hue

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still don't want it to break

it's too far away, too far away

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there.

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How you can see every breaststroke

in these black canvases.

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Hmm.

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Can you.

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And while we get this color on the

brush, add a little white to it.

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Doesn't burn number permanent red,

a little tiny bit of titanium white.

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Maybe back in here, maybe there it is.

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Maybe there's a little tree

Bush, something right there.

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There's another one.

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Pain.

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He used to drive me crazy

as traditional painter.

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For many years, you really don't

have to agonize over paintings.

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You don't have to be blessed

by Michelangelo at birth.

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You can paint, you can paint.

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Okay.

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That'll give us like a

little little growth.

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The trees is back in the back.

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I'm going to take now back to

the two and a half inch brush.

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Go into little CAD yellow.

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I will add a little SAP, green,

little SAP, green, CAD yellow.

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Maybe, maybe, maybe tell you what

I want a little more SAP green.

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They're quite dark right there underneath

SAP green, a little CAD yellow.

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Maybe there's a little,

maybe there's a little plain.

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I hear a little meadow now.

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Add a little more of a kid.

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Let it get a little brighter there.

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Working out from that.

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Stay there.

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Now if your paint will not

stick well, add a little bit of

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paint, thinner to your brush.

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Just a little though.

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Ooh.

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A little tiny bit takes a very, very low

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C and this is creating

greeting another plane.

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I'm going to add a little yellow ochre,

maybe a little bit of Indian, yellow.

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Just by changing the color a little bit.

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It makes it look like another plane.

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And every time you add another

plane, you create more depth

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than you're painting another one.

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You mentioned dementia.

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And that's really what my painting

is all about is to make it,

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make it look deep, far away.

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Just walk right back into this painting.

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now when you're doing this, if you

want to make something a little

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darker there's color underneath here.

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So all you have to do is tap on it

and automatically it'll pick up the

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color underneath and it gets darker.

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So just work it and you can make

it dark, dark, dark, right on

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down until it's almost black.

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Again, if you wanted to.

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But anytime you want to create a shadow or

you want to make an area darker, tap it.

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It's all there is to it.

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And you can soften.

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I get darker, darker, darker, darker,

darker, darker, darker, darker.

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You can make this look almost like velvet

looks almost like lace, just laying

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Alrighty.

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Tell you what let's do.

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Let's do.

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Maybe there's some.

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Big trees grow around the side.

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I'm going to go right into some

Vandyke Brown, little Crimson

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lizard, Crimson SAP green, and

just mix them on the brush here.

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Pull that brush in one direction, one

direction, and look at this brush.

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Look at this brush.

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So you look at all the

pain in the end of it.

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There.

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You can really see it.

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I can take me out of paint and

there's a slight curve because

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you pulled it in one direction.

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You want that curve to be on top.

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Let's go to the canvas.

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Now when you touch the canvas,

touch it and push look at there.

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Look at that.

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Look at that.

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And that exciting look at all

those thousands of leaves.

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He could sit there with you one haired

brush for a week, trying to do that.

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Or you can do it in one

stroke with an almighty brush.

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Look at that.

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Okay.

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Don't be afraid of it.

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Load a lot of pain into the brush.

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Probably probably the

biggest single mistake made.

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There's people don't put enough

pain in the brush and then they

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have to hit the canvas so hard.

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Um, I don't know how to paint

in the brush, have fun with it.

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Okay.

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Same colors, Brown, green lizard Crimson.

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Maybe there it is just sort of

look at your painting, evaluate

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it, make a decision and go and go.

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Don't worry about it.

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Don't worry about it.

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Have fun with it.

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Just.

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Push it in there.

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Ben those bristles and go

don't let the breasts slide.

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Don't let the breast

slide is very important.

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You don't want that price to slide?

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Maybe, maybe, maybe there's

some water down here.

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Let's see water down here.

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So if you want water, all you have

to do is take this old big brush.

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We'll go right into a little bit

of titanium white, decide where

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you want the water to be touch and

pull down, touch and pull down.

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You're going to pick up that

color it's underneath and

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automatically, automatically you

got water because there look there

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that's simple wherever you want,

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where ever.

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Touch post straight down as

important that you post straight down

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sometime it reflects a

little bit from the sky.

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So maybe there's a little white

right in wherever you want it.

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Wherever it's reflected out of

this guy, just drop it in, pull

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straight down, go right across it.

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Okay.

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And did a little bit of fatal blue.

252

00:14:22,589 --> 00:14:26,520

Maybe we'll give it just a

little more of a blue view.

253

00:14:26,730 --> 00:14:27,180

Blue hue.

254

00:14:28,760 --> 00:14:29,089

There you go.

255

00:14:32,720 --> 00:14:36,410

Just like so after you pull it

straight down, go gently across

256

00:14:37,939 --> 00:14:43,579

isn't that something my brush

strokes are very, very important,

257

00:14:43,579 --> 00:14:45,110

especially on these black canvases.

258

00:14:45,949 --> 00:14:48,350

So you there, but that easy instant water.

259

00:14:49,875 --> 00:14:50,084

Okay.

260

00:14:50,084 --> 00:14:53,204

Now we can come back in here and begin

putting some beautiful little highlights

261

00:14:53,204 --> 00:14:56,985

on some of these and make an old of a

little trees and bushes out of them.

262

00:14:58,925 --> 00:15:02,555

I'm gonna go right into some

yellow, some yellow, some yellow,

263

00:15:02,555 --> 00:15:03,755

and just hit some SAP green.

264

00:15:04,745 --> 00:15:05,314

There we go.

265

00:15:06,454 --> 00:15:07,564

A lot of pain in the bristles.

266

00:15:07,954 --> 00:15:08,345

Yellow.

267

00:15:08,375 --> 00:15:10,235

Second green can, okay.

268

00:15:10,265 --> 00:15:14,495

Maybe right up here in this old big

tree touch, just like we did with

269

00:15:14,495 --> 00:15:18,064

a big brush with load it the same

way we touch a canvas the same way.

270

00:15:18,525 --> 00:15:21,735

Barely barely touching just enough

to bend the bristles a little.

271

00:15:22,335 --> 00:15:28,305

And once again, you need a lot of paint,

a lot of paint, sort of vary some colors.

272

00:15:28,305 --> 00:15:30,975

Maybe we'll go right into

the yellow ochre here.

273

00:15:31,005 --> 00:15:33,405

We don't know how many trees it

says growing here in this clump,

274

00:15:33,405 --> 00:15:36,495

it could be several your tree.

275

00:15:36,505 --> 00:15:40,245

So however many you want in there,

that's, that's what you put in.

276

00:15:41,475 --> 00:15:43,515

Maybe there's a little

permanent red added to it.

277

00:15:43,515 --> 00:15:44,835

Maybe just to brighten it up.

278

00:15:46,920 --> 00:15:49,200

Yeah, we don't know how

many trees are in this club.

279

00:15:51,570 --> 00:15:54,900

Maybe this is one, just let them happen.

280

00:15:55,230 --> 00:15:57,900

Don't kill all your dark areas and

the most important that you save.

281

00:15:57,900 --> 00:16:00,300

Some of them, you kill

all your dark areas.

282

00:16:00,300 --> 00:16:04,710

It's going to get very flat, very

flat, and we don't want a flat tree.

283

00:16:05,880 --> 00:16:07,530

We want a nice, bright, shiny tree.

284

00:16:09,360 --> 00:16:10,980

Let's go to the other side of the canvas.

285

00:16:11,160 --> 00:16:12,930

And over there, we can add a little more.

286

00:16:13,830 --> 00:16:18,030

Got a little more green, a little

more yellow, and let's go right

287

00:16:18,030 --> 00:16:23,580

in here to this big old tree, uh,

as a beautiful green, beautiful

288

00:16:27,840 --> 00:16:28,860

put some yellow ochre

289

00:16:32,880 --> 00:16:39,960

shining Bush, happy little

Bush, Bush have happy bushes.

290

00:16:43,444 --> 00:16:47,444

I can tell them more than green,

just let it play back and forth.

291

00:16:47,475 --> 00:16:50,084

And all these other things

happened, all happened.

292

00:16:51,635 --> 00:16:59,485

So you can do there's

one wherever you want.

293

00:17:02,824 --> 00:17:07,415

Maybe, maybe, maybe there's one

had a little permanent red to this

294

00:17:07,415 --> 00:17:08,675

one, make it stand out a little.

295

00:17:12,675 --> 00:17:12,824

Okay.

296

00:17:13,054 --> 00:17:13,234

Yeah.

297

00:17:13,774 --> 00:17:14,014

Paint.

298

00:17:14,014 --> 00:17:14,524

Won't stick.

299

00:17:14,524 --> 00:17:18,734

Well, add a little paint, thinner to your

brush and it'll stick with any problem.

300

00:17:18,734 --> 00:17:19,925

Then you go right over anything.

301

00:17:21,395 --> 00:17:22,534

Then paint sticks to it.

302

00:17:22,534 --> 00:17:23,014

Thick paint.

303

00:17:25,294 --> 00:17:26,135

All right, let's take it.

304

00:17:26,135 --> 00:17:30,905

Let's take, let's take our liner,

brush a little paint thinner

305

00:17:30,945 --> 00:17:32,225

and go right into some Brown.

306

00:17:33,514 --> 00:17:35,405

Bring it to a nice sharp

point by turning it.

307

00:17:36,304 --> 00:17:36,935

Let's go up here.

308

00:17:37,305 --> 00:17:38,805

Let's put some little lounges and stakes.

309

00:17:38,805 --> 00:17:44,795

Maybe, maybe, maybe, maybe there's

one comes right out of the top, top,

310

00:17:45,075 --> 00:17:48,995

and he's got a friend that lives

and it comes right down in there.

311

00:17:50,885 --> 00:17:54,755

They sometimes you have in trees,

you have limbs that just individual

312

00:17:54,755 --> 00:17:59,585

limbs, that when they go to the

happy hunting ground, but they're

313

00:17:59,585 --> 00:18:01,145

still there and it's still beautiful.

314

00:18:01,865 --> 00:18:02,675

Don't leave them out.

315

00:18:03,575 --> 00:18:04,985

These little branches are so pretty.

316

00:18:06,435 --> 00:18:10,455

So pretty everything in

nature is pretty use it.

317

00:18:11,925 --> 00:18:13,635

Maybe there it is, comes right

318

00:18:16,805 --> 00:18:17,495

wherever you want it.

319

00:18:18,305 --> 00:18:19,025

There we go.

320

00:18:25,775 --> 00:18:25,955

Yeah.

321

00:18:26,165 --> 00:18:30,155

Fun to just sit and create

such beautiful things.

322

00:18:30,155 --> 00:18:32,825

It's going to leave

that color on the brush.

323

00:18:32,915 --> 00:18:34,135

Go right into a little bit of white.

324

00:18:35,460 --> 00:18:35,820

Okay.

325

00:18:36,120 --> 00:18:42,300

Yeah, maybe there's some here, a

little different color paint, thinner

326

00:18:45,050 --> 00:18:46,340

that all these little things happen.

327

00:18:46,370 --> 00:18:48,020

There's little changes in color.

328

00:18:48,620 --> 00:18:48,860

Oh.

329

00:18:48,860 --> 00:18:50,930

They make things exciting

and make you happy.

330

00:18:57,230 --> 00:18:57,440

Yeah.

331

00:18:58,040 --> 00:18:58,820

Oh, what kinds of things?

332

00:18:58,820 --> 00:18:59,570

All right, let's go back.

333

00:19:00,450 --> 00:19:03,410

Let's go back to some of the Brown Brown.

334

00:19:04,485 --> 00:19:06,745

Spend Dyke Brown go the other side.

335

00:19:06,745 --> 00:19:08,534

And maybe there's some

Williams over here too.

336

00:19:08,534 --> 00:19:10,274

We should, we don't want

him to feel left out.

337

00:19:26,405 --> 00:19:27,215

go back into my paint.

338

00:19:27,245 --> 00:19:29,495

Thinner, went back into the white paint.

339

00:19:29,945 --> 00:19:31,175

I haven't cleaned the brush at all.

340

00:19:31,205 --> 00:19:32,554

You still have all that Brown in there.

341

00:19:35,429 --> 00:19:36,209

you're right there.

342

00:19:36,209 --> 00:19:38,909

It is you right.

343

00:19:41,689 --> 00:19:42,770

That these things happen

344

00:19:48,560 --> 00:19:51,080

and you didn't have to clean a

brush and I'm lazy if I don't

345

00:19:51,080 --> 00:19:51,800

have to clean your brush.

346

00:19:51,800 --> 00:19:52,280

I like it.

347

00:19:52,760 --> 00:19:53,090

Hmm.

348

00:19:55,719 --> 00:19:59,120

I could maybe he's got a little

friend that lives right there.

349

00:20:01,320 --> 00:20:02,490

Okay, tell you what let's do.

350

00:20:03,000 --> 00:20:09,630

Let's take, let's take, go right into some

of this green and all the yellows and red.

351

00:20:09,630 --> 00:20:09,750

It's.

352

00:20:09,750 --> 00:20:10,380

All right here.

353

00:20:11,190 --> 00:20:12,120

It's just all mixed here.

354

00:20:12,150 --> 00:20:14,490

Let's just tap.

355

00:20:14,520 --> 00:20:16,700

This is the same old, dirty

brush I was using to do the back.

356

00:20:19,340 --> 00:20:19,700

Hmm.

357

00:20:19,790 --> 00:20:23,540

In here, we'll add a little bit of

little grassy areas here and there.

358

00:20:24,620 --> 00:20:26,030

And once again, here, I'm just tapping.

359

00:20:29,115 --> 00:20:33,735

Just to be very soft, a little

flat, feel obvious to it.

360

00:20:35,325 --> 00:20:35,565

All.

361

00:20:35,775 --> 00:20:35,985

Two

362

00:20:46,585 --> 00:20:46,755

let it go.

363

00:20:48,005 --> 00:20:51,455

Maybe it comes to heal here.

364

00:20:55,485 --> 00:20:56,655

Wherever you want them to go.

365

00:20:57,045 --> 00:20:57,825

That's where they go.

366

00:21:00,185 --> 00:21:05,135

Everything painting could be so

easy and so much fun can really

367

00:21:05,135 --> 00:21:11,855

cam it's no big secret to learn a

few basic rules and let it happen.

368

00:21:13,055 --> 00:21:14,315

All you need needs a dream in your heart.

369

00:21:18,930 --> 00:21:23,310

Alrighty, tell you what let's

put, let's put some land down

370

00:21:23,310 --> 00:21:24,180

here, a little bit of dirt.

371

00:21:24,420 --> 00:21:26,940

Take a little band-aid brand with

a burn number mixed on the knife,

372

00:21:29,730 --> 00:21:32,940

and then we'll go up here and all

we're going to do is just touch.

373

00:21:34,410 --> 00:21:37,920

Just let the knife bounce

around and play paint.

374

00:21:40,350 --> 00:21:42,510

Let's play with it wherever it goes.

375

00:21:42,510 --> 00:21:43,140

Let it happen.

376

00:21:44,190 --> 00:21:45,420

Just go over to the other side now.

377

00:21:46,135 --> 00:21:46,754

Right here.

378

00:21:47,865 --> 00:21:52,665

There it goes again, these things just,

I just wonder where you want them.

379

00:21:54,465 --> 00:21:58,814

This is also the way you sort of clean

up the bottom of your grassy or you

380

00:22:00,304 --> 00:22:01,875

clean it up, make it nice and pretty.

381

00:22:04,155 --> 00:22:10,885

And this is Vandyke Brown

or number wherever you want.

382

00:22:13,024 --> 00:22:13,294

Okay.

383

00:22:13,875 --> 00:22:19,845

And then we'll take a little bit of

titanium, white, blue, and a little Brown.

384

00:22:19,845 --> 00:22:25,305

So we've got light blue and Brown,

sort of a very light, gray color,

385

00:22:25,365 --> 00:22:26,655

a little bit of paint on the knife.

386

00:22:27,765 --> 00:22:28,035

Okay.

387

00:22:28,095 --> 00:22:31,875

Let's go right up here and

I've just barely touch it.

388

00:22:32,445 --> 00:22:35,925

Just let him, Oh, just let

it just graze across the top.

389

00:22:37,155 --> 00:22:39,675

Just barely, barely, barely touch.

390

00:22:40,935 --> 00:22:41,925

Whisper light.

391

00:22:43,304 --> 00:22:44,534

Barely barely touch.

392

00:22:44,544 --> 00:22:45,375

Can't say that enough.

393

00:22:47,655 --> 00:22:48,104

Okay.

394

00:22:55,185 --> 00:22:59,735

That's it's so fantastic to be privileged

enough to be here on television with you.

395

00:23:00,604 --> 00:23:03,455

I have made hundreds and hundreds

of friends across the country.

396

00:23:05,995 --> 00:23:09,365

It's a super pleasure to be invited

into your home each week and to

397

00:23:09,375 --> 00:23:10,534

spend a half an hour with you.

398

00:23:12,810 --> 00:23:13,530

And our thank you.

399

00:23:16,590 --> 00:23:17,879

I really enjoy being with you.

400

00:23:22,399 --> 00:23:25,639

You become a very close and dear

friend, and I want to wish you

401

00:23:25,639 --> 00:23:29,600

the best and hope these paintings

bring a little joy into your life

402

00:23:30,679 --> 00:23:31,699

and teach you a little something.

403

00:23:32,389 --> 00:23:36,530

Take a little magic right now

and to that and the least little

404

00:23:36,530 --> 00:23:38,530

Amanda who viz little Amanda.

405

00:23:39,300 --> 00:23:45,209

They little blue Lee's little mountain

now to put some little water lines

406

00:23:45,209 --> 00:23:49,139

in here, take the knife, pull this

out very flat and then cut across.

407

00:23:50,100 --> 00:23:50,370

Okay.

408

00:23:51,270 --> 00:23:55,229

And you can go right up underneath

here and add in, put a water

409

00:23:55,229 --> 00:23:59,120

lines, just like so select.

410

00:23:59,120 --> 00:24:03,990

So you can put as many of

these in here as you want

411

00:24:07,340 --> 00:24:07,469

them.

412

00:24:11,310 --> 00:24:15,899

Or they need to be basically straight

if they're not, if they're not straight,

413

00:24:16,919 --> 00:24:21,710

you're painting here, your water run right

out of your painting started to say your

414

00:24:21,710 --> 00:24:23,000

painting and run right out of your water.

415

00:24:23,000 --> 00:24:24,350

But we know that's not right

416

00:24:27,590 --> 00:24:27,950

there.

417

00:24:28,040 --> 00:24:33,320

And just wherever you want them go to the

other side over there and had a few over

418

00:24:33,320 --> 00:24:34,580

here, I'm going to have someone that's.

419

00:24:34,580 --> 00:24:35,750

I don't want to get jealous.

420

00:24:40,470 --> 00:24:40,530

Yeah.

421

00:24:40,610 --> 00:24:45,860

Oh, and another thing, if you

enjoy this, what's your station.

422

00:24:45,860 --> 00:24:46,550

No shoot.

423

00:24:46,580 --> 00:24:47,510

That's the only way they know.

424

00:24:47,570 --> 00:24:51,080

If he likes something, call him up, spend

a minute with him, tell him what you like.

425

00:24:51,860 --> 00:24:55,160

That's the way you get different shows

on television, or you keep shows on

426

00:24:55,160 --> 00:24:56,990

there that you like, or you get reruns.

427

00:24:56,990 --> 00:24:58,460

If you want them, let them know.

428

00:24:58,880 --> 00:25:04,100

They need to know I'm going to

take an out a couple of more little

429

00:25:04,100 --> 00:25:05,510

twigs and little sticks, maybe.

430

00:25:06,060 --> 00:25:07,980

Right in here just to break it up.

431

00:25:07,980 --> 00:25:10,340

So mr.

432

00:25:10,340 --> 00:25:10,800

Break it up

433

00:25:16,860 --> 00:25:17,460

here and there.

434

00:25:18,800 --> 00:25:22,490

And I think we're right on the verge

of having a completed painting.

435

00:25:22,940 --> 00:25:25,669

This painting is, as I said in the

beginning has a tremendous amount

436

00:25:25,669 --> 00:25:28,010

of depth there's plane after plane.

437

00:25:28,700 --> 00:25:31,730

It really is a super,

super fun painting to do.

438

00:25:32,480 --> 00:25:34,940

If you're interested in selling

a painting and put a happy book.

439

00:25:35,580 --> 00:25:36,750

So I take a little paint thinner.

440

00:25:37,470 --> 00:25:42,090

I'll go right here and we'll drop a

little signature on the old clock on

441

00:25:42,090 --> 00:25:46,110

the wall tells me I've got to leave

you for the day and I'll be back.

442

00:25:47,430 --> 00:25:49,230

And from all of us here, happy painting.

443

00:25:49,650 --> 00:25:50,220

God bless.

End .srt file.

S04E01 - Purple Splendor

Bob Ross's

The Joy of Painting

S04E01 - Purple Splendor

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:28,770 --> 00:00:28,860

Okay.

00:00:36,830 --> 00:00:38,090

hello, I'm Bob Ross.

00:00:38,239 --> 00:00:42,620

And I'd like to welcome you to the fourth

joy of painting series, but the next 13

00:00:42,620 --> 00:00:46,129

shows I'll be your host as we explore

this fantastic method of painting.

00:00:46,670 --> 00:00:48,710

And this, this is your first time with us.

00:00:49,190 --> 00:00:52,160

I think you'll find this a very

exciting method of oil painting.

00:00:52,670 --> 00:00:55,580

We're going to take here and use

some very simple tools, a dozen

00:00:55,580 --> 00:00:58,280

colors, and I'm going to show

you how to do fantastic things.

00:00:58,980 --> 00:01:02,220

So let's start out here and I'm

going to cover the entire canvas

00:01:02,220 --> 00:01:03,990

with a thin even coat of magic.

00:01:03,990 --> 00:01:07,470

Quite now, magic white is a liquid

paint that makes the canvas wet,

00:01:07,560 --> 00:01:11,010

makes it slick and allows things

to happen right here on the canvas.

00:01:11,370 --> 00:01:13,920

We allow color to blend on the

canvas rather than worrying

00:01:13,920 --> 00:01:15,360

about mixing it on the canvas.

00:01:16,245 --> 00:01:22,305

So that's go here, use long, horizontal,

and vertical strokes to make sure

00:01:22,305 --> 00:01:25,695

you have a nice even distribution

and magic quite across the canvas.

00:01:27,165 --> 00:01:27,675

There we go.

00:01:28,245 --> 00:01:29,175

And we're ready to go.

00:01:29,835 --> 00:01:32,205

And today I'm going to use

a very, very limited pallet.

00:01:32,205 --> 00:01:35,325

We're only going to use about four colors

and I'm going to have them graphically

00:01:35,325 --> 00:01:39,045

run those colors across the screen so you

can pick them up at home and they will

00:01:39,045 --> 00:01:40,695

come across your screen in the same order.

00:01:41,009 --> 00:01:44,640

That I have them on my palette, starting

with a titanium white and working

00:01:44,640 --> 00:01:47,429

around, okay, let me wash the brush.

00:01:48,210 --> 00:01:51,419

And we wash our brushes with odorless

paint thinner, and I have a screen

00:01:51,419 --> 00:01:52,470

in the bottom of my candidate.

00:01:52,470 --> 00:01:57,869

I scrubbed the brush against to remove

the paint, shake off the excess.

00:02:01,050 --> 00:02:01,649

Here we go.

00:02:01,979 --> 00:02:03,360

S most fun part of it.

00:02:04,169 --> 00:02:04,470

Okay.

00:02:04,470 --> 00:02:09,150

Today let's mix up a purple color

and I'll take a lesbian Crimson.

00:02:10,020 --> 00:02:11,430

I might as well mix up

a pretty good batch.

00:02:11,430 --> 00:02:15,210

We're going to be using it all through

this little painting and they low blue.

00:02:15,900 --> 00:02:19,290

Now the blue is many, many times

stronger than the lizard and Crimson.

00:02:19,290 --> 00:02:25,710

So use very little, very little in

comparison to the Crimson there.

00:02:26,070 --> 00:02:27,600

And we'll mix this pretty thoroughly.

00:02:29,850 --> 00:02:30,120

Okay.

00:02:30,150 --> 00:02:32,940

Pick the paint up off the pallet and

turn it over when you're mixing it.

00:02:33,120 --> 00:02:34,380

That assures that it's mixed.

00:02:34,530 --> 00:02:35,340

Very thorough.

00:02:37,595 --> 00:02:39,615

That's very hard to tell

what color you have here.

00:02:39,705 --> 00:02:40,695

It just looks black.

00:02:41,475 --> 00:02:45,855

So let me wipe off the knife and we'll

take a little bit of white and then

00:02:45,855 --> 00:02:48,195

we'll touch that and we'll check it.

00:02:48,735 --> 00:02:50,295

We'll see what we have here.

00:02:50,295 --> 00:02:53,295

And if that's the color that we're

looking for and that's pretty good color.

00:02:53,355 --> 00:02:54,135

So we'll use it.

00:02:56,355 --> 00:02:58,365

So now with a large two

and a half inch brush.

00:02:59,204 --> 00:03:02,355

I want to take just a little bit

of the color on the brush and

00:03:02,355 --> 00:03:05,015

really work the paint into the

bristles, work it into the bristles.

00:03:05,015 --> 00:03:07,995

So you have a nice even

distribution of color and let's

00:03:07,995 --> 00:03:09,315

go right up here to the canvas.

00:03:09,765 --> 00:03:12,465

And I'm gonna start right at the

top of the canvas and make little

00:03:12,465 --> 00:03:14,325

crisscross strokes, little Xes.

00:03:15,285 --> 00:03:18,975

Now, if your color is not right, when you

get to this point, stop and correct it.

00:03:19,535 --> 00:03:19,805

Okay.

00:03:20,715 --> 00:03:20,984

Yeah.

00:03:22,355 --> 00:03:25,865

It's easy to make a sky darker, but

as a son of a gun to make it lighter.

00:03:26,625 --> 00:03:27,765

So he was very little paint.

00:03:27,765 --> 00:03:32,055

You could always add more, go

all the way across the top, using

00:03:32,055 --> 00:03:36,015

the little crisscross strokes

and begin blending downward.

00:03:37,425 --> 00:03:40,575

Now your colors mixing with a magic

white and automatically it gets

00:03:40,575 --> 00:03:42,225

lighter as it goes toward the horizon.

00:03:42,345 --> 00:03:45,525

And that's what we're

looking for in a landscape.

00:03:45,885 --> 00:03:48,945

Things should get darker in

value as they get closer to you.

00:03:49,695 --> 00:03:50,105

Can you move?

00:03:50,105 --> 00:03:51,045

Take a little more color.

00:03:52,005 --> 00:03:53,115

Let's go right up here.

00:03:53,484 --> 00:03:59,894

Still making the little crisscross strokes

and blend downward so that it gets much,

00:03:59,924 --> 00:04:01,515

much lighter right here at the horizon.

00:04:03,510 --> 00:04:04,110

Okay,

00:04:07,620 --> 00:04:08,220

there we go.

00:04:10,050 --> 00:04:10,860

And very gently.

00:04:11,040 --> 00:04:14,460

We'll just plan that out now.

00:04:14,490 --> 00:04:14,660

Hold on.

00:04:14,660 --> 00:04:15,810

I've got the color on the brush.

00:04:15,810 --> 00:04:18,570

I'm going to load a little

bit more and we'll have some

00:04:18,570 --> 00:04:19,769

water down here at the bottom.

00:04:20,610 --> 00:04:22,680

And one thing about water.

00:04:22,890 --> 00:04:24,570

If it's still water, it's always flat.

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So Paul from the outside, in,

outside in, and keep these

00:04:31,800 --> 00:04:33,180

strokes as straight as possible.

00:04:33,240 --> 00:04:35,010

It'll make you water

flat, make it lay down.

00:04:36,300 --> 00:04:36,540

Okay.

00:04:36,690 --> 00:04:38,880

Now we'll come from the other

side, do the same thing.

00:04:40,740 --> 00:04:41,460

There we go

00:04:45,289 --> 00:04:48,650

and very gently, very, very

gently or blend all this together.

00:04:49,070 --> 00:04:53,810

This is three hairs and some air

just very early caressing the canvas.

00:05:02,419 --> 00:05:05,150

And as I say, if this is your first

time joining us, you'll notice that we.

00:05:05,580 --> 00:05:07,170

We do not do any tracings.

00:05:07,170 --> 00:05:08,130

We use no patterns.

00:05:08,490 --> 00:05:12,510

We just sort of let these paintings flow

right out of her heart and you can too.

00:05:13,950 --> 00:05:15,600

That's what makes it so fantastic.

00:05:16,380 --> 00:05:16,710

Okay.

00:05:16,740 --> 00:05:17,700

Let's clean the brush.

00:05:19,560 --> 00:05:21,480

Once again, we use odorless paint thinner.

00:05:26,690 --> 00:05:27,350

There we go.

00:05:28,490 --> 00:05:28,940

Alrighty.

00:05:29,840 --> 00:05:32,480

Let's use the fan brush

some today and I'm gonna go.

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Right back in here and I'm gonna use this

same, same dark color and figure it out.

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Maybe there's a free line

that lives right there.

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There it is.

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And all I'm doing here is

touching the canvas and pulling

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down touch and pull down.

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I'll try to hold the bright

sideways so you can see that

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close up touch and pull down.

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Okay.

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And we just sort of let

this wander head on back.

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And we're still using the same

purple color lavender color.

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Purple there.

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Just let it fade right on

into nothing over here.

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Let's bring his little Hill.

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I know this is going to be

a little Hill right here.

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I see a little Hill, bring it down, just

like, so, and then lift gently upward.

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I'm just touching, lifting

straight up, straight up.

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Good.

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Now I want to create the illusion of mist.

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So we'll take the large

brush and very gently.

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I'm going to tap the bottom of this.

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Just happy.

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There we go.

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Okay.

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Now after you get a tabbed

and have it very Misty lift,

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gently, upward, very checklist.

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And that'll soften it to make it look just

like it was missed in this far, far away.

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And you can solve that to any degree that

you want it, any value that you want.

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Okay.

128

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Now, good several fan brushes going a day.

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So I don't have to stop and clean

them in between each operation.

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And I'm going to take a fan brush

and go right into some titanium white

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and we'll begin deciding where our

little Hill's going to be back here.

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And maybe let's go right up here.

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Maybe the little Hill comes right here

and we'll just use a fan brush today.

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You can put this on with a knife,

you could do it with a fan brush

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and make it very, very soft.

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And you begin worrying about the lay

of the land, all of those angles.

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And we'll put a little white over here

and then take a little touch of that.

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They look blue and add to it.

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This will be some of our

shadow colors in the snow.

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Probably with the brush full

of paint, lots of paint.

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Now, very lightly.

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Just lay some of this in just

tearing there, create some, some

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shadows in yourself, fairly, very

soft, very gentle, or very far away.

144

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And just visualize this in your mind.

145

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This is your world.

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You create the illusions that you want.

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so you already had, it looks like you're

something far, far away, back here.

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We've only been working for a second and

sometimes when you're painting, do you

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allow paintings to get so complicated

that they bother you work with simplicity?

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Sometimes, sometimes simplicity is a city.

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There we go.

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Maybe, maybe we back here in the distance.

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Maybe there's a little cabin.

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And so let's take, we'll use a knife

here, a little bit of titanium white

155

00:09:07,220 --> 00:09:10,160

and get a small roll of paint on the

knife right out here on the edge.

156

00:09:10,970 --> 00:09:11,510

There we go.

157

00:09:12,110 --> 00:09:14,330

And figure out where you want the

roof for your little cabin to be.

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And let's say, let's say

maybe the cabin is going to be

159

00:09:17,330 --> 00:09:19,100

right here, right about here.

160

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So you touch and pull.

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Just touch it and pull gives

you, gives you the roof for

162

00:09:26,535 --> 00:09:28,695

your cabin touch and pull.

163

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Just let that paint slide

right off your knife.

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Go.

165

00:09:37,055 --> 00:09:40,965

Now we need to do the other side of the

Kevin, the other side of the Eve of Paris.

166

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So we'll use the small edge.

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Yeah.

168

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And we can just that easy.

169

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But the other side though, Okay.

170

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Now let's go into some Vandyke Brown and

we can begin working with some detail here

171

00:09:56,235 --> 00:09:58,095

that maybe there's an Eve right there.

172

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One stroke going across, and

we need a front on this little

173

00:10:03,315 --> 00:10:07,965

cabin near we, our other side.

174

00:10:08,775 --> 00:10:10,365

And this is where you

begin to straighten him up.

175

00:10:10,785 --> 00:10:14,685

Getting like you want him and side here.

176

00:10:15,165 --> 00:10:15,645

That'll be it.

177

00:10:19,834 --> 00:10:21,765

Okay, now we can straighten out the front

178

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and we'll take a little bit of little

bit of Brown and white and we'll make the

179

00:10:30,545 --> 00:10:32,165

front of the cabin a little bit lighter.

180

00:10:32,344 --> 00:10:33,545

Barely, barely touch.

181

00:10:34,714 --> 00:10:36,125

Barely, barely touch.

182

00:10:38,555 --> 00:10:40,834

Let's make it look like a wood and

we'll go back with a little bit

183

00:10:40,834 --> 00:10:42,395

of the dark, put some shadows in.

184

00:10:43,564 --> 00:10:44,944

I, it look very old.

185

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And we need a door in that cabin.

186

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So I'll take just a tiny bit of the

Vandyke Brown on the knife, and we'll

187

00:10:52,260 --> 00:10:54,660

put a little door, just pull across.

188

00:10:54,660 --> 00:10:55,560

That's all there is to it.

189

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And we need some highlight

around the door so that easy

190

00:11:03,420 --> 00:11:04,560

we'll highlight around the door.

191

00:11:04,620 --> 00:11:09,329

Maybe this is an old slab cabin, so we'll

just cut some slabs in here that simple.

192

00:11:11,959 --> 00:11:12,530

All right.

193

00:11:12,589 --> 00:11:14,569

And we got a pretty good looking

little cabin going there.

194

00:11:15,595 --> 00:11:19,095

Now we can straighten the bottom out

by just scraping off this excess paint.

195

00:11:19,875 --> 00:11:21,045

This is sort of how you shape you.

196

00:11:21,045 --> 00:11:24,225

Kevin can check your angles,

make sure they're just right.

197

00:11:25,395 --> 00:11:30,105

And you can take an adult a little bit of

paint just to make nice firm edges here.

198

00:11:30,945 --> 00:11:32,775

This is just a little bit

of the titanium point.

199

00:11:35,475 --> 00:11:35,685

Yeah.

200

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And maybe we'll have a snowbank

coming down the side here.

201

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So let's get rid of some of this Brown.

202

00:11:42,545 --> 00:11:42,995

I can't.

203

00:11:43,635 --> 00:11:48,315

And we'll go back to our fan brush and

back into some titanium, white with

204

00:11:48,315 --> 00:11:49,815

a little bit of halo blue into it.

205

00:11:50,775 --> 00:11:52,035

We'll put a shadow right here.

206

00:11:53,655 --> 00:11:55,575

Let it come right down

the side of the cabin.

207

00:12:01,865 --> 00:12:02,885

I be careful right in here.

208

00:12:02,885 --> 00:12:08,225

You don't want to hit that Brown and pull

a big bunch of Brown down into snow Brown.

209

00:12:08,225 --> 00:12:09,545

Snow is worse than yellow snow.

210

00:12:11,285 --> 00:12:11,765

Here we go.

211

00:12:20,210 --> 00:12:21,150

shadow right in there.

212

00:12:24,220 --> 00:12:25,760

You want to put the indication

that there's a little

213

00:12:25,760 --> 00:12:27,050

path coming from the door.

214

00:12:27,440 --> 00:12:30,200

So we just take a little blue and

just sort of scrub it back and forth.

215

00:12:30,200 --> 00:12:33,440

Fourth, call it.

216

00:12:35,780 --> 00:12:37,040

And we don't know where this goes.

217

00:12:37,040 --> 00:12:37,760

Just let it go.

218

00:12:37,940 --> 00:12:38,600

But it have fun.

219

00:12:41,819 --> 00:12:44,280

Don't follow that lives here needs

a way to get up to his cabin.

220

00:12:45,959 --> 00:12:50,130

And maybe, maybe he had a few little

animals here and had to have a fence.

221

00:12:50,339 --> 00:12:53,910

So let's build a little fence and I'm

going to take my liner brush and dip it

222

00:12:53,910 --> 00:12:56,069

into a thin oil and go right into the van.

223

00:12:56,069 --> 00:12:56,610

Dyke Brown.

224

00:12:57,260 --> 00:12:59,250

I want the paint to be very, very thin.

225

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Normally we work with a paint it's

very thick and consistency because

226

00:13:03,839 --> 00:13:07,349

one of our golden rules at then

paint will stick to a thick paint.

227

00:13:08,204 --> 00:13:10,454

So we've got a thick paint on

the canvas and I can take this

228

00:13:10,454 --> 00:13:12,135

thin paint and stick it on top.

229

00:13:12,795 --> 00:13:14,545

And I turned the brush

to bring it to a point.

230

00:13:14,564 --> 00:13:18,165

The liner brush has a very long

bristles, holds a lot of paint.

231

00:13:18,975 --> 00:13:19,935

So let's go right up here.

232

00:13:20,204 --> 00:13:23,505

And maybe the little cap,

little fence, maybe, maybe,

233

00:13:23,535 --> 00:13:26,175

maybe, maybe it's right there.

234

00:13:26,415 --> 00:13:33,165

And we put in some little posts and

this is far away and maybe there's a

235

00:13:33,165 --> 00:13:35,145

little Hill right here and it just goes.

236

00:13:36,105 --> 00:13:37,485

Just come on over.

237

00:13:39,855 --> 00:13:46,965

I dunno where to heal and we need some,

some boards across the old fence posts.

238

00:13:48,195 --> 00:13:49,455

And these are just indications.

239

00:13:49,455 --> 00:13:50,295

This is far away.

240

00:13:52,035 --> 00:13:55,335

Don't want to get too much detail

it around the illusion of distance.

241

00:13:57,975 --> 00:14:01,305

Now we can go back with a little bit

of titanium white on the fan brush.

242

00:14:06,260 --> 00:14:10,580

and justifying that looks like at fence

goes right over the Hill somewhere

243

00:14:11,570 --> 00:14:12,650

and we don't know where it goes.

244

00:14:15,320 --> 00:14:16,070

We just let it go.

245

00:14:20,660 --> 00:14:21,170

Okay.

246

00:14:21,170 --> 00:14:25,430

And while I got the Brown on the little

liner brush, maybe there's a little

247

00:14:25,430 --> 00:14:28,790

chimney right here, so we can just

throw in a little chimney that simple.

248

00:14:29,265 --> 00:14:35,295

So there's two, it gives the

indication of a chimney and maybe,

249

00:14:35,925 --> 00:14:37,485

maybe there's a touch of red on that.

250

00:14:37,485 --> 00:14:41,925

Chimney at least little touch,

just enough to brighten it

251

00:14:41,925 --> 00:14:45,255

up a little clean the brush.

252

00:14:46,365 --> 00:14:51,615

And we're ready to go again and maybe,

maybe we'll go back to the fan brush.

253

00:14:51,615 --> 00:14:54,495

It had the dark purple on it

and let's load it full of paint,

254

00:14:55,785 --> 00:14:57,225

really loaded, full of paint.

255

00:14:59,265 --> 00:15:02,594

It may be maybe right in here.

256

00:15:02,805 --> 00:15:05,444

Maybe there's a tree, it

lives, or right there.

257

00:15:05,985 --> 00:15:06,525

There he is.

258

00:15:07,035 --> 00:15:10,214

Now we're going to use just the corner

of the fan brush to make this tree.

259

00:15:10,245 --> 00:15:16,385

This is a nice evergreen, just go

back and forth, back and forth,

260

00:15:20,255 --> 00:15:20,735

like, so.

261

00:15:24,780 --> 00:15:24,870

Okay.

262

00:15:24,969 --> 00:15:29,839

That simple, that simple, you could make

a fantastic tree and no, you could do it.

263

00:15:31,760 --> 00:15:32,930

And this is what makes it fun.

264

00:15:33,050 --> 00:15:34,040

These things happen.

265

00:15:34,969 --> 00:15:36,079

You really don't plan them.

266

00:15:36,290 --> 00:15:37,459

You just sort of let them happen.

267

00:15:39,079 --> 00:15:41,870

Just let them flow right out of

your mind, right onto the canvas.

268

00:15:44,540 --> 00:15:45,680

That's what makes it fun.

269

00:15:45,680 --> 00:15:48,260

When you can create on the canvas,

you don't have to spend a great deal

270

00:15:48,260 --> 00:15:49,189

of time trying to figure it out.

271

00:15:49,605 --> 00:15:50,505

What you're going to paint.

272

00:15:50,805 --> 00:15:52,755

You just learn how to

paint and you let it go.

273

00:15:53,475 --> 00:15:56,115

Maybe, maybe there's a

little Hill right there.

274

00:15:56,775 --> 00:15:59,205

So we'll put some little weeds

coming down from under this tree.

275

00:16:09,495 --> 00:16:13,865

That's left these little weeds, just

these create the lay of the land.

276

00:16:15,995 --> 00:16:16,565

There we go.

277

00:16:17,645 --> 00:16:18,605

Now take a little bit of the.

278

00:16:19,755 --> 00:16:22,484

This, the little blue and

white, once again, very limited

279

00:16:22,484 --> 00:16:23,625

palette we're using today.

280

00:16:24,765 --> 00:16:31,755

And let's take and put us a little Hill

right in here, and we don't care if it

281

00:16:31,755 --> 00:16:34,604

picks up a little bit of that purple

color, it helps add to the shadows.

282

00:16:40,354 --> 00:16:42,155

Pretty simple.

283

00:16:42,334 --> 00:16:44,525

This is a very, very easy painting.

284

00:16:45,875 --> 00:16:46,895

Very easy painting.

285

00:16:49,905 --> 00:16:50,775

And that's a lot of fun.

286

00:16:50,835 --> 00:16:51,625

Very rewarding.

287

00:16:57,515 --> 00:16:57,695

Yeah.

288

00:16:57,785 --> 00:16:59,555

Once again, follow the lay of the land.

289

00:17:00,215 --> 00:17:03,515

These brush strokes, determine

how you land is going to look,

290

00:17:03,515 --> 00:17:04,775

which direction is going to flow.

291

00:17:08,675 --> 00:17:09,275

Okay.

292

00:17:10,595 --> 00:17:10,715

Yeah.

293

00:17:10,715 --> 00:17:14,345

This side here and work a little bit

and see what we can come up with.

294

00:17:15,495 --> 00:17:18,885

Maybe over here, maybe there's a, I

think there's a whole group of trees.

295

00:17:19,185 --> 00:17:21,165

Let's start right there.

296

00:17:21,405 --> 00:17:22,695

And all you do is touch your canvas.

297

00:17:23,025 --> 00:17:26,105

Now, corner of the brush and

practice these little trees.

298

00:17:26,855 --> 00:17:27,905

It takes a little practice.

299

00:17:29,195 --> 00:17:32,425

They live in your fan brush and sometime

you have to, you have to sorta scare on my

300

00:17:32,425 --> 00:17:34,535

out, get them little Rascals out of there.

301

00:17:35,885 --> 00:17:36,905

Just go back and forth.

302

00:17:37,055 --> 00:17:40,025

And I use the same corner of the

brush all the way down the tree.

303

00:17:40,515 --> 00:17:43,125

Now these trees can be made with

a one inch brush two and a half

304

00:17:43,125 --> 00:17:49,335

inch brush all works on the same

principle, a lot of pain on the brush

305

00:17:49,335 --> 00:17:52,515

and a very firm paint, very firm.

306

00:17:52,515 --> 00:17:54,315

We're going to stick some

highlights on top of that.

307

00:17:57,945 --> 00:18:00,405

And once again, if this is your

first time watching our series,

308

00:18:01,065 --> 00:18:02,055

I hope you're enjoying it.

309

00:18:02,145 --> 00:18:03,165

I hope it's got you excited.

310

00:18:03,165 --> 00:18:06,135

You get your brush battery

ready to go with me and that you

311

00:18:06,135 --> 00:18:07,515

paint along with me each week.

312

00:18:09,389 --> 00:18:14,520

If you've been with us before, I'd like

to tell you how much we appreciate all

313

00:18:14,520 --> 00:18:16,080

the cards and letters that have came in.

314

00:18:17,850 --> 00:18:20,730

We read each and every one of

them and they make us very happy

315

00:18:20,730 --> 00:18:23,100

to know that you're watching our

shows and be like what we're doing.

316

00:18:23,850 --> 00:18:26,280

And you know, when, when this

series is finished, we have a

317

00:18:26,280 --> 00:18:27,629

complete year of television.

318

00:18:28,020 --> 00:18:28,230

Hmm.

319

00:18:28,350 --> 00:18:30,270

52 52 shows.

320

00:18:31,740 --> 00:18:32,520

Unbelievable.

321

00:18:32,820 --> 00:18:34,860

And I want to thank you for

allowing us into your home each

322

00:18:34,860 --> 00:18:37,889

week and for supporting us.

323

00:18:38,730 --> 00:18:40,740

You've made it happen

and we appreciate it.

324

00:18:42,570 --> 00:18:42,840

Okay.

325

00:18:42,930 --> 00:18:43,860

Maybe there's a little tree.

326

00:18:44,040 --> 00:18:44,730

That's right there.

327

00:18:45,290 --> 00:18:45,740

There we go.

328

00:18:48,920 --> 00:18:53,510

However many trees you want,

this is your world, your world.

329

00:18:53,510 --> 00:18:56,240

So you, you decided how

many trees in your world.

330

00:18:59,270 --> 00:18:59,960

There we go.

331

00:19:01,760 --> 00:19:02,300

I'll take you one.

332

00:19:02,330 --> 00:19:04,190

Let's have another tree right there.

333

00:19:06,225 --> 00:19:10,274

Maybe this is a little stand

of Pines, right on the corner.

334

00:19:14,014 --> 00:19:14,554

Fair.

335

00:19:21,034 --> 00:19:24,574

I think we're going to try to, we'll

bring in some of my friends, I have some

336

00:19:24,665 --> 00:19:28,774

fantastic friends that paint also that I'm

home, bring some of them in and let them

337

00:19:28,774 --> 00:19:32,735

show you some of the unbelievable things

that can be done in just a few minutes.

338

00:19:35,550 --> 00:19:40,350

Okay, maybe I'll tell you what, let's

have one more little tree right there.

339

00:19:48,020 --> 00:19:51,890

And maybe from there there's

some more little weeds.

340

00:19:52,010 --> 00:19:53,750

Maybe they come right down here.

341

00:19:54,140 --> 00:19:56,780

See that it's going to cut that

out and push everything back.

342

00:19:58,860 --> 00:19:59,280

The scale.

343

00:20:02,030 --> 00:20:02,300

Yeah.

344

00:20:02,300 --> 00:20:04,010

We just lay in some basic shapes first.

345

00:20:04,010 --> 00:20:07,159

Cause I want to pick up some of this

color and less snow to make shadows.

346

00:20:08,520 --> 00:20:12,679

We go back to the titanium, white with the

tiniest little bit of little blue in it.

347

00:20:13,580 --> 00:20:16,969

And we begin again, putting in

some basic shapes here for a Hill.

348

00:20:24,350 --> 00:20:26,030

Barely, barely touch the canvas.

349

00:20:27,495 --> 00:20:31,814

Let's see, pick up some of this purplish

color, but it become part of your shadows.

350

00:20:34,125 --> 00:20:38,294

And over here, we're just going to start

and let it fade away right into nothing.

351

00:20:44,475 --> 00:20:45,195

Here we go.

352

00:20:45,345 --> 00:20:47,264

Maybe this comes right down there it is.

353

00:20:48,585 --> 00:20:49,425

You knew it was there.

354

00:20:54,165 --> 00:20:56,354

And I hope this, this

painting gives you ideas.

355

00:20:57,074 --> 00:20:59,895

You know, we're not, we're not trying

to give you things just to copy.

356

00:20:59,895 --> 00:21:02,415

We're trying to give you ideas and

we're trying to teach your technique

357

00:21:02,985 --> 00:21:04,665

and then turn you loose on the world.

358

00:21:06,314 --> 00:21:06,554

Okay.

359

00:21:06,645 --> 00:21:12,615

Let's put a, let's put a few more little

grassy things in here and these paintings

360

00:21:12,615 --> 00:21:16,395

can be done in any color and they

don't have to be done in just purple.

361

00:21:16,905 --> 00:21:17,955

You could do them in any color.

362

00:21:19,725 --> 00:21:25,635

Yeah, maybe up in here show a little

bit of snow, a little bit of light.

363

00:21:27,935 --> 00:21:29,465

My home is in Fairbanks, Alaska.

364

00:21:29,465 --> 00:21:31,745

So I like to do snow paintings.

365

00:21:32,055 --> 00:21:33,515

I see a lot of snow where I live.

366

00:21:35,375 --> 00:21:35,645

Okay.

367

00:21:38,435 --> 00:21:41,855

We are just left these

fade right into nothing.

368

00:21:49,260 --> 00:21:49,860

Okay.

369

00:21:55,560 --> 00:22:02,160

See how easy that is now, then

let's go back over to this tree

370

00:22:02,160 --> 00:22:04,290

over here and finish this up.

371

00:22:05,580 --> 00:22:07,830

Lift up just a little bit here and there.

372

00:22:09,870 --> 00:22:13,080

Like, so Medi-Cal.

373

00:22:16,655 --> 00:22:22,685

they might bring in a little bit

of snow little highlight here and

374

00:22:22,685 --> 00:22:24,815

there that the sun play across.

375

00:22:27,575 --> 00:22:27,875

Okay.

376

00:22:27,875 --> 00:22:30,065

Now, while I've got this pressure

going with a little bit of the blue

377

00:22:30,065 --> 00:22:34,115

on it, let's put some indication of

a little bit of snow on the trees.

378

00:22:34,995 --> 00:22:36,065

We'll start with this one here.

379

00:22:36,255 --> 00:22:37,115

We don't want a great deal.

380

00:22:37,115 --> 00:22:39,005

I don't want to lose a dark values here.

381

00:22:39,875 --> 00:22:42,275

So let's just put some little

indications here and there.

382

00:22:44,125 --> 00:22:47,565

We are just a few.

383

00:22:48,845 --> 00:22:49,055

Yeah.

384

00:22:49,445 --> 00:22:52,655

Let's go over into the clump of

trees and do exactly the same thing.

385

00:22:52,745 --> 00:22:56,015

Just touch just here and there.

386

00:22:56,135 --> 00:23:04,655

Just a few, just a few drop on me,

dark down there, darker, darker, darker

387

00:23:04,655 --> 00:23:05,915

as it goes down towards the bottom.

388

00:23:07,775 --> 00:23:11,795

Very, very dark, very, very dark.

389

00:23:14,250 --> 00:23:17,010

If you appear on that one

and we're in business.

390

00:23:18,899 --> 00:23:19,169

Yeah.

391

00:23:20,899 --> 00:23:22,550

Let's put a little bit of

water in this painting.

392

00:23:23,120 --> 00:23:26,060

All we need to do is go right in here

with our large brush and pick up a

393

00:23:26,060 --> 00:23:29,570

little bit of the dark color, decide

where you want your water to be.

394

00:23:29,600 --> 00:23:34,310

Maybe it lives right there and post

straight down, even though you're

395

00:23:34,310 --> 00:23:40,460

going around the corner, still

pull straight down and that easy.

396

00:23:41,310 --> 00:23:41,820

And easy.

397

00:23:42,180 --> 00:23:45,240

We'll create some beautiful, beautiful

little reflection straight down.

398

00:23:47,880 --> 00:23:48,480

There we go.

399

00:23:49,350 --> 00:23:49,560

Yeah.

400

00:23:49,830 --> 00:23:51,420

Very lightly core cross.

401

00:23:51,990 --> 00:23:53,010

It makes it look like water

402

00:23:56,180 --> 00:24:00,800

and let's put a, let's put a few

little, little stones and stuff

403

00:24:00,800 --> 00:24:05,270

here back into the purple color and

decide where you want a little stone

404

00:24:05,270 --> 00:24:07,670

to be and just lay in some paint.

405

00:24:09,000 --> 00:24:09,420

I can't.

406

00:24:09,900 --> 00:24:14,700

So there's two, it maybe, maybe there's

a little stone lives right there areas.

407

00:24:15,360 --> 00:24:16,380

I think just lay at the end.

408

00:24:17,760 --> 00:24:20,130

I know let's have one right here.

409

00:24:21,900 --> 00:24:23,100

Just lay in your little stone.

410

00:24:24,930 --> 00:24:30,990

They we'll take a little bit of

the white titanium white and come

411

00:24:30,990 --> 00:24:32,310

right over the top of that stone.

412

00:24:38,295 --> 00:24:38,925

Very lightly.

413

00:24:39,705 --> 00:24:40,575

It's right over the top.

414

00:24:42,885 --> 00:24:43,665

Just like so

415

00:24:46,825 --> 00:24:52,685

point and let's lay some snow

on that stone and you can put as

416

00:24:52,685 --> 00:24:54,425

many stones in your, as you want.

417

00:24:58,695 --> 00:25:00,575

As many as you want, let them go.

418

00:25:03,335 --> 00:25:04,715

Let's add a little bit blue to this one.

419

00:25:04,745 --> 00:25:05,345

Put it over here.

420

00:25:05,345 --> 00:25:06,365

Maybe in the shadow.

421

00:25:06,930 --> 00:25:10,080

And there they come across.

422

00:25:10,410 --> 00:25:17,540

Like it, maybe, maybe

this comes right down.

423

00:25:18,260 --> 00:25:19,040

Just let it go.

424

00:25:22,150 --> 00:25:22,820

Here we are.

425

00:25:23,480 --> 00:25:26,810

Can you pick up a little that color

and it makes it look like a shadow?

426

00:25:28,850 --> 00:25:29,990

No, we don't make mistakes.

427

00:25:29,990 --> 00:25:33,490

We have, um, we have a happy

accidents to let it happen.

428

00:25:33,510 --> 00:25:34,400

Learn to use anything.

429

00:25:34,400 --> 00:25:34,970

It happens.

430

00:25:36,675 --> 00:25:42,045

All right now we need a water line

here to clean up the edges and

431

00:25:42,075 --> 00:25:43,245

finish this little painting up.

432

00:25:43,245 --> 00:25:46,215

So we'll take a little bit of the

magic white, and I'm going to put

433

00:25:46,215 --> 00:25:50,385

it on the pallet, pull it out very,

very flat and then cut across it.

434

00:25:50,865 --> 00:25:51,695

Just cut across that.

435

00:25:51,695 --> 00:25:54,885

You have a very thin line of paint

on the knife and we'll go right

436

00:25:54,885 --> 00:25:58,695

up here and act just like you're

trying to cut a hole in the canvas.

437

00:26:01,665 --> 00:26:03,014

Trying to solve a hole right through it.

438

00:26:03,585 --> 00:26:04,455

Push it very hard.

439

00:26:05,534 --> 00:26:09,554

We use it very, very

firm pressure here, Chaz.

440

00:26:09,764 --> 00:26:10,034

441

00:26:14,534 --> 00:26:19,455

here and just let these water

lines work right on the room.

442

00:26:23,355 --> 00:26:24,524

I hope you've enjoyed this.

443

00:26:24,524 --> 00:26:26,774

This is a very, very nice little painting.

444

00:26:26,804 --> 00:26:27,405

Easy to do.

445

00:26:27,735 --> 00:26:28,965

It's a good first project.

446

00:26:30,090 --> 00:26:33,870

Get you started get you

blood fired up next week.

447

00:26:33,870 --> 00:26:38,970

You have you, you almighty brush out the

easel, set up big glass of tea, sitting

448

00:26:38,970 --> 00:26:45,770

there and ready to go with me assigned

this one and we we'll call it finished.

449

00:26:45,770 --> 00:26:47,270

I'll take a little bit of the thin oil.

450

00:26:48,050 --> 00:26:53,180

And I did put some permanent red out here,

which was not on this screen just for

451

00:26:53,180 --> 00:26:55,310

signature and let's sign right here today.

452

00:26:56,570 --> 00:26:57,020

And.

453

00:26:58,889 --> 00:27:02,220

So all there is to it, then

paint go right on there.

454

00:27:03,679 --> 00:27:05,720

So, and we'll call that one finished.

455

00:27:06,080 --> 00:27:08,629

And from all of us here, we'd

like to wish you happy painting.

456

00:27:08,840 --> 00:27:09,439

God bless.

457

00:27:09,649 --> 00:27:10,490

See you next week.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S04E02 - Tranquil Valley

Bob Ross's

The Joy of Painting

S04E01 - Purple Splendor

Bob Ross's

The Joy of Painting

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