Bob Ross's
The Joy of Painting
S24E02 - Wayside Pond
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Hi, welcome back.
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Certainly glad you could join us.
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It's a fantastic day here and
I hope it is wherever you are.
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So I'll tell you what, let's start out
today and have Brown all the colors
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across the screen that you need to paint
along with us while they're doing that.
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Let me show you what I've
gotten done up here today.
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I can have a black canvas as
you plainly can see, and we make
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the canvas black by covering it
with a nice coat of black Jesso.
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Now the black Jesso is applied with
just a foam brush or something,
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and it's allowed to dry completely.
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On top of the black GSO, I've added
a, a coat of alizarin Crimson and
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they low blue mixed with liquid clear.
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In other words, we've made a very
thin lavender color and we've
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covered the entire canvas with
it and it's all wet and slick.
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And it's ready to go.
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So let's go.
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I thought today, I just show
you a fantastic little painting.
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That's very easy to do then.
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It's a lot of fun.
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We'll just use a two inch brush.
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Great Dylan.
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Okay.
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Let's just see what happens here.
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Let's start out with the old two
inch brush and I'm just going to
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tap the corner, just the corner
and to just small, small amount of
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titanium white, you don't need much.
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Don't need much.
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Now we already have this
lavender color up here.
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So watch what happens and I would
just be in tapping, just tap that's.
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All you have to do is just
begin tapping very, very easy.
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It's picking up the color.
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That's underneath the words
that lavender color there.
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And as you tap, you begin to
form all kinds of little shapes.
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Turn the breath.
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All right.
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Right.
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This is one of the neatest
simplest ways of making a side.
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It's so fantastic.
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The black canvases are just.
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Unreal.
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They will do things.
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If they make your heartbeat faster,
they are gorgeous and color stands out
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so much, so much brighter on there.
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I'm going to have the least little
touch of dark Sienna, Timur brush.
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So here and there, I'm going to put in
a few, little light Brown spots in it.
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Right in there just
wherever you want them vary.
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Some colors back and forth here.
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Something maybe about like, so
maybe the least little touch
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of fail of blue here and there.
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All we're doing though is just
tapping with the top corner
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of the old two inch brush.
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Just the top corner.
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It's all we need.
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They're very, the colors vary the color.
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So we have a lot of things happening
and the more that you tap, the darker
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it'll become because it's picking
up the color of this underneath.
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And what's so much fun if you're
ever doing a canvas like this in
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front of friends or relatives or.
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Doing any kind of demonstration
for someone don't tell them that
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you've put anything on the canvas,
just let them see you start with
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it with a cold black canvas.
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And all of a sudden you begin tapping in
all of these gorgeous colors will appear,
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and you can do this with any transparent
color or semi-transparent color.
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In other words, color.
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It may not be totally transparent,
but it's transparent enough for what
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we're doing there in a good way to
test it is pick a little on your finger
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and put it right on the black canvas.
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If it still looks black, it's
transparent enough for what we're doing
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here.
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Just keep tapping though.
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There we go.
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Something about like, so, all right.
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And you can make it as bright as you
want it, or as dull as you want it.
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And I like paintings that are
quite subdued, very dark, almost
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looked like traditional painting
sometime when you do them that way.
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But it's up to you.
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Some people like paintings
that are very bright and shiny
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and they make you feel good.
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So painting is a very
individual thing there.
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Yeah.
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I have several brushes going,
let me get another one.
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That's nice and clean and dry
and very lightly making tiny,
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tiny, little extra bucks.
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I'm just going to begin blending this
very gently, barely touching the canvas.
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Just, just caressing it a little bit.
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Or you can blend this to any degree
of softness that you want it to
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be, or you can leave it quite
bright, quite sparkled either.
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It's up to you.
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All right.
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Kenya, maybe in our world tell you
what, let me go back to the brush up
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and pick up a little touch of that.
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They look blue again, and
man, a little white too.
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So we have the little blue and white
basically, and I'm just still tapping that
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corner and we'll turn the bright side was.
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Can you just maybe tap in the shape?
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Maybe there's a little cloudlets right.
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There were a little cloud
shape, something like that.
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Really?
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I just want a little bluish color in here
to sort of change the flavor of the sky.
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Can I get a little more interesting, put
a little cool color right in the middle
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of all these gorgeous, warmer colors.
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And back to our brush, that's clean.
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And once again, very lightly, just
barely, barely touched the canvas.
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And then we go over the entire
sky area, something like that.
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That's a nice little way
of making it a little sky.
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There's just, it's just
different than it's quite pretty.
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I will put a little brighter spot right
down in here, or you can work on this
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for as long as you want and you can,
you won't believe what you can do.
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If you just try it, you will not believe
the effects that you can come up with.
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You could make some of the most
gorgeous things that you've
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ever seen work in layers.
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Just keep building and building
and building, and you can go
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back over and over and over.
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Till you get it exactly the way
that you want it, and everybody
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will see it differently.
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So do it the way that you like it.
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Not necessarily the way that I
do it, because you'll do it much
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better when you do it there.
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Okay.
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Maybe in our world,
maybe, maybe, maybe shoot.
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Let's get crazy.
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Let's take a, we use a little
SAP, green, little Vandyke Brown,
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some black, black, maybe just a
little bit of the Prussian blue.
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I'm looking for a nice
dark greenish color here.
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Something about like, so I'm still
just gonna tap the top corner in here.
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Now there.
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Maybe there's some happy little bushes
that live back here using just the
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top corner of the old two inch brush.
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All we're doing is tapping into
some very basic little shapes.
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Very basic.
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They're quite dark.
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We back here, I had a little bit more
color come right in here on that,
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a little dark Sienna, but that too.
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Oh, yeah, that's nice.
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That's nice.
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That changes the flavor just enough
that it stands out there just enough.
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It's very dark.
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I hope you can see it.
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Sometimes.
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It's fun to begin playing in here.
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So watch them.
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So say I have several, several
brushes going, so I don't have to
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spend all my time watching where I
say I'm gonna take some white leaves,
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little touch of the yellow ochre.
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Once again, I'm just going to tap that
corner just when you use that corner.
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Okay.
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And maybe a little light zinging
through here, and it's just striking
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the tops of some little bushes that
live right in here just by using that
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corner, we can create that illusion.
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Something like that wherever
you think they should live.
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And you could do this with her,
either one of the round brushes
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or the one inch brush, whatever.
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There's really no limit to it.
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Just about any old brush would work.
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Basically the shapes you're most
interested in more than the yellow
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curtain white, but it really stands out
against that instead of their color there.
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Yeah, back to my brush
and had the darker colors.
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I like to make the big trees with these
two inch brushes are a lot of fun.
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And so often we have butted the old
two inch brush because it's so big,
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but it will do fantastic things.
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If you just give it a chance, watch here.
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Maybe there's a big tree that.
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Cut.
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Okay.
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Right here.
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There it is right up here lives.
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There's now a big tree that sort of hangs
over here and he watches everything.
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The little squirrels
live in play up in here.
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I think they have a good time.
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If all you're looking for
here are basic shapes.
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Very basic little shapes there.
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Now the black is back here.
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So you don't have to put a lot
of color, takes very little
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color, same colors once again.
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Maybe there's another one over here.
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Just sort of let your imagination go.
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Because when you're looking deep
into the forest or the woods, like
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this tree to sort of grow have, or
make them happy, they have a good
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time, then you have a good time.
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It will come right down
in front of five cat.
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All right.
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Just very colors back and forth.
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Added the least little touch of yellow,
awkward to the same color, just enough,
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just enough to sort of flavor it
and make it stand out a little bit.
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This will be a very, very
dark subdued type painting,
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but look at all the different layers that
you've created and just using basically.
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Nothing other than the old two inch
brush, let's make a little Brown for that.
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I'm going to use some scent green
and lizard Crimson about equal parts.
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So we'll just mix that up real good.
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This is one of the few
colors that we really mix.
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Well, normally, normally we don't over
mix paint, but these, we need them
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well-mixed to make a nice Brown and I
reach over and get a little bit of white
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and put in there right in the edge.
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T let me clean off a knife.
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Just wipe the old knife with the
paper towels and get a little
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roll of paint and come round up in
here and very lightly just pushing
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that color right into the canvas.
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Maybe there's just a little
touch, a little hint of land
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back in here that you can see.
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Not much, just a little, let it go.
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Say there something.
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Maybe I can't, I don't
want a whole bunch of,
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I'm gonna use the one inch brush now.
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Cause I'm gonna do
something a little smaller.
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Take some of that same Brown
color, made a little bit of blur.
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Okay.
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I'm going to tap using the top
edge and just have him indication
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of another layer of bushes.
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Each layer.
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Once again, will create more
depth than you're painting.
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Now look right here.
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See what happens.
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You can see behind that
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each one of these layers.
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Once again, I know you get tired of
hearing that, but it creates that illusion
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of depth and distance in your painting.
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And I bet you've seen paintings that live
very flat and they sort of disappear.
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Yeah, there we go.
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Once again, that creates another layer in
there and you can put several in there.
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Shoot.
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If you wanted to.
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So you could put another little
layer just by adding the indication
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of a little soil that you can
see a little bit right in there.
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Nine in there.
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I can't.
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Let me go back to a little one inch
brush with a dark color on it, and you
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can push that back and make it recessed.
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Each one of those though, is
another layer, more depth.
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And we can just tap the top
corner of the brush right into a
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little bit of the yellow ochre.
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And I want to touch the least little bit
of bright red every once in a while there.
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And just tap on the indication,
just a few little things.
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Let's get a little SAP green, a
little bit of yellow ochre, mix them
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together and then just mix them.
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He's on the brush.
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Oh, that's nice.
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Nice color.
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We still haven't cleaned the rush.
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Sorry.
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Well, dirty brush.
241
00:13:18,875 --> 00:13:21,095
We're just adding color and
allowing it to blend together.
242
00:13:23,585 --> 00:13:25,115
Just the top corner though.
243
00:13:26,885 --> 00:13:30,125
I can there.
244
00:13:32,385 --> 00:13:36,165
Maybe while we have that old brush
working, maybe up in here, we'll put a
245
00:13:36,165 --> 00:13:38,135
few little highlights right in there.
246
00:13:40,084 --> 00:13:45,785
Something about like, yeah,
a little more color there.
247
00:13:48,540 --> 00:13:49,860
See, there's no end to this.
248
00:13:51,330 --> 00:13:53,790
You can make as many different
things as you can imagine.
249
00:13:54,390 --> 00:13:57,840
You're only limited on this piece
of canvas by your imagination.
250
00:13:58,740 --> 00:14:01,320
Of course, I believe that's
the only limitations in life
251
00:14:01,320 --> 00:14:05,700
also is just your imagination,
because anything that you can.
252
00:14:06,495 --> 00:14:10,035
Conceive in your mind and you
believe, I think you can do it.
253
00:14:10,925 --> 00:14:12,525
Went back to the big brush shoot.
254
00:14:12,525 --> 00:14:13,365
That was too slow.
255
00:14:14,355 --> 00:14:17,955
Let's take a little bit of yellow
ochre, get a little SAP green.
256
00:14:17,955 --> 00:14:19,215
I'll be right back there.
257
00:14:20,145 --> 00:14:23,115
Just sort of mix those together on
a brush and then we'll tap the brush
258
00:14:23,235 --> 00:14:25,695
to load a little bit of paint right
out on the end of the bristles.
259
00:14:26,445 --> 00:14:27,405
Let's go back up in here.
260
00:14:27,405 --> 00:14:30,945
Now, this old tree here, I'm
using the breath side words.
261
00:14:31,425 --> 00:14:32,235
Just the corner.
262
00:14:33,405 --> 00:14:33,885
Look at that.
263
00:14:36,045 --> 00:14:39,314
You can just make all kinds of
little highlights on the Rascals
264
00:14:40,694 --> 00:14:43,185
there wherever you want them.
265
00:14:44,715 --> 00:14:46,125
Think about form and shape.
266
00:14:46,155 --> 00:14:49,245
Don't just throw these on at random there.
267
00:14:49,605 --> 00:14:53,685
Think about the old tree and how it
looks and what makes it stand out.
268
00:14:55,694 --> 00:14:58,665
Spend some time out New York, or
just, just go out and make friends
269
00:14:58,665 --> 00:15:00,435
with a tree who did nothing wrong.
270
00:15:00,435 --> 00:15:05,415
If you're an artist you're allowed to do
weird and crazy things, sometimes just go
271
00:15:05,415 --> 00:15:07,185
out and spend some time talking to a tree.
272
00:15:07,395 --> 00:15:09,645
Of course your neighbors are going
to look at you a little strange,
273
00:15:09,675 --> 00:15:12,255
but they'll say yeah, yeah.
274
00:15:14,205 --> 00:15:15,105
He's a painter.
275
00:15:15,105 --> 00:15:18,195
So, you know, little
weird he's it's expected.
276
00:15:19,995 --> 00:15:23,805
You already don't have to go talk to
a tree, but what I'm saying is spend
277
00:15:23,805 --> 00:15:29,805
some time studying trees, just study,
make friends with them in that manner.
278
00:15:31,035 --> 00:15:31,785
Just get crazy.
279
00:15:31,785 --> 00:15:35,985
I'm going to take some black pression
blue Saintville, dark colors, all of
280
00:15:35,985 --> 00:15:38,175
them, dark Sienna, van Dyke Crimson.
281
00:15:39,195 --> 00:15:39,675
It doesn't matter.
282
00:15:39,675 --> 00:15:40,725
As long as it's good and dark.
283
00:15:42,675 --> 00:15:48,525
Maybe, maybe there's an old rickety
tree that lives out here in old,
284
00:15:49,395 --> 00:15:51,255
some kind of old evergreen tree.
285
00:15:51,885 --> 00:15:54,255
He lives right here in front of this one.
286
00:15:55,395 --> 00:15:57,255
I want this old tree
to look like its head.
287
00:15:57,824 --> 00:15:58,365
Mike me.
288
00:15:58,935 --> 00:16:02,084
He's had a rough old life there.
289
00:16:03,135 --> 00:16:08,255
His arms just sorta hanging out
ever since we really want him to.
290
00:16:09,435 --> 00:16:15,615
I don't even look old and tired there
he's really had it rough out here.
291
00:16:17,084 --> 00:16:19,935
Maybe when he was a little, uh,
maybe a big elk came through
292
00:16:19,935 --> 00:16:23,475
here, something stepped on him,
sorta hurt him a little bit.
293
00:16:23,475 --> 00:16:25,005
And he's never been right since
294
00:16:28,095 --> 00:16:32,084
she just make up little stories and,
you know, people, people look at
295
00:16:32,084 --> 00:16:35,204
you like you're a little strange,
but once again, if you're an
296
00:16:35,204 --> 00:16:36,765
artist, people sort of expect that.
297
00:16:36,765 --> 00:16:37,425
So it's all right.
298
00:16:38,550 --> 00:16:41,280
And we know because artists
have more fun than anybody.
299
00:16:42,630 --> 00:16:44,670
Your little indications
of some sticks in there.
300
00:16:46,410 --> 00:16:53,130
We take a little, little SAP brain,
little yellow, little, a little bit
301
00:16:53,130 --> 00:17:00,450
on the two inch brush can go back up
in here and just very lightly tapping
302
00:17:00,450 --> 00:17:01,920
a few highlights on that old tree.
303
00:17:05,849 --> 00:17:06,150
Okay.
304
00:17:06,180 --> 00:17:07,500
A little more paint on the brush.
305
00:17:10,230 --> 00:17:10,829
There we go.
306
00:17:11,819 --> 00:17:13,380
See, it's unbelievable what you can do.
307
00:17:13,380 --> 00:17:13,980
Basically.
308
00:17:14,250 --> 00:17:21,000
We've used nothing on this, but the one
and two inch brush and the knife, you can
309
00:17:21,000 --> 00:17:22,530
do some of the most gorgeous paintings.
310
00:17:22,530 --> 00:17:25,589
If you're just practice
with very little equipment.
311
00:17:27,480 --> 00:17:31,250
Right to my mind.
312
00:17:31,320 --> 00:17:35,400
I think we already have another
little tree that lives right here.
313
00:17:35,400 --> 00:17:36,450
We need to fill this corner.
314
00:17:36,450 --> 00:17:38,190
If that's the reason, I think
it would be a tree here.
315
00:17:40,200 --> 00:17:41,070
So where do you want it?
316
00:17:43,350 --> 00:17:44,670
When you do your painting like this?
317
00:17:45,090 --> 00:17:47,640
This corner may have
more in it or less in it.
318
00:17:48,000 --> 00:17:48,750
It doesn't matter.
319
00:17:49,590 --> 00:17:52,830
It really doesn't matter to you.
320
00:17:54,900 --> 00:17:56,820
Let me just put some of that
color right down in here.
321
00:17:56,850 --> 00:17:58,680
I want the water to reflect these colors.
322
00:17:59,790 --> 00:18:02,580
So even though you can't see that
there's a little bit color down in there.
323
00:18:04,855 --> 00:18:05,515
There we go.
324
00:18:05,515 --> 00:18:06,985
Maybe a nice tree.
325
00:18:07,015 --> 00:18:08,485
Listen right here.
326
00:18:08,515 --> 00:18:09,535
We are really layering.
327
00:18:09,565 --> 00:18:13,545
A lot of trees there.
328
00:18:13,555 --> 00:18:17,365
We are back in here.
329
00:18:20,335 --> 00:18:20,785
Okay.
330
00:18:23,935 --> 00:18:25,705
Now let's have some fun
with the whole liner brush.
331
00:18:25,705 --> 00:18:29,635
I'm going to take paint
thinner, thinner, little bit of.
332
00:18:30,420 --> 00:18:36,500
White with some dark Sienna in it
to make a light Brown color that
333
00:18:36,500 --> 00:18:37,639
I've mixed paint than her with it.
334
00:18:37,639 --> 00:18:40,040
So it's thin almost like ink.
335
00:18:40,250 --> 00:18:40,879
Very thin.
336
00:18:41,899 --> 00:18:44,300
Let's go up in here now, here and there.
337
00:18:44,450 --> 00:18:48,950
And then Erin here, we've just
had a few little sticks and twigs
338
00:18:48,950 --> 00:18:53,629
and all kinds of little things
wherever you think they should be.
339
00:18:54,320 --> 00:18:56,690
It's always little things that
grow out from behind here.
340
00:18:57,710 --> 00:18:58,220
There's one.
341
00:18:58,575 --> 00:18:59,895
Just sort of decide where they are.
342
00:19:03,165 --> 00:19:06,075
They're liner brush though with it.
343
00:19:06,425 --> 00:19:09,665
If you have any trouble making this
paint stick, chances are you just
344
00:19:09,665 --> 00:19:11,735
need to add more paint thinner to it.
345
00:19:12,035 --> 00:19:13,835
Don't be afraid to add quite
a bit of paint thinner.
346
00:19:15,635 --> 00:19:16,215
There we are.
347
00:19:17,405 --> 00:19:18,875
You can even put the liquid clear in it.
348
00:19:18,885 --> 00:19:22,235
I just use paint thinner because
it's convenient, but whatever.
349
00:19:24,000 --> 00:19:26,280
Okay, let me go back to the old brush.
350
00:19:26,280 --> 00:19:33,000
It's got the green on it and let's
put a few highlights on this tree that
351
00:19:33,000 --> 00:19:34,380
we put right here in the foreground.
352
00:19:36,030 --> 00:19:36,840
Just a few.
353
00:19:37,740 --> 00:19:39,090
She using the corner of the brush.
354
00:19:39,150 --> 00:19:43,860
It's all using their dark or darker down
towards the base here, because there's
355
00:19:44,370 --> 00:19:46,440
going to be some big shadow areas in here.
356
00:19:48,300 --> 00:19:51,090
A little bit more of the yellow ochre
and a little bright red hair in there.
357
00:19:52,590 --> 00:19:53,070
Maybe.
358
00:19:53,100 --> 00:19:53,310
Yep.
359
00:19:53,489 --> 00:19:53,969
You're right.
360
00:19:55,439 --> 00:19:57,000
There's another one right in there.
361
00:19:59,969 --> 00:20:02,639
Just make up your mind where you think
they should live and drop them in.
362
00:20:04,469 --> 00:20:05,010
There we go.
363
00:20:05,879 --> 00:20:07,649
And everybody's painting
will be different.
364
00:20:08,939 --> 00:20:10,379
And that really is the beauty of it.
365
00:20:11,699 --> 00:20:12,929
That's the beauty of it.
366
00:20:13,260 --> 00:20:15,090
Everybody's with the same,
it would be very dull.
367
00:20:16,965 --> 00:20:17,205
Yeah.
368
00:20:18,545 --> 00:20:21,545
That's one of the reasons that I
really don't like to trace paintings
369
00:20:22,445 --> 00:20:25,115
onto a canvas before I started
to put some boundaries on you.
370
00:20:25,865 --> 00:20:28,264
Boundaries on you on new creative ability.
371
00:20:28,264 --> 00:20:31,685
Let's go on the other
side, maybe over in here.
372
00:20:33,004 --> 00:20:34,085
Use the same colors.
373
00:20:34,085 --> 00:20:35,675
Maybe this little tree here.
374
00:20:35,795 --> 00:20:38,375
We'll put some nice
little things on it too.
375
00:20:40,715 --> 00:20:41,405
There we are.
376
00:20:46,155 --> 00:20:50,145
Work in layers, work in
layers, do one layer at a time.
377
00:20:50,865 --> 00:20:54,855
Trees are nothing but big clumps of
bushes that got together and grew tall.
378
00:20:55,274 --> 00:21:01,215
So each limb, maybe you can look at it
just as a Bush and then put them together.
379
00:21:01,304 --> 00:21:04,605
It'll make your tree have shape
and form and be interesting.
380
00:21:06,675 --> 00:21:07,304
There we go.
381
00:21:10,665 --> 00:21:13,425
See how you can just vary those colors
back a little bit here and there.
382
00:21:13,425 --> 00:21:14,054
And they're in here.
383
00:21:14,985 --> 00:21:16,995
Just enough to change
the flavor a little bit.
384
00:21:18,825 --> 00:21:19,275
All right.
385
00:21:19,305 --> 00:21:24,435
Back to my little script liner
brush, maybe in our world who
386
00:21:24,435 --> 00:21:30,155
knows, who knows right here, maybe
there's just an old tree trunk.
387
00:21:30,165 --> 00:21:31,335
It's sticking right out.
388
00:21:33,105 --> 00:21:34,485
Put some legal de limbs on it.
389
00:21:38,795 --> 00:21:43,685
Jess will wiggly limbs on it
wherever you think they should be.
390
00:21:45,990 --> 00:21:48,660
That's fun part though, is
adding these little details.
391
00:21:48,840 --> 00:21:50,940
These are the things that
make your painting special.
392
00:21:52,560 --> 00:21:56,040
Of course, none of us are interested
in the old happy buck, but if you are,
393
00:21:56,160 --> 00:21:59,130
and you're out selling your paintings,
these little things are what make
394
00:21:59,130 --> 00:22:02,550
your painting sell while somebody
else's painting just lays there.
395
00:22:03,580 --> 00:22:05,790
We can put a few little things
here and there on this side.
396
00:22:05,820 --> 00:22:07,710
Don't want them all on just one side.
397
00:22:09,465 --> 00:22:10,515
Maybe I've been here.
398
00:22:12,815 --> 00:22:14,225
Tell you what sometimes it's fun.
399
00:22:14,255 --> 00:22:17,345
I'll take a little, take a little,
that Brown color we need with the
400
00:22:18,215 --> 00:22:23,165
Crimson and the, and the SAP green.
401
00:22:24,785 --> 00:22:27,605
Maybe, maybe there's a big tree.
402
00:22:28,325 --> 00:22:28,955
That's right there.
403
00:22:30,095 --> 00:22:31,415
Got to make those old noises.
404
00:22:31,505 --> 00:22:35,435
And he's got a friend named
Charlie Charlie lives right here.
405
00:22:36,810 --> 00:22:40,379
There he is there.
406
00:22:40,379 --> 00:22:44,660
And this old tree, maybe these are, maybe
these trees died in the last storm or
407
00:22:44,660 --> 00:22:48,470
something, just their old stocks out here.
408
00:22:50,120 --> 00:22:53,810
Put a few little lessons on it, but
basically there's not much going on here.
409
00:22:55,340 --> 00:23:01,070
Just a few limbs, gnarly things,
something about like Kim.
410
00:23:02,639 --> 00:23:03,090
I have him.
411
00:23:03,780 --> 00:23:10,070
Let's take a little titanium white on
the two inch brush and watch here, watch
412
00:23:10,070 --> 00:23:13,280
here, pull straight down, straight down.
413
00:23:14,629 --> 00:23:17,449
And then we put that tree
color on the water here.
414
00:23:18,560 --> 00:23:22,250
So we'd get all of these beautiful
tones and hues automatically
415
00:23:23,600 --> 00:23:25,909
just like straight down though.
416
00:23:26,360 --> 00:23:28,429
And then very lightly four across.
417
00:23:29,445 --> 00:23:35,235
Just gives it a watery appearance studies
that easy, this black Jessa was one of the
418
00:23:35,265 --> 00:23:37,815
neatest things that we've ever invented.
419
00:23:39,375 --> 00:23:41,295
Absolutely is fantastic.
420
00:23:42,555 --> 00:23:44,745
And then let's take a
little bit of her Brown.
421
00:23:44,745 --> 00:23:48,405
We made put some white with it,
pulled out very flat, little roll of
422
00:23:48,405 --> 00:23:53,835
paint, and that's go up in here and
just begin laying in the indication.
423
00:23:55,365 --> 00:23:58,725
Of some little landmasses that live back
in here and I'm just pushing quite hard
424
00:23:58,725 --> 00:24:03,545
with a knife, just like, so there we go.
425
00:24:06,905 --> 00:24:09,935
Just wherever we're at February
426
00:24:13,504 --> 00:24:14,555
now, then maybe.
427
00:24:15,305 --> 00:24:15,455
Yeah.
428
00:24:15,635 --> 00:24:16,295
When they're old brush.
429
00:24:16,325 --> 00:24:16,835
Oh, there it is.
430
00:24:17,615 --> 00:24:20,825
When you get my age,
sometime the mind goes okay.
431
00:24:21,645 --> 00:24:23,625
Maybe there's a little Bush
that lives right out here.
432
00:24:23,655 --> 00:24:26,625
We've put a little Island out
here, so we need some dark here.
433
00:24:27,615 --> 00:24:28,575
Maybe it comes all the way over.
434
00:24:28,575 --> 00:24:29,475
Maybe it's a peninsula.
435
00:24:29,505 --> 00:24:29,895
We don't know.
436
00:24:31,545 --> 00:24:33,015
Just sorta you decide
437
00:24:36,285 --> 00:24:37,335
you need a little color on it.
438
00:24:37,585 --> 00:24:38,835
Use a little bit yellow ochre.
439
00:24:43,065 --> 00:24:43,635
There we go.
440
00:24:43,745 --> 00:24:46,575
Say that all the little Rascals,
just hang up there and play.
441
00:24:47,745 --> 00:24:49,725
There's just so many little
things going on in there.
442
00:24:50,580 --> 00:24:53,160
But you never believed you could do
all that with a great big old two
443
00:24:53,160 --> 00:25:00,180
inch brush, but you can, you really
can then underneath that indication,
444
00:25:00,180 --> 00:25:07,820
maybe have a little reflection come
across and take a look a bit of that
445
00:25:07,820 --> 00:25:11,690
same color we use for the land and
just sort of work it around here.
446
00:25:12,290 --> 00:25:14,330
Say there, there we go.
447
00:25:14,810 --> 00:25:15,950
Something about like that.
448
00:25:16,995 --> 00:25:19,845
Just enough to give the indication,
a little things that are happening
449
00:25:22,485 --> 00:25:26,505
back to our little liner brush and
some light color in here and there
450
00:25:26,505 --> 00:25:29,115
and there in here, we can put the
indication of some little sticks and
451
00:25:29,115 --> 00:25:32,255
twigs that live out here like that.
452
00:25:34,235 --> 00:25:34,925
Wherever you want them.
453
00:25:36,875 --> 00:25:45,005
Few little things on the other side over
here, you don't want this one left out.
454
00:25:45,480 --> 00:25:47,610
Some things had grown out
here right on the edge
455
00:25:51,240 --> 00:25:51,659
chain.
456
00:25:52,590 --> 00:25:54,510
Let's go back to our
little one inch brush.
457
00:25:55,320 --> 00:25:57,990
I'll put a little liquid white
on it because there's, you know,
458
00:25:57,990 --> 00:26:01,020
one of our golden rules is a thin
paint will stick to a thick paint.
459
00:26:02,610 --> 00:26:04,770
And we have several layers
now of paint up here.
460
00:26:05,700 --> 00:26:09,060
So right along the edge here, we'll
just put a few little bushes that
461
00:26:09,060 --> 00:26:11,790
lived there, something about like yet.
462
00:26:13,965 --> 00:26:16,935
Just necessarily stand out
and sometimes it's funded.
463
00:26:17,325 --> 00:26:18,105
Talk about this too.
464
00:26:18,345 --> 00:26:19,395
You got a second left here.
465
00:26:19,395 --> 00:26:21,815
We'll just do something like, yes.
466
00:26:23,565 --> 00:26:27,855
Now then a little bit of the Vandyke
Brown and dark Sienna mixed together.
467
00:26:28,695 --> 00:26:33,765
Maybe there's white remains of an old
tree laying right here, but in the basic
468
00:26:33,765 --> 00:26:41,145
shape, the light color to highlight it,
you can just use the old knife put in.
469
00:26:42,260 --> 00:26:43,140
I'm hearing they're on it.
470
00:26:46,080 --> 00:26:52,910
A little touch of liquid and you can cover
it around his age here, just making it
471
00:26:52,910 --> 00:26:54,410
look like he sat right down in the water.
472
00:26:55,290 --> 00:26:56,270
Hope you try this one.
473
00:26:56,330 --> 00:26:59,360
You'll be amazed at what you
can do using the black Jesso.
474
00:26:59,390 --> 00:27:02,630
It's one of the neatest things
you've ever seen from all of us.
475
00:27:02,720 --> 00:27:05,720
I'd like to wish you happy
painting and God bless Maryanne.
End .srt file.
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