Bob Ross's
The Joy of Painting
S20E06 - Cliffside
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Hi, welcome back.
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I'm certainly glad you
could join me today.
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I thought today we'd just do a
fantastic little seascape and
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I'll show you how easy you can do.
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One of those let's start out in
having run all the colors across the
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screen that you need to paint along
with me while they're doing that.
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Let me show you what I've got done.
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Have my regular old canvas up here, except
today I've covered the bottom part of it
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here and up the side with black Jesso.
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And I've allowed that to dry completely.
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And after it's dry, be sure it's dry.
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It takes about 30, 40
minutes for it to dry.
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And it's totally different
now than liquid black.
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This is black Jesso,
which is a UN acrylic.
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Then we've taken transparent color.
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I've put a little lizard, Crimson
and dark Sienna mixture in here and
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a little SAP green and Brown down in
here down here is just a little Brown.
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The white part we've covered
as usual with liquid white.
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So it's completely wet and ready to go.
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So let's just have some fun today.
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I'm going to start out with the old two
inch brush and we'll go into at least
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a little touch of the Indian, yellow.
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She asked a small amount and we'll
go right up here and let's just
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dance in a happy little sky today.
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Let's, let's do a seascape.
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It's very bright and
shiny and pretty, and.
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There we go, little CAD yellow.
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I'm going to just vary the yellows
here, starting with Indian yellow.
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Now we're into CAD yellow shoot,
and I'm going to go into a little
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bit of yellow ochre and yellow
ochre is sort of a gold color.
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Pretty, very, pretty color.
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I like it there.
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We just let it just come around.
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Maybe something like that,
wherever, just make some decisions.
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Then we'll take a little bit of break red
and we have not cleaned the brush yet.
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I like these kind of paintings where
I don't have to clean the brush much.
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I'm sort of a lazy painter there,
allowing these colors to blend on the
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brush and on the canvas, you get a
multitude of different values and colors.
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Are they good?
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Rather than just one old flat color
food, put some excitement in your world.
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There we go.
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I tell you what it was just painted
all the way down here to the waterline.
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This is just a little piece of
masking tape I have across here just
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to keep the water lines straight
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Sometimes my hands are a little shaky,
so I need all the help I can get.
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So we just use a little piece of
masking tape and you don't have to
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have it there if you don't want.
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Okay.
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Just makes it a little easier.
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Gently, gently blend
all of these together.
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Maybe I put a little that color on the
brush up here too, just to fill in this
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guy, but just blend it all together.
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So you can't tell where one color stops.
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The next color starts.
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There we go.
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And you can make this.
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Brighter or Delta or whatever,
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grab another brush.
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I have, I have several brushes
going, so I don't have to
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spend all my time washing them.
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We'll go right into a little
titanium, white, pure titanium,
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white and right up here.
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And we'll put a little, this white, I
want to make a bright spot in this guy.
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It won't look all that bright
at this point, but it will, when
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we get a little farther along.
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They're just really give
a nice sparkle at Pearson.
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Okay.
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And maybe, maybe, maybe, and realize
how much I said that to a little boy.
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One day, about 10 years
old, again, mocking me.
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He was walking around and saying
maybe, maybe, maybe, all right, I'm
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gonna back up a little lavender color
here using a lizard and Crimson.
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And play low blue, much, much more
Crimson than blue something like, so
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let me clean off the old knife and
then here's the dirty brush we'll just
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use that has a little bit sky color.
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And I'm just going to tap
the bristles into that.
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Just tap a little bit like, so, and
that's go up in here and this makes
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a nice little clouds that just float
around and, and have fun all day.
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Just sort of wind them
up and put them in there.
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See.
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Okay.
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You think they should be
having come right over here?
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This is going to be a big cliff.
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I think Rocky lives right there.
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Just drop it down.
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All right.
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There we go.
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And by using these little twisting
or circular patterns here, it
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creates some multitude of little
things happening up there.
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It's not just a flat or dead sky, a
lot of nice things going on there.
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Okay.
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Okay.
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Maybe we'll come right over in here.
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And I'm just going to put
the clouds all over the sky.
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Like yes.
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Can you hear me?
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Maybe it comes right down.
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Right then let's load a
little more color there.
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Maybe there's a little protrusion right
out here, wherever you want them there.
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I tell you what, when I'm doing
this, because this is going to take,
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just to say, okay, I want to, I
want to show you one of my little
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characters is living with me now.
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I have, I have three little baby
squirrels that I'm raising and
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they're the cutest little devils.
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And we took a little.
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A little video of them.
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I want to share that with
you while I'm doing this.
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And I won't do anything.
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I don't tell you about what
it's, that's coming on there.
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And these are tiny little baby when,
so just beginning to get a little
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fur and I've had them now since just
after their eyes opened and these
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little Rascals are hungry continually.
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So I thought I'd show
you how we feed them.
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And to do that, we take a,
I just use a little syringe.
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With the little, little
nipple on the end of it.
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It's just like going to the
doctor and getting your shot.
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When it's feeding time
here, we fill her up.
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And normally though, when you see
a syringe coming at you, you're
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sort of scares you a little bit.
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But in this case, when the, when my
little, my little friends here, CF
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syringe coming at them, they get excited.
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This just makes their whole day, and it's
hard to get them to eat as you can see.
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And I think, uh, I think he
leave about every 15 minutes.
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If you'd feed them.
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Let's say I have three of those
little Rascals now and they live with
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me and my mother and I, and Nancy.
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We all take care of these little
devils and they're going to,
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they're going to soon be big enough
to turn loose and let them go.
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There, I'm just putting in a few, little
clouds down here while he was watching
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the little squirrels, still just using
the corner of the brush and just making
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little, little circular patterns, just
round and around and around and video,
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just sort of stirred up, stirred up all
we're trying to do at this point, but we
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don't want a lot of paint on the canvas.
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All we're looking for
is a little stain there.
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And sometimes you can just decide
where it should be a little
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darker, a little lighter shoot.
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Maybe there's even a little projection
that comes right out through there.
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See that easy just by tapping
can make all those little things.
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Okay.
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I'm grabbing another clean brush.
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This is clean, has nothing on it.
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It's very dry.
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And with that, you can just begin
blending this now to any degree of
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softness or harshness that you want.
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Just blended, right?
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Those little squirrels.
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Cute.
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I really like those little
devils and there's so much fun.
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And you spend, you spend a little time
with one of these and it certainly
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makes you appreciate nature and
all of God's wisdom when he created
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these little characters, because
they are, you get addicted to them.
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Especially my young friends, I have a lot
of children that live around where I live
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and I let them come over and help me.
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Feed the little squirrels and
look at them and hold them.
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I think everybody should have
the opportunity to make friends
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with a little guy like that.
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If you do, you'll certainly have a greater
appreciation of nature and all the little
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things that are run around that we don't
pay a lot of attention to the, here we go.
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Now, let me just knocking
off the excess paint.
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Isn't very gently, very gently.
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We can just blame that.
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I didn't have a fantastic
way of making a sky.
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That's Ooh, someone's going to jump out
and get you and you can do that all right.
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Time to wash your brush.
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And as you know, we wash your
brushes just with odorless dinner
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and just beat the devil out of them.
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Maybe I'll wash two.
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I dirtied up several
while we were doing that.
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Double your pleasure.
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We came now the little piece
of masking tape right here.
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Let's take it off.
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So, you know, that leaves you with it.
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Uh, very, very straight and smooth
horizon, but there was no color in
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the, this I'll take a little bit of
the Crimson and middle dark Sienna.
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I'm just coming probably this morning.
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You show up, but I'm just scrubbing
a little transparent color on there.
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Just bringing it all together.
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This is just the Crimson and dark Sienna.
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They're right up to the waterline.
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Okay.
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All right.
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Now then we have to make some
big major decisions here.
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You know, me, I like to have these big
crashing waves on, I don't like just doing
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these little subdued ways, but if you
like those, you can do those the same way
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as we do the little waves in the back.
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Very simply, maybe in our
world, our waves going to live.
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Right here.
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So you can take a fan brush or,
or Filbert brush and just make
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sort of a little outline of there.
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That's going to be our
wave or right there.
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Nah, but the little touch of
the titanium white and I'm using
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the number three fan brush.
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I'm gonna go right up here to the
horizon and just begin and um,
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let's see, come up close right here.
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I'm just making strokes
or I'm going like this.
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I'm really exaggerating.
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But like that, and I'm exaggerating.
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So, but it looks like a little
water things back here there,
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and that's one of the nicest,
easiest, simplest, little
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ways that I've ever found.
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Just to make the indication
of water back in there.
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I'm going to have the least little touch
of CAD yellow to my color right in here.
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Ooh, that's nice.
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That's beginning to
sparkle a little bit more.
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It looks like light.
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Just shining right across here.
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There we go.
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This is just some background material.
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Now then let me wash the old brush.
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Now the fun part right in here.
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That's the eye of the wave.
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That's the either way, we'll just take
some titanium white and just it's my
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son, Steve says, just move shit in there.
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Really push it in there.
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Hard can.
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And you can do this several times.
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And if it gets like there's a lot of
color underneath remove that excess
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paint and that remains there and
that color remains there and we can
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take a little more of her white.
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Oh, my little of that CAD yellow to that,
and go right back in here, see there.
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And each time you do that, it'll
get lighter in value or you
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can take a rag or something.
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Just wipe that out.
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Whichever way you'd like to do it.
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Maybe it comes right on back,
like, so just scrub it in and
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then clean, dry two inch brush.
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And I'm only going to use the
top corner and you put it there
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and you just sorta wind it up.
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Just wiggle it down there and you can
make this as smooth as silk, so smooth,
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but there's not a lot of movement.
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It's just you sort of just going
around in little tight circles.
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There we go.
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And then begin thinking about
how you want your water to flow.
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Knock off that excess paint.
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That's an easy way of just about
getting your brush clean without
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going through that whole procedure.
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Okay.
237
00:13:31,550 --> 00:13:32,839
Let me find a fan brush here.
238
00:13:32,939 --> 00:13:37,550
Got several of them
going, maybe in our world.
239
00:13:38,750 --> 00:13:40,640
We want to have this water crashing over.
240
00:13:40,640 --> 00:13:42,589
So grab it and pull.
241
00:13:42,589 --> 00:13:43,849
Think about the angle though.
242
00:13:44,970 --> 00:13:46,350
Angles are very important.
243
00:13:46,770 --> 00:13:47,640
Very important.
244
00:13:48,870 --> 00:13:53,040
Think about that water, make those
little noises that really helps.
245
00:13:55,160 --> 00:13:55,370
Yeah.
246
00:13:55,970 --> 00:14:01,190
Just think about it crashing over and
that's all that we need at this point.
247
00:14:02,540 --> 00:14:05,840
Now, if you want to bring some of that
dark back with a clean brush, you can
248
00:14:05,840 --> 00:14:07,310
just grab it and lift it up or down.
249
00:14:08,180 --> 00:14:10,940
And that'll very gently
blend it all together.
250
00:14:12,650 --> 00:14:13,070
Sit there.
251
00:14:15,210 --> 00:14:16,580
Then you can work back and forth to you.
252
00:14:16,590 --> 00:14:18,780
Get it exactly the way that you want it.
253
00:14:20,340 --> 00:14:20,640
Hmm.
254
00:14:20,699 --> 00:14:23,460
Can you let me go back and get
my little number three fan brush.
255
00:14:23,490 --> 00:14:24,630
I like this little fan brush.
256
00:14:24,630 --> 00:14:28,410
It's good for making little
foamy things and stuff like that.
257
00:14:28,949 --> 00:14:32,670
Go take a little white and I'm
going into that nice lavender color.
258
00:14:32,670 --> 00:14:38,930
We used it in the sky, so it makes
sort of a medium value lavender.
259
00:14:39,890 --> 00:14:40,220
Okay.
260
00:14:40,640 --> 00:14:42,800
Let's go back up in here now then.
261
00:14:43,290 --> 00:14:48,660
Well, let's start thinking about
having some nice foam out here and
262
00:14:48,660 --> 00:14:50,280
just using the corner of the fan brush.
263
00:14:51,270 --> 00:14:54,180
And once again, you can do this
with a Filbert to just as well.
264
00:14:54,270 --> 00:14:57,090
A little number six Filbert
brush would work just as well.
265
00:14:57,810 --> 00:14:59,460
I just happened to have
this, so we'll use it.
266
00:15:00,870 --> 00:15:04,770
And all we're doing here is putting
in some shadows on some nice dark
267
00:15:04,770 --> 00:15:09,030
areas for the foam, but think about
the water churning and bubbling
268
00:15:09,030 --> 00:15:10,590
and splashing and carrying them.
269
00:15:12,135 --> 00:15:15,825
Crashing, maybe it
becomes right over here.
270
00:15:15,825 --> 00:15:18,645
I don't know where ever you want it.
271
00:15:20,745 --> 00:15:21,335
Okay.
272
00:15:24,675 --> 00:15:26,025
I like to do seascapes.
273
00:15:26,505 --> 00:15:31,365
There are a lot of fun and they they'll
force you to study water and how it moves
274
00:15:31,365 --> 00:15:36,195
and churns and et cetera, go to the ocean
or get a video or photographs of water.
275
00:15:36,195 --> 00:15:36,885
Just study.
276
00:15:37,845 --> 00:15:39,075
If you don't live near the ocean.
277
00:15:40,110 --> 00:15:42,030
Look in books and videos
and stuff like that.
278
00:15:42,030 --> 00:15:46,320
And you can see all of this and I've
got just titanium white in a going right
279
00:15:46,320 --> 00:15:48,900
up here on top of this darker color.
280
00:15:50,250 --> 00:15:53,370
And we're just gonna, just gonna
to take the fan brush here and
281
00:15:53,370 --> 00:15:58,260
scrubbed in a little highlight,
wipe the brush off when you load it.
282
00:15:58,410 --> 00:16:03,950
So you have nice clean color there.
283
00:16:05,060 --> 00:16:06,920
Just wipe it on the
paper towel in between.
284
00:16:07,905 --> 00:16:13,545
Think about that water hitting and
splashing and churning, make up little
285
00:16:13,545 --> 00:16:19,955
stories and sounds in your mind and
just it happen that it's happened there.
286
00:16:24,035 --> 00:16:27,995
Now then back to our large brush and
I use the large brush only because
287
00:16:27,995 --> 00:16:31,385
it seems to have a little more
hair in it and it blends better.
288
00:16:31,385 --> 00:16:34,985
You can do this with a one inch
brush, if you would like, I just.
289
00:16:35,625 --> 00:16:38,655
I'm sort of hung up on this old
big brush, but tram, both see
290
00:16:38,655 --> 00:16:40,035
which one works the best for you.
291
00:16:40,724 --> 00:16:47,265
And that's the one you already use maybe
over here, a little bit right in here too.
292
00:16:49,035 --> 00:16:50,625
Just that nice turning.
293
00:16:51,915 --> 00:16:54,045
Maybe there's even a little
splashing down like that.
294
00:16:54,255 --> 00:16:57,185
Whatever ever.
295
00:17:04,155 --> 00:17:06,315
Not all water is coming down through here.
296
00:17:07,575 --> 00:17:08,325
We'll just begin.
297
00:17:08,355 --> 00:17:10,784
I'm going to add the least
little touch if they load blue
298
00:17:11,234 --> 00:17:13,545
into that color, little bluish.
299
00:17:13,665 --> 00:17:14,504
Oh, that's nice.
300
00:17:14,805 --> 00:17:15,555
That is nice.
301
00:17:15,555 --> 00:17:21,795
I like that begin thinking about
how your water is coming up right
302
00:17:21,795 --> 00:17:23,835
up in this transparency or the eye.
303
00:17:25,214 --> 00:17:26,895
It's just the little blue
and white once again.
304
00:17:26,915 --> 00:17:31,055
Yeah, maybe it comes out here and.
305
00:17:33,810 --> 00:17:39,690
Think about shape and
maybe there's a nice shoot.
306
00:17:39,690 --> 00:17:44,250
Maybe there's something right here, but
let that water come up and fall over.
307
00:17:44,970 --> 00:17:46,980
Recreating a troth or a Valley in here.
308
00:17:49,190 --> 00:17:49,700
Okay.
309
00:17:50,240 --> 00:17:54,320
Here it comes there.
310
00:18:01,125 --> 00:18:02,865
A little bit more of
the fatal blue and white
311
00:18:09,315 --> 00:18:09,675
there.
312
00:18:13,455 --> 00:18:19,655
Just let that splash and curl
things coming down through here.
313
00:18:21,785 --> 00:18:24,305
This is what gives shape
and form to your wave.
314
00:18:25,655 --> 00:18:29,225
I tell you maybe, maybe even in here,
let's just use the corner of the brush.
315
00:18:30,285 --> 00:18:33,525
Maybe the water splashing
crashing right along in here.
316
00:18:33,525 --> 00:18:38,535
And then maybe another little splasher
in there who knows this is your world.
317
00:18:38,595 --> 00:18:43,575
So you can do anything that you want
to do, anything that you want to do.
318
00:18:43,575 --> 00:18:48,605
And we take a large brush, just
sort of blend that together.
319
00:18:49,505 --> 00:18:51,935
So now we're beginning to get into
a little bit of that SAP green
320
00:18:52,625 --> 00:18:54,485
Bandag Brown stuff is down here.
321
00:19:02,330 --> 00:19:04,100
all right, let me get the liner brush out.
322
00:19:04,180 --> 00:19:05,450
I might get a lighter brush.
323
00:19:07,370 --> 00:19:08,180
We'll take that.
324
00:19:08,960 --> 00:19:11,300
I'm going to go into a little
bit of that same lavender color
325
00:19:11,300 --> 00:19:12,320
that had a little white at it.
326
00:19:12,330 --> 00:19:16,490
Same color we have up here and let's just
sort of highlight this edge here with a
327
00:19:16,490 --> 00:19:23,720
little color, make it nice and firm, and
then begin putting in some little shapes.
328
00:19:26,159 --> 00:19:32,120
Just some little, little doers in
there that create all the little
329
00:19:32,120 --> 00:19:33,800
shapes and stuff that you want in here.
330
00:19:34,399 --> 00:19:35,810
Paint thinner with a little color.
331
00:19:35,840 --> 00:19:36,860
That's all I have here.
332
00:19:40,070 --> 00:19:44,689
He was a little bit blue and white in
here, and this is where you can begin
333
00:19:44,689 --> 00:19:46,639
putting in all kinds of little details.
334
00:19:48,710 --> 00:19:52,070
And at home you have unlimited
time, you can really set and make.
335
00:19:53,010 --> 00:19:56,010
Beautiful little things in here,
but all those little details
336
00:20:01,370 --> 00:20:02,450
and get that going.
337
00:20:03,230 --> 00:20:07,070
Maybe back in here, you can
see all these little doers,
338
00:20:10,110 --> 00:20:12,140
little titanium, white
paint, thinner on it.
339
00:20:12,470 --> 00:20:14,960
Highlight some of the brighter ones
where you think light would hit.
340
00:20:20,405 --> 00:20:22,084
And as I say, this is what gives it.
341
00:20:22,115 --> 00:20:28,595
These little details is what really
will make you seascape spectacular now.
342
00:20:31,655 --> 00:20:32,345
Okay.
343
00:20:36,125 --> 00:20:39,365
Down here and get a little touch
more of that paint thinner.
344
00:20:39,754 --> 00:20:42,875
Just let some of these little things
wiggle and jiggle in your handshake.
345
00:20:43,755 --> 00:20:46,695
I've had people write and tell me they
had a little nervous Twitch in their hand.
346
00:20:46,765 --> 00:20:48,345
They had a hard time painting.
347
00:20:49,875 --> 00:20:52,155
Sometimes that's a very valuable asset.
348
00:20:52,965 --> 00:21:00,035
You use it to your advantage,
use it to your advantage there.
349
00:21:02,255 --> 00:21:02,765
Okay.
350
00:21:03,035 --> 00:21:03,305
Thank you.
351
00:21:03,305 --> 00:21:05,345
What tell you what?
352
00:21:05,375 --> 00:21:08,015
Let's have some fun now.
353
00:21:09,915 --> 00:21:10,965
This big ledger here.
354
00:21:10,995 --> 00:21:13,485
I've already covered that with a little
bit of Brown, as I mentioned earlier.
355
00:21:13,995 --> 00:21:19,065
So let's take, let's take a little,
grab a little dark Sienna, grab
356
00:21:19,065 --> 00:21:21,495
a little white lizard Crimson.
357
00:21:22,695 --> 00:21:24,255
Just sorta mix those loosely.
358
00:21:24,255 --> 00:21:25,365
I'm just going to mix them on the brush.
359
00:21:25,395 --> 00:21:26,985
Maybe even a little touch
of the yellow ochre.
360
00:21:27,015 --> 00:21:28,065
Not much, just a little.
361
00:21:29,280 --> 00:21:30,690
Okay, just on the fan brush.
362
00:21:30,720 --> 00:21:34,200
Let's go up here and then let's
begin thinking about shapes
363
00:21:34,200 --> 00:21:37,290
here I have to do is just tap.
364
00:21:37,350 --> 00:21:39,090
Let's take the fan brush and tap.
365
00:21:39,780 --> 00:21:44,850
It's really all it amounts to, and
you can begin forming your rocks,
366
00:21:46,440 --> 00:21:52,440
Phyllis, by tapping, just tap in here
and there, you can add a little light
367
00:21:52,440 --> 00:21:57,780
color wherever you think light would
strike and bounce and play there.
368
00:21:59,085 --> 00:22:00,645
And leave some dark areas in here.
369
00:22:00,675 --> 00:22:06,735
Those dark areas will end up being big
holes in the rocks, a place for the
370
00:22:06,735 --> 00:22:13,995
seagulls to go, and they got to have
a place to build a nest in Alaska.
371
00:22:13,995 --> 00:22:15,075
We have little puffins.
372
00:22:15,275 --> 00:22:18,225
They're one of the cutest
little birds God's ever made.
373
00:22:18,735 --> 00:22:20,535
It looks like your beaks
too big for their head.
374
00:22:22,095 --> 00:22:23,175
Beautiful little birds,
375
00:22:26,775 --> 00:22:28,845
but this form, just like, so,
376
00:22:32,495 --> 00:22:33,725
and you can do this with a knife.
377
00:22:33,725 --> 00:22:35,885
I just want to show you several
different ways of doing it.
378
00:22:36,750 --> 00:22:40,650
But the knife will work very well
for making very nice rock effects,
379
00:22:44,040 --> 00:22:44,910
kind of stand out of the way.
380
00:22:44,910 --> 00:22:49,110
So you can see in there, maybe this
comes right on down into here somewhere.
381
00:22:50,910 --> 00:22:52,590
So let me see.
382
00:22:52,650 --> 00:22:54,330
I've got several fan brushes going.
383
00:22:54,340 --> 00:22:55,200
Let me get another one here.
384
00:22:55,590 --> 00:23:01,920
I don't want to rock them the other
side too right there, but you knew
385
00:23:01,920 --> 00:23:02,910
I was going to put a rock here.
386
00:23:02,910 --> 00:23:03,210
Didn't you?
387
00:23:04,410 --> 00:23:06,510
I always liked big rocks and big trees.
388
00:23:06,510 --> 00:23:11,610
And my paintings just sort of decide
how you think it'll rock should live
389
00:23:11,610 --> 00:23:15,270
in there and dropped it in change.
390
00:23:15,300 --> 00:23:18,600
We can take some of that color
come right along in here.
391
00:23:19,800 --> 00:23:24,360
And once again, just, this
is a nice way of outlining
392
00:23:24,360 --> 00:23:27,150
informing your stones and rocks
393
00:23:30,260 --> 00:23:30,620
there.
394
00:23:34,755 --> 00:23:38,265
I want this one to remain
quite dark, quite dark, so
395
00:23:38,265 --> 00:23:39,525
it doesn't distract too much.
396
00:23:42,975 --> 00:23:43,665
There we go.
397
00:23:44,475 --> 00:23:52,875
Now you can take a clean, dry two inch
brush and very gently, very chimney.
398
00:23:52,905 --> 00:23:53,745
Just caress it.
399
00:23:54,165 --> 00:24:00,215
Just caress it and it'll blend all that
together and make it nice and smooth.
400
00:24:00,215 --> 00:24:06,095
And it looks like beautiful
stones, but very, very gently
401
00:24:08,915 --> 00:24:12,485
one here and some air there.
402
00:24:12,935 --> 00:24:17,525
A little bit of are they low blue and
white and we'll have a little splash
403
00:24:17,555 --> 00:24:18,995
coming around, down through here.
404
00:24:21,315 --> 00:24:24,105
Shoot, maybe there's even a
little water dripping down.
405
00:24:24,375 --> 00:24:28,875
You could do this with a liner brush
or the fan brush, just whatever.
406
00:24:30,015 --> 00:24:32,655
And maybe, maybe it is even right there.
407
00:24:36,515 --> 00:24:39,305
Come right on back back.
408
00:24:39,435 --> 00:24:43,785
So you just bring it all together.
409
00:24:45,225 --> 00:24:46,785
And then a little bit in the foreground.
410
00:24:50,399 --> 00:24:53,070
The seascapes are not
near as hard as they look.
411
00:24:53,250 --> 00:24:54,600
You really can do these.
412
00:24:55,830 --> 00:24:57,149
Maybe let's get crazy.
413
00:24:57,689 --> 00:25:00,419
We have a second left here,
so we'll put a, we'll put a
414
00:25:00,419 --> 00:25:01,530
little stone right here too.
415
00:25:01,679 --> 00:25:03,600
I just like to have
stones all up the water.
416
00:25:04,770 --> 00:25:05,189
Thank you.
417
00:25:05,250 --> 00:25:05,490
Thank you.
418
00:25:05,490 --> 00:25:07,350
It really, I like it.
419
00:25:07,350 --> 00:25:08,970
It just enhances my paintings.
420
00:25:10,230 --> 00:25:12,570
A little bit of that nice highlight color.
421
00:25:14,399 --> 00:25:16,470
And let's say we can take a liner brush.
422
00:25:17,615 --> 00:25:21,615
Little that they love blue and white
and paint thinner, then it down.
423
00:25:22,335 --> 00:25:25,155
And you can literally have water
dripping right off these rocks,
424
00:25:25,754 --> 00:25:29,855
just like, so that's seven days.
425
00:25:29,855 --> 00:25:34,115
Just put all these little things in
426
00:25:38,835 --> 00:25:41,524
super way though, of making
very effective little seascapes.
427
00:25:41,524 --> 00:25:41,764
Like it.
428
00:25:48,780 --> 00:25:51,840
Okay right in there.
429
00:25:54,530 --> 00:25:56,840
Can you just make decisions
where you think the water would
430
00:25:56,840 --> 00:25:58,190
be churning and splashing?
431
00:25:58,190 --> 00:25:59,480
Maybe all around this rock?
432
00:26:00,890 --> 00:26:03,770
Cause he was in the corner of the
fan brush, so it's all we're using.
433
00:26:05,360 --> 00:26:09,950
Um, but I can hear there would be,
they'll have some churning back against
434
00:26:09,950 --> 00:26:12,530
that big rock, a little Misty areas.
435
00:26:19,160 --> 00:26:21,020
And you can just keep on and on and on.
436
00:26:23,000 --> 00:26:24,740
I think comes a time when we have to stop.
437
00:26:25,880 --> 00:26:30,590
I'll tell you what, we'll just take a
touch, a little touch, a dark color.
438
00:26:31,820 --> 00:26:33,890
Maybe we'll put one little
lonely bird up here.
439
00:26:35,750 --> 00:26:37,190
Little, little Elm bird.
440
00:26:39,230 --> 00:26:42,240
And I think with that, We'll
call this old painting finished
441
00:26:42,449 --> 00:26:45,449
hopeless gives you an idea of
doing a fantastic seascape at home.
442
00:26:45,840 --> 00:26:47,820
If you give it a try, you will love it.
443
00:26:48,030 --> 00:26:50,070
And I'd love to see some
photographs of what you're doing.
444
00:26:50,070 --> 00:26:53,760
If you have time, drop us a line, let
us know if you like the show, send us
445
00:26:53,760 --> 00:26:55,350
some pictures of what you're doing okay.
446
00:26:56,070 --> 00:26:56,970
From all of us here.
447
00:26:57,120 --> 00:26:58,500
I'd like to wish you happy painting.
448
00:26:59,370 --> 00:27:00,480
And God bless my friend.
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