Wednesday, December 30, 2020

S20E06 - Cliffside

Bob Ross's

The Joy of Painting


S20E06 - Cliffside

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Hi, welcome back.


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I'm certainly glad you

could join me today.


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I thought today we'd just do a

fantastic little seascape and


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I'll show you how easy you can do.


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One of those let's start out in

having run all the colors across the


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screen that you need to paint along

with me while they're doing that.


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Let me show you what I've got done.


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Have my regular old canvas up here, except

today I've covered the bottom part of it


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here and up the side with black Jesso.


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And I've allowed that to dry completely.


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And after it's dry, be sure it's dry.


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It takes about 30, 40

minutes for it to dry.


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And it's totally different

now than liquid black.


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This is black Jesso,

which is a UN acrylic.


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Then we've taken transparent color.


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I've put a little lizard, Crimson

and dark Sienna mixture in here and


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a little SAP green and Brown down in

here down here is just a little Brown.


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The white part we've covered

as usual with liquid white.


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So it's completely wet and ready to go.


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So let's just have some fun today.


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I'm going to start out with the old two

inch brush and we'll go into at least


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a little touch of the Indian, yellow.


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She asked a small amount and we'll

go right up here and let's just


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dance in a happy little sky today.


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Let's, let's do a seascape.


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It's very bright and

shiny and pretty, and.


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There we go, little CAD yellow.


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I'm going to just vary the yellows

here, starting with Indian yellow.


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Now we're into CAD yellow shoot,

and I'm going to go into a little


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bit of yellow ochre and yellow

ochre is sort of a gold color.


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Pretty, very, pretty color.


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I like it there.


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We just let it just come around.


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Maybe something like that,

wherever, just make some decisions.


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Then we'll take a little bit of break red

and we have not cleaned the brush yet.


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I like these kind of paintings where

I don't have to clean the brush much.


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I'm sort of a lazy painter there,

allowing these colors to blend on the


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brush and on the canvas, you get a

multitude of different values and colors.


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Are they good?


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Rather than just one old flat color

food, put some excitement in your world.


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There we go.


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I tell you what it was just painted

all the way down here to the waterline.


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This is just a little piece of

masking tape I have across here just


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to keep the water lines straight


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Sometimes my hands are a little shaky,

so I need all the help I can get.


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So we just use a little piece of

masking tape and you don't have to


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have it there if you don't want.


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Okay.


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Just makes it a little easier.


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Gently, gently blend

all of these together.


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Maybe I put a little that color on the

brush up here too, just to fill in this


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guy, but just blend it all together.


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So you can't tell where one color stops.


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The next color starts.


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There we go.


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And you can make this.


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Brighter or Delta or whatever,


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grab another brush.


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I have, I have several brushes

going, so I don't have to


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spend all my time washing them.


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We'll go right into a little

titanium, white, pure titanium,


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white and right up here.


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And we'll put a little, this white, I

want to make a bright spot in this guy.


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It won't look all that bright

at this point, but it will, when


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we get a little farther along.


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They're just really give

a nice sparkle at Pearson.


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Okay.


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And maybe, maybe, maybe, and realize

how much I said that to a little boy.


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One day, about 10 years

old, again, mocking me.


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He was walking around and saying

maybe, maybe, maybe, all right, I'm


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gonna back up a little lavender color

here using a lizard and Crimson.


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And play low blue, much, much more

Crimson than blue something like, so


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let me clean off the old knife and

then here's the dirty brush we'll just


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use that has a little bit sky color.


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And I'm just going to tap

the bristles into that.


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Just tap a little bit like, so, and

that's go up in here and this makes


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a nice little clouds that just float

around and, and have fun all day.


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Just sort of wind them

up and put them in there.


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See.


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Okay.


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You think they should be

having come right over here?


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This is going to be a big cliff.


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I think Rocky lives right there.


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Just drop it down.


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All right.


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There we go.


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And by using these little twisting

or circular patterns here, it


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creates some multitude of little

things happening up there.


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It's not just a flat or dead sky, a

lot of nice things going on there.


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Okay.


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Okay.


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Maybe we'll come right over in here.


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And I'm just going to put

the clouds all over the sky.


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Like yes.


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Can you hear me?


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Maybe it comes right down.


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Right then let's load a

little more color there.


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Maybe there's a little protrusion right

out here, wherever you want them there.


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I tell you what, when I'm doing

this, because this is going to take,


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just to say, okay, I want to, I

want to show you one of my little


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characters is living with me now.


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I have, I have three little baby

squirrels that I'm raising and


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they're the cutest little devils.


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And we took a little.


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A little video of them.


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I want to share that with

you while I'm doing this.


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And I won't do anything.


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I don't tell you about what

it's, that's coming on there.


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And these are tiny little baby when,

so just beginning to get a little


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fur and I've had them now since just

after their eyes opened and these


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little Rascals are hungry continually.


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So I thought I'd show

you how we feed them.


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And to do that, we take a,

I just use a little syringe.


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With the little, little

nipple on the end of it.


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It's just like going to the

doctor and getting your shot.


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When it's feeding time

here, we fill her up.


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And normally though, when you see

a syringe coming at you, you're


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sort of scares you a little bit.


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But in this case, when the, when my

little, my little friends here, CF


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syringe coming at them, they get excited.


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This just makes their whole day, and it's

hard to get them to eat as you can see.


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And I think, uh, I think he

leave about every 15 minutes.


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If you'd feed them.


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Let's say I have three of those

little Rascals now and they live with


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me and my mother and I, and Nancy.


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We all take care of these little

devils and they're going to,


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they're going to soon be big enough

to turn loose and let them go.


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There, I'm just putting in a few, little

clouds down here while he was watching


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the little squirrels, still just using

the corner of the brush and just making


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little, little circular patterns, just

round and around and around and video,


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just sort of stirred up, stirred up all

we're trying to do at this point, but we


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don't want a lot of paint on the canvas.


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All we're looking for

is a little stain there.


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And sometimes you can just decide

where it should be a little


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darker, a little lighter shoot.


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Maybe there's even a little projection

that comes right out through there.


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See that easy just by tapping

can make all those little things.


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Okay.


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I'm grabbing another clean brush.


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This is clean, has nothing on it.


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It's very dry.


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And with that, you can just begin

blending this now to any degree of


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softness or harshness that you want.


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Just blended, right?


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Those little squirrels.


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Cute.


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I really like those little

devils and there's so much fun.


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And you spend, you spend a little time

with one of these and it certainly


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makes you appreciate nature and

all of God's wisdom when he created


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these little characters, because

they are, you get addicted to them.


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Especially my young friends, I have a lot

of children that live around where I live


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and I let them come over and help me.


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Feed the little squirrels and

look at them and hold them.


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I think everybody should have

the opportunity to make friends


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with a little guy like that.


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If you do, you'll certainly have a greater

appreciation of nature and all the little


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things that are run around that we don't

pay a lot of attention to the, here we go.


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Now, let me just knocking

off the excess paint.


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Isn't very gently, very gently.


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We can just blame that.


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I didn't have a fantastic

way of making a sky.


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That's Ooh, someone's going to jump out

and get you and you can do that all right.


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Time to wash your brush.


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And as you know, we wash your

brushes just with odorless dinner


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and just beat the devil out of them.


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Maybe I'll wash two.


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I dirtied up several

while we were doing that.


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Double your pleasure.


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We came now the little piece

of masking tape right here.


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Let's take it off.


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So, you know, that leaves you with it.


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Uh, very, very straight and smooth

horizon, but there was no color in


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the, this I'll take a little bit of

the Crimson and middle dark Sienna.


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I'm just coming probably this morning.


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You show up, but I'm just scrubbing

a little transparent color on there.


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Just bringing it all together.


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This is just the Crimson and dark Sienna.


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They're right up to the waterline.


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Okay.


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All right.


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Now then we have to make some

big major decisions here.


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You know, me, I like to have these big

crashing waves on, I don't like just doing


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these little subdued ways, but if you

like those, you can do those the same way


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as we do the little waves in the back.


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Very simply, maybe in our

world, our waves going to live.


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Right here.


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So you can take a fan brush or,

or Filbert brush and just make


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sort of a little outline of there.


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That's going to be our

wave or right there.


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Nah, but the little touch of

the titanium white and I'm using


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the number three fan brush.


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I'm gonna go right up here to the

horizon and just begin and um,


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let's see, come up close right here.


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I'm just making strokes

or I'm going like this.


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I'm really exaggerating.


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But like that, and I'm exaggerating.


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So, but it looks like a little

water things back here there,


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and that's one of the nicest,

easiest, simplest, little


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ways that I've ever found.


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Just to make the indication

of water back in there.


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I'm going to have the least little touch

of CAD yellow to my color right in here.


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Ooh, that's nice.


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That's beginning to

sparkle a little bit more.


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It looks like light.


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Just shining right across here.


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There we go.


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This is just some background material.


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Now then let me wash the old brush.


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Now the fun part right in here.


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That's the eye of the wave.


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That's the either way, we'll just take

some titanium white and just it's my


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son, Steve says, just move shit in there.


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Really push it in there.


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Hard can.


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And you can do this several times.


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And if it gets like there's a lot of

color underneath remove that excess


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paint and that remains there and

that color remains there and we can


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take a little more of her white.


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Oh, my little of that CAD yellow to that,

and go right back in here, see there.


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And each time you do that, it'll

get lighter in value or you


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can take a rag or something.


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Just wipe that out.


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Whichever way you'd like to do it.


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Maybe it comes right on back,

like, so just scrub it in and


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then clean, dry two inch brush.


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And I'm only going to use the

top corner and you put it there


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and you just sorta wind it up.


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Just wiggle it down there and you can

make this as smooth as silk, so smooth,


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but there's not a lot of movement.


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It's just you sort of just going

around in little tight circles.


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There we go.


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And then begin thinking about

how you want your water to flow.


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Knock off that excess paint.


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That's an easy way of just about

getting your brush clean without


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going through that whole procedure.


236

00:13:29,839 --> 00:13:30,530

Okay.


237

00:13:31,550 --> 00:13:32,839

Let me find a fan brush here.


238

00:13:32,939 --> 00:13:37,550

Got several of them

going, maybe in our world.


239

00:13:38,750 --> 00:13:40,640

We want to have this water crashing over.


240

00:13:40,640 --> 00:13:42,589

So grab it and pull.


241

00:13:42,589 --> 00:13:43,849

Think about the angle though.


242

00:13:44,970 --> 00:13:46,350

Angles are very important.


243

00:13:46,770 --> 00:13:47,640

Very important.


244

00:13:48,870 --> 00:13:53,040

Think about that water, make those

little noises that really helps.


245

00:13:55,160 --> 00:13:55,370

Yeah.


246

00:13:55,970 --> 00:14:01,190

Just think about it crashing over and

that's all that we need at this point.


247

00:14:02,540 --> 00:14:05,840

Now, if you want to bring some of that

dark back with a clean brush, you can


248

00:14:05,840 --> 00:14:07,310

just grab it and lift it up or down.


249

00:14:08,180 --> 00:14:10,940

And that'll very gently

blend it all together.


250

00:14:12,650 --> 00:14:13,070

Sit there.


251

00:14:15,210 --> 00:14:16,580

Then you can work back and forth to you.


252

00:14:16,590 --> 00:14:18,780

Get it exactly the way that you want it.


253

00:14:20,340 --> 00:14:20,640

Hmm.


254

00:14:20,699 --> 00:14:23,460

Can you let me go back and get

my little number three fan brush.


255

00:14:23,490 --> 00:14:24,630

I like this little fan brush.


256

00:14:24,630 --> 00:14:28,410

It's good for making little

foamy things and stuff like that.


257

00:14:28,949 --> 00:14:32,670

Go take a little white and I'm

going into that nice lavender color.


258

00:14:32,670 --> 00:14:38,930

We used it in the sky, so it makes

sort of a medium value lavender.


259

00:14:39,890 --> 00:14:40,220

Okay.


260

00:14:40,640 --> 00:14:42,800

Let's go back up in here now then.


261

00:14:43,290 --> 00:14:48,660

Well, let's start thinking about

having some nice foam out here and


262

00:14:48,660 --> 00:14:50,280

just using the corner of the fan brush.


263

00:14:51,270 --> 00:14:54,180

And once again, you can do this

with a Filbert to just as well.


264

00:14:54,270 --> 00:14:57,090

A little number six Filbert

brush would work just as well.


265

00:14:57,810 --> 00:14:59,460

I just happened to have

this, so we'll use it.


266

00:15:00,870 --> 00:15:04,770

And all we're doing here is putting

in some shadows on some nice dark


267

00:15:04,770 --> 00:15:09,030

areas for the foam, but think about

the water churning and bubbling


268

00:15:09,030 --> 00:15:10,590

and splashing and carrying them.


269

00:15:12,135 --> 00:15:15,825

Crashing, maybe it

becomes right over here.


270

00:15:15,825 --> 00:15:18,645

I don't know where ever you want it.


271

00:15:20,745 --> 00:15:21,335

Okay.


272

00:15:24,675 --> 00:15:26,025

I like to do seascapes.


273

00:15:26,505 --> 00:15:31,365

There are a lot of fun and they they'll

force you to study water and how it moves


274

00:15:31,365 --> 00:15:36,195

and churns and et cetera, go to the ocean

or get a video or photographs of water.


275

00:15:36,195 --> 00:15:36,885

Just study.


276

00:15:37,845 --> 00:15:39,075

If you don't live near the ocean.


277

00:15:40,110 --> 00:15:42,030

Look in books and videos

and stuff like that.


278

00:15:42,030 --> 00:15:46,320

And you can see all of this and I've

got just titanium white in a going right


279

00:15:46,320 --> 00:15:48,900

up here on top of this darker color.


280

00:15:50,250 --> 00:15:53,370

And we're just gonna, just gonna

to take the fan brush here and


281

00:15:53,370 --> 00:15:58,260

scrubbed in a little highlight,

wipe the brush off when you load it.


282

00:15:58,410 --> 00:16:03,950

So you have nice clean color there.


283

00:16:05,060 --> 00:16:06,920

Just wipe it on the

paper towel in between.


284

00:16:07,905 --> 00:16:13,545

Think about that water hitting and

splashing and churning, make up little


285

00:16:13,545 --> 00:16:19,955

stories and sounds in your mind and

just it happen that it's happened there.


286

00:16:24,035 --> 00:16:27,995

Now then back to our large brush and

I use the large brush only because


287

00:16:27,995 --> 00:16:31,385

it seems to have a little more

hair in it and it blends better.


288

00:16:31,385 --> 00:16:34,985

You can do this with a one inch

brush, if you would like, I just.


289

00:16:35,625 --> 00:16:38,655

I'm sort of hung up on this old

big brush, but tram, both see


290

00:16:38,655 --> 00:16:40,035

which one works the best for you.


291

00:16:40,724 --> 00:16:47,265

And that's the one you already use maybe

over here, a little bit right in here too.


292

00:16:49,035 --> 00:16:50,625

Just that nice turning.


293

00:16:51,915 --> 00:16:54,045

Maybe there's even a little

splashing down like that.


294

00:16:54,255 --> 00:16:57,185

Whatever ever.


295

00:17:04,155 --> 00:17:06,315

Not all water is coming down through here.


296

00:17:07,575 --> 00:17:08,325

We'll just begin.


297

00:17:08,355 --> 00:17:10,784

I'm going to add the least

little touch if they load blue


298

00:17:11,234 --> 00:17:13,545

into that color, little bluish.


299

00:17:13,665 --> 00:17:14,504

Oh, that's nice.


300

00:17:14,805 --> 00:17:15,555

That is nice.


301

00:17:15,555 --> 00:17:21,795

I like that begin thinking about

how your water is coming up right


302

00:17:21,795 --> 00:17:23,835

up in this transparency or the eye.


303

00:17:25,214 --> 00:17:26,895

It's just the little blue

and white once again.


304

00:17:26,915 --> 00:17:31,055

Yeah, maybe it comes out here and.


305

00:17:33,810 --> 00:17:39,690

Think about shape and

maybe there's a nice shoot.


306

00:17:39,690 --> 00:17:44,250

Maybe there's something right here, but

let that water come up and fall over.


307

00:17:44,970 --> 00:17:46,980

Recreating a troth or a Valley in here.


308

00:17:49,190 --> 00:17:49,700

Okay.


309

00:17:50,240 --> 00:17:54,320

Here it comes there.


310

00:18:01,125 --> 00:18:02,865

A little bit more of

the fatal blue and white


311

00:18:09,315 --> 00:18:09,675

there.


312

00:18:13,455 --> 00:18:19,655

Just let that splash and curl

things coming down through here.


313

00:18:21,785 --> 00:18:24,305

This is what gives shape

and form to your wave.


314

00:18:25,655 --> 00:18:29,225

I tell you maybe, maybe even in here,

let's just use the corner of the brush.


315

00:18:30,285 --> 00:18:33,525

Maybe the water splashing

crashing right along in here.


316

00:18:33,525 --> 00:18:38,535

And then maybe another little splasher

in there who knows this is your world.


317

00:18:38,595 --> 00:18:43,575

So you can do anything that you want

to do, anything that you want to do.


318

00:18:43,575 --> 00:18:48,605

And we take a large brush, just

sort of blend that together.


319

00:18:49,505 --> 00:18:51,935

So now we're beginning to get into

a little bit of that SAP green


320

00:18:52,625 --> 00:18:54,485

Bandag Brown stuff is down here.


321

00:19:02,330 --> 00:19:04,100

all right, let me get the liner brush out.


322

00:19:04,180 --> 00:19:05,450

I might get a lighter brush.


323

00:19:07,370 --> 00:19:08,180

We'll take that.


324

00:19:08,960 --> 00:19:11,300

I'm going to go into a little

bit of that same lavender color


325

00:19:11,300 --> 00:19:12,320

that had a little white at it.


326

00:19:12,330 --> 00:19:16,490

Same color we have up here and let's just

sort of highlight this edge here with a


327

00:19:16,490 --> 00:19:23,720

little color, make it nice and firm, and

then begin putting in some little shapes.


328

00:19:26,159 --> 00:19:32,120

Just some little, little doers in

there that create all the little


329

00:19:32,120 --> 00:19:33,800

shapes and stuff that you want in here.


330

00:19:34,399 --> 00:19:35,810

Paint thinner with a little color.


331

00:19:35,840 --> 00:19:36,860

That's all I have here.


332

00:19:40,070 --> 00:19:44,689

He was a little bit blue and white in

here, and this is where you can begin


333

00:19:44,689 --> 00:19:46,639

putting in all kinds of little details.


334

00:19:48,710 --> 00:19:52,070

And at home you have unlimited

time, you can really set and make.


335

00:19:53,010 --> 00:19:56,010

Beautiful little things in here,

but all those little details


336

00:20:01,370 --> 00:20:02,450

and get that going.


337

00:20:03,230 --> 00:20:07,070

Maybe back in here, you can

see all these little doers,


338

00:20:10,110 --> 00:20:12,140

little titanium, white

paint, thinner on it.


339

00:20:12,470 --> 00:20:14,960

Highlight some of the brighter ones

where you think light would hit.


340

00:20:20,405 --> 00:20:22,084

And as I say, this is what gives it.


341

00:20:22,115 --> 00:20:28,595

These little details is what really

will make you seascape spectacular now.


342

00:20:31,655 --> 00:20:32,345

Okay.


343

00:20:36,125 --> 00:20:39,365

Down here and get a little touch

more of that paint thinner.


344

00:20:39,754 --> 00:20:42,875

Just let some of these little things

wiggle and jiggle in your handshake.


345

00:20:43,755 --> 00:20:46,695

I've had people write and tell me they

had a little nervous Twitch in their hand.


346

00:20:46,765 --> 00:20:48,345

They had a hard time painting.


347

00:20:49,875 --> 00:20:52,155

Sometimes that's a very valuable asset.


348

00:20:52,965 --> 00:21:00,035

You use it to your advantage,

use it to your advantage there.


349

00:21:02,255 --> 00:21:02,765

Okay.


350

00:21:03,035 --> 00:21:03,305

Thank you.


351

00:21:03,305 --> 00:21:05,345

What tell you what?


352

00:21:05,375 --> 00:21:08,015

Let's have some fun now.


353

00:21:09,915 --> 00:21:10,965

This big ledger here.


354

00:21:10,995 --> 00:21:13,485

I've already covered that with a little

bit of Brown, as I mentioned earlier.


355

00:21:13,995 --> 00:21:19,065

So let's take, let's take a little,

grab a little dark Sienna, grab


356

00:21:19,065 --> 00:21:21,495

a little white lizard Crimson.


357

00:21:22,695 --> 00:21:24,255

Just sorta mix those loosely.


358

00:21:24,255 --> 00:21:25,365

I'm just going to mix them on the brush.


359

00:21:25,395 --> 00:21:26,985

Maybe even a little touch

of the yellow ochre.


360

00:21:27,015 --> 00:21:28,065

Not much, just a little.


361

00:21:29,280 --> 00:21:30,690

Okay, just on the fan brush.


362

00:21:30,720 --> 00:21:34,200

Let's go up here and then let's

begin thinking about shapes


363

00:21:34,200 --> 00:21:37,290

here I have to do is just tap.


364

00:21:37,350 --> 00:21:39,090

Let's take the fan brush and tap.


365

00:21:39,780 --> 00:21:44,850

It's really all it amounts to, and

you can begin forming your rocks,


366

00:21:46,440 --> 00:21:52,440

Phyllis, by tapping, just tap in here

and there, you can add a little light


367

00:21:52,440 --> 00:21:57,780

color wherever you think light would

strike and bounce and play there.


368

00:21:59,085 --> 00:22:00,645

And leave some dark areas in here.


369

00:22:00,675 --> 00:22:06,735

Those dark areas will end up being big

holes in the rocks, a place for the


370

00:22:06,735 --> 00:22:13,995

seagulls to go, and they got to have

a place to build a nest in Alaska.


371

00:22:13,995 --> 00:22:15,075

We have little puffins.


372

00:22:15,275 --> 00:22:18,225

They're one of the cutest

little birds God's ever made.


373

00:22:18,735 --> 00:22:20,535

It looks like your beaks

too big for their head.


374

00:22:22,095 --> 00:22:23,175

Beautiful little birds,


375

00:22:26,775 --> 00:22:28,845

but this form, just like, so,


376

00:22:32,495 --> 00:22:33,725

and you can do this with a knife.


377

00:22:33,725 --> 00:22:35,885

I just want to show you several

different ways of doing it.


378

00:22:36,750 --> 00:22:40,650

But the knife will work very well

for making very nice rock effects,


379

00:22:44,040 --> 00:22:44,910

kind of stand out of the way.


380

00:22:44,910 --> 00:22:49,110

So you can see in there, maybe this

comes right on down into here somewhere.


381

00:22:50,910 --> 00:22:52,590

So let me see.


382

00:22:52,650 --> 00:22:54,330

I've got several fan brushes going.


383

00:22:54,340 --> 00:22:55,200

Let me get another one here.


384

00:22:55,590 --> 00:23:01,920

I don't want to rock them the other

side too right there, but you knew


385

00:23:01,920 --> 00:23:02,910

I was going to put a rock here.


386

00:23:02,910 --> 00:23:03,210

Didn't you?


387

00:23:04,410 --> 00:23:06,510

I always liked big rocks and big trees.


388

00:23:06,510 --> 00:23:11,610

And my paintings just sort of decide

how you think it'll rock should live


389

00:23:11,610 --> 00:23:15,270

in there and dropped it in change.


390

00:23:15,300 --> 00:23:18,600

We can take some of that color

come right along in here.


391

00:23:19,800 --> 00:23:24,360

And once again, just, this

is a nice way of outlining


392

00:23:24,360 --> 00:23:27,150

informing your stones and rocks


393

00:23:30,260 --> 00:23:30,620

there.


394

00:23:34,755 --> 00:23:38,265

I want this one to remain

quite dark, quite dark, so


395

00:23:38,265 --> 00:23:39,525

it doesn't distract too much.


396

00:23:42,975 --> 00:23:43,665

There we go.


397

00:23:44,475 --> 00:23:52,875

Now you can take a clean, dry two inch

brush and very gently, very chimney.


398

00:23:52,905 --> 00:23:53,745

Just caress it.


399

00:23:54,165 --> 00:24:00,215

Just caress it and it'll blend all that

together and make it nice and smooth.


400

00:24:00,215 --> 00:24:06,095

And it looks like beautiful

stones, but very, very gently


401

00:24:08,915 --> 00:24:12,485

one here and some air there.


402

00:24:12,935 --> 00:24:17,525

A little bit of are they low blue and

white and we'll have a little splash


403

00:24:17,555 --> 00:24:18,995

coming around, down through here.


404

00:24:21,315 --> 00:24:24,105

Shoot, maybe there's even a

little water dripping down.


405

00:24:24,375 --> 00:24:28,875

You could do this with a liner brush

or the fan brush, just whatever.


406

00:24:30,015 --> 00:24:32,655

And maybe, maybe it is even right there.


407

00:24:36,515 --> 00:24:39,305

Come right on back back.


408

00:24:39,435 --> 00:24:43,785

So you just bring it all together.


409

00:24:45,225 --> 00:24:46,785

And then a little bit in the foreground.


410

00:24:50,399 --> 00:24:53,070

The seascapes are not

near as hard as they look.


411

00:24:53,250 --> 00:24:54,600

You really can do these.


412

00:24:55,830 --> 00:24:57,149

Maybe let's get crazy.


413

00:24:57,689 --> 00:25:00,419

We have a second left here,

so we'll put a, we'll put a


414

00:25:00,419 --> 00:25:01,530

little stone right here too.


415

00:25:01,679 --> 00:25:03,600

I just like to have

stones all up the water.


416

00:25:04,770 --> 00:25:05,189

Thank you.


417

00:25:05,250 --> 00:25:05,490

Thank you.


418

00:25:05,490 --> 00:25:07,350

It really, I like it.


419

00:25:07,350 --> 00:25:08,970

It just enhances my paintings.


420

00:25:10,230 --> 00:25:12,570

A little bit of that nice highlight color.


421

00:25:14,399 --> 00:25:16,470

And let's say we can take a liner brush.


422

00:25:17,615 --> 00:25:21,615

Little that they love blue and white

and paint thinner, then it down.


423

00:25:22,335 --> 00:25:25,155

And you can literally have water

dripping right off these rocks,


424

00:25:25,754 --> 00:25:29,855

just like, so that's seven days.


425

00:25:29,855 --> 00:25:34,115

Just put all these little things in


426

00:25:38,835 --> 00:25:41,524

super way though, of making

very effective little seascapes.


427

00:25:41,524 --> 00:25:41,764

Like it.


428

00:25:48,780 --> 00:25:51,840

Okay right in there.


429

00:25:54,530 --> 00:25:56,840

Can you just make decisions

where you think the water would


430

00:25:56,840 --> 00:25:58,190

be churning and splashing?


431

00:25:58,190 --> 00:25:59,480

Maybe all around this rock?


432

00:26:00,890 --> 00:26:03,770

Cause he was in the corner of the

fan brush, so it's all we're using.


433

00:26:05,360 --> 00:26:09,950

Um, but I can hear there would be,

they'll have some churning back against


434

00:26:09,950 --> 00:26:12,530

that big rock, a little Misty areas.


435

00:26:19,160 --> 00:26:21,020

And you can just keep on and on and on.


436

00:26:23,000 --> 00:26:24,740

I think comes a time when we have to stop.


437

00:26:25,880 --> 00:26:30,590

I'll tell you what, we'll just take a

touch, a little touch, a dark color.


438

00:26:31,820 --> 00:26:33,890

Maybe we'll put one little

lonely bird up here.


439

00:26:35,750 --> 00:26:37,190

Little, little Elm bird.


440

00:26:39,230 --> 00:26:42,240

And I think with that, We'll

call this old painting finished


441

00:26:42,449 --> 00:26:45,449

hopeless gives you an idea of

doing a fantastic seascape at home.


442

00:26:45,840 --> 00:26:47,820

If you give it a try, you will love it.


443

00:26:48,030 --> 00:26:50,070

And I'd love to see some

photographs of what you're doing.


444

00:26:50,070 --> 00:26:53,760

If you have time, drop us a line, let

us know if you like the show, send us


445

00:26:53,760 --> 00:26:55,350

some pictures of what you're doing okay.


446

00:26:56,070 --> 00:26:56,970

From all of us here.


447

00:26:57,120 --> 00:26:58,500

I'd like to wish you happy painting.


448

00:26:59,370 --> 00:27:00,480

And God bless my friend.


End .srt file.



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