Thursday, December 24, 2020

S05E03 - Mountain Blossoms

Bob Ross's

The Joy of Painting

S05E03 - Mountain Blossoms

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Oh, welcome back.

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I'm glad you could join me today.

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And today I have a special treat for you.

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I have a close personal friend.

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That's going to pay for you today.

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And he comes out of Muncie, Indiana.

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I'd like to introduce you to

Dana jester and Dana travels all

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over the country teaching for us.

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And I think you'll find

him a fantastic painter.

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So, Dana, thanks for being here.

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I'm going to turn it over

to you and I'll see you.

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Okay.

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Today.

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What I've done.

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I've got the canvas

prepared ahead of time.

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I've got a code of magic,

quiet up here on the top.

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And I've used the magic black

on the bottom, the base only

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magic black down here, and the

colors will be using the day.

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You'll be seen soon

across your screen here.

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And what I'm going to

use first is flavor blue.

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We're going to paint in a little sky

crossed here, just use this X pattern

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across just across the top, just like

so, and we'll gradually blend us in

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using your magic white since it's makes

a nice base coat and we'll let it.

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Gradually lightened up as we work our

way down to where maybe the horizon

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lines are going to be on this painting.

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Yes.

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Like, so, okay.

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Well go ahead and clean

her large brush here.

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Okay.

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And I think maybe we're

better on this painting here.

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We use a fan brush and we'll.

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Loaded up with some titanium

white load up fairly heavy.

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That way you'll get the breast to

work right for you over these clouds.

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Okay.

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I use the brush in a

circular motion like this.

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You don't have to put the same

amount of clouds in your painting

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is what I'll put in mine.

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You can always design your

own, use your own imagination.

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Just put a few floating little

clouds in here, something like that.

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Go ahead and clean and brush, and we'll

go back over these clouds with a large

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brush to kind of soften them down,

set them into this guy a little bit.

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Look at that, go back and

forth on something like that.

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And think maybe what we'll do next

is take, we're going to work with

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equal parts of a lesbian Crimson.

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And they low green.

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This should make a, a black, but

in order to test this color, we

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need to mix a little bit of it.

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And with some of your titanium white,

make sure you get this thoroughly mixed.

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If not, you'll be in trouble.

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Okay.

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Take a little bit of your titanium.

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White end up with a black nice dark gray.

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So we're going to go ahead and use

this with some more titanium white.

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We'll use this for the base

coat of your mountains.

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We'll put some mountains

in this painting today.

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Majority of people liked mountains.

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Okay.

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We'll work with it a little bit darker

value, especially if you haven't painted

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too many mountain scenes, though.

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If you get a real dark base coat,

it'll be a lot easier for you.

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Okay.

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Let's go up to the canvas.

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I would put as a peak and just likes it.

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Let's drag this paint down, scrape

it right on into the canvas.

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You can make as many peaks as

you desired, whatever you like.

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It's best to avoid getting it straight.

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It's down here at the

base of your mountain.

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We just want to get this

scraped him for now.

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A magic quieter work

for you in a few minutes

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like that.

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Okay.

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Go ahead and clean your knife off.

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Make sure you got all the excess paint off

that mountain, but what we're going to do

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start working with some highlight color.

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We're just going to use titanium

white robot up on your knife like that

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and get a nice, fine roll and go up.

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To the right-hand side of your

mountain and just let this

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glide down right off the knife.

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Do it again here.

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So this like, so just

let it glide and break.

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If not, this mountain

will not set back for you.

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And what started here on this peak,

again, lights suggested from the

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right-hand side of your pain like that.

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Let me run this Ridge right on the Rover.

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This is how you develop several

different ridges in the mountain.

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Just let her flow off your knife.

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Yes, like that.

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Okay.

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Okay.

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Now what we're going to work with

next will be some titanium white

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and just a small amount of your,

a little blue, because that stuff

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I tell you is really strong.

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It really overpower that white real quick.

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I just want a nice, soft, real light

blue, and we'll use it just the same

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as we did your white and only we're

going to put it on the left-hand side

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of your pigs for the shadow is fill in

your little dark areas in their back.

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My fill in all the left-hand sides here.

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This is where you

developed your own amount.

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Wherever you see a little.

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Ravine that's where you need to put your

shattered area and yes, like, so, okay.

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Now let's take the large

brush and softness basis.

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Mountain down quite a bit.

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You can pull this paint

down, fall off easily.

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It's best to follow the

contour of the mountain.

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It'll help the, the mountain real well.

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You just pull straight up and

down the mountain looks like it's

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just standing up on the canvas.

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You don't want that to happen.

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Don't want that to drag ride on out.

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But if you didn't have that

magic, quiet underneath area sure.

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Would be a problem.

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See, I'm nice.

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And Misty haze.

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It is the base of that mountain.

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That's what you're looking for.

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And you can go up here and

pull this a little bit.

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It's white down.

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Nice and easy.

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Now at this time, we'll go ahead and

work with a knife again, and we'll drag.

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Just a little more highlights down.

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Maybe, maybe we want this to come

down just a little further and

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just a few areas really help set

it back just a little bit more.

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Also don't get too carried

away or you have lights.

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You'll need some shadows.

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So keep that in mind also.

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Okay.

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Let's go with her knife and

we'll put in maybe a little bit

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more shadow area right in here.

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Okay.

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Now we can soften that down, using a

large brush again and see how much more

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distance you're creating when you put

just a little more white down there.

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And just like that, it's like, so, okay.

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Let's work with a fan brush.

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Next we're going to want to do is go

with a fan brush and pick up quite a

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bit of your dark mix that we mixed up.

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Earlier, and we're going to use

this to put on a few for trees

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back here, off into the distance.

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So we'll go up here and just

start, just use your fan brush,

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just use the chiseled edge of it.

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Just tap down and pull

all these trees down.

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And it's also a real nice idea.

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If you can vary the height

than them trees, you want to

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have them all the same size.

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It looks a little more realistic.

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If you can do that.

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I forget to put quite a bit of paint

on your brush, especially when you're

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first starting out along this edge.

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And then as you work toward the center

of your painting, let's just let the

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paint flow off the brush and you use the

magic quiet to lighten this up in value.

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That'll set it off even a little bit

more often than, than distance it's like.

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So see how those are starting

to fade off into the distance.

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That's just right.

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Or I don't want to work to nothing.

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Okay.

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Let's go ahead and clean

that fan brush out.

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Maybe we'll work with an inch brush next.

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Maybe take the angel brush and we'll

just tap and softness down a little bit.

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This will give the illusion of more.

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Fog or mist here at the base of these

trees, that'll set them, help, set

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them back into the painting I've

been given just a little bit of more

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depth should work across the canvas.

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Also don't hurt at this time to maybe

pull in and follow the contour of the

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land here at the base of your trees.

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We'll go back to our fan brush and

what we're going to do with the

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fabric, which again is just load

up real heavy with your dark mix.

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And we'll put in a few more distinctive

for trees, a little larger right here.

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She was the corner of your brush

and just let them, her trees

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fall right out of the brush.

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Just like that.

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Just tap it right on down.

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It's like, so that was so fun.

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Let's do another one.

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He can't stay there all by himself.

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It was tapping right in here.

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Look at that thing grow.

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Hello?

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Right on down to the land.

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You don't want them floating

getting carried away.

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I got to put one more and he's

leaning just a little bit.

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It's just the baby tree here.

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Okay.

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Let's go ahead and clean her fan brush.

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Maybe we'll get some land for

those for trees to sit on.

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And we'll go back with a ranch brush

and we'll just tap down just a little

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bit to create a little more distance

in the painting, something like that.

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Now let's go back with the old fan

brush, a little bit of black, not much.

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I just want to tap, press lift

to create just a little land

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underneath here, just like that.

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Then we'll go back and maybe

soften this up just a little bit

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more with the one inch brush,

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even pull some of this down

kind of taper that land off.

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Like it's a rolling Hill.

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I have a little few rolling

Hills around this mountain.

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You don't want to be lonely there.

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Okay.

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Let's go ahead and go

back with our ranch brush.

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And just softness down just a

little bit most by tapping down,

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we all have a few dark areas in there.

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Often end up just like that.

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Right.

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Clean nine inch brush out here.

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And I think maybe a bit good

time to take the fan brush out

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again, and let's put it on a few.

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Trunk lines with some of this dark mix.

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And again, on this, if your paint's

very thick, you may want to add

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just a little thinner for the paint,

a fluffy brush for these trees.

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These trees will be nice and tall.

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Maybe we'll take it all the way

off the top of the canvas here.

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Just come down just like that.

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well, forget to take plenty

of paint on your brush.

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Put these trees in.

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Okay.

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Let's try that again.

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That was much fun.

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We better try it again.

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Let's go ahead and put in

another one right in here.

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Like that.

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Just let her come on down

into your foreground here.

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You don't want to let it stand there.

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Midair.

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I'll go.

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Maybe one more time or

a couple more times.

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You never know.

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Just depending on the mood of the brush,

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just remember to put plenty of

paint on your brush when you're

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doing this and pull it down.

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Okay.

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I think there's a little old, maybe

this next tree's a little lazy.

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I think he looks like he might be

leaning over just a little bit.

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Look at that.

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Yeah, he's lazy for sure.

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Plenty of pain.

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Yeah.

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Remember to take them down into the

foreground while we got the brush

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loaded, let's pick up a little thinner

on that brush and go with this dark mix.

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Make sure it's a little on the

thin side and when always tap in

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just a few little Pines on this

side, maybe there was a, another.

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For a tree grow over here on

this side, just like that.

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Okay.

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Now, before we get too carried away

on tapping old Pines on, on the other

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trees, let's take a line of brush and

some thin oil are your thinner and

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put on a few branches on these two,

this dragon right off there, hold your

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brush up and make sure that paint's

good and fan, or it won't flow for you

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some thinner on that brush.

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And drag them right on out.

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Like, so

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maybe these other trees

need a few branches on

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Slack.

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Remember, make sure that paint's good.

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And fan won't flow off for you.

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00:14:33,555 --> 00:14:36,645

You can also get a little carried away,

putting too many branches on new street.

252

00:14:37,605 --> 00:14:42,225

You got to have enough to make it a

little realistic there and helps if your

253

00:14:42,705 --> 00:14:47,715

arm or your hand can get real nervous

to make those branches kind of wiggly.

254

00:14:47,725 --> 00:14:52,005

They're like mother nature

creates something like that.

255

00:14:54,075 --> 00:14:54,735

Down in there.

256

00:14:56,695 --> 00:14:57,795

I have a friend who went on there.

257

00:15:01,605 --> 00:15:03,495

If take one, Claire off

the side of the canvas.

258

00:15:04,725 --> 00:15:05,475

Okay.

259

00:15:06,045 --> 00:15:10,995

Let's go back to the fan brush, make

sure your paints fan down a little bit

260

00:15:11,715 --> 00:15:12,855

and use a little bit of your thinner.

261

00:15:13,395 --> 00:15:16,785

Is this dark value just

to tap in, just tap.

262

00:15:17,865 --> 00:15:19,245

I'm really just using the corner.

263

00:15:19,265 --> 00:15:19,755

My brush.

264

00:15:19,755 --> 00:15:24,615

Now it's tapping a

little bit high is here.

265

00:15:29,344 --> 00:15:32,165

Maybe we'll go over here on the other

side, do these while we're at it.

266

00:15:36,485 --> 00:15:37,425

Don't get too carried away.

267

00:15:37,444 --> 00:15:41,704

Don't cover up everything

there, all pain here.

268

00:15:44,405 --> 00:15:45,665

I don't fall off the brush.

269

00:15:46,985 --> 00:15:47,735

Just that simple.

270

00:15:52,895 --> 00:15:55,175

They're just taking, put a few.

271

00:15:55,995 --> 00:15:56,325

Down here.

272

00:15:56,325 --> 00:15:57,525

Just a little lower.

273

00:15:58,245 --> 00:16:01,095

They'll close to the

foreground here at forward.

274

00:16:04,035 --> 00:16:04,725

Okay.

275

00:16:04,785 --> 00:16:12,585

Let's clean our brush off and

let's work with the one inch brush

276

00:16:14,415 --> 00:16:15,585

and we'll what we're going to do.

277

00:16:15,645 --> 00:16:19,715

We're lean to add just a little

more, have your black mixed to your

278

00:16:19,715 --> 00:16:23,345

base code and maybe just a tad.

279

00:16:24,824 --> 00:16:25,844

More or less lizard to it.

280

00:16:27,224 --> 00:16:29,745

We want to work from our darks

workup to our lights here.

281

00:16:31,935 --> 00:16:37,155

So get something like

that, a real deep color.

282

00:16:38,444 --> 00:16:41,505

Let's put it on down

here in the foreground.

283

00:16:42,285 --> 00:16:50,074

Let's use the one inch brush and

just use a little tap, even just

284

00:16:50,074 --> 00:16:51,395

a little circular motion on that.

285

00:16:51,395 --> 00:16:52,474

This is just the base code.

286

00:16:53,205 --> 00:16:54,074

Just to give you a coat.

287

00:16:54,105 --> 00:16:54,765

You don't want to cover it.

288

00:16:54,765 --> 00:16:55,574

Kill all your darks.

289

00:16:55,574 --> 00:16:58,595

You've got to have those darks to

Crete, just a little more depth,

290

00:17:00,335 --> 00:17:03,635

a little more in interest in the

pain in there, but go ahead and

291

00:17:03,635 --> 00:17:04,895

go all the way across your canvas.

292

00:17:07,444 --> 00:17:12,454

And we'll do all those little bushes

and foliages in the front there.

293

00:17:13,444 --> 00:17:18,425

It may even turn up to be

little flowering bushes.

294

00:17:20,520 --> 00:17:21,180

It's like that.

295

00:17:23,730 --> 00:17:27,840

And at home you can create your own

paintings or you to get your own idea

296

00:17:27,840 --> 00:17:33,450

and put it on canvas, but it's just

give you some guideline or to show you

297

00:17:33,450 --> 00:17:38,460

how, how the brushes work like that.

298

00:17:39,660 --> 00:17:41,070

Remember to save some of your dark.

299

00:17:41,250 --> 00:17:42,450

You don't want to kill all that dark.

300

00:17:45,480 --> 00:17:45,810

Okay.

301

00:17:47,670 --> 00:17:48,390

All right next.

302

00:17:48,390 --> 00:17:52,230

I think we're gonna need to mix

it up just a little bit of lighter

303

00:17:52,230 --> 00:18:00,780

value and we'll go with the same mix

and just add just a little titanium

304

00:18:00,780 --> 00:18:05,370

white to it, and a little Elysium

305

00:18:09,480 --> 00:18:14,130

to stand up to the

lavender or a mov color.

306

00:18:17,085 --> 00:18:18,555

And we'll be working with that.

307

00:18:19,275 --> 00:18:19,455

Okay.

308

00:18:19,455 --> 00:18:23,565

Let's take a one inch brush and

just dip it into your magic.

309

00:18:23,565 --> 00:18:27,975

Quiet a little bit, and then go

through this color and pick it up.

310

00:18:29,595 --> 00:18:30,855

Yeah, just something like that.

311

00:18:31,545 --> 00:18:35,955

Oh, go up here and we'll just tap on

his, canvas it up just a little bit.

312

00:18:37,125 --> 00:18:40,295

And again, it's really important

on this to kill all your

313

00:18:40,295 --> 00:18:43,475

darks, save some of your dark.

314

00:18:46,044 --> 00:18:47,385

Let's go across the base here.

315

00:18:47,774 --> 00:18:52,334

And at this time you can press and lift,

but we don't want to kill all your darks.

316

00:18:52,334 --> 00:18:55,365

Won't go in over the top of this with a

lighter value than what I've got here.

317

00:18:56,685 --> 00:18:57,945

That'll really make them stand out.

318

00:19:10,145 --> 00:19:12,185

these might be fire weeds

or something like that.

319

00:19:12,185 --> 00:19:13,235

And every hand tail here,

320

00:19:21,485 --> 00:19:23,405

but remember, I'm saving

some of that dark.

321

00:19:23,705 --> 00:19:24,815

I'm doing that for a purpose.

322

00:19:25,955 --> 00:19:29,255

When you look at this with the finished

product, if you, if you have some, a

323

00:19:29,255 --> 00:19:33,765

dark, your darks left, you'll create

just a little more interesting.

324

00:19:33,765 --> 00:19:33,995

It'll.

325

00:19:34,905 --> 00:19:36,105

Look a little deeper for you

326

00:19:44,315 --> 00:19:44,675

at home.

327

00:19:44,675 --> 00:19:48,725

You might want to take a little

time and like individual ones.

328

00:19:48,725 --> 00:19:51,905

It's really whatever you desire.

329

00:19:57,755 --> 00:20:00,995

Go ahead and get the entire base.

330

00:20:00,995 --> 00:20:03,185

This canvas with this

cup of color value here.

331

00:20:03,860 --> 00:20:05,400

We'll go ahead and lighten

it up and just a minute.

332

00:20:07,350 --> 00:20:11,910

Got to have the darks before you work

to your lights, keep that in mind.

333

00:20:11,910 --> 00:20:13,050

We'll help you with your paintings.

334

00:20:26,600 --> 00:20:27,050

Okay.

335

00:20:27,110 --> 00:20:31,550

Let's use that same mixture,

different brush into the magic wine.

336

00:20:33,405 --> 00:20:37,814

And lighten this up a little bit, but we

also may want to go just a little Pinker.

337

00:20:37,875 --> 00:20:42,615

Let's said just a little more lizard to

this, so you can really see the color

338

00:20:42,645 --> 00:20:44,115

change when you go up to the canvas.

339

00:20:45,405 --> 00:20:46,875

It's pressing left again.

340

00:20:47,415 --> 00:20:50,925

We don't want this over the entire

canvas now, art over each and

341

00:20:50,925 --> 00:20:53,024

every individual Bush either.

342

00:20:53,024 --> 00:20:54,855

We just want to hit a few places here.

343

00:20:55,935 --> 00:20:56,895

See how that brings them out.

344

00:20:56,895 --> 00:20:57,945

Just a little bit more.

345

00:21:01,110 --> 00:21:01,950

It's like that.

346

00:21:10,010 --> 00:21:10,400

Yes.

347

00:21:10,420 --> 00:21:12,410

Brains Mount just a little bit more there.

348

00:21:13,879 --> 00:21:18,740

You can also add just a little

more magic quite to this a little

349

00:21:18,740 --> 00:21:23,000

more or less than even make it

stand out just a little bit more.

350

00:21:25,950 --> 00:21:26,640

It's like that

351

00:21:31,610 --> 00:21:32,370

pressing lift.

352

00:21:36,430 --> 00:21:39,030

I have to do each and every one,

because we're going one more time

353

00:21:39,030 --> 00:21:40,800

or this it's a little bit lighter.

354

00:21:48,750 --> 00:21:49,980

Catch this guy right here.

355

00:21:54,570 --> 00:22:01,889

Save some of the darks, little

more magic, quiet, more lizard,

356

00:22:06,540 --> 00:22:10,440

and press them right in there.

357

00:22:11,850 --> 00:22:13,020

Look at these things grow.

358

00:22:26,195 --> 00:22:29,225

now let's go just a little bit lighter

on a few of these, like maybe a

359

00:22:29,225 --> 00:22:33,305

little lights hitting them, really

strong, more Lisbon and more magic.

360

00:22:33,305 --> 00:22:35,975

Quiet tap.

361

00:22:35,975 --> 00:22:36,995

Just a few places.

362

00:22:39,005 --> 00:22:40,145

I don't want to get too carried away.

363

00:22:44,355 --> 00:22:46,544

See how that makes them stand

out just a little bit more.

364

00:22:47,925 --> 00:22:49,274

They're not all on the light though.

365

00:22:49,274 --> 00:22:52,064

So you don't want them

all, all real light,

366

00:22:58,534 --> 00:22:59,855

but notice I'm still saving.

367

00:22:59,855 --> 00:23:00,814

So I'm on darks.

368

00:23:02,105 --> 00:23:03,095

You got to keep that in mind.

369

00:23:05,135 --> 00:23:06,245

Don't want to kill all your dark.

370

00:23:08,400 --> 00:23:09,000

It's like, so

371

00:23:12,900 --> 00:23:14,100

get a couple right up here.

372

00:23:17,990 --> 00:23:18,350

Yeah.

373

00:23:18,770 --> 00:23:24,139

Amy, we'll go ahead and

clean her brush out and

374

00:23:27,820 --> 00:23:32,750

go in with a liner brush and.

375

00:23:33,240 --> 00:23:38,610

If you've got magic black and using stove

straight magic black on this, we'll just

376

00:23:38,610 --> 00:23:42,510

put a few twigs or some dead branches

down here at the base of the penny.

377

00:23:43,710 --> 00:23:45,120

Just put them right in like that.

378

00:23:47,460 --> 00:23:49,050

And I'm right here.

379

00:23:49,169 --> 00:23:53,189

Let's let them flow right off of

the brush or just growing into wild

380

00:23:56,700 --> 00:23:57,629

start right in there.

381

00:23:57,720 --> 00:23:58,200

But another one

382

00:24:01,800 --> 00:24:02,250

look at that.

383

00:24:03,375 --> 00:24:07,695

Flow right off of rush magic.

384

00:24:07,695 --> 00:24:08,145

Quiet.

385

00:24:09,915 --> 00:24:10,695

Really nice.

386

00:24:17,535 --> 00:24:18,015

Okay.

387

00:24:22,125 --> 00:24:24,495

I'm gonna take this test

a little bit further,

388

00:24:30,495 --> 00:24:31,365

something like that.

389

00:24:38,480 --> 00:24:39,860

put in one more here.

390

00:24:40,670 --> 00:24:40,760

Okay.

391

00:24:45,560 --> 00:24:50,120

It's like, so make sure you got the

base, then it's faded into the painting.

392

00:24:50,450 --> 00:24:53,180

Good enough to where they look like,

or at least attached to the ground.

393

00:24:59,764 --> 00:25:02,375

like some real squiggling

branches on some of these here.

394

00:25:04,294 --> 00:25:10,804

It's like, so then you can go back

and go over the ones here on the far

395

00:25:10,804 --> 00:25:14,074

right-hand side and use some magic,

quiet, and just rarely go over them

396

00:25:14,084 --> 00:25:15,725

just to highlight and just a little bit.

397

00:25:20,445 --> 00:25:20,735

So.

398

00:25:29,295 --> 00:25:32,475

I think maybe we'll go

ahead and sign her name.

399

00:25:35,175 --> 00:25:43,275

J E S T E R.

400

00:25:44,895 --> 00:25:46,845

Didn't that tell you this

young man was fantastic.

401

00:25:47,115 --> 00:25:49,065

Dana, we certainly thank

you for being with us today.

402

00:25:49,680 --> 00:25:51,750

We look forward to seeing him

again from all of us here.

403

00:25:51,840 --> 00:25:52,530

Happy painting.

404

00:25:52,980 --> 00:25:53,550

God bless.

405

00:26:00,680 --> 00:26:01,280

Uh,

End .srt file.

S05E02 - Twilight Meadow

Bob Ross's

The Joy of Painting

S05E02 - Twilight Meadow

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,240 --> 00:00:01,380

Hi, welcome back.

00:00:01,560 --> 00:00:02,520

Glad to see you today.

00:00:03,030 --> 00:00:06,290

Today, I thought we'd do a black canvas

and we'll turn it into a painting that put

00:00:06,290 --> 00:00:07,880

it look like it's done on a white canvas.

00:00:08,210 --> 00:00:10,760

So I'll have them graphically run

all the colors across the screen

00:00:10,760 --> 00:00:12,020

that you need to do this painting.

00:00:12,290 --> 00:00:15,290

And they'll come across in the same

order that I have Mona pellets, starting

00:00:15,290 --> 00:00:19,340

with a white working around, and

let's go right up to the canvas here.

00:00:20,160 --> 00:00:23,390

This is a black canvas it's

been painted with a flat black

00:00:23,390 --> 00:00:24,740

acrylic and allowed to dry.

00:00:25,190 --> 00:00:25,580

And then.

00:00:26,230 --> 00:00:30,130

I've covered the entire canvas with

a thin even coat of theolo blue.

00:00:30,280 --> 00:00:34,360

Now you could use Prussian blue for this,

but, um, I'm in a bright mood today.

00:00:34,360 --> 00:00:37,000

So I thought I'd, I'd put the

little blue on there and we'll just

00:00:37,000 --> 00:00:39,040

make it sparkling and really play.

00:00:39,560 --> 00:00:41,170

Start with a little bit of titanium white.

00:00:41,210 --> 00:00:45,460

We'll just work little into the bristles

and let's go right up here in the sky

00:00:47,129 --> 00:00:52,379

and just start playing and you can see.

00:00:52,670 --> 00:00:54,530

Alrighty, that fight

picks up the blue color.

00:00:54,530 --> 00:00:57,560

That's on the canvas and

beautiful, beautiful colors.

00:00:57,770 --> 00:00:59,120

That just happen automatically.

00:01:00,320 --> 00:01:01,070

Just let them happen.

00:01:05,770 --> 00:01:07,210

I love these black canvases.

00:01:09,490 --> 00:01:10,060

There we go.

00:01:10,930 --> 00:01:14,410

And you can make a sky as bright

as you want it or leave it dark.

00:01:15,370 --> 00:01:18,820

If you want it brighter, just to add a

little more white and just work with him.

00:01:18,830 --> 00:01:20,320

It'll get brighter and

brighter and brighter.

00:01:27,960 --> 00:01:31,290

And that's a super fast way

to make a very effective sky.

00:01:31,860 --> 00:01:33,900

Just applying a little

fight on the canvas.

00:01:35,640 --> 00:01:35,970

Okay.

00:01:36,030 --> 00:01:39,690

Let me clean the brush a little

odorless paint thinner on it.

00:01:42,270 --> 00:01:42,990

There go.

00:01:45,570 --> 00:01:46,470

That is a fun part.

00:01:47,670 --> 00:01:50,820

And maybe, maybe, maybe you want

to put a little cloud in the sky.

00:01:51,275 --> 00:01:54,305

It's very simple and little

titanium white on the fan brush.

00:01:55,505 --> 00:01:56,735

Just work it into the bristles.

00:01:57,695 --> 00:02:01,055

Can let's go up here and

very easily, very easily.

00:02:01,085 --> 00:02:05,075

Just take the corner of the brush

and you drop in a happy little cloud.

00:02:06,345 --> 00:02:07,685

Just want to show you how to make one.

00:02:09,125 --> 00:02:11,255

And in your world, you put

as many clouds as you want.

00:02:12,995 --> 00:02:14,375

Can you be able to take the large brush?

00:02:14,855 --> 00:02:17,105

And we want to blend the bottom

out and not touch the top.

00:02:18,065 --> 00:02:22,565

Very lightly little tiny

circles, tiny little circles.

00:02:24,275 --> 00:02:25,385

Don't touch the top yet.

00:02:28,795 --> 00:02:29,215

Okay.

00:02:29,875 --> 00:02:33,834

And we'll lift that up

and very lightly blended.

00:02:34,440 --> 00:02:35,190

Very gentle.

00:02:37,340 --> 00:02:40,120

Hey, that's a super, super

nice, easy little weight to

00:02:40,220 --> 00:02:41,420

make beautiful little cloud.

00:02:41,460 --> 00:02:43,160

Maybe we'll have another one right here.

00:02:45,160 --> 00:02:48,350

Once again, in your painting, you

put as many clouds as you want.

00:02:49,730 --> 00:02:54,290

Just want to show you how to do and how

many clouds you have in is up to you.

00:02:56,930 --> 00:02:57,320

There.

00:02:59,545 --> 00:03:03,715

We'll fluff it up a little bit and

then just very gently, very gently.

00:03:06,984 --> 00:03:07,585

Okay.

00:03:08,665 --> 00:03:12,734

Now then that's, Bilson that's

bill some happy little background

00:03:12,734 --> 00:03:13,875

trees back here and I'll use this.

00:03:13,875 --> 00:03:17,355

A large brush still has a little

bit of blue on it and I'll go right

00:03:17,355 --> 00:03:20,685

into some CAD yellow and SAP green.

00:03:22,405 --> 00:03:23,665

Candy yellow and green.

00:03:24,505 --> 00:03:26,155

We'll just make a beautiful green color.

00:03:26,155 --> 00:03:27,715

Just flowed a little

bit into the bristles.

00:03:28,655 --> 00:03:30,084

I'm just pulling it

through the paint there.

00:03:31,795 --> 00:03:34,855

Let's go to the canvas here and

let's put a, let's put a few

00:03:34,855 --> 00:03:36,484

little happy tree indications.

00:03:37,315 --> 00:03:38,364

Just lay way back here.

00:03:39,325 --> 00:03:40,405

Now all we need is the light color.

00:03:40,405 --> 00:03:43,795

Cause we already have all this dark on

the canvas so we can get away with it.

00:03:45,024 --> 00:03:47,454

Now I'm going to begin

adding little colors.

00:03:48,140 --> 00:03:50,570

To the brush like yellow

ochre, little Indian, yellow,

00:03:51,920 --> 00:03:52,910

without cleaning the breasts.

00:03:52,910 --> 00:03:54,920

Just sort of play these

colors back and forth.

00:03:59,390 --> 00:04:00,800

Put a little bird number in there too.

00:04:00,829 --> 00:04:03,350

That'll that will tone it down.

00:04:03,350 --> 00:04:03,620

Some.

00:04:06,405 --> 00:04:08,385

You can make these colors

as dollars bright as your

00:04:12,975 --> 00:04:14,205

happy little indication.

00:04:14,445 --> 00:04:20,475

We're just looking for a lot of detail,

yet little indications back in here.

00:04:21,345 --> 00:04:26,625

And as many of them as you want and

the layer, that's what makes them

00:04:26,625 --> 00:04:32,075

look deep, gives the painting depth,

Micheal layers, and layers and layers.

00:04:35,555 --> 00:04:38,974

Let's add a little bit more

of the Brown color of a Bernie

00:04:38,985 --> 00:04:42,594

number, and maybe right there,

00:04:45,655 --> 00:04:47,125

let some of this guy show through.

00:04:48,745 --> 00:04:49,914

Just let it, show it through.

00:04:49,974 --> 00:04:50,664

Let it shine

00:04:56,935 --> 00:04:57,355

brighter.

00:04:58,510 --> 00:05:04,630

It gives it a little more contrast, a

little darker one in front, and you just

00:05:04,630 --> 00:05:06,160

played back and forth with your colors.

00:05:06,160 --> 00:05:09,910

Light against dark, dark against

the light can just go the other

00:05:09,910 --> 00:05:13,780

side over here for a minute and

dropping a couple of quick little.

00:05:14,445 --> 00:05:16,935

Trees and bushes just let

them fall off your brush.

00:05:19,365 --> 00:05:22,245

And there's many, many, many,

many, when used to use this brush.

00:05:22,245 --> 00:05:22,995

This is just one.

00:05:24,585 --> 00:05:28,005

And I try to show you numerous

ways to use the same equipment.

00:05:29,025 --> 00:05:31,515

And then you pick out the

way you like or use them all.

00:05:33,015 --> 00:05:34,575

We just want to give the ideas here.

00:05:42,070 --> 00:05:46,340

the lizard Crimson color, right.

00:05:46,340 --> 00:05:46,990

One right there.

00:05:53,875 --> 00:05:54,445

Okay.

100

00:05:55,125 --> 00:05:58,915

And that quick, it gives us a

nice little background indication.

101

00:06:01,405 --> 00:06:03,925

Then you mix all these colors on

the brush and then all kinds of

102

00:06:03,925 --> 00:06:05,575

beautiful things happen automatically.

103

00:06:06,655 --> 00:06:09,685

I'm going to use a little, a little

bit of paint thinner and go right into.

104

00:06:10,130 --> 00:06:12,349

Some burn number and some Vandyke Brown.

105

00:06:12,830 --> 00:06:16,940

And I thin the paint down and let's

go up here and let's put a few little

106

00:06:17,150 --> 00:06:21,940

trunk indications here and there,

just here and there, there we go.

107

00:06:25,030 --> 00:06:29,289

And remember our golden rule, but

then paying a stick to thick paint.

108

00:06:29,289 --> 00:06:31,960

So if your paint doesn't want

to stick too well, then it a

109

00:06:31,960 --> 00:06:33,130

little bit, and then it'll stick.

110

00:06:35,500 --> 00:06:38,980

We always start with a very firm paint

and we can add vendor paints on top.

111

00:06:39,150 --> 00:06:47,220

Without becoming a mud mixer, easy to

become a mud mixer, and we've all done it.

112

00:06:47,980 --> 00:06:50,220

Gosh, I haven't done it

probably more than anybody.

113

00:06:53,870 --> 00:06:54,410

There we go.

114

00:06:55,070 --> 00:06:55,160

Okay.

115

00:06:55,460 --> 00:06:57,710

Just however many of these you

want, just let them drop right

116

00:06:57,710 --> 00:06:59,900

off your little grip liner brush

117

00:07:04,460 --> 00:07:05,480

there in the script.

118

00:07:05,480 --> 00:07:07,460

Liner brush has very long

bristles at holds up.

119

00:07:07,935 --> 00:07:14,675

A lot of paint you take,

well, I've got that going.

120

00:07:15,275 --> 00:07:16,145

Tell you what let's do.

121

00:07:16,175 --> 00:07:20,945

Maybe there's the one that's

and the photograph right here.

122

00:07:22,625 --> 00:07:24,485

Maybe just let him come

right down like that.

123

00:07:25,175 --> 00:07:26,914

This one's a little

closer, a little bigger.

124

00:07:27,365 --> 00:07:32,965

A little more detail, add a little

tiny bit of white onto her brush.

125

00:07:32,965 --> 00:07:35,755

I can just put the indication

of a little highlight here.

126

00:07:35,755 --> 00:07:38,125

I don't want much too far

away to have a lot of detail.

127

00:07:39,445 --> 00:07:41,785

Just want a little

detail, not a great deal.

128

00:07:43,469 --> 00:07:47,130

There we'll put some leaves

on that little tree later.

129

00:07:48,690 --> 00:07:48,960

Okay.

130

00:07:48,960 --> 00:07:51,780

Now I'm going back to the two and a

half inch brush and just play it through

131

00:07:51,780 --> 00:07:56,280

some of the different colors, CAD

yellow, Indian, yellow, yellow ochre.

132

00:07:57,150 --> 00:07:58,650

And then I'm just going to begin tapping,

133

00:08:01,890 --> 00:08:05,490

tapping, and we'll put some

nice soft malarias back in here.

134

00:08:07,039 --> 00:08:09,710

Very quiet, very quiet, very soft, gentle.

135

00:08:15,294 --> 00:08:19,794

nice place for the little birds to

live bunny rabbits and squirrels

136

00:08:30,805 --> 00:08:34,824

And this is one of the easiest ways there

is to make very soft little grassy areas.

137

00:08:39,480 --> 00:08:43,439

and you can just do a map layer after

layer after layer and let them go.

138

00:08:45,329 --> 00:08:49,260

Maybe let's take a fan brush

here and a little bit of a burn

139

00:08:49,260 --> 00:08:50,819

number, just a small amount.

140

00:08:53,370 --> 00:08:54,449

And I'm going to go right up in here.

141

00:08:54,819 --> 00:09:00,610

And maybe this little ground area show

it just sort of scrubbed this little

142

00:09:00,610 --> 00:09:02,650

yellow ochre, right on the same old brush.

143

00:09:06,120 --> 00:09:07,240

Just very lightly

144

00:09:14,140 --> 00:09:14,380

go.

145

00:09:14,980 --> 00:09:15,640

That's tearing here.

146

00:09:15,640 --> 00:09:16,150

Maybe this.

147

00:09:18,035 --> 00:09:19,415

Maybe it's an old dry Creek bed.

148

00:09:20,735 --> 00:09:23,405

Maybe when it rains, the water

comes down through there,

149

00:09:23,795 --> 00:09:24,845

or maybe it's a little path.

150

00:09:27,775 --> 00:09:28,885

It's where the deer comes.

151

00:09:30,745 --> 00:09:31,285

There we go.

152

00:09:32,455 --> 00:09:34,345

Just makes a painting a

little more interesting

153

00:09:42,475 --> 00:09:42,805

now.

154

00:09:44,240 --> 00:09:46,940

Let's go back to our liner,

brush a little paint thinner.

155

00:09:47,720 --> 00:09:57,620

So van Dyke Brown burn number, and then

maybe, maybe, maybe there's a tree.

156

00:09:57,620 --> 00:09:58,670

It lives right there.

157

00:10:00,560 --> 00:10:01,400

Right there.

158

00:10:02,580 --> 00:10:04,610

We'll put him in a basic trunk shape.

159

00:10:06,650 --> 00:10:12,800

And you could do this with

a knife fan brush today.

160

00:10:12,800 --> 00:10:14,150

I'm just using the liner brush

161

00:10:20,090 --> 00:10:21,820

drop in a few more little branches,

162

00:10:24,940 --> 00:10:25,930

touch a little white.

163

00:10:28,239 --> 00:10:29,119

So there's a highlight

164

00:10:32,300 --> 00:10:34,910

there just blended right into the dark.

165

00:10:38,560 --> 00:10:38,739

Okay.

166

00:10:38,739 --> 00:10:42,670

Let's go back to our big brush

now and let's put some, let's

167

00:10:42,680 --> 00:10:43,810

put some leaves on this tree.

168

00:10:44,199 --> 00:10:44,859

I'm gonna start out here.

169

00:10:44,859 --> 00:10:50,050

It looks like a red, yellow, and

SAP green and some burn number.

170

00:10:51,700 --> 00:10:54,610

Yellow green burn number

all mixed together.

171

00:10:54,940 --> 00:10:59,410

Let's go up to the canvas and just

drop in some basic little ideas where

172

00:10:59,410 --> 00:11:02,620

we'll have some leaves and all I'm

doing is it's just barely touching the

173

00:11:02,620 --> 00:11:04,870

canvas, just using the tip of the brush.

174

00:11:07,310 --> 00:11:07,590

Fair.

175

00:11:07,600 --> 00:11:08,190

Any touching,

176

00:11:11,190 --> 00:11:12,490

just let all these little things.

177

00:11:12,895 --> 00:11:13,705

All that deep brush.

178

00:11:16,945 --> 00:11:17,605

There we go.

179

00:11:19,375 --> 00:11:20,935

Maybe there's some that live right here.

180

00:11:22,335 --> 00:11:23,595

Now I want to highlight those.

181

00:11:23,595 --> 00:11:24,645

So they stand out a little more.

182

00:11:24,645 --> 00:11:27,945

So I go into some CAD yellow,

right on the tips of my brush.

183

00:11:29,005 --> 00:11:35,425

And then we can just, just touch it here

and there just enough to highlight it.

184

00:11:37,605 --> 00:11:40,905

There we go there.

185

00:11:43,035 --> 00:11:47,055

She just apparently barely touched

the canvas just a little bit,

186

00:11:47,055 --> 00:11:48,255

these float right off of it.

187

00:11:50,175 --> 00:11:51,555

And wherever you think they should be.

188

00:11:53,505 --> 00:11:56,714

And then a super way to make a

very effective little tree in is,

189

00:11:57,135 --> 00:11:58,454

does good things for you in here?

190

00:12:00,725 --> 00:12:01,025

Okay.

191

00:12:01,025 --> 00:12:02,645

Well, we got disperse going

to school to hear him.

192

00:12:03,545 --> 00:12:04,355

We'll do the same thing.

193

00:12:04,355 --> 00:12:09,334

Another tree I'm going to use

Vandyke Brown, SAP, green, and

194

00:12:09,334 --> 00:12:11,345

a little bit of CAD yellow.

195

00:12:12,574 --> 00:12:14,194

Let's just drop in some little.

196

00:12:15,040 --> 00:12:19,140

Leaf indications, same way, same way.

197

00:12:19,990 --> 00:12:24,870

If it's working, let's keep it going

and practice these little things.

198

00:12:24,900 --> 00:12:28,090

You'll find the more you practice,

anything, the easier it gets.

199

00:12:29,710 --> 00:12:31,300

If there's a secret it's practice,

200

00:12:35,340 --> 00:12:35,820

the yellow,

201

00:12:40,020 --> 00:12:41,100

just drop it right here.

202

00:12:43,015 --> 00:12:44,705

Just a few little

highlights here and there.

203

00:12:48,165 --> 00:12:57,325

They're not quick, very effective little

tree decide where his foot says down here.

204

00:12:58,075 --> 00:12:58,795

Just cut him off

205

00:13:02,455 --> 00:13:04,225

and he can bring us right on down.

206

00:13:06,115 --> 00:13:09,415

Same colors, SAP green.

207

00:13:10,145 --> 00:13:15,425

Candy yellow, Indian, yellow, yellow

ochre, and mix them on the brush.

208

00:13:15,574 --> 00:13:17,344

So you get a multitude

of things happening.

209

00:13:19,714 --> 00:13:21,245

This is just a dry, clean brush.

210

00:13:22,275 --> 00:13:23,285

You want to make it darker.

211

00:13:23,615 --> 00:13:26,094

All you have to do is just tap

on it and it'll also soften it.

212

00:13:26,194 --> 00:13:30,964

Make it much quieter, just

bring it all together.

213

00:13:39,150 --> 00:13:40,199

You need that dark area.

214

00:13:40,350 --> 00:13:44,520

So the light shows you

need the dark, the dark.

215

00:13:45,600 --> 00:13:47,220

A lot of times when, when you're painting.

216

00:13:48,584 --> 00:13:51,314

It begins to work so nice that

you get carried away and you

217

00:13:51,314 --> 00:13:52,605

cover up all your dark areas.

218

00:13:53,055 --> 00:13:55,665

And then all of a sudden, I

think nothing was show it.

219

00:13:55,665 --> 00:13:56,415

Didn't stand out.

220

00:13:57,824 --> 00:13:59,324

You'd need dark against light.

221

00:14:00,584 --> 00:14:00,885

Hmm.

222

00:14:00,915 --> 00:14:02,084

Can I tell you what let's do?

223

00:14:03,194 --> 00:14:06,344

Maybe, maybe there's a

happy little pond down here.

224

00:14:06,375 --> 00:14:07,094

I like water.

225

00:14:07,755 --> 00:14:11,805

I go right into some titanium white

or the two and a half inch brush.

226

00:14:11,805 --> 00:14:13,094

Figure out where you

want your water to be.

227

00:14:13,689 --> 00:14:19,360

And I want it to be right there

and maybe it runs back in there.

228

00:14:19,420 --> 00:14:20,680

We don't know where exactly.

229

00:14:23,625 --> 00:14:27,375

As picking up all that beautiful,

beautiful fellow blue that's underneath

230

00:14:28,245 --> 00:14:29,625

the green that's in the grass.

231

00:14:30,975 --> 00:14:33,075

All these colors are just coming together.

232

00:14:33,945 --> 00:14:34,665

Don't fight them.

233

00:14:35,505 --> 00:14:36,345

Don't fight them.

234

00:14:36,855 --> 00:14:38,085

Let these things happen.

235

00:14:39,345 --> 00:14:44,865

Some of your most beautiful

effects is truth or accidents.

236

00:14:45,564 --> 00:14:46,344

But don't fight him.

237

00:14:47,844 --> 00:14:48,625

Lamb happened.

238

00:14:50,724 --> 00:14:52,525

Look at that beautiful colors.

239

00:14:53,604 --> 00:14:53,785

Yeah.

240

00:14:54,505 --> 00:14:57,175

To give it the appearance

of water, very lightly.

241

00:14:57,655 --> 00:15:03,084

Just go across these strokes need to

be straight, no matter where your water

242

00:15:03,084 --> 00:15:04,405

goes, they still need to be straight.

243

00:15:04,704 --> 00:15:06,685

It's almost a tendency

to follow you waterline.

244

00:15:07,165 --> 00:15:09,175

And if you do that, those

strokes would go at an angle.

245

00:15:09,460 --> 00:15:10,350

And he'll bother you.

246

00:15:11,800 --> 00:15:12,490

He'll yell at me.

247

00:15:16,630 --> 00:15:16,900

Okay.

248

00:15:16,960 --> 00:15:21,040

Tell you what, just take

the old knife mix up.

249

00:15:21,430 --> 00:15:26,470

I want to mix up some Vandyke

Brown and some burn numbers.

250

00:15:27,430 --> 00:15:29,470

I'm going to put a little

bit of permanent red into it.

251

00:15:31,709 --> 00:15:35,670

So we got Vandyke Brown

spur numbers, permit red.

252

00:15:38,280 --> 00:15:38,880

There we go.

253

00:15:39,390 --> 00:15:39,569

Okay.

254

00:15:39,569 --> 00:15:41,819

Now let me grab the old fan brush.

255

00:15:44,819 --> 00:15:48,959

And I take the fan brush and

load a lot of pain into it.

256

00:15:49,410 --> 00:15:52,079

And let's put some, let's put some

dirt under our grassy areas here.

257

00:15:52,079 --> 00:15:55,740

And all we're going to do is just

scrubbing some dirt, just like,

258

00:15:55,740 --> 00:16:01,439

so this is where you have to start

making all those big decisions.

259

00:16:02,775 --> 00:16:05,715

Right as land water meet, come together.

260

00:16:11,165 --> 00:16:13,115

that come out right through there.

261

00:16:16,295 --> 00:16:20,735

This is a very effective and simple

way to make some nice, nice land areas.

262

00:16:22,500 --> 00:16:23,400

Damn, we'll go with that.

263

00:16:23,400 --> 00:16:25,829

Clean the brush and we'll go right

into some yellow ochre and some

264

00:16:25,829 --> 00:16:28,650

titanium white right on the brush.

265

00:16:29,640 --> 00:16:31,319

And then just barely, barely touch.

266

00:16:33,280 --> 00:16:34,560

Just let it bounce and play.

267

00:16:34,829 --> 00:16:36,420

Just add a little

permanent red to that too.

268

00:16:37,439 --> 00:16:38,609

And mixes on the brush.

269

00:16:39,239 --> 00:16:40,109

Don't over mix them.

270

00:16:41,670 --> 00:16:44,750

You want all the different

colors, just sorta to happen.

271

00:16:47,260 --> 00:16:48,220

Just let them happen.

272

00:16:49,990 --> 00:16:50,830

Adam have fun.

273

00:16:53,130 --> 00:16:53,310

Okay.

274

00:16:55,020 --> 00:16:55,920

Right back in there.

275

00:17:00,210 --> 00:17:00,780

There we go.

276

00:17:02,880 --> 00:17:04,650

Wherever you want these just 11 minutes.

277

00:17:12,470 --> 00:17:16,460

it's a super nice, easy way to

make very effective land areas and

278

00:17:16,460 --> 00:17:19,579

lookalikes little stones and works easy.

279

00:17:22,940 --> 00:17:27,619

Now we can bring some of these nice

little grassy areas right down in here.

280

00:17:28,129 --> 00:17:29,120

Bring all this together.

281

00:17:30,650 --> 00:17:31,100

There we go.

282

00:17:34,605 --> 00:17:38,175

Put a tiny little bit of paint that

are on my brush paints a little

283

00:17:38,175 --> 00:17:39,945

bit thinner and it'll stick easier.

284

00:17:42,755 --> 00:17:43,235

There we go.

285

00:17:44,075 --> 00:17:49,475

Let's go over here on the other side,

airway, just let these come right down.

286

00:18:06,215 --> 00:18:06,815

okay.

287

00:18:08,035 --> 00:18:08,545

Okay.

288

00:18:09,455 --> 00:18:13,625

Then we'll take some magic

white and a little bit of Brown

289

00:18:17,045 --> 00:18:17,975

and black.

290

00:18:17,975 --> 00:18:18,455

So.

291

00:18:20,095 --> 00:18:22,195

Take a little bit of paint

just to cut across it.

292

00:18:22,975 --> 00:18:23,965

Let's go right up in here.

293

00:18:26,225 --> 00:18:28,045

Just drop us in a happy little waterline.

294

00:18:28,375 --> 00:18:31,615

It's a good way to clean up the

edges and bring everything together.

295

00:18:36,885 --> 00:18:37,305

Okay.

296

00:18:45,765 --> 00:18:47,595

I really hope you paint

along with me each week.

297

00:18:47,930 --> 00:18:53,760

We get so many cards and letters and

people are painting them off and it works.

298

00:18:54,420 --> 00:18:56,130

It really, and truly works.

299

00:19:06,860 --> 00:19:08,350

Another nice thing about painting.

300

00:19:08,940 --> 00:19:13,780

It doesn't matter if you're eight

or 80, it works just as well for

301

00:19:13,780 --> 00:19:20,320

young people as a desperate that's

the older people works just as well.

302

00:19:22,530 --> 00:19:23,160

There we go.

303

00:19:29,530 --> 00:19:30,340

tell you what let's do.

304

00:19:30,370 --> 00:19:31,090

Let's have some fun.

305

00:19:32,550 --> 00:19:33,280

Let's have some fun.

306

00:19:33,310 --> 00:19:34,270

Let's build some trees.

307

00:19:36,880 --> 00:19:42,310

Let's make a, let's

make a tree right here.

308

00:19:42,310 --> 00:19:46,510

I'll still use a liner brush, show

you how to make a bigger tree.

309

00:19:46,510 --> 00:19:47,860

This use the old liner brush.

310

00:19:47,890 --> 00:19:49,750

It holds a lot of paint,

so you can do this.

311

00:19:50,290 --> 00:19:52,930

And then the paint with paint thinner.

312

00:19:54,820 --> 00:19:58,659

So I can come right down here and just let

this tree keep growing, getting bigger.

313

00:19:59,680 --> 00:20:01,180

I don't make all your trees straight.

314

00:20:01,210 --> 00:20:06,129

Let them banned trees grow,

growing all kinds of ways.

315

00:20:07,360 --> 00:20:09,580

They're not just all

perfectly straight over limbs.

316

00:20:09,580 --> 00:20:10,419

Not straight over.

317

00:20:11,320 --> 00:20:12,370

Branches not straight.

318

00:20:15,330 --> 00:20:18,870

Be nice if it did grow that way

to manta lumber company and be

319

00:20:18,880 --> 00:20:22,410

a lot happier, but don't know

320

00:20:26,550 --> 00:20:26,850

here.

321

00:20:28,500 --> 00:20:30,300

And I take a little bit of a light color.

322

00:20:31,335 --> 00:20:32,025

Light Brown.

323

00:20:32,835 --> 00:20:35,715

Just dropping some indications

of some highlight here and there.

324

00:20:41,735 --> 00:20:41,975

Okay.

325

00:20:42,245 --> 00:20:42,455

Yeah.

326

00:20:43,085 --> 00:20:47,615

Let's drop some happy little leaves

on a fair, get a little bit of this

327

00:20:47,615 --> 00:20:52,955

same old dark color, hand sample

green Vandyke Brown, CAD yellow.

328

00:20:54,245 --> 00:20:55,325

And they can drop in some.

329

00:20:57,895 --> 00:21:05,805

Basic little leaf shapes, just very

quick, quickly, a lot of fun to make.

330

00:21:07,755 --> 00:21:08,325

I'm loose.

331

00:21:08,835 --> 00:21:12,135

Just relaxed when you do this, if

you're real stiff and then your

332

00:21:12,135 --> 00:21:15,705

leaves on your tree, or look that way,

just, just be very loose and relaxed.

333

00:21:17,745 --> 00:21:19,895

A little bit of yellow,

a little highlight.

334

00:21:22,945 --> 00:21:24,385

I let him sing in the sunshine.

335

00:21:31,875 --> 00:21:32,055

see.

336

00:21:32,055 --> 00:21:34,065

Now, when you look at this painting,

when it's finished, you wouldn't

337

00:21:34,065 --> 00:21:35,445

believe it was on a black canvas

338

00:21:38,925 --> 00:21:40,395

to wash off the old fan brush.

339

00:21:46,850 --> 00:21:48,770

Put some grass on his little flip Caesar,

340

00:21:51,770 --> 00:21:52,550

tell you what let's do.

341

00:21:52,850 --> 00:21:54,110

Let's go right into this.

342

00:21:56,120 --> 00:22:00,200

I'm gonna take some thalo green and

we'll just mix this on the breast and

343

00:22:00,230 --> 00:22:02,629

Taylor green and the lizard Crimson.

344

00:22:04,010 --> 00:22:06,620

I'll make a super, super nice black color.

345

00:22:09,274 --> 00:22:09,635

Okay.

346

00:22:09,995 --> 00:22:17,555

Lizard and Crimson and they low green

and right, right here, right there.

347

00:22:17,705 --> 00:22:18,725

Oh, look it there.

348

00:22:21,065 --> 00:22:21,965

I know what you saying.

349

00:22:22,385 --> 00:22:23,735

And Bob's messed up this time.

350

00:22:24,965 --> 00:22:25,325

Maybe.

351

00:22:26,774 --> 00:22:28,155

But I want a big tree right here.

352

00:22:28,215 --> 00:22:30,225

She had to make a beautiful big tree.

353

00:22:31,695 --> 00:22:35,975

Let's give him a big foot,

maybe out through here.

354

00:22:36,125 --> 00:22:37,385

Let me just let it come right on down.

355

00:22:39,034 --> 00:22:39,844

Very dark.

356

00:22:40,534 --> 00:22:46,024

This is black and this whole big

tree will help push everything back

357

00:22:46,024 --> 00:22:47,735

and makes your perspective better.

358

00:22:51,485 --> 00:22:52,055

All right.

359

00:22:52,295 --> 00:22:53,825

Well, we'll do we make a tree?

360

00:22:53,825 --> 00:22:54,965

We make a tree.

361

00:22:55,805 --> 00:22:57,275

We make a tree.

362

00:22:57,605 --> 00:23:01,025

Let's give him, let's give

him an art right there.

363

00:23:03,695 --> 00:23:06,095

Big healthy are strong tree.

364

00:23:10,165 --> 00:23:15,675

There now we need some highlights

on the tree and we can use

365

00:23:15,675 --> 00:23:16,905

the knife or the fan brush.

366

00:23:17,115 --> 00:23:18,045

Let's use the knife today.

367

00:23:18,675 --> 00:23:23,385

I'm gonna take a yellow ochre,

just straight or yellow ochre.

368

00:23:23,535 --> 00:23:28,755

Put a little bit for a number into

it, pull it out flat, get a little bit

369

00:23:28,755 --> 00:23:30,225

right out here on the edge of the knife.

370

00:23:30,555 --> 00:23:30,855

Okay.

371

00:23:31,665 --> 00:23:33,045

And let's just go right up in here.

372

00:23:33,585 --> 00:23:35,205

All I'm going to do is just touch.

373

00:23:37,400 --> 00:23:40,250

Because you have that little

bit of pain on the blade on this

374

00:23:40,250 --> 00:23:42,440

bar dries, it'll have texture.

375

00:23:43,430 --> 00:23:44,840

It'll produce real shadows.

376

00:23:46,670 --> 00:23:48,410

You can feel it strong.

377

00:23:52,905 --> 00:23:53,385

There.

378

00:23:53,715 --> 00:23:56,895

And when you're out selling a

painting or two people look at

379

00:23:56,895 --> 00:23:59,415

that and you put a happy, yeah.

380

00:23:59,465 --> 00:24:00,275

Fucking his pocket.

381

00:24:03,245 --> 00:24:08,405

I had the little permanent red, permanent

red, just smallest little amount, just

382

00:24:08,405 --> 00:24:11,225

enough to spark it up a little bit.

383

00:24:14,350 --> 00:24:14,480

Okay.

384

00:24:14,710 --> 00:24:20,050

Now let's put up a little bit of

reflected color and I'll use the little

385

00:24:20,050 --> 00:24:22,240

blue little touch your Hawaiians.

386

00:24:22,760 --> 00:24:26,560

Go to the other side and just

give some, a little indication

387

00:24:26,560 --> 00:24:27,970

here of a little reflected light.

388

00:24:32,885 --> 00:24:35,135

Just let this wander and

I'm going up the tree.

389

00:24:35,554 --> 00:24:37,054

It was a little under his arm here.

390

00:24:39,215 --> 00:24:39,784

There we go.

391

00:24:42,034 --> 00:24:43,955

Needs a little reflected

light under his arm.

392

00:24:52,125 --> 00:24:56,385

And just let this camera down

a little flips, big flips.

393

00:24:57,165 --> 00:25:04,365

You got a big fence now back

into the black color and just

394

00:25:04,365 --> 00:25:05,175

that little roll of paint.

395

00:25:05,175 --> 00:25:09,465

And I'm just going to begin touching

and bring all this together and

396

00:25:09,465 --> 00:25:13,215

you just keep tapping, but in

this color, work back and forth.

397

00:25:14,790 --> 00:25:15,929

Until you get it the way you want.

398

00:25:15,929 --> 00:25:24,689

It is a fairy fairy effective way to

make a fantastic tree branch, less

399

00:25:24,689 --> 00:25:30,899

strong trunk, but it'll really, really

have texture to it when it's dry.

400

00:25:31,709 --> 00:25:33,480

It is spectacular.

401

00:25:33,510 --> 00:25:34,830

A little touch of light right there.

402

00:25:36,360 --> 00:25:36,840

There we go.

403

00:25:39,050 --> 00:25:39,439

Okay.

404

00:25:39,439 --> 00:25:41,929

Now we can take a little

grass on his foot.

405

00:25:43,560 --> 00:25:44,209

Just a little here.

406

00:25:49,639 --> 00:25:51,500

no, I think we've been

having a completed painting.

407

00:25:53,179 --> 00:25:54,350

Take a little bit of oil.

408

00:25:55,615 --> 00:25:58,825

Little color, sign it

and it'll be all done.

409

00:25:59,575 --> 00:26:00,985

I really hope you've enjoyed this one.

410

00:26:02,065 --> 00:26:06,145

The old clock on the wall tells me I got

to leave you, but I'll be back next week.

411

00:26:06,205 --> 00:26:07,945

So until then, happy painting.

End .srt file.

S05E01 - Mountain Waterfall

Bob Ross's

The Joy of Painting

S05E01 - Mountain Waterfall

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:30,974 --> 00:00:32,415

Hello, I'm Bob Ross.

00:00:32,714 --> 00:00:36,095

And I'd like to, well, can you to our

fifth painting series, if you've been

00:00:36,095 --> 00:00:39,155

with us before, I hope you have y'all

might easel set up and you're all ready

00:00:39,155 --> 00:00:42,815

to go along with me and paint a fantastic

little painting, and let's go across

00:00:42,815 --> 00:00:44,015

the colors that we're going to use.

00:00:44,375 --> 00:00:47,194

I'll have them graphically run the

colors across the screen, starting

00:00:47,194 --> 00:00:50,465

with a titanium white and going

all the way around and they'll come

00:00:50,465 --> 00:00:52,985

across your screen in the same order

that I have them on my palette.

00:00:53,644 --> 00:00:56,795

If you haven't been with us before

hanging around, I think you'll

00:00:56,795 --> 00:00:57,965

really enjoy what we're going to do.

00:00:58,755 --> 00:01:01,355

Now I've already covered the

canvas with, and even code of magic

00:01:01,365 --> 00:01:04,515

white in the magic white, it makes

the canvas wet, makes it slick.

00:01:04,845 --> 00:01:08,145

It allows us to literally blend

color right on the canvas.

00:01:08,625 --> 00:01:09,945

So let's go up here and do it.

00:01:10,365 --> 00:01:13,515

And I'll start with a big old two and

a half inch brush today, and we'll

00:01:13,515 --> 00:01:16,215

go right into a little bit of halo

blue, and we'll just work some of

00:01:16,215 --> 00:01:17,565

that right into the bristles here.

00:01:18,435 --> 00:01:19,845

Just beat it into the bristles.

00:01:19,845 --> 00:01:21,945

So you have a nice even

distribution of color.

00:01:22,905 --> 00:01:24,045

It just go up to the canvas here.

00:01:24,870 --> 00:01:25,620

Maybe it would make out.

00:01:25,980 --> 00:01:27,570

Let's just make a happy little sky here.

00:01:27,570 --> 00:01:29,850

We just use little,

little crisscross strokes.

00:01:31,170 --> 00:01:34,270

I mean, just let the brush just

sort of bounce around and play.

00:01:34,890 --> 00:01:35,700

So I did have fun.

00:01:37,290 --> 00:01:39,990

I could have fun, a little more color.

00:01:40,360 --> 00:01:44,730

Let's go up here in this corner and I'm

not covering the entire canvas evenly.

00:01:44,730 --> 00:01:48,180

I'm leaving some little spots here

and there that hopefully when we're

00:01:48,180 --> 00:01:51,390

done, it'll look like some happy little

clouds floating all across the sky.

00:01:55,540 --> 00:01:59,310

That's easy, real easy to make

the sky darker, but it's a sun.

00:01:59,310 --> 00:02:00,300

We've got to make it lighter.

00:02:02,895 --> 00:02:04,515

So he was very, very little color.

00:02:04,515 --> 00:02:06,945

When you first start, you can

always go back and add more color.

00:02:08,655 --> 00:02:11,115

Now I'll get this old,

dirty brush going here.

00:02:11,145 --> 00:02:14,325

I'm going to retread it to this color,

which is a little bit of, they look

00:02:14,345 --> 00:02:19,245

green and we want very, very small

amounts, extremely, extremely strong.

00:02:20,175 --> 00:02:21,735

And we'll just mix it right on the brush.

00:02:22,755 --> 00:02:23,325

There we go.

00:02:23,715 --> 00:02:25,035

The little green and payload blue.

00:02:25,365 --> 00:02:28,425

Okay, let's go back up here and we'll

have some water in this painting.

00:02:28,454 --> 00:02:29,475

I love water.

00:02:30,225 --> 00:02:32,445

And water is always level.

00:02:33,105 --> 00:02:33,795

It's still water.

00:02:33,795 --> 00:02:34,785

It's always level.

00:02:35,865 --> 00:02:40,335

So just kind across and try to keep

these strokes straight as possible.

00:02:42,105 --> 00:02:42,285

Okay.

00:02:42,285 --> 00:02:44,535

Now let's go the other

side and pull this way.

00:02:47,615 --> 00:02:49,575

You see how the colors are blending.

00:02:49,575 --> 00:02:54,225

It it's, it's continually mixing with

the magic white and you could do all

00:02:54,235 --> 00:02:59,145

these things on the palette, but they

would take you to get a long time here.

00:02:59,145 --> 00:03:01,335

We let it happen right on the canvas.

00:03:03,405 --> 00:03:03,885

Okay.

00:03:06,495 --> 00:03:10,155

Now I'll wash the brush and we

wash our brushes with odorless

00:03:10,155 --> 00:03:14,115

paint thinner, and I never, never

wash my brushes with turpentine.

00:03:15,195 --> 00:03:19,485

Only with odorless paint,

thinner shake off the excess.

00:03:22,785 --> 00:03:24,435

And that's the most fun of all.

00:03:25,515 --> 00:03:26,595

Now with a clean, dry brush.

00:03:26,595 --> 00:03:29,685

I'm gonna go back into this

guy and just very quickly.

00:03:30,105 --> 00:03:31,125

Blend it out a little bit.

00:03:32,205 --> 00:03:37,905

Those light spots remain there

and just let this happen.

00:03:38,565 --> 00:03:38,895

Really.

00:03:39,285 --> 00:03:41,235

We're ready to just sort of let

it just flow right out of our

00:03:41,235 --> 00:03:42,555

mind, right onto the canvas.

00:03:43,545 --> 00:03:46,485

You don't have to spend a great

deal of time planning and worrying.

00:03:46,825 --> 00:03:47,505

Just let it go.

00:03:50,385 --> 00:03:50,865

Okay.

00:03:51,195 --> 00:03:51,975

Tell you what let's do.

00:03:52,335 --> 00:03:58,005

Let's take an almighty fan brush here

and we'll make a happy little cloud.

00:03:58,755 --> 00:04:03,405

And I'm using a number six fan

brush and some titanium white.

00:04:03,595 --> 00:04:06,585

Tell you what let's put, let's put the

least little amount of permanent red,

00:04:06,585 --> 00:04:07,905

and I put a little sunshine on it.

00:04:09,075 --> 00:04:12,644

We want some sunshine in our clouds

load, a lot of pain into the bristles.

00:04:13,365 --> 00:04:19,245

Lot of paint, he to go up to the canvas

here, maybe, maybe, maybe right here

00:04:19,875 --> 00:04:21,375

using just the corner of the brush.

00:04:21,615 --> 00:04:25,425

We'll put a happy little cloud

and clouds of very, very free.

00:04:26,505 --> 00:04:27,135

Very free.

00:04:27,165 --> 00:04:28,605

Just let them bounce around and play.

00:04:30,045 --> 00:04:32,385

And we're looking for areas here

that have thick areas that at the

00:04:32,385 --> 00:04:36,435

end areas that have no paint, keep

the brush moving, keep it moving.

00:04:36,915 --> 00:04:39,165

If you let it stay in one place

and keep doing this you're on it.

00:04:39,915 --> 00:04:40,095

Yeah.

00:04:40,455 --> 00:04:42,645

I ended up with a big

cotton ball up in this guy.

00:04:47,505 --> 00:04:49,455

Can tell you what my go

to the other side here.

00:04:49,455 --> 00:04:53,415

Maybe various are happy little

cloud that yeah, there was.

00:04:54,345 --> 00:04:55,185

He is right there.

00:04:57,975 --> 00:05:00,765

Let him go there.

00:05:02,325 --> 00:05:03,975

And you put these clouds

wherever you want them.

00:05:04,335 --> 00:05:08,505

This, this piece of canvas

is your world, your world,

00:05:11,535 --> 00:05:13,125

and you make your world

the way you want it.

00:05:15,875 --> 00:05:20,175

And I'm going to take a clean,

dry two and a half inch brush.

00:05:20,445 --> 00:05:21,255

And I want to blame him.

00:05:21,555 --> 00:05:23,415

I want to blame the bottom

of these clouds out.

00:05:23,760 --> 00:05:24,780

Without touching the top.

00:05:24,780 --> 00:05:28,380

So let's start right here and

very lightly, very lightly, very

00:05:28,380 --> 00:05:31,380

lightly three hairs and some air.

00:05:33,240 --> 00:05:37,410

Just let it caress canvas

barely, barely, barely touch it.

00:05:38,070 --> 00:05:41,400

Blend the bottom out, leave

the top of the cloud alone.

00:05:41,730 --> 00:05:44,190

Kings, do this one and work in the layers.

00:05:48,120 --> 00:05:48,270

Okay.

100

00:05:48,270 --> 00:05:51,300

Now let's fluff this cloud

and watch what happens.

101

00:05:51,300 --> 00:05:52,770

We're going to lift this cloud up.

102

00:05:53,265 --> 00:05:55,995

And you're going to pull a little,

little stringy things of paint up.

103

00:05:56,025 --> 00:05:56,865

Don't worry about them.

104

00:05:57,015 --> 00:05:57,915

Don't worry about them.

105

00:05:58,844 --> 00:06:00,405

You want those to happen right now?

106

00:06:01,505 --> 00:06:06,275

And then very lightly you just blend

them and it brings all of it together.

107

00:06:07,205 --> 00:06:07,985

Can you just do that again?

108

00:06:07,985 --> 00:06:11,585

Over here on the other side, just

blame the bottom of the cloud out.

109

00:06:14,315 --> 00:06:16,775

Just like so fluff it up.

110

00:06:18,645 --> 00:06:22,604

And then blended and this little son of

a gun here, we don't want to forget him.

111

00:06:25,695 --> 00:06:27,825

We'll just blend him out and fly him up.

112

00:06:29,505 --> 00:06:35,715

And then very likely, very

likely, and that easy, that easy.

113

00:06:35,744 --> 00:06:38,984

You've got some beautiful, beautiful,

very effective little clouds.

114

00:06:40,395 --> 00:06:43,725

Okay, I'll wash my brush and there's

a screen in the bottom of this.

115

00:06:43,725 --> 00:06:48,675

Can the best scrub the brush

against it really helps, helps

116

00:06:48,675 --> 00:06:49,875

get the pain out of the brush.

117

00:06:50,675 --> 00:06:54,165

Tell you what my home

is in Fairbanks, Alaska.

118

00:06:54,405 --> 00:06:56,385

So, um, I'm sort of

hung up on the mountain.

119

00:06:56,395 --> 00:06:59,085

So let's build a, I spilled a

fantastic little mountain here.

120

00:07:00,075 --> 00:07:03,795

I wouldn't take some, they

little blue, some Vandyke Brown.

121

00:07:05,820 --> 00:07:08,849

And, and I'm gonna use a

little bit of a lizard Crimson.

122

00:07:08,849 --> 00:07:13,080

So we have a little blue Vandyke

Brown and a small amount of a

123

00:07:13,080 --> 00:07:16,289

lizard Crimson, more Crimson.

124

00:07:16,289 --> 00:07:17,640

You put into more purplish.

125

00:07:17,669 --> 00:07:20,310

Your Mountain's going to

be pull this paint out very

126

00:07:20,310 --> 00:07:22,650

flat and just cut across it.

127

00:07:22,650 --> 00:07:26,840

So you have a small roll of they're

right out on the edge of the knife.

128

00:07:27,890 --> 00:07:30,950

Just go up here and you have

to make, yeah, you have to make

129

00:07:30,950 --> 00:07:32,210

some decisions in your world.

130

00:07:32,210 --> 00:07:33,560

Where's the mountain going to live?

131

00:07:34,230 --> 00:07:36,390

I'm going to have my mountain

on that for right there.

132

00:07:37,140 --> 00:07:39,210

And you're really, really

pushing this pain into the,

133

00:07:42,250 --> 00:07:43,430

push it into the canvas.

134

00:07:45,044 --> 00:07:48,284

And anywhere you decide there's

a bump or Hill or big stone,

135

00:07:48,794 --> 00:07:51,305

but it hand put it in this.

136

00:07:52,965 --> 00:07:58,155

This is the instance where you

exert your fantastic power.

137

00:07:58,544 --> 00:07:59,175

It's right here.

138

00:08:01,784 --> 00:08:02,085

Okay.

139

00:08:02,265 --> 00:08:04,544

Now, so you scrape off the excess paint

140

00:08:08,055 --> 00:08:09,914

and the canvas will keep what it wants.

141

00:08:11,385 --> 00:08:12,854

The value is in the material.

142

00:08:13,425 --> 00:08:13,575

Okay.

143

00:08:13,575 --> 00:08:16,065

Now I want to remove more

access, paint and blend this

144

00:08:16,065 --> 00:08:18,105

out because the canvas is wet.

145

00:08:18,815 --> 00:08:22,145

This painful move it'll slide

and be moved all over the canvas.

146

00:08:23,615 --> 00:08:24,305

There we go on.

147

00:08:24,315 --> 00:08:25,175

Just pull it out.

148

00:08:27,330 --> 00:08:30,030

And when you're painting mountains,

always remember if you can

149

00:08:30,030 --> 00:08:33,630

see the entire mountain, it's

always more distinct at the top.

150

00:08:33,780 --> 00:08:37,770

Did he visit the bottom at

the bottom of the mountain?

151

00:08:37,770 --> 00:08:41,669

We have missed, and now we have pollution.

152

00:08:42,030 --> 00:08:48,330

All these things have a tendency to break

up and diffuse light, and you can see from

153

00:08:48,330 --> 00:08:50,370

that top of the mountain is very dark.

154

00:08:50,370 --> 00:08:53,580

It's very strong and down at the

bottom of the mountain, then it's

155

00:08:53,580 --> 00:08:55,620

very soft and quiet, peaceful.

156

00:08:56,415 --> 00:08:57,525

And that's what we're looking for.

157

00:08:58,905 --> 00:08:59,115

Okay.

158

00:08:59,115 --> 00:09:00,645

Now I'm going to go

right into my titanium.

159

00:09:00,645 --> 00:09:00,885

White.

160

00:09:00,885 --> 00:09:04,875

We'll put a little snow on this mountain,

a little bit of snow, pull it out.

161

00:09:04,875 --> 00:09:10,214

Very flat, very, very flat, just like

we did before and then cut across it.

162

00:09:10,635 --> 00:09:12,045

Get that small roll of paint.

163

00:09:13,214 --> 00:09:14,385

Okay, let's go up here.

164

00:09:15,135 --> 00:09:15,375

Now.

165

00:09:15,645 --> 00:09:18,555

You have to make some decisions, which

one of these peaks is a father's delay.

166

00:09:19,454 --> 00:09:20,594

The one that's farthest away.

167

00:09:21,074 --> 00:09:22,064

Let's do it first.

168

00:09:23,475 --> 00:09:25,215

They're just follow

right down the mountain.

169

00:09:25,305 --> 00:09:26,115

No pressure.

170

00:09:27,225 --> 00:09:28,064

Absolutely.

171

00:09:28,064 --> 00:09:31,635

No pressure, no pressure.

172

00:09:34,395 --> 00:09:37,605

All this touching the canvases, that

little roll of paint that's on the night.

173

00:09:39,194 --> 00:09:41,625

And then you begin thinking about

where the light would strike

174

00:09:41,625 --> 00:09:43,185

as it just comes through here.

175

00:09:44,275 --> 00:09:48,045

Some people find it easier to put the

shadow on first, personally, I like to,

176

00:09:48,555 --> 00:09:50,204

I like to put the highlight on first.

177

00:09:50,985 --> 00:09:54,465

And then put the shadow in later,

but either way that works for you.

178

00:09:56,625 --> 00:09:58,965

There are no set from rules and painting.

179

00:09:59,745 --> 00:10:02,825

You find what works for

you, and that's what you do,

180

00:10:08,225 --> 00:10:08,435

man.

181

00:10:08,435 --> 00:10:10,315

You can bring us down

to wherever you want.

182

00:10:11,375 --> 00:10:12,635

You can end up covering your whole.

183

00:10:12,635 --> 00:10:15,755

Ken was with mountains, which

is a super way to practice.

184

00:10:16,830 --> 00:10:20,850

It's going to take some, a little blue and

titanium white we'll mix that together.

185

00:10:21,720 --> 00:10:24,090

And to that, I'm going to add a

small amount of Vandyke Brown.

186

00:10:24,090 --> 00:10:28,350

The Brown is there just to dial it down

and I'm not worried about over mixing

187

00:10:28,350 --> 00:10:30,240

that, just leave it paint marbled.

188

00:10:31,050 --> 00:10:31,290

Okay.

189

00:10:31,380 --> 00:10:33,210

And once again, we'll take

that little roll of paint.

190

00:10:33,210 --> 00:10:39,450

Let's go up here and we'll go in opposite

direction, the opposing direction.

191

00:10:39,540 --> 00:10:45,330

However you want to call it and put

it in some shadows and every shadow.

192

00:10:45,685 --> 00:10:49,454

He needs his own little private highlight

or he won't play, it just disappear

193

00:10:50,645 --> 00:10:55,055

like a dad painted for over 20 years.

194

00:10:55,055 --> 00:10:57,935

And it still excites me to

see these things happen.

195

00:10:59,045 --> 00:11:00,214

It's unbelievable.

196

00:11:00,275 --> 00:11:03,095

I was traditional painter for

many years and I suffered and,

197

00:11:03,785 --> 00:11:07,655

uh, my gosh, what's been weeks

and weeks and weeks on a painting.

198

00:11:09,005 --> 00:11:11,885

And when I got finished, I had

turned it to mud or I was, I

199

00:11:11,885 --> 00:11:13,055

was so tired of looking at it.

200

00:11:13,084 --> 00:11:14,375

I didn't want to paint on it anymore.

201

00:11:15,345 --> 00:11:21,135

And this, this offers you unlimited

freedom, unlimited freedom.

202

00:11:22,575 --> 00:11:27,165

And that's what we're all looking for

a little bit of highlight right there.

203

00:11:28,425 --> 00:11:30,405

Now let's just sort of

bring these together.

204

00:11:30,405 --> 00:11:33,195

Maybe it comes from right here

and just let it just let it

205

00:11:33,195 --> 00:11:36,345

sort of work together, I guess.

206

00:11:36,345 --> 00:11:38,205

So write down

207

00:11:41,235 --> 00:11:42,555

and you can keep adding.

208

00:11:44,055 --> 00:11:49,395

Just wherever you think there should

be a almighty peak where it should be.

209

00:11:55,125 --> 00:11:57,844

And on this series, we've got to

try to, I'm going to, I'm going

210

00:11:57,844 --> 00:11:59,324

to bring in a couple of friends.

211

00:11:59,324 --> 00:12:02,055

I think I'll bring in a couple of

friends and let, to show you some

212

00:12:02,055 --> 00:12:03,854

fantastic things that can be done.

213

00:12:06,525 --> 00:12:10,485

The more people as you see that can

do this, the more you'll understand

214

00:12:10,485 --> 00:12:11,715

it, that you can do it too.

215

00:12:11,865 --> 00:12:16,245

There's no big secret to

it and anybody can do it.

216

00:12:16,245 --> 00:12:17,715

If they're willing to

practice a little bit.

217

00:12:19,695 --> 00:12:21,045

Now we'll take the large brush.

218

00:12:21,075 --> 00:12:22,545

I want to create some myths down here.

219

00:12:23,325 --> 00:12:29,235

So here I'm tapping just lightly tapping

pay particular attention to the angles.

220

00:12:29,325 --> 00:12:32,625

Always follow the angles in your

mountain, and then we'll lift up.

221

00:12:34,229 --> 00:12:41,160

Very lightly lift up and look at that

creates very soft Misty, Misty effects.

222

00:12:42,300 --> 00:12:43,439

Maybe let's play a game.

223

00:12:43,500 --> 00:12:44,520

Let's play a little bit here.

224

00:12:45,030 --> 00:12:50,489

Maybe one of these peaks here show you

how to have to bring your mountain.

225

00:12:51,810 --> 00:12:52,680

Well, I'll tell you what.

226

00:12:54,975 --> 00:12:56,415

We're having such a good time here.

227

00:12:56,475 --> 00:12:57,555

Should we do something else too?

228

00:12:57,555 --> 00:12:58,125

While I'm here?

229

00:12:58,725 --> 00:13:02,115

I'm gonna take a little of a magic weight

and edit right into my titanium white.

230

00:13:02,215 --> 00:13:03,375

So it's a little bit thinner.

231

00:13:04,005 --> 00:13:07,365

One of our golden rules, then

paint will stick to a thick paint.

232

00:13:07,395 --> 00:13:09,855

I want to, I want to put a cloud

coming right across the mountain

233

00:13:09,855 --> 00:13:12,615

there, let it come right across.

234

00:13:13,875 --> 00:13:16,035

You know, these old clouds,

they just sort of drip across a

235

00:13:16,035 --> 00:13:19,635

mountain, so just barely touch it.

236

00:13:19,635 --> 00:13:22,965

And this is a thinner paint and

it'll stick on top of the thick

237

00:13:22,995 --> 00:13:25,185

paint that's already up there.

238

00:13:25,455 --> 00:13:25,665

Okay.

239

00:13:25,665 --> 00:13:31,965

Maybe he's got a little friend that lives

right here and maybe shoot, who knows?

240

00:13:31,965 --> 00:13:33,545

Maybe there's a happy little cloud.

241

00:13:34,365 --> 00:13:38,055

He sorta, maybe he fell out of this

guy and he just floating right down

242

00:13:38,055 --> 00:13:39,375

here at the bottom of this mountain.

243

00:13:40,965 --> 00:13:45,825

And we'll take the big brush and

just blend in the hat in there,

244

00:13:47,085 --> 00:13:52,635

fluff it up, and then very likely

we'll display all this together.

245

00:13:53,415 --> 00:13:55,635

We'll put a happy little cloud right

down at the bottom of the mouth.

246

00:13:57,615 --> 00:13:59,625

And you can put as many of

these in here, as you want.

247

00:14:02,475 --> 00:14:06,795

Maybe tell you what, let's just bring

this one right down in front of the cloud.

248

00:14:07,875 --> 00:14:14,295

And you can just keep adding on and on and

on wherever you want it to go look at that

249

00:14:18,645 --> 00:14:20,775

and we'll drop a happy

little shadow here and there.

250

00:14:21,555 --> 00:14:25,244

See how that shadow makes

it just pop out at you.

251

00:14:25,545 --> 00:14:26,594

That's where it happens.

252

00:14:29,145 --> 00:14:29,355

Hmm.

253

00:14:30,475 --> 00:14:33,825

We could spend the whole show working

on mountains here, but I'm sure I

254

00:14:33,825 --> 00:14:36,345

would want to, we want to look at

some other things, so we'll just

255

00:14:36,345 --> 00:14:40,245

put some best right here, over here.

256

00:14:40,245 --> 00:14:46,275

We follow these ankles, soften

all this up and go from there

257

00:14:49,755 --> 00:14:50,415

and that easy.

258

00:14:50,715 --> 00:14:54,045

Now you can see how this plane

projects out a little mist

259

00:14:54,045 --> 00:14:55,095

in here and the softening.

260

00:14:56,084 --> 00:14:57,285

It just brings it right out

261

00:15:01,545 --> 00:15:03,005

what I'm going to mix up.

262

00:15:03,725 --> 00:15:07,265

We just use the same mountain color

and we'll put some SAP green into it.

263

00:15:07,265 --> 00:15:11,375

So we have blue and Brown,

little alizarin, Crimson, and

264

00:15:11,395 --> 00:15:13,235

a touch of SAP green into it.

265

00:15:16,564 --> 00:15:20,345

Just a little though, clean my knife.

266

00:15:21,645 --> 00:15:24,585

We use the fan brush and I just

quickly lay a little on here.

267

00:15:24,945 --> 00:15:25,095

Now.

268

00:15:25,095 --> 00:15:27,945

I want to have maybe like a little tree

line going up the side of this mountain.

269

00:15:27,945 --> 00:15:32,235

So all I'm doing here with a fan brush is

just touching and you still, still need

270

00:15:32,235 --> 00:15:33,855

to follow the angles in that mountain.

271

00:15:35,385 --> 00:15:40,875

Always follow the angles in that

mountain and that easy, that easy.

272

00:15:40,875 --> 00:15:44,805

You can put a whole forest, nearly

climbing right up the side of the map.

273

00:15:48,305 --> 00:15:48,965

There we go.

274

00:15:49,635 --> 00:15:51,614

And all we're doing is laying

it on with the fan brush.

275

00:15:52,905 --> 00:15:53,775

Just lay it off.

276

00:15:56,395 --> 00:16:00,435

Then we'll take a one inch brush is

clean and dry and very lightly began

277

00:16:00,435 --> 00:16:08,564

lifting straight up, just straight up,

barely go barely, barely touching it.

278

00:16:08,974 --> 00:16:12,915

This softens, it brings

everything together that easy.

279

00:16:16,140 --> 00:16:19,589

You know, it's hard for me to believe

that we're into our fifth series.

280

00:16:20,835 --> 00:16:21,495

Oh, my gosh.

281

00:16:22,545 --> 00:16:27,615

It's you can't believe what wonderful

things it does to my heart to know

282

00:16:27,615 --> 00:16:32,055

that you've allowed me into your

home this many times, and then

283

00:16:32,055 --> 00:16:33,255

you're inviting me back again.

284

00:16:34,875 --> 00:16:37,635

You've literally made a

dream come true all my life.

285

00:16:37,665 --> 00:16:42,615

I have wanted to, to be able

to share my views of nature.

286

00:16:44,675 --> 00:16:45,335

Hello everybody.

287

00:16:46,955 --> 00:16:48,125

And you've allowed me to do it.

288

00:16:48,515 --> 00:16:48,845

And now.

289

00:16:50,130 --> 00:16:51,870

I want to thank you from

the bottom of my heart.

290

00:16:52,140 --> 00:16:53,910

It's very special to me.

291

00:16:56,339 --> 00:16:56,599

Change.

292

00:16:56,599 --> 00:16:57,120

Let's go up here.

293

00:16:57,270 --> 00:16:59,310

Maybe I can hear there's.

294

00:16:59,579 --> 00:17:00,060

There it is.

295

00:17:00,180 --> 00:17:06,659

You can this there some happy little

trees that live way back here, and this

296

00:17:06,659 --> 00:17:09,599

is that same color, same, same color.

297

00:17:15,854 --> 00:17:16,454

There we go.

298

00:17:21,905 --> 00:17:23,194

Now you're looking for as distance.

299

00:17:23,224 --> 00:17:24,514

This two indications here.

300

00:17:24,514 --> 00:17:26,704

We don't want, I don't

want a lot of detail yet.

301

00:17:27,125 --> 00:17:30,485

When things are far away, you

don't see all the detail that

302

00:17:30,485 --> 00:17:31,804

you see when they're close up.

303

00:17:33,165 --> 00:17:37,065

So lack of details of time

can be as important as detail.

304

00:17:39,135 --> 00:17:41,715

Just let these little trees grow

wherever you think they should.

305

00:17:44,745 --> 00:17:49,185

Don't worry about covering up some of this

because it's going to show through and

306

00:17:49,185 --> 00:17:52,035

that's what makes it look real nature.

307

00:17:52,035 --> 00:17:52,965

Doesn't move trees.

308

00:17:52,965 --> 00:17:54,945

Just so it's pretty for you.

309

00:17:56,135 --> 00:17:57,755

They grow wherever it makes them happy.

310

00:18:00,035 --> 00:18:03,245

Very quickly here and just dropping

some happy little things here.

311

00:18:03,425 --> 00:18:04,805

Same color, same color,

312

00:18:12,935 --> 00:18:15,875

same single color, very dark color.

313

00:18:17,495 --> 00:18:19,175

And this fan brush has

a little white on it.

314

00:18:19,175 --> 00:18:20,915

I want to put some little

indications, maybe.

315

00:18:21,655 --> 00:18:23,095

A few little tree trunks back here.

316

00:18:23,095 --> 00:18:25,705

So all I'm doing is

lifting upward slightly.

317

00:18:26,545 --> 00:18:27,115

Very few.

318

00:18:27,175 --> 00:18:28,645

Don't get, don't get crazy.

319

00:18:28,975 --> 00:18:29,965

Don't get too many here.

320

00:18:31,315 --> 00:18:32,635

Just a few, just a few.

321

00:18:32,815 --> 00:18:35,755

And if you get one that's too light,

all you have to do is rub it a little

322

00:18:35,755 --> 00:18:39,535

bit and it'll, it'll pick up that dark

color underneath and it'll go away.

323

00:18:41,025 --> 00:18:41,175

Yeah.

324

00:18:41,185 --> 00:18:42,765

Then let's, let's put some highlight here.

325

00:18:42,765 --> 00:18:46,245

I'm going to start with,

this is cadmium yellow.

326

00:18:46,845 --> 00:18:50,085

Oh, put a little yellow ochre

into it and some SAP green.

327

00:18:50,115 --> 00:18:54,135

And we'll just mix these right on the

fan brush a lot of pain in the brush,

328

00:18:54,585 --> 00:18:59,955

a lot of pain just work at brush, but

you can see all the layers of color.

329

00:19:00,375 --> 00:19:03,285

And when you mix on the brush, you

get all these different layers.

330

00:19:03,285 --> 00:19:06,495

You don't have one flat old,

dead color, and we're looking

331

00:19:06,495 --> 00:19:07,635

for a bright, shiny color.

332

00:19:08,715 --> 00:19:09,015

Okay.

333

00:19:09,375 --> 00:19:11,265

How we touch and push, bend up.

334

00:19:12,645 --> 00:19:14,055

Just bend that brush upward.

335

00:19:14,850 --> 00:19:17,729

You see how that's it, touch

it, push it and bend it.

336

00:19:18,270 --> 00:19:25,229

And that makes all those little grassy

things me back here in the distance far,

337

00:19:25,229 --> 00:19:29,310

far away, maybe there's, maybe it comes

right down through wherever you want it.

338

00:19:29,370 --> 00:19:30,000

There it goes.

339

00:19:31,500 --> 00:19:33,750

There it goes right through there.

340

00:19:38,610 --> 00:19:41,639

Can you just sort of make these little

paintings up in your mind as you go along?

341

00:19:42,690 --> 00:19:43,440

And let them happen.

342

00:19:44,040 --> 00:19:45,270

And I want some reflections on there.

343

00:19:45,270 --> 00:19:48,990

So I'm going to touch the small,

small amount of the halo blue.

344

00:19:49,380 --> 00:19:53,730

I want the reflections to have a little

more blue cast to them and Coretta period.

345

00:19:53,730 --> 00:19:55,350

I don't know, pick up a

little bit of the color.

346

00:19:56,040 --> 00:19:58,919

And it's going to mix with the blue and

all of it's going to mix with a magic,

347

00:19:58,919 --> 00:20:02,100

quite an instant, instant reflections.

348

00:20:03,000 --> 00:20:06,300

This may be one of the most fantastic

things that happens in this technique

349

00:20:07,379 --> 00:20:12,239

is some of the most spectacular

reflections are imaginable and it's easy.

350

00:20:13,080 --> 00:20:13,739

So easy.

351

00:20:15,510 --> 00:20:16,050

There we go.

352

00:20:17,879 --> 00:20:24,120

And then very likely go across this will

give it a, a watery appearance that easy.

353

00:20:26,355 --> 00:20:28,425

Now then maybe there's

some stones back here.

354

00:20:28,425 --> 00:20:34,035

So let's take some burn number and I'll

use yellow ochre, yellow ochre, and burn

355

00:20:35,265 --> 00:20:37,185

a little titanium white in there too.

356

00:20:37,485 --> 00:20:40,785

What the heck, that'll

be your highlight color.

357

00:20:41,655 --> 00:20:46,305

And then we can start with just straight

Vandyke Brown and put in our base color.

358

00:20:46,405 --> 00:20:48,615

We'll just drop into

some happy little things.

359

00:20:53,365 --> 00:20:55,615

I'm happy painting.

360

00:20:55,715 --> 00:20:56,965

Painting should make you happy.

361

00:20:57,415 --> 00:21:03,745

Should bring a song to your heart, make

you appreciate life, all the beautiful

362

00:21:03,745 --> 00:21:05,155

things that are happening around you.

363

00:21:06,145 --> 00:21:09,985

Take time to take time, to look

at nature, to appreciate it.

364

00:21:10,345 --> 00:21:15,715

Sometimes we, we look at it every day and

we, we have a tendency to overlook it.

365

00:21:16,855 --> 00:21:17,005

Okay.

366

00:21:17,005 --> 00:21:21,205

This is that highlight color, yellow ochre

burn number and a little titanium white.

367

00:21:23,040 --> 00:21:25,830

See, and you get all these things

because you don't, overmix your pain.

368

00:21:25,860 --> 00:21:27,570

Let it, let it happen.

369

00:21:27,810 --> 00:21:28,710

Don't fight it.

370

00:21:30,420 --> 00:21:31,500

That's what it's all about.

371

00:21:33,360 --> 00:21:34,170

Just relax.

372

00:21:35,280 --> 00:21:38,220

Be calm, peaceful, and let it go.

373

00:21:40,170 --> 00:21:40,410

Okay.

374

00:21:40,410 --> 00:21:45,870

Now then I will take, and let's

just drop in some little grassy

375

00:21:45,870 --> 00:21:47,970

areas coming right down through

there, wherever you want them.

376

00:21:49,650 --> 00:21:56,250

Okay, here are a few and that sorta

just ties it all together and now use

377

00:21:56,250 --> 00:21:58,470

a little of the magic quite very thin.

378

00:21:59,210 --> 00:22:01,410

It will drop in a happy

little water line back here.

379

00:22:05,535 --> 00:22:10,185

And the beauty of this beauty of this

technique is right in the middle of it.

380

00:22:10,185 --> 00:22:12,525

You can, you can change your mind.

381

00:22:12,525 --> 00:22:16,485

You can redesign paintings

because this is your world.

382

00:22:17,395 --> 00:22:19,545

You can do anything that you

want to do in this world.

383

00:22:21,615 --> 00:22:23,265

And anything that you want to do

384

00:22:27,415 --> 00:22:27,885

real quick.

385

00:22:29,730 --> 00:22:30,000

Okay.

386

00:22:30,060 --> 00:22:33,970

A little bit of magic, white metal

titanium, white, maybe who knows?

387

00:22:34,040 --> 00:22:34,350

I don't know.

388

00:22:35,940 --> 00:22:39,600

Maybe back here, it's just a

little indication there it is.

389

00:22:39,810 --> 00:22:40,440

Look at that.

390

00:22:40,680 --> 00:22:44,670

Look at that a little stream lives

right there and just, it drops right

391

00:22:44,670 --> 00:22:49,710

in here and let some water right into

our painting right into her painting.

392

00:22:51,510 --> 00:22:54,090

A few little happy grassy

things and that easy.

393

00:22:54,900 --> 00:22:54,990

Okay.

394

00:22:55,755 --> 00:22:56,505

And that easy.

395

00:22:56,565 --> 00:23:00,105

You can just put your happy little

stream, little foam here where it's

396

00:23:00,675 --> 00:23:03,945

coming out into this river or Lake or

pond or whatever you want it to be.

397

00:23:05,805 --> 00:23:06,285

Okay.

398

00:23:06,345 --> 00:23:09,885

Now we can, we can get over here into

the foreground and really have some fun.

399

00:23:10,725 --> 00:23:12,435

So I'm going to take all

the dark colors that I got.

400

00:23:12,435 --> 00:23:14,325

There's Brown, blue.

401

00:23:15,045 --> 00:23:20,325

Oh, there's some Crimson, big GABA

SAP green big thing is that it's dark.

402

00:23:20,835 --> 00:23:21,165

Okay.

403

00:23:21,225 --> 00:23:22,455

Let me get a big brush here.

404

00:23:24,524 --> 00:23:27,405

And I'll just use this old dirty

brush and we'll go right up into

405

00:23:27,405 --> 00:23:31,665

the, this color, wiggle that brush,

wiggle, wiggle, wiggle that brush.

406

00:23:32,175 --> 00:23:34,335

Bring it to a nice, sharp, sharp edge.

407

00:23:35,295 --> 00:23:36,175

See if you can see that.

408

00:23:36,225 --> 00:23:39,315

See very nice sharp chisel edge.

409

00:23:39,345 --> 00:23:42,524

Let's go up here now,

right here in my world.

410

00:23:42,524 --> 00:23:46,605

Their lives they're certainly

better than they are now.

411

00:23:46,995 --> 00:23:48,225

A big evergreen tree.

412

00:23:49,485 --> 00:23:51,105

And he just lives right in this brush.

413

00:23:51,135 --> 00:23:55,335

And all you do is just go back

and forth and push him out.

414

00:23:56,294 --> 00:24:02,355

And I was pushing him out and here

he comes, he comes, don't be afraid

415

00:24:02,355 --> 00:24:03,615

of this brush because it's big.

416

00:24:03,645 --> 00:24:08,325

It will do absolutely

fantastic things right here.

417

00:24:08,325 --> 00:24:11,355

There's a little Bush in a

tree and it comes right across.

418

00:24:13,650 --> 00:24:14,460

Wherever you want it.

419

00:24:16,710 --> 00:24:18,120

We'll just fill all this stuff with dark.

420

00:24:18,120 --> 00:24:23,220

You need the dark in order for you to like

to show you can't have light without dark.

421

00:24:25,260 --> 00:24:29,430

No, it's just like, it's just like

in life, you can't no happiness.

422

00:24:29,970 --> 00:24:31,560

Unless you've done a little bit of sorrow.

423

00:24:33,000 --> 00:24:36,510

So the good Lord gives us all a

little bit of sorrow so we can,

424

00:24:37,890 --> 00:24:39,150

so we can know the happiness.

425

00:24:39,150 --> 00:24:44,840

When it comes three trucks,

that'll burn number two.

426

00:24:45,060 --> 00:24:49,560

There we that'll highlight color

misses, little yellow ochre.

427

00:24:50,640 --> 00:24:50,730

Okay.

428

00:24:51,629 --> 00:24:58,140

Okay, I'm going to take a one inch

brush, a little paint, thinner to thin

429

00:24:58,140 --> 00:25:03,810

the paint SAP green and yellow, and must

just very quickly here dropping some

430

00:25:03,810 --> 00:25:06,900

little indications of a few highlights.

431

00:25:07,470 --> 00:25:11,480

Just a few indications, darker,

darker, darker as I go down here.

432

00:25:12,945 --> 00:25:13,185

Okay.

433

00:25:13,455 --> 00:25:17,295

Now, if your paint, if you have

trouble making it stick, add a little

434

00:25:17,295 --> 00:25:19,365

bit of paint in or a magic white.

435

00:25:19,425 --> 00:25:20,355

I don't think you paint.

436

00:25:21,285 --> 00:25:21,855

There we go.

437

00:25:21,915 --> 00:25:23,595

Drop in a happy little Bush right there.

438

00:25:24,225 --> 00:25:25,845

It's a sad green CAD yellow.

439

00:25:27,475 --> 00:25:30,045

Just drop them in wherever

you want them to your world.

440

00:25:30,105 --> 00:25:33,975

Tell you what on add a small

amount of Indian, yellow.

441

00:25:35,850 --> 00:25:37,770

Yellow ochre and some permanent red hair.

442

00:25:37,770 --> 00:25:44,820

I want one that shines right

here, just like so, and I

443

00:25:44,820 --> 00:25:46,710

really hope you've enjoyed this.

444

00:25:47,940 --> 00:25:48,870

So a lot of fun.

445

00:25:49,020 --> 00:25:51,480

I hope to see you every week here with us.

446

00:25:53,010 --> 00:25:56,310

And we'll teach you some of the most

fantastic and easy paintings you've

447

00:25:56,310 --> 00:25:58,440

ever seen, and they're very effective.

448

00:25:58,440 --> 00:25:59,280

They'll make you happy.

449

00:26:00,090 --> 00:26:01,980

Your friends will never

believe you've done them.

450

00:26:05,070 --> 00:26:05,640

Okay.

451

00:26:05,640 --> 00:26:08,040

Now we're just clean knife here.

452

00:26:08,610 --> 00:26:12,210

You can drop in a few little

sticks and twigs easy wherever

453

00:26:12,210 --> 00:26:13,110

you think they should be.

454

00:26:14,250 --> 00:26:15,030

Just drop them in.

455

00:26:18,840 --> 00:26:20,670

And I think we have a finished painting.

456

00:26:21,630 --> 00:26:23,610

And with that, we'll stop here.

457

00:26:23,880 --> 00:26:25,950

I'd like to wish each and every

one of you happy painting.

458

00:26:26,130 --> 00:26:27,660

I look forward to seeing you next week.

459

00:26:27,960 --> 00:26:28,320

Goodbye.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 24, 2020

S05E03 - Mountain Blossoms

Bob Ross's

The Joy of Painting

S05E02 - Twilight Meadow

Bob Ross's

The Joy of Painting

S05E01 - Mountain Waterfall

Bob Ross's

The Joy of Painting

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