Bob Ross's

The Joy of Painting

S25E04 - Splashes Of Autumn

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Hi, welcome back.

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Certainly glad you could join us

today because today I thought we'd

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do a fantastic little painting that I

believe you're really going to enjoy.

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We've got a lot of letters in the

past asking how to use the liquid

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clear and this series, I've devoted

a lot of the paintings to the use of

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liquid clear, and today's one of them.

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So let's start out and have him run

all the colors across the screen

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that you need to paint along with us.

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And then come on up here.

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Let me show you what

we've got done already.

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This is a crazy looking canvas.

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I took a Plano 18 by 24 inch

pre-stretch canvas, but you

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use any size that you want.

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And I took a little white Jesso with

acrylic paint and I mixed the, the

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acrylic paint with white Jesso and

just sorta took a little foam brush

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and just gobbed color here and there.

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And I use nothing but CAD yellow.

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And lizard and Crimson, and I put the

white Jesso in there to dilute it.

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So it's not too strong.

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And with that, we've just painted

little splotches of color, yellow

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and Crimson all over the canvas.

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Then I've allowed that to dry completely.

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Then we've taken after that was dry.

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Be sure that's dry.

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We've taken black Jesso and I used a

sponge and just tapped on all these

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little shapes with black Jesso.

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And then we've allowed

that to dry completely.

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So we have black Jesso and then we have

the colored acrylic back here after

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all of this was good and dry, then

we've covered the entire canvas with

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a very thin, let me say that again.

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Thin coat of liquid clear.

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And it's all ready to go.

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And I think you're

going to enjoy this one.

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It's just, it's just a fun, little pain

and gonna make you feel good in here.

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Let's start out the day.

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We'll use a little tiny

two-inch brush here.

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It was already into a small

amount of the theolo blue.

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We need very, very little color because

there's nothing on the canvas, but

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liquid clear, very, very little color.

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See there.

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There's almost none on the brush.

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Okay, let's go up in here and let's

start with a little bit of that blue

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into your ass begin, putting in the

indication of a gorgeous little sky.

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Something about like, so, and

we'll even put it back up in here.

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I'm going to have some big trees up here,

but maybe some of this will show through.

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So go ahead and put a little in here too.

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We're just using little

crisscross strokes, little Xs.

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This is just the way that the teacher

used to grade my paper in school, man.

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She just go across it

and do Xs everywhere.

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Now, if this was, if this was a dry.

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Or if this was a wet canvas, I'm sorry.

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And it had yellow one to here.

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And you put this blue on it.

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You would have a bright

green sky immediately.

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And we don't want, yeah, not today.

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Anyway, not today, maybe

sometimes, but not today.

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A little more of the blue

because of the acrylics.

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Dry back there.

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You can put this blue over it

without getting the bright green.

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It'll have a little greenish hue,

but nothing like you would get, if

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it was, if it was both wet, maybe

I'll take just a least little touch.

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You.

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A little dark Sienna, a little

bit of a lizard Crimson.

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Once again, though, we're using

almost no paint, no paint.

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And I put a little touch of that, right?

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Devin here.

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Some of those colors that we we put

on with acrylic will end up showing

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through when the paintings finished.

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And I thought today we'd do something

that makes the background of this

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look almost like a water color.

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Very soft and Misty and watercolor

has sorta of a flowy look to it.

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It just flows, but this is, this is the

oils and this is a permanent medium.

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They're

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not easy.

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We have some gorgeous little

colors happening back here.

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Now watch, let's go into colors, like all

that, a little bit of the dark Sienna.

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I'll be right back right back.

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Let me get a little yellow ochre

and mix right in there with it.

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Once again, I keep saying

this and it's important.

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Once again, there is very,

very little paint on the brush.

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I'm just tapping the top corner

of the brush right in there.

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Okay.

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Now they might go up here and we'll

begin picking out little individuals.

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Shapes.

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I'm not looking for a lot of detail.

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This is back to the distance.

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We're just looking for

basic little shapes.

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There we go.

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Little things that live all back here.

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So there's a little, little touch of

Crimson dark seat, and, uh, we're going to

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hit a little Bandag Brown once in a while.

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I'm just going to vary

these colors back and forth.

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And all we're using is the top

corner of this big old two-inch

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brush something about like, A little

more of the yellow ochre here in

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there just to create variations.

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Okay.

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I'm going to work in

layers on this painting.

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I'm going to take, going to take a

fan brush and dip it in paint thinner,

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and then shake off the excess.

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Just shake it off.

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And we go right up here

and you can use your knife.

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I'm just going to use the palette,

but you could use a knife to flick and

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I'm going to flick that paint thinner.

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And the liquid clear have violent

reactions, gorgeous little effects.

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Can you see what's

happening right in there?

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And sometimes it'll take a

minute or two for it to come

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up, but you'll get little spots.

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It's just so pretty.

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Look at that.

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Hmm.

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And it's so simple.

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Now let's take, I'll use a little

bit, the Indian, yellow, it's a

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very transparent yellow, and I'm

going to start on another layer.

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I want it to look sort of like

maybe like there's light coming

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through here when this is done and

this acrylic color underneath will

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cause that to happen automatically.

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There we go at work all up in here.

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I'm gonna take a little

script liner brush.

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We'll take a little dark Sienna,

a little paint thinner here.

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I couldn't make the paint

very thin, very thin.

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Turn the bristles in there.

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Turn it that loads it full of color.

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Turn it.

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All right, let's go up in here.

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Now with that, we can come back in here

and put the indication of some little.

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Little sticks and twigs and all

these little things that are

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happening back here in the woods.

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Sarah, I don't want these to be too dark.

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I want them to stay.

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We back in the distance.

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There we go.

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But just all kinds of little

things that live in the woods here.

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Maybe if I pulled down,

it'd be easier to see.

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But you got all kinds of little trees

and sticks and just happy little things

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that live back in here, something about

like, so tell you what, that's fun.

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I'll do some more of that.

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Let's take a little bit, I'm going to

even get into a little black Knight

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and then maybe even a little bit of

pressure and blue, but I'm just happy.

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Just happy.

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Let's go back up in here.

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Come on tap then maybe another

little, little thing that lives

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right here, but see all these

things you did with the black.

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So they ended up looking like thousands,

a little leaves and little details

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that are, that are in your painting.

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And people will just go crazy

trying to figure out how you,

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how you accomplished all of that.

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There we go.

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And it's so simple.

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This black Jessa was one of the neatest

things that we were able to come up with.

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It really works and it makes

painting so much easier.

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And you use it in combination with

the liquid clear and it creates

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gorgeous, gorgeous effects.

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There we go.

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Add little alizarin Crimson

in there to warm it up.

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Some, maybe a little tattoo there.

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You got an ochre here and

there and back to my fan brush.

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Paint thinner, shake off the excess.

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And we'll just flick it a little bit.

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Once again, I want to create that

illusion of little dots and it looks

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like little, little leaves and things

that are happening all back in there.

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And people will be amazed

at how you did this.

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Yeah.

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See, and you can see all

that just happening in there.

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All right.

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And maybe there's some, maybe there's

some nice reflections in here.

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Let's take the least, little

bit titanium white up a little.

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Say that again.

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A little bit of dark

CNN, and I just want to.

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Maybe there's a little happy little

pond that lives right out here.

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There's still very, very

little color on the brush.

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You put too much of the

titanium, white it's opaque.

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It's going to cover up all of

these and I don't want to lose him.

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I don't want to lose them.

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They're too precious.

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They make you paint and gorgeous.

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Let's add a little touch of that.

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They look blue to that.

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Just to give it a little old.

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I like it better.

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It looks like transparent water now.

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So there's a little titanium

fight a little, and I get tired

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of hearing the word little butter.

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I don't know any other way to express

how small amount it is a little bit.

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They love blue.

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You begin to see how transparent it is

and you can see through it just like that.

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Then we can sort of come

back for their same colors.

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Okay.

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And we can tap into indication of

some little reflections in this much.

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Don't want a lot, not much, just a few

little things in here about like so little

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touch of the yellow air and there just to

create the illusion, some reflections, I'm

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just knocking off the excess paint there.

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Okay, we'll pull it down.

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There we are.

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Okay.

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And then very lightly,

we'll just go across

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and you can see right

through that water already.

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A little touch of the Vandyke,

mix it with a little dark CN.

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We'll just mix them together right here.

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And let's begin thinking, pick

up a little roller pate, right

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on the edge of the knife.

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Let's begin thinking of some landmass

that lives back here that all

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these little things are snipped.

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They have to have a place to stay.

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So they're staying out here

on this, something like that.

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Maybe, maybe a little here, maybe

this goes back behind there.

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We don't know where it goes.

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We don't care where it goes.

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Make a happy little pond out

of that, that easy, that easy.

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We'll take a little Crimson,

maybe a little yellow ochre.

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Mix it together with some

white little dark Sienna.

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Ooh, that's beautiful.

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Little roll of paint.

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Then we can go back up

here and very lightly.

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I want to just put the indication of a

little highlight here and there on that.

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Yeah.

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Something like, so don't

want a lot of highlight.

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This is too far away, much too far away.

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It just, I'm just going to take the

knife and sort of fuzzy them up in there.

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So they just disappear.

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Just up and down clean night and that

just sort of fuzzes the edges away.

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And with there liner brush, we can go back

at a few more little sticks that come off.

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These land areas, it'll

help bring it all together.

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And in the woods you always have a lot

of little sticks and twigs and little

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things that grow right along in here.

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That's where all the

little animals live there.

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Everywhere.

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I go.

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Now, people ask me about Pete

pod, the pocket squirrel.

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You saw him in some of the

earlier series and pea pod.

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I think I might've mentioned before.

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He's grown up.

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We've turned him loose and he's got

his own family now and a little condo

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in Miami BMW car payment server month.

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Same thing we all have

to, if I don't have a BMW.

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There let's take a little

bit of the liquid fight.

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I'll put the least little touch of bright

red in just enough to warm it up a little.

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Don't want to set it on fire,

just warm it up and very lightly.

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We'll go in here and we put the indication

about some new water lines in here.

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Something like so little more paint there.

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Add a little touch to that.

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They look blue in there.

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I want to give it a little, little

variation here and there something

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like, so just sort of bury these

colors, however you want it.

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Let's say, now you can

see under the water,

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see all those things that

are underneath there.

246

00:14:05,025 --> 00:14:08,704

That's very hard to accomplish

sometime, but using the, the

247

00:14:08,714 --> 00:14:12,104

acrylic in the background and the

black Jesso, it's very simple.

248

00:14:12,135 --> 00:14:15,495

You can do it, even if you've

never painted a painting like this,

249

00:14:17,775 --> 00:14:20,234

there is something about like, so.

250

00:14:21,960 --> 00:14:26,940

And when you stand back and look at them,

I see just an absolute perfect place here.

251

00:14:27,780 --> 00:14:30,120

I'm just pulling that up a

little on the fuzzy edges out.

252

00:14:32,130 --> 00:14:32,850

Perfect place.

253

00:14:32,850 --> 00:14:33,060

Right?

254

00:14:33,410 --> 00:14:34,170

I got to do this.

255

00:14:34,500 --> 00:14:35,580

Sometimes you get excited.

256

00:14:35,580 --> 00:14:36,780

You see things in paintings.

257

00:14:36,780 --> 00:14:39,780

Let's take a little bit of the

liquid white, mix it with a

258

00:14:39,780 --> 00:14:41,190

small amount of titanium white.

259

00:14:41,580 --> 00:14:44,190

I put the liquid white in

there only to thin the paint.

260

00:14:44,360 --> 00:14:45,000

Be right back.

261

00:14:45,030 --> 00:14:45,900

Get a little touch of that.

262

00:14:45,900 --> 00:14:46,500

They look blue.

263

00:14:47,010 --> 00:14:47,700

Oh, that's pretty.

264

00:14:48,030 --> 00:14:48,780

Just a little though.

265

00:14:49,710 --> 00:14:51,060

Now this paints a little thinner.

266

00:14:52,050 --> 00:14:53,490

Than what we've already put on the canvas.

267

00:14:53,490 --> 00:14:54,420

So it should flow on there.

268

00:14:54,420 --> 00:14:57,150

Let's go up and see maybe in our world.

269

00:14:57,390 --> 00:14:58,800

Water's just having a good time.

270

00:14:58,800 --> 00:15:03,890

Playing along here, comes over and says,

flute just fell right over the edge.

271

00:15:05,209 --> 00:15:05,660

Look at that.

272

00:15:07,280 --> 00:15:10,340

It just fell right over and over on

this side, maybe it's coming around.

273

00:15:10,880 --> 00:15:12,199

Just make up little stories.

274

00:15:12,740 --> 00:15:15,740

So you think about the water

just running through there and

275

00:15:15,740 --> 00:15:17,150

playing, having a good time.

276

00:15:18,470 --> 00:15:20,660

And all of a sudden, somebody

pulled a stopper out.

277

00:15:21,045 --> 00:15:25,185

And it fell red off and we can take

the brush, give it a little upward

278

00:15:25,185 --> 00:15:32,354

push, make a little splash here and

there water's coming out through here.

279

00:15:32,954 --> 00:15:36,464

It had a little more of the blue, the air.

280

00:15:38,655 --> 00:15:44,805

Just let all these little things just

sort of happen to sort of happen there.

281

00:15:47,895 --> 00:15:49,604

Just want to graze the surface here.

282

00:15:51,824 --> 00:15:52,454

There we go.

283

00:15:52,515 --> 00:15:54,285

This is getting darker

and darker back here.

284

00:15:54,285 --> 00:15:55,485

It's going to be in the shadows.

285

00:15:55,485 --> 00:16:00,015

I think when we get finished, let's put

something up here to contain all this.

286

00:16:00,084 --> 00:16:02,805

We want all this water just to

be standing up here in space.

287

00:16:02,805 --> 00:16:11,115

So maybe, maybe in our world their lives,

maybe there's a great big old rocket lives

288

00:16:11,115 --> 00:16:12,974

right out here in front of the waterfall.

289

00:16:13,305 --> 00:16:14,235

Maybe it comes back.

290

00:16:14,535 --> 00:16:14,985

I can't.

291

00:16:16,485 --> 00:16:18,795

Big old rock would just feel

that it would Vandyke Brown,

292

00:16:19,785 --> 00:16:23,685

all those good colors there.

293

00:16:25,875 --> 00:16:30,185

And we'll take a little touch of

Brown and white and very gently here.

294

00:16:30,255 --> 00:16:32,475

Just going to let that work its way down.

295

00:16:33,855 --> 00:16:34,695

Barely touching.

296

00:16:36,645 --> 00:16:37,275

There we go.

297

00:16:38,685 --> 00:16:42,045

Something like, so there's not

a lot of color here because I

298

00:16:42,045 --> 00:16:43,245

want this to be pretty dark.

299

00:16:43,245 --> 00:16:47,865

And in the shadows, I had a little

bright red there that there.

300

00:16:47,985 --> 00:16:48,675

Ooh, I like that.

301

00:16:48,675 --> 00:16:49,275

Even better.

302

00:16:51,585 --> 00:16:56,355

Something like, so maybe

shoot bravery test.

303

00:16:57,375 --> 00:17:01,335

Maybe, maybe, maybe, maybe

we'll have a big old tree.

304

00:17:01,335 --> 00:17:02,475

It lives right here.

305

00:17:03,645 --> 00:17:05,895

So we just take the back and put

a big old tree trunk in there.

306

00:17:05,895 --> 00:17:07,095

This just fan Dyke Brown.

307

00:17:09,615 --> 00:17:11,325

We don't have a big old tree.

308

00:17:11,474 --> 00:17:16,155

This is such a gorgeous place, old

treed, one live right in there somewhere.

309

00:17:18,194 --> 00:17:20,444

Take a little bit of that Brown

and white color that we have.

310

00:17:21,625 --> 00:17:25,035

I'm just going to touch and sort

of let it bounce as it goes around.

311

00:17:26,355 --> 00:17:27,435

Excuse my arm there.

312

00:17:29,774 --> 00:17:33,675

Just touch it and let

it just sorta appear.

313

00:17:33,705 --> 00:17:36,225

Maybe it will be in the leaves and

it'll be in more than just shadows.

314

00:17:42,060 --> 00:17:44,850

You can just bank big old trees

using nothing, but the knife effect,

315

00:17:44,850 --> 00:17:49,440

you can do entire paintings using

nothing, but the knife, there we go.

316

00:17:50,520 --> 00:17:53,879

Maybe, maybe there's an arm.

317

00:17:53,879 --> 00:17:59,670

It lives right up in here, there,

but a little highlight on here

318

00:18:00,900 --> 00:18:02,220

just to know, so you can see them.

319

00:18:02,220 --> 00:18:02,460

Good.

320

00:18:04,950 --> 00:18:05,490

All right.

321

00:18:06,150 --> 00:18:08,610

Let's see already that black Jessa

was beginning to give the impression

322

00:18:08,610 --> 00:18:11,670

of leaves behind a tree and had it.

323

00:18:12,660 --> 00:18:13,380

Let's go over here.

324

00:18:13,920 --> 00:18:15,660

On the other side, we have to contain it.

325

00:18:15,810 --> 00:18:20,940

Maybe it comes out, um, to like cat.

326

00:18:23,430 --> 00:18:23,910

We don't know.

327

00:18:23,940 --> 00:18:24,660

However you want it.

328

00:18:25,890 --> 00:18:27,130

Just putting some dark colored in.

329

00:18:27,180 --> 00:18:29,400

We don't need much dark

color because of the Jesso.

330

00:18:29,400 --> 00:18:30,450

Once again, the black chest.

331

00:18:30,450 --> 00:18:33,900

So gives you those dark

values almost automatically.

332

00:18:36,044 --> 00:18:38,625

They're all kinds of things.

333

00:18:39,975 --> 00:18:41,655

Let's put some leaves

on our tree for that.

334

00:18:41,655 --> 00:18:48,105

And I'm going to use some blacks,

Prussian blue, maybe a little Brown

335

00:18:48,105 --> 00:18:51,584

and Crimson, mainly good dark colors.

336

00:18:52,365 --> 00:18:53,415

Just tap like that.

337

00:18:54,375 --> 00:18:58,245

And we'll put, but just put some base

color into here, just here and there.

338

00:18:59,445 --> 00:19:03,405

And we'll come back and we'll put

some nice highlights, just all

339

00:19:03,405 --> 00:19:04,754

kinds of beautiful little things.

340

00:19:06,115 --> 00:19:09,014

All we're doing right now is just

filling in some of the base color.

341

00:19:13,034 --> 00:19:15,225

There would probably get to

go in this, have some on the

342

00:19:15,225 --> 00:19:16,304

other side, over here too.

343

00:19:18,540 --> 00:19:21,030

I want to try to leave some

openings in here possible so you

344

00:19:21,030 --> 00:19:22,410

can see the sky through there.

345

00:19:22,410 --> 00:19:24,960

I think it's very pretty

and it looks natural.

346

00:19:25,050 --> 00:19:25,730

It looks real.

347

00:19:27,540 --> 00:19:32,250

Don't want to kill them off,

but if you do, it's no big deal.

348

00:19:33,030 --> 00:19:34,860

Your tree is just a

little thicker than mine.

349

00:19:36,120 --> 00:19:37,590

Maybe it's bigger and stronger

350

00:19:41,370 --> 00:19:43,410

and then put some

highlights on there today.

351

00:19:43,410 --> 00:19:45,690

Let's use, let's use

that little oval brush.

352

00:19:47,100 --> 00:19:52,860

Take a little bit of the set green,

a little bit of yellow there,

353

00:19:53,420 --> 00:19:54,840

yellow ochre, some Indian yellow.

354

00:19:55,110 --> 00:19:56,820

Nandana I'm going to touch the bright red.

355

00:19:58,020 --> 00:19:59,100

Maybe I'll put a little black in there.

356

00:19:59,100 --> 00:20:01,530

I want to dull it down

something that's nice.

357

00:20:02,850 --> 00:20:04,920

See load a little color right in there.

358

00:20:05,070 --> 00:20:05,850

Let's go up in here.

359

00:20:06,720 --> 00:20:09,330

And this little oval brush

makes gorgeous little.

360

00:20:10,800 --> 00:20:12,240

Little leaf shapes in your tree.

361

00:20:12,270 --> 00:20:15,570

Very easy, even if you've never painted

leaves or if you're having trouble with

362

00:20:15,570 --> 00:20:18,660

them, this little rascal makes it simple.

363

00:20:19,860 --> 00:20:21,450

Just think about shape and form.

364

00:20:21,480 --> 00:20:26,400

Don't just throw them on at random, no

matter how well the brush works, you still

365

00:20:26,400 --> 00:20:30,390

have to think of a basic shape there.

366

00:20:33,240 --> 00:20:34,050

All right.

367

00:20:36,680 --> 00:20:41,510

I like paintings like this reminds

me of the places back in the woods.

368

00:20:43,820 --> 00:20:48,080

And I like to go back in places like

this with a camera and set real steel

369

00:20:48,080 --> 00:20:52,490

and a little animals come out and

you'd be surprised how many animals you

370

00:20:52,490 --> 00:20:54,500

can see if you just talk very softly.

371

00:20:54,840 --> 00:20:58,110

And remain very still let's go

on the other side over here.

372

00:20:58,710 --> 00:21:03,810

They'll come out and talk to you

a lot of times now, can we get

373

00:21:03,810 --> 00:21:07,050

an understanding of, uh, you may

be in a little trouble there, but

374

00:21:10,830 --> 00:21:14,790

they're okay.

375

00:21:17,460 --> 00:21:18,510

But isn't that fantastic?

376

00:21:18,510 --> 00:21:19,530

What that old brush will do?

377

00:21:22,340 --> 00:21:24,360

I'll just tap all these

little things in here.

378

00:21:25,590 --> 00:21:26,939

Think about little shapes though.

379

00:21:27,000 --> 00:21:28,620

Once again, don't just hit it.

380

00:21:28,620 --> 00:21:40,399

Random donated random pair, maybe down

like so we can put the indication here

381

00:21:40,409 --> 00:21:45,179

and there have a few little trunks and

sticks that we can see back in here.

382

00:21:45,179 --> 00:21:48,300

We don't want a whole lot

just where you think you might

383

00:21:48,300 --> 00:21:49,590

be able to see a few things.

384

00:21:50,850 --> 00:22:00,210

Wherever, this is just a little dark CNO

thanked than her in it there, but all

385

00:22:00,210 --> 00:22:01,740

kinds of little things that live in there.

386

00:22:03,120 --> 00:22:05,010

Let's go on the other side

and put some over here too.

387

00:22:05,040 --> 00:22:06,389

We don't want this left out.

388

00:22:06,419 --> 00:22:09,659

Cause he was all kind of all kind

of little doers back in here.

389

00:22:11,340 --> 00:22:11,760

All right.

390

00:22:11,760 --> 00:22:13,020

Let's take a one inch brush.

391

00:22:13,139 --> 00:22:16,470

I'm going to dip it into a

little bit of the liquid white.

392

00:22:16,500 --> 00:22:19,919

We'll go through some,

we'll go through some caddy.

393

00:22:19,919 --> 00:22:20,590

I'll be right back.

394

00:22:20,620 --> 00:22:25,230

Get some SAP green in there,

pull it in the one direction.

395

00:22:25,530 --> 00:22:27,060

Loaded, full of paint.

396

00:22:27,330 --> 00:22:28,169

Let's go up in here.

397

00:22:29,000 --> 00:22:33,470

Now, maybe in our world, their lives,

all kinds of little bushes and trees

398

00:22:33,470 --> 00:22:38,840

and things back in here, just all

kinds of numerous little happy things.

399

00:22:39,560 --> 00:22:47,390

There they come, they come sometimes

it's fun just to take the old brush

400

00:22:47,390 --> 00:22:53,120

and go side where it's here and you can

begin putting in layers of little grassy

401

00:22:53,120 --> 00:22:55,610

areas that are more of the yellow ochre.

402

00:23:00,960 --> 00:23:03,570

So you don't need anything because

the black Jessel's back here, you

403

00:23:03,570 --> 00:23:04,740

already have your dark colors.

404

00:23:04,740 --> 00:23:09,810

Maybe that climbs right up the Hill

and places, something about like, so,

405

00:23:12,270 --> 00:23:15,030

and maybe there's a have right there.

406

00:23:15,330 --> 00:23:15,610

St.

407

00:23:15,630 --> 00:23:18,660

I'll have another little

bump, little Brown and white.

408

00:23:20,445 --> 00:23:21,375

Give it a little highlight.

409

00:23:21,375 --> 00:23:26,895

So it looks like there's a little,

little dirt showing right there and

410

00:23:26,895 --> 00:23:30,555

we can go back and pop in a couple of

more little bushes that live in there,

411

00:23:33,645 --> 00:23:36,915

but it helps create the illusion of a lot

of distance and depth in your painting.

412

00:23:38,235 --> 00:23:39,705

I'm gonna take a little

black in that yellow.

413

00:23:39,705 --> 00:23:41,085

It makes a nice green color.

414

00:23:41,385 --> 00:23:42,345

Come right in here.

415

00:23:43,935 --> 00:23:45,495

I didn't all kinds of little bushes.

416

00:23:48,435 --> 00:23:49,095

There we go.

417

00:23:51,585 --> 00:23:55,935

Yellow ochre, all those colors,

Indian, yellow, sometime just

418

00:23:55,935 --> 00:23:57,465

very yellows back and forth.

419

00:24:00,285 --> 00:24:00,885

Okay.

420

00:24:03,750 --> 00:24:04,350

There's one.

421

00:24:12,050 --> 00:24:15,290

All right, let's go over here on that

other side and put a few little things in.

422

00:24:17,540 --> 00:24:19,220

Maybe there's a happy

little Bush that lives.

423

00:24:19,250 --> 00:24:19,460

Yep.

424

00:24:19,610 --> 00:24:20,900

You're right, right there.

425

00:24:24,300 --> 00:24:24,860

Like that.

426

00:24:27,465 --> 00:24:34,715

There is one too many, or as

few as you want, there comes

427

00:24:34,715 --> 00:24:36,125

the one right down the side.

428

00:24:37,409 --> 00:24:38,879

Push upward with the side of the brush.

429

00:24:38,879 --> 00:24:42,659

It creates illusion, a little tall

grasses and stuff that live in there.

430

00:24:46,340 --> 00:24:48,200

Maybe a little dark area right in there.

431

00:24:50,090 --> 00:24:51,770

Just to sort of separate

that a little bit.

432

00:24:55,209 --> 00:24:59,740

Okay, take the knife straight through

and put in all kind of little sticks

433

00:24:59,740 --> 00:25:04,270

and twigs and little things that

back in here, when you scratch here,

434

00:25:04,870 --> 00:25:06,270

the black Jesso shows through it.

435

00:25:06,270 --> 00:25:10,480

It makes little black plagues and

sticks and they live everywhere.

436

00:25:10,530 --> 00:25:12,070

Once again, everywhere.

437

00:25:13,870 --> 00:25:15,250

Let's take a little Filbert brush.

438

00:25:15,280 --> 00:25:16,090

That's a lot of fun.

439

00:25:18,270 --> 00:25:22,950

And take a little, highlight,

a little touch, a dark CNO,

440

00:25:22,960 --> 00:25:24,060

maybe a little black in it.

441

00:25:25,530 --> 00:25:29,730

And then I'm going to take paint thinner

and mix with that and make it very thin.

442

00:25:30,450 --> 00:25:31,440

And I asked them to color

443

00:25:35,010 --> 00:25:36,210

dip the brush and paint thinner.

444

00:25:36,210 --> 00:25:39,660

This is a Filbrick and we'll go right

through a little bit of Vandyke Brown.

445

00:25:40,140 --> 00:25:41,670

Both sides, get it full of paint.

446

00:25:41,670 --> 00:25:45,030

And I'm going to take one side

and go through that nice, thin

447

00:25:45,150 --> 00:25:46,530

grayish color that we made.

448

00:25:46,890 --> 00:25:52,200

So one side's light others dark when come

up in here and put all kinds of little

449

00:25:52,200 --> 00:25:54,300

stones and rocks that live back in here.

450

00:25:55,410 --> 00:25:58,170

And you can do the entire

stone in one stroke that way.

451

00:25:58,200 --> 00:25:59,430

Maybe there's some over here.

452

00:26:01,420 --> 00:26:03,930

See there, you can just put

them wherever you want to.

453

00:26:03,930 --> 00:26:06,270

Maybe, maybe to some live down in here.

454

00:26:08,175 --> 00:26:13,745

Wherever, and we can take our fan

brush with three little blue on it,

455

00:26:15,125 --> 00:26:16,415

put a little black to dull it down.

456

00:26:16,415 --> 00:26:20,855

We want it to be darker back in

here and we'll come back in here.

457

00:26:22,655 --> 00:26:24,665

Just put the indication

of some little ripples.

458

00:26:24,665 --> 00:26:27,875

It just disappear right

on into the distance.

459

00:26:29,555 --> 00:26:31,445

All kinds of little

things that are happening.

460

00:26:36,820 --> 00:26:38,639

Little liquid white little titanium, huh?

461

00:26:40,790 --> 00:26:46,190

And you can just pop in all kinds

of little foamy, Ripley things like

462

00:26:46,190 --> 00:26:50,179

a ride on out, but isn't that neat.

463

00:26:51,169 --> 00:26:52,399

This liquid clear in black.

464

00:26:52,399 --> 00:26:54,770

Just so we'll give you some

of the neatest combinations.

465

00:26:55,370 --> 00:26:56,210

Just give it a try.

466

00:26:56,300 --> 00:26:57,470

I really think you'll like it.

467

00:26:58,220 --> 00:27:00,500

I think with that, we're going to

call this whole painting finished.

468

00:27:00,500 --> 00:27:01,490

I hope you've enjoyed it.

469

00:27:01,850 --> 00:27:04,280

And from all of us here, I'd

like to wish you happy painting.

470

00:27:05,295 --> 00:27:05,985

Yes, my friend

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E04 - Splashes Of Autumn

Bob Ross's

The Joy of Painting

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