Bob Ross's

The Joy of Painting

S22E10 - Wintertime Blues

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Hey, welcome back.

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Certainly glad you could join us today.

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You've got your paints and brushes out and

ready to do a fantastic little painting.

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Super tell you what, let's start out,

having run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me show you what I've got done here.

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I've got my normal

pre-stretch canvas up here.

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I've applied a thin even

coat to the liquid white.

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So it's all wet and ready to go.

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So let's just do a fantastic

little painting today.

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I thought today, we maybe we'd

do a, a nice little winter scene.

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Something it's a very cold.

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Normally when I do winter scenes, I put

a lot of warm colors in them and we've

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had some requests for a winter scene.

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That's good and cold.

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So let's do one of those.

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Let's try it out today.

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We use the old two inch brush here.

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We went to a small, small

amount of the fallow blue.

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Just a small amount, pull it out and then

just tap the bristles right into the color

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that assures a nice even distribution of

color all the way through the bristles.

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Stay there.

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Okay, let's go up here now, then

we'll just start at the top.

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Make little crisscross strokes, just

little Xs work all the way across the

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top and is continually blending with

the liquid white that's on the canvas.

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And automatically it gets lighter

and lighter toward the horizon.

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If you just start at the top

and work down, and that's

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exactly what we're looking for,

as you know, in the landscape.

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Fine.

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You should get lighter toward the horizon.

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And that's what creates that illusion

of distance and your painting.

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All right.

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Maybe.

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Maybe on that, just a

little bit more of the blue.

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This is a winter scene.

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I want color to be very

strong and very cold today.

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This is going to be a

very cold painting to me.

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May have to get out your big

winter coat just to do this one.

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Here we go.

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All right.

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Something about like so, and very

likely we'll go across just to take

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out the little brush strokes and maybe.

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Maybe we'll have a little water for that.

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I'm gonna use the same old, a

little blue and the least little

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bit of the midnight black.

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So we have blue and black or

black and blue, whichever your

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preference, Caitlin scoping here.

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Now.

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I don't know exactly where

the water is going to be.

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So we'll just put in a lot of water.

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Know, whatever we don't want.

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We'll just paint over.

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Cause we can do anything

on this piece of canvas.

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Anything.

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There we go.

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A little more color on the

brush on the other side and

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do basically the same thing.

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There we are.

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And still water should

always be flat level.

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Water is very lazy.

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It's always flat level.

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If it's still the only time

it's not Chris, when he gets

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excited and starts moving there.

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Okay.

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Now the fun part was

washed the old brush here.

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We wash our brush with odorless thinner.

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Shake off the excess and just

beat the devil out of it.

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That's okay.

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That's the most fun part of this

whole technique in very lightly.

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I'll just go over the entire canvas

just to take out brushstrokes

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and bring it all together there.

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Now, then tell you about this dude today.

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Let's just have some fun and

make some little clouds that

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float around in the sky.

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And for that.

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I'm going to use just titanium

white, the old fan brush.

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And you can do this with a one

inch pressure or two inch brush.

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It didn't matter.

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I thought today we'd just do one

with the old fan Bristow, go right

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up in here and decide where your

little cloud's going to live.

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Maybe in our world, it's going

to live right here and using

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just the corner of the brush.

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She asked the corner, make all kinds of

little fluffy things that live out in

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here wherever you think they should be.

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Okay.

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Can you a little more of

the titanium wipe there.

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Now you could also do

this with a gray color.

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If you want to really make it look

like a, a dreary dreary winter day.

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Okay.

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Now we'll take the large two

inch brush and very gently

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just tickle the bottom of it.

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Just barely blended in a little

tiny circular strokes using only the

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top corner of the two inch brush.

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And then we're fluffing lifted

there and very lightly, I just

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go right over in that easy.

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We've got a happy little cloud.

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Maybe, maybe this little

cloud has a friend shoot.

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Why not work in layers?

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Do one cloud at the time because the

one that in your mind is a father's way.

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It didn't put the rest

of them in front of him.

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But just do one at a time.

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Don't don't get in a hurry

and don't get greedy.

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There we are good clean, dry two inch

brush, and we're going to do the same

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thing again, but work in layers, just

like when you, when you're painting bushes

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work in layers there, those layers are

what create distance between each cloud.

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There we go.

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Okay.

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Easy.

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We got a couple happy little clouds.

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No, sometimes it's fun.

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Just to take your brush and watch here.

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Here's another way I like to show

you as many ways as I know to make.

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Thanks.

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Let's take your brush and spin

in little, little floater clouds.

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You can literally just spin

them right into the canvas.

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Try to keep the brush moving at all time.

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So these are the little wispy clouds

that live we off in the distance

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that he just sort of float around

and just make little things in the

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sky, wherever, wherever it may be.

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Little indications right over there.

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Bacterial big brush and we just

cheerfully sort of blend those right in.

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And this blender, you can blend

them to any degree of lightness

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or darkness that you want.

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The more you blend them.

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Of course, the darker

they're going to get.

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They'll pick up the

blue that's underneath.

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So you have to make big decisions here.

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How bright do you want them to be?

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Because if you continue to

blend, they'll just go away and

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leave you go away and leave you.

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They're going to think something

about like, it's fine for

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what we're trying to do today.

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I just want some little wispy things

that are floating around out there.

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Good.

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All right.

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Maybe in our world today, let's

take a little bit of little blue.

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And delivering Crimson and I

want to make a lavender color,

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but I want it to the blue side.

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I won't keep everything in the blue

tones in this painting to keep it cold.

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Blue is a very, it's a cold

color, very cold color.

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It's hard to tell what that is.

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So we take a little white, lay it

right there and then mix some color

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into it to see if it's what we want.

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And that's pretty good.

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I sort of like that one there,

something like, so it's not bad.

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Okay, cut off our little

roll of pain as usual.

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Let's go right up in here.

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Let's have in our world, maybe right

here, just a happy little mountain.

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Show you an easy way to

make some mountains today.

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Why not watch here?

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Watch it there.

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You have to decide how many

little bumps are on your mountain.

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How many peaks?

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Just put that on.

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Scrape off the excess paint there.

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We will have some, it's got

a lot of little bumps today.

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Just wherever, wherever, and

let your imagination take it

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anywhere that you want to be.

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This really is your world here.

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Can you see there?

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And the only thing that we

have any concern about at this

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point is just the top edge.

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We could care less

what's happening in here.

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I have absolutely no

concerns about that area.

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At this point,

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scrape off all the excess.

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You can probably hear how hard

I'm scraping with a knife here.

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Here we go.

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Now back to her old two inch brush,

and I want to grab this and pull it

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out just with breaststrokes here.

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We can create the illusion

of beautiful mountains that

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are far back in the distance.

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There we are.

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Okay.

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And the brush strokes will

make your highlights and

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your shadows all at one time.

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Yeah.

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This is one of the easiest ways of

making very effective little mountains.

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Very effective.

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Yeah.

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You may have to sort of step

back and take a look at them when

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you're really close to the canvas.

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It's more difficult to

see then if you step back.

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So at home, Just step back and

get your ice tea glass out.

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Take a look, see there, see how

those, all those brush strokes

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will create that illusion.

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They're okay.

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And today that's all I'm going to

do for that range of mountains.

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And let's have some fun, we'll put some

pressure and blue it's much stronger,

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Prussian blue as much stronger.

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We'll put it right in that same color.

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So we get pressured and blue and I'll

had a little more lizard and Crimson to

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it, but this is a very dark lavender now.

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Very dark.

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Ooh.

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There cut off our little roll of paint.

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Once again, lives are right

down the edge of the knife.

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Now let's come right up in here.

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Maybe there's another big mountain.

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There is now lives right

there, wherever you want it.

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And maybe he comes down in front

and we could do the same thing

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again, but some little bumps in

here, all kinds of little things.

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Sometimes it's nice to have little

valleys like it and you leave it.

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I'm right in there, right in

there wherever you want to.

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And we just let that one taper

right on, off into nothing here.

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But notice that this mountain, this range

of mountains are much darker than the

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ones behind it that makes them stand out.

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Makes them look closer to you.

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The other thing that's very important

by pulling that paint with the two inch

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brush on that first range of mountains.

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There's a Misty area between these two,

that little bit of mist is your separator.

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It divides the two.

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It makes them stand apart from each other.

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All right, let's go back to our

old two inch brush and do the

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same identical thing to this one.

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Just grab it with pay

attention to angles here.

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Okay.

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Avoid pulling it straight down.

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Your mountains will look like

huge cliffs, just sheer cliffs.

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Billy goat couldn't live on them.

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There we are.

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So pay attention to angles.

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See, by putting that breast, a little

thing had happened right there.

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Careful when doing this and watch these

little things will have, and sometimes

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it gets, it gets working well and you rub

them off before you even looked at them.

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These things.

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Liberating, your brush.

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All you have to do is sort

of shake them out there.

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But once again, we're trying

to create that mist down at

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the base of these mountains.

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Maybe we'll have some little

foothills down at the base.

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I like to do little foothills and

that Misty area, once again, just

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like here will be your separator.

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So try to create missed here

most, most important there.

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Okay, but that we get a couple of

ranges of very nice mountains there.

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Let's take, let's take us, take,

put that over out of the way.

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Save it for later.

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I'm going to take some, they love

blue, go blue and some white and

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some black mix them together.

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There we are.

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I want to.

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Nice blue, gray color,

but with a fallow blue.

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So it's, it's a little more, a little

more bright than if he did it with

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oppression, blue wipe off the old

knife here, and let's take a fan

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brush loaded full of this color.

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Just work it back and forth in the

paint, both sides full of color.

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Now then maybe in our world here, we

have some little foothills that live

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right in here, right in here somewhere.

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Just take the fan brush and tap downward.

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Try to retain some of that little

Misty area in there though.

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It's most, most important, a

little more pain out there.

252

00:13:32,760 --> 00:13:35,370

Now they go.

253

00:13:35,819 --> 00:13:39,540

Where ever where ever.

254

00:13:40,605 --> 00:13:44,085

You make the decision where

they live and just drop them in.

255

00:13:45,765 --> 00:13:48,555

This is one of the nicest ways

we've ever come up with just making

256

00:13:48,555 --> 00:13:57,615

little distant tree shapes, very

easy, and, um, add a little bit of

257

00:13:57,615 --> 00:13:59,235

the titanium white here and there.

258

00:13:59,805 --> 00:14:02,085

See how that sparkles, that

one makes him stand out.

259

00:14:02,670 --> 00:14:04,530

That easy, but don't overdo.

260

00:14:05,010 --> 00:14:11,010

If they're all looked like that, then they

lose the individuality that you're seeing.

261

00:14:13,189 --> 00:14:17,219

Let's see here, we'll put in some

more, just a few then we'll come

262

00:14:17,219 --> 00:14:19,920

back and highlight a few of those

just so they stand out there.

263

00:14:22,755 --> 00:14:23,445

All right.

264

00:14:24,675 --> 00:14:26,205

This is a very simple painting.

265

00:14:26,355 --> 00:14:28,935

And if you've never painted

before, this is a nice one to try.

266

00:14:29,715 --> 00:14:34,155

This one is a nice one because

it'll work for you very easy.

267

00:14:35,525 --> 00:14:40,145

Can you back to a little of the

titanium white right on the brush.

268

00:14:40,865 --> 00:14:40,955

Okay.

269

00:14:40,985 --> 00:14:45,455

So that we get variations of the same

color, different hues or values of the

270

00:14:45,455 --> 00:14:46,865

same color, whatever you want to call it.

271

00:14:49,275 --> 00:14:54,345

They're just make all kinds of

little things, something like, so

272

00:14:57,725 --> 00:14:59,555

these trees are so prettiest.

273

00:15:00,485 --> 00:15:03,725

One of the nicest places, my little

squirrel, if you've, if you've

274

00:15:03,725 --> 00:15:04,955

watched some of the other shows.

275

00:15:05,230 --> 00:15:08,470

Yes, it would be able to places my little

squirrel would love to live right in here.

276

00:15:09,250 --> 00:15:11,890

And I want to show you a little

piece of film that we made, and this

277

00:15:11,890 --> 00:15:16,360

is my little squirrel out on the

big hut and he's out doing whatever

278

00:15:16,360 --> 00:15:18,579

squirrels do and it's deep, deep woods.

279

00:15:20,079 --> 00:15:20,620

Look at this.

280

00:15:20,620 --> 00:15:20,949

Isn't he?

281

00:15:20,949 --> 00:15:23,710

The cutest little devil he's fighting

his way through the forest there.

282

00:15:24,970 --> 00:15:31,510

Oh, there's the forest for some

reason, I don't really understand it.

283

00:15:32,490 --> 00:15:34,260

Was a little squirrel

seemed to like a hair.

284

00:15:34,560 --> 00:15:39,150

I think it reminds them of their nest,

but that's, if you haven't seen him

285

00:15:39,150 --> 00:15:43,530

before, that's the little squirrel

we call pea pod, the pocket squirrel,

286

00:15:43,590 --> 00:15:45,210

because he likes to live in my pocket.

287

00:15:46,270 --> 00:15:47,040

He's a character.

288

00:15:47,040 --> 00:15:49,260

We showed him several times

in the series of cocaine.

289

00:15:49,260 --> 00:15:53,430

Julian, I've just taken a two inch brush

from tap the base of this a little bit to.

290

00:15:54,585 --> 00:15:55,365

Just to soften.

291

00:15:55,365 --> 00:16:01,725

I want that Misty area take a little

more of the titanium white and just bark

292

00:16:01,725 --> 00:16:03,075

off a few more of these little areas.

293

00:16:03,075 --> 00:16:05,205

So they stand out just a few.

294

00:16:06,015 --> 00:16:14,735

I want to keep this very cold, so very

cold there, and then very lightly.

295

00:16:16,454 --> 00:16:18,974

Just enough to blend the

base of that all in there.

296

00:16:21,194 --> 00:16:21,555

Okay.

297

00:16:22,655 --> 00:16:27,185

Maybe under our little foothills

back here, maybe, maybe in our

298

00:16:27,185 --> 00:16:28,505

world, there's a little bit of snow.

299

00:16:28,505 --> 00:16:31,775

So for that, we'll take the knife, take

a little white, cut off a little roll

300

00:16:31,775 --> 00:16:39,724

of paint and begin thinking about how

this no would lay out here, there, pull

301

00:16:39,724 --> 00:16:44,194

it, gently, pull something like this.

302

00:16:46,140 --> 00:16:51,180

There is I say, this is a very,

very simple little painting.

303

00:16:51,180 --> 00:16:53,550

You shouldn't have any

trouble doing this one.

304

00:16:54,780 --> 00:16:58,680

This is one that our instructors

would teach probably first

305

00:16:58,680 --> 00:16:59,910

or second day in class.

306

00:17:01,319 --> 00:17:04,889

We have instructors that travel

all over the country, teaching

307

00:17:04,889 --> 00:17:09,990

people this, you cannot believe

what, what people are doing.

308

00:17:11,505 --> 00:17:15,135

In one of the earlier shows this

series, I showed him several boards of

309

00:17:15,135 --> 00:17:16,725

paintings that people have sent yet.

310

00:17:17,475 --> 00:17:18,735

That's just fantastic.

311

00:17:20,475 --> 00:17:22,125

Absolutely fantastic.

312

00:17:24,735 --> 00:17:28,215

Okay, tell you what I want

some reflections on the bed.

313

00:17:28,245 --> 00:17:31,935

So I'm going into that same old

dark blue color that we had two

314

00:17:31,935 --> 00:17:36,285

inch brush, just going to grab

right underneath the snow and pull

315

00:17:36,285 --> 00:17:39,075

straight down, straight down though.

316

00:17:41,115 --> 00:17:45,315

Little more of the paint,

straight down, straight down.

317

00:17:45,315 --> 00:17:51,435

They're like, Oh, that quick we have

some little reflections under our bank.

318

00:17:51,465 --> 00:17:52,215

We back here.

319

00:17:54,695 --> 00:17:55,445

Very lightly.

320

00:17:56,165 --> 00:17:56,825

So across.

321

00:17:58,625 --> 00:17:59,225

All right.

322

00:18:00,685 --> 00:18:02,185

Take a little touch of the liquid white.

323

00:18:04,075 --> 00:18:05,215

We can go right back in here.

324

00:18:05,625 --> 00:18:07,075

We'll just cut in a little water line.

325

00:18:07,075 --> 00:18:10,885

This sort of separates where the

land and the water come together.

326

00:18:12,475 --> 00:18:13,465

It's your separator.

327

00:18:13,524 --> 00:18:15,264

And it also cleans up the base here.

328

00:18:16,615 --> 00:18:19,075

So a way of cleaning up

the bottom of your Snowden.

329

00:18:19,800 --> 00:18:21,060

Making it look really nice.

330

00:18:22,740 --> 00:18:23,280

There we are.

331

00:18:25,520 --> 00:18:28,070

I really hope you like seeing that

little, little squirrel, a little pea

332

00:18:28,070 --> 00:18:30,710

pod, and he lives in my house with me.

333

00:18:32,390 --> 00:18:35,270

You wouldn't believe I have, I have

two squirrels that live in the house

334

00:18:35,270 --> 00:18:36,950

and I have three that live outside.

335

00:18:36,950 --> 00:18:40,670

They're about ready to be turned loose

now, but the ones that live in the house.

336

00:18:41,055 --> 00:18:45,135

If you've never lived with a squirrel,

you, you haven't left because they

337

00:18:45,135 --> 00:18:50,975

will get into absolutely everything,

every single thing in the house.

338

00:18:50,975 --> 00:18:54,305

And I find because they hide nuts all

over the house too, when they run around

339

00:18:55,025 --> 00:19:00,995

and I'll find nuts in everything from

my pockets to my shoes, but it's fun.

340

00:19:01,895 --> 00:19:02,495

It's fun.

341

00:19:03,005 --> 00:19:05,555

Let's take some depression, but who black?

342

00:19:07,125 --> 00:19:08,475

Alizarin Crimson.

343

00:19:08,715 --> 00:19:08,985

Shoot.

344

00:19:08,985 --> 00:19:10,785

We'll even throw some

Bandag Brown in there too.

345

00:19:11,895 --> 00:19:12,465

Doesn't matter.

346

00:19:14,475 --> 00:19:14,895

Good.

347

00:19:15,015 --> 00:19:16,725

Dark, dark color.

348

00:19:16,875 --> 00:19:17,985

Can't even clean off the old night.

349

00:19:21,235 --> 00:19:21,455

What.

350

00:19:23,070 --> 00:19:24,390

It's time for your bravery test.

351

00:19:25,680 --> 00:19:28,380

Let's take the old two inch brush

and go right into that pile of

352

00:19:28,380 --> 00:19:32,730

paint that today I want to bring

this brush to a nice chisel edge.

353

00:19:33,390 --> 00:19:38,430

So to do that, bring it through the

paint, wiggle it, that pulls the paint

354

00:19:38,430 --> 00:19:42,900

down to the end of the bristles, wiggle

it, and then go through and sharpen

355

00:19:42,900 --> 00:19:44,850

it just like you would've find knife.

356

00:19:44,880 --> 00:19:49,620

Look how sharp that brush is, but you

can bring it to a very sharp chisel edge.

357

00:19:50,340 --> 00:19:50,910

Very sharp.

358

00:19:50,940 --> 00:19:51,300

Okay.

359

00:19:52,020 --> 00:19:54,570

Now then with that, maybe in our world.

360

00:19:55,035 --> 00:19:58,665

You know me, I like big trees

and my paintings take the corner.

361

00:19:58,875 --> 00:20:04,125

We just push upward and let's make the

indication of a big evergreen that lives

362

00:20:04,125 --> 00:20:05,625

right here on the corner of the canvas.

363

00:20:05,985 --> 00:20:08,835

Great, big evergreen, strong, powerful.

364

00:20:09,595 --> 00:20:14,085

He sits here, watches out for

all the little things that live

365

00:20:14,085 --> 00:20:17,205

here and what a view that he has.

366

00:20:19,635 --> 00:20:20,325

There we are.

367

00:20:22,065 --> 00:20:24,225

But use just the corner and push upward.

368

00:20:24,795 --> 00:20:28,125

And that's what will create all those

little leafy, fluffy looking things.

369

00:20:28,365 --> 00:20:29,115

Very easy.

370

00:20:30,975 --> 00:20:32,085

We have it all brush going.

371

00:20:32,895 --> 00:20:33,615

Let's just do this.

372

00:20:33,615 --> 00:20:37,065

Maybe we have some things, little

peninsula that comes right down like it.

373

00:20:38,925 --> 00:20:39,435

Who knows?

374

00:20:41,085 --> 00:20:41,685

Who knows?

375

00:20:41,685 --> 00:20:42,825

Just push upward though.

376

00:20:43,125 --> 00:20:47,445

Bend the bristles, try to avoid

letting it slide like at see

377

00:20:47,445 --> 00:20:48,705

the difference when it slides.

378

00:20:50,010 --> 00:20:51,720

You don't have that nice leafy appearance.

379

00:20:51,720 --> 00:20:52,860

We're going to have a bigger Bush there.

380

00:20:52,860 --> 00:20:53,070

Now.

381

00:20:56,220 --> 00:20:57,660

Let's see if anything ever goes wrong.

382

00:20:57,660 --> 00:20:59,270

You can always make a

bigger Bush out of it.

383

00:20:59,280 --> 00:21:00,120

Don't worry about it.

384

00:21:01,260 --> 00:21:02,129

Don't worry about it.

385

00:21:03,629 --> 00:21:04,800

We don't make mistakes.

386

00:21:05,070 --> 00:21:06,600

We just have happy accidents.

387

00:21:07,680 --> 00:21:08,280

Here we are.

388

00:21:08,639 --> 00:21:10,620

I'm going to load little brush

back up the same way again.

389

00:21:12,014 --> 00:21:12,885

Yeah, let's go ahead.

390

00:21:12,885 --> 00:21:14,715

And what the heck be brave?

391

00:21:15,855 --> 00:21:17,595

This really is your brave retest.

392

00:21:19,355 --> 00:21:21,485

Let's come in here and

just put a huge treat.

393

00:21:21,485 --> 00:21:21,784

Maybe.

394

00:21:22,445 --> 00:21:22,745

Yeah.

395

00:21:22,745 --> 00:21:23,165

What the heck?

396

00:21:23,764 --> 00:21:24,395

What the heck?

397

00:21:25,205 --> 00:21:26,615

Nothing ventured and all that.

398

00:21:30,195 --> 00:21:33,395

Let's just let this old

tree just live right here.

399

00:21:34,625 --> 00:21:35,524

Just push him out.

400

00:21:38,820 --> 00:21:40,860

There maybe.

401

00:21:41,190 --> 00:21:41,640

Okay.

402

00:21:41,670 --> 00:21:42,780

Let's go all the way down to the bottom.

403

00:21:44,670 --> 00:21:45,600

Something like Kevin.

404

00:21:48,540 --> 00:21:49,110

Okay.

405

00:21:49,590 --> 00:21:54,420

Now we'll take, I have

several brushes going here.

406

00:21:54,420 --> 00:21:57,870

I'm gonna take another two

inches, put titanium white on it.

407

00:21:59,160 --> 00:22:01,170

A little bit of the blue.

408

00:22:01,590 --> 00:22:02,520

That'll take a little blue.

409

00:22:02,970 --> 00:22:05,250

So I have a blue color in the bristles.

410

00:22:06,930 --> 00:22:13,440

Okay, let me see then we'll take one

corner and go through white paint.

411

00:22:14,310 --> 00:22:14,760

All right.

412

00:22:14,760 --> 00:22:17,400

So I have blue deep in the

brush and white on the tips.

413

00:22:17,760 --> 00:22:18,150

All right.

414

00:22:18,780 --> 00:22:24,960

Now then with that, you can go up here

and push upward and let's put on some

415

00:22:25,080 --> 00:22:29,340

beautiful little highlights and every

once in a while, just drag at one corner.

416

00:22:29,940 --> 00:22:31,680

Through a little bit

of the titanium point.

417

00:22:33,510 --> 00:22:34,920

And that's how we'll highlight this.

418

00:22:36,930 --> 00:22:40,650

Think about shape and form, all the

little things that are happening out here.

419

00:22:42,920 --> 00:22:43,700

There we go.

420

00:22:46,730 --> 00:22:47,690

Wherever.

421

00:22:49,440 --> 00:22:49,920

Okay.

422

00:22:49,980 --> 00:22:56,360

There's another one, something about

like, so, and we don't want this other

423

00:22:56,360 --> 00:22:58,070

tree left out, so let me load it deeper.

424

00:22:58,080 --> 00:23:04,190

The fatal blue and white, and then just

the corner once again, just the corner.

425

00:23:04,190 --> 00:23:05,270

See into the white.

426

00:23:06,200 --> 00:23:06,290

Okay.

427

00:23:06,770 --> 00:23:07,220

Like that.

428

00:23:07,730 --> 00:23:08,150

All right.

429

00:23:08,960 --> 00:23:09,650

Just touch it.

430

00:23:09,830 --> 00:23:13,010

Lifted it let's go right in here.

431

00:23:13,760 --> 00:23:14,810

Can just pop those out.

432

00:23:16,770 --> 00:23:19,620

There that don't kill all the dark.

433

00:23:19,620 --> 00:23:20,160

Can you treat?

434

00:23:20,580 --> 00:23:21,900

Cause it gets work in good in you.

435

00:23:22,200 --> 00:23:23,220

You get sort of carried away.

436

00:23:23,220 --> 00:23:27,660

Sometimes I find that I've covered up

the whole canvas with highlights and then

437

00:23:27,660 --> 00:23:31,590

I've lost my dark and all the, all the

deep shadow areas in the middle squirrels.

438

00:23:31,590 --> 00:23:33,300

You've got to have a place

to go in there and hide.

439

00:23:35,070 --> 00:23:36,990

Can I have to have a place to go

and hide and all right, I'm going

440

00:23:36,990 --> 00:23:38,640

to dip the brush into liquid white.

441

00:23:39,990 --> 00:23:43,470

Then we'll go right through titanium

white, pull the brush in one direction.

442

00:23:43,680 --> 00:23:44,100

See you there.

443

00:23:45,000 --> 00:23:46,320

Load a lot of pain into it.

444

00:23:46,680 --> 00:23:52,050

A lot of paint, biggest mistake

made is not enough paint there.

445

00:23:52,260 --> 00:23:56,250

I went through the liquid white

first only to thin the paint because

446

00:23:56,250 --> 00:23:59,670

at the end paint, as you know,

we'll stick to a thick paint and

447

00:23:59,730 --> 00:24:01,910

then the thing, okay, there we are.

448

00:24:04,040 --> 00:24:06,980

You can just put all these little snow

covered, highlights on these things.

449

00:24:08,270 --> 00:24:11,450

And if this works just right, these

little bushes will look just like lace.

450

00:24:12,600 --> 00:24:13,590

Just like lace.

451

00:24:14,610 --> 00:24:18,949

When I lived in Alaska, unbelievable

Jack Frost would come through there

452

00:24:19,030 --> 00:24:24,020

and do his magic and the trees

would be covered with ice fog.

453

00:24:24,020 --> 00:24:28,399

It had frozen and most gorgeous

thing you have ever seen.

454

00:24:30,050 --> 00:24:33,740

It's cold in Alaska during the winter,

but it may be as beautiful as the summer.

455

00:24:34,760 --> 00:24:36,230

Take a little titanium white.

456

00:24:36,889 --> 00:24:40,219

Maybe we can see a little

snow right in there.

457

00:24:41,580 --> 00:24:44,639

Right there somewhere,

wherever you want it.

458

00:24:46,909 --> 00:24:49,370

No pressure allow that color to break.

459

00:24:49,639 --> 00:24:54,649

Just graze it when you come across

and make long strokes soon like that.

460

00:24:56,360 --> 00:24:57,709

But no pressure.

461

00:24:58,189 --> 00:24:59,179

Absolutely not.

462

00:24:59,659 --> 00:25:02,750

If you put a lot of pressure on it,

it's going to look like you or this, my

463

00:25:02,750 --> 00:25:06,830

son, Steve says, look like you mushed

it in there and just iced the cake.

464

00:25:08,610 --> 00:25:11,220

I don't know if that's really a

word or not, but you certainly

465

00:25:11,220 --> 00:25:12,750

know what it, what it means.

466

00:25:14,400 --> 00:25:15,930

You're ready to just smashed too hard.

467

00:25:16,840 --> 00:25:19,740

Then we put some little grassy

areas around the edges here.

468

00:25:22,410 --> 00:25:25,200

That'll sort of bring it together

and make it part of the painting.

469

00:25:27,470 --> 00:25:27,980

Fair.

470

00:25:29,990 --> 00:25:30,290

Okay.

471

00:25:30,410 --> 00:25:34,400

Maybe in our world, maybe there's a

little twig or two, so we'll take.

472

00:25:35,639 --> 00:25:38,189

We'll take a little dark Sienna,

paint thinner, and we want to

473

00:25:38,189 --> 00:25:40,860

make his paint fan very thin.

474

00:25:40,889 --> 00:25:46,850

Almost, almost a consistency of ink

probably can see it running there so that

475

00:25:46,850 --> 00:25:52,580

then now we have that you can pull one

side of that right through the little

476

00:25:52,580 --> 00:25:55,429

liquid white and maybe in our world.

477

00:25:56,210 --> 00:25:57,080

There's a little stick.

478

00:25:57,080 --> 00:25:57,889

It lives right here.

479

00:25:57,980 --> 00:26:01,520

And by pulling it through the liquid

wide on one side, you'll make the

480

00:26:01,520 --> 00:26:04,010

highlight and the shadow at one time.

481

00:26:05,545 --> 00:26:08,145

Say they're sort of

sneaky, but it works well.

482

00:26:09,905 --> 00:26:10,685

There we go.

483

00:26:12,425 --> 00:26:13,325

Wherever

484

00:26:17,815 --> 00:26:21,455

we got a little, little stick

in there, tell you what.

485

00:26:23,085 --> 00:26:25,125

All we need to do, take

the knife here and there.

486

00:26:25,125 --> 00:26:25,725

We can scratch.

487

00:26:25,725 --> 00:26:29,715

You have a few little sticks and twigs

and we haven't finished painting.

488

00:26:31,125 --> 00:26:34,095

This is, as I mentioned earlier,

this is a very simple little pain.

489

00:26:34,605 --> 00:26:37,575

If you've never painted before, it's

a good one to try, especially if

490

00:26:37,575 --> 00:26:39,705

you like very cold winter scenes.

491

00:26:40,395 --> 00:26:42,764

So I do hope you give

it a try from all of us.

492

00:26:42,855 --> 00:26:44,145

I'd like to wish you happy painting.

493

00:26:45,045 --> 00:26:46,155

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E10 - Wintertime Blues

Bob Ross's

The Joy of Painting

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