Bob Ross's

The Joy of Painting

S21E09 - Indian Summer

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Hi, welcome back.

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Glad you could join us today.

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Today.

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I have a special little friend

here with us that I'd like to share

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with you before we get started.

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This is a little Kestrel and it's

one of the most beautiful little

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birds that you've ever seen.

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And he's also known as the Sparrow

Hawk and he's with us today.

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I borrowed him from the bird lady

here in Muncie, and I think he's one

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of the most gorgeous little birds

and his name is Falchi and he was

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raised by a young man here in Muncie.

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And look at that.

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Isn't he something, he says one of

the most gorgeous little characters.

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Hope you enjoy seeing him.

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Falchi I got to go to work.

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So I'm going to tell you

what we're going to have.

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All the colors ran across the

screen, that everybody needs

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to paint along with us today.

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And while they're doing that,

I'm going to show everybody

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what we've done on this canvas.

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Okay, good.

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Come right up here.

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Let me show you what I've got going today.

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We've got our standard

old pre stretched canvas.

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And I've taken a little bit of black

Jesso here and just covered this

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with using a sponge on the black

Jesso and just covered this area.

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And then we've taken,

let that dry completely.

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And we've taken a little bit

of midnight, black dark Sienna,

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and a touch, a Prussian blue.

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And I've just covered

this whole thing here.

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And the white area was put just

a tiny bit of liquid white.

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So with that, we're about ready.

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I hope you like seeing

that little, little Castro.

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That's one way prettiest

little devils there.

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Let's take a little sane colors.

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We'll use midnight black.

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A little pressure and blue

and some dark Sienna there.

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Let's just go up in here and let's

just begin playing a little I'm to

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let that color come right on out here

and just sort of dance it around.

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I thought today we'd do a

scene, like maybe you're deep

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in the woods, deep in the woods.

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So we have all of these little

shapes and stuff in the background.

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I don't want to blend it too much today.

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I want to leave all these little

irregular patterns in there.

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They're of look, hopefully when we're all

done, it looked like maybe there's light

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shining through undergrowth is far away.

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I thought about like that,

a little more of the color.

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We'll put a little something in here, too.

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What the heck?

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Just let it blend back

into this dark area.

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Now, the reason I use this black Jessup.

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Is because anytime I'm going to

have a lot of arrogance, that's

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gotta be dark in a painting.

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And I know that in advance, if

you use the black Jesso, it saves

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you a tremendous amount of work.

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And a little of these patterns will

show through and it looks like things

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that you've spent months working on.

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And it's, it's our secret.

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Sorry, secret.

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Okay.

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That's about all we

need for back in there.

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Tell you what to do.

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Let's let's have some fun with a

little oval brush and I'm going to

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go basically into those same colors.

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Maybe, maybe I'll add a little

band-aid Brown to it on the darknet

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a little bit Vandyke Brown, Prussian

blue, dark Santa's little black.

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And with that, let's go up in here

and let's start picking out some

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little basic shapes, the trees

and bushes that live way back.

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And all I'm doing is just tapping,

just looking for very, very basic

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little shapes and take the same colors.

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Add a little weight to it.

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So it'd be a little lighter right there.

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Put some little distant tree shapes.

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There we go.

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All kinds of happy little

things back in here.

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Maybe, maybe right there, you just sort

of have to make up your mind or do you

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think a little tree would live and drop

this horrible brush does fantastic things.

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I really like it.

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It's easy to distinguish.

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It has a black handle for all of our

other brushes, have white handles there.

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See, that's that easy.

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It begins giving us some basic

little shapes back in here.

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You're not looking for

a lot of detail yet.

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Now take the same old dirty brush and

go right into a little of the yellows.

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I have Indian, yellow, yellow ochre, CAD

yellow, but just a little be right back.

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Get a little touch of the SAP.

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Green too, not much colors on

the brush and I'm giving it

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a little push that'll load.

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The tips of it.

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And we can go in here and begin

picking out some of the little

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highlights that we see, and I want to

keep these quite subdued quite dark.

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I don't want them to get too bright too.

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There.

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These are the ones that

are far away, far away.

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We don't see hardly anything as

far as detail goes, it's too far.

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And if you add too much detail,

then you're going to lose

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that illusion of distance.

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There we go.

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These kinds of scenes remind me of

when I used to live in Alaska, I

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used to spend a great deal of time.

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Just sort of walking through the woods.

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Looking at the little creatures

and I used to hunt with a

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camera, bring them back on film.

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That's the way to do it.

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See how you can make all

those little tree shapes.

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And I'm just sort of dancing back

and forth between the various colors.

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Once again, don't want this to get

too distinct and too bright yet.

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We'll have some brightness in

the foreground, but not yet.

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Let's take those same colors on

the liner brush along the line of

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brush with a little paint thinner,

bring it to a nice sharp point.

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And let's begin picking out some

indications of little stems and

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trunks and limbs and twigs, whatever,

all those little things that you

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see when you've walked through

the woods there, let's see just.

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Just sorta look at the foliage

back here and think we're we're a

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little late and would like to live.

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I feel that if it had its choice, which

it doesn't, but in your world, it does.

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Here we go

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put as many or as few as you want.

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We can begin working a

little closer, same color.

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So I'll get a little SAP green, a

little bit caddy yellow, yellow ochre.

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Indian yellow.

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And then I'm going to touch at least

a little amount of the bright red.

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Sometimes I use bright red as a dollar.

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I know it sounds crazy, but when

you put red and green together,

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it makes a beautiful Brown.

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So sometimes red is used to dog color.

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There we go.

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Now we can begin putting in a

little more detail, let it goes.

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Beautiful little soft things

that you can make with this.

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They're just barely touching them, but you

have to still think about shape and form.

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Don't just hit it random.

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If it helps give each one of these little

bushes and name there we are right there.

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We have to give credit to,

to Richard, to cameramen.

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Cause he, he took that little burden.

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First time he'd ever handled

one of them, little Rascals.

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I'm telling you, it has some very

sharp claws on it, but he was brave.

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He was brave.

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You probably want to raise.

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Now there, pick out all

these little things.

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There's a little, see, now there's

a little of a break right in here.

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Just a tiny amount.

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Just gives it sort of an orangy flavor.

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Let's step back and take a look at how

your limbs and leaves are coming together.

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If you don't like them, change them.

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You have unlimited power here.

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You can do any old thing

darker and darker down in here.

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Maybe there's one, that's got

quite a bit of a bright red hair.

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Gorgeous

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there.

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I like it read so much.

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Maybe I'll put a little right there too.

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And your world, you put any

color that makes you happy.

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Painting is as different as people.

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Maybe right in there.

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Here we have another little Bush.

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Let's see how this little oval

breast just makes layer after layer

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to layer these little Rascals.

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And it's very easy, even if

you've never painted before this

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one will make it easy for you.

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That's the reason I designed this

one because people were having

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some problems until they've

practiced with the other one.

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This one, no problems.

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There, but you do have

to worry about shape.

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You can't just throw things in.

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You need to leave some

dark areas in between.

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So there's depth and distance.

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Now, then I can go back to my

little liner, brush a lot of paint

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thinner in those same colors, the

background colors we were using.

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Let's go in here and put in the indication

a few more little sticks and twigs.

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You have to have some of those in

there to bring it all together,

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something to support it all.

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They're just wherever you

think they should live.

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And you only see the pieces.

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A lot of times you don't

see the entire tree trunk.

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You only see little pieces that

stick out and over in here.

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Same thing needed a few more over in here.

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But these little sticks, once again,

they helped create that illusion

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of distance in your painting.

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Okay.

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Now we can start working forward in this.

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I'll take another oval brush.

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I have a couple of them going here.

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Let me take some dark Sienna.

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We'll use a little that black again, a

little pressure and blue, same colors.

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Probably use those

throughout this painting.

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Just tap a little color in there.

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Maybe we have.

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Nice push it lives right there.

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I want this one to be brighter.

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So I'm making the dark ground,

the background dark ground.

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For some time, your tongue get Soviet it.

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Can't see what you say and make

the background a little darker.

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So our lighter color will show up better.

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There we go.

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Okay.

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Now then go back to my other oval brush.

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And let's take, we'll go into some

yellow, yellow, yellow, be right back.

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Grab a little, the red.

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Ooh, nice color.

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Very nice color.

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Now, just by touching, we can begin

making all kinds of little things

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back here that are much brighter.

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Let's see if he didn't

have that dark back there.

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Okay.

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It wouldn't show up as well.

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They need that dark because that

dark is going to be our shadows.

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That's going to be our deep chefs

might add a little bit red to that.

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Ooh, that's nice.

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That is nice.

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But just tap, see that dark area there

most important part of that Bush.

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And I know I keep saying that,

but if it doesn't work for you,

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that's probably what's happening.

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Cause it starts working so well, it feels

good and you get carried away and next

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thing you know, you've killed all of those

and they've just like just going away.

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So be careful don't,

don't get away from me.

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They're too valuable,

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too valuable there.

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Okay.

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I think it's time to really get crazy.

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Maybe, maybe in our world tell

you what, maybe there's a big,

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big trick list right there.

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You know, me and my big trees

let's take some black and blue.

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Dark Sienna.

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Once again, I wanna use these same colors.

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Okay.

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We're going to load this Bryce to

chisel edge and we do that, pull it

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through the paint and giving it a

little wiggle and you can load it.

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So it's quite sharp.

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So you there good.

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Now with that, we have to

make a major decision here.

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Maybe we're going to have

a tree lifts right there.

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We'll put the indication of a little

truck, just something like, so yeah.

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This tree lives right off the

top of the canvas somewhere.

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And it's deep in the

woods, deep in the woods.

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Maybe it didn't get a lot

of lights on the time.

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So it's skinny and places.

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And maybe in other places

it's big and heavy there.

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I like to do trees like,

yes, they're so gorgeous.

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I like his old evergreens that just

have the big hangie down limbs on.

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Hey you down.

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Well, that sounds like a name song.

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There we are.

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Can you just let it, let it go

down further and further there?

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Maybe till about there.

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That's good.

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That's good.

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Let's give him a friend, shoot, you

know, me and I think everything needs

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a friend, even a tree, even a tree.

249

00:14:24,569 --> 00:14:25,980

Let's give him one right there,

250

00:14:33,790 --> 00:14:34,800

right over there.

251

00:14:36,810 --> 00:14:41,520

Can you just sort of work back and

forth for this brush back and forth?

252

00:14:41,670 --> 00:14:46,620

Create all kinds of

beautiful effects there.

253

00:14:51,815 --> 00:14:52,265

Okay.

254

00:14:53,065 --> 00:14:54,745

That'd be in her old tree here.

255

00:14:54,895 --> 00:14:56,845

We can make out here in there.

256

00:14:56,845 --> 00:14:58,125

A little touch of trucks.

257

00:14:58,145 --> 00:15:04,165

We'll just take some little dark Sienna,

little roll of paint on the knife.

258

00:15:05,005 --> 00:15:09,685

That's have a light coming from that

direction has to make his big decisions,

259

00:15:10,645 --> 00:15:13,975

but in the indication here and there

have a little, little bit of the trunk

260

00:15:14,005 --> 00:15:15,565

it's showing through it honestly much.

261

00:15:16,855 --> 00:15:18,205

Don't want to see much.

262

00:15:20,175 --> 00:15:21,885

Let me wash one of these old brushes.

263

00:15:26,704 --> 00:15:26,824

Yeah.

264

00:15:26,915 --> 00:15:30,035

That one's not as much fun as in big

Wednesday, they splatter everywhere.

265

00:15:31,655 --> 00:15:36,574

Now then we'll take some other or

yellows, yellow ochre, Indian, yellow,

266

00:15:37,025 --> 00:15:38,225

a little bit of the bright red.

267

00:15:39,365 --> 00:15:40,925

Just sort of mix them all together.

268

00:15:42,635 --> 00:15:44,555

And let's put a few

highlights on these trees.

269

00:15:44,584 --> 00:15:47,314

Let's let's let them shine

out here in the light.

270

00:15:48,689 --> 00:15:50,910

We said the lights coming

from the left over here.

271

00:15:51,930 --> 00:15:56,100

So in that case, we need to have it a

little bit brighter on the left side

272

00:15:56,100 --> 00:15:58,970

than it is on the right side there.

273

00:16:02,209 --> 00:16:02,600

Okay.

274

00:16:02,660 --> 00:16:03,590

Maybe here and there.

275

00:16:03,590 --> 00:16:06,500

We're going to a little touch of

the little touch of the brighter.

276

00:16:08,930 --> 00:16:09,800

Oh, isn't that pretty?

277

00:16:14,835 --> 00:16:17,595

See how you can make these old

trees to sort of hang down.

278

00:16:21,185 --> 00:16:26,075

They are wherever,

wherever, wherever they're.

279

00:16:29,405 --> 00:16:30,395

All right, right on.

280

00:16:30,395 --> 00:16:32,705

Down into just darkness down here.

281

00:16:34,445 --> 00:16:35,705

Let's do that on the other one, too.

282

00:16:35,705 --> 00:16:37,955

Same colors, same basic colors.

283

00:16:37,955 --> 00:16:38,735

Here we come.

284

00:16:41,160 --> 00:16:42,990

Pay attention to shape and form though.

285

00:16:44,640 --> 00:16:45,300

There we go.

286

00:16:45,980 --> 00:16:49,469

If you have trouble making this stick, or

if you want to put a little sheen, little

287

00:16:49,469 --> 00:16:54,599

shine on it, give your brushing a little

bit of the liquid clear and then do this.

288

00:16:54,599 --> 00:16:55,650

If it makes sense.

289

00:16:55,670 --> 00:17:00,410

One of the most beautiful effects

you've ever seen, beautiful effects.

290

00:17:02,480 --> 00:17:05,569

And when it dries, as I say,

it'll have a little shine to it.

291

00:17:06,325 --> 00:17:08,145

It'll almost glisten in.

292

00:17:08,295 --> 00:17:08,774

Let's do that.

293

00:17:08,774 --> 00:17:13,984

I'm going to dip it into a little

liquid clear what the heck, because

294

00:17:13,984 --> 00:17:18,065

I want this one to shine when

it's dry too, but don't overdo.

295

00:17:18,845 --> 00:17:20,855

This is a special little

gift in your painting.

296

00:17:21,244 --> 00:17:24,035

Don't overdo it because

it'll lose its effectiveness.

297

00:17:24,035 --> 00:17:28,024

If you do just here and

there, just here and there.

298

00:17:28,835 --> 00:17:33,545

And that rascal will

shine in the sunset sing.

299

00:17:38,175 --> 00:17:38,565

There

300

00:17:41,945 --> 00:17:42,425

here and there.

301

00:17:42,425 --> 00:17:45,004

Maybe we'll add a little

touch to the SAP green.

302

00:17:45,004 --> 00:17:46,475

I don't want much green in this tree.

303

00:17:46,504 --> 00:17:47,165

I want it to look.

304

00:17:48,605 --> 00:17:51,635

They're like all these colors

are just shining through it.

305

00:17:51,635 --> 00:17:52,895

Not a gorgeous little tree though.

306

00:17:54,455 --> 00:17:55,265

I don't over brush.

307

00:17:55,265 --> 00:17:56,045

We'll do that for you.

308

00:17:57,540 --> 00:18:00,150

Now, back to my salad greens.

309

00:18:00,930 --> 00:18:03,720

Oh, that one, grab a little lizard,

Crimson and throw in there too.

310

00:18:04,230 --> 00:18:09,810

Right in with that ochre, that's

pretty in Crimson and yellow ochre

311

00:18:09,810 --> 00:18:11,280

makes me feel beautiful colors.

312

00:18:12,120 --> 00:18:17,160

Now then let's begin putting all kinds

of little things that are living here.

313

00:18:17,550 --> 00:18:20,700

My mind, the lights coming right from

that direction is shining across.

314

00:18:22,050 --> 00:18:23,760

Is that that's the way I want it to look.

315

00:18:26,385 --> 00:18:28,785

Crap, a little dark Sienna

put in there with it.

316

00:18:29,655 --> 00:18:31,365

I'm just varying all these colors.

317

00:18:32,665 --> 00:18:34,545

I want to keep it in

the Brown tones though.

318

00:18:34,935 --> 00:18:36,285

And the yellows and oranges.

319

00:18:37,725 --> 00:18:39,855

Nice, nice falls looking colors.

320

00:18:42,035 --> 00:18:42,995

There we go.

321

00:18:45,965 --> 00:18:49,445

We're here ever darker,

darker, darker over in here.

322

00:18:49,995 --> 00:18:51,375

What is the sort of fade out.

323

00:18:52,545 --> 00:18:54,345

We'll have one bright area right in here.

324

00:18:54,885 --> 00:18:57,465

The rest of it, we'll

let be much, much darker.

325

00:19:01,755 --> 00:19:05,235

And if you really want to make it

look nice and bright and shiny, let's

326

00:19:05,235 --> 00:19:08,415

just drop this in real quick, in a

couple of places where light would

327

00:19:08,415 --> 00:19:10,785

strike, show you how to do that.

328

00:19:11,295 --> 00:19:13,335

Put in a little background

color here real quick.

329

00:19:15,015 --> 00:19:19,875

There, watch here now, right in here.

330

00:19:19,875 --> 00:19:21,195

Maybe that'll be our bright spot.

331

00:19:21,795 --> 00:19:28,095

I won't take, let's go into a little bit

of the titanium, white, just a little,

332

00:19:28,425 --> 00:19:30,465

we're going to really brighten that color.

333

00:19:30,915 --> 00:19:32,315

Thank were light would strike.

334

00:19:32,385 --> 00:19:35,595

And in my mind it was going

to hit right along in here,

335

00:19:37,935 --> 00:19:40,725

there, and maybe right here.

336

00:19:42,480 --> 00:19:47,520

Wherever, but this'll be the brightest

spot in the whole painting with, to sort

337

00:19:47,520 --> 00:19:52,440

of let that fade right on out as the light

gets behind the trees and everything.

338

00:19:52,770 --> 00:19:56,370

Just a little maybe here and there,

zings through, but most of it's gone now.

339

00:19:57,960 --> 00:20:00,750

There that's the only

time in this painting.

340

00:20:00,750 --> 00:20:03,450

We'll use that now.

341

00:20:04,350 --> 00:20:10,200

Let's just begin working forward here,

still using all the little fall colors.

342

00:20:15,000 --> 00:20:15,780

There we are.

343

00:20:16,170 --> 00:20:17,550

I didn't have a neat little brush.

344

00:20:17,550 --> 00:20:18,540

It worked so well

345

00:20:22,480 --> 00:20:23,580

highlight here and there.

346

00:20:24,960 --> 00:20:27,360

You could do entire paintings

using nothing, but this.

347

00:20:28,784 --> 00:20:36,495

Nothing, but this brush, if you want

to do, if we want to do, there we go.

348

00:20:41,655 --> 00:20:44,175

I tell you what let's do you know me?

349

00:20:44,235 --> 00:20:45,375

I like old big trees.

350

00:20:45,855 --> 00:20:48,405

I think maybe, maybe we

were to really get crazy.

351

00:20:50,220 --> 00:20:51,510

Really get crazy today.

352

00:20:52,830 --> 00:20:54,630

This is your bravery

test on this painting.

353

00:20:55,590 --> 00:20:58,230

Let's go up here and grab a big

bunch of this Vandyke Brown, little

354

00:20:58,230 --> 00:21:01,140

dark Santa with it, pull it up flat.

355

00:21:01,170 --> 00:21:02,380

We get a big roll of paint on it.

356

00:21:03,290 --> 00:21:03,770

You ready?

357

00:21:05,480 --> 00:21:09,710

Our tree is going to live right there.

358

00:21:11,390 --> 00:21:13,490

Does that say, this is your brave retest.

359

00:21:14,870 --> 00:21:18,470

And when I said big tree, I

think it's like a mint big tree.

360

00:21:21,555 --> 00:21:22,815

I like to do these old big ones.

361

00:21:22,815 --> 00:21:23,955

Sometime there are a lot of fun.

362

00:21:25,145 --> 00:21:26,375

Maybe he'll treat lives right.

363

00:21:26,375 --> 00:21:31,265

There just comes right on down here.

364

00:21:31,265 --> 00:21:33,485

We are over on this thing

365

00:21:37,565 --> 00:21:37,985

there

366

00:21:42,485 --> 00:21:43,745

told you that was a big tree.

367

00:21:44,495 --> 00:21:44,585

Okay.

368

00:21:45,919 --> 00:21:50,750

That was a big one, maybe

like a little Brown and white,

369

00:21:50,750 --> 00:21:52,010

that seed land right here.

370

00:21:53,449 --> 00:21:53,629

Okay.

371

00:21:53,629 --> 00:21:55,580

Maybe lights, zinging, right through here.

372

00:21:56,209 --> 00:21:58,010

Just like you were putting

snow on the mountain though.

373

00:21:58,040 --> 00:21:58,760

Just touch it.

374

00:21:59,360 --> 00:22:02,270

No pressure, no pressure at all.

375

00:22:03,139 --> 00:22:05,030

And just let it wander

right down the side.

376

00:22:05,030 --> 00:22:05,240

There.

377

00:22:05,510 --> 00:22:06,709

Stark CN on white.

378

00:22:08,689 --> 00:22:09,409

There we go.

379

00:22:14,385 --> 00:22:14,895

Fair

380

00:22:19,085 --> 00:22:23,794

and a super easy way to make very nice

little bark looking areas on the tree

381

00:22:24,915 --> 00:22:28,955

works well then maybe I'll tell you

what, maybe there's another one here.

382

00:22:28,985 --> 00:22:35,105

Maybe it had a friend that fell over

the old tree fell over, had a bad day.

383

00:22:35,735 --> 00:22:37,745

Big wind came through here, crashed.

384

00:22:38,165 --> 00:22:42,695

Maybe it was a long time ago and

it's starting to deteriorate way now.

385

00:22:43,695 --> 00:22:48,584

And there's, you know, if you see old

logs in the woods, there's places where

386

00:22:48,584 --> 00:22:51,735

it rots faster than it does other places.

387

00:22:52,455 --> 00:22:53,774

And it comes out looking funny.

388

00:22:53,774 --> 00:22:55,245

Maybe it goes all the way off the canvas.

389

00:22:57,254 --> 00:22:57,764

Look at that.

390

00:23:00,405 --> 00:23:00,915

Now

391

00:23:04,185 --> 00:23:07,334

we really did put a big, big log

in there and let's take some white,

392

00:23:07,485 --> 00:23:11,715

a little dark Santa's little touch

of the yellow ochre in there too.

393

00:23:14,054 --> 00:23:16,544

Get our little roll of paint,

right on the edge of the knife.

394

00:23:17,375 --> 00:23:19,905

Now, all we have to do here is just touch.

395

00:23:21,554 --> 00:23:22,754

It'll pull off what it wants.

396

00:23:23,355 --> 00:23:25,395

Like there's a little light

zinging right through there.

397

00:23:27,735 --> 00:23:28,125

Yeah.

398

00:23:28,695 --> 00:23:29,925

Once it look like it's open.

399

00:23:29,925 --> 00:23:36,284

So I'm going to leave the dark on

the end and work back and allow

400

00:23:36,284 --> 00:23:37,485

it to pick up that dark paint.

401

00:23:37,485 --> 00:23:40,784

So it gets darker and darker and darker

as the light slides over the top of this.

402

00:23:42,360 --> 00:23:48,300

Maybe back here, there's a big root

that's still hanging on, but it's going

403

00:23:48,300 --> 00:23:49,820

to get into shadow there pretty soon.

404

00:23:49,830 --> 00:23:54,149

We're not going to be able to see a

whole bunch of little light plan right

405

00:23:54,149 --> 00:23:58,979

through there, but it gets darker and

darker and darker there very quickly.

406

00:23:58,979 --> 00:24:02,969

It gets darker just making

that highlight on top.

407

00:24:08,120 --> 00:24:09,770

Look at that whole lock seam laying there.

408

00:24:11,129 --> 00:24:11,790

All right.

409

00:24:12,209 --> 00:24:12,959

All right.

410

00:24:13,500 --> 00:24:14,490

I like him a rascal.

411

00:24:16,040 --> 00:24:17,959

Sometimes it's fun to

take us a little breath.

412

00:24:18,709 --> 00:24:22,639

And instead of using a sad words, go

straight in and give it a little push

413

00:24:22,639 --> 00:24:27,439

and it'll make like little ferns and

stuff that sort of hangover like,

414

00:24:27,449 --> 00:24:36,169

so a little more color, then we

can go back and just begin tapping

415

00:24:36,169 --> 00:24:37,730

in all kinds of little things.

416

00:24:38,985 --> 00:24:40,725

Get a little more of the SAP green.

417

00:24:42,255 --> 00:24:42,975

There we go.

418

00:24:43,875 --> 00:24:47,805

But vary the colors and put them

in the way that you want them.

419

00:24:48,195 --> 00:24:51,035

Just however you want it there.

420

00:24:53,405 --> 00:24:56,495

I wanted to get much darker here in

the foreground, much, much darker.

421

00:24:57,515 --> 00:24:59,435

In fact, we're using

very little color now.

422

00:24:59,825 --> 00:25:04,775

Very little paint, darker,

darker, darker, darker.

423

00:25:06,395 --> 00:25:07,535

It's behind this log.

424

00:25:08,535 --> 00:25:09,795

That's spelled out very little.

425

00:25:09,795 --> 00:25:10,965

Light's gonna sneak over here,

426

00:25:14,225 --> 00:25:17,315

there, and we just basically going to

fill the rest of the canvas up here with

427

00:25:17,315 --> 00:25:19,775

some little, little things like that.

428

00:25:23,795 --> 00:25:24,005

Yeah.

429

00:25:24,005 --> 00:25:28,835

Then here and there, maybe, maybe you want

to show a little more detail and you can

430

00:25:28,835 --> 00:25:30,515

do that by just adding a little color.

431

00:25:31,455 --> 00:25:32,805

But I don't want a great deal here.

432

00:25:33,315 --> 00:25:34,755

It'll lose that effectiveness.

433

00:25:34,755 --> 00:25:36,045

Keep it dark in the foreground.

434

00:25:38,255 --> 00:25:38,975

There we go.

435

00:25:42,665 --> 00:25:45,095

They went, let's do let's grab our liner.

436

00:25:45,095 --> 00:25:46,415

Brush went to that.

437

00:25:47,165 --> 00:25:49,205

We'll get some Vandyke

Brown, little dark Santa.

438

00:25:52,265 --> 00:25:52,895

All right.

439

00:25:53,195 --> 00:25:54,065

Make it very thin.

440

00:25:54,515 --> 00:25:55,325

And let's go up in here.

441

00:25:56,250 --> 00:25:59,880

And maybe our big old tree here

has got a big lamb hangs off right

442

00:25:59,880 --> 00:26:11,580

there, but wiggle and jiggle it, let

it be a loose flowing limb there.

443

00:26:11,610 --> 00:26:14,040

Look at that, that Liam's got character.

444

00:26:14,040 --> 00:26:16,740

It's not just a plain old limb.

445

00:26:17,370 --> 00:26:18,840

It's got character.

446

00:26:19,800 --> 00:26:21,180

There's one up here.

447

00:26:21,600 --> 00:26:22,830

It's just sort of hanging off.

448

00:26:25,595 --> 00:26:27,825

Got to make those little

noises to get it to bend.

449

00:26:27,825 --> 00:26:28,215

Right.

450

00:26:30,465 --> 00:26:30,895

All right.

451

00:26:30,945 --> 00:26:34,455

And just however many you

think should be showing on this

452

00:26:42,575 --> 00:26:45,995

a little bit of light color on top,

you can highlight those a little,

453

00:26:46,325 --> 00:26:47,885

just to make them look a little nicer.

454

00:26:48,004 --> 00:26:49,565

The lights zinging through there too.

455

00:26:50,915 --> 00:26:51,995

You can take a little bit of the.

456

00:26:53,580 --> 00:26:58,290

Yellows and greens, little paint

thinner, and here and there, we

457

00:26:58,290 --> 00:27:01,889

can just pull up the little, little

grassy things that live in there

458

00:27:02,730 --> 00:27:03,899

wherever you think they should be.

459

00:27:06,379 --> 00:27:06,830

There.

460

00:27:09,590 --> 00:27:16,010

How's that if you wanted to, you

could even, and it maybe putting an

461

00:27:16,010 --> 00:27:18,649

indication of a big one right there.

462

00:27:19,919 --> 00:27:20,879

Maybe an old Deadman.

463

00:27:23,490 --> 00:27:24,210

There we are.

464

00:27:24,570 --> 00:27:25,980

But a few little lambs on him.

465

00:27:27,620 --> 00:27:29,780

I think we've got a pretty nice

little scene that looks like

466

00:27:29,780 --> 00:27:31,040

it's real deep in the woods.

467

00:27:31,100 --> 00:27:33,590

Hope you enjoy this one

from all of us here.

468

00:27:33,590 --> 00:27:34,909

I'd like to wish you happy painting.

469

00:27:35,419 --> 00:27:36,439

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E09 - Indian Summer

Bob Ross's

The Joy of Painting

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