Bob Ross's
The Joy of Painting
S27E03 - Rustic Winter Woods
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Uh, I'm certainly glad to see you today.
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Cause I thought today we'd do a painting.
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It's just a lot of fun.
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So let's start out and have him run all
the colors across the screen that you
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need to do this little painting with us.
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And while they're doing that,
let me show you this craziness.
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I got up here today.
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Today.
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I took my standard old pre-stretch
double prime, 18 by 24 inch canvas.
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But once again, you use any
sizes convenient for you.
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I just like this size because
it fits the television screen.
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Good.
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I took a paper towel and acrylic paint.
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Now we're using oils, but I used acrylic
paint to put a dry undercoat down here.
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Now I just took a paper towel and a
little bit of Sianna and an umber.
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And just dabbed it just
everywhere in here.
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I found it an old Filbert brush and
just pulled a couple things through
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and I allowed all that to dry.
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Now I've covered the entire canvas
with liquid clear, the liquid
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clear just makes it wet and slick.
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That's really all.
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It's there for the bottom of the canvas.
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Then I've covered with a mixture of
SAP green and a lizard and Crimson.
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It makes a gorgeous Brown color.
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And I thought, I'd wait till you
got here to do the top part so
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you can see exactly how it's done.
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Now.
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Sometimes when I'm walking through the
woods, which I do frequently, sometimes
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the sun's coming through the trees
and you see this beautiful glow coming
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right through the trees and some of
the trees that are close to that glow,
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they sort of just disappear into it.
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And that's the effect I
was trying to achieve.
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And I'm going to show you a
very easy way to make that.
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All right, let's go today.
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We use a two inch brush get started here.
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I'm gonna go right into a
little bit of the Indian yellow.
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I like Indian yellow, because
it's very transparent, very
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transparent, some gorgeous color.
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Let's go right up in here.
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Now with that ran over this acrylic
with the liquid clear on it.
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I'm just going to cover
the entire canvas here.
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The entire top putter part of
at the bottom is this covered
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with that brownish color.
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They're just like, so like that
really all we have to do right now,
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but see how easily that goes on.
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If you don't have the clear on there,
the liquid clear, this is quite
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a job, putting it all I've got.
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Now, since we have the
clear, I use this anytime.
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That I'm using a black canvas or a canvas.
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It has some color design on it.
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It makes it so much easier.
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I'll go right into, I made
a little light Brown color.
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Once again.
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It's a lizard Crimson and SAP
green and about equal parts.
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I've just went ahead and mixed
up a little pile here cause
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I'm going to use a lot of it.
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I think right up here in the corner.
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I'll add a little bit more.
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I just want to darken this corner, make
it look like a sun's shining through here.
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That like yet.
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And that's really all we need.
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That's all we need there.
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Okay.
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Let me wash the brush.
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If you painted with us before, you
know, this is the most fun part of
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this whole technique, we wash it with
odorless paint, thinner, shake it off
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and just beat the devil out of it.
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Good way to take out all your
hostilities and frustrations.
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I will take a little bit
the cadmium yellow beer.
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And put it right over here with some
titanium white don't need a lot of white
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and let's go up in here now, figure out
where the sun lives in your painting.
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I think it's right there.
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Take the corner of the brush
and we'll start there and
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we'll begin working outward.
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I want this to be very bright.
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We'd go right over these trees.
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I want to just absolutely blend
them out where the light's going
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to be zinging through there.
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Just, just blend out a little more
of the white there, right in there.
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I want that to be very bright.
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If that's our hot spot, that's a
source of our light in this painting.
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And you can do this as many times
as you desire to achieve a desired
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lightness, but I suggest each time
you do get a clean brush or clean
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your brush, just depending on.
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How many brushes you have, there would
just let this little glow just work
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its way out, but already you can see
how those trees are almost disappearing
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in that strong, direct sunlight.
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And that's exactly the effect
that I was trying to achieve.
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And this makes it so simple.
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So simple there, and then we just blamed
the entire thing out there already.
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That looks like a sunlight coming through.
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They're so strong.
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It almost hurts your eyes.
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Fantastic.
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That easy.
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All right.
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I'll tell you what let's use
the old Filbert brush day.
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I like Filbert brush.
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I'm just going to go into a little bit of
the titanium, white with a Filbert brush.
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Just load both sides up.
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Both sides of something like, so a lot
of color, fully loaded on both sides.
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Now, maybe in our world back here,
let's make this a winter scene.
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It could be winter or summer.
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I think we'll do winter today.
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Maybe back in here, we touch.
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And there's just a little indication
of some snow that lives back here.
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Barely touched the canvas.
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I want to just graze it, just graze it.
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I want it just to begin picking up
some of that color we have underneath.
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Julius graze it though.
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It has that Brown underneath.
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So it's going to pick
up a little bit of that.
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We're doing, it's just crazy.
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And sometimes you can put a lot
of paint on there and just let it
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bounce along and break and by break.
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I mean, it has all these
little holes in there.
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Barely touching, just.
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Just drag across the canvas, allow
the canvas to do the work, let it
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pull off the paint that it wants.
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And what's left from the brush.
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You can just sort of scrub it in.
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We work back and forth
where you want to highlight.
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Put it on very thick.
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I like that.
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Now, as I mentioned earlier, I've
already mixed up a large pile here of
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the alizarin, Crimson and SAP green
to make a beautiful Brown color.
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Uh, you can, you can take that to the
ready side by heading more Crimson or to
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the East side, depending on your mood.
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I usually go a little
more to the ready side.
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I sorta like that a lot of
color on the brush shoot.
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We might as well check you out for
bravery red off in this painting.
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Maybe you're ready.
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Maybe right there.
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Just pull it down.
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A lot of paint on the brush.
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Very thick.
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Very thick.
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Let's have all that.
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Let's have a whole Grove of trees.
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Maybe it's a wintertime.
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These trees have lost their leaves.
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They've lost their leaves.
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The snow is just beginning
to collect on the ground.
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All the little squirrels and stuff.
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They're probably up here hibernating
taking life easy for the winter.
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They're all right.
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If you watch a show in the past, you
know, I liked a little squirrels.
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I have a bunch of squirrels that
are raised, Oh, I usually raise
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anywhere from two or three to
a half a dozen turn them loose.
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I have the good fortune of working
with a lot of the rehab people
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around the country here in Muncie.
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There's a lovely lady named Diana
Schaefer that takes care of animals.
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And she's taught me a tremendous amount
about all these little creatures and.
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And in Florida, there's several
other people that I work with.
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I like, I like to work with animals
and these people, they work with
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injured and orphaned animals and
devote their whole life to it.
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And I have a great respect for them there.
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I want these trees instead of the
nice smooth ones we usually make.
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Let's make some trees
today that have character.
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These trees are not going to end
up as future telephone poles.
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I guarantee you.
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I want them to it'd be
ragged, rough, rough.
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That's what my dog said.
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When he sat down with the
sandpaper, rough, bad joker.
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Now I'm pushing because I want a lot of
little things to happen with a brush.
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Normally you would pull,
so you get a smoother line.
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I want the roughness today.
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I want these trees to look like,
Oh, it's been a rough life here.
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See, pulling the edges out really rough.
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This is a place you
wouldn't want to go in.
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The middle of a dark night is
one of them scary places there.
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I don't know.
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I was young.
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There were some places where I lived
that they were just sort of scary
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to be out there in the evening.
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When it started getting dusk,
you could make out all kinds of
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monsters that lived in there.
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There we are, but we
lived, we out in the woods.
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I grew up in Florida and we
lived so far back in the woods.
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They used to have to pipe
sunlight into us there.
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All right.
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See, hold them on limbs.
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We'll come back with a line of brushing,
put in a few little ones, but I really
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want these old raggedy looking things.
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Shoot.
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I like it.
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I want a tree over here.
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This is our world so we
can put trees anywhere.
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We want them.
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Maybe it comes all the way down to there.
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I don't know.
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You'd make that decision
and this painting is great.
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If you've never painted
before, this is an easy one.
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You can do this one.
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You can do this one.
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We try to do some paintings in
each series that worked so well.
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Those who are just beginning can
have outstanding results with them or
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people who've painted a little bit.
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They can just have fun with them.
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And we try to do some paintings that
have a little more challenged to them
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for those that have painted for a while.
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And they need a little more challenge.
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I'm just taking the brush
and rubbing it up and down.
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I want to make the indication of some
little bushes that live way back here.
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Got to have a place for
my little friends to hide.
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They're probably probably a little
raccoon lives right in there.
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There we go.
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I like little red Koons when they're
little, they are the cutest little devils.
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I got a letter from somebody here who
back, and they weren't happy that I was
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condoning keeping these animals as pets.
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Let me emphasize strongly.
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I do not keep these animals as pets
only, only try to help the rehab.
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People raise them up and then they're
turned loose back to the wall because
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that's where God intended for them to be.
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I have all these little squirrels
in my backyard that ever Easton.
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It's funny.
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People come to the house and they're like
little puppies and I'm not exaggerating.
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They literally, they come to my back door.
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In fact, they've eat a hole through
my screen on the patio, but they come
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through the screen and, and they come
to the back door and they scratch on the
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door, like a little puppy wanting me to
come out and bring them some goodies.
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And they know I'm a soft touch.
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I just decided I was talking so much.
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I'd put another tree in.
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I didn't this an easy way to
make some gorgeous old, rough
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looking trees, tough old trees.
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There we go.
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Just get a general idea of
where we want them to be.
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I like it now.
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I've got a couple of filberts going
here, so I don't have to spend
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all my time just cleaning them.
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And maybe back in our world
here, just make a decision.
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Maybe there's some more
snow lives right in there.
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I don't know, you know, painting
is such an individual thing.
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Don't just try to copy somebody.
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Else's work, just do your own thing.
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We, we each see nature through
totally different eyes.
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And that's what you were to paint.
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00:12:23,310 --> 00:12:25,890
I say that over and over
because I just don't, I don't
240
00:12:25,890 --> 00:12:27,960
want to teach people to copy.
241
00:12:30,300 --> 00:12:34,350
Anybody can copy creative
freedom though is where it's at.
242
00:12:35,204 --> 00:12:39,135
That's really the joy of painting there.
243
00:12:40,064 --> 00:12:41,675
Use no patterns, no sketches.
244
00:12:42,365 --> 00:12:45,964
We let our imagination take us to
worlds that we can only imagine.
245
00:12:47,015 --> 00:12:47,795
And we can do that.
246
00:12:49,175 --> 00:12:50,135
We can do that.
247
00:12:50,194 --> 00:12:55,025
We can do anything, anything, at least
on this canvas, we can maybe there's
248
00:12:55,025 --> 00:12:56,314
another little Bush lives right here.
249
00:12:57,930 --> 00:13:03,150
I've mentioned before on this canvas,
I have absolute and total power.
250
00:13:03,360 --> 00:13:04,590
I can do anything here.
251
00:13:04,610 --> 00:13:07,860
My heart desires can change
the course of muddy rivers.
252
00:13:08,850 --> 00:13:09,330
Anything.
253
00:13:09,870 --> 00:13:12,480
When I go home, the only thing
I have any power over is the
254
00:13:12,480 --> 00:13:14,550
garbage it's there and white.
255
00:13:14,550 --> 00:13:18,540
So me there we are, but that's okay.
256
00:13:20,070 --> 00:13:24,150
I can always escape to this
piece of canvas and create
257
00:13:24,150 --> 00:13:26,010
any illusion that I want.
258
00:13:26,730 --> 00:13:29,550
And so can you, maybe there's
a big old root on this tree.
259
00:13:29,550 --> 00:13:30,150
It comes right out.
260
00:13:31,640 --> 00:13:37,220
I can't like can't, let's put
some arms on this old tree.
261
00:13:38,000 --> 00:13:38,420
Once again.
262
00:13:38,420 --> 00:13:43,580
I'm pushing a lot with a brush
just to make them all gnarly.
263
00:13:43,880 --> 00:13:44,540
Is that a word?
264
00:13:46,070 --> 00:13:48,950
My son, Steve and I are both
bad about making it words.
265
00:13:49,610 --> 00:13:50,690
I learned that from him.
266
00:13:50,720 --> 00:13:51,590
He didn't learn it from me.
267
00:13:51,590 --> 00:13:52,100
Of course.
268
00:13:53,780 --> 00:13:54,470
There we go.
269
00:13:56,520 --> 00:13:57,150
Hello, Steve.
270
00:13:57,150 --> 00:13:58,920
You've never had a chance
to watch him paint.
271
00:13:58,920 --> 00:14:02,370
That son of a gun is one dynamite painter.
272
00:14:03,829 --> 00:14:06,650
He's almost like that 27 years old now.
273
00:14:06,890 --> 00:14:08,420
Hey, and this is a 27 series.
274
00:14:08,420 --> 00:14:12,439
What a coincidence he has been painting.
275
00:14:12,800 --> 00:14:17,420
I think since he was born, he
was about 12 years old before he
276
00:14:17,420 --> 00:14:19,490
realized everybody didn't paint.
277
00:14:21,170 --> 00:14:21,800
There we go.
278
00:14:21,860 --> 00:14:23,060
Just a little snow over there.
279
00:14:25,005 --> 00:14:27,315
Can we just bring it a little Bush in
the background down, we're going to put
280
00:14:27,315 --> 00:14:29,955
some sticks and stuff and these little
bushes they'll show up a little better.
281
00:14:30,345 --> 00:14:31,185
I hope you can see them.
282
00:14:32,415 --> 00:14:37,215
All right, let's go back to
this big old tree on this side.
283
00:14:38,205 --> 00:14:40,365
This is really an
exercise in making trees.
284
00:14:40,785 --> 00:14:41,745
Very comes there comes.
285
00:14:41,745 --> 00:14:46,065
They're going to think about
these old Liams and hang out here
286
00:14:46,065 --> 00:14:50,145
and there that you could just
as easy have done this painting.
287
00:14:51,600 --> 00:14:55,650
In summer or spring, you put
leaves on all these trees.
288
00:14:56,560 --> 00:14:57,569
I just decided today.
289
00:14:57,569 --> 00:15:01,650
I wanted to do a scene that as
I mentioned, when we started,
290
00:15:01,740 --> 00:15:02,880
I like to walk in the woods.
291
00:15:02,880 --> 00:15:05,610
And sometimes when I'm walking
in the woods in the winter, the
292
00:15:05,610 --> 00:15:10,199
sun comes through so strong and
you have this gorgeous effect.
293
00:15:11,430 --> 00:15:14,160
And I sat down and I watched this
for a long time and I kept thinking
294
00:15:14,160 --> 00:15:15,810
about how would I make that?
295
00:15:16,199 --> 00:15:18,000
And how would I, how could I do it easy.
296
00:15:18,869 --> 00:15:21,119
I knew how to do it as
a traditional painter.
297
00:15:21,209 --> 00:15:25,859
It's a very time consuming, have to
let things dry in between layers and
298
00:15:25,890 --> 00:15:28,170
put some washers and glazes on it.
299
00:15:28,709 --> 00:15:34,319
But I wanted the way where somebody
could do this very quickly and
300
00:15:34,349 --> 00:15:36,060
easily without all the agony.
301
00:15:37,829 --> 00:15:39,060
And this is what I've come up with.
302
00:15:39,060 --> 00:15:44,609
And I think it works now there,
this is acrylic paint, as I
303
00:15:44,609 --> 00:15:46,439
say, it dries very rapidly.
304
00:15:47,235 --> 00:15:51,495
It's not very good for doing wet on wet
because you depend on canvas staying
305
00:15:51,495 --> 00:15:52,935
wet through the entire painting.
306
00:15:53,175 --> 00:15:56,745
It doesn't work very well for
that, but for this where you need
307
00:15:56,745 --> 00:15:59,445
a dry under color, it works great.
308
00:16:01,095 --> 00:16:03,795
I will tell you, there is some
controversy in the art world at this
309
00:16:03,795 --> 00:16:09,645
time as to whether putting acrylic
under oil is a permanent medium.
310
00:16:11,825 --> 00:16:12,545
I don't know.
311
00:16:13,775 --> 00:16:15,455
I really don't know at this point.
312
00:16:17,340 --> 00:16:21,060
I have been talking with some
manufacturer of art products that
313
00:16:21,060 --> 00:16:24,480
would about the possibilities of
making some other products that
314
00:16:24,870 --> 00:16:26,640
there will be no controversy about.
315
00:16:27,720 --> 00:16:31,740
So maybe one day they'll have something
like him, hopefully not too far in the
316
00:16:31,740 --> 00:16:37,230
future, because I like to design new
products that makes it makes paint easy.
317
00:16:37,230 --> 00:16:38,520
It makes it work for people.
318
00:16:40,290 --> 00:16:41,010
There we are.
319
00:16:42,990 --> 00:16:46,980
I'm fascinated with machinery and et
cetera for a long time in college,
320
00:16:46,980 --> 00:16:49,470
I was, I was an engineering student.
321
00:16:49,470 --> 00:16:53,760
Want to be a mechanical engineer
now, instead of building
322
00:16:53,760 --> 00:16:54,870
bridges, I'd rather paint them.
323
00:16:57,480 --> 00:17:00,750
But a lot of that rubbed off, I think
I'm gonna take a little bit of that.
324
00:17:00,750 --> 00:17:07,079
White put a little touch of the Brown
Intuit, maybe a little black, just a gray.
325
00:17:07,140 --> 00:17:07,829
Oh, I like it.
326
00:17:07,829 --> 00:17:09,390
Just a gray at a little, I want a gray.
327
00:17:09,390 --> 00:17:09,599
It.
328
00:17:10,175 --> 00:17:11,234
Lot of color on the brush.
329
00:17:11,234 --> 00:17:13,185
Don't be afraid of color, a lot of color.
330
00:17:14,534 --> 00:17:15,734
And I like sort of hold this thing.
331
00:17:15,734 --> 00:17:22,935
Like I would a pencil so that it's very
loose now, then touch and let this dance,
332
00:17:23,024 --> 00:17:25,065
let it play that he'd pick up that color.
333
00:17:25,815 --> 00:17:27,075
Let it leave its own color.
334
00:17:27,115 --> 00:17:28,575
Let all these things happen.
335
00:17:28,875 --> 00:17:29,595
Don't fight it.
336
00:17:29,895 --> 00:17:30,764
No pressure.
337
00:17:31,274 --> 00:17:31,965
Absolutely.
338
00:17:31,965 --> 00:17:32,685
No pressure.
339
00:17:33,465 --> 00:17:34,185
There's your light.
340
00:17:34,365 --> 00:17:35,504
It's going to come across here.
341
00:17:35,774 --> 00:17:36,945
No pressure, no pressure.
342
00:17:38,280 --> 00:17:39,450
Bare accounts accounts.
343
00:17:40,650 --> 00:17:43,010
Just, I liked it, but no pressure.
344
00:17:43,040 --> 00:17:48,320
Let me get a little more black on the
brush to gray that there we go, but
345
00:17:48,320 --> 00:17:49,880
you need a lot of color on the brush.
346
00:17:49,880 --> 00:17:53,840
So when you touch it, it'll
just pull red off there.
347
00:17:55,250 --> 00:17:57,470
See that in that fantastic.
348
00:17:59,160 --> 00:18:01,700
Just with an old Filbert brush,
you could just about do this entire
349
00:18:01,700 --> 00:18:04,040
painting with just an old Filbert.
350
00:18:04,040 --> 00:18:06,140
Brush it up to you.
351
00:18:07,605 --> 00:18:08,324
There we are.
352
00:18:08,834 --> 00:18:13,875
I have this one come right on through,
but I'm turning the breast to get all the
353
00:18:13,875 --> 00:18:18,945
paint and it creates different effects as
it's turning and wiggling and jiggling.
354
00:18:19,774 --> 00:18:19,925
Okay.
355
00:18:23,405 --> 00:18:25,054
Darker and darker as it comes around.
356
00:18:25,054 --> 00:18:27,365
Cause you want the side next to
the light to be the lightest.
357
00:18:27,365 --> 00:18:31,564
Of course you do that there.
358
00:18:33,725 --> 00:18:34,145
Look at that.
359
00:18:35,355 --> 00:18:37,185
All we need appears a big old Hudl.
360
00:18:37,185 --> 00:18:42,215
It looked like Halloween
they're all right.
361
00:18:44,315 --> 00:18:48,605
One of the other shows that I showed some
footage that I had taken with a great big
362
00:18:48,605 --> 00:18:53,254
out big, in fact, it was a great horn Dale
and a rascal bit me on the nose there.
363
00:18:55,264 --> 00:18:57,425
All right, let's do this to
a couple other trees here.
364
00:18:58,804 --> 00:19:02,135
I say this whole painting is mainly
just an exercise in painting trees.
365
00:19:03,300 --> 00:19:05,580
But when you get it done, people
will think you've labored over
366
00:19:05,580 --> 00:19:07,020
this painting for a long period.
367
00:19:07,850 --> 00:19:08,120
Shh.
368
00:19:09,260 --> 00:19:10,250
Don't tell them any different.
369
00:19:10,610 --> 00:19:16,850
Don't tell them, they're just let
it go follow right along the edge.
370
00:19:19,220 --> 00:19:24,170
There we are a lot of time, which
we don't here, but if you have a
371
00:19:24,170 --> 00:19:27,170
lot of time, you can take a very
thin paint then with paint thinner.
372
00:19:28,425 --> 00:19:33,495
And put it on the script liner,
brush a little black in there and
373
00:19:33,855 --> 00:19:38,294
using it sidewards, just pull it down
and let it just grease the highest,
374
00:19:38,534 --> 00:19:42,645
the high points there of that Brown
it'll make some gorgeous effects.
375
00:19:42,885 --> 00:19:44,594
It does take a little
longer than doing this.
376
00:19:46,235 --> 00:19:46,685
Try it.
377
00:19:47,824 --> 00:19:49,205
You may like it better than this.
378
00:19:49,205 --> 00:19:50,495
If you do then use it.
379
00:19:51,485 --> 00:19:51,574
Okay.
380
00:19:52,054 --> 00:19:54,574
We want to show you as many
different ways as possible.
381
00:19:55,485 --> 00:20:01,455
Of creating effects, what you create, then
it's totally completely up to you there,
382
00:20:01,545 --> 00:20:08,445
but a little bit over here and this old
monster SI very loose, very, very loose.
383
00:20:10,125 --> 00:20:16,245
There we are something
about like, so, all right.
384
00:20:17,545 --> 00:20:22,425
Wipe off the old brush, a little
more of the white paint here.
385
00:20:22,425 --> 00:20:23,735
We can just sort of fill this in.
386
00:20:24,475 --> 00:20:26,895
I just want this to be very rough looking.
387
00:20:28,635 --> 00:20:33,375
This paint's thick fact in ways it
looks like a traditional painting.
388
00:20:33,375 --> 00:20:35,325
When it's done, you can
go back with glazes.
389
00:20:35,445 --> 00:20:40,515
Glazes just made from, Oh, you can make
glazes from something like a little paint,
390
00:20:40,545 --> 00:20:42,765
thinner, a little linseed, all or color.
391
00:20:44,139 --> 00:20:47,760
Can make all kinds of beautiful glazes,
add a little transparent color to it.
392
00:20:49,440 --> 00:20:50,070
You guessed it.
393
00:20:51,420 --> 00:20:54,360
I need a big tree lives right there.
394
00:20:55,320 --> 00:20:56,910
This tree almost sort
of put it at an angle.
395
00:20:56,910 --> 00:20:59,879
So it looks like it's maybe
it's been over a little bit.
396
00:21:01,470 --> 00:21:02,190
There we go.
397
00:21:02,250 --> 00:21:03,930
They go legs sticking right out there.
398
00:21:05,430 --> 00:21:08,970
Big tree, big, big tree.
399
00:21:10,470 --> 00:21:11,610
Yeah, there he comes.
400
00:21:12,855 --> 00:21:16,304
All right there.
401
00:21:17,475 --> 00:21:20,325
So even it doesn't matter if you pick up
some of that color, it makes it look good.
402
00:21:21,315 --> 00:21:25,784
Pick a little Liam's hanging out
on him right across that one.
403
00:21:25,784 --> 00:21:26,475
We don't care.
404
00:21:28,095 --> 00:21:29,355
See, don't be afraid of it.
405
00:21:29,534 --> 00:21:30,815
Do it, enjoy it.
406
00:21:32,355 --> 00:21:33,375
So it makes it fun.
407
00:21:35,985 --> 00:21:36,645
Backed her brush.
408
00:21:36,645 --> 00:21:38,085
It has the light color on it.
409
00:21:38,205 --> 00:21:39,105
We can come back in here.
410
00:21:41,024 --> 00:21:41,325
There.
411
00:21:41,325 --> 00:21:45,014
See, just, just let it
play and have fun there.
412
00:21:45,225 --> 00:21:45,585
Look at that.
413
00:21:47,595 --> 00:21:49,365
You know, I've got several
letters commenting on this
414
00:21:49,365 --> 00:21:50,805
easel I'm using in this series.
415
00:21:50,805 --> 00:21:51,915
This is a brand new easel.
416
00:21:51,915 --> 00:21:53,504
It has just been released.
417
00:21:54,345 --> 00:21:56,534
I'm very, very happy with this easel.
418
00:21:56,805 --> 00:21:57,645
What makes it so great?
419
00:21:57,645 --> 00:22:01,965
The top comes off and it makes a
wonderful tabletop easel with four
420
00:22:01,965 --> 00:22:05,865
legs instead of the traditional
three and is much stronger.
421
00:22:06,465 --> 00:22:08,685
It works for this kind
of painting very well.
422
00:22:10,415 --> 00:22:15,155
There, a little bit of that white,
we can add just a little white around
423
00:22:15,155 --> 00:22:21,544
his foot, like him there once again.
424
00:22:21,905 --> 00:22:24,754
No pressure allow that paint
just to break on there.
425
00:22:26,254 --> 00:22:27,544
Just allow it to break.
426
00:22:27,725 --> 00:22:29,105
Maybe there's a happy little Bush.
427
00:22:29,495 --> 00:22:30,245
It is right there.
428
00:22:32,610 --> 00:22:35,159
Maybe there's another one over
in here, just here and there.
429
00:22:35,169 --> 00:22:39,200
Some little bushy things there.
430
00:22:40,040 --> 00:22:43,730
Touch there, take a liner brush,
put some paint thinner on it.
431
00:22:45,770 --> 00:22:47,330
There go right into that Brown.
432
00:22:48,740 --> 00:22:51,980
And we can just snatch up a few little
sticks and twigs here and there,
433
00:22:53,899 --> 00:22:57,860
but see this painting was done with
very, very few pieces of equipment.
434
00:22:58,159 --> 00:22:59,600
Very few colors of paint.
435
00:23:00,270 --> 00:23:01,170
There's not a lot to it.
436
00:23:01,350 --> 00:23:01,800
It's easy.
437
00:23:02,220 --> 00:23:03,000
You can do this one.
438
00:23:04,920 --> 00:23:10,680
Even if you've never painted, this is one
that you can do and your friends and your
439
00:23:10,680 --> 00:23:13,110
family, they won't believe you've done it.
440
00:23:13,500 --> 00:23:17,190
They really want back to I've had
people write and say, they're their
441
00:23:17,190 --> 00:23:19,590
friends actually started looking
for numbers on their painting.
442
00:23:19,590 --> 00:23:22,340
Like it was a paint by numbers
that they thought they they'd
443
00:23:22,340 --> 00:23:23,430
just covered the numbers up.
444
00:23:24,750 --> 00:23:26,970
Now you can go back in
here and here and there.
445
00:23:28,545 --> 00:23:32,915
Put the indication, few limbs and
twigs and sticks and things, but I
446
00:23:32,915 --> 00:23:34,355
don't want these to be real smooth.
447
00:23:34,385 --> 00:23:35,105
I want them rough.
448
00:23:35,255 --> 00:23:40,655
So they follow along with what's happening
in this space, painting very rough ragged,
449
00:23:41,515 --> 00:23:44,705
wherever you think it should be gnarly.
450
00:23:44,945 --> 00:23:46,175
I like that word gnarly.
451
00:23:47,315 --> 00:23:47,945
There we go.
452
00:23:48,755 --> 00:23:49,265
See there.
453
00:23:49,835 --> 00:23:49,925
Okay.
454
00:23:50,315 --> 00:23:54,635
All kinds of hanging downs,
uh, kinds of them wherever you
455
00:23:54,635 --> 00:23:56,705
think they should be there.
456
00:23:58,560 --> 00:23:59,550
All right.
457
00:24:01,800 --> 00:24:02,100
Hmm.
458
00:24:02,540 --> 00:24:04,520
Yeah, that looks like a
Halloween picture to me.
459
00:24:06,050 --> 00:24:10,580
And we can put a song out in here and at
home, when you do this, take your time.
460
00:24:10,670 --> 00:24:11,540
Do a lot of these.
461
00:24:11,600 --> 00:24:14,810
They really, all these little
hanging down things here.
462
00:24:14,900 --> 00:24:16,400
Absolutely fantastic.
463
00:24:16,400 --> 00:24:20,210
You'll enjoy them and they make your
painting look like once again, like
464
00:24:20,210 --> 00:24:21,760
you spent so much time I'm on it.
465
00:24:22,850 --> 00:24:24,950
And only we know that it was very easy.
466
00:24:26,445 --> 00:24:26,865
There.
467
00:24:27,435 --> 00:24:30,645
And if you enjoy success with this,
you won't believe what you can do.
468
00:24:31,245 --> 00:24:33,855
This just opens doors to a world of art.
469
00:24:35,325 --> 00:24:36,345
That'll take you places.
470
00:24:36,345 --> 00:24:37,635
You've only dreamed about going.
471
00:24:39,135 --> 00:24:39,705
All right.
472
00:24:39,705 --> 00:24:42,435
Tell you what I think we've
got to finish from here.
473
00:24:42,435 --> 00:24:44,385
Let's take a little red sign.
474
00:24:44,385 --> 00:24:44,745
This one.
475
00:24:45,810 --> 00:24:46,680
And we'll call it done.
476
00:24:46,740 --> 00:24:47,550
Hope you've enjoyed it.
477
00:24:48,210 --> 00:24:50,129
I'd love to see some
photographs of your work.
478
00:24:50,159 --> 00:24:52,200
If you have time, send me a couple.
479
00:24:52,590 --> 00:24:55,350
Let me see what you're
doing from all of us here.
480
00:24:55,560 --> 00:24:57,000
I'd like to wish you happy painting.
481
00:24:57,480 --> 00:24:58,560
And God bless my friends.
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