Bob Ross's

The Joy of Painting

S18E04 - Crimson Oval

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hi, welcome back.

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Certainly glad you could join us today.

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I thought today we'd do just a

beautiful little painting and what

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I've done here is I've taken him.

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And covered the canvas with a piece of

contact paper that has an oval cut in it.

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And then I've covered this whole

area in here with black Jesso,

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allowed that to dry completely.

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Then we just went over that and

covered the entire black area with

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a little bit of a lizard Crimson.

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And just covered the entire

black area from top to bottom.

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So I'll tell you what, let's start

out, having run all the colors

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across the screen that you need to

paint this little painting with me.

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And while they're doing that, shoot,

let's go on up here and get started.

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I thought we'd just do something

it's very bright and happy

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make you feel good inside.

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Let's start out today.

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Little bit of CAD yellow and the

two inch brush, and we'll just tap a

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little bit of color into the bristles.

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Mike.

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So there we go.

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Kay.

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Now, today we have to make

a decision right up front.

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I have to decide basically where Horizon's

going to be and we'll start there and

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make sure it's not dead in the center of

your painting, but it to one side of the

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other little up little down, but not dead

center, maybe right in here, start in

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that area and begin making little exes.

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That'll be your lightest area right there.

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And it's going to pick up the

lizard Crimson and all kinds of

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beautiful little things will happen.

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Just like so, and work from that light

area out continually blending outward,

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and as your brush picks up more and more

in the Crimson automatically, it's going

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to get darker and darker in value as you

work out from that lightest area there.

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Now that okay.

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And we can do this as many times

as we want to achieve a desired

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lightness, but each and every time.

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You go back, you wash your brush

and be sure you start with a

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clean, dry brush, shake it off

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and just beat the devil out of it.

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But as I say, now, maybe we

want to make this really bright.

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We can take a little titanium white on

our brush and then go into the yellow.

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There we go.

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Now that just load a little color on it.

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Let's go right up here.

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Sharp, bright area,

always starting it, right.

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A stereo, and then begin blending

outward, always bending outward.

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And you don't want to carry this dirty

brush back until you light area or

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you'll lose that nice bright area.

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Hmm.

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Okay.

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One thing that you will find

when you're applying color over a

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black canvas is transparent color.

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Sometimes it's very difficult

to rub that on there.

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Cause we use a very firm drastic paint.

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If you'll put the least little

coat of liquid clear on here first.

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And then you'll find it's very easy to

put that color on, but a very, very thin

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coat, probably the biggest mistake made

is applying too much of the liquid clear

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and we can drive our brush again.

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Now, then I just want

to blend this all out.

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Bring it together.

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Hey, we'll start doing some

fun little things back in here.

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They're very lightly go across

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now.

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Then let's make us a mixture.

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Let's make a mixture of take what

let's use a lizard and Crimson.

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Liz in Crimson and a little

fellow blue proportionately,

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much, much more Crimson than blue.

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The blue is many times stronger.

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So use a lot more Crimson than blue.

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Sounds like a good song

title anyway, here.

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And then let me clean off my own knife.

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And I just wiped the knife

on Oh, paper towel, shoot.

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Any old thing, clean rag we'll do

now, then let's just take a, just

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keep using the soap two inch brush.

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What the heck?

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Just get a little color on it and tap it.

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That loads the end of

the bristles with color.

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Just tap it.

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So give it a little push, a

little extra push right there.

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Now then.

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Let's make some big decisions.

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Maybe there's some beautiful little

bushes that live right down here.

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Like, so now that begin thinking

about very basic shape and form

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and all those kinds of things.

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And I like to do the bottom of the

Bush first and then work upward that

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way automatically, uh, automatically

your Bush will get lighter.

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In value as you work up where you

tree this, one's turning into a tree.

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See there all there is to it.

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And we have a basic shape there

for very nice little tree.

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Now over here on the other side, put

a little more color in the brush.

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Maybe there's another little Bush lives

right there, and we're still using

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just the corner of the two inch brush.

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So often we avoid this brush because

it's big, but it'll do some of the

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most beautiful little detail things.

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All the brushes we use.

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I love these little black canvas scenes.

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They're so pretty and you can

make such beautiful things happen.

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Their color stands out so good against

this black Jessa and maybe in our world.

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Shoot.

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We don't know.

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Maybe there's some big trees

that are we back in here and I

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want to do these very subdued.

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Very quiet.

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You do this when the brush is almost

out of paint, these will be a little

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background on trees that are far away.

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There we go.

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Can you just make a decision where

they live and drop them in, then

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maybe there's another big tree

that lives here in the front.

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We'll make him a little bit darker.

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So it stands out there.

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Just sort of let your imagination go

make decisions where you think things

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would live in your world and drop it in.

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That's really when you begin experiencing

the joy of painting is when you don't

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have to spend all your time thinking

about how to make a procedure, but what

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to make that's when it really becomes fun.

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And it's when you really

taste the freedom.

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And to me, Painting represents

freedom because on this canvas, I can

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create any kind of world that I want.

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And still, can you any kind

of world that you want?

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I think I've mentioned in past series.

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I spent half my life in the military

playing soldier in the evenings.

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I could come home and take off

more military half and get up

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the paintbrush and I'd create

the kind of world that I wanted.

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There's no bad guys in here.

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No guns.

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This is a happy place, little

squirrels live here in play.

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And that's where I really wanted to be.

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I didn't, I didn't want to

play soldier all the time.

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Let's take a little paint thinner and

go right into that same color with a

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liner brush, but a lot of paint thinner.

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You want this to be very thin, almost

ink consistency, turning the bristles.

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That brings it to a nice sharp point.

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Let's go up here now.

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Then we can go in here.

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And we can begin putting in all kinds

of little tree trunks, stems, whatever

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your own, just wherever you want them.

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See just all kinds of little happy things.

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If your pain does not flow like

it, chances are it's too thick.

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Add a little bit more

of the paint thinner.

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And I think that eliminate the problem.

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But it should flow right over the

top of this thick paint, very easy.

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And if you're using a thick paint

once again, and it does not flow, add

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a little more of the paint thinner.

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So all you have to do there, and we can

put some indications back here on these

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bigger trees and all these little details

here, and you always have a lot of sticks

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and twigs that grow out in the woods.

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So it makes it pretty, very nice.

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There shoot.

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Maybe we can see the

indication of something.

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There it is big, old

thing lives right there.

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That's your brush, wiggled

and jiggled and have fun.

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No tree trunks sometimes.

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Oh, they're all gnarly.

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Hope.

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That's a word, but you know what I mean?

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They have wiggles and bands in them.

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They've had rough lives.

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Maybe they got stepped on all

kinds of things now who knows.

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But don't just make them all straight.

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It gets very boring,

very well rapidly there.

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And we can see the indication here

and there just little things that

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are protruding out from between the

little limbs, all these little things.

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And people think you spent tremendous

sums of time trying to put this together

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and don't tell them any different there.

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You know, I get letters

from so many people.

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And they tell me of their successes

and how well this is working for them.

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And the fact that people actually

want to buy their paintings.

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And they're, they're very,

very shocked over that.

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They say, gosh, you don't, I

never dreamed anybody want to

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buy something that I've painted.

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Don't be surprised when

that happens, because yeah.

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People will like what you're doing.

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And they won't believe that

you're doing, I get letters from

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people say my, my family does not

believe that I'd done this myself.

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Yeah.

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They will not believe.

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And money is not important.

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Money only is a way, if you

sell your painting, it's a

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way of, it's your report card.

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It's people telling you that I enjoy your

work so much that I'm willing to give

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you my hard earned, happy buck for it.

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That's really a Supreme compliment.

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Even if you don't sell your work, it's a.

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Big big compliment.

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I'm taking a little titanium, white, a

little bit of that same lavender color.

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Let me get a little more white here.

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There we go.

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We'll lighten that up a little.

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Now.

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Tap the bristles, tap them.

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There we go.

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See how that pushes.

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But there's a little bit of paint.

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You can see it.

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Little Ridge is left on the pallet.

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There.

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It's also one that corresponds to

that on the end of your bristles.

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We're looking for, let's

go up here now with that.

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We can come in here and very

lightly put in a few indications

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of just little highlights, Sam.

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We don't want to get too much

just enough to show some little

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sparklies on these trees.

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Not too much.

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There we go.

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Over here since our light

sources right in the middle, we

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all highlight the other side.

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There we go.

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All right.

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Let's see.

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You never believed you could

do that with a big old brush.

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I bet.

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And you can do really, and truly can.

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I'm gonna add a little touch of

the three little blue to that.

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Just blew it down a little.

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Let's go right up in here.

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Cause we're getting away

from the light source.

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I want it to get a little darker, a

little more into the blue or cool tones.

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Blue is a very cool color

where your reds and yellows and

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stuff are very warm, a play.

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Not only light against

dark, but warm against.

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Cool.

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There, it makes beautiful,

beautiful effects in your painting.

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This big old tree up here.

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There we go.

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I'm going to just put some happy little

things hanging out here on him or

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her, whatever the case may be there.

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This is one of the neatest,

nicest ways of painting trees.

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And even if you've never painted

before this will work for you.

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It's just a very simple painting,

very simple guaranteed success, but

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like anything else, the more you do

it, the better you're going to get

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at it, because with practice comes

confidence, you're familiar with

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your tools and what they will do.

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You're familiar with the colors and

how they'll behave, how they mix.

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Yeah.

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One of the things we try to do

is keep the number of colors that

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you need to do this very limited.

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So you learn what each color will do

and the characteristics of that color.

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And.

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It makes life easier for you.

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I'm just going to go in here and begin

putting in layers, few little layers

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of things, work in layers, always just

like, so do the thing that you believe is

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father's away first and then work forward,

forward, forward, always working forward.

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There we go.

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There see, but you just put

layer after layer, after layer.

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All right.

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And things began happening.

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See, there's a little thing left in here.

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I'm beginning to see all

kinds of happy, little things.

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And you take those.

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And from that you creature you're painting

your composition comes right out of it.

250

00:13:27,300 --> 00:13:29,190

You can really compose as you paint.

251

00:13:30,390 --> 00:13:33,570

And that too becomes easier

and easier with practice.

252

00:13:35,280 --> 00:13:39,240

You can take the books that we have

to go with this series and like

253

00:13:39,240 --> 00:13:40,860

take a tree out of one painting.

254

00:13:41,625 --> 00:13:45,555

And maybe a Lake out of another one or

a building and put them together and

255

00:13:45,555 --> 00:13:47,625

make all kinds of new compositions.

256

00:13:49,185 --> 00:13:54,255

They're only intended as guides to

help you learn the technique and to

257

00:13:54,255 --> 00:13:57,375

have an idea, shoot, mix them up.

258

00:13:58,635 --> 00:13:59,355

Let's have some fun.

259

00:13:59,715 --> 00:14:01,605

Maybe there's some little

grassy areas that live in here.

260

00:14:02,385 --> 00:14:02,895

Let's go.

261

00:14:03,315 --> 00:14:08,625

We go right into a little bit of a yellow,

uh, grab a little black when you touch

262

00:14:08,625 --> 00:14:13,485

it there, it makes a beautiful green

color of a yellow ochre, Indian, yellow,

263

00:14:14,325 --> 00:14:15,435

a little bright red here and there.

264

00:14:15,885 --> 00:14:17,505

Once again, tap that brush.

265

00:14:17,535 --> 00:14:19,845

Get that a little bit of paint, right?

266

00:14:19,845 --> 00:14:20,085

I don't.

267

00:14:20,115 --> 00:14:21,165

And let's go back up here.

268

00:14:21,795 --> 00:14:23,235

They got to make some big decisions here.

269

00:14:23,235 --> 00:14:25,245

Maybe there's some little

grassy areas that live up here.

270

00:14:26,115 --> 00:14:26,835

Where did they live?

271

00:14:27,180 --> 00:14:32,219

Make a decision and began dropping

them in Kent, dropping them in.

272

00:14:32,280 --> 00:14:33,900

Let's say they're 14 layers though.

273

00:14:34,140 --> 00:14:36,569

I know you get tired of hearing

that, but it's so important.

274

00:14:37,740 --> 00:14:40,170

Let's start with the area that's

furthest away and work forward.

275

00:14:41,939 --> 00:14:43,589

And you know what I'm

beginning to see here.

276

00:14:44,850 --> 00:14:46,290

I bet you've seen it already, too.

277

00:14:47,610 --> 00:14:50,880

Wouldn't this be a perfect place

to have a happy little stream.

278

00:14:50,880 --> 00:14:51,330

It lives.

279

00:14:54,270 --> 00:14:55,230

Maybe we'll do that.

280

00:14:56,610 --> 00:14:58,740

Just looks like a natural

place to have one.

281

00:15:00,480 --> 00:15:02,640

Tell you what, tell

you what let's do that.

282

00:15:03,390 --> 00:15:04,080

Let's take.

283

00:15:04,740 --> 00:15:07,170

So you get crazy sometimes and

you do this, but that's all right.

284

00:15:08,730 --> 00:15:10,830

You know, if you're a painter,

you're allowed to be a little

285

00:15:10,830 --> 00:15:12,300

different people expect that.

286

00:15:13,470 --> 00:15:14,670

So take advantage of that.

287

00:15:14,700 --> 00:15:17,130

Cutoff a little roll of paint,

right on the edge of the knife.

288

00:15:17,160 --> 00:15:17,730

There it is.

289

00:15:17,970 --> 00:15:18,570

Let's go up here.

290

00:15:19,050 --> 00:15:20,700

Decide where your stream beds going to be.

291

00:15:20,700 --> 00:15:22,110

Maybe it's going to live right in here.

292

00:15:22,980 --> 00:15:26,460

I'm just putting some dark on our

water or have some place to run.

293

00:15:27,000 --> 00:15:29,430

Just Vandyke Brown, little dark cm.

294

00:15:31,230 --> 00:15:32,430

This'll be our ground area.

295

00:15:32,430 --> 00:15:36,890

Now maybe, maybe water.

296

00:15:37,069 --> 00:15:38,689

Maybe the fall let's

have fallen right here.

297

00:15:38,719 --> 00:15:40,699

What the heck shoot.

298

00:15:40,699 --> 00:15:41,480

You can do anything.

299

00:15:41,780 --> 00:15:43,219

You can do anything.

300

00:15:44,270 --> 00:15:49,040

Anything that your heart can

imagine you can do at least on this

301

00:15:49,040 --> 00:15:54,920

canvas, there, a little Brown and

white, tiny little roller paint.

302

00:15:55,890 --> 00:15:58,620

And I'm just going to lift it, barely

graze here and there just want to

303

00:15:58,630 --> 00:16:01,950

indication here and there, but a

little highlight, not much, just a

304

00:16:01,950 --> 00:16:06,180

little, just a little make it look

like all kinds of little land areas

305

00:16:06,180 --> 00:16:11,610

in there, but look, how color comes

out against this dark canvas sparkles?

306

00:16:12,240 --> 00:16:14,310

Just absolutely sparkles.

307

00:16:16,050 --> 00:16:18,150

You can just put it on

little things like that.

308

00:16:19,950 --> 00:16:23,460

I don't know who they need to go back with

your dark color, your Browns and stuff.

309

00:16:24,120 --> 00:16:27,630

And change that into rocks just by

pulling down a little bit loud, a

310

00:16:27,630 --> 00:16:28,890

little bit of that, white to touch it.

311

00:16:28,890 --> 00:16:33,930

I hope you can see that, but you can

create all kinds of illusions of stones

312

00:16:33,930 --> 00:16:40,140

and rocks and little shelves of stone

there just by changing the angles.

313

00:16:41,729 --> 00:16:43,109

Just change the angles.

314

00:16:44,819 --> 00:16:45,479

There we go.

315

00:16:46,229 --> 00:16:46,859

Right there.

316

00:16:47,130 --> 00:16:49,229

That'll turn out to be a

big stone and we're done.

317

00:16:50,729 --> 00:16:52,410

Now then shoot.

318

00:16:53,550 --> 00:16:54,810

Let's get crazy here.

319

00:16:55,469 --> 00:16:56,550

Let's take a fan brush.

320

00:16:56,910 --> 00:16:58,469

Don't dip it into the liquid white.

321

00:16:59,489 --> 00:17:00,209

I'm going to go here.

322

00:17:00,420 --> 00:17:01,770

Go into titanium white.

323

00:17:02,280 --> 00:17:05,159

I put the liquid white on

there only to thin the color.

324

00:17:06,750 --> 00:17:07,980

Oh, Nick did dammit.

325

00:17:08,069 --> 00:17:11,460

That's all because at them paint

will stick to a thick paint, but

326

00:17:11,460 --> 00:17:12,870

you can't reverse that easily.

327

00:17:12,900 --> 00:17:13,800

It's a lot of trouble.

328

00:17:13,800 --> 00:17:16,800

If you reverse it, I will

put the least little touch.

329

00:17:16,800 --> 00:17:21,390

If they low blue, at least little touch,

just enough to give it a hint of blue.

330

00:17:21,839 --> 00:17:22,260

All right.

331

00:17:22,319 --> 00:17:23,520

A lot of color in the brush.

332

00:17:23,550 --> 00:17:23,970

Let's go ahead.

333

00:17:23,970 --> 00:17:24,329

Up here.

334

00:17:25,089 --> 00:17:26,430

Got to make some big decisions.

335

00:17:27,480 --> 00:17:29,340

Maybe our water starts

back here somewhere.

336

00:17:29,340 --> 00:17:30,810

We don't know where it comes from.

337

00:17:31,350 --> 00:17:32,070

Falls over.

338

00:17:33,495 --> 00:17:36,795

Then every time it falls, when it hits,

there's going to be a little splash.

339

00:17:38,895 --> 00:17:39,525

There it goes.

340

00:17:40,005 --> 00:17:40,095

Yeah.

341

00:17:40,315 --> 00:17:44,705

If you have trouble making this, go over

without it mixing with all your color,

342

00:17:44,765 --> 00:17:46,205

add a little more of the liquid white.

343

00:17:47,255 --> 00:17:50,795

Once again, that thin color

will slide right over there.

344

00:17:52,595 --> 00:17:53,375

Where do we want it to go?

345

00:17:53,375 --> 00:17:56,015

How many little waterfalls

do you want in your world?

346

00:17:57,815 --> 00:18:00,155

And maybe shoot, maybe some

of them disappear there.

347

00:18:00,155 --> 00:18:01,685

Come out around here and drop over.

348

00:18:02,925 --> 00:18:03,585

Doesn't matter.

349

00:18:05,495 --> 00:18:08,165

You can create any illusion

that you want on your canvas.

350

00:18:08,195 --> 00:18:09,605

Maybe they come we out here and draw

351

00:18:13,025 --> 00:18:13,475

that's water.

352

00:18:13,475 --> 00:18:14,375

Just bubbles through here.

353

00:18:14,375 --> 00:18:15,395

You can almost hear it.

354

00:18:17,075 --> 00:18:21,185

There's very few sounds in nature

that are prettier than listening to

355

00:18:21,425 --> 00:18:23,585

water, trickle over rocks and fall.

356

00:18:23,585 --> 00:18:23,735

And.

357

00:18:26,925 --> 00:18:28,514

I dreamed one day of having a home, right.

358

00:18:28,514 --> 00:18:30,254

Beside a little bubbling stream, like yes.

359

00:18:30,254 --> 00:18:32,145

Where you could just sit

and listen to it all day.

360

00:18:33,284 --> 00:18:33,905

All right.

361

00:18:34,564 --> 00:18:35,014

Whatever.

362

00:18:35,885 --> 00:18:40,594

Now then let's go take her

brush, but our green on it.

363

00:18:41,074 --> 00:18:46,024

That'll green, yellow X on that ochre

tap a little color into the bristle.

364

00:18:46,804 --> 00:18:47,074

Yeah.

365

00:18:47,074 --> 00:18:51,514

Then let's take a bit of

that green and push that.

366

00:18:51,850 --> 00:18:52,409

Right back.

367

00:18:52,409 --> 00:18:54,929

We want this to be higher than the water.

368

00:18:54,960 --> 00:18:58,939

So it looks like it's

coming from behind there.

369

00:18:59,030 --> 00:19:05,840

I see there isn't that something,

the beauty of this, you could still

370

00:19:05,840 --> 00:19:09,500

turn this back into a happy, a little

meadow, for example, if you want it to,

371

00:19:09,950 --> 00:19:13,429

it's not too late, it's not too late.

372

00:19:14,629 --> 00:19:16,909

You could just create all

kinds of things yet with it.

373

00:19:18,885 --> 00:19:19,514

There we go.

374

00:19:22,665 --> 00:19:24,855

Same just layer after layer.

375

00:19:25,095 --> 00:19:28,125

Let's go on the other side and do

a few little things over there.

376

00:19:28,495 --> 00:19:29,804

Same basic idea though.

377

00:19:31,264 --> 00:19:34,215

Just tap in all your little grassy

areas, wherever you want them.

378

00:19:36,885 --> 00:19:39,975

Maybe we'll make this one a

little higher back here there.

379

00:19:41,355 --> 00:19:42,794

So it contains the water.

380

00:19:42,855 --> 00:19:44,595

We don't want the water

slipping over the edges.

381

00:19:44,595 --> 00:19:44,774

There.

382

00:19:45,120 --> 00:19:46,590

And get the whole field wet out here.

383

00:19:46,590 --> 00:19:51,060

We don't want that, but maybe

in your world, you do want that.

384

00:19:51,060 --> 00:19:52,199

If you do it's okay.

385

00:19:53,610 --> 00:19:54,240

You can do that.

386

00:19:54,270 --> 00:19:54,780

Let's put some.

387

00:19:56,179 --> 00:19:57,480

Let's put some happy little things here.

388

00:19:57,480 --> 00:20:00,120

We'll just take some titanium

white and just color on the canvas.

389

00:20:00,929 --> 00:20:01,379

Grab it.

390

00:20:02,939 --> 00:20:08,100

You pull down, pull straight

down and allow that color.

391

00:20:08,730 --> 00:20:10,740

It's only canvas to mix with your white.

392

00:20:11,520 --> 00:20:13,740

That creates all kinds

of nice little effects.

393

00:20:14,159 --> 00:20:14,790

Very nice.

394

00:20:15,990 --> 00:20:16,620

Straight down.

395

00:20:16,620 --> 00:20:18,449

Those most importantly,

to go straight down.

396

00:20:18,449 --> 00:20:21,780

If it goes at an angle, it's

not going to look right to you.

397

00:20:24,240 --> 00:20:28,740

And people who look at your painting, even

if they don't understand, if they don't

398

00:20:28,740 --> 00:20:33,000

understand exactly what's wrong with it,

their mind will tell them something's not

399

00:20:33,000 --> 00:20:34,770

right in here and it will disturb them.

400

00:20:35,970 --> 00:20:38,550

So try to keep these lines

coming straight down.

401

00:20:40,340 --> 00:20:40,910

There we go.

402

00:20:41,330 --> 00:20:44,660

Now that we can have some little splashy

happy things that come out through here.

403

00:20:45,230 --> 00:20:45,320

Okay.

404

00:20:48,195 --> 00:20:52,605

And some little, little shimmers across

the water, just by taking the brush,

405

00:20:54,015 --> 00:20:55,635

shoot, whatever you want on there.

406

00:20:56,925 --> 00:21:00,045

Just drop them in a few little

splashes foam areas that are

407

00:21:00,045 --> 00:21:01,095

floating out through here.

408

00:21:02,895 --> 00:21:04,875

There's no limit to this

wherever you want it to go

409

00:21:08,475 --> 00:21:11,505

tell you what, we'll take

a little dark color here.

410

00:21:11,535 --> 00:21:13,725

Let me take a little that

lavender that we mixed up.

411

00:21:14,610 --> 00:21:19,860

Was Crimson, little day, little

blue, tap a little into the brush.

412

00:21:21,389 --> 00:21:26,159

Now then maybe there's a little peninsula

that comes right out through here.

413

00:21:28,710 --> 00:21:29,280

You know what I mean?

414

00:21:31,050 --> 00:21:33,990

I came a big tree, so maybe

we'll put a big tree in here.

415

00:21:34,169 --> 00:21:35,730

We have to have a place for him to set.

416

00:21:35,790 --> 00:21:38,190

So we're just, we're just

putting some dark color in here.

417

00:21:38,190 --> 00:21:41,430

So our light will show that's all.

418

00:21:42,225 --> 00:21:43,305

Yeah, we can go back to our brush.

419

00:21:43,305 --> 00:21:47,625

It's got the green on it, the yellow

ochre little touch, the bright red,

420

00:21:49,905 --> 00:21:51,525

little Andy and yellow, all the reds.

421

00:21:52,665 --> 00:21:57,765

Just tap it now, then just

come right on down here.

422

00:21:58,415 --> 00:21:59,885

But angles are very important.

423

00:21:59,885 --> 00:22:01,625

Follow these angles that you put in here.

424

00:22:03,155 --> 00:22:04,985

Just let that work its way right on down.

425

00:22:06,605 --> 00:22:07,055

Right.

426

00:22:07,055 --> 00:22:07,475

I'm down.

427

00:22:08,970 --> 00:22:11,879

There maybe.

428

00:22:14,190 --> 00:22:15,330

Yeah, that's nice.

429

00:22:15,510 --> 00:22:16,200

I like that.

430

00:22:18,810 --> 00:22:25,110

Tell you what, maybe in our world or

lives, we can have anything we want

431

00:22:25,110 --> 00:22:30,480

in our world, but maybe their lives

and nice little Bush right here.

432

00:22:31,110 --> 00:22:35,760

We just take a one inch brush, push

in indication, a couple of little.

433

00:22:36,159 --> 00:22:40,889

Little bushes that live right in here

wherever you want, wherever you want.

434

00:22:41,230 --> 00:22:41,820

It doesn't matter.

435

00:22:43,460 --> 00:22:46,730

And I'll just take that and go

right through some yellow, because

436

00:22:46,730 --> 00:22:47,870

it has a little blue on it.

437

00:22:48,260 --> 00:22:51,980

We'll get a nice green color,

but a yellow ochre on it.

438

00:22:52,550 --> 00:22:52,940

Okay.

439

00:22:54,050 --> 00:22:54,470

Yeah.

440

00:22:56,030 --> 00:22:59,720

Maybe we'll just beautiful

little bushes right there.

441

00:23:00,139 --> 00:23:01,399

Leave some of these dark areas.

442

00:23:01,490 --> 00:23:02,270

Don't kill them all.

443

00:23:02,360 --> 00:23:04,220

That's what separates

all your little bushes.

444

00:23:05,040 --> 00:23:06,659

It's a little dark areas

like your good friend.

445

00:23:06,690 --> 00:23:07,590

Ooh, there's a nice one.

446

00:23:07,690 --> 00:23:09,120

Got about a yellow ochre in that.

447

00:23:10,440 --> 00:23:12,030

See, that's a happy accident.

448

00:23:13,980 --> 00:23:14,909

Happy accident.

449

00:23:14,909 --> 00:23:15,690

That's a gift.

450

00:23:16,710 --> 00:23:17,340

Enjoy it.

451

00:23:19,230 --> 00:23:20,040

It's a gift.

452

00:23:20,399 --> 00:23:21,270

Maybe shoot.

453

00:23:21,270 --> 00:23:23,220

Maybe there's some right down in here.

454

00:23:23,250 --> 00:23:24,310

We don't know wherever you want.

455

00:23:26,280 --> 00:23:29,880

Man tell you what we can take.

456

00:23:30,660 --> 00:23:36,030

Just our clean knife and here and

there just grape in indication of the

457

00:23:36,030 --> 00:23:39,540

few sticks to twigs and wherever you

want to let some of the black canvas

458

00:23:39,540 --> 00:23:40,680

show through, that's all we're doing.

459

00:23:42,120 --> 00:23:45,690

It helps create that illusion of

distance and depth in your painting.

460

00:23:47,100 --> 00:23:47,670

Okay.

461

00:23:48,735 --> 00:23:49,514

Let's have some fun.

462

00:23:49,574 --> 00:23:51,225

This is, this is the moment of truth.

463

00:23:51,645 --> 00:23:52,875

Let's bring a camera right up here.

464

00:23:52,995 --> 00:23:56,985

Let's pull the contact paper

off and we just sip that.

465

00:23:56,985 --> 00:23:57,104

Right.

466

00:24:00,635 --> 00:24:05,945

So, and that's something that

is pretty, I like these kinds of

467

00:24:05,945 --> 00:24:10,955

paintings and you know, me shoot

there's a minute or two left here.

468

00:24:11,735 --> 00:24:13,385

Let's have a side happy tree.

469

00:24:13,594 --> 00:24:15,034

We just take the knife.

470

00:24:15,965 --> 00:24:16,294

Maybe.

471

00:24:16,980 --> 00:24:19,409

Maybe we will have an old Birch

tree that lives right here.

472

00:24:20,850 --> 00:24:22,470

Let's just let it run all the way up here.

473

00:24:24,389 --> 00:24:28,949

And you could have left the Birch tree

inside of the oval, but I sorta like

474

00:24:28,949 --> 00:24:31,500

it when it sneaks out a little bit.

475

00:24:33,659 --> 00:24:36,360

But when you do your painting,

you make that decision.

476

00:24:37,409 --> 00:24:41,010

If you want him to live inside

that oval, you put that rascal

477

00:24:41,010 --> 00:24:42,000

in there and keep him in there.

478

00:24:44,535 --> 00:24:50,685

There, this is just straight Vandyke

Brown, just making a basic tree trunk.

479

00:24:51,465 --> 00:24:56,264

Now you could also do this just by taking

the fan brush and making one stroke and

480

00:24:56,264 --> 00:25:02,325

you could create a trunk and one stroke

just thought we'd do it with a knife

481

00:25:02,325 --> 00:25:05,445

to date is a little different there.

482

00:25:07,530 --> 00:25:09,300

Okay, that gives us a basic trunk.

483

00:25:09,720 --> 00:25:15,450

Now, then let's take some titanium, white

little titanium, white, and pull it out

484

00:25:15,450 --> 00:25:17,580

as flat as you can get it cut across.

485

00:25:17,700 --> 00:25:20,040

And we have our small roller

paints right on the edge.

486

00:25:20,669 --> 00:25:21,360

Here's our light.

487

00:25:21,659 --> 00:25:26,790

So maybe it's going to hit right

here and just sort of pull around

488

00:25:26,790 --> 00:25:28,590

a little, but then you do this.

489

00:25:28,740 --> 00:25:31,379

Let me exaggerate, grab

it and pull around.

490

00:25:31,560 --> 00:25:32,370

I hope you can see that.

491

00:25:33,720 --> 00:25:36,450

You there, and that gives

around this to here tree.

492

00:25:37,920 --> 00:25:38,520

There we go.

493

00:25:40,379 --> 00:25:42,240

Wherever you want him to go there he goes.

494

00:25:42,450 --> 00:25:45,660

It helps to make those little noises.

495

00:25:46,920 --> 00:25:49,470

Of course, people look at you a

little strange, but that's all right.

496

00:25:50,370 --> 00:25:50,639

All right.

497

00:25:50,639 --> 00:25:51,030

Sorry.

498

00:25:53,760 --> 00:25:54,930

We'll take some paint.

499

00:25:54,960 --> 00:25:58,620

Thinner, some paint thinner.

500

00:26:02,100 --> 00:26:03,570

A little bit of Brown.

501

00:26:05,090 --> 00:26:06,560

We want this to be very thin though.

502

00:26:06,889 --> 00:26:08,240

Ink consistency.

503

00:26:08,780 --> 00:26:09,020

Okay.

504

00:26:09,080 --> 00:26:11,030

Let's go up here now, then.

505

00:26:11,600 --> 00:26:15,020

Maybe there's a big old lady that lives

right here and you can let it come.

506

00:26:15,020 --> 00:26:15,129

Right?

507

00:26:15,139 --> 00:26:15,889

I don't know the oval.

508

00:26:15,889 --> 00:26:19,310

If you want to say, okay, it's yours.

509

00:26:19,370 --> 00:26:21,260

You can do anything at your please.

510

00:26:22,669 --> 00:26:24,500

Here's a one comes right up in the sky.

511

00:26:24,530 --> 00:26:26,000

Maybe it comes right down in front.

512

00:26:27,585 --> 00:26:28,905

Maybe there's just a little shorty.

513

00:26:28,905 --> 00:26:34,175

There got to have some of

those too, wherever, wherever.

514

00:26:35,765 --> 00:26:42,755

See there they go and

ride on up here there.

515

00:26:43,535 --> 00:26:46,595

I just make all kinds of happy,

little tree limbs and things that

516

00:26:47,285 --> 00:26:52,535

did it make you happy now, a few

on this other one, right over here.

517

00:26:54,125 --> 00:26:54,725

I can't.

518

00:26:57,450 --> 00:26:59,610

To just little trees,

Kevin, right along here.

519

00:27:00,330 --> 00:27:01,530

This is a beautiful painting.

520

00:27:01,560 --> 00:27:02,760

I really hope you try it.

521

00:27:02,760 --> 00:27:04,380

You will find it works very well.

522

00:27:04,920 --> 00:27:06,210

It's an easy little painting.

523

00:27:06,480 --> 00:27:07,830

You can do it without any problem.

524

00:27:09,000 --> 00:27:10,590

Tell you what let's sign it.

525

00:27:10,650 --> 00:27:16,520

We'll take a little bit of red come

right in here and we'll sign her in

526

00:27:16,520 --> 00:27:18,710

with that called us when finished.

527

00:27:19,910 --> 00:27:21,980

Oh, you've enjoyed this from all of us.

528

00:27:22,040 --> 00:27:24,860

I like to wish you happy

painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E04 - Crimson Oval

Bob Ross's

The Joy of Painting

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