Bob Ross's

The Joy of Painting

S25E03 - Not Quite Spring

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Hi, welcome back.

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Certainly glad you could join us today.

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You ready to do a

fantastic little painting?

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Tell you what let's start out and

have him run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me show you what I've

gotten done up here today.

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I've taken just plain old pre

stretched canvas and a little

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bit of black Jesso and a sponge.

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And I just tap the bottom

of it here a little bit.

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I know I want the bottom

of this to be dark.

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Other than that, I don't know.

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I really don't care.

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And I've covered the rest of the canvas.

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With a very thin coat of liquid clear.

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Very thin coat and down here, I've put

just a little bit of midnight black,

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just because I want this to be dark.

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And so I've put a little

color on there just in case.

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So let's start out today.

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Just have some fun.

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I'll tell you what, let's start

with a small amount of depression,

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blue on the old two inch brush.

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Just a very, very small amount of paint.

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Let's go right up here.

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Now I've used the liquid clear up here

because I don't want to distort color.

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I want the color to stay very pure.

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I'll go put some little spots

of color up in the sky and then

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we'll come back and we'll put some

nice little clouds around them.

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There's a little black, little

bit touch to depression, blue

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and just little midnight black.

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Boom, something like, so wherever

it doesn't matter, just a few

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little spots of color, something

read along in there, like that.

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Maybe I had to touch the cribs

into it to give it sort of a,

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sort of a little lavender flavor.

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There you go.

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That's sort of pretty already,

but we're not going to stop there.

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I think today we'll, we'll put in

some great, big, fluffy, old cloud.

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There they're a lot of fun to do, and

this is an easy way to make them work.

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But in our few little dark spots,

it would just take the corner

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of the brush and go right into a

little bit of the titanium white.

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We can go right into the white

because there's such a small

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amount of color on the breasts.

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Go back up here now.

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Yeah, I'm going to take the two inch

brush and very quickly, very gently

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just put in the basic little shapes.

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We'll come back and add a few details

later right now, just looking for a

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few very, very basic little shapes.

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Something about like, but just the

corner of the brush, just sorta, she has

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sort of let it dance around in the sky.

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Little clouds are free.

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They just float around

and have a good time.

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Very free.

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Maybe one of the freest things in nature.

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There we go.

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Something maybe let me get that.

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Like whatever,

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maybe.

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Yep.

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We're just going to have some holes

in the clouds that we can see.

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Little bits of color through there.

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I like it already.

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A little bit right in here, just using

the corner of the breasts to, and making

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tiny little circles, tiny little circles.

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There we go.

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All right.

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And that'll give us just

a little base color.

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Now we can come back and shoot him.

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I didn't use a fan brush for that.

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We'll come back and put a few little.

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Few little nicety things here and there.

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Let's take a little white, get a

little touch of the dark Sienna.

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Ooh, I like that.

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That's pretty maybe a little more though.

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Shoot there.

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That's good.

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Let's go up here.

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Yeah, maybe we'll begin.

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Just dancing a little color in our clouds.

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We don't want color everywhere,

but just here and there.

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We'll put in a few, little basic

things, then we'll come back and we'll

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blend them all out and we'll take a

little white, a little touch of the.

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A little touch of the lizard and

Crimson, like a little, a little

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pinkish color, a little pinkish color.

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We'll go right up in here and we'll

just pop in some, some little,

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little sparklers wants a little

things, make us guys shiny fair.

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And this is our world.

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We can put anything in our

world that we want up here.

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I kept.

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All right.

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Just you just doing little

tiny circles though.

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All the time, little circles.

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So you clouds have form

and shape and life.

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And they're interesting.

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They're not just old doll clouds.

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I'm going to add a least little

touch, a yellow ochre to my brain.

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Yeah, that's nice.

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That's nice there just a little bit

though, and be careful that you don't

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get the yellow ochre up against blue.

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Cause you know, Can we get that

yellow ochre up against the blue?

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You could end up with that with

a real nice bright green sky.

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We don't want that in this painting.

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I think this is going to be

a, maybe this will be a little

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winter saying let's do winter.

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Did they?

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What the heck?

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There we go.

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A little bit right in there.

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See how you just, sometimes you

can just spin the brush that all

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these little things just sort of

happen, but they make little, this

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little lights in the sky there.

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Even spent a little up in there just

to put a little, little floater, nice

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clean, dry brush, and I just beat

it to make sure it's nice and dry.

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And I'm just going to begin fluffing

blending, spraying this all together.

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See there.

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Chaz, bring it together with them

old clouds, just float around

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this guy just to have a good time.

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All right.

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And that easy.

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We got a pretty minute little sky.

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Do you ever think you

could make a sky like it?

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And just a couple of minutes, you can.

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You really can with this.

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All right.

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Davis make a big, strong,

strong, tough, old mountain.

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I get a lot of requests for,

for big, strong mountains.

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So let's take, I'm going to take some

midnight black and van Dyke Brown.

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Just mix them together.

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Maybe put a little dark sand in there,

but mostly black and black and van Dyke.

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Pull it out very flat and cut

off our little roller paint.

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See it lives right down

the edge of your knife.

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There Gina's clip in here.

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We got to make our first major decision.

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Where does our mountain live in my world?

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I think it lives right here, but when

you do your painting, you put this

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whole mountain wherever you want it

to make it any shape that you want.

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It doesn't matter because on this piece of

canvas, you have total and absolute power.

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You can do anything in me,

thing that you want to do here.

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And anything.

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When I go home, I'm in charge

of nothing but the garbage,

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but here I can move mountains.

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There can put them wherever

we want them move them.

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We can put rivers or lakes or anything,

anything unlimited tower on this

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piece of canvas truly is your world.

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I don't know where we want this to go.

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Maybe there's a, we just make all kinds

of little shapes and then we'll work

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on them and see what comes out of them.

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That's a very good way to practice.

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Just, just make a big bunch of shapes

up here and then, then practice

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turning it into some kind of very

beautiful painting by the times

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that we're training instructors.

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We'll take them and have them turned

their head away from the canvas and

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just make a big old line across there

or something with paint and out of that,

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then we, we expect them to be able to

make a beautiful painting just from that.

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I don't know that any better way

just to learn, just to learn too.

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To work with this and to use the

instruments and the tools and

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creativity and all those things.

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And then just, just do it.

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Let's take a little dark Sienna

and a little white mix it together.

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I can ask pile there, take a

little more white, take some

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Vandyke Brown put in there.

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I want this one to be darker, going

to make several piles of color here so

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I can just work back and forth white.

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This one, I'm going to add

some black and some Vandyke.

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There it's more into the gray color.

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So we have three different

piles of color here.

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And let's start out with this

one, get a little roll of paint.

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Once again, we're real lives right

out of the edge of the knife.

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And let's go up in here and normally

we pull down today, let's take the

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knife and just sort of touch and

go across it's touch and go across.

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That's all there is to it.

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This is a nice way.

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If you're having problem making the.

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Mountains the way we normally make

them try this, because I think

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you'll find that this works so good.

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You almost won't believe it.

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Take a little that dark

color and put right in there.

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Not much though.

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I want to retain some of

that darkness sitting there.

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There we go over here.

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We'll make another loop.

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Just let the knife bounce.

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Just let it bounce.

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Play have fun.

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There.

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Paintings would always be fun.

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It's not fun.

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Then you're doing the wrong thing.

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There.

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Okay.

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I have enough things in my

life that are unpleasant.

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So painting it's one of those things

that are reserved for good times,

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there a little bit of color right in

there, but isn't that fantastic that

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you can create all these illusions,

just like, so, and you can do this.

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Can really do it.

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There we go.

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And when you're at home, you can really

play and put all kinds of things here.

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I have a mean old director

here that yells at me.

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She has no sense of human, where if I

go with 30 minutes, so, but in home,

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you can do anything that you want to do.

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There we go.

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And we just pop it back in.

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I can, they're just putting an indication

of a few little shadows once again.

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I don't want a lot in here.

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I want this to stay very dark.

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Very dark.

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So it looks like it's far away, far,

far away, there, all these little

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things that you can just drop in

there and here and wherever you want.

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Okay.

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I love mountains.

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I lived in Alaska for nearly a

dozen years, and you can't live in

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Alaska and not appreciate mountains.

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Now, the mountains in Alaska, they're

quite a bit different than this,

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but you just find an appreciation

for mountains in general, when

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you live around them all the time.

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There we go.

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But even before I had ever seen

mountains, cause I was born and

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raised in Florida, I still liked him.

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I liked to paint them.

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And then when I finally got to

Alaska, I just went crazy because

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I believe, I believe God was having

a good date when he made Alaska.

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You know how some days things just work

for you, everything you touch works.

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And I think God was having one of

those days when he made Alaska.

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Cause everything seemed to work.

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All right.

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Let's take a little bit of that.

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A little touch of titanium white,

and maybe there's just a little bit

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of snow that lives right in here.

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We just take that and say, got

to make those little noises hard.

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Yeah.

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Work say they're a little glitter.

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Sure.

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Maybe he lives right up in there and

let some of this just climb up the side

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of the mountain wherever you want it.

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Where ever you want to add a little

touch of the blue in there too?

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Just to give it a little cool feeling

here and there and maybe, yep.

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You're right there.

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It goes, there it goes right on down.

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I'm gonna have some trees over there.

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I think.

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So.

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I'm not worried about it over there.

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You know me, I always want to have

a big tree there, just white with a

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least little touch of the Prussian

blue in at least little touch.

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Just enough to chill it a little

bit, but we're just going to

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let that climb right up in here.

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Get a little touch more than

blue, and maybe it goes out

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over here this direction.

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So it looks like it's a

little peak right there.

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They're saying, just allow those

colors to pick up and blend together

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and all those things just to happen.

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All right there.

251

00:12:56,585 --> 00:12:57,064

Okay.

252

00:12:58,095 --> 00:12:59,194

Sometimes it's fun.

253

00:13:00,064 --> 00:13:03,455

And you're painting to begin

putting projections that

254

00:13:03,455 --> 00:13:05,615

are closer to you by that.

255

00:13:05,615 --> 00:13:08,525

I mean, big rocks and stones

and stuff that live out here.

256

00:13:08,645 --> 00:13:10,085

Let's take some of that same dark color.

257

00:13:10,709 --> 00:13:17,550

And maybe in our world or lives, whether

it does now, big hole, big award rock.

258

00:13:17,610 --> 00:13:18,630

That's right out here.

259

00:13:20,010 --> 00:13:22,469

Actually, this is just a little

baby mountain that lives here.

260

00:13:23,310 --> 00:13:26,160

If you love it and take

care of it and feed it.

261

00:13:26,160 --> 00:13:29,099

Well, it'll grow up to be a big old

mountain, like that went up there,

262

00:13:29,130 --> 00:13:35,280

but right now, Right now he's just a

little fellow there, but he's nice.

263

00:13:35,310 --> 00:13:36,030

But we like him.

264

00:13:37,680 --> 00:13:41,310

See, you don't have to be crazy to

do this, but it, it sincerely helps.

265

00:13:41,970 --> 00:13:42,600

There we go.

266

00:13:43,260 --> 00:13:48,720

Put a little highlight on him wherever

you think light would strike across there.

267

00:13:50,760 --> 00:13:52,530

Just like you did the big one only.

268

00:13:52,530 --> 00:13:57,839

He's a little smaller that will

touch you the shadowy color.

269

00:13:57,900 --> 00:13:59,640

Once again, I want to keep

it dark in there though.

270

00:14:01,455 --> 00:14:07,355

There just to give that delusion that

there's something happening there.

271

00:14:09,275 --> 00:14:09,875

All right.

272

00:14:11,165 --> 00:14:12,485

All kinds of little bumps.

273

00:14:16,265 --> 00:14:16,565

Shoot.

274

00:14:16,595 --> 00:14:18,515

Maybe there's another

little thing right in here.

275

00:14:19,085 --> 00:14:20,765

And this is just that same dark color.

276

00:14:20,825 --> 00:14:22,805

We're just adding all

kinds of little movers.

277

00:14:23,345 --> 00:14:26,135

There it comes right there.

278

00:14:29,010 --> 00:14:30,960

Little projections that live everywhere.

279

00:14:33,120 --> 00:14:37,200

Then we can bring her little glacier

or whatever it happens to be.

280

00:14:37,200 --> 00:14:38,910

That's living in here

a little bit of snow.

281

00:14:39,150 --> 00:14:42,570

Just pull it right on up the side there.

282

00:14:43,200 --> 00:14:45,870

If it picks up a little lip

color, don't get upset about it

283

00:14:45,870 --> 00:14:47,700

because that will come, come out.

284

00:14:47,940 --> 00:14:52,290

When the painting's finished looking

like shadows and you need those anyway.

285

00:14:53,319 --> 00:14:55,920

Gives depth and dimension

to your paintings.

286

00:14:55,920 --> 00:14:56,819

Don't worry about it.

287

00:14:58,560 --> 00:15:01,140

They're just like that at

work right on up there.

288

00:15:03,870 --> 00:15:06,770

So now that thing had a little baby

mountain there, it looks like it's

289

00:15:06,780 --> 00:15:11,939

just sort of sitting out there all by

itself, lonely, but mama's not far away.

290

00:15:11,969 --> 00:15:12,810

It's right behind him.

291

00:15:13,439 --> 00:15:14,069

There we go.

292

00:15:17,475 --> 00:15:18,345

But he's cold.

293

00:15:18,345 --> 00:15:19,725

I can tell he's cold out here.

294

00:15:20,925 --> 00:15:21,495

All right.

295

00:15:26,295 --> 00:15:28,035

Take a little more of it.

296

00:15:29,135 --> 00:15:32,145

It maybe right behind here, we'll

put a little touch of shadow

297

00:15:33,635 --> 00:15:34,995

so that all comes together.

298

00:15:37,395 --> 00:15:38,055

There we go.

299

00:15:41,235 --> 00:15:42,824

There's a lot happening

right there in there.

300

00:15:45,645 --> 00:15:47,715

I like his paintings, his

kept big old mountains.

301

00:15:47,835 --> 00:15:49,515

As I say, I really like mountains.

302

00:15:49,515 --> 00:15:51,675

It's one of my favorite

things in the world of paint.

303

00:15:52,545 --> 00:15:53,025

All right.

304

00:15:53,625 --> 00:15:54,195

Let's take them.

305

00:15:54,405 --> 00:15:54,945

Let's take them.

306

00:15:54,945 --> 00:15:58,895

It takes some black, a little

bit of Brown, a little bit

307

00:15:58,895 --> 00:15:59,885

of depression and blue.

308

00:16:00,635 --> 00:16:01,655

Put a little Crimson in there too.

309

00:16:01,655 --> 00:16:02,165

What the heck?

310

00:16:02,165 --> 00:16:02,705

I like it.

311

00:16:04,205 --> 00:16:09,875

Just a little Crimson, maybe a

little more of the blue though.

312

00:16:09,995 --> 00:16:10,895

Ooh, that's nice.

313

00:16:11,825 --> 00:16:12,305

Okay.

314

00:16:12,335 --> 00:16:13,505

Let me get a little fan brush.

315

00:16:14,595 --> 00:16:21,825

Maybe in our world, their lives, some

little evergreens live way back here.

316

00:16:22,695 --> 00:16:27,555

So when they're far away, we don't want

a lot of detail as they get closer to

317

00:16:27,555 --> 00:16:29,235

you, they will need more and more detail.

318

00:16:29,265 --> 00:16:32,505

But right back in here, we just want to

put the indication of some little things

319

00:16:32,505 --> 00:16:34,035

that are working down these mountains.

320

00:16:34,965 --> 00:16:36,555

Just give it a little upward lift.

321

00:16:36,615 --> 00:16:38,145

Maybe there's another row right there.

322

00:16:39,405 --> 00:16:42,285

I want to see some little

snowy areas in between there.

323

00:16:43,290 --> 00:16:44,250

So I don't want to kill all that.

324

00:16:44,250 --> 00:16:46,770

And that's a little snow here, a

little patches of trees that grow.

325

00:16:46,770 --> 00:16:48,840

We back up here in the mountain somewhere.

326

00:16:52,080 --> 00:16:54,590

Now let's go on the other side,

maybe over here, this sign.

327

00:16:54,980 --> 00:16:55,190

Yep.

328

00:16:55,910 --> 00:16:58,400

I, a little getting a little

bigger and a little closer to you.

329

00:16:58,400 --> 00:16:59,480

They're not really any bigger.

330

00:16:59,600 --> 00:17:00,680

They're just closer to you.

331

00:17:01,700 --> 00:17:02,900

So they look a little bigger.

332

00:17:03,630 --> 00:17:05,700

But in reality, they're all the same size.

333

00:17:07,680 --> 00:17:10,260

This is what will give you a

painting depth and dimension

334

00:17:11,340 --> 00:17:13,140

perspective, all those big words,

335

00:17:17,220 --> 00:17:18,050

easy way to say it.

336

00:17:18,050 --> 00:17:22,140

This painting as things get closer

to you, they should get bigger.

337

00:17:22,530 --> 00:17:22,950

That's all.

338

00:17:24,450 --> 00:17:25,079

There we go.

339

00:17:25,079 --> 00:17:28,560

Now we'll take a little bit of the

little bit of the titanium white.

340

00:17:29,760 --> 00:17:32,280

And once again, we're going to allow

that to pick up some of the color.

341

00:17:34,230 --> 00:17:34,950

There we go.

342

00:17:36,870 --> 00:17:42,710

Just to allow it, to pick up some of that

color for everybody that skis, what it

343

00:17:42,750 --> 00:17:44,520

would be a dynamite, ski and mountain.

344

00:17:44,520 --> 00:17:44,820

Wouldn't it.

345

00:17:45,720 --> 00:17:47,130

You can just come right down there.

346

00:17:47,730 --> 00:17:49,410

I hope you ski better than I do though.

347

00:17:52,110 --> 00:17:53,880

The only thing I'm good

at is falling down.

348

00:17:55,440 --> 00:18:00,330

I'm not a very good skier, but it

certainly is beautiful to watch

349

00:18:00,330 --> 00:18:01,740

that envy, those who can do it.

350

00:18:03,060 --> 00:18:03,450

All right.

351

00:18:03,480 --> 00:18:05,610

Maybe I know, I like these trees.

352

00:18:05,940 --> 00:18:07,110

Let makes up a little more color.

353

00:18:08,190 --> 00:18:11,250

Depression, blue, the

black Crimson little Brown.

354

00:18:11,670 --> 00:18:12,810

I just need more color.

355

00:18:12,810 --> 00:18:13,380

Ran out.

356

00:18:14,370 --> 00:18:18,840

Wipe off the old knife, we just

wiped the knife on old paper towel.

357

00:18:21,060 --> 00:18:24,170

And maybe on this side, we're

getting a little closer.

358

00:18:25,520 --> 00:18:26,630

There's another tree.

359

00:18:27,380 --> 00:18:31,370

And if you're picking up too much of

the white car behind back here, dip

360

00:18:31,370 --> 00:18:35,640

your brush into a little tiny bit of

paint, thinner, very little mouth,

361

00:18:35,640 --> 00:18:39,320

a paint thinner, because remember

our golden rule, a thin paint.

362

00:18:40,020 --> 00:18:41,160

We'll stick to a thick paint.

363

00:18:41,160 --> 00:18:43,680

So if you send the paint

down just a little bit, it'll

364

00:18:43,680 --> 00:18:46,320

stick without motion together.

365

00:18:46,320 --> 00:18:54,540

Steve says my son, Steve makes up words,

but everybody knows what he means when

366

00:18:54,540 --> 00:19:01,590

he says just paints mushing together

may not be a proper word, but it makes

367

00:19:01,590 --> 00:19:03,240

sense when you're, when you're painting.

368

00:19:03,240 --> 00:19:06,120

You understand there.

369

00:19:06,840 --> 00:19:09,330

We'll come back and split

all that out in a minute.

370

00:19:11,370 --> 00:19:11,910

There we go.

371

00:19:12,930 --> 00:19:16,430

Now, if you've painted me

before and you know, one of my

372

00:19:16,430 --> 00:19:18,470

favorite things is big old trees.

373

00:19:18,590 --> 00:19:21,230

So I think it's time we put a

big old tree or two in here.

374

00:19:22,240 --> 00:19:24,140

Lot of that dark, dark color on the brush.

375

00:19:24,170 --> 00:19:25,670

Just load the bristles full.

376

00:19:26,780 --> 00:19:28,130

Alright, let's go right up in here.

377

00:19:28,130 --> 00:19:34,010

Maybe in our world, their lives get

brave right across your mountain.

378

00:19:35,055 --> 00:19:37,514

And today let's just give these

trees a little upward push.

379

00:19:37,995 --> 00:19:41,205

Sometimes we push downward sometimes

upward, depending on the effect

380

00:19:41,205 --> 00:19:42,285

that we're trying to achieve.

381

00:19:43,905 --> 00:19:44,565

Oh, there it goes.

382

00:19:44,565 --> 00:19:46,514

My little baby mountain,

but we know he's back here.

383

00:19:48,285 --> 00:19:49,335

And do you learn how to do it?

384

00:19:49,335 --> 00:19:55,325

So that's really all that

counts, but he was cute there.

385

00:19:56,165 --> 00:19:56,254

Okay.

386

00:19:56,495 --> 00:19:58,504

We'll come back with little

highlight color and we'll

387

00:19:58,504 --> 00:19:59,885

separate all these right now.

388

00:19:59,915 --> 00:20:02,105

We're looking for as a

nice dark base color.

389

00:20:03,035 --> 00:20:03,125

Okay.

390

00:20:03,480 --> 00:20:03,840

Okay.

391

00:20:03,870 --> 00:20:05,820

Maybe, maybe, maybe, yep.

392

00:20:06,180 --> 00:20:06,690

Right here.

393

00:20:07,560 --> 00:20:08,910

There's another little rascal.

394

00:20:10,980 --> 00:20:14,910

So evergreens usually

grow in clumps there.

395

00:20:14,910 --> 00:20:18,810

So we will make us a little, a little

forest right here, but because we

396

00:20:18,810 --> 00:20:22,710

had the black Jesso in there, all

that dark is already in there.

397

00:20:22,710 --> 00:20:23,790

Nearly shoot.

398

00:20:23,850 --> 00:20:24,630

Let's get brave.

399

00:20:24,810 --> 00:20:29,640

This one, this one got a lot of sunlight

and a lot of water he's reaching.

400

00:20:29,640 --> 00:20:30,780

We appear in this guy.

401

00:20:32,115 --> 00:20:39,284

He wants to look down at the top

of the mountain there and they

402

00:20:39,294 --> 00:20:40,365

should be the place to live.

403

00:20:40,365 --> 00:20:40,665

Wouldn't it.

404

00:20:41,564 --> 00:20:43,995

Look at him across there and see

all those gorgeous mountains.

405

00:20:47,264 --> 00:20:52,095

It makes me want to go

back to Alaska there.

406

00:20:56,115 --> 00:20:56,655

All right.

407

00:20:56,715 --> 00:20:58,395

Let's put a tree or two

on the other side too.

408

00:20:58,395 --> 00:20:59,564

I like we need one over there.

409

00:20:59,745 --> 00:21:00,254

What the heck?

410

00:21:00,794 --> 00:21:00,885

Okay.

411

00:21:01,830 --> 00:21:05,760

Let's have a big one once

again, just touch with a corner

412

00:21:05,760 --> 00:21:07,020

of the brush and push upward.

413

00:21:07,020 --> 00:21:10,740

As you work down the tree, add

more pressure and automatically use

414

00:21:10,740 --> 00:21:14,010

more and more of the brush there.

415

00:21:14,610 --> 00:21:15,750

See there, how easy that is.

416

00:21:16,110 --> 00:21:16,410

Okay.

417

00:21:17,100 --> 00:21:19,680

Once we get into the black Jessa,

we're not much worried about it.

418

00:21:19,680 --> 00:21:22,320

We can just, you can literally

hit it anywhere you want.

419

00:21:22,410 --> 00:21:23,040

It doesn't matter.

420

00:21:23,370 --> 00:21:26,970

Once again, we're going to

separate this with highlights.

421

00:21:27,330 --> 00:21:28,710

Let me put a little highlight on there.

422

00:21:29,985 --> 00:21:30,525

All right.

423

00:21:30,525 --> 00:21:32,955

A little more color here comes one.

424

00:21:34,725 --> 00:21:35,625

And did your painting.

425

00:21:35,805 --> 00:21:38,115

You decide how many

little trees live in here.

426

00:21:39,525 --> 00:21:40,665

Maybe you only want a few.

427

00:21:40,845 --> 00:21:42,555

Maybe you want a great big forest.

428

00:21:44,565 --> 00:21:47,955

Another thing, if you happen to hit,

I know you want, but if you happen to

429

00:21:47,955 --> 00:21:51,915

have a little spot in your painting,

that you're not real pleased with, you

430

00:21:51,915 --> 00:21:53,895

know, trees cover a multitude of sands.

431

00:21:55,035 --> 00:21:56,715

I know you can cover up your whole canvas.

432

00:21:56,715 --> 00:21:58,395

I know your painting is better than that.

433

00:22:00,315 --> 00:22:00,945

There we go.

434

00:22:01,395 --> 00:22:05,475

That's the little tree is right there,

but sometimes they will cover up

435

00:22:05,955 --> 00:22:09,705

problem areas in your painting there.

436

00:22:10,455 --> 00:22:10,815

Okay.

437

00:22:11,775 --> 00:22:12,135

I see.

438

00:22:13,095 --> 00:22:15,885

Let's take a little left Brown and white.

439

00:22:15,885 --> 00:22:16,395

We had.

440

00:22:17,865 --> 00:22:19,875

And let's put a little

tree trunk here and there.

441

00:22:19,875 --> 00:22:23,895

And a couple of these, you're

not going to see it all.

442

00:22:24,105 --> 00:22:26,895

You're just going to see a little

bit of the trunk here and there.

443

00:22:27,705 --> 00:22:32,865

Maybe in this old big tree, you

can see a little more, just a

444

00:22:32,865 --> 00:22:34,004

few little things here and there.

445

00:22:34,004 --> 00:22:38,655

I don't want too much, just a few there.

446

00:22:39,870 --> 00:22:43,710

All right, same old, dirty brush

that we've painted the tree with.

447

00:22:43,710 --> 00:22:48,240

I'll go into CAD yellow, little

yellow ochre, and instantly, because

448

00:22:48,240 --> 00:22:52,200

there's blue in that color, we

have a nice cordial green King.

449

00:22:53,490 --> 00:22:56,730

Now, then let's go up here with

that green and let's put a few

450

00:22:56,730 --> 00:23:00,690

little indications of some, some

nice highlights on some of these.

451

00:23:00,690 --> 00:23:02,700

I don't want it to get too bright though.

452

00:23:02,760 --> 00:23:04,800

I want to keep this quite dark.

453

00:23:05,955 --> 00:23:07,455

This old tree needs a few though.

454

00:23:07,725 --> 00:23:08,925

Can't leave him out.

455

00:23:10,565 --> 00:23:11,195

There we go.

456

00:23:13,685 --> 00:23:14,165

There.

457

00:23:14,525 --> 00:23:18,755

Darker, darker, darker as it

gets down toward the base there.

458

00:23:19,535 --> 00:23:21,005

And this little tree right here.

459

00:23:21,305 --> 00:23:26,705

We want him to show up, stand down, got

to stand tall out here in the sunshine,

460

00:23:28,385 --> 00:23:33,725

say hello to the mountain and all the

little creatures go on the other side.

461

00:23:34,815 --> 00:23:43,035

We'll put a few little highlights here

and there on that, but they're all right.

462

00:23:44,265 --> 00:23:44,805

Okay.

463

00:23:46,305 --> 00:23:49,755

If you were on this tree, no, some of

these trees I'm going to leave naked.

464

00:23:49,845 --> 00:23:53,295

I'm not going to put any, any

highlight on because I want him

465

00:23:53,295 --> 00:23:54,555

to look like they're farther away.

466

00:23:54,645 --> 00:23:55,645

Back in behind.

467

00:23:57,345 --> 00:24:01,005

Very dark secret, little

things are happening in there.

468

00:24:02,415 --> 00:24:07,665

Now then we'll take a little bit of

the titanium white, allow it to pick

469

00:24:07,665 --> 00:24:13,065

up some of that tree color and begin

putting in some nice snowy areas.

470

00:24:13,575 --> 00:24:16,875

You want it to pick up that tree color

because automatically that'll make the,

471

00:24:17,175 --> 00:24:19,095

the indication of some little shadows.

472

00:24:19,845 --> 00:24:21,735

See that it looks darker

than it does up there.

473

00:24:22,065 --> 00:24:23,955

Just because it's picked

up the tree color.

474

00:24:24,915 --> 00:24:28,815

So allow the paint and the canvas and

everything to work for you don't fight it.

475

00:24:30,555 --> 00:24:33,915

As I've said before, in some of

the shows, I'm a lazy painter.

476

00:24:33,945 --> 00:24:39,795

I look for easy ways to do things,

things at work very easy, very nice.

477

00:24:41,295 --> 00:24:42,375

That's what makes it fun?

478

00:24:43,845 --> 00:24:47,175

Let's take a two inch brush, a

little bit of titanium white.

479

00:24:47,475 --> 00:24:51,074

Very little and we put a little

black and blue under here are

480

00:24:51,074 --> 00:24:53,655

blue and black, mostly black.

481

00:24:54,044 --> 00:24:55,665

It might've been a little

blue in it, but I think it was

482

00:24:55,665 --> 00:24:57,254

mostly black on the wet canvas.

483

00:24:58,034 --> 00:24:59,925

And we'll just pull it

down and look at there.

484

00:24:59,985 --> 00:25:00,324

Look there.

485

00:25:00,915 --> 00:25:04,635

We have instant, instant little

pond right here below the mountain.

486

00:25:06,675 --> 00:25:09,074

Just a happy little pond

that lives right there.

487

00:25:09,554 --> 00:25:13,804

We'll take a little bit dark

color and I just touch, just

488

00:25:13,804 --> 00:25:16,385

put a little, just a little.

489

00:25:17,100 --> 00:25:18,899

Water line under there only dark.

490

00:25:20,459 --> 00:25:24,030

Just a little, I can shoot you.

491

00:25:24,040 --> 00:25:25,260

Take your fan rush.

492

00:25:27,389 --> 00:25:30,419

Take what maybe you want to put a,

maybe there's a little projection.

493

00:25:30,419 --> 00:25:31,350

It cuts right out here.

494

00:25:32,429 --> 00:25:33,479

And this is your world here.

495

00:25:33,479 --> 00:25:35,429

You can do anything that you want.

496

00:25:36,600 --> 00:25:40,590

It works a well let's put one on

the other side to shoot over here.

497

00:25:40,590 --> 00:25:43,889

Maybe this one here is on, uh,

on top of old stones and stuff

498

00:25:43,889 --> 00:25:45,090

that are laying in the water.

499

00:25:45,209 --> 00:25:45,719

We don't know.

500

00:25:47,129 --> 00:25:49,649

Wait, you don't know, don't

know that we even care.

501

00:25:51,260 --> 00:25:56,480

Take a look at that dark color

and just put a little, a little

502

00:25:56,480 --> 00:25:58,639

bit of dirt right down here.

503

00:25:58,639 --> 00:26:04,850

That's still showing just a little,

take a little touch and liquid white.

504

00:26:05,540 --> 00:26:05,629

Okay.

505

00:26:06,080 --> 00:26:08,210

Go back in here, chest cutting.

506

00:26:08,210 --> 00:26:11,480

The indication of have a

little, little waterline, this

507

00:26:11,480 --> 00:26:12,710

float around here and there.

508

00:26:13,500 --> 00:26:15,030

Something like, so don't want too many.

509

00:26:15,480 --> 00:26:18,899

I want to make just a few maybe.

510

00:26:19,560 --> 00:26:19,830

Hmm.

511

00:26:21,149 --> 00:26:24,389

Maybe out here in the water, maybe

there's a little stones covered with

512

00:26:24,389 --> 00:26:30,330

snow or something like, so you could

pull down just a little touch to

513

00:26:30,330 --> 00:26:37,800

create the illusion of a reflection,

a little dark hindered, like, so.

514

00:26:39,495 --> 00:26:42,254

That'll touch of waterline

just to bring it all together.

515

00:26:43,665 --> 00:26:44,385

Shoot.

516

00:26:44,625 --> 00:26:48,284

I think we've about got it here,

but your fan brush, you could lift

517

00:26:48,284 --> 00:26:51,165

up or to bring the edges together

and you'd have a finished painting.

518

00:26:52,455 --> 00:26:55,754

I hope you've enjoyed this one because

it'll give you quite a little challenge.

519

00:26:56,024 --> 00:26:58,725

And from all of his hair, I'd

like to wish you happy painting

520

00:26:59,385 --> 00:27:00,555

and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E03 - Not Quite Spring

Bob Ross's

The Joy of Painting

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